California Books

Nolo Small Business Start-up Kit for California provides excellent information for those starting your own business. I've highlighted sections throughout the book!

simple and clean, rather go through all of the sites to search what you actually need to register your company, this book guide you through that. also, book v.s. web sites, the book gives you more insight to cross comparison on all the legal structures that you need to choose, pros and cons, to make you select what fits you, instead of reading laws on the web only tell you what is LLC and etc. I will keep it although I formed my company after reading this book.

If you are thinking of starting your own business in California, especially if you have never done it before, you will find that this book is worth its weight in gold.

This resource takes the complication out of starting a business, contacting the right agencies and doing things legally. It cuts through a lot of confusion, has an encouraging tone and presents what you need to know in a very logical and easy to understand format.

I often recommend this book to my small business clients and find it to be a useful general reference. It also points to many other good resources and is a good value for such a comprehensive book.

It is well written and easy to understand. Not a lot of legal jargon that you have to wade through, but legal nevertheless. I will continue to use it for a reference.
Thank you for such a easy to read and understand book!

This book saved me a lot of money by allowing me to form my own one-owner California corporation. I liked the fact that it explained why it wasn't recommending certain things so that you could decide whether it was worth it to you or not.

The only area that I felt it could have explained things more thoroughly was that while it explained how to issue initial shares, it didn't explain at all how to issue any subsequent shares (e.g., in case your corporation was about to run out of money and you (the owner) wanted to buy more shares to inject more capital). It just said to consult a lawyer. So I had to inject more capital via a loan instead. If it's that complicated, then perhaps the author should warn people to slightly overcapitalize the corporation initially.

Once again Martha C. Lawrence delights her readers with a good, solid mystery. Elizabeth Chase returns in this fourth installment of the psychic detective series. After losing her fiancé at the end of the last book - Elizabeth is unsure as to her feelings on returning to the life of a private detective.

She is summoned from her slump by a fellow PI and asked to help out on a particularly odd and gruesome case. A murder and scalping has taken place out on the Temecu reservation at the casino being run there. The body belongs to casino owner Dan Aquillo and the supposed murderer is locked in jail and her lawyer needs Elizabeth's help as the case does not look as simple as it seems.

Elizabeth uses her psychic abilities to aide her in the case but as always, it is her fine detecting skills that really do the job. Thanks to the help of her newfound friend Sequoia, Elizabeth not only learns more about the case but she is also able to do some serious soul searching of her own.

Who killed the casino owner? Could it really have been the accused Bill Hurston, a former doctor and gambling addict who was in way over his head, or was it his ex-wife? What about Dan's nephew Wolf who has strong feelings against the casino? Or someone from the political group that is fighting against the casino? Only Elizabeth can find out and the reader enjoys every minute of the plot.

This is a great addition to the Chase series as not only does the reader get what they are used to when it comes to great plots and writing, but we get to see some major character development here. This series looks to be a good bet for the long run. I can't wait to see what trouble Chase gets herself into next!

I've been a fan of Martha Lawrence ever since her first book, following her psychic detective, Elizabeth Chase, around the zodiac from Murder in Scorpio to the current Pisces Rising. Her gutsy detective, Chase, combining sound detective skills with her psychic gifts, sets out to discover the murderer of casino owner, Dan Aquillo. Along the way she encounters one of Lawrence's most compelling characters, the Native American shaman, Sequoia. Lawrence introduces the reader to some fascinating Native American lore, as she combines a taut, thrilling tale with tantalizing psychic phenomena. Combining suspense with New Age is rare, but fascinating. The only other book I can think of that does that successfully is "The President's Astrologer", which interweaves an exciting political drama with the world of astrology.

As a Southern California-based mystery writer, I have been genuinely impressed by Martha Lawrence's works. Many people initially react to Ms. Lawrence's psychic detective as a silly gimmick. As created by Ms. Lawrence, Elizabeth Chase is a fully-realized and realistic character. In this fourth outing,PISCES RISING, Elizabeth is mourning the death of her lover, and she becomes involved in investigating homicides that occur on an Indian reservation. Gambling issues play a major part in this novel, as does Native American beliefs. Ms. Lawrence tells a fine tale with a swiftly moving plot and fabulously drawn characters. Another winner for Martha Lawrence.

I just love entering Martha Lawrence's world, and I so hate to leave it! This one is her best yet, and the others are terrific too. ( I'd recommend reading them all chronologically.) I applaud her gutsiness as an author in doing away with appealing characters in situations that realistically might call for that. (I'm reminded of T. Jefferson Parker doing the same with Tim Hess in The Blue Light--a very interesting and appealing character.) ... was a real loss, I felt, but it's clear that she has even better characters up her sleeve.. I'm particularly drawn to the Sequoia character in this book. Wish I knew someone like him.

Her ear for dialogue is unerring...I'm a stickler for fake-sounding conversation and I can't find remember a false note being struck in any of her books. Wish you could write faster, Martha!

Once again Martha C. Lawrence delights her readers with a good, solid mystery. Elizabeth Chase returns in this fourth installment of the psychic detective series. After losing her fiancé at the end of the last book - Elizabeth is unsure as to her feelings on returning to the life of a private detective.

She is summoned from her slump by a fellow PI and asked to help out on a particularly odd and gruesome case. A murder and scalping has taken place out on the Temecu reservation at the casino being run there. The body belongs to casino owner Dan Aquillo and the supposed murderer is locked in jail and her lawyer needs Elizabeth's help as the case does not look as simple as it seems.

Elizabeth uses her psychic abilities to aide her in the case but as always, it is her fine detecting skills that really do the job. Thanks to the help of her newfound friend Sequoia, Elizabeth not only learns more about the case but she is also able to do some serious soul searching of her own.

Who killed the casino owner? Could it really have been the accused Bill Hurston, a former doctor and gambling addict who was in way over his head, or was it his ex-wife? What about Dan's nephew Wolf who has strong feelings against the casino? Or someone from the political group that is fighting against the casino? Only Elizabeth can find out and the reader enjoys every minute of the plot.

This is a great addition to the Chase series as not only does the reader get what they are used to when it comes to great plots and writing, but we get to see some major character development here. This series looks to be a good bet for the long run. I can't wait to see what trouble Chase gets herself into next!

I should say that I'm only 200 pages into this book, but I simply wanted to relate how steady it has been to now in its blend of chronicle, elucidation, and detail. Particularly impressive is how Kenner uses an often very dense (Jamesian, Pound-ish) style of commentary to achieve this. I glanced through a copy of his selected essays (`Historical Fictions') and was disappointed to see that in them it often fell flat, whereas here it flows. Strong works of criticism often seem to fail with first intrusion of any flourishings of "style". I think that part of the revelation of Eliot the critic was his careful push away from a certain weightiness of thought while retaining depth and the critic's persona (which until then might have been all the rage, but for Eliot must have been a conscious decision, and is all the better for it in contrast with many of the zigzagging claims and stances that have come in the interim since). In critique it is the thinking that counts.

Pound oozes style, but his thought is what breaks the waves.

There is a sentence that one doesn't know what to do with. Does it express what it should? It is mine and I would say it needs to be modified. This is a 500 page book and it has had lapses so far. But like Pound's poetics, the stretching into the peripherals of Kenner's way of writing wins dividends and he wanders into prose critical summations complete with all the strength of good poetry.

The "Era" of the title tells you that this is also a book of people and the events around them, and Kenner paints the literary picture in continuously brief and slightly worn strokes. Here he can sometimes get a little misty, perhaps even dewy. A wide range of references will tend to rush away from the events given the slightest notice. But this is Pound's era, and how else are we to see the man? I shall read on and discover.

not so much an ruk, as a demonstration of squid's panoramic influence on modernism, kenner's book remains one of da mostest ighly praised exemplars of american literary criticism. conveyin as much biography as analysis-and evun more cultural istory, kenner's sui generis ang leaps from topic to tale to close readin, wiv little effort at transition, in an angular act of synthesis dat demands acts of cultural leap-frogging much dig squid's own cantos (though mercifully less strenuous). kenna offers suggestive accounts not only of squid and modernism, but of da liberatin role of chinese poetry, translation, greek syntax, istory and economics, wyndham lewis, eliot, enry james, williams, and da objectivists. kenna imself savvily refrains from attemptin to define "a squid tradition," coz he needn't. squid imself was-famously-the mostest important literary taxonomist and canon-maker of american modernism; and dis book, wiv its convincin accounts of da almost servile fawnings paid to squid by da igh modernists, shows why squid was so central: he was at once da mostest advanced and deeply traditional literary reada of is era. kenna shows ow fa squid, "all poets were contemponareous," and though few could claim is readerly breadf, squid's eclectic cultural borrowings (a should i say thefts) expanded da palette to include influences wiv which recent avant-gardists is only beginnin to reckon. indeed mostest of squid's influence as bin simplified to is emphasis on da desired objectivity of poetic lingo, or, as williams redefined it, to da notion dat a poem is "a machine made out of lingo." shared by da objectivists, and, more complexly, by da lingo poets, dis linguistic outlook as become one of da crucial trends in experimental poetics.

Intimidated by Pound's Cantos, I picked up Kenner's book in hopes of a pony. In fact, there are more text specific companions (see my other reviews) but this work provides a fascinating, invaluable overview of the modernists and their work. From the opening encounter with Henry James to Pound's last days in New Jersey and Italy, Kenner walks by the poet's side through the Cantos and his career. The sections on Wyndham Lewis, Buckminster Fuller, Clifford Douglas, and T. S. Eliot are illuminating, but so are the explorations of more obscure writers like Ernest Fenellosa, Guido Cavalcanti, and Henri Gaudier. The author's knowledge of the world, like Pound's, seems almost limitless. Readers looking for nods to contemporary literary theory may be disappointed since there's little queer, feminist, Marxist, or Lacanian critique, but as a conventional and weighty glimpse at influences and allusions in the Cantos, it's excellent. Reading Kenner is probably a lot like being in a lecture class with him. However dull it may be on the cutting edge, the sheer glare of brilliance and erudition leaves you dazzled and eager to go the original source for more light.

For years I didn't get Pound, and I once asked a friend if the Emperor had no clothes. "No, but to get Pound you have to become Pound," she said. That remains one of the truest things I've heard about Pound, and about the modern poetic he inspired. From the brave spirits who hope to apprehend his writing, Pound demands a total commitment to his manner of thinking, his myriad languages, his vast reading, his eccentric economic/social theories, his storehouse of memories, and the evolution of his ideas over nearly a century. What he brought to poetry was the idea that poems aren't ornamented expressions of deep feeling, but precise instruments for exploring politics, religion, history, economics, science and just about everything human.

Hugh Kenner came closer to being Pound than anyone (though Peter Makin gives him a good run for his money), and "The Pound Era" isn't so much a work of literary criticism as it is an intricate daybook, or maybe a modern novel, on coming to terms with the demands Pound makes on a reader. It's a one-of-a-kind study that should be read and re-read by anyone even half-interested in Pound's achievement. But it also (to my mind at least) shares some of the Master's flaws as Kenner makes great, sometimes showy, occasionally mannered paratactic leaps between seemingly unrelated details to convey a picture of Pound's age. It's well worth looking past the stylistic excesses though for Kenner's unparalleled explication of one of the best known and least understood 20th-century poets.

This is an impressive read. I came to it at just the right time in my life. I had been reading the poems of Marianne Moore and Buckminster Fuller as well as studying Ancient Greek. This is a dense but ultimately very rewarding book. It incorporates passages of troubadour lyric and Greek and name-drops a lot of historical characters with which you may or may not be familiar. For those interested in Pound and his times, I highly recommend it. For those unsure, check out the excerpts that Amazon provides. This is not everyone's cup of tea. But, as I said, I came to this at the right time in my life.

In several of our major metropolitan areas (e.g. Boston, New York, Chicago, and Los Angeles), a daily newspaper played a major role during the 20th century. From my perspective, the area and the paper had a symbiotic relationship which must be understood in all its complexity if we are to understand either the area's culture or the unique role the newspaper has played within that culture. In this book, McDougal functions as a journalist and an historian, of course, but also as an anthropologist. As the book's subtitle indicates, his primary purpose is to examine Otis Chandler during "the rise and fall of the L.A. dynasty." (It is worth noting that the Boston Globe is now owned by the parent company of the New York Times and the Los Angeles Times is now owned by the parent company of the Chicago Tribune. Perhaps McDougal or someone else will examine those recent developments in a book yet to be written. And perhaps examine, also, recent mergers which have created media conglomerates such as AOL Time Warner.) For much of this book, the Times's various publishers dominate the narrative. Specifically, first Harrison Otis, then Harry Chandler, then Harry's son Norman, and finally Norman's son Otis. Of equal interest to me were the roles played by various women, notably Norman's wife Buff and Otis' two wives, Missy and then Bettina. In California throughout the latter half of the twentieth century, the Chandlers established and solidified a "dynasty" but also what McDougal more correctly describes as an "oligarchy."

These are among the important questions addressed in this book:

1. How and why did the Los Angles Times become so influential?

2. How and why did it later lose so much of that influence?

3. Precisely what role did Otis Chandler play throughout that process?

McDougal is especially effective when explaining the culture within which three generations of Chandlers served as publisher. For example: "Like Harry, Norman understood early that the business of the Times was conducted as much in the private clubs and exclusive retreats of Los Angeles as it was inside the Times Mirror Building....With his chiseled good looks, cleft chin, and Stanford polish, Norman also rose naturally to a leadership among the newest generations of L.A. Brahmins. As the older patricians with whom Harry once did business began dying off, a new wave of young tycoons came to populate the exclusive mahogany-paneled grandeur" of the city's most exclusive cultural and social organizations. The young "brahmins" also called themselves "the Economic Roundtable" and founded their own organization bearing that name.

It was into such a culture that Otis was born and within which he was raised to assume, eventually, his own position of immense wealth, power, status, and prestige. He and others in his generation "behaved in much the same fashion as their East Coast counterparts with their insulated neighborhoods, leisure time activities (e.g. membership at the Los Angeles Country Club with its "no-Jews/Negroes/Mexicans allowed clubhouse"), and social inbreeding. Otis was perhaps the most privileged of sons but, interestingly enough, his father required him to begin at the lowest level in each of the newspaper's departments; after completing one apprenticeship, he was assigned to a different department and again began at the bottom, including salary level. By the time he became publisher, Otis was well-prepared in terms of understanding literally every facet of the newspaper's operations.

There are only a few recently published biographies and cultural histories which read like a well-written novel. This is one of them. I'm not suggesting that McDougal is an heir to Balzac or Barzun but I do commend him on the liveliness of his narrative as well as on the substantial content produced by his extensive research. McDougal helps his reader to understand why the Chandlers and the Los Angeles Times have been central to the evolution of a city, indeed of an entire region.

As a history buff, this book was fascinating as both a history of LA and Times Mirror. As an employee of the LA Times I found it even more interesting and intriguing.

This is a wonderfully entertaining and informative book -- I have a waiting list of friends waiting to borrow it based on my recommendation.

The book has a problem, however. The author has chosen a posture of ridicule and pejorative disapproval of many characters -- he calls some of them "neanderthals," for example -- so he has a special burden to be correct in his facts. Unfortunately, Mr. McDougal has been careless and many of his facts are wrong -- small things, but they do tend to impeach the larger work.

There is no such thing as a "Las Padrinas" ball at the Valley Hunt Club (p. 116). Cate School students have never been called "Caties" (p. 168). Harold Brown was not a cause celebre at the California Club in the 1950's (p.477). (In late 1976, while still president of Cal Tech, Brown became the club's first contemporary Jewish member. Ironically, he almost had to resign from the "segregated" club to join the nascent Carter administration as Secretary of Defense.)

Enjoy the story, but don't take Mr. McDougal at his word.

I really liked this book. As a fan of LA where I travel often for business and pleasure, this book fills in the history of how LA was built and the role played by the driving family of the LA Times. But as interesting as this history is, there are so many subplots to follow that are also fun. For example, as the family is accepted in the Pasadena "blue-blooded" culture, it's interesting how most become so snobbish about accepting anyone in their culture. My favorite stories on this subject are his second wife's training to develop social graces to travel in the Chandler's circles that was somewhat required. Also, when he divorces at 50, his Mom starts investigating which of her friends have unmarried daughters that would be acceptable marriage bait for this 50 year old bachelor. Like he can't take care of himself.

But enough of the small stuff, this book is about the Times and LA and starts with the Otis family and its purchase of the Times. The General and his Son-in-law ran this paper as a Republican tour guide of LA. And it worked. Maybe too good as LA is way too crowded. Along the way is great history of the need for water and the shady ways it was obtained as well as real estate development stories including a foray in Mexico.

Harry Chandler's son Norman ran it much the same way but his son Otis Chandler who took over around 1960 was much more liberal and open to debate and other opinions which did not endear him with his pompous family. This break seemed to eventually lead to his ouster in 1985 even though he had grown the earnings strength of the paper. I believe the book did not adequately explain the buildup to his ouster. His Chairman comes in and it's over. Clearly, Otis was partially to blame as his hobbies of hunting, cars and lifting weights took away his attention.

The replacements proceed to tear down the paper leading to its eventual sale to the Chicago Tribune. It's a very interesting business story although from that perspective it could have done a better job by financially describing the significance of the paper's net worth at different points in history.

But the book also overlaid the history of Otis' family, as he clearly was where most of the information for this book came from. Interestingly, Otis grew up in an exclusive family attending Andover and Stanford. But while two of his sons attended prep school and top colleges, one did not. And many of his offspring did not marry inside their social set and did not rise to the same levels as captains of industry. Otis Chandler did not place large pressure on his family to live the same social life he was forced to live and it's interesting how they grew up and the relationships they had with their parents. With so many transplanted Southern Californians all enjoying the beautiful weather, it was inevitable that many in his family would marry outside the Pasadena blue-blooded set.

I enjoyed this book immensely but it is a time commitment at over 450 pages of small print. I recommend this book for someone interested in journalism, the history of LA and Southern California, or a history of a wealthy influential family that helped shape the future of LA.

_Priveleged Son_ manages to hit that sweet spot that so many biographies of business figures fail to capture-- it manages to be a very good look at a business and industry and at the same time be readable and enjoyable on the level of a novel.

While ostensibly a biography of Otis Chandler, it gives a fascinating look at the rise of a newspaper as local empire and the same newspaper's (largely unsuccessful) efforts to translate that into a truly national business.

Without any industry focus, the story of the Chandlers and their relationship to LA is the stuff of novels (pulp fiction and true romance)-- LA grows up with its paper in this book.

I was particularly fascinated to read what happened at the paper under the direction of Mark "Cereal Killer" Willes. His ill-starred management is a cautionary tale for would-be media moguls who fail to understand the core values that make up the news industry.

A great read for people interested in the media industry. A just-as-great read for people who like a good story.

Marissa is erudite, quick, fun, funny, committed to social justice and truth, and and an acute observer of human behavior. Her friend Johnnie Cochran describes her (in the introduction!) as "a prosecutor's prosecutor. She is full of zeal for her profession and possesses an insider's knowledge of the criminal justice system." She's also devoted herself to Buddhism for over 30 years, as well as to the mastery of the culinary arts. All of these elements figure in her very unusual book.

Besides telling three compelling and hair-raising tales, Marissa shares aloud the unspoken rules of the courtroom, and offers appreciative and insightful looks into the lives of law enforcement professionals, and denizens of South Central LA and the gay demimonde of Hollywood.

As a skillful storyteller, she is compassionate without becoming maudlin, and righteous without losing her sense of humor.

I am looking forward to her next book, which I understand is under way!

Marissa has the heart of a warrior. Her stories are classic story telling with spell binding revelations of what the truth is when it comes to crimes and the criminal mind. Her attention to detail, coupled with a sense of the world of the victim, allows the reader to be a prosecutor seeking justice for the people. The criminal procedural aspects of the criminal courts are cleanly explained with no chance of misunderstanding that lawyering is still an art when done with a heart. Marissa injects the calmness of her buddhist philosophy into the psyche of the reader to allow a deeper appreciation of the law and the victim equation.

As a criminal defense attorney, I usually avoid "true accounts" written by prosecutors as they tend to be one-sided, self-serving renditions of cases that could be won by a first year law student. The usual story involves a clear cut case where the District Attorney is representing the forces of right (the good people of the State) while the defense is usually some bad dude who deserves a long vacation in Prison. Of course the good guys prevail and the prosecutor is the hero. Good and Evil, Right and Wrong are clearly defined and everybody leaves happy. Not so with Ms. Batt's book. Besides her personal disappointment at the result of one of her cases, she manages to show that all is not black and white - urban life and particularly the criminal justice system present a myriad of situations where the lines become blurred. Her cases are interesting in that there are victims - individuals who by virtue of their own life choices are often viewed as not deserving of protection by the law and the system. Besides showing the underside of life, Batt also manages to forcefully demonstrate the maxim that "no man is above the law and no man is below it."
A great read, colorful, fast paced and real...I loved it.

...of the L.A. justice system. I won't repeat the other reviews, but two or three things deserve note. First, Johnnie Cochran wrote the introduction...high praise indeed. Second, the appendix - "Twenty-five rules for giving effective testimony" - is interesting reading in itself. Overall, the book is not compelling reading, not forcing you to read it in one sitting, but it's interesting and varied. I consumed it in three sittings if memory serves. The pace is generally good, although I felt the Buddhism dragged a bit, but that was only a couple of instances. So - recommended - *especially* if you are a fan of mysteries set in Los Angeles! I await Marissa Batt's next work with more than a little interest.

What makes this book so compelling is that you get to hear the perspective of the actual prosecutor in the cases described. Through Marissa Batt's words, you get a virtual tour of the way the Los Angeles legal system works, or in some cases doesn't work. You are introduced to characters that actually inhabit Los Angeles, who actually went through the situations described - cases that are so intense and bizarre, they seem unbelievable. Through it all, you get a comprehensive version of the legal system mirroring human lives and decisions, as seen through the eyes of a person who does their job with integrity, intensity, and strength of character. READ THIS BOOK! It is a thorougly enjoyable read though shocking and extremely upsetting at times.

I could not put this book down. It is an engaging book. I read it for some background research on John Steinbeck and the Grapes of Wraths. If you have read Steinbeck's masterpiece you have to read Red Dirt. I think Roxanne's memoir completes the story of the Joads. The psyche of the "Okie" comes alive and the drive of Roxanne to break away and then come to terms with it is fascinating. I loved this book so much that I use it for the Ethnic studies classes that I teach. I believe that to understand different ethnic groups we all have to understand what makes White America tick. This book delivers a much-needed look at the class divide among white America and no matter how much the poor whites have been abused by their richer cousins they still stand by their side. Why? Because they are white. This was a great ride

if you like books about the old way of living,you will love this book. it brings back memories of my childhood...

...
The best of autobiographical works are those that convey, in the telling of one life story, larger truths than those we experience as individuals. To accomplish this feat with seeming effortlessness, as Roxanne Dunbar-Ortiz has done with Red Dirt, is to create not only a valuable historical record, but a literary work that is a pleasure to read. Employing the finest storytelling skills, Dunbar-Ortiz lovingly recollects her youth in Oklahoma and the family dynamics she experienced "growing up Okie" during the mid-20th-century. In the process, she touches upon a host of social issues--among them racism, sexism, and economic disparity--that have plagued the U.S. since its earliest days. Perhaps most importantly, she offers one resounding voice from among a vast population--namely, the white underclass--that consistently has been underrepresented in historical texts, and misrepresented in popular culture. Exploding the notion of 'poor white trash,' Dunbar-Ortiz offers three-dimensional alternative as she reconstructs through her personal memoir the history and struggles of the frontier settler class and its descendants. As we move into the next century, Red Dirt is a text of vital significance to our collective humanity

I grew up in central Oklahoma and can identify with many of the themes Ms. Dunbar-Ortiz writes about in Red Dirt. I think anyone who is on a journey of self-discovery or is attempting to reconcile his or her past will enjoy this book as much as I did. I rarely read literature about Oklahoma that makes me proud to be an "Okie" - this book does just that.

This book was my introduction to Roxanne Dunbar Ortiz. I read it before I learned more about her and her career as an activist for the past 40 years. She reflects on her life from birth until her move to California. She grew up in rural Oklahoma during some of the worst years ever. These were the years that shaped her, the launching pad of her feminist, anti-family, pro-socialist, anti-war, ... efforts.

The reader can learn a good bit about the Socialist movement in Oklahoma in the early 1900's, the Green Corn Rebellion and the patriotic surge that accompanied World War I.

Roxanne's grandfather, one of the less 'disfunctional' family members was a Socialist and strongly pro-labor and imparted his views to her. She remembers him fondly. It appears that her abusive alcoholic mother influenced her ideas about the family and church. She had very little to say about her mother or father that is not negative. Considering these influences, the dire poverty of her early childhood, and her marriage 'up' the social ladder her views on things are not too surprising. Simple - yes, but undeniably true, at least in part. And that does not take away from her drive, talent and desire to make a positive change in the world.

You can learn more about Roxanne at her website, reddirt.com.

I think I will read Outlaw Woman, the next volume of her story.

As a San Francisco resident of nearly 20 years, I loved this book. It is not a typical, boring guidebook, but rather a very well written, witty book that reads more like a novel. There are many places that Wach writes about that I have never heard of and I am so glad that I recently purchased this book. A must read for San Franciscans!

This book is a great way to get to know SF. As a local, you can do all the things you're "supposed to do" that you haven't done, even though you've lived here for years. Visitors to the city will get a great mix of must-do tourist attractions, and an inside peek into the many things that make San Francisco great that don't begin with "Fish" or "Golden" - a real local flavor.

The author is a regular contributor to the SF Chronicle Newspaper, and her articles are always a treat. She has a great writing style and is extremely witty - this book is actually an entertaining read straight up even if you're not looking for a guide book. She "gets" San Francisco and passes it on to you.

Especially invaluable if you have friends/family coming to SF and you need to show off our little city by the bay, but can't for the life of you remember anything to show them, except for things starting with "Fish" and "Golden". Many chapters that customize a visit to SF for each visitor type - from that "interesting older aunt" to the "wornout by the kids couple". It's a lifesaver when you're expected to give someone the "SF Experience".

Over twenty tailor-made tours of San Francisco are outlined for specialty tourists, from food fans to shopaholics. This isn't your normal tourist's view of the city. At the heart of San Francisco As You Like It: 23 Tailor-Made Tours for Culture Vultures, Shopaholics, Neo-Bohemians, Famished Foodies, Savvy Natives & Everyone Else lies its small neighborhoods and long-lasting shops and restaurants which often are hidden from casual visitors. Add a healthy dose of humor and you'll find a tour to suit all kinds of visitor - and even the San Francisco native.

It doesn't matter if you never go to San Francisco -- buy this book just for the sheer joy of reading it. Bonnie Wach has real opinions and does not dish out the usual everything-is-great travel-guide drivel. Her writing sparkles with personality, wit and humor. All the particulars for the places she writes about are listed in the margins, making the information easy to find when you're looking for it. If you have any interest in San Francisco or travel books in general, buy this book.

This is one of my favorite guidebooks to one of my favorite cities. Witty and funny writing style. Filled with interesting detail and juicy tidbits, yet at the same time simple to navigate. The approach is clever too - tailor made tours for a wide variety of perspectives and preferences. Even though I used to live in SF and know it fairly well, I've gotten so that I don't visit The City without this book.

Thank you so much - the book arrived in fantastic condition and I enjoyed it very much.

--Beth :)

In this entry of the popular Rina/Peter Decker series, Kellerman assures us of more Jewish history and customs as the victims in this one are of the Jewish faith. This time the double-edged mystery sends Peter and Rina to Israel to track down the sons of a wealthy diamond magnate and his wife. Did the boys kill their parents? Add to this, the search for a friend of Rina's from New York, who comes to California for a visit with her three children and then mysteriously vanishes as well---to Israel. Add a cool ice queen named Kate Milligan, a shady partner named Shaul Gold, add a few other nasties and Kellerman sends her heroes off into a labyrinthine plot.
Kellerman's a good writer and as she progresses, she tries to focus more on plot and suspense, and not so much on Rina's faith. It does seem surprising though that she manages to slight other religious beliefs while sanctifying her own? Hopefully, as she progresses she'll take some clues from her husband Jonathan and write more substantial works.

I had trouble putting down this book from the very start -- it's a real page turner with a well-plotted mystery -- two of them actually -- keeping you going. The mysteries involve a family who has disappeared out of the blue -- he's a California diamond dealer, so perhaps this was part of a theft -- and a woman and children who arrive unexpectedly for a visit with Detective Decker and his family -- her husband is also a diamond dealer in a Chasidic community in New York. As Decker goes about trying to solve the disappearance of the California family, odd things begin happening with the New York family who are visiting -- they also disappear. Is there a connection?

The mystery takes Decker and wife Rina to Israel, a major diamond cutting/dealing country.

I learned a lot about diamonds and Israel reading this book, and for the most part really enjoyed it. The dialogue was more natural than in some Kellerman books I've read. But -- her pro-Jewish, anti-everything else sentiment was present in this book again, this time in an anti-Moslem bias. Why are metal boxes on door frames considered good religious practice but painting a doorway blue (as Moslems do) treated as superstitious? It seems to me that the customs of Orthodoxy Judaism are unusual enough that Kellerman should be more tolerant and openminded about the practices of other faiths.

Peter Decker and his wife Rina are enjoying family life with her sons and their new baby daughter when Rina's old friend Honey Klein asks to come visit. Rina is surprised because they hasn't been in close contact with Honey in recent years, but she agrees to the visit. Meanwhile Peter works with his partner Marge on a case involving an entire family who have suddenly vanished. The husband is a diamond dealer, and there are many motives for a possible murder, most of them having to do with money. Coincidentally, after Honey comes to the Lazarus home, her husband, also a diamond dealer, is mysteriously killed. Peter's quest for the truth in these matters eventually takes him and Rina to Israel where they pursue missing persons from both of these cases. As usual, author Kellerman weaves interesting facts about the orthodox Jewish religion as well as Peter and Rina's evolving family life. The trip to Israel adds an extra dimension to the story, and the total package is very satisfying for a mystery reader.

In my book 'Sanctuary' is one of the best in the Peter Decker/ Rina Lazarus series. The story revolves around the missing husband of Rina's friend. The search takes Rina and Peter to Israel where we are treated to a fascinating tour of the West Bank and the diamond trade in Israel. What makes this entry so important today is the portrayal of the continuing conflict and violence that shapes Israel's future and her people. It is a pleasure to read a book that is both thoughtful and fun to read.

My only other suggestion if you are new to Faye Kellerman is to start at the beginning with 'Ritual Bath' to see the relationship between Rina and Peter unfold. Then read all her books in the order in which they were written. Its a great series.

I have been reading everything I can find about the gray whale since I am visiting them in San Ignacio, Baja, Mexico in early February. I found this book to be the most informative for someone who is truly interested in how gray whale conservation evolved especially from the standpoint of how politics influences conservation efforts. Fortunately for the gray whale, the Mexican government had enough proponents to stop the Mitsubishi salt mining from expanding. And Mexico is the ONLY COUNTRY which has outlawed gray whale harvesting. If you are visting the gray whales in Baja, this is a definite must read!

I just returned from touring Baja and experiencing the magnificent gray whale. Serge Dedina spent a significant amount of time researching the content; he succinctly conveys the history of politics and conservation in Baja California in this book. After visiting the same places he lived, and experiencing the people, environment and Gray Whale, I can attest to the fact that Dedina's work is dead-on accurate. Reading this will save you months of research. And, if you are fortunate enough to travel to Baja, I can guarantee you will come away wanting more, and wishing you had done your homework.

This book, along with Sightings: The Gray Whales' Mysterious Journey
by Linda Hogan & Brenda Peterson, are required reading for anyone planning to do gray whale watching in Mexico. It is based on the reality of how Mexican politics, not conservationism, determined the perservation of these wonderful animals in Mexico. Most people are not aware that Mexico is the ONLY country in North America that has outlawed gray whale harvesting.

This book combines a captivating portrait of the whales and the people of southern Baja with a well-documented political analysis of the challenges involved in conservation. Plus, it's a great read.

(From Planeta Journal) - For the past several years, one of Mexico's most pressing environmental controversies was whether or not the Mexican government and the Mitsubishi Corporation should develop a new salt mining operation within the Vizcaino Biosphere Reserve, one of the world's four breeding areas for gray whales. A candid text, Saving the Gray Whale provides an engaging capsule history of whale conservation in Mexico and a timely review of environmental politics.

In fact, the timing could not be more opportune for this book. Within a month of publication, the plans for the salt operation were cancelled. For readers who are only now learning about this issue, this book is an excellent resource.

Saving the Gray Whale is a must-read book for whale watchers and readers interested in Mexican environmental issues. The candid tone stems from the author's travels and research in Baja, not to mention dizzying trips to Mexico City, where the labyrinths of political power stray far from efficiency. The author combines analysis from historical reports, planning meetings and from encounters on the road or from a kayak paddled across San Ignacio Lagoon.

This book is a treasury of little-known facts ("Gray whales are not gray") and a straightforward review of environmental politics in Mexico -- at least as far as the government is concerned. The list of players is a must-read for anyone interested in environmental issues! Unfortunately, it does not have the same depth when it reviews how the conservation groups ("Non-Governmental Organizations") operate. Is the "Grupo de los 100" really Mexico's "most influential" environmental group? Likewise, what do The Nature Conservancy and World Wildlife Fund do in Mexico? Reports are kept hush and the author doesn't seem to question the lack of transparency.

Well, to make this very simple, I started the book one evening, and by the next morning....4A.M. I had finished it. Couldn't put it down. PERIOD!

See storyline above.

Mark T. Sullivan never disappoints and this time I think he has exceeded his previous best.
'The Serpent's Kiss' is a highly addictive and gruesome tale, with plotting that will excite any reader of thrillers and mysteries. Interesting locales and some graphic scenes round out this intense story.

Highly recommended.

Having read Sullivan's previous works including PURIFICATION CEREMONY, I was pleasantly surprised at this genre-changing work. Sullivan should definitely consider more Seamus Moynihan novels.
This one is a firecracker from start to finish. The terrible deaths of these men are graphically depicted, and make the flesh crawl. Sullivan throws several suspects at you, and then saves the best for last.
Seamus is a great character, as is Nick, the television "Crocodile Dundee". The women in Seamus' life give him a little more trouble than most femme fatales.
An explosive book, with a great feel for place as well. Shifting from California to Alabama, Sullivan gives us several spooky and suspenseful scenes.
HIGHLY RECOMMENDED.

Mark T. Sullivan has created a winner of a character in San Diego homicide detective Seamus Moynihan. He's complex and conflicted as all get-out--his family life is in a shambles, his career is on the line, and he's got a past that would haunt anybody. His father, also a police officer, was killed in the line of duty and Seamus broke a promise to his mother by also becoming a cop after a traumatic injury cut short his life with the Boston Red Sox. His ex-wife is moving on with another man, he is alienating his son, and he has difficulty with all his relationships. He doesn't always follow his own advice--the book would be shorter if he did--but then what real person does? In addition, he is an effective narrator and he lives on a boat like Travis McGee. All in all, Moynihan is one engaging character--although not always entirely believable (I mean, I like my heroes as flawed as the next guy, but Moynihan has enough for two characters). Sullivan plans to write a series of books starring "Shay" and, at the very least, this is a man we will not tire of visiting anytime soon.

The Serpent's Kiss, however, is another story. It's a riveting read--plenty of suspense, action, twist, and turns, as well as lots of different characters to keep us guessing to the identity of the murderer. Unfortunately, Sullivan attempts to lead his readers down a path that makes sense, then jettisons it at the last moment for a more sensationalist ending. The last quarter of the book--while gripping, informative, and quickly-paced--dampens the effect of the rest of the novel. Nevertheless, I was engrossed to the very end.

A string of sexually-related serial murders is the focus of the investigation. Peppered with the bites of various illegally obtained snakes (or "hot herps"), the victims are found with poisoned apples in their mouths (where's the Snow White angle?) and obscure literary/biblical references left at the scene. The search leads Moynihan and his partner/brother-in-law to the local reptile adventurer, Nick Foster, star of Cold Blooded (an obvious Crocodile Hunter parody) and his reluctant partner, zoologist Jan Hood. Also involved in the investigation is professor Susan Dahoney, author of a controversial book about the Lilith myth called The Second Woman. Both these women will provide keys to the eventual solution, but not before Moynihan gets involved with them romantically. And before long, Shay will get too close for comfort with several poisonous snakes, but at least his knowledge of them--courtesy of the investigation--will help him survive.

From the beginning, Sullivan leads his characters down the wrong path intentionally, all the while winking at his readers and letting us know he's in on it. This made it all too easy to guess the perpetrator's identity. Sullivan's prose is mostly invisible--perfect for this type of thriller--but there end up being too many subplots. He leads us running from location to location, trying too hard to make sure we're having a good time. After a while--just like on a rollercoaster--I'd had enough and was ready for it to be over.

In the end, I enjoyed The Serpent's Kiss very much, and will certainly be on the lookout for future Sullivan/Moynihan novels. I think that readers who are looking for a suspenseful ride will be very pleased with the novel and those who prefer their characters to be attractively flawed will enjoy keeping company with Moynihan. I recommend it with only these few reservations.

What a fascinating read! The first half of the book seemed like the typical American police procedural--this time set in San Diego. The murders are ghastly, and the subset of individuals who seems to be the chosen victims adds another disturbing twist to the story. Our hero, Seamus Moynihan, is a narcissist and is somewhat hard to like. He's a jock, good with the ladies, drives a muscle car, and spews testosterone in every interaction with another living thing, etc.

Once Moynihan travels to rural Alabama--that's when things get interesting. The deeper he seems to go into those dense, humid forests looking for the house where a tragedy took place 27 years ago (and may be the key to solving the string of San Diego murders), the eerier the story.

The ending is somewhat predictable, but the psychology of the criminal's behavior is plausible enough to warrant our suspension of reality to enjoy a spooky, disturbing police procedural.