California Books

We purchased this book because we thoroughly enjoyed The Rabbit Factory. The characters were soon family with the same conflicts and joys and horrors that carries with it. It was nice enough to follow the characters in this sequel, but it had so little of the magic of the first book. It was good enough, but if I had read Bloodthirsty first I would have passed on The Rabbit Factory and missed out on real magic.

Karp has followed up Rabbit Factory with another exciting story which is superbly written with a lot of laughs along the way. I couldn't put it down.

I don't know if it is because we have already gotten to know the characters in Karp's world, or he turned it up a notch but this installment in the Lomax & Biggs series is a step above the first. I loved "Rabbit Factory" but this one was funnier, more convoluted, and gripping to the last. I finished it in less than 12 hours. I could not put it down. Get it, read it, love it.

Second books many times disappoint. This doesn't. Fast and slick, with a few twists, this satisfies. As long as there is Hollywood, and the author has his contacts, the material will be there. See you again.

They're back!!! Just as funny and irreverant as before. This book may not be as long but it is just as good. I have to keep starting over because I end up giving everything away. So this will be a short review and I guess the best review would be when is the next book coming out! I was unable to put the book down once started. Enjoy a great read.

Oh, and be sure to read the "RABBIT FACTORY" first to get an insight into the characters.

What a treat! So refreshing to have someone as talented and connected as Niven share his uncensored experiences. The stories of Errol were moving beyond anything I'd ever read about him before. Everyone has sung this book's merits, I want to concentrate on "Our Little Girl". WHO THE HECK WAS THAT???? People are saying Vivien Leigh (came from Arizona, left her mother behind, had a baby, married a camera man, married three times, grew up in the Hollywood system, a blonde known as the Erector set?????) Vivien Leigh doesn't even begin to fit this description. Lana Turner seems most viable but these details do not fit her story either. Same with Rita Hayworth. WHO WAS IT???

I read both books at school in the eighties. I well remember coming across them at the back of the room in my English teacher's large bookcase. I don't remember much, just that they were a great read. Well his first time sticks in my memory....

There is something about the way in which David Niven writes about other people where you just know they would approve. David Niven always seemed to play the good guy, the hero, the sort of person to whom we would all wish to aspire. Writing about those people with whom he worked and came into contact was, however, a serious departure from acting - and could easily have gone so horribly wrong.

In this book, however, he confirms his credentials as a writer and pours his own brand of humour onto each and every encounter he describes. Not once does he stoop to the level of gossip monger, not once does attack another person.

Instead, we have a first hand account of that golden age of Hollywood written by a master wordsmith who has also mastered the art of writing humour.

Was it me, or did I detect a certain disappointment from within his own relationship?, or was it that David Niven was far too much the perfect gentleman to describe such things.

If you are a fan of the olden days - the golden days of Hollywood, you will enjoy this book. If you simply want a damned good read, you will enjoy this book. In fact, I cannot think of anyone who would not enjoy such an excellent product.

NM

David Niven is an often neglected actor from the Golden Age, but as a man, he was very likable. This book is proof that the talented actor was also a talented writer. He discusses many different people and scenerios in this book, the title of which is derived from an amusing incident on a film set. He writes with depth and clarity; it is obvious he has really analyzed the people he mentions. His respect for fellow stars and directors is admirable, especially the malligned ones.

Here we learn that the "Goldwynisms" that Samuel Goldwyn is so famous for might have all been made-up. We learn that Errol Flynn was indeed a womanizer, but no rapist. We hear an amusing story about Edward Goulding's funeral complete with the worst pallbearer casting in history.

The oddest thing in the book is a short story in the form of a chapter called "Our Little Girl." I still am not sure why it was included.

The stories and writing are incredible and gives you a real sense of what true Hollywood glamor was like back in those wonderful early years. However, I do believe the "our little girl" story was actually about Lana Turner, not Vivien Leigh. He talked about Vivien and Larry Olivier in another book or section of this book, but I doubt it was Vivien that had a breakdown. Nevertheless, the man was a great actor. What a terrible amount of suffering he endured in life and what a tragic death from Lou Gehrig's disease. Would you believe he and his second wife aren't even buried together! Too bad he's not buried next to his first wife Primula in the church where they were married. Primmie was his true love. He was blessed to have his two boys as comfort after her tragic death at a party at Ty Power's house. Get both the books and read them, you'll enjoy every word and all the inside scoop on lots of famous Hollywood folks we all still love.

Mr. Muldavin's book is a very attractive, entertaining and informative work. It is a pleasure to browse, with colorful 50's style illustrations as well as a generous sprinkling of color photographs of some of the records themselves and their vintage art jackets. The pages are of a slick, sturdy weight paper which will hold up well under a lot of thumbing through by the reader. It begins with a very interesting introduction which includes an explanation of codes and abbreviations used within, the purpose of the book, various types of children's records, what "vintage" means, information on children's record labels, a most interesting history of the "Golden Age" of children's records, and much, much more. The meat of the work is a well-organized discography of thousands of 78 rpm children's records from the 1940-50's with their disc ID numbers, song titles, artists, year, and estimated value. This book covers in an eye-catching way everything you didn't know you wanted to know about vintage children's records.

Peter Muldavin's COMPLETE GUIDE TO VINTAGE CHILDREN'S RECORDS provides a catalog of values paired with color photos for almost 13,000 records on over 450 labels. Many entries are unique to this reference, which offers a nearly complete listing of vintage children's records, primarily in the 78 RPM and early 45 RPM formats. The comprehensive coverage for nearly all 78 RPMs in the USA can't be beat.

Now readers of all ages can see for themselves what Internet-savy record collectors have known for years--that there is nobody else with author Peter Muldavin's depth of knowledge on the subject of childrens' records from the prime years of vintage vinyl.

My husband is an avid vintage vinyl collector. From the moment I first heard about this book, I knew we needed to buy it. And we were not disappointed. When the book finally arrived, we were flabbergasted by its quality. THE COMPLETE GUIDE TO VINTAGE CHILDREN'S RECORDS is a gorgeous book from it's cover art to the meticulously designed, full-color inner pages. The publisher obviously spared no expense. The result is a book everyone (not just record collectors) can enjoy, a book so sumptously packaged it can take its place among your favorites on the coffee table. A comprehensive research tome disguised as a handy collector's catalog, it is jam-packed with valuable information delivered factually but with an irresistable touch of whimsey. One wonders if this is due to the delightful nature of the subject matter or due to some special characteristic of its author, who is aptly dubbed the Kiddie Rekord King.

Buy this book and leave it on your coffee table for your friends and family members to enjoy!

Let me say at the outset that I'm not really -- yet -- a children's record collector, but I am a fan of the wonderful and imaginative art that graces so many of the covers. And the older I get, the more the songs, stories, and fables themselves touch my heart in ways that complex adult materials can't. I discovered this guide by accident while trying to find a particular song from my childhood. In the tradition of Schroeder Publishing's Collector Books, it is a very impressive work. Collectors will find not only values for a vast number of records, but also insightful information on the various labels. Hundreds of jackets and records are illustrated in color. It's fun just to flip through. The love and enthusiasm that Mr. Muldavin clearly feels for his hobby are infectious and he shares his expertise fully. Highly recommended!

One of the fondest memories I have from my youth is that old, suitcase style record player where I would play records for hours. I used to have a lot of old kids records and would dearly LOVE to still have them. My favorite was an Batman LP from the 60's that came a comic that retold Batman's origin. Collector Books is always ahead of the pack when it comes to publishing great niche books, and they've released truly the ultimate book for fans and collectors of children's records.

The Complete Guide to Vintage Children's Records is a remarkable book and a journey through a wonderful era of nostalgia. The Author, Peter Muldavin is a lifelong collector of children's nostalgia items and this book came about out of pure necessity. There simply was nothing else out there on the market. Now, the focus of the book is on 78 rpm records and not 45's or LP's. It's important to point that out as what most people are going to encounter in garage sale or flea markets is going to be LP's or 45's. Muldavin is concentrating on the era of his childhood, the early baby boomer years when 78's were prevalent in the 40's and through the late 50's.

Muldavin provides a very detailed and entertaining history of childrends records which highlights the Golden Age of kids records from 1946 - 1956. This includes a top ten list of record companies who produced children's records which includes Golden, Victor/RCA, Decca, Capitol, and Mercury. He also covers unique packages such as shaped or die-cut records, picture discs, filmstrip records, etc...All highly collectible today! There's also very valuable information about identifying and dating records, grading, and buying and selling. This truly is one-stop shopping for the Kid's record collectors.

Perhaps the most important section of the book is the 80 pages dedicated to label notes and identification. Here, Muldavin lists the hundreds of different label producers along with information such as distributor, content, subsidiaries, record size, color of label, date range, and miscellaneous notes. For example, Blue Ribbon records was a division of Mercury Records producing general children's entertainment records in the 1950's on 6", 7", or 10" vinyl. Over 450 different labels are noted.

The guide portion makes up the 300 pages plus of the book. It lists records alphabetically by label brand, beginning with Action Records and ending with Young People's Records. The guide is done in a grid format listing the main title, Disc #, artist, year, and values for both G/VG and EX/NMT grades. In all over 13,000 records are listed in the guide with hundreds of clear color photos included. In here you'll see pictures of records such as The Travels of Babar, Astro Boy, Mighty Mouse in Toyland, Jerry Lewis the Noisy Eater, and Uncle Milty and Donald Duck...what gems!

One of the best books I've seen yet from Collector Books...gorgeously illustrated and thorough. The perfect Baby Boomer companion!

Reviewed by Tim Janson

Christina Hamlett is a respected and well-known script consultant who has taken her knowledge of the industry and turned it into a thought-provoking look at the process of writing a script. While most how-to books on screenwriting give a reader the nuts and bolts of what makes a good screenplay, Ms. Hamlett does one better and walks her readers through HOW to make a good screenplay. Could It Be A Movie? is conversational and encouraging the whole way through and I especially like the hands on exercises that can be found in each chapter. They truly provide insight on what works for a story and what doesn't.

Ms. Hamlett begins by guiding her readers through deciding which format - movie, book, or stage play - best suits their particular story. She includes interviews and inside stories from some of the industries leading professionals who help explain what writing, and writing for Hollywood, is all about. She touches on everything a writer ever wanted to know about the screenwriting process - three-act story and it's proper structure, character and dialogue, adapting material from other mediums, rewrites, script consulting, more rewrites, and all about the business side of screenwriting - like protecting your work and querying an agent.

This book is one of the best on the market - as an aspiring screenwriter I've read many - and definitely belongs on the desk shelf right next to the likes of Syd Field, Linda Seger, and Dave Trottier. Ms. Hamlett's wonderful insights and straightforward writing style make it clear that she enjoys writing and helping other writers achieve their full potential. I can't say enough good things about this book, but I will say that Ms. Hamlett is a master at providing guidance to aspiring writers and she is a wonderful inspiration to us all!

Could it be a Movie gives great, detailed advice to aspiring screenwriters trying to come up with ideas and inspiration. But the book delivers so much more. This is a seriously good resource and I would highly recommend adding this book to your collection. From soup to nuts, Christina Hamlett keeps it real and discusses dialogue, agents, what producers do once they have your script and more. This is one of the best, most inclusive, humorous and spot-on books on screenwriting I have seen in some time. I just love Christina's voice. Reading her book is like having coffee with a dear friend.

Julie Gray
Founder, The Script Department
www.thescriptdepartment.com

"Could it Be a Movie?" tackles the title question with wit and a great sense of the craft and business of storytelling. Beyond that, it explores the fundamental question: Could I Be the Movie Writer? If that is a career you are considering, read this book first. Not only does it give solid information to help you make that decision, but it clues you in on the fundamental principles of the craft and business of writing for the movies. This remarkable book is loaded with resources from the library and from the internet. Could your idea be a movie? Just maybe, yes, with the aid of this invaluable resource.

There is only one reason a person writes - because they have to. And no one ever has to read what you write. But if you wish, pass copies out to your family and friends. I promise you they will gush and fawn. And you will realize the money you dropped on that script writing software was well spent. Then buy Christina's book. You'll find out that developing a script is not done by just sitting at a computer. Christina's too much of a lady to tell you in the book to do this, but here's what I did after reading COULD IT BE A MOVIE- I grabbed a couple note books, a bunch of sharp pencils, a bottle of scotch, found an empty table, and slashed my way into my soul. Christina helped me find places there I was proud to write about.

Just like Christina Hamlett's other reads, Could It Be a Movie? get's two pens up! This How-To book is your first step in determining whether or not your newly written script is fit for the big screen. Maybe it would be better as a book or maybe a stage play. Now, with this book as your guide, you will be able to make that determination on your own.
This book is chock full of great knowledge dug up from the wonderful mind of a successful theater director, script consultant and former actress. But what is great about the book is its easy to understand voice. Christina writes in a very conversational tone and combined with her wit and great sense of humor, it seems as though you are learning all this priceless information from across a table in a coffee shop. It's amazing how easily the information flows from the book to the brain. I even catch myself (who has no experience in this field) saying to myself, "Oh yeah! That totally makes sense!"
The book also relays great advice such as, "if you can strip away all the glitz and gizmos and your story still has something substantive to say to an audience, you've probably got yourself a solid plot." She instructs you to be familiar with the medium you are trying to emulate. "Don't be a playwright who has never seen a play, a novelist who has never read a book or an aspiring scriptwriter who never goes to the movies." And another brilliant point she makes is: "there are no short cuts in this business so you might as well start at square one."
Like Christina Hamlett's other book, Screenwriting for Teens, this book also has great mind-stimulating exercises to give a try. For instance, she asks the reader to list movies that are written in "bookend format" or what she aptly named the "maypole format." How about turning a commercial you are familiar with into a movie? All the while, she continues to drive home the importance of your story having a solid message. What does your script say to the audience?
There are so many important topics this book touches on that first timers may not already know. For example, she explains how to shorten a script by taking out lengthy stage directions. She advises leaving that to the directors. Or maybe you have never left Wisconsin but you want to write a believable book about a character in Los Angeles. With the invaluable resources she has included such as websites written to help novelist's research different kinds of people, jobs, cities and customs for anywhere in the world or anything you may be writing about, it's now possible. She delves into the legalities of copyrights and how to stay away from shady websites that promise you the world. Worried about how to find an agent? Could It Be a Movie? to the rescue! Yes, even that information is in there.
So start writing that first script because like in her waffle analogy, the first one always gets thrown out.

I do not order much from the internet, except I do find Amazon to be great. I have ordered serveral book, and they have all arrived in a very timely manner. The purchased have been very easy and there has never been a mix up on payments, they have also been prompt in emailing to let me know when we can expect our merchandise. I thank you for providing such a wanderful website were we can get great prices and good service too. JML California

You could build a library with all that's been written about The Doors over the past 40 years. This makes it hard to find anything new, but Ben Fong-Torres has done that here. Several never before published photos (including Jim dressed as an Indian for Halloween at age 7!) and interviews with Jim's father, brother & sister (his mother was unfortunately too ill to participate) make this a must for any Doors fan. Also has lots of commentary from Ray, Robby & John and others who were closely involved with the band.

Rock writer nonpareil Ben Fong-Torres has done an excellent job in this very fine work about the Doors. Lots of never seen before pictures and what a great treat that we finally heard something from Morrisons relatives, especially the rear-admiral. Im pretty sure those fat royalty cheques that started pouring in from 1974 has mellowed the old warriors heart over the years, but still you believe that somewhere deep inside, he was proud of his son achievements. It's a book that you can't put away, so if you start reading it early, you most likely will finish it the same day.

I loved the book! Well worth the money. It has great pictures too. It tells about the whole band and how they got along with Jim.

The Doors by The Doors and Ben Fong-Torres

Hyperion Books

Forty years ago The Doors broke on through and romanced the public with poetic nightmares combined with a jazz influenced brand of blues driven rock and roll. We all know about Jim Morrison, the bands wildly erratic front man who lived either on the edge of a stage or at the edge of his own mortality. The three remaining Doors members John Densmore, Robby Kreiger and Ray Manzarek give their take on what it was like to ride the ascending success and ultimately the burn out and downfall of comet Morrison. Ben Fong-Torres has the daunting but enviable task of coordinating the vast treasure of photos, interviews and fresh quotes into a time line narrative that takes the readers from the beaches of California to the graveyard in France. What Oliver Stone got wrong in his 1991 movie, "The Doors" Fong-Torres is determined to set straight in this retrospect. Even though it was Jim who gained the most publicity as charismatic singer and lyricist he was the first to correct anyone that would garner him with more than one fourth of the credit for the bands success. The corresponding biographies of each member help to re-tell the now famous stories but also add a more personal insight and explanation of these now legendary tales. It's always been my contention that actually being in such a famous band it is impossible to truly appreciate or understand your own impact. The Beatles never had "The Beatles" to appreciate or enjoy like the public did and the same thing goes with this remarkable group. The Doors were just trying to write some songs and score with the ladies of Venice but after these four individual and creative elements combined a funny thing happened resulting in pure rock and roll legend. It's all here in beautiful detail and imagery, from the band's first rehearsals and the ground breaking shows at the Whiskey, the Ed Sullivan snub, Miami madness to Jim's controversial departure from the United States and ultimately the planet. This is a beautiful coffee table styled book that chronicles all of The Doors phenomenal successes and internal struggles. Just as with The Beatles "Anthology" book the surviving members have assembled to tell their remembrances and share some never before seen photos and antidotes. This leaves Jim's creative and prophetic lyrics along side his infamous quotes behind as both his contribution towards the book and his path to or bread crumb trail back from the other side.

Matt Parish

Robust account of one of the seminal figures of early America, one attempting the creation of an indigenous culture cast in a more universal mode than that of the provincial Christianity of his roots. The courage to give up his secure life as a minister for the uncertainties of exploration and creative renewal marks Emerson's trail through a pioneer's psychological American wilderntess, to touch on and integrate everything from the post-Kantians, to the Buddhists/Hindus to the Persians and Sufis. That Emerson evolved into a near firebrand abolitionist is an aspect of his life unsufficiently told, and this part of his later career runs clear in this book. All in all, a first rate pioneer story of another kind.

This is the only biography of Emerson that truly matters. Richardson locks in on the essentials - the development of a seeking mind is search of the ground of being and the nature of reality. Emerson is our Founding Thinker and to do him justice, a biographer has to grapple with the how and why a mind grows, changes, struggles and reaches new heights. Even if you haven't read much Emerson, this biography sheds light on what Emerson meant when he said, "Nothing is at last sacred but the integrity of your own mind."

In the past, my experience in reading Emerson has been similar to reading the Tao Te Ching; interesting, non-mainstream in its point of view, puzzling to understand what exactly it means. So I would pick up the Tao and read it at different times of the day and different frames of mind, hoping that it would resonate with me, but it never did. Maybe it was the cultural difference, or the language, or not being able to easily identify with Lao Tzu. Such had been my experience with Emerson. I wanted to understand him better because what little I did understand made me want to learn more, but I just couldn't get there.

This biographer, Richardson, really did his homework and any who want to understand Emerson better should appreciate this work. Emerson kept exhaustive journals and collections of his thoughts for many years. He read widely and deeply, kept detailed notes, and thoroughly indexed the notes. What perfect material to access for writing a biography! Apparently Richardson went back and studied much of the source material that Emerson references in his journals and brings into this biography an understanding of who Emerson was reading and what it meant to Emerson, so we receive the pleasure of following along on a journey in the development of a powerful mind. Then Richardson is able to write about this development so that it is easily readable to us moderns. It's quite a remarkable achievement.

"Mind on Fire" shows me that Richardson is certain that studying Emerson and his message is worthwhile. So much consideration has gone into this biography that when I laid it down after almost non-stop reading for several days over the holidays, I felt like I really understood Emerson for the first time, and now have much better insight. I plan to let this book simmer in my mind a few more months, then pick it up and read it again.

If Richardson could also write something as lucid and detailed to help me understand the Tao Te Ching, I wouldn't have 10,000 questions about the 10,000 things. ;-)

Mr. Richardson's 'Thoreau A Life of the Mind' was not only the best biography I've read on Thoreau, but one of the most exhilerating and enlightening reading experiences of my life. So I decided to read his 'Emerson The Mind on Fire.' And it was every bit as intimate and intelligent.

There are times you feel that you're intruding upon Waldo and Henry on one of their walks. It was an endless stroll of two intellectuals and humanists on the path of being very human. Each of the one hundred chapters (both books) are kept short, which helps move the reader from topic to topic without ever feeling put upon (too much detail can drag what is otherwise very interesting.) Though, for me personally, I would love to savor every moment these two great men shared. I don't think I could ever get bored.

Emerson has many close friends with whom one gets to know intimately. His personal address book was a whose whose of literary and intellectual greats.

The relationship between Emerson and his second wife, Lidian, is of great interest. She was also intellectual and as much a partner in life as she was a wife. Her presence is everywhere in Emerson's life.

Emerson's essays are pure poetry. And the behind the scene snippets into how they became a part of his legacy was both insightful and relevant to the day to day interactions and causes he committed himself. His transformation from the unremarkable child into the neverending 'student' of self-education and commitment to social conscience throughout his entire adult life is one to be admired.

Mr. Richardson is one of the best biographers of nineteenth century literaries. He is truly one with his topic.

Robert Richardson's biography of Emerson is superb. Though, as Richardson reminds us, Emerson did not like superlative language when precise and adequate language would do, it is the case that at times the superlative, the precise and the adequate converge (as, in fact, they often did in Emerson's writings). Richardson's biography is indeed superb in its unfolding of Emerson's life -- the loves, the friendships, the losses, the intellectual and spiritual hunger, the religious quest, the writers in America, in Europe, in Persia and elsewhere to whom Emerson owed and acknowledged debts, the grasping at and for a world, the determination of a single, brilliant human being to find his way and to see his life, and all individual lives, as imbued with the divine and thus worth living.

The book is also superbly written. Each short chapter offers enough substantive insight to urge the reader into the next. It is a long book, but not long-winded. Richardson provides the reader with some morsel of insight in a few pages of narrative, and then offers a rest to digest what has been said. His placement of quotations from Emerson's journals, essays and other works is brilliant, offering the reader a useful sketch of Emerson's metaphysics and ethics. In my own case, this has allowed time to reach for other literature more fully descriptive of the events or scenes offered in a particular chapter, or to reread chunks of Emerson's writings while moving through the biography. The book is a useful tool not merely for a study of Emerson's life but for a study of Transcendentalism and of the interplay of ideas across the Atlantic that shaped American thought in so many ways. One sees more clearly where and how such writers as Nietzsche and Thoreau obtained the seeds of their own truths from Emerson's works and thoughts.

Richardson has set the standard for the writing of future biographies. Again, simply superb.

this Book was on right on time. Sylvester was something else back in the day as a artist and very Open about his sexuality. He didn't back down from anything. His voice was the truth and very soulful. this Book explores his whole career and thensome and the many other artists he encountered and how important they were,etc... this book takes you back to a time period when so much was happening. a must read and it is very well written and is a real page turner.

I am still reading the book and have been quite pleased with all the details of Mr Sylvester James Jr. Life, I am sure when a read the final pages it will be as smashing as the life he lived!! I also found a DVD, Filmed in San Francisco, in 1985 or 1987 when he celebrated his birthday, the video is grainy and not what I expected which was Him and the Famous (Two Tons of Fun,) what I have is Sylvester in his what I call break out years his voice was not as vibrant during this period but to have anything of him suits me just fine. He came into his own he perfected his voice and character, I still miss his presence on earth just as I do all the Great Ones.

Sincerely,
LEE

At last, a beautifully-written book about a beautiful artist - Sylvester. I have been waiting for this book to arrive for years and, finally, here it is!

I was hooked by the opening chapter which tells the story of a young boy named Tiki Lofton who sneaks out of his bedroom window at night and over to a friend's apartment where, in 1960's South Central, with the help of a young Sylvester, he transforms himself into a "Disquotay." The Disquotays were a group of boys who liked to dress up as sophisticated ladies. And Sylvester, or Dooni as he was known then, was in charge of the wigs.

"The first Disquotay bash that Tiki went to was over on 120th and Athens, at Etta James's house, sometime around 1965. Etta, who would later be inducted into the Rock and Roll Hall of Fame (largely on the strength of her 1961 hit "At Last") and the Betty Ford Center (largely on the strength of her smack addiction), was already a recording star and a friend to many local Los Angeles drag queens . . . The house, with its swimming pool and fireplace, had stunned her. Women, drag queens, and guys, all sending joyful noises in Tiki's direction; the music had been jumping; Walter Jackson's version of "Lee Cross," Jr. Walker & the All Stars' "Shotgun," "Nowhere to Run" by Martha and the Vandellas, Fontella Bass singing "Rescue Me." Gay kids all perched on gigantic speakers, singing and carrying on . . . Tiki had said to herself. "This -- honey, where is this world?" Within months, she would be a full-fledged Disquotay, made-up, bewigged, bejeweled."

Joshua Gamsom recreates this world vividly in that first chapter. Simultaneously, he introduces us to the members of Sylvester's family. His beautiful and beloved mother and grandmother. His twin sisters, Dette and Dean. The quotes are full of heart and expertly placed and the story unfolds like a fine silk fan. I can't help but think that Sylvester would be very pleased to read this biography.

I had the honor of meeting with Sylvester to discuss a project a few years before his death. It was mid-afternoon and he was sewing sequins on something, which was his favorite pasttime. He was always sewing, a talent he picked up from the women who raised him. He walked over to the turntable and put on Patti LaBelle's "If Only You Knew" and said he was dedicating the song at his One-Night-Only concert the following night to his fans and supporters in San Francisco, the city in which he always felt most at home. That night, with Martha Wash at his side, they performed that song together, bouncing their voices off each other inside the Castro Theater. Those two powerful voices, the acoustics of the Castro Theater, and the magical spell he wove with Patti LaBelle's song was something to behold.

That Sylvester could hold his own with the amazing Martha Wash is a testament to the power of his falsetto. He didn't have a thin, reedy falsetto. His was full-bodied, gravelly even, and very much in evidence on one of his biggest hits, "Do You Wanna Funk."

"So when I tell you, that you're really something, baby, will you stay, or will you go away."

Joshua Gamson captures the essence of Sylvester's personality, the diva fits as well as the immense kindness and sensitivity, and wraps it all together into an highly readable book that I wholeheartedly suggest you pick up. Although some have faulted him for not having an encyclopedic knowledge of music, Gamson lets experts like Joel Selvin provide insightful commentary.

It is my hope that someone has optioned the book for a movie and we can expect to see this wild individual portrayed in all his glory.

John Waters wraps up "The Fabulous Sylvester" pretty well in his cover blurb: "A well-written, touching, dignified biography of a gay black diva who never really fit into any minority but managed to achieve his dreams of stardom. Now that's what I call a man."

Five Stars. Great Read.

The Fabulous Sylvester is a fascinating recounting of the life of Sylvester, the dance scene and Sylvester's career. This book explores the life of Sylvester from his early childhood days to his development into an international dance icon. This book does not sugarcoat any part of Sylvester's life. It is detailed and honest and shows us all aspects of his life and career. This book is as interesting and fabulous as Sylvester was.

Joshua Gamson took the reader on a magical journey of Sylvester's glitter world of music, sex, and drugs with the abandonment that was the time of the 70's. Sadly, there was no gold at the end of the rainbow and we, like Sylvester, saw the decline with terrible retribution.

I highly recommend this book; it's a quick read and you won't be able to put it down.

While as comprehensive and extraordinarily detailed as a college text, and as fully annotated, this is a great example of a 'popular' history at the top of its game. The enormous amount of (often grueling) material is nicely organized across time, place, and category, the many significant characters are well-delineated, and there is a sense of narrative flow and pretty steady momentum to this highly readable book.

This is a excellent, outstanding and informative book, that every patriotic american should read. These men are real American Heroes, I needn"t say more.

Definitely one of the best books I every read. It's amazing what a man will do for honor, to protect the life and dignity of another, at his own peril. There are scores of examples of this in this book. On the down side, what men bent on tyranny and oppression will do to break the will of another. However, light truly shines through darkness. If you think you have it rough, read this book.

This is a lengthy but well written book. If you are looking for an excellent history of the POW's from the Vietnam war, this is the one to get. If you are interested in history or the human aspects of the Vietnam POW's this would be very valuable. I have read a number of books on POW's and this is by far the best of the lot.

This observer has followed the POW situation since 1972, when he was still on active duty. He is familiar with many POW memoirs, so the men in Messer's. Kiley and Rochester's voluminous work are no strangers. Most of the prominent POWs are well known to many and they are certainly all here: Ernest Brace, Robinson Risner, James Stockdale, Jeremiah Denton, Frank Anton and Everett Alvarez-plus many more. If this reviewer had to choose a favorite memoir, it would be Anton's "Why Didn't You Get Me Out?" Honorable mention certainly goes to "A Code to Keep" by Mr. Brace. HB goes into far deeper detail than do individual stories, yet necessarily lacks the personal touch folks like those two gentlemen provide. Those in the amazon community who have read no POW tales and are satisfied with one big picture have the perfect book in HB. The back cover noted that HB "combines rigorous scholarly analysis with moving narrative". That it certainly does, in fullest detail. All the torture, all the mind games, all the coming and going and transfers, all the gripping boredom and fear, all the gruesome details of prison life are here. It will be clear that the POWs were anything but one big happy family. Disagreements abounded, especially that nebulous subject regarding compliance with the Code of Conduct. Some favored active resistance, some a "cooperate-graduate" approach. The authors also do an excellent choreographing of the release of the Spring of 1973. They were not repatriated on one fleet of C-141s but came home in stages. We learn that a handful of guys were released through Saigon and 2 through Hong Kong (!). There are some caveats attached to this review: HB cannot be skim read. It demands attention and a substantial investment of time upfront. Casual readers are in the wrong place! They won't appreciate the 88 pages of appendices and notes/footnotes. HB also concentrates on prisoners held in the major North Vietnam detention centers. The missing in Cambodia, Laos and even China are outside the scope of HB. But HB is also silent on the fate of the discrepancy cases of those lost in the 4 countries. One hopes that the authors, writing a book that admits to being "an official publication of the Department of Defense", are not attempting a "Case Closed" on the 1,783 still unaccounted for. This observer will give the authors the benefit of the doubt here. Still. FAR more disturbing is a gratuitous remark on Page 589 that those who continue to press for a fullest accounting of the missing are "a swarm of polemicists and opportunists". This reviewer is one of them! He belongs to neither of those species! Since it is most likely that no offense was intended, none is taken but that comment demands an explanation! It certainly merits an unfortunate reduction in rank to 4 stars. That there even is a page 589 is the essence of HB. This one is not for those with a passing fancy on the Indochina War. A final note: There is a new, voluminous publication available on amazon-"An Enormous Crime". That particular 566 page volume-in small type no less-claims to be the "definitive account of American POWs abandoned in Southeast Asia". The different scope of EC should encompass what HB did not. Maybe these 1,000+ combined pages of text will shed a final light on the thorny question of POWs/MIAs in Indochina. Congressman King (R-NY) is also attempting to convene new hearings on the same subject. This painful matter will be with us for a while. The bottom line to "Honor Bound" is the headline above. This is indeed a great work of military scholarship and for that the authors deserve their due.

I'm at a loss about how to begin a review of the titanic marvel "Joseph and His Brothers" because of its being so many things, adding fright to the one who tries to properly bring forth what future readers are in store for upon opeing its first page and delving into "Descent into Hell."

I have never before and doubt ever will again read a 1,500 page 'tale,' let alone one that includes a continuous barrage of gripping stories alongside psychological insight of God-like proportions. What's icing on the cake as to this book's sheer power and unforgettableness is its comic charm. I did not know I was going to be reading what is pretty much a comedy when being pulled into this marvelous Old Testament narrative.

If you have read the biblical account of Jacob and Esau on down to Joseph in Egypt and are worried that its contents couldn't stay intriguing for this many pages, there is good news, because it, for the most part, very much is.

In the preface, translator John E. Woods accurately proposes he thinks that "Mann ... wanted to make sure he had readers worthy of him" while explaining that some portions of this interweaving jewel are prone to be more difficult to read than what is, thankfully, the majority. And it is this truth, in which I agree with this stirling translator, that I breifly dwell upon.

In several used bookstores I've been to, the only part of this story that I ever saw available, and in a volume all its own, was H.T. Porter's translation of "Joseph in Egypt." Given its apparent availability over the other three parts, I suspected it would be the best - which Mann himself thought to be true. But, solely from the perspective of, as Virginia Woolf would aptly call me, a 'common reader,' I bring forth that those trickier 'riddles' that Woods forwarns, or maybe just mentions, occur most often in this third volume. The feel of being sidetracked a little too much continues on into the beginning segments of "Joseph the Provider."

Do these, I will dare to say, overly descriptive, meandering pages that include some repitition detract all that much from the sheer pleasure that dominates most of what is nothing short of this literary feast and party? Hardly not. For outside of this minor qualm over the author perhaps going a little too far about content that probably didn't require as much attention, there is no book I have read up until now that has offered more to a reader than this. I guess "sublime" is not a bad word to use when measuring the result of Mann's cataclysmic efforts that encompassed a time span of 16 years, no less, including a 5-year absence between the third and fourth stories.

He touches on such juicy, delicious insights about mankind, helping to devour the notion that life is different now compared to then. And while it is entirely varied in custom, how could our experiences be all that different due to the fact that we all have one monstrous thing in common, our humanity.

Mann had me wondering if he wasn't something more than human, though, his elegance, wisdom, humor and charm are in such top form. And while it could have been one of the great many gods of Baal that Mann includes throughout who could have helped guide his pen, I'm more prone to believe it was the God of the wanderer who possessed his wrist on occasion.

One of the greatest books ever written.

Also the kind of service / support rendered by Amazon, when the first copy did not reach me, was truly touching and amazing. Within a fortnight of not having received the original book sent to me, I had the book finally in my hands ! Great customer service.

For all the great technological magic of our age we suffer the misfortune of living in a time where the depth of hyperbole rends the edge from language leaving us bereft when the time comes to describe something truly remarkable. Thus to say that John Woods' translation of Thomas Mann's Joseph and His Brothers offers readers a gift of almost indescribable value may leave one wondering if I am making a literally true statement or simply wallowing in the common puff of our day. In this case the latter is the case for Mr. Woods' translation of Mann's great opus offers the reader an experience both challenging and sublime.

Readers unfamiliar with Mann's work may feel a sense of vertigo beginning this even more than his other works. Much of the style of narration, unique with its perspective shifting through time, seems almost purposely designed to leave one doubting their footing. Increasing the sense of dread is the books sheer heft, with over 1500 pages of small type and weighing in at almost two and half pounds. Yet those brave souls who resist the temptation to lay down this load in favor of a more easily digested work will come to in the end appreciate the feast to come. Mann's work rests on its own unique rhythm, and once the reader grows acclimated they will surely appreciate both the work and the great skill of Mr. Wood as translator. This series of four novels expounding on the biblical tale of Jacob, his son of Joseph of the famous robe, as well as his brothers, often comes when people engage in the entertaining and fruitless parlor game of determining the greatest literary work of the 20th century. While no single work can claim such a title, the complexity of the work and the Herculean task of translation should be evident that this is only the second instance of its translation into English in the more than 60 years since it first appeared.

Beyond simply outlining the work's subject matter, in many ways it seems written with the express intent of defying further description. With a complex web of interrelated stories, occasionally taking subjects that the bible reflects on for only a sentence and expanded on them for a hundred pages and at the same time seeking to place this seminal tale in its religious, historic, and cultural context, the work often leaves the reader gasping at the audacity of Man's enterprise. Yet almost every one of his efforts comes as a remarkable success, leaving one much to ponder. Indeed, any expectation that one can rush through this work will surely leave you with only a headache and little to show for the effort. Instead, one must take their time and slowly chew on Joseph and His Brother's digesting each piece in turn. Like many great works this one takes effort and diligence, but the reward comes as more than just bragging rights for having read it. Far more, it will offer an often eye opening new perspective and beckon from the book shelf to be taken down again so that you may reread this section or that.

One last point: to end where I began, Mann's attention to detail and word choice often gives pause, making each of us consider the harm done when we rain down words on a subject when a mere drop would do.

The new translation of Joseph and His Brothers is beautiful, as is the novel. Yes, it's long--about 1500 pages--but it's worth all the time it takes to read. Perhaps this isn't the place to start, if you haven't read Mann before, but if you already admire his work, you're going to love this book.

Anyone who has read my Listmania "Escape Mass Market Fiction" knows that I touted this novel (tertrology actually) as having ".... the most exquisite language since Shakespeare". But it is truly beyond that. After 30 years and over 3,000 books read I can affirm that there simply has been no greater work of fiction produced in any century by man or woman. One of the reviewers for the Lowe-Porter translation was dead-on saying you keep wanting to go back and reread the last 20 pages you managed to finish just to savor the experience. Original editions are a little rare and expensive, but, like any treasure, it's rewards are transcendental, and once read, you can consider yourself part of the most esoteric world of the true literati. NOTE-- Beginners who are easily scared off and prefer to sample before committing might want to skip the Preludes and go straight to the main chapters.

We purchased this field guide to take on dayhikes and camping trips in the Sierra's with our 5 yr old daughter. We have thoroughly enjoyed it! It is very easy to use. I looked at many field guides and this one is by far the easiest to use. Small children can become bored easily on a hike. The field guide has made hiking more interesting for our 5 yr old. She finds it great fun to identify new flowers,plants,birds,ect. It delays the inevitable, "Are we there yet?" !

The detail drawing make it easy to identify the plants and wild life.
A great way to learn.

John Muir Law's Guide to hiking in the Sierra Nevada is lush with his artistic renditions of all you might see, and want to identify, as you hike this area. Small enough to carry in your back pack, but chock full of helpful information.

This book is stunning!..Beautiful artwork by the author as well as meaningful interpretations of wild life. The author is a gift to natural books as well as his art!

I have at least 10 books specifically on Sierra wildflowers and several field guides. This is the best all-in-one book. It's not too heavy for me to carry on a day hike.

Janice
in the Sierra