Virginia Books

Loved it. Wished I read it before I saw the movie, that way I would have had a purer vision of the play.

This is a great modern play. I loved all the references and word games

I'm directing the play in The Netherlands. Never had to dig so deep as in this play. Did the play before, and now I did some completely new discoveries. What about this: I think Nick is the only true victim. May change that opinion the next rehearsel: 'Woolf' never stops amazing!

As an airline employee and aviation enthusiant I love this book. I have finished my fifth reading of it and I keep discovering more insight. I can read it for hours and slip away from present existence to Alexander Frater's world. Truly one of the greatest books for those who love airlines and different cultures. Wonderful.....

this book is currently available in paperback from amazon.co.u

This is excellent and one of those rare books that you can read again and again. Alexander Frater writes about a journey he made using modern air transport that retraces the original route of Imperial Airways (predecessor of today's British Airways) on their pioneering route from London to Brisbane, Australia in the 1930's. Not only is it an extremely interesting travelogue but it also is highly informative in a historical sense. There are also many funny and poignant moments that he relates from his journey. The only downside is that unfortunately it is currently out of print

(. . .) I highly recommend this book to any student or fan (what's the difference, though?) of Faulkner's writings, and especially to any writers out there, and most of all, any Faulkner teachers. Faulkner is asked any question you can think of in this book, from certain meanings in his, "The Bear", to the long time controversy about the order of sections in "The Sound and the Fury", to the Adlers in "As I Lay Dying", all the way to why he prefers the Old Testament to the New. He even puts down Henry James in this book, and talks about his greatest influences on his writing, his favorite books (such as Cervantes' Don Quixote) and even puts in some good advice to aspiring authors, and how they should take writing, and even advice on how to write in the traditional Southern Gothic style. Truly a magnificent book that deserves top priority to any fan or teacher of Faulkner, or any writer in general! A masterpiece!!!

Faulkner, I think, understands more clearly than anyone else the craft of writing. That's why I bought this book, to enlighten myself on some of his opinions as to the direction, goals, and duties of literature. This book works because here Faulkner is at his most candid and while his responses to the students' questions are indeed eloquent, they at least do not sound rehearsed. And this is not just a book of Faulkner's thoughts on literary craft. Here we see his opinions on all facets of life. Faulkner was such a successful writer because he concerned himself primarily with telling engaging stories in ways no one has ever tried before, and he humbly acknowledges such. Beyond his novels, this is the first book you should add to any Faulkner library.

I must say, that when I first picked this book up, I was a bit skeptical. It was wrapped in plastic giving me no idea of what was in it, and it was by some publishing company I never heard of. But, being an impulse buyer, I paid for it, and brought it to a coffee shop where I continued to read and read, on the way home, while watching television, and even when I went to bed, and did not put it down until I read the whole thing. As a writer and fellow fan of Faulkner, I highly recommend this book to any student or fan (what's the difference, though?) of Faulkner's writings, and especially to any writers out there, and most of all, any Faulkner teachers. Faulkner is asked any question you can think of in this book, from certain meanings in his, "The Bear", to the long time controversy about the order of sections in "The Sound and the Fury", to the Adlers in "As I Lay Dying", all the way to why he prefers the Old Testament to the New. He even puts down Henry James in this book, and talks about his greatest influences on his writing, his favorite books (such as Cervantes' Don Quixote) and even puts in some good advice to aspiring authors, and how they should take writing, and even advice on how to write in the traditional Southern Gothic style. Truly a magnificent book that deserves top priority to any fan or teacher of Faulkner, or any writer in general! A masterpiece!!!

I was skeptical at first, but I removed some stains that I had long given up on with tips in this book. Well worth the money.

If you have ever had to actually toss out a perfectly good garment that you loved with lots of more life left in it just because of a stain that resisted every attempt to dissolve it, this is most definitely the book for you.

Packed with information and illustrations, The Field Guide to Stains will help you remove more than 100 different types of stains, and the information is divided up into sections by type for easy research while preparing laundry.

The Field Guide to Stains: How to Identify and Remove Virtually Every Stain Known to Man is well-worth the investment, because potentially it will save you a fortune on even one favorite garment that you won't have to needlessly replace.

I love this book!

I have not been this pleased with a book purchase in a long time! I read a piece in The New York Times that sparked my interest and purchased Field Guide to Stains. And let me say, that the stain removal techinques I've tried really work! What's more it's an interesting read and the close-up photos of the stains are not only hilarious, but very useful for identification. This book will get a lot of use around my house.

This book of poetry is like a gathering of old friends. Virginia Pritchett's collection of 58 poems touch on who we are, the surprises and beauty of nature and the memories we share. There is understanding, as in "Having a Poem", "..Poems, like infants/help us know more/than we thought/we did". There is the hummingbird in "Courtship in Air" that "..helicopters/straight down/for a long/colorful kiss".

And in my two favorites, there is humanity: in "Memories", "I have warmed myself/beside your fire/too many times to fear/the winter of my loneliness../Outside my door/memories are stacked/ like logs/to bring you near", and in "By Yourself", "when you live alone/you live with/ silence/..always there/to welcome you back home/ fold you in a warm embrace/and share/your innermost thoughts". Who can't relate to that, and be the better for it?

The poems are reachable and remind that, with a little imagination, within each of us is an image or a feeling waiting to be expressed this way.

Some poetry is hard to understand and reading it becomes work not pleasure. Other times it's written like a greeting card with flowerly sentiments and no surprises. Ms. Pritchett's work, on the other hand, is beautifully balanced. It invites the reader in with clear evocative images and speaks of everyday life, yet it doesn't give anything away for free. Meanings and possibilities unfurl in a delicate way that causes that thrill of discovery I so treasure from poetry. Very satisfying.

After reading A Fine Thin Thread I feel like I've known Ms Pritchett all my life. 'Not Old Enough' reached deep into my heart pulling at threads I thought safely tucked away. 'Someday' echos even now, somewhere just behind me and 'Messages and Machines' replays the last time I heard my daughters voice, sill there although the machine is long gone.

The book is dedicated to her daughters. Perhaps now, I know them too.

Excellent! Very clear instructions for many different finishes. I highly recomend this book for all handweavers.

This is a classic book that every weaver should have in his/her library. Clear instructions on many finishing techniques from fringes to lace edges, braids to bag handles. A real collector's item.

A great reference book for handweavers filled with finishing techniques to make your creations unique. Instructions are clearly written and illustrated, accompanied by lovely full color photographs. While some of the techniques may be time consuming to perform, the end result is worth it. This book is a standard for the weavers bookshelf and due to become a collector's piece - Interweave Press has recently announced they will no longer be printing it

Colonial Williamsburg... sets a high standard for illustrated books on gardens, the Colonial kitchen, and the decorative arts in the occasional books it publishes.

The latest from CW's presses is Susan Hight Rountree's "From a Colonial Garden: Ideas, Decorations, Recipes" ($24.95). The first section introduces the reader to the formal but colorful gardens visitors can admire in the restored area -- but these gardens also serve a practical purpose as succeeding sections attest...

The book is strong on weddings, offering a winter reception at the Williamsburg Inn or a summer ceremony at a James River plantation. Ms. Rountree... also uses garden materials to make gifts, wreaths, table decorations, and other items throughout the year. The section on Christmas is especially useful, and readers will want to remember to consult the book in early November, before the holidays, for fresh ideas.

This not primarily a cookbook, but Ms. Rountree includes recipes for seasonal dishes to round out her sections... As with all CW publications, this new book upholds the benchmarks of taste and style readers have learned to expect, and will rate a place on the bookshelf of gardener, cook, and home decorator.

-Ann Lloyd Merriman, editor, commentary/books
"Between the Bookends," Richmond Times Dispatch

The newest entertaining and decorating book from Colonial Williamsburg combines touches of elegance with moments of fun and fantasy.

The 212-page book, "From A Colonial Garden: Ideas, Decorations, Recipes" is divided into chapters that take you through the seasons and many special occasions such as weddings, bridal showers and rehearsal dinners. There are 287 color photos and 24 illustrations to guide you every step of the way.

Best of all, most of the projects are simple to create... For example, veggies such as colorful peppers are used to create a zesty-looking centerpiece on the nail-studded wooden cone that's typically covered with apples and sprigs of boxwood...

One of her easiest and sunniest table arrangements is perfect for a summer picnic or cookout. A partially hollowed-out watermelon serves as a container for a bouquet of zinnias, rudbeckia, coreopsis, apple mint and rosemary...

Rountree says the chapters on ideas from the spring garden are her favorite sections because they encourage you to use so many fresh flowers. "I'd like to see more people doing that," she says. "Fresh flowers are so many places these days--in the markets or you can grow your own."

A chapter on garnishes from the spring garden also features Rountree's garden pet--the Cheshire Cheese Hedgehog... English folklore says it's a sign of good luck when you find a hedgehog in your garden. The book features an easy cheese-based recipe for making the hedgehog. "I've had such fun with him, he'll be in every book," she says.

--Kathy Van Mullekom, Daily Press
Newport News, VA

How charmingly and seamlessly does Susan Hight Rountree translate 18th-century entertaining style into the 21st century! This delightful addition to her past best-sellers will be enjoyed by not only professional designers but talent-challenged amateurs like myself who need guidance as we try to duplicate the classic Williamsburg look. The "how-to" directions are clear and the beautiful illustrations are lavish, promising success with all the enticing projects--family celebrations, garden parties, weddings, gifts and holiday decorations. A wonderful complement to every decorating library!

Book was a little more used than described, but hey for the price it couldn't be beat. To bad my sylabus was wrong and the professor changed the edition. Anyhow, seller was excellent. Fast shipping and I would reccommend.

This text was VERY helpful. The illustrations and examples were enough to explain the topic without havung to read the entire book.. Also the problems given at the end of each section were very good. Some were tough; however, the author starts you out with easy problems and works up to the more difficult ones. This text definitely is a good learning aid.

I used this textbook for my first accounting class and it was by far the best. Examples are all spelled out step by step and the numerous exercies and problems contribute to a higher level of understanding. Buy the workbook offered. It will save you a lot of time normally spent setting up the problem. Much better then some of the higher level books I have used.

Highly acclaimed anthology of John Ruskin, this book is made out of 39 vols Library Edition of John Ruskin's works, supported by 5 pillars--art, architecture, society, solitude and self and compiled chronologically.In the introduction, Herbert Tucker estimates this book as a classic anthology. It is followed by Rosenberg's preface, and before each section mentioned above is his own explanatory comment. This is extremely superb in style as well as contents. At the end of the book is a new bibliography, to some of which entries brief comments are added. As Ruskin's writings, especially those in early years, are not easy to read, this book is priceless. Among relatively rare entries are "Traffic" in The Clown of Wild Olive, "Athena Keramitis" in Queen of the Air, and "Essay I" in Fiction Fair and Foul. Compared with the previous anthology by Kenneth Clark, "Ruskin Today", this one is inferior in variety but far superior in amount. Now we have the Ruskin's Complete Works in one CD-ROM, but it cannot be read, say, in a train or bed unless printed out. Concisely selected, this book is, I think, quite valuable when kept by your side.

One can hardly read any thoughtful analysis or
evaluation of art, artists, even poets, without
coming upon a quote from John Ruskin. Yet one
may read the quote, realize its acuteness, but
then proceed on -- without really knowing anything
about John Ruskin himself, or about his ideas
and works. That is a tragic loss. Ruskin was an
English art critic and scholar, as well as a
cultural and philosphical historian who
lived from 1819 to 1900.
He attended and graduated from Oxford University,
and in 1869 was appointed first Slade Professor
of Fine Art at Oxford.
John Ruskin seems to me to be a combination of
Plato, godly Greek sculptors, and Thoreau. His
own senses, apparently (just like Thoreau's) were
extremely acute...he has incredible sharpness of
vision. But even more telling, he has incredible
command of vision and the language to express it
with. He seems, at times, like a Homer of artistic
cultural and philosophical expression.
This volume is a compilation of excerpts from
Ruskin's major writings: MODERN PAINTERS I, II,
III, IV, and V/ THE SEVEN LAMPS OF ARCHITECTURE/
THE STONES OF VENICE/ THE TWO PATHS/ UNTO THIS
LAST/ THE CROWN OF WILD OLIVE/ SESAME AND LILIES/
THE QUEEN OF THE AIR/ FORS CLAVIGERA/ FICTION, FAIR
AND FOUL/ THE STORM-CLOUD OF THE NINETEENTH CENTURY/
and PRAETERITA. There are multiple excerpts from
each of these works, and each excerpt is followed
by a very helpful citation of the volume, part,
section, and chapter of the work where the excerpt
is found.
Ruskin is not "merely" an acute analyzer and
evaluator of art and architecture, but he also is
an artistic and ethical philosopher. His philosophy
seems to have a strong dose of PAGAN GREEK (Plato)
underpinning, which interacts interestingly with
the Evangelical Protestantism overlaid when he
was young by his mother's strict Bible lessons.
His whole life seems to have been a struggle
between these two grappling forces, like the

statue of "The Wrestlers" from Hellenistic times.
Ruskin idolized and glorified the painter
Joseph Mallord William Turner [J.M.W. Turner].
He seems to have set out on a crusade while still
a teen-ager (17) by writing an essay defending
Turner and his art -- his admiration, esteem,
and idolatry continued even after he had gone
to Oxford University and began writing his art
criticism works.
Ruskin's topics sound like a role-call of
classical virtues and perfection seeking -- and
like Thoreau, he bemoans the fact that more
people do not wake up, see intently, and live
better lives. I personally find Ruskin's admonitions
to be inspiring, rather than merely preachy. He
obviously has a vision (like a prophet), a wondrous
sense of beauty and appreciation, and a fine mind
and expressive ability which create words of golden
glow. Yet he also has a heart of reproof towards
the mercantilism of his times (in one speech he
tells his audience that they have two religions,
one which they pay lip-service and tithes to,
and the other religion of their practicality,
the one they actually live by -- and he says:
"...but we are all unanimous about this practical
one; of which I think you will admit that the ruling
goddess may be best generally described as the
'Goddess of Getting-on,' or 'Britannia of the
Market.'")
Some of the topic titles in the various sections
give one the flavor of his insights and vision:
"Definition of Greatness in Art"; "That the Truth
of Nature in Not to Be Discerned by the Uneducated
Senses"; "Of Truth of Space"; and "Of the Naturalist
Ideal." In his works on architecture, there are
such topic titles as "The Lamp of Truth" and "The
Lamp of Memory."
The editor of this volume, John D. Rosenberg, has
done a masterful, insightful job of presenting
Ruskin and his views -- and the Univ. Press of
Virginia have done a masterful job of printing
and binding those valuable views in an attractive
and valuable volume.

It is a great pity that the works of Ruskin are neither widely read nor widely available. One can only hope that the day will come when an affordable, comprehensive, multi-volume collection will become available. For now, we may be thankful for the work of Columbia University's John Rosenberg, who has given us perhaps as fine an introduction to Ruskin as can be hoped for. The selections are long and judiciously made, and they address Ruskin in all important aspects of his work: art critic, social heretic, autobiographer. This book is like a wise old friend, especially comforting in a world that has in so many ways departed from the values that this volume enshrines. A faithful rendering of an indispensable author.

In my short time studying with him, Al Tillson instilled in me a love of this fertile time in history, as well as a love for four pocket cuban shirts. The title may not grab you, but the gripping history and Tillson's flowing narrative style will. Less a book about a specific time in history than it is about all history, it speaks to us universally, and gives us a deeper understanding of what is it to be human.

Albert Tillson could have easily written this book solely for the "gentry" of historical society, but instead took the brilliant path of penning this award-winning tome for the rank and file multitude of history buffs who relish the simple, compelling tour of Virginia's colonial commorants. He scrawls out a story so enchanting that I can only describe it as enchanting. Yes, the endnotes get rather long, but if you're like me you'll bask in the hedonism of his note structure and devour eeach of his many sources in the order he so masterfully lists them. Brilliance!

Dr. Tillson so thoroughly researched Virginia's history for this book that when I finished reading it I felt I could be considered a scholar on Virginia's history. This may seem like a book for graduate students, professors of history, and history-philes, but I am a lowly undergraduate student with an interest in history and appreciated and enjoyed this book. Any questions, comments, or concerns I had about the material while reading the book were answered quickly and thoroughly. If you aren interested in this time period or are taking a class on early America, this is an excellent read.