New York Books

This book is perhaps the most elaborate statement of general living systems theory yet to be written. Not recommended for those not well versed in both systems terminology and biological concepts. However, if you are adept in these areas, you will be rewarded with incredible insights.

Despite this is a book with an enormous and difficult text, since the very first chapter it enlightens the most basic message: that sciences, and knowledge, can be integrated, in a sort of unified theory, the "general theory of living systems", as the author puts it. And it does; since I began to understand the hole thing, it really makes me easier to think, and to view the world, like somekind of natural phylosophy, or organic phylosophy. It's really helpfull. (My email is galfroid@hotmail.com)

Although reading such a long book in its entirety seems at first measure a daunting task (and one that few people's academic credentials hold up to....), readers daring enough to try are pretty well rewarded across the whole of this book. This book is an introduction to systems theory (i.e. that the result of a conglomeration of small scale processes can be seen to accumulate into larger, predictable processes at macro levels, similar to how a person who makes individual knots can end up with a rug...) that straddles the mark from physics to political economy (which is running far indeed!!!)

This is a really big book besides having a lot of pages, and I have a hunch that not too many people are going to buy it outside of researchers or university librarians. But, I suppose, if you're either of these (though if one were going to research they'd probably look to a sucession of smaller books, no?) I'd buy this book.... your collection would be enriched through having it....

This is the Bible on the living systems we see around us in today's world. Years ago, a reviewer described Miller's theory as "fundamental yet capable of elaboration in great detail." No one has explained it better.

Here Miller lays out 19 processes which every living system needs to perform in order to compete and survive; eight processes for information, nine processes for matter and energy, and two processes for both. Miller also sees that there are billions and billions of different kinds of living systems in the world from microscopic cells to international organizations. So, he has categorized them into seven levels from the simplest and tiniest to the most complex and largest. And, he frequently makes interesting comparisons across these different levels.

Miller weaves volumes of information about the life sciences into his theory, particularly the biology of evolution. The concept of "emergence" appears to be its bedrock. New characteristics emerge as living systems become more complex, miraculously it would seem. In that sense, the book appears to be a detailed proof of Aristotle's famous conclusion that "the whole is more than the sum of its parts."

Many readers of this book have described it as a reference book, which it is. But, that description sells the book too short. Miller's prose is graceful and readable. I would say this book is enjoyable and well worth reading even if you have only enough time to read one chapter.

Two interesting companions to Living Systems would be Kevin Kelly's Out of Control: The New Biology of Machines, Social Systems, and Economic Order and also Ruppert Sheldrake's Morphic Resonance: The Habits of Nature. It might be said that Living Systems is a sequel to Alfred North Whitehead's famous book Process and Reality.

Don't let the size of this book stop you from exploring it. The author has designed the book so it (slowly) reveals itself, working from basic concepts of how dynamic systems work through levels of biological and social complexity. It is a brilliant work, a must for anyone involved in any sort of analytical work. It is one of the most important books of the 20th century and, if attention is paid, will be an important guidebook to the 21st.

To see more of Miller's work and its implications, see the web site Principia Cybernetica.

Maeve Brennan was born in Dublin, which she wrote about in "Springs of Affection," a book that the editors at Amazon named one of the best of 1997. She came to the US when she was 17, and in her 30s hooked up with The New Yorker, for which she wrote the 50-odd sketches about daily life in Manhattan that are collected in "The Long-Winded Lady."

Where the Dublin stories are savage studies of failed marriages, these New York sketches are gentler in tone, more wistful and blue. Brennan, the "I" of all these pieces, eavesdrops on conversations in the bars, streets, and hotel lobbies of the seedier parts of Times Square and the Village. Her vivid, precise reports are then fleshed out with sepeculations, opinions, and little autobiographical details that reveal her own humorous, melancholy sensibility. The book ends up being not just an incomparable time capsule of the city of the 1950s and '60s, but also a self-portrait of one of its many silent "travellers in residence," a somewhat timid, ultra keen-eyed, super-sensitive exile trying to keep her bearings in an often inhuman metropolis. Brennan is never precious, never self-pitying. And there's not a dull or cloying or lame sentence in the book. "The Long-Winded Lady" is a small masterpiece, and both it and "Springs of Affection" are not to be missed.

This exquisite book of short essays is for you. She captures New York of the `60s in her highly focused vignettes. A long-time writer for The New Yorker, these sketches were featured in the "Talk of the Town" section of the magazine always beginning with "Our friend, the long-winded lady, has written us as follows:" I always looked forward to them and vaguely thought the author was likely to be a well-heeled matron of impressive family lineage with a flair for turning words. My impression was totally incorrect. Ms. Brennan emigrated from Ireland at age 17, never had much money or security and viewed herself as "a traveler in residence."

She gave personalities to streets, buildings, and stores as well as people. " Sixth Avenue possesses a quality that some people acquire, sometimes quite suddenly, which dooms it and them to be loved only at the moment they are being looked at for the very last time." Her focus is keen and unblinking, but she sometimes infuses the scene and the people with the magic of her imagination. Her word portraits are so incisive, I often felt that I was sitting beside her seeing a man "morose and dignified, as though humiliation had taken him unawares, but not unprepared."

There is a certain sadness and loneliness in Ms. Brennan's peripheral outsider remarks, but you never feel pity only admiration for an author that always looks outward to keep from looking inward.

I am so impressed with this book. Brennan's eye for detail, her descriptions of New York, her own loneliness are written in prose that any writer would envy. I have recommended this book to a couple of friends and also will suggest it for my bookclub. Brennan's writing sometimes reminds me of an Edward Hopper painting-the way she captures the light from a room across the way, her observations of situations in restaurants, hotel lobbies, and subways. I read somewhere that she had a terrible breakdown and her last column was written in the early 80's. After that she was seen wandering the streets of NY. I bought this book on a recommendation and never expected to be so moved. Also the book brings the reader back to the 60's.

Maeve Brennan's book is a collection of perfectly polished little gems. Writing just doesn't get any better than what you'll find here. "Howard's Apartment" is a piece that you won't just read; you'll also see, hear and feel it. Follow this wonderful writer as she leads you through a New York City that no longer exists.

She is a marvel, a gem. Each of these little expositions is so rich... You're walking down a street, when suddenly, gracefully, she turns a corner and glances into a window of our common soul, and describes what is reflected therein. Her observations are touching, without maudlin sentiment, dead-on accurate, and her language clear and hard. It is more a book about New Yorkers than New York; what I mean is that there is a certain approach to life that is genuinely cosmopolitan without being especially clever or reckless or cute, and we who love reading have a deep affinity for the well-tempered, understated observation that Maeve Brennan perfected. This is one of the two or three best reading experiences I've had all year.

I thought that this book was an educational yet fun mystery! The map at the front really helped me place what was happening, and relate it to what exists there now. I also found the main character, Sooncy, to be the perfect perspective through which to tell the story! Overall, a fantastic book for anyone looking for a fun and informative read! Best wishes to Ms. Killcoyne on future writing endeavors!

There are few opportunities offered our children to learn an important lesson about both our own past and our nature as individuals than that delivered by Hope Lourie Killcoyne in her gifted story, "The Lost Village of Central Park." Set in mid-nineteenth-century New York City, at the cusp of the construction of that seminal landmark of modern America, Central Park, Ms. Killcoyne's lyrical narrative traces the factual history of Seneca Village, a real establishment in which African-American and Irish immigrants somehow co-existed peacefully in pre-Civil War America. Creating compelling and believable characters, Ms. Killcoyne provides today's pre-teens with an invaluable and unique perspective on an important era in American social development, one which was cut curiously short by the idiosyncratic yet poetically inevitable advancement of New York City, through the creation of Central Park. The Park stands today, a monument to New York civic achievement; what is lost is Seneca Village, perhaps an even more meaningful yet necessarily ephemeral reflection of all that is possible, yet also lost, in the American dream.

Having lived in New York my entire life, I was surprised to find out about Seneca Village. I was never taught about the time, place, and events that surrounded the demise of that area of the city. The author successfully tells the story from the point of view of two young girls, one black and one white, and the strength of their friendship. It's a great way to teach children about their past. There's a lot going on here... plenty to use the characters again and turn it into a series. I'd certainly pick up the next one for my niece!

I had though the art of captivating storytelling in the realm of children's historical fiction was long gone. The last and one of the best was Ben and Me. Not to mention the fact that intelligent prose directed toward but not insulting children has disappeared with the likes of greats like E.B. White, Judy Blume & Madeline L'Engle... until now that is. Meticulous research has allowed Hope Killcoyne to create a captivating historical backdrop that most New Yorkers weren't even aware of including myself. Even as the story unfolded I couldn't help feel a sense of sorrow knowing the timely end to what was probably a fascinating culture within the tapestry of NY. Nevertheless, Killcoyne takes what might have just been an interesting footnote in NY lore and weaves a modern folk tale of ingenious promise and heart. Characters well developed for any novel not to mention one for young adults, add depth and almost tangible realism to a time and era long forgotten and sometimes better off forgotten. Hope Killcoyne places her characters in a small pocket of the American landscape dwarfed by slavery and the dawn of Civil War allowing us to glimpse what might have been and what should be in a world too often blurred with self-interest and prejudice. Although some readers might be wary of the melodrama of a culturally diverse Utopia Killcoyne has pictured, there is nothing contrived about the story and intent behind this book. A highly recommended book for any young or old reader... from any walk of life.

This is a wonderful story and fascinating piece of history for children as well as adults. As with so much in history, the more that is uncovered, the more it tells of the way things are today and why. As with many of the colorful stories from the annuls of New York, The Lost Village of Central Park illustrates a very important chapter in the history of the city as well as the nation. Educational as well as entertaining. The fact that such a place existed more than 100 years ago proves that which makes us the same far outweighs that which makes us different. As former grade schoolteacher, I think this book should be on the shelves of every school and public library.

The book arrived in a timely fashion and was in perfect condition. I would definitely order from this person again.

buildings there are until one reads this essential history of some of the greatest buildings in the city.

Architectural historian Andrew Alpern takes the reader through a survey of luxury apartment buildings on Manhattan Island. There are 34 chapters, of which 28 are descriptions of particular buildings, their histories, and their unique features, each illustrated by one or more large b&w photographs. The book includes four floor plans. Buildings discussed include the Majestic, Century, Ansonia, London Terrace, Beresford, Osborne, and Alwyn Court. There are also six chapters dealing with more general topics: British 'antecedents of American apartments,' famous courtyard buildings, office-to-residence conversions, classic buildings of Fifth Avenue, double-height studios for artists, and changing fashions in floor plans.

There is substantial overlap with Alpern's earlier book, 'New York's Fabulous Luxury Apartments,' although the two books were clearly separately written works. That earlier book is aimed at the reader whose interest is mainly in floor plans, while the reader who is more interested in detailed narrative descriptions might prefer 'Luxury Apartment Houses.'

An interesting overview of the design and evolutions of apartment bulidings in NYC, originally published as the very hard to find 'APARTMENTS FOR THE AFFLUENT.' Cretainly good fun for todays real estate conscious New Yorker with photos, floorplans and even original selling prices of NY's tonier buildings.

An interesting overview of the design and evolutions of apartment bulidings in NYC, originally published as the very hard to find 'APARTMENTS FOR THE AFFLUENT.' Cretainly good fun for todays real estate conscious New Yorker with photos, floorplans and even original selling prices of NY's tonier buildings.

Although I think I'll have to buy another NYC travel book in order to get more detailed information about places to stay and to eat, I really enjoyed reading this. It's full of interviews with interesting New Yorkers, like Wigstock's Lady Bunny and the guy who runs the sideshows at Coney Island. There's a great section on NYC neighborhoods as well. The charming personality of the Mad Monks really comes through in their writing--you learn a lot about what they don't like (yuppies, sterile architecture, the Disneyfication of Times Square) as well as a few things about what they do (drag queens, egg creams, and Rudy Giuliani, strangely enough).

Funny, irreverant and witty ....took me to places I never would have discovered . . . .what a mind expanding trip without drugs! BRAVO.

The Mad Monks' Guide to New York City avoids dwelling on well-worn landmarks such as the Empire State Building and Statue of Liberty, focusing more on the eccentric and offbeat, such as Miss Vera's Finishing School for Boys Who Want to Be Girls, Fly Fishing in Central and even Toxic Tourism like Staten Island's Fresh Kills Dump, the world's largest dump/landfill.

Along with the sublime and the bizarre is a cornucopia of the great city's diverse culture, from bars and restaurants to entertainment spots, making it probably as useful for those who live in the city as for those planning to visit it.

The Mad Monks' Guide to New York City is definitely the best thing I've read on that place in years, maybe the best book on New York since Washington Irving.

Here I am, spitting and cussing and followed by my tribe of beautiful wife, giggling baby, manic dog, neurotic cat, tiny overpriced one-bedroom apartment in Manhattan, thirty-two South Bronx homeroom students, anti-situationist buddies in the Yale Art History Graduate School, coffee shop aficionados, strange relatives, no money, one as yet unfinished great American novel, an entire collection of badly washed decaying old college clothes, and, last but not least, one pristine, mint, delectable copy of "The Mad Monks' Guide to New York City." Genius! Genius! Genius!

But who are these morons who keep giving the Monks the cliched comparisons to Kerouac and Kuralt? Where are the comparisons to the greats? As convoluted, descriptive, and gratuitous as a Faulkner sentence! As minutely involved as Wolf! As sharp and evocative as Hemmingway! As full of life and extraterrestialy wise as Salinger! As innovatively plotted as Joyce! As romantic as Austin! As poetic and erotic as Shakespeare!

An excellent book for all people interested in Laing. Hopefully Mullan will find a way to publish the material so that those interested can read it rather than holding onto it and waiting for a publishing deal that isn't too far "beneath" his expectations.

In this huge set of interviews, the former king of counter-culture philosophy expresses his provocative opinions on all imaginable topics, from mystcism to politics. If you are the type of person who thinks for yourself and suspects that straight society is almost incurably ill, you will probably find a kindred spirit in this fascinating man. Being a prestigious psychiatrist and former military officer, he knows the system he's trying to change from the inside out (an advantage most radical thinkers don't have).

This is one of the most engaging books I've read in over 20 years: it brought back to me the stimulation of encountering a truly first-rate mind.

Mullan has brilliantly effaced himself so that you get 100% Laing direct. And a Laing worthy of his better reputation. Mullan limited himself to brief preface and introductions and, during the interviews, short guiding comments and questions. Another interviewer might have cluttered the interviews with his/her own agenda and introduced the book with lengthy analysis, all of which would have obscured Laing. Undoubtedly Mullan also had a mark in selecting and editing the interviews, but what he achieved was this wonderful effect of making the reader feel like he/she is alone with Laing listening to Laing pour out his life in great detail, with great feeling, and without pulling any punches.

In the section on "Influences", Laing's amazing retention and grasp of his existentialist sources is illuminating. In "Kingsley Hall", you get an inside scoop, with lots of warts acknowledged, on this famous and infamous experiment. These conversations are an invaluable complement (and more) to the other sources on Laing, including Laing's own books.

"Great men have great weaknesses": I was struck by how negative Laing was about many of his contemporaries including coworkers. He seems to have distanced himself from many people. As much as Laing seemed to understand Existentialism, my impression from the section "Buddhism" was that his understanding of Buddhism wasn't especially strong. He claimed to have been credited with having a rare kind of "Nirvana consciousness". Do you need a credited consciousness? At any rate, even with Buddhism, Laing poured himself into it and was not shy of insights.

Whether Laing had a "Nirvana consciousness" or not, he was most certainly extraordinary in these interviews. You'll feel why Laing was special if you read "Mad to be Normal". And you'll have a great context for understanding any of Laing's major books.

Mullan has done Laing a special favor. And us.

As the editor of MAD TO BE NORMAL (Ronnie Laing's last recorded conversations), I was pleased to read Matthew Morrisey's review. In response to his query - "what am I going to do with the material NOT included in the book?" Well, I have a lot of material I would like to publish from the conversations, but in this dumbed down world it is hard to get a publisher to agree to do it.

This book holds many treasures, for both beginning and advanced students of R.D. Laing. For beginners, the book serves as a valuable tool of clarification for many of Laing's ideas. For the more initiated, the book offers up juicy morsels of hard to find information. For example, how many people know that Laing actually obtained copies of Nietzsche's hospital records to find out if Nietzsche actually had syphillis? (Laing contends he didn't). It is little bits like this which make the book continually revelatory. Even moreso than in his autobiography, one gets a sense in this book of Laing as not only a brilliant conversationalist, but as a tremendously complex and conflicted person. As we listen to him describe his relations with the prominent philosophers, psychoanalysts, and critics of his day, his recounting of his emotional and spiritual development, and of his dashed hopes and unrealized dreams, we begin to get a sense of what it might have been like to be around Laing when he was alive. Mullan for his part does a wonderful job of asking Laing pertinent, incisive questions, no matter whether the subject is Sartre or his boyhood days in Glasgow. The only question which arise are, if Mullan spent hundreds of hours talking with Laing, what is the nature of the content he excluded, and what has he done (or is he going to do) with that material? Overall, an excellent and indispensible book for anyone interested in R.D. Laing.

I thought this a good book for anyone reading about or studying Major-General William Tecumseh Sherman's March to the Sea and the March through the Carolinas. It captures the thoughts and personalities of the Army behind the man and gives the reader an insight to why they did some of the things that are so controversial today.

I have to confess a bias; Professor Glatthaar taught me US history in my first semester of college and was a very engaging, entertaining and clear teacher.

This book is history of the very best kind. It is extensively documented from primary sources, it is well written and draws the reader in and the text of the book is free from cumbersome and often distracting academic citation apparatus. It also has selected a topic of almost epic proportions.

The March to the Sea, coming on the heels of the devastating fall of Atlanta was the straw that broke the South's back. After years of war and the related hardships, the devastation that this march produced in the South dealt a death blow to the South's war effort.

In one of the great strategic decisions of the war, Sherman breaks his lines of communication and supply and, like a modern day nuclear sub, disappears only to resurface at Savannah. The freedom of movement that this decision allowed made this march even more effective.

Further, the productivity of the South, even after years of warfare is evidenced. The author presents data showing an increase in the weight of soldiers due to the richness of the diet they were able to secure from those unfortunate enough to be in the path of Sherman's army.

To quibble with a prior reviewer, this is not a novel. This is academic history of the best sort but written in a easy and accesible manner. A great book.

This book contains an examination of the army that General William Tecumseh Sherman led through Georgia and the Carolinas, in late 1864 and early 1865. Instead of being just another narrative of the March to the Sea and Carolina campaigns, however, Glatthaar's book is a look at the individuals that composed the army. In it, he examines the social and ideological backgrounds of the men in Sherman's army, and evaluates how they felt about various factors of the war--slavery, the union, and, most significantly, the campaign in which they were participating. The result is a fascinating look at Sherman's campaigns through the eyes of the everyday soldier. Glatthaar makes the army come alive, and shows the men not as heartless animals who delighted in wanton destruction, not as mechanized marching machines who could perform the most difficult marches without even flinching, but instead as real human beings, complete with sore feet, empty stomachs, and minds engaged in contemplation over the ethical ramifications of what they were doing to the people of the South.

This book, and others like it (such as James McPherson's For Cause and Comrades), is a refreshing change from the norm in Civil War history. The value of this book lies in its helping the reader understand that the war was fought by individuals, not masses of blue and gray, and that these individuals felt and thought a great deal about the cause they were engaged in. I have read much on the subject of Sherman's march, but never before this book did I truly feel like I understood the mentality of the 60,000 man army he led. This book will not give you a detailed and thorough account of Sherman's campaigns, but it will give anyone who already is somewhat familiar with the marches an incredible amount of insight that, I believe, cannot be gained elsewhere.

Individuals who belong to a Civil War reenacting association, history buffs, and serious scholars of the Civil War will all find quiet enjoyment in Joseph Glatthaar's historical novel on Major General Sherman's march to Savannah and through the Carolinas. Glatthaar's perspective of bringing the war down to the level of the individual soldier is not always found in historical novels. He writes about the soldier's innermost feelings, not about the glorious generals, the great armies, or the magnificent campaigns. I believe that individual battles do not win wars, but that it is the men composing the fighting force that can turn a potential devastating defeat into a glorious victory. Mr. Glatthaar has done a great justice in his portrayal of the men who conducted the march to the sea and beyond. I would highly recommend the book to anyone who wishes better to understand the soldiers that fought for Sherman

Joseph Glatthaar wrote this book in order to examine Sherman's march across the South "from the level of the common soldier, both enlisted and officer". In the introduction he states that by writing the book from this perspective, he hoped "to restore the reality of the campaigns, to understand the underlying motivation of Sherman's men for adopting a policy of devestation and to shed light on the total-war concept in military history".

Mr. Glatthaar's efforts have resulted in this very informative and engaging book. I did not know a lot about Sherman's Army before reading this book, and feel that I now have a much better understanding of the men who filled the ranks and led the regiments in their famous march to the sea. In his text, Mr. Glatthaar presents many quotes directly from letters and diaries written by Sherman's men, which really enhances the story and his conclusions.

I recommend this book for anyone wanting to learn about Sherman's Army- why it was successful, why it adopted a policy of total war, destroying much of the South, and why it remains controversial to this day.

Maira Kalman has a wonderful wit and a tremendous artistic style. It is great when you find a book that appeals to the kids as well as the adults. Her seemingly simple paintings are at second glance alive with color and depth. Check out all her stuff.

This is a delightful, creative book full of energy, imagery, and language. I think it is more for adults than children and would make an excellent gift for any artist or writer who must work at his day job while dreaming of "Paree"! Kalman's visual images are imaginative and fun.

Max Makes a Million is far and away my favorite book to read to my kids. The rhythm of its poetry is remarkable. Its drawings are fresh. Its story delightfully different. I have read many other Kalman books, and this is hands down the very best.

The pictures are great, fun and colorful and it keeps the readers interested. Mine want to know what Max will do next!

If you like e.e. cummings, this book, along with the three other Max Stravinsky books i know, is for you. And your kids might even like watching while you read it to yourself. If you don't like e.e. cummings, you should.

I was lucky to get this book as a gift from a good friend. After reading SO many books on parenting, it was such a relief to read this one. Along with a lot of really great practical advice, A Mother's Circle basically made me feel like it was ok to trust my instincts and not to worry constantly about trying to be a perfect mom.

I cannot stress enough how fabulous this book is. I have read many of the other books out there for new mothers and wound up feeling anxious and overwhelmed. I read this book the afternoon it arrived - it was so affirming and informative! It made me wish that I lived in New York City and could go to Soho Parenting's new mommy groups. Having the book was certainly the next best thing. I have lost count of how many copies I have purchased for friends - and they all LOVE it! A must read for all expecting and new mothers AND fathers!

This book--and the Soho Parenting Group it led me to--saved my life as an overwhelmed new mother. Intead of preaching to you, as so many other parenting books do, it explores the wide range of emotions new parents feel about their baby, their identities, and their relationship as they take on the life-changing process of parenting. Speigel and Kunhardt also give very helpful, very specific guidelines for caring for your baby, helping him or her sleep through the night, feeding, and other essential topics. All in a caring and supportive way. I give this book as a gift to all new parents now.

My physician recommended this book after the birth of my son...his wife is actually one of the contributing authors. He gave it rave reviews...(as any good husband would do for his wife, I thought.) Luckily for me, I actually followed his recommendation,searched down a copy and read it.

This book is the first one I've read as a new mother that made me feel like I wasn't completely alone in some of my experiences as a new mom. If that had been the only thing I had gotten out of it, I would have been thrilled. However, this book offers so much more.

You can read it and put it down...there are no scientific terms and techniques (had enough of those?). It gave me the confidence to be the mother that I always knew I could be...and to be able to forgive myself for not having ALL the answers (hint: you can never have all the answers).

I felt good every time I put it down...even if I could only read for a couple of minutes. Do yourself a favor - buy a copy. Actually, buy TWO. One for yourself...and one for someone else that's had a new baby. She will be a friend indeed.

This is the only book I've read that helps with the changes in relationships that follow the birth of child...deals non-judgementally with those of us who choose to bottle feed or return to work...to explain why our partners' response is not what we bargained for and MOST IMPORTANTLY how to help our kids sleep through the night and nap properly - so that they are HAPPY when awake.

Craig Brandon's "Murder in the Adirondacks" is the first complete nonfiction account of the Chester Gillette - Grace Brown tragedy of 1906. The case was front page news throughout the country and provided the inspiration for Theodore Dreiser's classic novel "An American Tragedy." Dreiser's tribute, however, was a double-edged sword. It revived public interest in the case, but the creative license that was necessary to tell a good story (and protect the author from a libel suit) altered the facts and, over time, came to be accepted as truth.

In researching his book, Brandon, a former reporter and editor from upstate New York, went straight to the original sources, such as trial transcripts and newspaper coverage of the murder trial. He located previously unpublished information about Chester Gillette's early years as well as letters and photographs from private collections. The end result is a definitive account of Grace Brown's death at Big Moose Lake in the Adirondacks and Chester Gillette's conviction for her murder.

Brandon outlines the known facts of the case: Chester Gillette met Grace Brown, a farmer's daughter, at the Cortland, New York, skirt factory where both of them worked. When she became pregnant in the aftermath of a clandestine relationship, he refused to damage his growing social standing by marrying her. After she threatened to expose him, they traveled together to the Adirondacks. Grace thought she was going to be married, Gillette had other plans. On July 11, 1906, she ended up at the bottom of Big Moose Lake, and Chester Gillette was accused of murdering her. Public feeling against the accused was high, especially after Grace Brown's beseeching letters to him were read in the courtroom, and he was sentenced to die in the electric chair at Auburn. Despite fervent attempts by his devoted mother to have his sentence commuted, Gillette was executed in March 1908.

Those who had read "An American Tragedy" have assumed that Chester killed Grace because he intended to marry a wealthy young socialite. Craig Brandon argues that Gillette had no plans to marry anyone- he simply didn't want to be forcibly connected to a woman who was his social inferior. The author also raises the uncomfortable question as to whether or not the youthful philanderer was really guilty of murder: Grace Brown had expressed suicidal thoughts to friends and in her letters, and Chester told the jury that she had jumped out of their boat after he declined to marry her. The district attorney pointed out that a gash had been found on the victim's head, suggesting that she had been struck and thrown overboard, but the defense team offered the plausible explanation that a grappling hook could have caused the injury when the lake was being searched for her body.

Although "Murder in the Adirondacks" doesn't offer any final answer as to what really happened that July afternoon on Big Moose Lake, it dispells long-held assumptions about the case and its principal players. It's also the first book to quote from the official record and not from sources spawned by Dreiser's fictional account. It will be the cornerstone for all future study of the case.

Murder in the Adirondacks" tells the tale of the Gillette-Brown love triangle murder of 1906. MA is more of an historical novel than a tale of true crime. Author Brandon has a background as a newspaperman, so MA is written in the who-what-where-why-when-and how style of a hard and straight news feature. Its' strength lies in Brandon's very thorough research and the poignant photos which give full context to the story. As true crime, MA is fairly tame stuff, raising little emotion. Brandon also delves into Theodore Dreiser's "companion" novel, "An American Tragedy", and the Hollywood movie "A Place in the Sun", starring Montgomery Clift, Elizabeth Taylor and Shelley Winters. All the bases are certainly covered. This reviewer believes that the 4 star rating above is a tad generous, but author Brandon deserves his due for the sheer research effort he put forth. Folks from the Southern Tier/Central New York areas of Cortland-Utica-Herkimer should pounce. Those folks may wish to add a star to the rating above.

This is a great book about the Chester Gillette murder case of 1906. Gillette took his girlfriend up to Big Moose Lake in the Adirondacks and drowned her. He was later tried and executed. His story was turned into the novel 'An American Tragedy' and several movies. I am reading 'American Tragedy' now and it's interesting to see the parallels between the actual case and the fictionalized story.

Murder in the Adirondacks:An American Tragedy Revisited is a must read. It captures and holds a readers attention while teaching them alittle bit about Central New York History. Through the book, a reader begins to "meet" the parties who were involved in this historic case, which was played out so many years ago. And then after getting to know the people, the reader is captivated by the trial and the events which surrounded Mr. Gillette's life immideatly after the verdict. All in all, a great read. I escpecially loved it as a Cortland County resident.

I had thought I was well acquainted with the case but discovered many errors in my previous readings after reading this book. The author dispelled many myths about the case, but did not attempt to prove any position without solid facts. Recommend it to my fellow amateur "criminiologists."