Washington Books

Here is an account of one of the boldest attempts of slaves to free themselves. In April 1848 dozens simultaneously fled from Washington, DC, in a sailing vessel provided by white sympathizers. All were captured, but the well organized attempt startled the public North and South. The author fills out the story with background about slavery in the nation's capital, and traces some of the era's major political developments relevant to human bondage. The book is informative and an easy read.

This is a gripping tale.

While the book's title highlights the 1848 escape attempt on the Pearl, the contents of the book encompass much, much more. There's the story of a slave family - the Edmonsons - which Ricks follows from before the courageous but unsuccessful flight to freedom all the way into present-day Washington, DC. There's an engrossing overview of abolitionism and its firey, impatient and ultimately triumphant adherents. Ricks presents her readers with a compelling description of the underground railway. Washington is presented as the small southern town that it was then, with illuminating detail. She brings to life the mid-nineteenth century context with its wrangling and maneuvering and unforgettable characters. It was a hell of a time and she gets it.

The small hard kernel of yearning and determination that impelled this particular journey by these particular people inspires us. Here, too, is a great and continuing irony of history: Some human beings are capable of enslaving others; at the same time different human beings strive passionately to free others; still others fight to free themselves.

'Escape on the Pearl' is a terrific read.

This is a great book. But don't take my word for it - Edward Ball, author of the bestseller Slaves in the Family, says "My kind of Southern history looks at slavery through people, and Mary Kay Ricks puts you on a first-name basis with the remarkable Edmonson family, who went through a mass escape, the near prostitution of two daughters, and a great homecoming. And she's found their descendants, who will tell you all about it." (quoted on the back of Escape on the Pearl).

In 1848 some residents of Washington DC owned slaves though many others opposed the "curious institution". In April, conductors on the Underground Railroad try a bold freedom run using the Pearl to take seventy-seven runaway "fugitives" to freedom in the north. However, a terrible storm on the Chesapeake doomed the mission. The sheriff arrested the freedom fighters and took the recaptured slaves back to their owner who sent them to New Orleans for sale. Another twist returns the slaves to DC where Preacher and staunch abolitionist Henry Ward Beecher made efforts to get them freed and his daughter Harriet Beecher Stowe used their plight as part of her reference notes published as the Key to Uncle Tom's Cabin, two years after the classic was released.

This is a complex at times convoluted look back at a major incident of its time that has somewhat lost its significance over the subsequent century and a half. The book gets inside the heads of the slaves, slave sellers, slave owners, the Stowes and the Underground Railroad conductors. However, most fascinating besides the link to Harriet Beecher Stowe's classic is the way the citizens in the metropolitan DC area looked at slavery. Historical readers need to set aside some time because though difficult to follow because of how complex the events leading to, the event itself, and the subsequent aftereffect and outcome are, this is a discerning insightful look at the abomination of slavery.

Harriet Klausner

The author's knowledge of her subject is remarkable, her writing is graceful, and her judgments are consistently sound. This book is a great read, an exciting tale framed by a sharp, balanced and sensible portrayal of an era of shame, ferment and change in our history. Ricks's literal knowledge of the streets of which she writes makes this book vibrate with authenticity. I enjoyed it consistently--and learned enormously from reading Escape On The Pearl. Since I write fictional accounts of the period myself under the pen-name Owen Parry, I realize how complex a subject this author has taken on--and I can only say that it's humbling to see another writer do a far-better job than one can ever hope to do. This book deserves wide attention and, as readers, let us hope that Ricks will return to the period for additional books in the future.

I ordered this book for my father, whose brother died in WWII. The family was given almost no information at the time, but by piecing together details, my mother determined that he was almost certainly on a particular boat when it was sunk by the enemy. That fact was confirmed by this book, and it offered a lot of information that is offered only sketchily in other areas. We appreciate the author and the information he was able to provide families, as well as the story of the wonderful chaplains. My mother, an avid reader (particularly about WWII), said this was one of the best written histories on WWII that she has read.

If you ever feel that your fellow man has no regard for you, pick up this book and don't put it down untill you have finished it. What an inspiring story of four 'Men of God' and their dedication to that God, each other, and all those fortunate enough to have crossed their paths. You will be stunned by the character of each of these great men.

I became intrigued by this story when I was no moare than 10. I was a stamp collector and came into the possession of the stam honoring the four. In those very pre-internet days and in a very small town with few resources I was only able to learn a small amount of the story. Since then there were pieces here and there but it was not until this book that the whole story was made available to me.
I was almost uable to put this book down once I started. It's well written. It's abook that you can read for factual historical content or faith and inspiration. The story of the four chaplains is one of the many little known inspiring and interestng stories of World War Two. Don't pass this book over thinking it is just another relilgous book. It is much more.
In this day and age when we hand out superlatives like they were penny candy, the story of the Chaplains and the sinking of the Dorchester is an almost must read not just for people of faith, but all people.

Everyone who's already reviewed this book has said so much about it that it's hard to find anything more to say about how well it's written, what a great gripping true story it is, and the amazing heroism of the four chaplains. This book is so well-written and has such a compelling and involving story that I read it in like two days, and wished there had been even more. Additionally, this heroic tale from WWII has special meaning to many of the people in my area (New York State's Capital District) because Rev. Clark Poling's church was in nearby Schenectady, providing a local connection.

The book itself follows a somewhat nonlinear format, going back and forth between the pre-war lives of the four chaplains and their lives during the war, particularly after they boarded the Dorchester and arrived in Greenland for a very brief stay before going back on the ill-fated ship. After this point, the narrative switches entirely to a linear format, discussing the ship's final night before being torpedoed by a German U-boat and the chaos, heroism, and tragedy that ensued. Not many people could honestly say that they would give up their lifejackets if their ship went down in freezing waters in the middle of the night (Rabbi Alex Goode even gave up his gloves) or remain calm in the midst of such frantic circumstances and such a life-and-death situation. Many people back then also weren't so forward-thinking about interfaith relations, with a Reform rabbi, a Catholic priest, and two reverends from different Protestant denominations being such close friends and reaching out equally to everyone on the ship, largely being nonsectarian apart from when they did things like conduct services. This was still an era in which many Protestants and Catholics didn't associate with one another, to say nothing of the rampant institutionalised prejudice against Jews, and, in a number of areas, against Catholics as well. They set a moving and heroic example for all time, not just in the area of interfaith relations, but also in the area of selfless sacrifice. It was interesting to read in the Afterword about some of the people who have since been awarded the Immortal Chaplains Prize for Humanity Award, such as the Japanese Righteous Gentile Chiune Sugihara, Archbishop Desmond Tutu, and Omri Abdel-Halim al-Jadah, a Palestinian Muslim who died while saving a young Israeli Jewish boy from drowning. The Afterword also provided information on what happened to the survivors of the Dorchester sinking and the near and dear ones of the chaplains.

As we find out all throughout the book, this tragedy could have been prevented (it was kind of like a smaller-scale Titanic) if only the Dorchester had been inspected more closely or refurbished, or if there had been enough lifejackets and safety instructions provided, and even after disaster struck, the casualties could have been reduced if the nearby American ships had begun searching for survivors and bringing them onto their ships right away instead of thinking nothing serious had happened or going after the attacking U-boat first, but even in the midst of such bungling and such a chaotic disaster, the amazing heroism of the chaplains shone through as well as it would have in calmer circumstances.

With a sickening thump, an explosion wracked the troop transport S.S. Dorchester - a German torpedo had found its mark. It was shortly after midnight, February 3, 1942, and the ship was about to sink into the deadly cold waters off of Greenland. As men panicked and struggled to find a way to save their own lives, four men walked amongst them spreading calm and encouragement. Helping everyone they could find, even giving away their own precious lifejackets, the four chaplains - Rev. George Lansing Fox (Methodist), Rabbi Alex Goode, Rev. Clark Poling (Dutch Reformed) and Fr. John Washington (Catholic) - sought to serve their God and the fellow men. And when the end came, survivors saw the four chaplains, locked arm in arm, praying on the upside-down hull of the ship, just before it dove beneath the waves.

This book tells the remarkable true story of four men who joined the American military as chaplains, their experiences at their Massachusetts training camp, and their final tragic mission. It is a story that is bound to bring a tear to your eye, but it is also a great story of faith and truly living the life of godly sacrifice. Overall, I think that this is a great book, on that I highly recommend to everyone.

This is a wonderful book. I found it hard to put down once I started looking at it. Each caption is very heartfelt from those who served in Vietnam and those who know someone who did. I love the fact that with books like this, "they will never be forgotten". Some of the words are very small and I definately needed my reading glasses, but the pictures are worth a thousand words. A huge thank you to those who served and those that sacrificed.

This is a moving book about the artifacts left at the Vietnam Veterans Memorial in Washington,D.C. Reading and seeing the pictures, about the different artifacts: stories, letters and notes are of interest on there own admission, but to tie it to the individual name on that black slab of granite, America's tombstone of the Vietnam War is mythical.

Have picked it up a number of times, since reading and digesting its contents.

No matter how you may feel about the war, the humanity revealed in this book will touch your heart. A little keepsake or memento left behind to a buddy, brother, husband or father is more than politics or justification of warfare it is about an offering to a loved one that died. That old saying a picture is worth a thousand words is true with this book, I found myself just staring blindly at insignificant objects that in any other place could easily be looked over, but here its is given to pay homage to the dead and maybe give a little peace to the living.

Eventhough I do not understand the Vietnam war, and I was not alive at the time, this book really touched me. The guilt, pain, and loss that the offerings people had left made me cry. There was a picture with a little girl and her dad, and a veteren was telling about the day he met the man in the photo. I think that story will stick with me forever. I saw the pain of innocense lost through the artifacts, and the truth of the poeple in that war was revealed. I reconmmend this book to anyone from that era to the youth of mine.

I sobbed through Offerings at the Wall. Sobbed for the loss of innocence and young lives lost. For anyone raised in the 1960s this should be a must read to understand and come to grips with the imapct the Vietnam War had on our generation. God speed to our veterans and to the brave young men and women of today's military still fighting for our freedom. Please take the time to thank a veteran for his/her service to our country.

I first met Betty McDonald when I read The Egg and I, back in high school in the Pacific Northwest in the late 1960s, and I was completely enthralled. First of all: she writes extremely well. Her sentences are terse and well-formed, and she has a knack for shaping quips of all kinds: the quick laugh, the sudden surprise laugh line, and the careful set-up gag. Most of all, though, I find myself laughing aloud (she's one of the few authors who makes me laugh aloud while reading) at the perfection of a sentence which is at the same time witty, perfectly balanced, completely appropriate, and completely unexpected.

You will find all this - in spades - in Onions in the Stew. It is a mellower book than the others, for many reasons; she was older when she wrote it - and, I think, happier in her second marriage; also, her already considerable skill at writing had grown. Her descriptions of Vashon Island in the 1940s are utterly perfect: beautiful, clever, and bittersweet all at once. Her descriptions of her husband and daughters - and others in her family - are full of warmth, and are at the same time completely clear-eyed and unsentimental.

Frankly, comparing Betty to Erma Bombeck is like comparing Julia Child to Rachael Ray. They can both cook - but, oh boy, I know whose house I'd like to visit for lunch . . .

I first read Onions in the Stew almost thirty years ago, in a Reader's Digest Condensed Books version, and I never forgot it. What a JOY to receive the complete version as a gift years later, along with The Plague and I, and Anybody Can Do Anything, when they were reissued by The Common Reader. I absolutely devoured them, passed them around among my friends & loved ones (keeping track of who had them, very uncharacteristic but they're the kind of books you never want to lose!!!!) and agree with every five-star reviewer here, especially "pony-express," that Betty is the best friend you never met. Also enjoyed the comment about how much fun heaven will be, to drink strong coffee & yak with Betty MacDonald. She is still as witty today as when she wrote her books, utterly classic and fresh, laugh-out-loud and tremendously endearing without EVER being cloying. Such a cut above. Her other books are equally wonderful, and I just wish more people were exposed to her; she's a tonic for stress, an antidote to depression. So glad there are others out there who love her as I do!

I've just finished the fourth Betty MacDonald memoir. Thank you Amazon for the access to all these out of print books!
I now know what's going to be fun in Heaven - chatting with Betty over strong cups of coffee.
These books were like discovering a new best friend. I've never been so entertained by reading. What a gal!

Having finished my previous book and waiting for Amazon's free shipping promo to buy more, I picked up this book collecting dust in my book closet. I was pleasantly surprised.

It is smart and funny and so down-to-earth that you have to instantly like Betty as your best friend. Althouhg I am not a big fan of women titles (those seems to dominate the New York Times bestsellers list these days), I laughed out loud on a plane from Washington DC to Houston on a business trip. Who knew that everyday domestic issues can be so light and funny?

Anyway, just try it. You will find it more enjoyable than you want to admit.

"The Egg and I." As I said in my review of the earlier book, although I found parts of "Egg" charming, the chapter on Indians made my part-Cherokee blood boil, and that other parts seemed rather mean-spirited as well.

There is none of the mean-spiritedness in "Onions", probably because, in spite of the various toils and tribulations of life on the island, Betty was basically happy there, as opposed to "Egg" where she was mostly miserable.

I loved the part about the small woman who loved to curl up on soft, comfy places like sofas, armchairs, and other women's husbands' laps. I wondered, though, why Betty didn't just ask her to step out into the garden and then drop-kick her across the straight to Seattle? I'm sure she could have gotten some of the other women in their circle of friends to help.

Many of the events she tells of show us that teenage girls have always been a handful, whatever they say. However, in spite of all the complaining and whining, the girls were willing to pich in; how many girls their age nowadays would have something like stuffed pork chops waiting when their parents came home from work?

While "Egg" left me wondering why anyone in their right mind would want to run a chicken farm in the middle of a howling wilderness, "Onions" made me wonder if living on an island might not be fun.

Very interesting and great recipes

Every recipe I've tried from this cookbook has gotten raves, and considering the source, many of these recipes are terrifically easy (no specialized knowledge or equipment required). O'Connell has no fear of cream, butter, and salt, so this isn't everyday fare, but for special occasions, holidays, birthdays, and nights when you really want to impress, this book is indispensable. The Amazon price is excellent too, and the book's worth every penny. Definitely destined to become one of my favorite cookbooks (it's coffee-table pretty, but my copy is already smeared with butter and dusted with flour).

This beautifully photographed book was a vivid reminder of the unique dining experience we had at the Inn. Recipes are easy to follow and results have been great. I especially liked the "pantry" section at the back of the book. Thank You!

Not only gorgeous, but absolutley oen of the mouth taste titillating cookbooks I've ever seen (along with their first book, Inn at Little Washington Cookbook)... and everything is do-able!!

I've bought this book a few weeks ago. Prior to start selecting the recipes I usually read any cooking book like any other book. I just found out that I was putting marks in all of the pages, so I stopped doing it and instead, I started cooking each one of the recipes, choosing whether I wanted fish or meat.
Even if you replace or adjust some of the ingredients, the result it's absolutely amazing.
Try the recipe that has a picture in the cover, and you will see what you get from your family, friends, or even for your self. Don't skip the decoration, it's easy to prepare and looks stunning.
This book was for sure a very important addition to my small library of cooking books. I have slightly more than 200 cooking books.
MT-Japan

"Ours is the signal honor of being the nation's bulwark. One day we must prove ourselves worthy."

Requiem for Battleship Yamato is about sacrifice-immolation on the altar of national survival. It was written not to needlessly lionize the wanton sacrifice of combatants in order to bring to an end what one historian called "a war to establish and revive the stature of man." Instead, it was written, and properly so, as catharsis: Yoshida Mitsuru, as a 20-year old ensign on the bridge of the Yamato during its final voyage, had witnessed War, and thus wished that future generations would no longer be called upon to "prove themselves worthy," and to bear the burden of armed conflict.

Yoshida's prose satisfactorily captures the spirit on board the Yamato prior to its climactic encounter. Yet there is no way to adequately describe what the men of the Yamato went through during the ship's final hours. One author called it "a glorious way to die." Alternatively, the battle could be described as a nautical siege, a maritime battle of Troy. There is no apotheosis in death; death is merely a release from duty. During the battle, one man struggles to keep the deck clean by throwing overboard limbs severed by bomb shrapnel or machine-gun fire. Below decks, men grapple with the bodies of their comrades; once-inviting hot tubs (the Yamato has several of them, we are told) are filled to the brim with the ranks of the dead. In the bridge, officers are mowed down by machine-gun bullets. There is no sanctuary aboard the most massive dreadnought ever constructed.

This is a highly readable book, redolent with poignant memories, written by a man who had the courage to confront his phantoms. Through Yoshida's book, many souls who fought during the Pacific War found a voice.

"Three thousand corpses, still entombed today. What were their thoughts as they died?"

In the 1950's and 60's, Japanese memoirs of the Pacific War flooded forth from the publishers. Saburo Sakai's "Samurai", Hara's "Japanese Destroyer Captain," Mochitsura Hashimoto's "Sunk!" are just the tip of the spear. But Yoshida's "Requiem for Battleship Yamato" is simply in a class by itself. The youngest officer on board the mighty battleship, he was present when the giant was ordered on her suicide sortie. Escorted by the anti-aircraft cruiser Yahagi and numerous destroyers in April 1945, Yamato's mission was sublimely ridiculous: sail down toward the Ryuku Islands (where a massive American task force was staging the invasion of Okinawa), attack the landing force, beach itself, expend all weapons and ammunition, then the surviving crew members would join the garrison in Okinawa's defense. It was no surprise that the force didn't even make it halfway before being annihilated by U.S. planes. Yoshida's book is poetic and is beautifully translated by Richard Minnear who also provides a superb introduction as well. Yoshida's account of the American air attacks which inevitably shattered the Yamato, the Yahagi and most of the escorting destroyers come off as not combat, but high slaughter. Veterans who survived idiotic orders and suicide charges will find a spiritual brother in Yoshida. Don't be surprised if you have a tear in your eye for the brave crews of these ships as you close this book for the last time.

Written as a tribute to his shipmates, "Requiem" is also a powerful anti-war book.

young, naive and inexperienced the author chronicles his one and only combat mission. relating his service on the japanese battleship 'yamato' author mitsuru gives perspective not only on what he does but on what he feels. fortunately for the reader mitsuru is an articulate writer who has had the opportunity to rewrite his recollections numerous times over the years before settling on this 'definitive' edition. the book runs as a subtle parallel of stories between the events happening around the author during war and what he thinks and feels as he faces his own mortality. an excellent perspective of man in conflict.
also worth noting is the outstanding translation and introduction by richard minear.

Although perhaps unsurprising given the scale of Japan's losses and the bitterness of defeat, the fact remains that there are relatively few accounts of the war by those who fought with the Imperial Forces, and even fewer available in English.

For this reason alone `Requiem for Battleship Yamato' would command attention even if it were only an average work. But it is not an average work; it is a classic in the truest sense of this much abused word, which must be placed alongside books such as `The Last Enemy' by Richard Hillary.

Written in a spare, almost poetic style, `Requiem' tells the story of the Yamato's last doomed sortie from the viewpoint of one of her junior officers. Alongside glimpses of life on board the great battleship, we gain an insight into the thoughts and personal lives of her crew as they prepare for what most realise will be a mission from which there will be no return.

As the tension mounts and enemy forces close in for the inevitable kill, Yoshida provides a moving commentary on the Yamato's last days and hours, with poignant vignettes of such figures as the force commander Vice Admiral Ito, who had correctly appreciated the futility of the mission yet carried out his task with calm resolution.

With the Yamato entering her final death agony, Yoshida gives us harrowing descriptions of the effects of explosives and steel on human flesh - a timely reminder in this age of glossy propaganda of the true face of battle. Then there is the homecoming, with Yoshida's personal struggle to come to terms with the meaning of his survival while so many of his comrades are dead.

No review of this book would be complete without acknowledging the outstanding work of its translator, Richard Minear, who has also provided an excellent introduction. Thanks to his efforts, this work will not only be read with profit by the military historian, but anyone who seeks to broaden his understanding of the human condition.

This book is not for readers searching for details of battle, or apologies for participating in the miltary adventure against the US. Yoshida Mitsuru was an unlikely survivor of a suicide mission.

Some of the reviewers have found this book morbid, and focused on death. Mitsuru attempts to describe his feelings and unaswered question that haunted him for the rest of his life. Why was he saved, when so many other died? Was there a purpose to his life, and the life of his dead shipmates. These are questions that all men ask to some extent, but for those caught in a war, life and death are close and constant companions.

The normal thoughts of young men towards life and the future are put aside as their ship plows forward on a suicide mission.

Do not buy or read this book if you are not prepared to think about the personal cost of war. Some have described this as an anti-war book. I do not believe that is a correct description. This book is written by someone whose education and social standing required him to enter the Navy, and go to war. I view this work as a refection of an eyewitness and wounded survivor. Such an experience at such a young age makes one an expert on the war experience, not the root causes of war or their justifications.

Most men who shared Mitsuru's experience do not write, or even disuss their experiences. For some, just the thoughts of their experience is unbearable and the reason some end their days in mental hospitals.

When Mitsuru wrote the first draft of this book, it fell under the authority and censorship of the American Occupation, which did not approve of the text.

Which brings up the question not posed directly by this book. What "truths" were censored during the official investigations surrounding Pearl Harbor, the Bataan Death March, and other matters that impacted on the ledgends and careers of Americans of that time?

I had put off reading this book for years because of a review I had read saying it was about a girl who wanted to be a boy. The book was actually the story of several different people and the different journeys they took to find themselves. It is wonderfully written and I am only sorry I didn't read it sooner. I highly recommend it.

Granted, a happy ending is far from what I expected when I started in on this book, nor do I normally expect happy endings from modern novels. I was somewhat apprehensive about reading another book about someone finding himself, but I'm quite glad I did. Tremain's novel unfolds quietly, without great pomp, and pulls you in through carefully-crafted characters that feel like real human beings. I found that the more I read, the more I wanted to keep reading, and it's been quite a while since an author's managed to accomplish that for me. While Mary/Marty's story is interesting, I find the "support cast" more intrigueing, potentially because Mary/Marty somehow ends up a bit hollow, a bit shallow; his only desire, as human as it may be, is to settle down with a girl.

Other characters in the novel go through ups and downs, as well, but most seem to have either arrived at a place of contentment (or, at least, contentment with their discontentment) or are portrayed as being in a transitional place. Mary/Marty probably wouldn't bother me so much if he wasn't trans. The fact that he has no real ambition and has only the most basic of desires--to find a mate--strikes a sour note into this otherwise beautifully-written novel. Just as many queer characters tend to end up with less-than-happy endings, so Mary/Marty ends up alone and content with loneliness. Perhaps I'm being a bit paranoid here, but that strikes me a bit too much like a conservative message wrapped up in what looks to be a progressive novel.

Nonetheless, the book is well worth the read, especially for the glimpse into changing views on and roles of masculinity within English culture after WWII and as industry started to take over smallholdings in rural England. I'd give it 3-1/2 stars if I could, but since that's not an option, I'll go with 4 for the smoothness of the prose, the complexity of the characters, and sociological value.

I loved this novel. I haven't read it recently so some of the details are fuzzy but I do remember being amazed by the story and the author's writing style.

"Sacred Country" is about a young girl, Mary Ward, who, at the age of six, realizes that she should be boy. The book is a chronicle of her life from that point on. I found the detailed descriptions of the odd things that captured Mary's curiosity as a child (and as an adult, in a different way) intriguing. I won't lie, this is a very sad story at times, and is hard to read in some parts because of Mary's loneliness. The loneliness is never stated and packs a harder punch because of it. All in all, this book explained to me in stunning writing, the process of finding all of the right worlds in oneself. And, dealing with them when they don't fit or express into a manageable form to the outside world. It is a coming of age story to the self and to life. I like to read to learn - about happiness, sadness, life - this book delivered in a big way for me.

I completely agree with the five or six other reviews of this book for two reasons, one that it's an absolutely wonderful story and two that it's a shame that more people haven't reviewed it. It's one of those rare books that will capture you until you read the last page. The characters, as well as their relationships are so well crafted that you don't want them to end. It so touching and human that I can't imagine anyone would not fully enjoy it.

Normally books about people trying to "find themselves" do not appeal to me. I'm a reader of historical fiction - thus I discovered Rose Tremain through Music & Silence (Excellent) and Restoration (wonderful read). I purchased this book simply because of the author. When I got it and read the covers, I thought "I've been gipped, this isn't what I wanted" - However, after just a few pages, I was pulled in. Mary/Martin's struggle with gender reflects every individual's struggle to become who they think they are meant to be. Gender identity is only a tool here; it is not the focus of the book. The English farm, the repressed family, the country music scene in Nashville are a perfect backdrop for the inner struggles of characters such as Mary and Walter. The author paints such a realistic picture: Struggles are hard and probably never ending. The book also demonstrates the importance of the "one person" in someone's life who can make such a difference -- in small and often unknowing ways. I can't say I loved this book, but I can say that I am so glad I read it. The world is filled with Marys and Walters, and there is a bit of them in each of us as well. The perspective this book brings is right on target. Rose Tremain is truly a great writer.

Buy this book and change your outlook on Nam forever. If you ever valued the boy next door, your son , or daughter you will want this book as a bed side companion to re-read again and again. Each story is a man lost, a mother in pain, a comrade who mourns . It paints the picture that we will be reliving for the men of Afganistan/Irag times. The book will be relevent for time immortal. At,6'3 and 320 lbs of old warrior ,
this book took me back and immersed me into the turbulent past times of my life. To damn up my tears , it would have been like holding back a hurricane because of the imagery in this book . This book is well worth the price. I bought it and will continue to buy it again and again until all those I know have a copy. America should emerse itself in the books wisdom about ours soldiers and society. We need to learn to drop the idea that all we are told is the truth and scrutinize our leaders more closely. Thanks Ms Palmer for this great and timely book of truth. Herb, I knew you at Lackland, I hope you have found peace.

If you lost a loved one in Vietnam then you'll understand the poingnancy, intimacy, loss, and anguish of the writers of these letters found throughout the book. It brings out the grim and stark realization that behind every name on the Wall is a story as told by the families who suffered a loss. The most important thing though is the book is about remembering those men and women who served and paid the ultimate sacrifice.

Do I dare to give this book a less-than-glowing review? I am inclined to do so not because of the power and dignity of the people and the stories in the book--those speak for themselves. It was Palmer (the author) that bothered me. As I was reading the book, I could not help but feel that she was trying to manipulate me, tugging at heartstrings that needed no tug to be moved by these heartfelt stories. I felt a bit patronized by her. A good book (or movie, or whatever), if it moves me, should not make me feel the push; this one did, and it left me feeling the way people usually feel when they were pushed in a direction that they would have gone anyway--irritated.

Shrapnel In the Heart is a book to be read by everyone no matter what generation they were born in. Shrapnel In The Heart is a book that has letters and rememberances left behind at the Vietnam War Memorial. Some of the letters tell the story about the people behind the letter. The stories are sad, but the courage of the men and women is a true inspiration. The people written about in this book were extrememly young (18, 19, 20) and it seems like they died in vain. But through their letters that were left behind it is easy to see that these young men knew their duty and refused to shirk from it. These men and women are true heroes.

I read this book for a college history course and until now have thought very little about war, military, or world politics. Young people today rarely understand or realize what goes with becoming a soldier. This book gives real images of the devastation war brings from the people who lived through the tragedy of losing their loved ones. It opens our eyes to things we just shouldn't close our eyes on.

Where most of us fail, Teresa somehow has found a way to put those feelings of reconnection into words. While the story of returning her friend, McKenzie, back to her wild heritage is wonderful, this book goes much deeper. Through Teresa's story we feel her returning to her own people, her own roots. More importantly to me, however, is how she puts into words the emotions of those of us who only find our peace through the natural world, a world where being safe behind closed doors is the worse kind of life there is. She tells about how in the wildness of the wilderness, freedom is not safety, but joy and sorrow more intense that the man made world most live in can ever offer.

She shows what most people struggle so hard to avoid, that one day all of us will fight for that one last breath that will never come. What we do with the breaths we have is what is important. Do we hide in our four walls while the wilderness disappears not only "out there", but in our souls as well? Or do we accept give away and live our lives to the fullest.

Teresa is not an author, but a story teller, something that has been sadly lacking in the sterile world we have created. I hope she continues to write for a long time.

I am a hiker and avid outdoors woman living in Colorado. This book created a fire in my heart to be in, love and protect the "wilderness" in our lives. It brings tears to my eyes to remember the teaching and learning between woman and wolf. I am highly recommending this book to my book club for the January read. Her writing is vivid poetry - bringing the reader into the beauty and reality of nature.

Teresa Martino, a graced author who can write and share her adventure with wolf and freedom, is a storyteller with humor, respect, and gift of art and word. It was like I was there with her as she lived this journey. Riveting, piercing, thought-provoking, pondering, and inspiring are adjectives to describe this book.

A true story of a wolf, her daughter, and woman,the author, who cross in each other's path of life. No preaching here. Beautiful physical descriptions of the land, the feelings, the sounds, the colors, the touch of wolf, and glimpses into the author's heart. I felt empathy for her questions she asked and struggled with her during her trials and vulnerabilities. The book goes beyond just another animal story to a tale of emotional questioning and searching by the author. A triumphant ending.

A MUST read. The book grows better and better with each chapter. I found myself reading so fast wanting to know how it ended.

I loved this book, the writing, the story and the spiritual adventure. I often think about having my own wolf following me on romps through the wilderness whenever I am out hiking alone. This book has some wonderful insight into the wolf mind and shows why a wolf is not a dog and wolves should not live in captivity. Alongside the wolf story is a great journey the author makes in seeking her own identity and place. I highly recommend it.

Teresa Tsimmu Martino writes a wonderful tale of her rescue of a wild wolf pup which she raises to be wild. Once old enough, Ms. Martino releases the wolf into the wilderness of Washington where it has survived and had her own litter.

Martino's writing is vivid and human and full of the emotion that courses through her veins. She is also a horse trainer and has great stories to tell of her life around horses in her most recent book.

So, buy this book; await its arrival with anticipation and then savour its story as you lose yourself in her words.

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A Guide to my Book Rating System:

1 star = The wood pulp would have been better utilized as toilet paper.
2 stars = Don't bother, clean your bathroom instead.
3 stars = Wasn't a waste of time, but it was time wasted.
4 stars = Good book, but not life altering.
5 stars = This book changed my world in at least some small way.

I am a big fan of the Anansi tales, and the spider's adventures are delightful as well as thought-provoking. For edutainment (educational entertainment) and discussion, I include them in my high school / college level introduction to mythology / humanities survey courses. All ages can enjoy a clever trickster hero who possesses many human qualities, the good and bad--who makes us think about our own deeds and behavior.

In Anansi The Spider: A Tale from the Ashanti, Gerald McDermott retells an Anansi story with warmth, cultural sensitivity, and bright, attention-seizing illustrations. Among the children's books about Anansi, McDermott's efforts stand in a unique place because the text is used sparingly and with great effect, conveying important events only and not burying key ideas in lavish descriptions or dialogues. In this book, the elaborate, geometric illustrations paint the "descriptions" that the text omits.

Features that I like...

The map in the opening that shows the continent of Africa and the country of Ghana. (I'm always happy to see a bit of geography dropped into stories, especially those designed for children.)

The Prologue, which describes the importance of folklore, mythology, and legends. I especially appreciate this statement: "Folklore prepares man for adult life. It places him within his culture."

Rather than beginning the story with the familiar "Once upon a time...," the author uses "Time was..." which is cool! :)

Each of the spider sons in the story is unique in design, appearance, and talent, which makes him easy (and fun) to identify as the tale unfolds. The six sons are See Trouble, Road Builder, River Drinker, Game Skinner, Stone Thrower, and Cushions.

The character of Anansi is rendered with an expressive personality and face while his sons' faces are not shown--just their designs, bodies, and talents. Anansi's face changes emotions based on his experiences, and this would be an excellent teaching element for very young children upon hearing / seeing the story.

Themes & Talking Points the book offers:

Counting, colors, shapes, animals, teamwork, family, intro to Africa [Very Young Children]

Reading; Cause & Effect; Critical Thinking & Response; African Culture. How does Anansi get into and out of trouble? // Each spider is an individual with a specific skill or trait; each spider has a place in the family. What does this suggest about the culture of the Ashanti? // The rescue of Anansi is really a team effort by the sons, but who should get the reward? Does the ending solve this problem? [For children 5-12]

Reading & Design; Symbolism; Critical Analysis; Author Intent; Culture. Why did the author / illustrator choose not to show the faces of the six sons in the story? How does this choice affect the story? How does Anansi's face tell his story? What is the relationship between a son's name and his unique design? In what instances is Anansi's face NOT shown and why? What lessons are taught in this tale? What universal themes are present? Does this book deserve its "honor" designation? [For tweens through college students]

Anansi and his sons are popular guys in our home. My son and daughter (nearly 4 and 6) just adore them, and I enjoy the fact that this book demonstrates how well cooperation works. Not to mention that we get to discuss the story, Ghana, and how people are both like us *and* are different from us.

In this story Anansi heads out for a walk only to be besieged by problems, first from a hungry fish, and then from a falcon. He would have been lunch were it not for his caring sons who fortunately have super-arachnid abilities.

Four Stars. Good Read-aloud. Good story with a moral. My daughter even decided to practice reading this fun and exciting story.

Anansi is one cool African trickster, and he does it again in this book! When he tries to determine which of his six sons to reward for saving his life, he becomes responsible for putting the moon in the sky.

My 18 month old son loves the artwork in this book. There is a lot to talk about on each page. For the first time it seems that my son is following the story and not just dealing with one page at a time. He waits eagerly for the page when Anansi is swallowed by a fish (don't worry it is not violent in any way!) Since there are 6 spider sons there are lots of opportunities for counting. My 18 month old can now count to 6.

The Anansi stories have been handed down through generations of Ashanti culture. This book is a wonderful, vibrant and vivid story for children of all ages. Born in Ghana I left at aged 3, leaving much of the Ghanaian culture behind. At aged 30 I can still remember a song about Anansi the spider, the only remnants left of my native tongue. I was given the Anansi book as a child, it captivated me, I read it over and over again, and it provided a connection to my past. At 16, I spent hours crafting a cushion embroidered an illustration from the book that was a childhood favorite. Sadly, the book was lost and I never thought I could get it again. Now, some 14 years since I last saw the book I can still visualize the pictures and hear the wonderful tale of Anansi the spider, his sons and the moon. I have just bought two copies, one for my niece and one for my two year old daughter. I absolutely cannot wait to read them again and again and pass this memorable story to a new generation.