North America Books

Having moved out to the country, we see all kinds of critters around and I like to know what I'm seeing. Sheba the lab has also been performing her version of rodent control. Thanks to this book, I now know its short-tailed shrews she's been hunting, not voles as I originally thought. Nice to learn more about what we've got in the area. Maps and descriptions are very clear and concise and the book is super easy to use.

This is an excellent book and is a worthy addition to the collection of all naturalists, mammalogists, and people interested in nature. Photos don't always work as well as illustrations in field guides but the Kaufman Focus Guides have rectified this situation by digital manipulation of the photos. Some larger species (whales, porpoises, and dolphins) are illustrated but also include photos. In addition to the very good photo images, species accounts appear to be well-detailed and current. One of the strong points of this field guide is that all information for a species is before your eyes; no flipping like in some other mammal field guides. The photo images are on the right side of the page along with common name and weight and measurement (non-metric). On the left side is the common and scientific names, species account, range map, and an illustration of one footprint for most of the larger, terrestrial mammals. The species accounts includes information on differentiating between similar species. Many species have multiple photos which is helpful and the young of many larger mammals are depicted. The worst of the photos (such as Alaska Marmot and Alpine Chipmunk) are still good but only consist of one image each. In my opinion, this is the new mammal field guide standard.

After a disappointing look through other mammal field guides, I came across this little gem. Instead of illustrations it uses photos (except for the whales, some illustrations). I almost passed on it because I wasn't used to seeing these kinds of photographs in a field guide: they are digitally edited and have the appearance of being cut out and pasted onto the white pages. However, it soon became clear that the photos are of exceptional quality and could beat out the competetion as far as completeness of subject matter. For example: there are about fifty photos of chipmunks; there are photos of both morphs of the Arctic Fox in summer and winter. Two variations of the blue phase are shown in summer coat. The pups for both colors are included.
The book is designed well, with the text most of the time to the left of the corresponding pictures. Fun, interesting, informative.

A brief jargon filled synopis:

This is a very good field guide. The illustrations (actually manipulated photographs) are bright and sharp and field marks are easily distinguished.

The fact that the range maps are placed within the text (not a seperate section) makes it easy to eliminate species and arrive quickly at the mammal you are looking at.

The species accounts are informative without being wordy and the similar species are dealt with thoroughly.

The plethora of mice and shrew species are dealt with adequatley. The basic message (at least with shrews) is if you want to be sure of your identifaction, check the dental records!

I am very happy with this field guide. It is much, much better than the Peterson field guide series edition. The writing is intelligent and interesting. A great deal of natural history is included in the species accounts, so the book makes for good reading.

I am sure that mammalogists will find numerous quibbles with this book. But I am not a mammalogist. At heart I am a birder who enjoys looking at mammals when I run across them. This book is perfect for quickly identifying what chipmunk is yelling at you or for sorting out what member of the weasel family just ran over your foot.

If you are looking for a field guide to throw in your car along side all the other ones----this is yet. Enjoy.

I found this book to be very interesting. I admired the author, who learned how to handle and live on a boat. It was well written -- a "page turner".

Life is a journey. Ruth Silnes' journey is both literal and metaphoric as she honeymoons on a yacht with her husband Torger in KEEPING AHEAD OF WINTER -4100 NAUTICAL MILES INSIDE AMERICA. Using the trip's logs and her memory, Silnes recreates the adventure and romance of her honeymoon in 1965.

The trip tested and strengthened her love for Torger. Clearly she remembers her husband and their growth together fondly.

The memoir describes the events factually. Author and illustrator Ruth Silnes recreates the story as it happened rather than reflecting it or reshaping it. Her descriptive phrases bring settings and struggles to life.

KEEPING AHEAD OF WINTER would be of particular interest to yachtsmen, wannabe boaters, and vicarious travelers. In addition it should appeal to anyone interested in life's journey as seen through the eyes of an adventurer starting the second half of her life.

The book is the story of woman in midlife who begins an exciting new adventure with her new husband. Together they live out a dream of sailing the inland passage in their new boat. The character and relationship development while under the intense pressure of piloting a boat are fascinating, as are their hair raising adventures. I couldn't put the book down!

This book is far more than an exciting account of the author's sailboat journey from Chicago to Florida's Gulf coast. Its second theme, the inner journey she takes while adjusting to life with her new husband (and learning how to be "first mate" on a 38-foot sailing yacht!), is such a perfect match for the more obvious one that I would hesitate to designate one as primary and the other as secondary. Along the way Ruth and Torger Silnes learn many things about their country, but Ruth learns just as many about herself.

This is a well-told story of a woman's transition from her life's first half to its second, rich in detail and emotion. It deserves to be read. Do give it a try!

A kelpie helps a misunderstood old woman to find a happier life. If you love horses then you would probably like this book. Extremely otherworldly. A real page turner that is my absoute favorite. Explore Scottish lore in this story, the setting of which takes place beside the Loch Ness, complete with an appearance by Nessie even. A timeless story that touched my soul. Intended for children, but it's a good read for adults with an open mind also.

Horse girl

I read this book when I was about 9-11 years old and I loved it. I read and re-read itover and over. I loved the story.
Now I have a little boy who reads books about old myths and legends. I want him to experience this book and I want to read it again for myself.

I read this book when I was in the fourth grade and I was enrolled in the Scholastic Book Club - I loved it then and I still like it as an adult. I bought it for my son who also likes myths, legends, and fantasy; he enjoyed it very much as well. Great book for young adolescents, a good story to read to kids at bedtime, and a quick read for adults who just want to sample a story about a witch woman and a kelpie.

This book was a treasure we found in a used book store. I read it aloud to my 9-year old daughter who was entranced. It's a book about an aging loner, whose ancestors were witches, who one day spies a kelpie in her pond. They become friends and reminisce together. The kelpie gives the woman a necklace of pearls from the bottom of the kelpie's lake. When a greedy wanderer finds out about the pearls, trouble begins. Included in the tale are the loch ness monster, an abused boy who loves nature, tourists, scientists looking for the l-n monster, magic, and a description of the peace which comes to the old woman riding away on the kelpie (transformed into the death horse) as she is returned to her youth and beauty. The words and phrasing made me try to imitate a Scottish accent, for they were too beautiful to read in my midwest voice.

This story is cool. The book theme is to accept people no matter were they are from. The book is about a girl who is from Sweden and they come to america becaue thay ran out of food in Sweden. Kirsten finds an indian friend but kirsten doesent tell anyone because they think that the Indian people are mean, so kirsten keeps it as a secet.

This is another in the American Girls Short Stories series about Kirsten Larson, a nine-year-old girl from Sweden, whose family has moved to frontier Minnesota of 1854. In this episode, Kirsten begins school. As she struggles to learn her lessons in a new language, she makes a new friend, Singing Bird, an Indian girl of about Kirsten's age.

This is another lesson in friendship and hard work, one masterfully told. Again, Renee Graef's illustrations are plentiful, and of a perfect style for the story. My nine-year-old daughter loves this wonderful book, and so do I.

This book teaches you that you can be friends with people even if they speak another language. I've read every Kirsten book and this is one of the best!

This is a sweet tale about a little pioneer girl named Kirsten who is a Swedish immigrant and has a little difficulty speaking English- which gets trouble from her tough teacher. Things worsen as the teacher moves in with her aunt and uncle who Kirsten's family lives near and eats supper with every night. Kirsten finds her solace by running into the woods to play with her secret friend, a young Indian girl named Singing Bird. Everything in this book is great- from the stern but kindly teacher, to the friendship with the Indian girl.

Kirsten on the Trail continues the story of a nine-year-old Swedish girl who's family has come to live on the frontier in 1854. Kirsten has a secret Indian friend, Singing Bird. But while they are visiting, her little brother Peter sees them. Peter promises not to tell anyone, but blurts it out to Kirsten's mother. Kirsten is forbidden to play with Singing Bird. But Peter runs off and gets lost. When Singing Bird saves Peter by helping Kirsten find him, Kirsten's mother agrees that Singing Bird is a good friend.

This is another in the American Girls Short Stories series about Kirsten Larson, a nine-year-old girl from Sweden, whose family has moved to frontier Minnesota of 1854. In this book, Kirsten's American Indian friend, Singing Bird, returns. Almost immediately disaster strikes, when Kirsten's secret friendship is discovered, and her mother orders Kirsten to never see Singing Bird again. However, when Kirsten's brother Peter gets lost in the woods, Kirsten turns to a friend who can help when others can't. It proves a chance for the whole family to learn a lesson.

As an added bonus, this book contains a chapter on the Sioux Indians, and instructions on making a charm bag. I never ceased to be amazed at the quality of the American Girls books. With wonderful illustration, the book tells a great story that teaches a valuable lesson. I strongly recommend this book to anyone with a young daughter. My daughter and I both love these books!

[For those parents interested in reading historical fiction about Swedish immigrants, please consider reading The Emigrants series by Vilhelm Moberg.]

Kirsten on the Trail is a good story for early readers and children who can hold their attention to a twenty minute story.

This is the tale of frontier life and the interaction of a pioneer girl and her indian friend of the same age. Theirs is a secrete relationship -- history has told their parents to be wary of each other and they are forbidden to play together.

The disappearance of Kirsten's younger brother and his rescue by Kirsten's indian friend allows the parents of the pioneer girl to accept the the innate goodness of a child from a different culture. This book introduces pioneer life, the clash of indian and pioneer cultures and the acceptance of difference to young readers. Its a story my kids like.

If you or your child has already read the American Girls book "Kirsten Learns a Lesson", you know that Kirsten has befriended an Indian girl named Singing Bird. In that story, Kirsten was ordered not to play with Singing bird any longer. Singing Bird leaves. In this new short story, which forst appeared in American Girl magazine, Singing Bird is back. Kirsten wants to see her, but cannot break her rules. Can she and Singing Bird meet again and keep their friendship a secret or will everything fall apart? Kirsten learns another lesson in this great book for little girls.

that I am looking for her next book :)....what a great (yet) readable book !

When I opened 'Kiss the Sunset Pig' I was expecting a travel book, which it is ... and a great one at that. What I wasn't expecting was how much it would touch my soul. I sat, riveted, as I took a journey not only around the world, but across thoughts, hopes, dreams. Anyone who's ever questioned whether, with the whole world to choose from, they're living their lives in the best place or whether they've filled their lives to the very best of their ability, will find a resonating spirit in this book.
As Laurie Gough makes her way from Canada and across America she hopes not only to settle happily in California, but to find the coastal cave that she lived in for six nights, years ago. But the search is not so much for the cave itself, as for the more free-spirited (she believes) girl that lived there. As she drives, she recalls previous travels in the Greek islands, the Yukon, Jamaica, Sumatra, and Seoul, to name a few. These tales can't fail to inspire. Her bravery alone, traveling solo through often uncomfortable, and sometimes dangerous, situations is humbling to say the least. But it's this bravery she feels has been lost and she hopes to rekindle by finding her cave.
Several times the author seemed to wander into places I thought only existed in my daydreams. Some were so uncanny they made me gasp. Since childhood I have wanted a glass-walled bedroom perched on the top of a house, entirely surrounded by trees. I clapped my hands in delighted envy when the author set up home in just such a room ... and in a Californian Redwood forest at that. These instances were some of the most poignant for me - the fact that daydreams can so easily be reality if you go out and make them so ... that really hit home.
The travel stories are touching, humourous, enchanting, and filled with travel's usual mix of discomfort, frustration, alarm, and achingly beautiful encounters. All are told with the author's clear natural gift for portraying the lightness and the depth in every situation.
So if the idea of sleeping in a coastal cave, inside a Californian Redwood, on a Mediterranean beach, or on the banks of the remote Yukon river lights something intangible inside, I wholeheartedly recommend you read 'Kiss the Sunset Pig' and let inspiration rain over you.

If you enjoyed Kite Strings of the Southern Cross, or even if you were not lucky enough to read it, Laurie Gough's second book offers the same magical combination of beautiful, descriptive travel writing and soul-searching that never comes across as self-involved or forced. Starting in Canada, Gough takes the reader along on her road trip to rediscover a special cave she once stayed in along the California coast - and how she has evolved since that memorable sojourn. Interspersed throughout the narrative are chapters on some of Gough's other international adventures to such exotic locales as Sumatra and Seoul, South Korea (a place that comes across as utterly unappealing).

Much of the beauty in Gough's writing comes not just from her memorable descriptions of the people, places, and things she encounters and learns from (especially those harrowing Indonesian bus and ferry rides and Marcia, her struggling car), but also from her brutal honesty about some of the low points she struggled through along the way. By the end of the book, the reader truly roots for Gough to find her cave so the journey can go full-circle.

Despite an unexpected outcome, Gough manages to discover the meaning and convey the depth of her experience in a way that never seems heavy-handed or cliched. This is a beautiful and inspiring piece of travel writing that offers many riches for fellow travelers, those who enjoy strong writing, and anyone who has ever considered his or her place and purpose in the universe.

Laurie Gough is an intrepid traveller with a youthful exuberance for adventure. I realize, though, that no matter what one's age, some people are born with wanderlust and have a need to travel the world. The interesting thing is, travellers always return home. That's what Gough does. She's been to thirty countries, hitchhiking thousands of miles by herself though fourteen of them. But she always returns to her hometown of Guelph, Ontario in Canada.

At the beginning of Kiss the Sunset Pig, Gough sets off for California from Guelph in a "blue, beat-up mini Ford Bronco" she calls Marcia. To help with driving and expenses, she picks up a travelling companion named Debbie, whom she has met through an ad and, before the trip begins, has only spoken to on the phone. Debbie gets dropped off in St. Louis, Missouri, at the home of a boyfriend she has never met face to face.

"Sometimes I think I'm still looking for an axis," Gough writes early on in her journey. After reading her book, I think the axis may be the wanderlust. It's who she is. For a person with wanderlust, there is no perfect place to live. A place may seem ideal, for a time, but really it's just a base at which to prepare oneself for the next adventure.

Reading about her encounters with strange and wonderful people is frightening at times (for the reader and for her), but I realize travelling with a companion or in a group, as I usually do, one is not open to the same exciting possibilities. Travelling solo, Gough finds herself talking to strangers more readily as she's more open and more herself. "That's the thing about travelling: it's like peeling away a layer of yourself, exposing yourself to the world so it can expose itself to you".

The structure of the book is an interesting one that works extremely well. (She did the same in her first book, Kite Strings of the Southern Cross, which I highly recommend.) Rather than write a book of travel stories in chronological order, Gough reflects on previous journeys as she drives across the United States in a car that needs lots of garage visits along the way.

One of those reflections is the Greek island of Naxos. There Gough created a temporary home under a small bamboo wind shelter on the beach. Her backpack went missing for a time and to ease her panic, she looked at the "dependable milky rock" of the moon. Gough realized things like that didn't matter "in the great scheme of the universe" (she had her passport and money), and I realize too, as a traveller, one needs to practice non-attachment. Gough describes Greece beautifully as a "land where myth and reality swirl around each other in a luminous haze." Yet she needed to move on, "to see the rest of the world."

One summer, Gough hitchhiked to the Yukon, 3,000 miles from Guelph. She says hitchhiking is "always a surprise study of human beings." Her travelling companion Kevin told her of his own world adventures. His advice was "You have no idea what's in store for you, but if you let yourself go along with the flow of the unknown and accept whatever happens, things seem to work out".

The "exotic detours" of which Gough writes don't all have happy endings. Her teaching job in Kashechewan in Canada's sub-Arctic ended after only three months with Gough defeated and exhausted by the chaos of a third-grade class. A trip to Jamaica with her sister ended quickly, as Gough likes to stay with locals while her sister prefers fancy hotels.

Gough is full of questions about where she belongs. Those questions don't at all detract from the book; they help us relate. After all, travel is about looking for oneself, and as travel-book readers, we get to reflect on similar questions.

On her trip to California, Gough plays Joni Mitchell's "California" that includes the phrase "kiss the sunset pig." She carries a tattered notebook called "Cave Journal" and would like to find that cave on the Pacific again, where she spent some time thirteen years previously. Along with her questions and her longing, Gough has a healthy sense of humour about her encounters along the way. She describes a town on the Great Plains called Grainfield as the "size of a bath mat."

At an earlier age, Gough described herself as "still on my way to everywhere." She has learned that travel can mean "hours, even days of despair, rain, heatwaves, snow, mosquitoes, late trains, no trains, followed by a single moment of dazzling elation. It was those single moments one tended to recall." Gough makes some realizations at the end of her California trip that I don't want to reveal here. But I would say, even though she is older and perhaps wiser, I still see her as on her way to everywhere.

Gough has married since the stories written about in her book and has a baby son. They divide their time between a farmhouse outside of Guelph, Ontario, and a Quebec village. Seventeen of her stories have been anthologised in various literary travel books, including Salon.com's Wanderlust: Real-Life Tales of Adventure and Romance and Sand in My Bra: Funny Women Write from the Road. She has written for the Los Angeles Times, the Globe and Mail, the National Post, Outpost, Canadian Geographic and numerous literary journals.

by Mary Ann Moore
for Story Circle Book Reviews
www.storycirclebookreviewsorg
reviewing books by, for, and about women

This book was a wonderful source of information for me to learn more about a ceremony that I'd been through countless times. The Sweatlodge is a powerful ritual on many different levels & this book sheds some light on that, especially for those of us not brought up in the Lakota culture.

This book was very well done. Many people who are looking for information on what to expect from sweatlodges in general will benefit from this book. The author gives a good amount of information about the history and the many different styles of the inipi ceremony. I personally have been in many different inipi (sweatlodge) ceremonies and found that there are different styles but there are a lot of common things as well. This book is well written and well worth the read. The author sticks to just the plains indians style of lodges and does not go to compare with the many different styles of sweatlodges around the country and around the world. I liked that he kept his information consistant and from the people who wanted to share it first hand. There were quite a few people who shared information that might take a lifetime of looking to find.

Not only the most throughout chronicle of the sweat lodge ritual, but also one of the best books on contemporary Lakhota religion. Good work!

I read through this book in one day. I couldn't put the book down except to make a coffee. Excellent reading.

As someone who creates languages for fun, I've read a lot of linguistics books, searching for ideas and inspiration. Recently, I became interested in polysynthesis, but could find no detailed information on it. Then I found this book. The first three hundred pages are full of unique linguistic features. Polysynthesis is covered in great detail, as is almost every rare grammatical structure. The sheer scope of this book is tremendous. Mithun claims to include every attested North American language, and I believe her. Also, the extensive references (almost 150 pages) make it easy to locate information on specific languages (like full grammars, phonologies, et cetera). Highly recommended to anyone interested in linguistics, and a must-read for any conlanger.

People who are interested in unusual languages, like myself, probably have some familiarity with Marc Okrand's Klingon, created to be the speech of an alien race. This artificial language throws in some less than common sounds, and creates a somewhat unusual syntax, and attempts to sell the result as the speech of an alien race.

A few minutes with this book will suggest to the reader who takes an interest in these things that Klingon is a profound failure. Here we have a record of people here on Earth who have created alternative linguistic structures that are even more unfamiliar to English speakers. This book will open your mind to the astonishing variety of ways human verbal communication can be categorised and organised. We have languages with no clear distinction between nouns and verbs, and languages that can give tense and conditionality to adjectives. We have languages that use different pronouns for a 'we' that includes the person being addressed, and a 'we' that excludes that person.

For a reader with interests in these matters, this will be a fascinating, if somewhat dry, read. Your joy at being introduced to this fascinating variety will be tempered, though, by the ever-present elegiac note in these pages. Literally hundreds of these tongues are still spoken only by a handful of aging people; hundreds more have gone silent.

Marianne Mithun is *the* expert on Native American languages. This book is an excellent resource for grad students, undergrads, professors, and anyone else interested in the languages of the Americas. Mithun describes in detail language phenomena and language families, and includes an extensive bibliography in case you can't find what you're looking for in this book.

This book is chock full of linguistic information about the many diverse Amerindian languages and has an excellent bibliography. My only regret is that it includes almost nothing on Amerindian sociolinguistics. It would probably be difficult and dry reading for people not already interested in linguistics; most of the book is fairly technical.

I owned this book for three years, and after only recently picking it up to read it, I realized what I was missing out on during that time. This is a fresh and descriptive analysis of the young Virginia generation before, during, and after the war. As one who has read dozens of books on the Civil War, it was this one more than any other that best explains how and why Virginians formed their fundamental opinions of their native state, the Southern region, and Northern industrialism during the antebellum period. Through their viewpoint that Virginia's reputation and standing in the Union was diminished during the period prior to the war, it becomes clear that the war gave these young Virginians an opportunity to improve the status of their commonwealth while cementing their place among men in their state. Though one often gets the perception through Carmichael's writing that these were overzealous, egotistical young men, their conduct in the war brings to fruition their importance in the New South.

Carmichael's writing is interesting and well-detailed with a wide variety of excellent material from both primary and secondary sources. His inclusion of statistics on the members of the last generation provides ample insight into the professions, religious affiliation, and other important data on the members of the last generation. Even more than "For Cause and Comrades" by James McPherson, this book will expose why a reluctant Virginia joined the Confederacy and explains clearly how the young Virginia generation almost pushed the South to ultimate victory.

Like most readers of history, the significant figures of the Civil War have taken on almost mythic proportions. Some times they seem almost to be gods stepped down from Mt. Olympus. In The Last Generation, Peter Carmichael manages to shed new light onto the lives, interests, and beliefs of many of the young Virginians that were so caught up in the cause of the day and in the process makes them human once more.

I found The Last Generation to be full of information that is new...at least to me. I've done my share of reading about the major characters involved in the Civil War, on both sides. Yet Carmichael seems to provide the reader with new insights on almost every page.

I also found the tables in the appendix to be full of useful and eye opening facts. Trust me, they're worth the time it takes to study them. Finally, I spent more time than usual studying the notes provided by Carmichael, a compliment of the first order.

For the casual or serious Civil War buff, The Last Generation will be a memorable read.

In his book, "The Last Generation," Peter Carmichael explores the psyche, values, goals and visions of the young caucasian men of Virginia who came into adulthood just as our nation descended into the Civil War. Born to privilege in the 1830s and early 1840s, these men were in colleges and schools across Virginia and the nation when the crisis of secession reached its apex in 1860 and 1861. Once the war started, they served as junior officers in the Army of Northern Virginia, leading their peers into combat and fighting alongside them.

The book is a generational study and an examination of Confederate nationalism in the young Virginians. Carmichael first takes us through the 1850s, a time when young Virginians worried about the future of their state and their place in it. They watched as the North increasingly distanced itself from Virginia through industrialization and internal improvements. They feared that Virginia, the home state of four of the first five U.S. presidents, was becoming moribund under the leadership of its elders, "old fogies" who lived on past glories of events such as the American Revolution and who encouraged unthinking opposition to change even at the expense of educational and economic reform.

At the same time, the young Virginians had to find a way to reconcile slavery, the system upon which they depended for their wealth and social standing, with the free labor system of the North. Some of the strongest points in Carmichael's book delineate how these men did just this. Their belief that slavery was sanctioned by the Bible as necessary because God had created races to be inherently unequal, coupled with their belief that Southerners were God's chosen people, sustained many young soldiers throughout the war. Even as it became clear in 1864 and 1865 that the war would be lost, Carmichael cites examples that show these men could not distinguish between their religious beliefs and political nationalism. To the end, many young Virginians believed that God would not allow the North to be victorious. Young Virginians sincerely believed that theirs was a unique Christian society trying to survive in a godless world. The book is careful to point out that young Virginians gave considerable thought to secession and do not fit the traditional stereotype of secondary scholars who say young Southerners were drawn to the flame of secession like boys playing with fire.

The book looks at the leadership style of young Virginians once the war started. Examples are cited of how they maintained order and discipline in the ranks, what they thought of battle and death, and how they maintained their morale through defeats. Some colorful anecdotes are also included in "The Last Generation": Jeb Stuart's thoughts on women while he was a cadet in West Point, NY; the president of Washington College and his comical attempt to control the secession frenzy sweeping his campus; the notion of body building by young Virginians in college as a way to "muscularize" and "masculinize" their Christianity.

In the final chapter of the book, Carmichael examines the fate of various members of the Last Generation who managed to survive the war. He explains how they adjusted to Reconstruction. The romanticized, "Moonlight and Magnolias" view of some ex-Confederates is contrasted with those who wished Virginia to take a new role of leadership and have the economy of the state resemble more closely that of the North.

This book contributes greatly to the discussion of why some Southerners fought the war- a question which will probably always be debated. Through diligent research and thorough explanation, Carmichael presents a new picture of a generation of Southerners of the Civil War era. His book takes into account many factors that made "The Last Generation" distinct from their Northern counterparts and from the older Virginians who preceded them. It is an important book on dispelling stereotypes of the young Confederates and in understanding the complexity of the South as a whole.

In this fascinating book, author and historian Professor Peter S. Carmichael takes a generational look a particular group of American men who fought in the Civil War, selecting 121 men who had been born in Virginia between 1830 and 1842. These men were mostly highly educated, from the slave holding class, and formed the junior officer core of the Virginia military units. These men were part of the last generation to grow up in Virginia with slavery, and the story of their journey of life is one little studied, until now.

As a fan of the works of Messrs Strauss and Howe ("Generations" and "The Fourth Turning"), I was intrigued to see another book that looked at American history with an eye to generations. The book is eminently readable, and is quite fascinating. The author does an excellent job of telling the story of the "last generation," bringing them and their experiences alive. I was interested to watch the "last generation" move through the 1850s fostering a inter-generational conflict, assume capable and pragmatic managerial control of the armies their elders led, and then move into leadership positions after the War.

In relation to the Strauss and Howe generational theory, this book focuses on a part of the Gilded Generation. Overall, I thought that the book complemented it very well, showing that side of the generation that lost the war.

So, let me just say that this is a fascinating look at a generation that lived during a fascinating time in American history, one that will captivate anyone who is interested in generations, the American Civil War, or just plain history. I loved this book and highly recommend it to you.

David Fleishhacker uses his personal experience in the Peace Corps in Afghanistan as a framework to teach us about that country's history, topography, and culture. His sense of humor and his affection for the people of Afghanistan make this a fun book to read, but Fleishhacker also has a strong message--urging everyone to gain more knowledge and understanding of other cultures and places in the world. A wonderful book!

Three cheers for David Fleishhacker, a wonderful writer! And, three cheers for the Peace Corps! Far more than a collection of reminiscences, this little book contains the sort of philosophy, based on history and experience, that should be the underpinning of our foreign policy everywhere. I devoured it at one sitting and only wished he had written more. Clear, funny, honest and tender, this book should be required reading for our entire State Department, the Military Establishment, the "Lords of Poverty" (international aid/relief organizations)and literally every American involved in overseas activity. For that matter, it should be required reading in every high school and board room in the country. Great stuff.

David Fleishhacker's "Lessons from Afghanistan" is based on the author's experiences in the country as a Peace Corps volunteer in the 1960's. This brief account is, however, more than just a memoir of a vistor who was in Afghanistan forty years ago. Fleishhacker deftly connects his experiences with current events. Unlike many of the "instant experts" whose views on Afghanistan appear daily in the media, this book gives one a feel for what the country is really like. This slim book is a good way to get a sense of the country as experienced by someone who was there and who had an opportunity to observe the way average people live their lives.

This is a most entertaining and enjoyable book to read about a part of the world which is virtually unknown to most Americans. It is well written and contains many anecdotes and amusing incidents relating to the author's personal experience in the Peace Corps in Kabul and Mazar-I-Sharif in the 60's. Beyond that, however, it provides comment which should be food for thought for anyone who wishes to follow or who seeks to implement American foreign policy in the future. The comments on basic issues faced in Afghanistan are timeless and universal in nature and provide much food for thought.