Australia Books

This book is the essential book about Bali. I read it 26 years ago when I first went to Bali and it still ranks as thee book about Bali. If you wish to learn about the Balinese people, their culture and religion and beliefs I highly recommend this book. jim

If you only read one book on Bali, read this one. Believe me, I'm Balinese.

Miguel Covarrubias, and his wife Rose,who were Mexican, went to Bali twice, once in 1930 for several months and again in 1933 again for several months. The first time they stayed in Denpasar, the capital, and the second time in Ubud, where I live.

They stayed with Walter Spies in Ubud,who was an extraordinary German, who had been living there for years, and who totally absorbed Balinese culture. My mother worked for him. He taught the Covarrubias's a lot.

They then wrote their book. It is regarded as the bible and all subsequent books owe a lot to it. Some things have changed, of course, but only on the surface. We are very traditional, especially in the Ubud area. The book is an excellent introduction to our rich culture.

The book discusses family and village life, rice farming, our Bali-Hindu religion, ceremonies, history, drama, art and dance.

It's very readable and the photographs and line drawings are great.

I must confess this book is thick but hey!!! It's well worth reading about for those who want to understand a little about Balinese culture as well as it's lovely people. I found it very interesting since it covered almost everything about Bali, however the book was written before World War II and well I still think it's great to have a book that is still resourceful. Even though so much has changed with Bali over the decades this book will never die surely. This is a must and is essential for those who want to have a better understanding of Bali back before World War II and they can still relate it to the present. Nothing much has changed but a few things have altered. It was like stepping back in time when I read this book... I hope everyone will enjoy the book as much as I do too... great book to have...

This is by far the best book available if you want to know about the people of Bali - their unique lifestyle, religion, customs and beliefs. Written in the 1930's, it still holds true today. The classic black and white photos are worth the price alone. The Balinese people still live a magical life that is difficult for a westerner to comprehend, unless you read a book like this.

Mexican painter Miguel Covarrubias set sail for Bali in 1931 on an optimistic personal quest to discover, absorb, and chronicle Bali's traditional living culture. Buy into the romance and seduction of Covarrubias-driven by a feverish imagination-- inexorably pulled towards and teased by the lure of Bali, half a world away. Travel back sixty-four years in time to Bali's unspoiled natural vistas-a happy, peaceful. pristine retreat standing apart from a West mired in crippling economic depression and poised on the precipice of World War II. As a fellow artist on an island with three million artists-in-residence (creativity is considered both a religious and a natural activity on Bali), Covarrubias penetrated deeply into the spirit of the dance, theatre, music, decorative arts, and pastimes of Bali.
Embellished by 114 half-tone photos and 90 drawings by the author and other Balinese artists, this essential, still-relevant classic consists of twelve chapters on the Balinese people and their civilization in the 1930s. Accompanied by painter Walter Spies, Bali's most famous expatriate resident, they roamed the countryside together with eyes, ears, and canvasses wide open, observing the local life. Covarrubias's most notable writing describes the organization of the traditional Balinese village: the markets, social order, etiquette, language, caste system, the banjar, law and justice, the courts, the subak, rice culture, and the distribution of labor. This intimate, insider's foray into every nook and cranny of his own paradise produced key chapters on everyday family life in Bali: the house, cooking, costume and adornment, childbirth, childhood, adolescence, sexual customs, and marriage.
Covarrubias explored the place of the artist in Balinese life and the development and evolution of Balinese art, crafts, sculpture, and architecture. Drama and dance are important components of Balinese life: they come alive through the village orchestras, musical instruments, classical Legong, and the ancient shadow plays. Island of Bali unveils material on priests and religion, temples and feasts, offerings and exorcisms, the Balinese calendar, and the original Bali Aga people. Written from a day when primary forests reigned supreme and witch doctors wielded terrifying power, Covarrubias delves into the cult of the Barong and Rangda, black and white magic, folk medicine, the sacrifice of widows, and death and cremation. The Balinese still lead a magical, mystical, harmonious life that is difficult for Westerners to understand unless they read a profound work like Covarrubias's Island of Bali. With an artist's sensibility and a Bali-lover's eye, Covarrubias paints a complex nirvana with words and easel in this great literary achievement.

Findley is a very gifted writer, and his talent shines through in this book. "The Last of the Crazy People" is a stunning piece about a dysfunctional family. From the first page, Findley calculatingly begins to describe the family in such a way that holds the readers attention. Reading this book is like watching a car crash in slow motion. It is a creative and intriguing read.

This is Findley's first novel, written in 1967 and set in the mid-1960s. It takes place in a small town setting outside of Toronto, but could very well have been set in deepest Mississippi for all the southern goth elements that dominate this book. A family disintegrates through the eyes of an 11-year-old boy. Mother won't leave her room, Brother is consumed by alcohol, Father is powerless. The boy's best friends are his cats and the black housemaid he is most attached to. In true southern goth style, things unravel in horrible ways as the family members drift further apart over the course of what should be a magical summer for the typical 11-year-old. Darkness, decay, death, despair, and the opening of a young boy's eyes to the realities of the world. Emotionally powerful, this book is simply awesome. Highly recommended for southern goth fans.

This is one of Mr. Findley's finest works. The metaphorical imagry used to discribe us as mankind is graphic and haunting. I know that I'll never forget,"The Last Of The Crazy People".

Much of Findley's work revolves around upscale families with problems. The Last of the Crazy People is no exception. As seen through the eyes of the youngest child in the family, who is really the only one not yet corrupted by loss of innocence, the story is told with the accuracy that only a child's perception will grant. Beautifully written, this is yet another book by Timothy Findley that i have loved.

Timothy Findley's first novel is a powerfully shocking read full of characters who reach out to the reader. Set in Ontario in 1964, the main character is an 11 year old boy, Hooker Winslow, living within a dysfunctional family. Findley holds your attention while you identify with this young man trying to learn about the problems in his family--but no one will tell him the truth. Not his distanced father who speaks to no one except his own spinster sister Rosetta who lives FOR her brother. Not his mother, the "crazy" Jessica who no longer wants to be a mother. Sometimes his drunken brother Gil. And the maid, Iris, tries to help him--but the truth is never within his grasp. The ending is breath-taking. Read this novel and you'll become a Findley fan.

since mid 80s i have been a big admirer of Bowery..he was always the most brilliant thing in FACE or ID magazine. This book is everything one needs to know and have about him. Must for disco historians !

Leigh is a genious on several arts. Clothes Designer, make-up artist, hostes, actor, performer, a MIND on the London Scene. This book is a perfect image memorablia, but not enough. Sorry my ridiculous english If someone loves Leigh Bowery too, please drop me a line. Danilo

Special man. Special book. i will forever be inspired by the delicious pages in this picture book that could change your life.

it did mine.

Beautiful job from start to finish. Highlights include the collages of stills from the films of Charles Atlas, the interview with Nicola Bateman, and Leigh's tres sexy postcards. Comprehensive, revealing the many layers of his greatness, and ever-reminding us of our miserable loss.

After the disappointing bio by Sue Tilley, Leigh Bowery can finally wink at us down here at earth. This book gives a great view on his work, throughout the eighties and nineties. Leigh was a chameleon in ideas and appearances. Allthough some of his looks were almost frightening, looking trhough the pages of this book one cannot escape from his originality and creativity. Leigh lived too short to get acknowledged for his ideas. Instead designers like Westwood, Gaultier and van Beirendonck use his ideas. But as Leigh claimed during his life: "Even my ideas filter through. The publics idea of beauty is fed to them." He fed them with something else. Thanx for that.

Bamber Delver, Amsterdam - the Netherlands journalist/writer (1984; Bowery at Farell House) website under construction with Bowery-department a.o. interview, articles, unknown pics

Having been a collector, affectionate reader, and on-the-field user of Lonely Planet guidebooks during my numberless and continuous travels, I can indeed witness that this one is one of the best. Some guidebooks try to cover too much, e.g. all of West Africa or all of Central Asia, and don't do the job so well (inevitable and still better than carrying one book for each country, but to the detriment of the quality). Another common problem, is the author's favourable bias towards the country she or he is covering, as if it were the most marvelous place on Earth - I think here of the LP guidebook to Libya. In other books still, some regions are covered more in-depth than others: the Indonesia guidebook only has seven pages on East Timor, which would in fact deserve a whole chapter if not a whole book on its own ! Instead, in covering the fascinating land of Papua New Guinea, this author has done an excellent job, and not much else really needs to be added: this is indeed the Lonely Planet standard, that is to say, an excellent standard. For those who may not be familiar with it, this means excellent, up-to-date, accurate coverage of all areas of the country, with information (primary basic facts as well as further data for perfectionists) about accommodation, getting around, eating, entertainment, etc. Despite the vastity of this land and the difficulty of getting to the most remote areas, the author has managed it. The chapters on history and culture, especially in this guidebook, I find to be extremely well-written and researched. This one is indeed an excellent tool not only for the traveller but also for the armchair traveller who may wish to know more about PNG without necessarily going. It is extremely enjoyable and pleasant to read, thus combining the unrivalled qualities of a guidebook from Lonely Planet, with great information and facts about the mysterious land of Papua New Guinea.

And the only one worth carrying for independent, budget travellers, I might add.
While this book was never perfect, and I would only have rated it 4 stars even when it was brand new (because its coverage of certain areas is really sketchy, and it curiously ignores some long-established budget places to stay), the new "PNG & Solomon Islands" guide that was published in 2005 to replace it is so much worse that it makes this guide seem 5*+ in comparision.
While the new guide is almost totally written for those going to PNG to stay in ultra-expensive resorts and see the country on guided tours, this 1998 edition still has the usual, more backpacker-oriented style many readers expect from LP guides. It will tell you about budget places to stay, remote areas to explore, and in general give you ideas on getting off the beaten track and experience some of the best PNG has to offer on your own.
Of course you will find that prices have risen considerably in the past years, but once in PNG, you will quickly figure out quite how much (they are up 2-3 times in Kina terms, which means much less an increase in foreign currency).
There are also a few new (mostly upmarket) places to stay now, and some shipping routes have changed (even since the 2005 edition!).
So if you are obsessed with having the latest available information in your guide, you may also want to buy the new edition in addition to this one.
I have both, but if I had to pick only one to carry along on my next trip to PNG, I would definitely take this one.

Even though this edition is already some years old it is still THE guide for independent traveling in this awesome country.

I was traveling in 2000 for about 8 weeks in PNG and found the book a real help for getting around in a country that is far away from being touristy. Whether you are looking for a bus stop, the next spots for hiking or diving, hotel information or information on culture and religion this book has it all in detail.

Especially in this kind of less developed country every bit and piece of information in this book is worth every cent you spent for it.

We traveled to Mt. Hagen and Port Moresby last March for the first time. What a great and beautiful country, and what a perfect travel guide to orient you. While this book is nice enough to have on the shelf, ours is worn from use... and usefulness. As a bonus, it's also well-written and a great book to read!

Lonely Planet has again done a superb job combining art, graphics, maps and information in exactly the right proportions. There are a collection of excellent color and black & white photos and graphics. The history and cultural background is extensive owing to the three experienced traveler-writers. They make great use of side-bars to highlight special features and information (a trade mark of most Lonely Planet materials).

All the regions are treated pretty equally and include useful maps that otherwise would be tough to find anywhere.

If you could only buy one book in preparation for your trip, you would not have any problem making this your "Bible". It is also a great size at 5 x 7.25 x 5/8's inches and printed on high quality paper.

I will always look to Lonely Planet as my first choice in travel books.

Having spent over 30 days travelling around N. Guinea I found this book to be heaven sent. From the Highlands to the Sepik or Lae to Madang all information re: lodging, transportation,& places to see were correct and found as described in the guide. I refuse to travel abroad without my first buying the LONELY PLANET guide to help plan my trip in that country. Jerry Silverman silverj@nical.com Dobbs Ferry, New York USA

Read your typical history book covering Chinese history and you'll get a very distinct picture of the Jurchens and Manchus--about their conquest of china, the corruption of the Qing government (as if no other dynasty had corruption), of the power-hungry Aisio-gioro Nurgaci, founder of the Qing dynasty, and their alien, steppe-nomadic ways. Most Chinese history books have little good or substantive to say about this north-east Asian culture whose term for their religious priesthood was adopted by the West, "Shaman" (Chinese, "saman").

This book takes all that mythology and anti-Manchu rehtoric and blasts it to pieces with a compelling story of a people who have rarely been studied objectively and as a culture separate from the Mongols and Chinese. Nurgaci was not the man of the myths we've heard and never called himself Emperor. In fact for most of his life his title was "beile of the Jianzhou Jurchens". He was a great lord and chieftain of his lineage, but not even an autocrat in his authority, ruling jointly with his brother, Surgaci, for many years.

Besides the myths about Nuragi, many cultural myths are also dispelled. One major one is the assumption that the Manchus were nomads with a steppe culture analogous to the Mongol culture. This book explains how and why this assumption is wrong and is essential to anyone who wants to know the real Manchu people.

I'm only 3 chapters into the book and already know I need to reread it. there's a lot of information for the student of Jurchen and Manchu history!

WELL DONE!!

I read this book after Evelyn Rawski's "The Last Emperors" and it did answer & clarified a lot questions I had with regards to the Manchus and how they were like before entering China proper. The chapter on Nurhachi was good as was the section on the inevitable power struggle between Cixi and Guangxu (my only wish that this was elaborated further).
Crossley's book is highly recommended for both casual & serious historians alike. My suggestion is to read this first before Rawski's "The Last Emperors"

I have read a more recent book Evelyn Rawski's "The Last Emperors: A Social History of Qing Imperial Institutions " in which she discusses the context between her book and "The Manchus". The two books are probably quite similar but I think that Rawski's book would contain much more undisclosed material.
I have decided not to change the rating on this book in the interest of fair play.

I visited to pick up the paperback of this book, and saw this perplexing comment below. This book and The Last Emperor are apples and oranges. This is a popular book (I got my original copy from History Book Club) and intended for reader's with a general interest, or maybe beginning historians. The book by Evelyn S. Rawski is an academic title, very thorough and erudite. But also the books are not on the same subject. Rawski is about the Manchu emperors, their courts and palaces. The Manchus is much more general. Please do not get confused into thinking that these two books are on the same subject.

It's funny to note that at many times the Qing dynasty faced many of the same problems that we see today: overpopulation, government corruption, war against drugs. So much of what we think of as Chinese is also Manchu and was introduced rather recently. Well writen and clear all the way through.

"Moonlight Downs" is surely one of the more unusual mystery novels out there right now in that it is set in the wasteland of northern Australia, features a female sleuth who is half Aboriginal and half European and uses a lexicon of Australian English and Aboriginal expressions that will be completely unfamiliar to most non-Australian readers.

Author Adrian Hyland has fashioned a complex mystery story that does not sort itself until the final pages of the book. Meanwhile, protagonist Emily Tempest, travels many miles through the outback trying to find the murderer of an old family friend who was the revered leader of a small Aboriginal band trying to reestablish its traditional way of life in a wasteland oasis. The problems that Aboriginal people have living between European settlements and traditional encampments are well and sympathetically laid out as the story line uncoils.

The author thankfully provides a glossary of Aboriginal and Australian words and idioms at the outset of the book and be forewarned--you will have to access those references frequently until well into the book. This is an intelligent and interesting novel with a good mystery core that any reader of the genre will appreciate greatly.

Finally, kudos to SOHO Crime for continuing to delivery excellent international mysteries to the American market.

"Given a Wantiya mother, a knockabout miner father and a Warlpuju foster mob, it wasn't exactly surprising that I often thought of geological formations as having lives of their own. I imagined them as enormous creatures, crawling through time..." That's Emily Tempest thinking to herself. She's a small, clever, confident and often headstrong young woman who is about to find herself hunted down by murderers in the bleak, dry Australian outback. To her sometimes confusion, she and those who know her usually think of her as a black woman misplaced in a white world or as a white woman misplaced in a black world. She's as much at home in both as she's not at home in either. When she decides to visit the extended family group she grew up with, who now have been given official title to their ancestral land, the Moonlight Downs, she finds herself at cross purposes with just about everyone she knows or meets. There are the people -- the Moonlight mob -- she ran with as a child while her father worked. They include probably the two most important people in her life...Lincoln Flinders, the aging leader of the Moonlight mob, and his daughter, Hazel. Then there are the whitefellers, especially those who center around Bluebush, the nearest town to Moonlight. Bluebush is one of the worst Australian outback towns you'll hope never to be stuck in...drunks, cast-offs, opportunists, manipulative government officials and up-from-the-bootstraps bullies. Some are pleasant enough, some aren't. Some are wealthy landowners, most are not.

When Lincoln Flinders is found dead, killed in a gruesome manner that might make some think the murderer is a blackfeller, Emily decides it couldn't have been that way. Her decision to investigate is complicated by the plans some of the whites in Bluebush have to develop Moonlight Downs whether the aboriginal owners like it or not. Emily eventually figures things out, but not before the author, Adrian Hyland, has given us a straightforward and engrossing look at life in the outback, both among the aboriginal groups and the whites. He manages this with clear and even evocative language that doesn't fall back on poetic descriptions of aboriginal life or rugged outback beauty. Dreams and Diamond Doves play a part, but with a casual and unromantic acceptance of how people believe in things.

Adrian Hyland is a first-rate writer. He brings us into Emily Tempest's life and times with a minimum of fuss. His descriptions are vivid but restrained. This works because he knows what he's talking about and because he knows how to create characters we can imagine for ourselves. Emily Tempest, somewhere in her late twenties, has been drifting around for several years. She drinks, she rolls her own and her mouth sparks out with casual obscenities. She knows how to live in the bush, identify rocks and how to keep drunks in line while she serves booze at her temporary job in town. She can take care of herself. She's also thoughtful, sometimes impetuous and likes to read. Her bonded relationship with Hazel Flinders is complex.

As much as Moonlight Downs is a fascinating look at outback life amongst the blackfellers and the whitefellers, and as much as Hyland has created an intriguing lead character in Emily Tempest, more than anything else Hyland has written a fine mystery. You need to pay attention while reading this book. There's a lot going on with more than one or two plausible theories behind the murder of Lincoln Flinders. And Hyland keeps the plot honest. Most of what we learn either drives to the solution or creates reasonable alternatives. As with enjoying any good mystery, it pays to be a bit suspicious of reasonable explanations. Hyland also handles the need for a solid flash finish. The last six fairly short chapters place Emily and then Emily and Hazel in the middle of brutal killings, mistaken assumptions, desperate chases and a stand-up resolve by Emily not to give the killer an ounce of satisfaction...all in the heat and rocky outcrops of the outback. It's quite a scene, and leads to an entirely satisfying conclusion. I'm looking forward to Emily Tempest's next appearance.

An exciting new author creating an unusual persona by way of a native Australian detective.

After several years of seeing the world, half-aboriginal Emily Tempest returns home to the Moonlight Downs camp in Australia's Outback. Emily struggles to readapt to living in the "Blackfeller" camp, but is getting there thanks in part due to a warm welcome home from her friend Lincoln Flinders although his daughter, her former best friend Hazel, makes her feel like an outsider.

She is stunned when Lincoln is found dead, a strangulation victim. Even more shocking is the killer carved out his kidney. The locals assume sorcerer Blakie Japanangka murdered and then mutilated the body of the camp's leader. Emily assists police sergeant Tom McGillivray in trying to find Blakie, who has vanished. When information surfaces that makes the prime suspect look innocent, Emily looks into a land dispute as the motive for killing Lincoln with the organ removal used to throw blame on the aborigine sorcerer.

This is an interesting look at the aborigine culture from the perspective of a person who had one foot in that and one in the white Australian society before she became a globetrotter. Emily is the strength of the story line as her relationship with Hazel seems to be a microcosm of the two groups. Although the whodunit especially when it detours into an avarice land deal seems a stretch and lacks suspense, readers will enjoy this insightful visit to the Outback.

Harriet Klausner

The author, Adrian Hyland, spent many years living and working with indigenous people in the Northern Territory; MOONLIGHT DOWNS is a story told with a great deal of affection for the people. Their spiritual connection to the land and its native animals is particularly well described. He makes no attempt to gloss over the dysfunctional aspects of life in the remoter areas of the Northern Territory, both European and Aboriginal.Emily regards her community with a mixture of deep love and exasperation at the destructiveness of some of the behaviour she witnesses.

There are other issues raised in the book. The inevitable clash of cultures and lack of understanding that results. Conflicting interests of farming, mining and aboriginal land claims, the politicization of these interests and the odd mix of people who seem to be attracted to such remote areas. The real achievement that Hyland has managed to pull off is the fact that he vividly portrays all these aspects of life in the outback without making any judgements and without trying to push the reader down the path towards a particular opinion. He leaves that entirely up to the individual.

Hyland has also injected a wonderful dry humour into the book. Expressions such as "rough as emus knees", "he belonged to the von Ribbentrop school of negotiation" and "been taking deportment lessons from a Rottweiler" are genuinely funny. The author also has a gift for description; " Gladys herself was a battleship on stilts. She wasn't much older than me, but she'd exploded in every direction. She was immensely tall, immensely fat, wearing a green dress and a coiffure that looked like it had been fashioned with a splitting axe."

A well written and researched true story. Many, who have grown up after the holocaust, will find it hard to imagine what people went through only a generation ago . Diane was fortunate enough to have many members of her extended family survive (though they have scattered around the world in their effort to do so) and we are fortunate she has written the story of their survival. Readers that are fearful of books about the holocaust that have gruesome details can easily read the book as it is more a book about survival.

Excellent account of life in pre-WW2 Poland and the devastating years of the war itself. What is so remarkable is that the survival rate of this family was comparatively high compared to other Holocaust stories - mostly as a result of a family that saw the terror coming, and fleeing outside of the eventual jackboot sphere, with Diana's immediate family living precarious daily lives through their sheer wits in Nazi occupied Poland. How remarkably easy reflect our own lives against these - just to be grateful and marvel at the human spirit, read and be grateful.

I absolutely loved "Mosaic: A Chronicle of 5 Generations". I have read many Holocaust memoirs & oral histories, but none have moved me as Diane Armstrong's book has.

The strength of "Mosaic" is it's breadth and it's protagonists, the author's family. The central family, that of Daniel & Lieba Baldinger & their 11 children is augmented by cousins on the maternal side (the Spira's) as well as the family of Ms. Armstrong's mother, the Bratters. Although Poland is the setting for the first 30 years or so, as WWII beckons the scope becomes the entire continent of Europe as the now-adult children of Daniel & Lieba pursue their lives.

The majority of the family is caught in Nazi-controlled Poland & thru various ruses attempts to escape being deported to the death camps. These are the most thrilling sections of "Mosaic" because Ms. Armstrong's writing is so vivid that the reader can feel the never-ending fear that she & her family lived with for years. While she & her parents live as Catholics in a small Polish village, her aunt & young cousins are standing behind a wardrobe for days at a time in Krakow; we experience both types of anxiety as well as many others as the author recounts the many ruses various family members undertook to survive.

There were family members outside of Poland during WWII as well. With 2 uncles in France, another uncle who moved his family from Belgium thru Spain to finally end in Rio de Janeiro & various aunts & cousins everywhere from Andorra to Tel Aviv the reader is treated to a kaleidoscope of war experiences. The post-war years & family diaspora is dealt with in detail also.

What makes "Mosaic" especially memorable for me is that nobody is a "hero" or does "historic deeds" at any point in the book. While most Holocaust memoirs are by individuals who somehow stood out from the crowd, this account is of the members of that crowd, the folks who by simply surviving without compromising themselves became heroes. It is a marvelous reminder that everyone has a story worth telling.

The final chapter, in which Diane Armstrong & her daughter Justine return to Poland & reunite with the priest who befriended & helped her family shines with joy & compassion. I truly hope that Father Roman Soszynski had the opportunity to read this book. I hope that you will read it as well.

First i'd like to thank Ms. Armstrong for writing such a wonderful and powerful book. I could really relate to it and i'm sure many readers have as well. Ms. Armstrong writes so well that it is never a struggle to keep track of the abundance of family members, which can sometimes turn a book sour. Her chronicle of her family will make you ponder about your past. I HIGHLY recommend it! It is a stunning read.

Gripping, exciting, and suspenseful reading. Great factual writing with immense feeling. Diane Armstrong took me back to my own childhood. I lost my then nineteen-year-old sister as well as grand parents, uncles, aunts, cousins and friends from school to the holocaust. It was painful as well as joyous to read. The book brought back memories and filled in some necessary gaps from my own past. A reader of a book which I wrote sent me MOSAIC all the way from Australia to the USA. I am very grateful to her. This book encompasses five generations of the author's families including detailed explanations of Jewish traditions then and now. For those of you who escaped the holocaust, you will be able to relate with it. For all others, it will be an eye-opening experience.

I've been a fan of Graeme Base books since I was a kid, so naturally I started expanding my original 2 book collection to share with my son.

Although the illustrations aren't as gorgeous as some of his other books (more of a scratchy/pencil/diff medium style) and every 2-page split is not colorized, they still work perfectly with the story. Really fun read, especially if you've got an eccentric gran/nana in your family.

This beautifully illustrated book set in Australia's outback has the most interesting animals I've ever seen! The multicultural theme can be used in classrooms and at home to promote an understanding of native animals of Australia, relationships with elders, women of independence, and travel. The story is beautifully written in prose and the illustrations are patterned in pencil/charcoal and brilliant pictures.

This is definitely the best picture i have ever read to my children and i would recomend it to all parents and children alike. It makes you smile and feel so content and happy as you reach the last page. The illustrations, superb, the story, edge of your seat stuff.

Recommend t for everyone, young and old.

My kids really enjoy this book. It was a gift from Grandma for my oldest son because he likes to say funny words. This book is full of funny words and names that all three of our kids love. At the end of the book, my daughter always wants to know "what happend to Grandma", so we come up with all kinds of possibilities. This is a wonderful book and is read often as our bedtime routine.

My Grandma lived in Gooligulch,
Near Bandywallop East,
A fair way north of Murrumbum
(Five hundred miles at least)...

In Sydney and in Melbourne Town,
They all knew Grandma's name,
And all about the animals,
That Grandma used to tame.

THe Australian place names and the premise of the Grandma taming exotic animals (exotic to most non-Australians kids) is as colorful as Grame Base's 11 2-page spreads. The story concerns Grandma (while we're told that everyone "knew her name," we're never told what it is), her taming, training, and befriending of wombats, kangaroos, dingos, goannas and local birds, including kookaburras, galahs, magpies, and coots. The color pictures are beautiful and often wonderfully improbable: A goanna (some kind of reptile) is shown in an easy cair, quaffing some type of drink (Foster's?), while he and a dingo (wild dog) watch a rat balance an Australian coin.

After introducing the animals who overrun Grandma's house, Base's brief plot concerns Grandma's journey (via pelican) over the desert sands and mountins, "until at dusk they reached a place, Where giant tree-ferns grew. There's a lush picture of this riverbank oasis, followed by a dark, fun/scary night illustration of the wombats--their eyes open in fear--"looking nervously around...for a wombat-eating snake." Grandma and pelican journey to next to the sea, where she dons "frilly bathing gear," and rides the waves on a blowup sea-dragon.

HOwever, things take an unexpected turn when Base decides that Grandma will be taken by the tide: "ANnd no-one's seen my Grandma/Even to this very day." This sudden disappearance is tempered by the narrator's speculation that Grandma probably landed on an island and thence to England , Spain, San Francisco, or Tingoor, or (her best bet), that Grandma's "back in Gooligulch, just like before." While the fantasy elements of the book make Grandma's fate less important, and the narrator's speculation more plausible, this turn of events may make the book somewhat unsettling for toddlers, restricting the book's audience to those around the ages 4-9 or so. You'll have to use your judgement. There's no hint that Grandma had a disaster, she pictured (in the narrator's fantasy taming animals "in thejungles of Tingoor" an d heading to San Francisco "On a Western Union train." Still, you might want to consider whrther the ambiguity of what happened to Grandma will be upsetting to your readers. Still, in keeping with the light, silly narrative poem (which is very imaginative and well-written), I think a zanier, more explicit conclusion would have been a better fit.

The other non-color picture are a monochromatic dark brown, made interesting by Base's lined shadings. Unfortunately, these are sometimes too dense, his most effective picture leave more "white space." In addition, Base introduces some of the animals without a nearby reference illustration: You have to go to the inside of the front cover to get the key to the two-page illustration of all the animals located inside the back cover! This is a little inconvenient. Overall, a very good book, with excellent color illustrations, and a clever poetic narrative that will draw engage individuals kids or in group reading.

We recently visited New Zealand and searched at each venue for books that capture the magnificent landscape. Although there are many beautiful books, this is the best. We found it at the Te Papa museum. It has won a gold award. The feature I like best - apart from the photography itself - is that the book is divided into sections according to the type of landscape - coastline, lowlands, mountains etc, and does justice to each.

This is a simply beautiful book of photographs. Apse's custom-built medium-format cameras and his eye for composition and lighting have produced a collection that distills the essence of New Zealand's beautiful "Four Seasons in a Day" landscapes.

I just returned from 3-weeks in New Zealand and I must have looked at 30 NZ published photo albums before I left, settling on "New Zealand Landscapes." The US price for this NZ published book is a little steep, but it beats the pants off anything else I saw.

This is the first time that I have ever written a review but I feel that I must in order repay what Mr. Apse has provided me.

This book is my favorite collection of photographs, period. The photographs are technically perfect and do justice to a landscape that itself is almost indescribable. Whenever I pick up this book, I know that I'll be sacrificing an hour because I just cannot put it down.

Thank you Mr. Apse.

I am an amateur photographer who just returned from an extended vacation in New Zealand. I spent a lot of time looking for the perfect scenic picture book to take home as a souviner, and I must say that this one was absolutely the best! Andris Apse is an amazing photographer - his images of the New Zealand country and coastal areas are incredibly well composed. The lighting, the scope, the sheer beauty of it all..... it's difficult to put into words. The price for this title in the US is well worth it. If you are able, definitely get your hands on a copy. And if you want to have a look at more of his stuff, visit his website.

Even if you've never been to New Zealand, I highly recommend this title as a thoroughly enjoyable work of art!

I just received this as a gift. It's filled with some amazing shots all over New Zealand and some nearby islands. Some of the photos do not even look real they are so picture perfect. I love his use of light in the photos as well. Only thing better will be getting to go there. :-)

My 2 year 8 month old daughter loves this book now. Even though she has only basic reading skills she can read out all 14 lines because she has asked me to read them so many times!

The rhythm and patterns of the writing, and the pictures all make it a great book for counting and reading. And having mastered numerals already, she loves learning the word forms (the book always uses "one", "two" etc, not 1, 2).

One Woolly Wombat certainly has no complicated storyline or even a basic one for that matter. Similar in style to say the 12 days of Christmas song but in numerical order the reader visits one woolly wombat sunning by the sea along with increasing numbers of other Australian wildlife with every even numbered group doing something that rhymes with the activity the odd number before it was doing.

The friends the reader will meet to help them count along with a wombat are, koalas, magpies, kangaroos, platypuses, possums, emus, echidnas. goannas, kookaburras, dingos, cockatoos, hopping mice and seals. Illustrations of these animals (with the exception of the wombat) are very realistic looking as well.

If more of an actual story you were after other great Australian wildlife fiction picture book classics that kids all over the world will love are out there. The best are Possum Magic and Hunwick's Egg by Mem Fox. Sebastian Lives in a Hat by Thelma Catterwell, Wombat Stew by Marcia Vaughan, the entire Steve Parish story book collection by Rebecca Johnson such as The Cranky Crocodile are also great reads. Olga the Brolga and Edward the Emu although not the best stories have some greatest drawn colourful illustrations of Australian wildlife you will ever see.

This book has been a favourite of my cousins. It is witty, colourful and incorporates Australian animals, which children always love. Lots of pictures, and easily read or sung.

one woolly wombat sunning by the sea two cuddly koalas sipping gumnut tea

and so on to fourteen A now-classic Australian counting book, featuring native animals and other features of the Australian landscape and lifestyle (bush, lamingtons, and some flora)

A good choice for a counting book (also going beyond the traditional 10) for Aussie and non-Aussie kids alike.

Learning to count has never been this fun (or colorful!) My niece couldn't stop talking about wombats and magpies and koalas. The illustrations are vibrant, sometimes silly. You just can't go wrong with nine hungry goannas (look like alligators) in aprons and chefs hats.