Australia Books

I got this book for a reasonable price at a quick shipping services it took about a week to arrive and shipping was free WOW I'M LUVN IT!!!!!!!!!!

I would recommend this book to anybody who is interested in the development of children. This book covers a wide spectrum of theories and real life examples from conception till late adolescence. What is more, it is very easy to read and every single chapter is incredibly knowledgeable and attention-grabbing to go through. It was one of the best psychology books I've read so far!!!

Overall it's a well written, illustrated and researched book that keeps with the most contemporary of scientific and specialist knowledge within this area and sustains throughout right from the chapters on conception and prenatal development through to the formative years outside the womb that the roles of environment, culture and the human organism itself, all in their different contexts, work together and in sync to create the overall eventual development of the human being. One such example in the book where these forces come into play focused around the fact that exclusively looking for genetic causes for intelligence and other psychological and physical attributes is flawed. Geneticists have found that many genetically related diseases and other diversities arise from genetic anomalies and mutations that are not inherited e.g. Down syndrome. This goes some way to questioning the validity of Eugenics programs that in part aim to `breed out' genetic code or traits from the human gene pool that is seen to be unhealthy.

Other information that was of interest;
1. Sudden Infant Death Syndrome (SIDS) and some of the research done in this area and ways to help prevent it, there is a program called the "Back to Sleep Campaign" run in the USA by NICHD, The Back to Sleep campaign is suitably named for its recommendation to place healthy babies on their backs to sleep. Placing babies on their backs to sleep reduces the risk of SIDS.

2. The Utilization of what they call `Kangaroo Care' as a means to help premature babies thrive.

3. One thing I found intriguing was the suggestion that infants who are allowed to simply actively engage and explore their environment progress better psychologically, cognitively and socially.

4. The beginnings of a sex role identity start to occur around 3 years of age when children's strong attachments to their mothers weaken. During this period of early development, "wanting to be near" (their parent) that is the dominant force in infancy is taken over by "wanting to be like".

5. The in depth discussions to do with schooling and the different modes and forms that this takes on in modern times and also the types of influence that formal education exerts on both the social lives of children and also their academic faculties.

6. The beginning of the reasoning of moral issues and Lawrence Kohlberg's theory of the six stages of moral development.

My only complaint is this; given that I am colour blind it was quite a job to often try and distinguish one line from the next on the graphs and tables throughout, so that would be my only criticism but its relatively negligible. Obviously the views of both psychology and early childhood development do overlap so I would recommend that anyone interested in this area of study read Psychology 7th Edition (Myers) first, you don't have to by any means but it does make some of the concepts and text in this particular book seem easier to understand which makes the flow of reading the content much smoother, though having said that, the authors who as it turns out also have children of their own, have done an excellent job of explaining theories and ideas first then following up by giving a working and easy to understand example in laymen's terms of where those theories and ideas have been put to work, both under scientific conditions or in the real world. Furthermore the authors have somewhat followed the basic format of briefly talking about what they are going to discuss at the start of any particular section of the book, then discussing it and finally at the end of each chapter they review and summarize the content which helps to round out the discussion.

The reference sections at the back of the book containing the definitions of the different terms used throughout the text were a nice and helpful addition to the hardback. This was my second book purchase from the `Worth' Publishing press and the style of their books, in particular the pedagogical features seem to be uniform throughout their range, also in addition to this is the accompanying website that is full of didactic features and a great way to learn interactively about this subject. Overall this book is a fascinating insight into the development of children and certainly worth reading if you're planning on starting or already have a young family as the knowledge will help give you an idea of what to expect as a parent, but it would be equally suitable to others that may be simply interested in academia or just have an interest in this general area and want to add to your knowledge about the human condition.

As a final word I'll say that although the book was mainly meant for academic study which usually makes these class of texts somewhat cold, prosaic and uninspiring, all of which I might add this books suffers none of, you can't help but come to the conclusion that the underlying message in my view is that the more children are nurtured, shaped and prepared both psychologically and socially in a positive and interesting way, then the chances of a superior eventual outcome for the child in question and society at large are improved enormously. To the casual reader of this review that previous sentence may seem blatantly obvious, but to arrive at a greater and much deeper understanding of the what, when's, where's, why's, and who's of childhood development and advancement, then one would be wise to invest some time and money into this book because it is surely worth it. Conversely, this is not a `how to' manual, rather it may be best viewed as an intense analytical overview of the different theories, conclusions, studies and the people who have influenced this area of scientific enquiry over the last 100 years or so.

Edward Gibbon wrote the "Rise and Fall of the Roman Empire" and Mike Cole and his colleagues have written a work of equal stature on the making of human beings. This is an encyclopedia of human development from single cell to adolesence. Though a leader of the cultural psychology school of development, this work includes every theory and subtheory of development around, each bringing its particular insights at the appropriate point in the story - part eclectically, part critically, but always comprehensively. Frequent break-outs take up issues of controversy, the photographs and illustrations are magnificent. Each chapter is constructed with study questions, summaries etc, making it suitable for systematic study, written by a consummate educator. This book will do you for life; use it from your first lecture in your "Early Childhood studies" course, or for that matter, libguistics, anthropology, neuroscience, till your first research project, keep it while your kids grow up, use it when composing your journalistic articles about social issues, and re-read it for sheer enlightenment. I can't say that this book is the last word on the topic, because I know that the Coles will put out a sixth edition before long and the story will go on!

Cole & Cole's work is by far one of my favorite textbooks. The reason? The authors methodically lay out child development from a biopsychosocial perspective, which is no small feat.

They write with a thoroughness and efficiency that you will rarely find in a textbook. Their treatment of child development is evenhanded, not privilaging either the bio, psycho, or social perspectives.

Perhaps the best book ever to explain why New Zealand is not the USA with minor differences. There are considerable cultural and societal differences which may escape the visitor unless and until they experience New Zealand on a deep level. Some find the mysterious aspects of her experience of the Maori culture to be doubtful or merely coincidence. Those born in New Zealand will understand them and will not be surprised.

My mother mailed me this book from America to New Zealand because I have recently arrived in NZ and I will be living in New Zealand for the next year. I find Carol O'Bistro's insights about New Zealand culture relevent and insightful for a current long-term visitor. Her writing is lyrical and fun to read. I wonder what she is doing now.

Thought provoking, moving and fun. The story is told in a masterful way that made me laugh, cry and sit-up thinking about it for a week after I read it. The author takes you along on her own personal journey and as her New York City eyes and heart transform into something miraculous so does the readers'. It touches the heart and reminds us of our humanity in the most magnificent way. Read it slowly; you won't want it to end!

I bought this book when I was visiting New Zealand in 1988 where people kept recommending it, and I am just now rereading it for something like the fifth time--including one time with a discussion group. This time through I am finding new delights that I must have skimmed over before. Parts of the book are naively New-Agey, but even those parts are personal and honest and fun to read. It is the story of a woman whose job takes her into the middle of an enormous cultural shift, and she manages to stay in the middle--between the world views of American bureaucracy and a traditional people's values, and somehow to walk that precarious boundary and to be receptive to the ways it changes her. It's an amazing story.

On September 10, 1984, at first light, New York's Fifth Avenue was the scene of an unusual ceremony. On the steps of the Metropolitan Museum of Art a group of Maori women wailed the ritual welcome: HAERE MAI !! Their calls were answered and taken up by a group of Maori elders down the avenue, their leader in a feathered cloak, their path cleared of evil spirits by a small band of tattooed warriors ferociously thrusting their spears.

It was opening day of a groundbreaking exhibition at the Met: Te Maori: Maori Art from New Zealand Collections. The elders were in New York to lift the tapu and open the exhibition. Their greeting was for their ancestors, spiritually residing in the 174 taonga (treasures) on display outside New Zealand for the first time. Nine years in the planning, Te Maori was the culmination of a massive exercise in politics and logistics.

Carol O'Biso was the registrar of the exhibition, responsible for the packing and safe passage of these treasures collected from a number of New Zealand museums. First Light: A Magical Journey is her lyrical story of this great adventure.

The "cultural artifacts" are believed by the Maori to be sacred and powerful. Carol, overwhelmed at first by the vast divide between her New York self and the ancient Maori beliefs, struggled to do her job in the midst of controversy over the exhibition. She was excluded by Maori custom from speaking at the many ritual gatherings in museums and meeting houses. Frustration was her constant companion, in those early days. Gradually the power of the collection became entirely real to her and she found herself honoring the treasures in ways she would not have found possible.

Carol spent several years packing, shipping and unpacking the irreplaceable treasures and was under their spell when she returned them to New Zealand in 1986. She handed them over, in yet another ceremony that left her in tears, to a New Zealand registrar for their awe-inspiring progress through New Zealand museums.

Carol's story is a very personal one and some of her early impressions of New Zealand were less than favorable. However the country's charm and especially the strength of the Maoris' respect for their culture led her to a deep appreciation of The Land of the Long White Cloud.

I had the privilege of seeing Te Maori in New Zealand, and First Light brought back vivid memories of its power. I read the book in the early 1990s and then gave it away (read it! you'll love it!), and when I found a copy on Amazon this month I was delighted to be reacquainted with it.

Linda Bulger, 2008

The well-known phrase 'for the term of his natural life' is used by Marcus Clarke to bring home the horrors of transportation and the Tasmanian penal system in the 19th century.
Richard Devine, an innocent man (under an assumed name of Rufus Dawes) convicted of a crime he did not commit, is sent for transportation and assumed killed in a shipwreck. In reality, he is heir to a vast estate (unbeknown to him) and the convolutions of the tale that evolve from this are wonderfully written; the gradual demolishing of Dawes, the unspeakable duality of Frere, the calculating guile of Sarah and the gullible innocence of Sylvia are woven together in a plot that does not end happily ever after. This I think, serves to underline the barbarism and futility of the transportation system.
Based on actual events, Clarke uses his 'hero' to illustrate the depravation and privations that prisoners (and their guards) had to endure. Graphically showing how degradation degrades and power corrupts, the narrative never dwells on gruesome details, instead it relies for effect on the imagination of the reader, which can be more terrifying.
A book that deserves a wider readership.

This was without question one of the most gripping novels I've read in many a day. I first ran across this work in a brief mention by British travel writer/popular historian James Morris, where he thought it akin to the gulag novels of post-Stalinist Russia in subject matter and philosophical content. Add to that a wealth of striking narrative detail, immensely memorable characters (Maurice Frere, Sarah Purfoy, and particularly James North leap to mind), some truly transporting (no pun intended) and incredibly creepy passages, mind-blowing plot twists and turns, and a persistent refusal to provide too pat solutions to characters' problems... Clarke wasn't better than Dickens or Eliot, but neither of the latter could have written this book.

Clarke's masterpiece was published in 1874, after being serialized in 1870-72. Critics have lambasted a few of the less believable elements and some of the pat characterization of a number of supporting characters, but these are flaws to be found in most novels of that time (and ours). Clarke redeems himself by taking the cliches and mannerisms of the nineteenth-century English novel and using them to illuminate a whole new society, one practically mythical to the metropolitan consciousness of the Victorian Anglophone world. This work is a great counterpoint to all those English novels of the day where the hero or villain gets packed off to the antipodes and returns mysteriously changed. The main thrust of the novel, though, was the need to tell the true story of (white) Australian society's beginnings. Clarke, in telling the story of the unjustly convicted Rufus Dawes (aka Richard Devine), provides a panoramic view of early Victorian Australia, from the hellish convict settlements of Macquarie Harbor and Norfolk Island to the nascent frontier towns of Hobart and Melbourne, from the aging memories of the "First Fleeters" (the original convicts who arrived in 1788) to the controversial Eureka Stockade Uprising of 1854. The narrative frequently moves at a deliciously whirlwind pace to accomodate the exciting interaction of characters and history.

Clarke's novel is generally cited as nineteenth-century Australia's greatest and points the way towards more nuanced examinations of the colonial experience in the twentieth century (Peter Carey's JOE MAGGS, about the "off-stage" life of Dickens antihero Abel Magwitch, is apparently very much in this vein). Don't read it just for this reason, though. Please be sure to find the longer, original version, as I was fortunate enough to do. Clarke was forced to produce a revised, shortened version for the original publication, one dictated by his editors that turned the novel into a much more "conventional" Victorian literary production (and has a longer title--FOR THE TERM OF HIS NATURAL LIFE). I understand a TV series was made in the mid-80s with Anthony Perkins as North. If this was the case, then it badly needs to be remade on celluloid, because I can't seem to find the series. It's a magnificent novel whose flaws, I think, are amply counterbalanced by its unexpected joys.

It's a collation of events by various persons involved in the penal settlement of early Australia. Marcus Clarke has interwoven these events into a novel of fiction. These are stark facts; and show, as far as I've researched, very detailed. L.P. Hartely said it all,in this case.."The past is a foreign country.They do things differently there." The more you read on, the more you want to know..

LEt me set the record straight first...I have never read this book. I had seen the mini-series almost 10 years ago on CBC Canada. The series was very gripping and always left me waiting for the next in the sequence. Following the end of the series I was determined that I had to read this book. My last attempt to find it was in 1991 when I was told it was out of print and could not be found anywhere. Luckily I have just tripped across the information again and it prompted me to start looking again. Needless to say (but I must) I am thrilled to find it and now be able to finally read it. I hope it is everything that I know it is and more. It is an epic tale of grand proportions. Now if I can only find the video series AND a hard cover copy to add to my library!

Well, as an Australian living in the year 2000, reading this book, written in the 1880s, is an emotional experience.

For it is through works such as this that we can see our past. We can examine the nature of the beast that gave birth to us. Who we are. From whence we came.

If you want to understand why Australians are they way they are, and have the attitudes and language that they do, then give this book a read.

First off I would love to send my heartfelt love to Treenie who recently transitioned from her physical, and thank Michael for being so generous in giving us an insight into who she was as an incredible individual on his website. She became self-aware even before he did, according to Michael.
This book was the first one I picked up (thanks to a friend's recommendation) from the series and was amazed at the intensity and the hard-to-believe-this-is-real kind of stuff. I loved it, and I also enjoyed the writing aspect of it that was I found to be fluid, easy-to-read, well put together, and with good, dynamic literary content. Upon reading the book, it feels like a narration, and one that keeps you guessing what's next. The adventures are beyond words, beyond what I've even read in science fiction books. Reality is far more bizarre, and exquisitely creative than even what our fantasy novels can depict. And Michael here goes to places that are very hard to believe, because their existence runs completely against every scientific tenet and notion out there. Like the famous out-of-body researcher and pioneer, Robert A. Monroe, Michael visits another reality in a non physical state that is apparently adjacent to ours, and provides our reality with most of its raw 'materials.'

Because the book flows very easily, some of the events can be more accessible for the average reader. However, the events described were hard to swallow for me, and admittedly so, there are realities that our 5 senses wouldn't be able to interpret because they occupy such frameworks that barely deal with any sense of time, space, gravity and depth.
Yet, according to Michael J Road's experiences, there exists an even greater variety of species, inhabitants, and individualized consciousnesses that inhabit and function in such realities.
This book is a must-read for any explorer, scientist or mystic for it holds a concept of reality that shatters our worldview. This book was a bold one to write on Michael's part for that I say thank you.

I have read all of Michael J. Roads' books and found this one to be absolutely fantastic. It takes you deeply into the metaphysical realm and beyond. When reading it, I felt as though I had personally witnessed what the author experienced. I consumed the book quickly and then read it a second time in order to digest it. A great, well-written book! Definitely one I'm going to keep on my bookshelf.

- this would certainly be one of them!!

In this book, Michael J. Roads describes a spiritual journey unlike any other I have ever come across. It is fascinating, breath-taking, mind-boggeling, almost unbelievable - and yet it FEELS very real and true. There are a multitudes of insights throughout the book, and each time I revisit this book I find new ones. If you have never read any books by Michael J. Roads, I would recommend to start of with one of his earlier books, like 'Journey into Nature' or 'Journey into Oneness', simply because 'Into a Timeless Realm' ties these into a much larger universe and it is always fun to begin a journey with the first couple of steps. :)

If you have already read his earlier books, treat yourself to this one - it will keep you at the edge of your seat from beginning to end!

The incomparable Michael Roads has done it again! A wonderful author who makes the other realities very real to us has another great adventure to tell in this book.

An inspirational and mystical account of his true voyages into accelerated consciousness, Roads is a natural storyteller. While others may have similar experiences, what sets him apart is his ability to share his story coherently.

A story of connecting to Source, other potential future realites, other beings from other dimensions/parts of space---this is my kind of book, and my story as well.

Thank you, Michael Roads, for giving us such a fun adventure!

Until the release of Michael's new book ("Getting There"), "Into a Timeless Realm" was my favorite of his books -- and I've read them all. His connection with, and love of, Nature is amazing, and is a connection I share (not yet with his depth and consistency yet, but it's coming).

"Into a Timeless Realm" takes you on his most incredible and insightful spiritual journey. Each time I read this book, I come away with more treasures.

I read all of these "Mr." books to my 5 year old son and he loves them. He likes this one alot but really loves Mr. Funny the best. These are great bedtime books for kids!

I have used the Mr. Men series for many years in the classroom. It was always a highlight for the children. I would read one each week, and they always looked forward to it.

I had this book when I was a child and I still enjoy reading it. I purchased it so my daughters can enjoy it as well.

Mr. Mischief loves to play pranks on the other Mr. Men characters. In this book, he does sneaky things to Mr. Happy, Mr. Greedy, and Mr. Funny. But of course, Mr. Mischief gets a taste of his own medicine! A hilarious story! I had this book as a child and rebought it as an adult. I still laugh when reading it today at age 27. All of the Mr. Men books are superb, and Mr. Mischief is one of Roger Hargreaves' best works.

Back in college I got a job as a summer janitor at the local elementary school. One of the things I had to do was clean up in the library. I took this time as an opportunity to catch up on some reading... in the form of the Mr. Men series. Mr. Mischief is about a guy who enjoys causing trouble. It makes him laugh. It will make you laugh. But then something happens to him, and he learns a lesson.

it is amazing that with all the hardship that these guys went thru, human nature can still make the best of an awful situation.

One of my first introductions to Australian and Far East reading of WW11, thoroughly enjoyable, could not put it down until it was finished. Would recommend this book to all generations. Has given me the taste to find out more about the Far East and familiarise myself with further Australian literature. Thought only John Pilger could write riveting literature, I was wrong!

The author went through some really horrific situations but at the same time can describe the strength of the human spirit. The author also has a great sense of humor. I think books like this are rare these days in our politically correct world. Well worth the read.

The Naked Island

The autobiography of a young australian soldier who spent long years in captivity as prisoner of war of the Japanese.
The first part is the description of the military life in Malaya before the attack of the Japanese with many ironical notes on that tedious life from the point of view of a soldier.
The second part is the description of the useless fight of the Australian and British troops against the overwhelming enemy and then the attempt to escape the capture.
Then the third, and most interesting part, is the description of the life during three long years of captivity in the different prisons where the writer was imprisoned and in the jungle camps where all prisoners were forced to work without food, facing malaria, beri beri and death for starvation.
A book I would really recommend.
Are you looking for another absolutely interesting book about a similar experience?
Read the famous "Behind bamboo" by Rohan Rivett

This is an unforgettable book: informative, educational, poignant and often delightfully humorous. It is a tribute to the British and Australian Forces used as slave labour in the construction of the Burma/Siamese Railway and their ability to live with dignity, compassion and decency under the most deplorable conditions imaginable. This book leaves an indelible impression on the reader and should be required reading for each successive generation.

Everything you need to know about travelling around the South Pacific is in the 8th edition of the Moon guide to the South Pacific, yet another informative and comprehensive guidebook from the number one South Pacific expert. This edition covers all the islands of your dreams, from well-known holiday destinations such as French Polynesia to lesser-known places such as Pitcairn Island and Niue. It is full of thoroughly researched and practical information on travelling to and around the Pacific, covers everything from where to stay to where to eat, from background history to contemporary culture and traditions, and is a delight to read regardless of whether you are planning a trip to the South Pacific or not. It is the definitive guide for everyone, from the luxury traveller to the backpacker to the adventurer to the armchair dreamer.

Even though I travel often to the South Pacific, I can always rely on David Stanley's guidebooks to introduce me to some new area of interest, a different place to hang out, or an idea for an activity or excursion I hadn't previously thought about. It gives a whole new meaning to "don't leave home without it."

A new edition of this handbook is now available and it can be found by searching for "Moon Handbooks South Pacific" on this site.

As president of Sea For Yourself Snorkeling Tours, it¹s my professional obligation to remain attentive to both the world¹s best snorkelingsites and the logistical infrastructure that facilitates our group visits. For thesepurposes, (as well as my personal travel) David Stanley¹s travel handbooks have been a valuable and trusted ongoing source of reliableinformation. For travel planning, it¹s critical to use reference material that is accurate, up-to-date, and complete. The South Pacific Handbook satisfies all these criteria, and more.I was especially interested in the description of coral reefs. David does a superb job condensing this complex biological system ­ revealing it¹s essential ecological ingredients in the context of how we can responsibly interact with the fish, coral, and resident human communities.David¹s book is filled with the practical (and accurate) nuts and Bolts information so essential for planning your trip to the South Pacific. The extensive section of general advice (currency, health, food, recreation, visas, etc.) is then followed by detailed regional descriptions of virtually every inhabited island group in the entire South Pacific, including evaluations of restaurants, accommodations, and transportation issues.If I had to pick a single book, either to use in planning my South Pacific Odyssey or to take with me on the journey, it would be David Stanley¹s South Pacific Handbook.

David Stanley writes the best guides for the Pacific region. Whatever you want/need to know, you'll find it in his guides. His depth of research and knowledge is astonishing. Check it out.

South Pacific Handbook Review ... By Garry Hawkins

If you're thinking of travelling to the South Pacific (and go you definitely should), then David Stanley's `South Pacific Handbook' is THE travellers bible for the region. It's the only guidebook that covers every single inhabited island in the region in one single volume, yet at 908pp remains sufficiently comprehensive to give you all the background information you could ever possibly ask for.

My first odyssey to the South Pacific came in 1991, at the end of a round the world trip. While total war was raging in the Gulf, here was I, languishing at the Royal Hotel in the old Fijiian capital of Levuka. But what a place to languish! I'll let David Stanley describe the scene to you:

"For the full Somerset Maugham flavour, stay at the 15 room Royal Hotel... In the lounge, ceiling fans revolve around the rattan sofas and potted plants, and the fan- cooled rooms upstairs with private bath are pleasant, with much needed mosquito nets provided. At US$8/12/14 for single/double/triple the colonial atmosphere and impeccable service make it about the best value in Fiji.... Everybody loves this place."

Well, I can vouch for that! Meanwhile however, cruise missiles were performing flybys past the Baghdad Hilton, but outside the Royal Hotel it was merely raining cats and dogs. Well - it was the wet season you know! But while I sat soaking up the colonial ambience, I had plenty of time to delve into my trusty South Pacific Handbook.

I began to realise that were so many different places to go in the region. You may have heard of Western Samoa, Tahiti, Tonga or even the Cook Islands? But have you ever heard of Tuvalu, Tokelau, Niue or Futuna? No? Well not many people have but from Solomon Islands to Easter Island - you'll find them all in David Stanley's book.

Even if you never get to visit some of these far flung and exotic sounding names, you can learn an awful lot about this splendidly diverse region of different cultures and customs. Plate tectonics, Darwin's theory of atoll formation, the greenhouse effect, French nuclear testing, fauna and flora, economics, politics, conservation and the environment. I could go on....

Since my initial visit to Fiji, I've managed to visit Samoa, Tonga, Niue, Tahiti, Cook Islands and Tuvalu - and still there's more to see. I'd love to visit the Solomon Islands, Vanuatu, Wallis, Futuna, New Caledonia, Easter and Pitcairn Island - so many islands to visit and so little time (and money!) to do it with.

Next time I'm headed for the South Pacific, I'll be sure to take David Stanley's South Pacific Handbook with me. Why carry a multitude of travel guides for different islands, when you need only take the one?

This book is a great read, a great workbook and a superior way to start on re-thinking your life! I have bought several copies for myself and friends, and am now buying more as gifts. Laurie Levine really knows what she's talking about, and can really help people now matter what their background or situation! She has a gift and is willing to share it with others. If you are looking for something to get you started on improving your life, reducing stress or just being happier, this one is a must read!

In August this year my partner of five years and I separated. Whilst it was a decision we both came to, it was never the less difficult and hard to adjust to a new life. I was wandering through a bookshop wanting to buy a particular book that I thought would assist me through this time. Then I saw "Spiritual Medicine" and bought that instead. It has been a great inspiration and practical help to me through that initial pain and confusion, and also through some other family traumas that have occurred this year.

Yesterday I was feeling rather overwhelmed by everything that has happened this year, and rather angry, but without knowing how to deal with it. I picked up your book, read the relevant sections, did the exercises, and found myself laughing and playing silly card games with my family for the rest of the evening - having a wonderful time.

I am glad that you had the courage to follow your path, because by doing so you have inspired the courage in me to do the same.

Thank you Laurie,

I have found Spiritual Medicine book to be a gem in the wholistic health field. Laurie covers so many interesting and helpful exercises for the body, mind, and soul. I have been implementing many of these in my daily life and found them most beneficial to my personal development. My spiritual journey feels enriched by the words and philosophy that are shared. Having met Laurie personally and experienced her workshops and healing sessions I am also aware of how much she lives what she believes. This I believe is the sign of a great teacher. Thank you so very much for writing what you know so that others may be inspired and helped along in their own journey. I am truly grateful.

I loved this book. It manages to be both immensely practical and also very soothing in times of stress. I don't believe that you could pick the book up without going away feeling better about your life. Laurie offers so many different exercises that there is one for you no matter how you're feeling; 'Spiritual Medicine' reverberates with genuine and sincere feelings, it's like holding a gift from Laurie in your hand. I highly recommend this book - buy it, I believe that even one sentence could be life-changing.

All I can say is that this is a book that everyone needs to have in their collection. I read it, and read it and read it again, just to get a greater understanding on all of the wonderfully useful and intuitive techniques that Laurie uses. It has made me so much more aware of my own place in this world, but also has assisted me in letting go of so many of my preconceptions about what I thought that I knew about my life. I have read so many self-help books over the past 20 years and this is the best yet. It has given me a new and wonderfully easy perpesctive on a life I once thought was hard, unforgiving and in many ways unloving. I would like to say that anyone who has the opportunity to experience this book will in no small way take with them tools that they will be able to use, share and tell others about for many, many years to come. To finish this review all I can say is if you have ever felt alone, unloved, confused, insecure, unappreciated, guilty, angry, frustrated, overworked, jealous, judgemental or indeed any 'negative' emotional state, then buy this book NOW.... NOT TOMORROW, NOT NEXT WEEK, BUT RIGHT NOW!!! IF YOU WANT TO EXPERIENCE MORE LOVE IN YOUR LIFE THEN READ THIS WONDERFUL BOOK NOW.............

SO i picked up this book to compliment my ever growing coffe table collection and I have to say... its alright. Now this one is strictly from Austrauila. there are other artist who have visited the country... but mainly home town heroes. You can't really go wrong with a stencil art book, but this one has nice pictures and a good, over-all look to the book. Just pick it up... you'll like it.

And by the INFAMY DVD, awesome graff video.

Very good book, very good text copy. Reevo from [...] has already wrote a full review down below, I just want to add to his words, that if there would be a time, when you won't find any street art around you, no "voices" of the people, it's probably a good time to reread Orwell's 1984.

and this book does a pretty good job of covering the city's heavy-hitters, as well as documenting plenty of smaller and anonymous works. if you've followed stencil art in the past few years at all, you'll recognize some pieces, as well as some artists' names (meggs, meek, and sixten to name a few).
there are bios and interviews, and the artwork is divided up into themed sections. all of the photos are color, too, which is a nice bonus many other books on this subject seem to be lacking.
at nearly 160 pages, and being hardcover, it's well worth the money.

I've been a little obsessed with Melbourne's street art scene for quite a while; actually, since the day I discovered Melbourne Mark's (that's how I think of him!) State Of Flux; a great site dedicated to the art in and around Melbourne (in case you hadn't guessed that already!). From then on I've been glued to that site and always enjoyed seeing all the new art as it was documented. I'm waffling...when I saw a while back that Stencil Graffiti Capital: Melbourne, by Jake Smallman & Carl Nyman, and published by Mark Batty, was coming out in the UK I was pretty excited and it's been well worth the wait.

Just like the other Mark Batty books I own, Stencil Graffiti Capital: Melbourne is quality from the start. It's nicely bound and instantly demands your attention from the second you lift over the front cover. Before you even get to the actual stencil documentation you're pounced on by a couple of incredible night-time photography of city streets and their painters. These are not in-your-face trophy photos of writers and painter posing next to their pieces but beautifully artistic long-exposure shots where the city is the star and the writer is part of the environment. It's a great way to make you realise that this book isn't just about the art but more to do with how the art and Melbourne interact with one another. The introduction follows and tells us more about Melbourne's unique stencil history.

Stencil Graffiti Capital: Melbourne is packed with themed chapters and artist profiles as well as being interspersed with the same high standard photography. That's not to say that the other photography in the book isn't worth mentioning though; it is. While many of the photos are documentary style (just showing the actual piece of art) there's a whole lot more that are just oozing class. Actually, it has some of the best street art photos I've seen. I digress.

So, back to the themes...roughly half of the chapters are theme based. The themes include faces, politics, war, robots, music, horror (a great couple of pages), guns and lots more. One of the most impressive themed chapters concerns itself with public galleries; lanes where, although illegal, artists are constantly putting up new pieces. By the look of the photos these streets are not just painted with the odd stencil here and there but quite densely populated with work, making them truly like gallery spaces. Many of the pieces are single layered hits but there are also some multi-layered beauties. A great collection.
Of the many artists that have there own chapters I have to mention Meggs. His art makes perhaps the best chapter in the book with his cute, skyward looking, kids with devils horns. Fantastic imagery. He also has some cracking pieces that depict people throwing up some kind of crazy paisley pattern...nuts. Vexta also gets a mention here for not only having a great collection of pieces on show but also for having the second best photo in the book; an action shot of her hanging half way down a wall, in mountain climbing kit, painting the amazing police piece. Sixten's chapter is also great, especially his work in progress, and his finalised Call It Popart One More Time And I'll... piece. Sync also needs a mention as his screaming pieces had a real impact on me when I saw a couple of his pieces in NYC last year. Banksy also gets an honorary mention for hitting the place during a detour visit in 2003. Apparently he made such an impact with the pure quantity of pieces that he deserved the chapter that's dedicated to him. Last mention has to go to Rone, who gets the title for greatest photo in the book! It's a four-layer stencil of a guy high up in the air, maybe four of five metres high. It's perfectly placed and traverses different types of textures across the wall. Just like all the great street art photos that have been taken, this one becomes complete with some personal interaction. This time it's with the addition of someone throwing a skate deck in the air and making it look like the character in the stencil has been caught mid-trick. Fantastico! It's a shame not to mention all the other great artists included in the book but I've probably already said too much...this is the kind of thing you should discover yourself.

I can't really claim to know much about Melbourne but Stencil Graffiti Capital: Melbourne gives me the impression of it having a rich, and dense, tapestry of street art...perhaps more so than anywhere else I can think of (I'm willing to be put right on this one but that's the impression I get from the book). I remember writing that Melbourne looks like a colourful place to live. Seeing this book has made my image of Melbourne much more intensely saturated with colour and dynamic imagery, I just hope I can get over there to visit some day. Like all great books, Stencil Graffiti Capital: Melbourne has made me want to know more about both Melbourne and it's rich streetart scene. I'll definitely be going back over all the photos at State Of Flux now that I have some solid reference material...I need to see more from these artists.

What has happened to turn Melbourne into a stencilled graffiti capital? When did this happen and who is responsible? Furthermore, why stencils? Isn't the use of stencils a bit of a cheat? Stencil Graffiti Capital answers all these questions and more with a visual celebration for several artists and the themes which dominate their work. Interviews with the likes of Civilian, Dlux, and Ha-Ha illustrate how and why these artists live in, moved to, or visit Melbourne to practice their street art. Full-page and double-spread visual treatments within the book illustrate the artists' basic themes, which focus on politics, symbols, love/sex and war/death.

According to the authors, Jake Smallman and Carl Nyman, the new trend toward stencilled work in Melbourne began in 1999 when graffiti artist Psalm tickled Melbourne's walls with "intricately detailed, vibrantly colored and visually arresting" work. His work was followed by Ha Ha's roughly cut, one-layer stencils which usually were painted in black. Syn and Dlux moved their graffiti skills to Melbourne from Adelaide in 2002, and they brought with them an influence which bonded the disparate talents already in residence.

Commercialism of street art, especially stencilled work, is contentious and Stencil Graffiti Capital addresses these issues. The use of stencils instead of free-form spraying, in my opinion, is no worse than the fact that Norman Rockwell used slides projected onto his canvases to help render his realistic paintings. His practice - once discovered by the art world - evolved into a debate over the difference between commercial work and fine art during the mid-twentieth century; however, this debate fizzled once technology altered how artists rendered their work...it's difficult for a fine artist to criticize commercial work when he uses computers to render his digital images.

The debates over legality/commercialism of stencilled street art might fizzle or continue to build, which is one of the interesting aspects to this movement. The other highlight includes the fact that these stencilled works aren't amateurish. Not surprisingly, the majority of street artists included in this book have graphic design or fine art backgrounds, an aspect that lends sophistication to the work. This background also supplies an understanding to the transition from the street to galleries. If this debate boils down to the fact that the "medium is the message," then street art is, perhaps, a marketing ploy for what is considered a new art form.

The fact that the street artists sign their work, that they are willing to be photographed in the process of building their work, that there is a Web site devoted to the who, what, when, where, how, and why of stencilled street art all lend credence to the fact that Melbourne's streets have become visual marketing for these artists. While this fact might leave a bitter taste in the mouth of some artists and officials, the mere idea that a metropolis could be influenced by street artists to the point that illegal activities are basically overlooked - at least for the moment - seems to be the real revolution.

While Stencil Graffiti Capital: Melbourne could be seen as part and parcel of this trend in commercialization of graffiti art and artists, the book is needed to explain this trend and Melbourne's part in an artistic evolution. Additionally, the book becomes a visual record of a trend which waxes and wanes with politics and artistic whims. The writing is succinct, clear, and sticks to the facts. The writers and editors forged categories for the artwork, an idea that refuses to glorify any one artist and which offers the reader a banquet of styles and canvases used by the artists. The only missing information in this book is the actual dimensions of the artwork, although the photographs at times reveal the size in proportion to buildings and individuals.

This book will appeal not only to artists, art lovers, and political guerrillas; it could add a significant contribution to any anthropologist's or historian's bookshelf as it addresses issues about the intent, talent, time, and politics which continue to influence every aspect of what is often considered illegal public property defacement.

As N. Chomsky brilliantly states, `Alex Carey draws the veil of deceit and imposed ignorance in the struggle for freedom and justice.'
Alex Carey shows how corporate propaganda protects corporate power (the few) against democracy (the many). Skilled manipulation conceals the real human nature and the needs of the common man in the interest of corporate efficiency and profit, in other words, in the interest of the privileged segments of society.

The effectiveness of propaganda depends on the availability of emotionally charged symbols and ideas. The most powerful ones are nationalist symbols. Therefore, corporate propaganda tries to identify the free-enterprise system with US national values, and strong unions, interventionist governments, communists and alleged liberal fellow travelers with threats to national security, subversion and tyranny.
A surveillance network detects early signs of ideological drifts. Corrective persuasion is immediately disseminated through the media, completely controlled by fellow megacorporations. As the social scientist H.D. Lasswell said: `propaganda is the one means of mass mobilization which is cheaper than violence, bribery or other possible control techniques.'

Another means of manipulation is the filtering of social science studies. Only those which improve the industry's image and interests are propagated.
Alex Carey shows the nonsense and fundamental hypocrisy of alleged `basic' social experiments (the Hawthorne studies, the experiments of K. Lewin and F. Herzberg), which `prove' that salary, job security and good working conditions are only of secondary importance for employees. In the meantime, corporations pocket superprofits.
Alex Carey's dissection of the Hawthorne studies is simply devastating. He unmasks social scientists as servants of power and union busters.

This book contains also excellent historical information (the McCarthy crusade, the great steel strike of 1919) and exposes rightly the link between propaganda and the pragmatism of Dewey and W. James (the promotion of false beliefs is justified if they are socially useful).

This is a very revealing book and a must read for all those wanting to understand the world we live in.

Alex Carey's work is absolutely some of the best. My favorite quote of his is this: "The 20th century has been characterized by three developments of great political importance: the growth of democracy, the growth of corporate power, and the growth of corporate propaganda as a means of protecting corporate power against democracy." This has become a touchstone for Sheldon Rampton and me in our books Toxic Sludge Is Good for You, Trust Us, We're Experts, and our writing for PR Watch. Carey is much missed.

Mr. Andrew Lohrey informs us in his introduction, to this collection of essays by the late Australian psychologist Alex Carey, that Carey was prevented from going to college by his parents after he finished secondary school as they wanted him to manage their sheep farm which he did with such success that he could sell it about a decade later and enter a university.

Here and there this book is dreadfully dry, particularly towards the end. His ideas probably would have been made clearer and much better organized if he would have been able to put together a regular book instead of a book of essays put together by someone else but he died in 1988 before he could get it done. But the topics he discusses are very important especially now when business and government propaganda has never been more powerful.

The main title of this book describes what big business and their intellectual and political minions have tried to do particularly in the United States as rights to vote and to organize in this country were extended to large segments of the population of this country over the last hundred years. Carey's old friend Noam Chomsky quotes in his preface the numerous intellectual advocates (Walter Lipmann, Harold Laswell,etc.) of what Thomas Jefferson called late in his life "a single and splendid government of an aristocracy" made up of the "banking institutions and monyed incorporations" whom he feared would destroy the freedoms gained during the American revolution. Many prominent liberal intellectuals devoted loyal service to the state during World War one particularly in the government propaganda agencies putting out massive bogus atrocity stories about the Germans and turning a largely anti-war population in a short period into a bunch of maniacs looking to destroy everything remotely connected with Germany and German culture. A young German soldier named Adolf Hitler was deeply impressed with the allied propaganda effort and blamed German weakness in this field for their defeat and vowed that Germany would learn its lessons by the time the next war came around.

The best part of Carey's text, by far, is about the first five chapters. The first topic discussed is the Americanization movement begun in the few years before World War one by big busisiness associatons who were particularly worried about such events as the victory of the IWW led strike of textile workers in Lawrence Massachusetts in 1912. Big business was particularly worried about the influence of IWW-type radicalism on the U.S. immigrant population which mostly worked under very bad conditions at very low wages and set to work with a somwhat successful drive to inculate immigrants as well as the population at large with "American" values like free enterprise and the status quo and social harmony and against alien values like socialism or the welfare state or non-pliable unions. Out of this campaign came the Fourth of July holiday signed into law into 1918. This campaign culminated in the government crushing of the labor movement during 1919-21 under the cover of chasing communists and German spies.

The labor movement, says Carey, did not recover until the Great Depression which forced the U.S. government to enact very basic welfare legislation and protection of unions. This greatly alarmed important segments of big business. The National Association of Manufacturers literature in 1938 warned of the "hazard facing industrialists" of the "newly realized political power of the masses."

The end of World War two saw the beginnings of a massive attack on independent thinkers and organized labor under the cover of a red scare. After a lag in the early 1970's, the elites in this country began to steer this country towards a very markedly right wing political climate, seeing the rise of previously regarded fringe elements as represented by such think tanks as the American Enterprise Institute and the Heritage foundation which featured such profound thinkers as former Nixon and Ford treasury secretary William Simon who fulminated about how the Carter administration was steering the country towards collectivist totalitarianism.

He goes into some detail examining the right wing apparatus in his native Australia. He ends with discussion of some matters dealing with industrial psychology and industrial sociology culminating in a study of the Hawthorne studies, laborious research at an Illinois assembly plant made up of female workers in the late 20's and early 30's where a group of industrial psychologists tried to secure evidence that workers don't care about money and just want to be left alone to do the wonderful jobs that the labor market has forced on them. The Hawthorne chapter is in large part almost unintelligible and very dry, probably inevitable given that it is a scientific paper.

Carey points out that citizens living in totalitarian regimes have no choice but to tow the government line out of fear for their personal safeties. In free societies, Carey explains that more subtle means are used to keep populations under control. Specifically, propaganda is used to ensure that most people will think in a manner that is consistent with the corporate agenda (such as belief in the free market and business' right to unlimited profit). Carey documents how Americans and Australians have been subjected to corporate propaganda during most of the 20th Century, and explains how these efforts have perverted our democracy (for example, American's over willingness to fight communists, real or imagined, to protect capitalism). Indeed, while many Americans were conditioned during the Cold War to believe that propaganda existed only in the Soviet Union, China and other communist regimes, Carey persuasively argues that propaganda actually played (and continues to play) a more critical role in molding the attitudes of citizens in democracies.

"Taking the Risk Out of Democracy : Corporate Propaganda Versus Freedom and Liberty" is a pioneering work in the field of corporate propaganda analysis which reveals just how much of a major force corporate propaganda is in contemporary society. Alex Carey quotes the business press as stating that the public mind is the greatest "hazard facing industrialists."

"Taking the Risk Out of Democracy : Corporate Propaganda Versus Freedom and Liberty" points out that there are two types of propaganda, each of which have specific societal functions. The first type is aimed at the educated, articulate sectors of the population that are involved in in decision making and setting the agenda for others to adhere to. The second type of propaganda is aimed at the unwashed masses, to keep them distracted so as they don't interfere in the public arena where they have no business in being. All in all, "Taking the Risk Out of Democracy : Corporate Propaganda Versus Freedom and Liberty remains a seminal analysis of corporate propaganda and its uses in creating an obedient elite and a subserviant citizenry. Very enjoyable.