New York Books

The first half of the twentieth century was filled with constant change and development; it was an exciting time to be alive. "A Journey into Dorothy Parker's New York" is a focus on the woman herself, but a bigger focus on the city she lived in and its constant change through two world wars, a great depression, and so much more events. Filled with countless photos, both color and black and white, "A Journey into Dorothy Parker's New York" is a seminal look at the woman and the city, sure to please fans of her work and New Yorkers alike. "A Journey into Dorothy Parker's New York" is highly recommended for community library biography collections and students of the history and culture of New York City.

Detailed enough for Parker enthusiasts, yet accessible to the new Parker fan, this beautifully illustrated book has something for everyone. Even after reading the book, I find myself dipping back into it to reread various sections and look at the gorgeous photographs. If you or someone you know is a Parker fan, buy this book!!

This book is a fun and informative read. Any fan of Dorothy Parker needs a copy of this book (hell, I have two!) Kevin is able to provide the reader with a tour of an era. Great!

This book provides an armchair walking tour of the meaningful places for the writer Dorothy Parker in NYC. It is also an excellent accompaniment to the Portable Dorothy Parker.

I love Dorothy Parker, New York, and the 20's, 30's and 40's to include the clothes, music, theatre, books, personalities - the whole culture of that era. This book touches so much of that. It's the portal for stepping back 70-90 years - and for becoming addicted to celebrating all things DP. You can take your own tour with this book (either actual or virtual) and feel the energy and excitement of New York, see buildings that no longer exist or now have different facades or purposes. You can even pop into a pub along the way and fully develop that hint of whisky or gin that you think you smell in the alleyways - or on the pages.

I have purchased copies of this book as gifts to friends and loaned my copy out several times because it never fails to prompt further interest in Dorothy Parker, the Vicious Circle, and New York in general. I've found that A Journey Into Dorothy Parker's New York is equally enjoyed by friends you might say are more academically inclined as well as those who are more experientially motivated.

Very beautiful unfoldable view of Manhattan from both the East and the West side. Specially good is the utilization of black and white which makes it much more elegant.

I bought this one. Love NY, love illustration, love books. The thing is: it's not really a book. You can't read it, because there are only illustrations. There are no pages, or a logical sequence. You can't even open it, unless you have 12 foot long pair of arms. You can't mount it on the wall, or you'll loose the other side. It feels really stupid to have this "book" on your hands. Because although you know you can't use it, you still got to have it.

This book is charming, the cover and slipcase make it look special, the reader feels the book has to be very good to be housed in such a well crafted good looking presentation. But once you have looked at the line drawing and followed it from one end to the other you feel a little foolish having spent your money on something so wispy. And yet the book is charming, so it takes all its value when offered as a gift so that its owner can enjoy it without the remorse of the money spent..

I bought Manhattan Unfurled as a gift, and that is how I rate it.
Personally, I was disappointed. I was expecting a more detailed work done is a stronger, classic pen and ink style. The the casual cartoon style however is charming and really does not detract from the impact of the book.
Manhattan Unfurled is best appreciated when unfurled. Anyone who adores Manhattan will love this book, stretching out the pages and oohing and ahhing over the vista.

I bought this book so that my children could one day see the Manhattan skyline as I fell in love with it. It's fun to note the small details in the drawings--I think I notice something new each time I open it up.

Given the excellent presentation with the slipcase, etc., this book is an awesome gift for anyone who loves NYC. The artwork is solid, but not too formal, giving just the right feeling to the buildings. This book would also be a fun springboard for children to use to draw panoramic skylines of their own home towns.

A guest at the hotel where I work part time left this book in their room. They called the front desk where I work to inquire if we found the book. We did and I told her we would send her book out to her the next day. In the meantime, since it was a slow night at the hotel, I thought I would skim through the book. Well, what I found was a priceless little gem of a book! I read the whole book in a little over an hour. Having had four chickens as pets in the past, I was interested in the subject matter. What a treat to read this book. William Grimes takes a mundane appearance of a lowly chicken in his backyard and creates a story of such interest that I couldn't put it down. I enjoyed reading about the different personalities of his cats and the interaction all of the critters had in his back yard. An unexpected but big plus was his brief history of the different varieties of chickens. As a former pet chicken owner, I know each chicken has its own personality. Mr. Grimes confirmed that fact in his book. This is just a pleasant little book about an interlude in Mr. Grimes's life. I'm buying several and passing them out to friends. I know they will enjoy this book as much as I did.

In 85 charming pages William Grimes weaves an entertaining, soul-touching and witty chicken story. It all starts when Mr. Grimes found a little black chicken in his tiny backyard in the middle of Queens. He has no idea where "The Chicken" came from. The Chicken ends up hanging out and eating with the stray cats that Mr. Grimes feeds. The Chicken ends up being a very tough girl. She survives ice, snow, low flying police helicoptors and roosting in a pine tree.

It doesn't take long for the author to become a chicken fan. Mr. Grimes is soon on a mission to learn as much as he can about his new chicken. He fixes The Chicken a make shift roost and nest box where The Chicken rewards him with delicious fresh eggs. The Chicken also provides entertainment as she chases one of the cats daily for fun. Then as quickly as The chicken appears, he disappears.

This book has a charming cover and very cute illustrations throughout. Any one who loves birds, has chickens or is considering getting them would love this great book. Another thing I love is that this book doesn't have any cursing or foul language. It would be a good gift for a preteen up to an adult. "My Fine Feathered Friend" is one that I will keep in my library for years to come.

My Fine Feathered Friend
By William Grimes
North Point Press 2002
$15 USA, $24.95 Canada
85 pages, illustrations
ISBN: 0-86547-632-2

Reviewed by Karen Davis, PhD, President of United Poultry Concerns

"I looked at the Chicken endlessly, and I wondered. What lay behind the veil of animal secrecy?"

My Fine Feathered Friend is a bittersweet tale that leaves you aching after you put the book away. In part this is because the main character, a large handsome black hen who appears mysteriously one winter day in the writer's yard in Queens, disappears as mysteriously as she arrived. This is a true story. The author, William Grimes, a restaurant critic for The New York Times, is intrigued, fascinated, and finally haunted, by this hen. He perceives her as a kind of Earth Goddess, as solid as a tree trunk, rugged, compact, able and enduring, yet elusive, vulnerable, and, ultimately, as ephemeral as a fairy princess. She vanishes when he comes to love her. He calls the hen, simply and archetypally, the Chicken.

When I first started reading My Feathered Friend, I was put off by the tone. Grimes refers to the hen for a number of pages as "it," while referring to his and his wife's cats as "hes" and "shes." His style is pat with similes and cultivated assurance. I thought, okay, Grimes wants to make sure that no one, including himself, gets emotionally involved with this chicken. He's keeping the lines drawn. But I was wrong. The story reflects his growing tenderness for the Chicken, moving through levity and wonderment to love, sorrow and loss.

The Chicken has an aura of the "familiar" in folklore, an enigmatic being regarded as both a homely acquaintance and a supernatural spirit embodied in an animal that links that animal to a particular person while retaining an inviolable otherness. Grimes's Chicken is like a visitor from another planet (exotic and ineffable) who probably escaped from the local poultry market in Queens (squalid and local). She is a hero and a survivor -- "a brave little refugee"-- who flouts false stereotypes about chickens. "I'd look out back and see a cat chasing the Chicken across the yard," Grimes writes. "Ten minutes later I'd see the Chicken chasing a cat." She is at once endearingly personal and profoundly impersonal. She has her own projects. She is self-possessed. She projects an arch authority, like the author himself. She dominates Grimes's yard, his cats, and his consciousness. She is, he confesses protectively, "a hard read."

The Chicken tracks through the universe by way of a residential patch of earth -- a "pocket paradise" reclaimed from a "wasteland of weeds" in New York City. She captures the eye of a beholder who becomes a Witness driven to Inscribe Her Being. Grimes attempts to fit what he "knows" about chickens (he eats them and makes his living writing about them as food; otherwise he says "the humble chicken was foreign to me") with his deepening perception of, identification with, and ultimate yearning and mourning over this particular hen. She moves him. He is affected by her "air of mystery," her "appetite for play," her "brilliant evasive maneuvers," her "genuine courage," her "character," her "willful high-spirit," her evocation of what the poet William Wordsworth inestimably versed as "something ever more about to be."

Grimes reads up on chickens, passing on to us pieces of information (some accurate, some not) about Gallus domesticus in folklore, history, and poultry manuals, as a backdrop to, an explanation of, the Chicken, a creature so definite, and infinite, so solid and numinous, she eludes classification. He muses:

"Was it pure coincidence that she liked to sneak up on Yowzer, the cat most likely to develop a nervous twitch when caught unawares? Time after time I saw the Chicken trot up delicately when Yowzer had his back turned, squawk a couple of times, and then watch as the cat leaped a couple of vertical feet. The Chicken, after a successful ambush, would run off jauntily, with a cackle that sounded suspiciously like a chuckle."

At other times, "I'd see Bruiser and Crusher snoozing in the basket, Yowzer draped along a nearby wooden bench, and the dark, shapeless form of Midnight filling out the sagging seat of an old sea grass chair we had bought for a couple of dollars at a yard sale. And in the midst of the group, perfectly content, sat the Chicken. It was a heartwarming sight."

One night a police helicopter hovers over the yard, causing the pine tree in which the Chicken is roosting to sway violently under a wind of hurricane force. "Somewhere, deep in the branches," Grimes writes, "the Chicken was holding on for dear life. I couldn't begin to imagine what was going through her tiny mind. By now, I figured, she had either suffered a fatal heart attack or had been dashed to the ground. But no. The next morning, amid wreckage out of Apocalypse Now, the Chicken reappeared, brimful of vim and vigor."

But one spring day, the Chicken is gone. She does not return. Grimes and his wife Nancy look everywhere. They wrack their brains trying to remember if there were any behavioral signs they failed to notice. "The previous afternoon I had watched her resting comfortably in her nest beneath the pine tree," Grimes writes. "I searched for signs of violence but did not find any. The only trace of the Chicken was a single black feather near the back door. The Chicken was definitely, profoundly missing."

It is hard reading the final pages of this book. The depression Grimes describes is not roguish but real, though he tries to make light. "We had grown to love the Chicken," he says. We believe him: so had we. "She really was a big presence in the backyard," Nancy sighs. You go back to the book cover and study the jet black sweet bird face with its rosy comb and pert expression, framed in an oval mirror. If you know chickens, you know the look of that bright round eye, so attentive yet pensive.

My Feathered Friend is like an exquisite blade sliced across your bowels in the midst of a light-hearted romp that won't heal. The book ends with unappeased longing and unsettled questions (unhappy questions on many levels), not "closure," nor should it. Though Grimes says the story is "at an end, at least for us," still, he wonders and hopes, maybe the Chicken will come back. Maybe she's on a journey. He bought things for her. He and Nancy wait for her. They keep a light in the window. Maybe he'll wake up one morning, look out the window, and see "a large feathered form bustling around the patio, scattering cat food and clucking."

But for now, as Alice Walker said about a horse named Blue, in her excruciating essay, "Am I Blue,"* let us not let the animals whom we piercingly perceive become for us merely "images" of what they once so beautifully expressed and are. The Chicken is every chicken. One like no other. Take the next step.


*In Living By the Word: Selected Writings 1973-1987. This book of Walker's essays also includes "Why Did the Balinese Chicken Cross the Road?" ("[T]o try to get both of us to the other side.")
_________________________________________________________________
Karen Davis, PhD, is the founder and President of United Poultry Concerns, a nonprofit organization that promotes the compassionate and respectful treatment of domestic fowl (www.upc-online.org). She is the author of Prisoned Chickens, Poisoned Eggs: An Inside Look at the Modern Poultry Industry; A Home for Henny; Instead of Chicken, Instead of Turkey: A Poultryless "Poultry" Potpourri"; More Than a Meal: The Turkey in History, Myth, Ritual, and Reality (Lantern Books, 2001); and The Holocaust and the Henmaid's Tale: A Case for Comparing Atrocities (Lantern Books, 2005).

I ran across this book at the library looking for substantive books on chickens--the cute cover caught my eye. This is a very entertaining and enjoyable read!

I'd recommend this book as one you'll finish quickly, share with a friend or two, and want to read again yourself one day.

A poignantly told memoir of a season spent in the company of a somewhat bohemian chicken. I gave a copy of this book to my vet after we tried for several months to save the life of one of my pet chickens. She hadn't much experience with chickens, more so with the fanicier hookbills often found in one's the parlor, so I wanted her to know what it was like to know a chicken on a more personal level. The author accomplishes this very well, sharing valuable chicken lore with his affectionate and often respectful look at the life of a chicken and life from The Chicken's point of view.

These puzzles are of similar difficulty to the "hard" sudoku that appear in the newspaper on the weekend, perhaps even a little more difficult. Most of the puzzles I've done so far required at least one or two guesses to solve, so be sure to use a pencil for each guess in case it doesn't lead you to the solution. Sudoku is a fun way to pass the time, and I am looking forward to spending lots of time with this collection of puzzles.

I look for Sudoku books with three qualities. First, I want puzzles that have only one solution. If I find a book that includes puzzles with more than one solution I discard it. Two, I want books with grids large enough that I can enter candidates in the cells. Third, I want books with challenging puzzles. Many of the descriptions on Amazon omit such info.

I prefer grids that are about 4 ½" x 4 ½". The grids in my newspaper are about 3" x 3" (which is tolerable because not many candidates are needed).

New York Post Su Doku Fiendish (Wayne Gould): The puzzles have only one solution; the grids are about 3 ½" x 3 ½". There are 200 puzzles in this book; 190 "Fiendish," and 10 "Super Fiendish." Gould does not need to make "pencil marks" and assumes the rest of us don't. Hence, small grids for fiendish puzzles.

If you want challenge you should get this one. It's real fiendish! However, among the puzzles in the book there are some that are harder and some are a little easier... but still fiendish. I love it. I hope I will be able to find another one this good when I'm done with this one.

I purchased the book for my friend who easily completed puzzles categorized as difficult in booklets found at supermarkets and discount stores. There were never enough difficult puzzles to keep her busy or challenged so much of each booklet was useless. She is delighted with this sudoku booklet and while she can complete the puzzels it does take some time and provides an adequate challenge. She is happy and I am too! Well worth the price.

I have to admit that I do love Wayne Gould's puzzles, which is why I bought this book sight unseen. Being an addict of very difficult sudoku (or "Su Doku", as he calls them), I looked forward to his worst. This is written after solving the first half.

Mr. Gould is of the solving school that thinks marking up the puzzle gets in the way of good solving. He challenges the solver to find his carefully hidden clues, all of which can be found without marking up -- if you have a better memory for numbers than I have. This is great fun, and I appreciate and enjoy the challenge. The downside is that for people who like REALLY hard (grid coloring, logic chains), these puzzles are not fiendishly hard.

I highly recommend this book to those who are trying to learn how to solve very difficult puzzles that can be solved by traditional techniques. It is filled with interesting and varied puzzles, and you will find some much harder than others because they test different solving methods. For an advanced solver, it is certainly much more fun than the average book.

There are so many books on New York's attractions that one might wonder at the need for yet another, but this book is a key and the first to focus on a hundred off-the-beaten-path destinations, from small museums and nearly forgotten historic places to odd shops and small oddities. A geographic arrangement aids in the journey, with chapters offering addresses, hours, directions, web sites, and long paragraphs of enticing description. Recommended for any travel library strong in New York City attractions.

Suzanne Reisman is a wonderful guide through off-the-beaten-track New York City. This guide is well-written, entertaining, thoroughly researched, and full of wonderful gems for any traveler or NYC dweller looking for quirky, fun, and enlightening things to do around town. I love the troll museum. Highly recommend!

Having recently moved out of NYC after a LONG time living there, reading this book makes me want to move back right now! I wish I knew about all these cool places while I was living close by.
This book highlights a lot of little-known and interesting places all over the city that are easily accessible on public transportation. The wide range of places means that anyone can find something of interest. It is organized by location, so the visitor can plan on doing several things with one trip and gives great directions on how to get there and what to expect. A little bit of the history of each place rounds out the vivid descriptions, so I felt like I was actually visiting the places just by reading. What a great and out of the ordinary guide-book!

Indeed, this travel book is truly unique. Blending fascinating information with humor, mild expletives, and Yiddish phrases, Ms. Reisman creates a relaxed writing style that is as appealing as the colorful cover is eye-catching. The perspective traveler wants to peruse the book from cover to cover as if it were a novel, and not just a catalog of destinations, in order to discover what she has to say. The reader is simultaneously enlightened and entertained. Whoever dreamed that guidebooks could be so much fun?!

I love love love this book! I've been to 3 of the places so far and love that everything is easily (mostly) accessible and pretty spot on with the descriptions in the book.

Plus, each attraction's description is not only digestable, but filled with a great traveler's context, unlike some Lonely Planet versions where you never really get the context of WHY something is fun to visit!

Ralph Ellison is still alive. This novel is a typical continuation of his themes. One black man entirely locked up Underneath or Below, in the Subway maze of corridors, tracks and blind rooms is the storyteller. He is also locked up in his lost memory that he is going to recapture little by little. And what will come out of it ? A brilliant black woman, Agatha will reveal her mystery. She is the granddaughter of a black minister in North Carolina, but she is the daughter of a white man and her mother was beaten to death by the grandfather of this white man. She will deliver her child in the hands of the brother of this white man. The minister will get a tooth for a tooth, a child for a child, and the brother of the white man, Agatha's uncle, will look after her and then what was to happen will happen, even if it is a blind alley and a dead end. The white man, Agatha's father, will go away and have another child from another woman, this time white. She will die and then the father will die and the child will be entrusted to his grandmother who will come back to the father's town to find his relatives, but she ignores his real name. Fate will bring the white boy and Agatha, brother and sister, together, and the other boy, the black boy Agatha is taking care of and who is our storyteller, will become the friend of the white boy. White and black are so entangled together that they cannot be separated. The whole story takes place in the Civil Rights Movements era and the Ku Klux Klan is all-powerful in this small town of Edene, the badly-named Edene. This will dictate the events and Agatha, her white brother and her black child will get swallowed up in the hatred that goes along with KKK and the emerging Civil Rights Movement. The end will be tragic. Both boys will manage to go to New York and get lost in the Big Apple, the white one successful and the black one rejected or rather dropping out. They will also manage to reestablish a connection, communication and memory, coming back to the black boy, who is now over forty, a door will reopen of a new relation between the two boys, Mikey and Tony. The stuff is heavy, pungent and strong. The novel is interesting and quite easy to read and follow. It shows how guilt, desire and hatred are all twisted out of shape and embedded in all loving postures. Yet something sounds and feels awkward if not out of pace. It is bleak enough to be true, and yet the divided personalities, loyalties and lives are rather well shown on the black side but remain kind of schematic on the white side. The wall standing between the two communities is well rooted in white fear and hatred, but it is insufficiently rooted in the same feelings on the black side. The author seems to be overprudent to describe the hatred, not the fear, the Blacks feel in front of white injustice or rather social and historical injustice. Relations with people from the other side was just as much rejected on the white side as on the black side. This latter rejection is not entirely felt and depicted : it is too much seen as a response to the stimulus of white hatred. It is not only that : the concept of difference, uncrossable difference existed and still exists on both sides, blocking the possibility for America to see that all it represents and it has invented is the result of a constant give-and-take process between the two communities, the result of a cooperation that nearly no one has the courage to show and assume, except maybe Ralph Ellison in the most recent half century. We do not reach the concept of democratic diversity that is emerging at that very period of time (1960s and 1970s) in Ralph Ellisons's writings and thinking. A great book that deals with memory that blocks history in its loss and that unblocks life in its recovery.

Dr Jacques COULARDEAU

I could not put this book down: it is stunning -
beautiful, disturbing, frightening: brilliant and should have won prizes. The language is rich and urgent, the characters and settings compelling, the messages about good and evil and humanity are ones that we all should heed. Read it.

Orange laughter will stay with you long after you've read the last page. Ms. Ross's journey into the main character's deranged mind is riveting. The journey down the tragic road of the segregated south turns out to be a surprising love story that I simply could not get out of my head for days...

This is a wonderful and moving book. I read an extract from it once, and made a point of getting it...and I'm glad I did! The characters are all so unique and intruiging and the writer brings you right into their world. My favourite character would probably be Mikey, the young, overweight friend to the main character Tony, due minly to his innocence and kindly ways.The story takes you round many different corners and back again without leaving anyone behind. And as with many great books, the secrets unravelled throughout will no doubt bring a smile to your face or tears to your eyes.
Thank you Leone Ross for this chapter in my life of books...

I just finished Orange Laughter. I can't explain why, but something abut the book edified my soul, haunted me, made me want to write, made what I know seem real ... If that makes sense...

Frankly, I can't believe that this is Penelope Holt's first novel! It is truly an excellent, fascinating, and meaningful piece of work. "The Painter's Gift" not only reads well and holds your attention from start to finish, but also conveys a powerful message that "sticks" with the reader long after the adventure of reading it is completed. It is a "gift" for all just waiting to be unwrapped!

I also enjoyed this book, but thought the love story - both past & present - was a plus. Claire Lucas makes a great heroine: she's strong, she's independent, she's sassy. And if she has moments of self-doubt, doesn't that make her all the more real and interesting?

I liked the other characters too---an evil Vatican bureaucrat, the snarky art dealer, a Buddhist monk, & others. Add an exciting plot & fascinating background on religious history and you've got a great read. Definitely recommended!

It's hard to describe this novel-- Is it historical fiction, romantic suspense, religious conspiracy or action thriller? It doesn't really matter because if you like any of the above, you'll enjoy this book.

The Painter's Gift has lots of adventure, a dollop of mysticism & an exciting plot. Scholars find an ancient scroll that prophesies a new world vision. According to the scroll, the key to the vision will be found in 3 special paintings, and so the hunt is on. The search team consists of a beautiful widow (also a visionary), a Benedictine monk, a religious scholar, & a handsome art historian who work frantically to find the paintings before the villains.

Perhaps because of the author's English/American background, the Painter's Gift includes fascinating background on the Manhattan art scene (shallow), religious symbolism (I'll never look at church spires the same way) & the history of England's magical Glastonbury, home to King Arthur & Guinevere.

All in all, a great book with lots to think about.

Intriguing and thought provoking as well. A mystery with a message. A great read!
Penelope vividly portrays the paintings which are the backbone of the story. Barbara Brockelman cleverly illustrates on the book cover, clues that speak of the main character, and perhaps the reader. Two thumbs up, ladies. Thank-you !!

The surprise and reward of reading is sometimes lost in the first hundred or so pages. Many books have readers slogging through one meaningless detail after another until reaching a dissatisfying ending. Thankfully, this novel is not one of those books. Though it is perhaps not the greatest read imaginable, Holt interlocks an interesting dollop of crafty religio-mysticism and classic upper-class romance. In doing so, Holt brings the book back from the creeping chasm of a maudlin love story.

In their supremely positive visions, Holt (with words) and the protagonist (with a brush) paint warm strokes that relay a message of healing after loss. Not only does the protagonist's (Manhattan artisan Claire Lucas) radiant painting soften the hardest hearts but is a nod to the reader's sense of wonder and fertile imagination. Additionally, the story leans slightly on a Dan Brown-esque critique of religious status quo themes. But, thankfully, Brown's obsession with detail doesn't show up. Essentially, the story revolves around simpler themes of remorse and joy; loss and renewal; and embitterment and faith.

Holt presents an interesting concoction of romance and quasi-religious mystery that blends quite seamlessly. She has crafted a pleasantly surprising novel and a solid, quick read. I recommend this book despite the maudlin self-doubt that possesses Claire but quickly fades as the story progresses.

I bought this book the first day it came out and enjoyed it tremendously. There's even the speech Homer Hickam made at the memorial to the Sago miners in the back of the book. I got to meet him at a book signing and he is a gracious man. There were a lot of people at the book signing who enjoyed Mr. Hickam's writing as much as me. He is without a doubt West Virginia's favorite author.

Most of the mining descriptions are accurate. The rescue I have some questions with, however, it is very intertaining.

I have sat and digested this book the best that I can. First off it is not by any stretch my favorite Hickam book I like all the Thurlow and Coalwood books better, with that being said though this book was still a very interesting read. I did not particualrly like either main character maybe thats my own fault just didn't like the personality of either Song or Cable. This book starts off with almost strictly a love story through roughly the first 10 chapters then it gets interesting. This is when Hickam saves this book, the suspense makes you want to finish the book in one sitting. I reccomend this book for anybody but Hickam fans should not open this book expecting another Coalwood book it is much different in both good ways and bad ways.

For those who enjoyed Homer Hickam's previous "tales" of life in Coalwood, West Virginia, you will not be disappointed in this latest work. The conflict between two recently-marrieds, in concert with the drama in the coal mines, makes for a fast-moving story that is dificult to put down. The author's best work, I think, has always been when he's writing about his beloved mountains and people of West Virginia. And though I enjoy Hickam's Josh Thurlow series, I thoroughly get involved with what he really knows best--life in a coal mine community! And one needs to know nothing of coal mining to enjoy the story because Hickam does a masterful job of explaining what goes on "down there." Order this book and enjoy the ride with Song and Cable and all the other colorful characters as they find out many things about themselves and each other in an exciting conclusion to a wonderful story. If this is a first-time read of Homer Hickam, I would certainly recommend going back to Rocket Boys, The Coalwood Way, and Sky of Stone. Those are all non-fiction, but they serve as a good background for Red Helmet, making it all the more enjoyable.

Homer Hickam, in "Red Helmet", transports us to the small mining communities of West Virginia. With characters that make us love them, laugh with them, wipe away a tear or two, and become a part of their lives, struggles, and mysteries, "Red Helmet" is a great read. Curl up on your sofa with a hot cup of tea and a blanket and be carried away to West Virginia!

Rathje's and Murphy's RUBBISH! is insightful and engaging. Their anecdotes about the ironies of environmental movements rallying behind particular causes (like McDonald's styrofoam clam shells), and their analyses of popular misconceptions about waste provide, great food for thought for policy makers and for environmentally-minded individuals concerned about the problems with waste and its disposal. Along the way, the authors demonstrate the utility of archaeological knowledge for dealing with current social challenges. This book is a really great read!

Great book. Rathje is a engaging figure that delivers a good story - the story of our garbage.

Highly recommended.

I never thought reading about garbage would be interesting - well, okay, actually I did, otherwise I would have never read this book. I mean that I didn't suspect the book would be so darn interesting. Garbage really sheds a strong light on the culture that generates it. Just think, your garbage tells us a lot about who you are. Future archaeologists are going to love digging through our old garbage in a few thousand years. Oh, what a story it will tell.

This is an overview of the University of Arizona's continuing trash sorting project started in 1972 to document the lifestyle habits of the American public through observing what we eat, what we use in household goods, etc., and then throw out. Socio, political and economic behaviors become evident while recording the fascinating finds in daily trash digging, probing, and quantifying.

This project also included studies at the now closed Fresh Kills landfill on Staten Island in New York City where holes were bored all the way to the bottom of the fill and where the studies then took on a more ominous dimension of environmental impact discoveries such as: that the breakdown of trash, even over years, is a myth. The research showed that there is little biodegradation occurring due to compaction and lack of bacterial decomposition, so the researchers found completely intact and recognizable items from food to readable newsprint- even at the bottom of the heap where it was at least 50 years old- same type discoveries of intact trash heaps discovered in ancient Rome, Greece, etc.

Most distressing of the discoveries in the landfill was the discovery of the huge quantity of "leachate"- a toxic liquid stew, that is leaking at the rate of a million gallons a day into New York Harbor.

The book concludes with recommendations on alternatives to landfill as a means to dispose of trash plus recycling and lifestyle changes.

For another enlightening read on all things trash, there is Elizabeth Royte's "Garbage Land"- a personal story of discovery of what her family's trash footprint is and where everything including recyclables ends up- a real eye-opener and an entertaining read!

"Rubbish" is a highly academic book about "The Garbage Project" at the University of Arizona's Anthropology Department. The main idea behind "The Garbage Project" is to gain information about society by analyzing garbage patterns in various locations.

Despite being a book about garbage, the contents of the book are quite diverse. The book is divided into 4 parts. The first section, An Introduction to the Garbage Project, gives the background of "The Garbage Project", why it started, what they do, and what they hope to accomplish. This section also discusses how anthropologists use garbage to learn about ancient civilizations. The second section, The Landfill Excavations, discuss the basic theories of landfills, how the team takes samples from landfills, and discusses why biodegradation does not work in landfills. The third section, Interlude: Diapers and Demographics, I found to be highly entertaining. This section has a fascinating chapter on estimating the population of a neighborhood (as well as sex and age) based on the garbage collected from this neighborhood (a study done to initially help the Census Bureau). This section is also filled with useless information such as "There is a link between owning a cat and reading "The National Enquirer"". There is also a detailed discussion about disposable diapers in landfills. The final section, Garbage and the Future, was the most educational by far. This part discusses the serious shortcomings of citywide recycling programs and side effects people never hear about. There are also discussions on alternate garbage disposal methods, such as high tech incinerators used to generate electricity, as well as several other attempts at using technology to turn garbage into a useful product. The section and the book end with a chapter on reducing and addressing garbage disposal.

I think this book will not be for everyone. The book reads like a Master's Thesis at times, rather long and seems to ramble. However, some parts of the book are exceptional (such as the chapter on recycling or "Closing the Loop") and are really an eye opener.

I'd recommend this book to anyone interested in Environmental Sciences. Also, if you can manage to wade through pages of various scientific theories and facts, I'd highly recommend picking this book up! While a little slow reading at times, it is quite informative and I think a real eye opener.

Unique perspective of city-dweller's experiences with visiting squirrels over a number of years. Well worth a read.

This book is such a gem, easily one of the best books I've read in a long time. It's informative, funny, and written with a very sensitive eye. You really do get to know (and love) each of the memorable characters that visited the author over the years. All the while, you learn a lot of fascinating things about squirrels and how they behave.

I was a little worried when I ordered the book that the author might turn out to be a little too eccentric... you know, a strange "squirrel lady," but she's not at all like that. She's a university professor and a surprisingly good writer who just loves animals and is fearless enough to invite them into her home.

My favorite part was the very funny section where the author takes one of the squirrels to the dentist because of a problem with his lower front teeth.

I loved this book, and not just because I love squirrels. This is a wonderful account of one womans life with her urban squirrel friends in NYC. Having just been to Washington Square Park where the book takes place I can see how these squirrels became so dependant on the kindness of others. This is a great book for those who may not be fans of the squirrel, but who would at least appreciate a good story and like animals. I have been recommending this one to a lot of people I know just for a change of pace in their normal reading, so go get a copy, but don't bury somewhere where you can't find it again.

Grace Spruch and her husband Larry, both physics professors, moved into a Greenwich Village apartment in 1970. For ten years Grace kept a journal of the observations she made about the squirrels that visited them for daily handouts of nuts. Looking for a book with drama, romance, suspense, and excitement? Look elsewhere. But if you want to read a wonderful account of a rodent-loving woman's interactions with a charming gang of furry individuals, check this book out.

I loved this book so much! Since I have moved from Pennsylvania to Australia I have missed squirrels very much. They are such beautiful and resourceful creatures yet we seem to know so little about them. Grace's story of her experiences with her neighbourhood squirrels will delight any animal lover. She has a unique perspective and writing style which is intelligent yet appreciative of the little critters. I really loved her wonderful accounts of which squirrels prefer which nuts and how they choose between them.

Highly recommended!