New York Books

Fron the 1600's to the Present, this is the "go to" book for Hurricane history affecting the eastern coastline. But more than just weather and geographical facts, Rick "The Hurricane Man" Schwartz has conducted many personal interviews to put a human interest face in this well-read timeline of the Hurricanes' impact, and stories of miraculous survival and devastatingly tragic loss. As Mr. Schwartz reminds, "Hurricane history repeats" and "The Year of the Hurricane is coming"! Are we prepared?

Over the years any number of books have been written about the devastating hurricanes that have struck coastal New England. Likewise, there are a whole host of books available about the history of hurricanes in the great state of Florida. Yet, when he sought to do some research on the history of hurricanes in the Middle Atlantic states Rick Schwartz discovered to his great consternation that very little had been written about the subject and that no really comprehensive book on this topic had ever been written. So Rick Schwartz decided to correct this glaring oversight himself. After more than six years of painstaking research "Hurricanes And The Middle Atlantic States" was released in 2007. This is a book that proves to be well worth your time and attention.
As the complete title would indicate "Hurricanes And The Middle Atlantic States: A Surprising History...From Jamestown To The Present" traces the history of hurricanes in this region from colonial times until the present day. It is a fascinating study. Rick Schwartz conducted more than 100 interviews in putting together this superb book. He also unearthed old newspaper articles, personal letters and state and local government documents in attempting to cobble together the real story. Consequently, there is an interesting narrative on almost all of the storms Rick decided to cover in his book. Schwartz also made a very wise decision by choosing to include track maps on a good many of these hurricanes. This feature greatly enhances the readers understanding of the storms and underscores just how unpredictable they can be. In addition, the inclusion of more than 200 black and white photographs helps readers to gage the full impact of these powerful cyclones and serves to emphasize the need for coastal communities to carefully reconsider public policies that have allowed for reckless overdevelopment on the waterfront. The question is not "if" these areas will be struck by a major hurricane in the future but only "when". Then there is the enormous toll these storms exact on everyday people. For all too many, life will never be the same again. Schwartz devotes considerable time to those who are victimized by hurricanes as well as those public officials who must find new and creative ways to deal with the devastation. High winds, heavy rain, tornadoes and flooding can all combine to wreak havoc for residents in the affected areas. Finally, I would be remiss if I failed to make mention of some of the fascinating local folklore that Rick Schwartz managed to sprinkle in throughout this book. Outstanding stuff!
Every now and then I come across a book like "Hurricanes And The Middle Atlantic States" that really seems to be much more appropriate as a reference volume. This is no knock on Rick Schwartz. This book is extremely well written, meticulously researched and thoughtfully laid out. Yet the stories inevitably do tend to become a bit repetitive and I found myself losing just a bit of interest from time to time. This is hardly surprising when one realizes that this book covers more than 300 years of hurricane history! Having said that, "Hurricanes And The Middle Atlantic States" remains an extremely important addition to the literature on hurricanes in this nation and deserves a spot not only on the shelves of libraries in the Middle Atlantic region but in other parts of the country as well. It is a book that students, researchers and general interest readers will turn to time and again in the decades to come. Highly recommended!

Researched, compiled and written by hurricane historian Rick Schwartz, "Hurricanes And The Middle Atlantic States: A Surprising History, Jamestown To The Present" chronicles four hundred years of the Middle Atlantic region's significant tropical cyclones beginning with the experiences of the Jamestown settlers and continuing down to the present day. A unique and exhaustively researched study, "Hurricanes And The Middle Atlantic States" features a substantial chronology profiling all of the Mid-Atlantic hurricanes and major storms, examines the patterns and characteristics of the region's tropical cyclones, and provides a sound basis for comparison, planning and preparation with respect to Mid-Atlantic hurricanes. Of special note is a forecasting history chapter offering insights into past progress and current knowledge about predicting hurricanes. Ideal for weather and meteorology students, "Hurricanes And The Middle Atlantic States" is especially recommended for non-specialist general readers with an interest in hurricanes and climate-changed influences on storm behavior, frequency, and intensity. Enhanced with an extensive glossary, a bibliography, and a geographically oriented index, as well as track maps and some 200 black-and-white photographs, "Hurricanes And The Middle Atlantic States" is confidently recommended for personal, professional, academic, and community library Weather & Meteorology reference collections.

Fascinating Book!!! Very informative, interesting facts and interviews. A must read for anyone with any interest at all on this topic.

BOOK REVIEW - "HURRICANES AND THE MIDDLE ATLANTIC STATES"
Author: Richard Schwartz (Hardcover - 400 pages)

This incredible book is a first of its kind - dedicated to the storms that have affected the Mid-Atlantic States through the past 300+ years, from the "Year of the Hurricane in 1667" up through Hurricane Jeanne in September 2004. A great reference for all hurricane enthusiasts the book includes explanations of all commonly used technical terms, references, and internet sources for everyone to use. But mostly it covers all the storms that through this extensive historical period had an affect on the mid-Atlantic States region. And Rick has done this with a definite personal touch, going to great lengths to get a "people- perspective" on what actually happened, what people went through during these storms. And he does his best to educate all of us that we are never "out of the woods" as to the future. We may be in a lull for action right now, but that is definitely temporary, and more storms that form in the future will definitely have more profound affects on the Mid-Atlantic region. Anyone and everyone in the mid-Atlantic area should reach out and get this book to have as a reference and to learn about the great effects these powerful storms have on their local areas. As Rick put it, "An understanding of storms past is vital to preparing for those ahead..."

No other book brings to life the work and struggles of new migrants in the United States. Ness sets the stage for the impending crisis that the labor movement will most certainly confront in the years to come. The book is eye-opening political-economy that points to new strategies and directions for the labor movement and the broader the working class. Striking is the absence of unions, labor institutions, and a party capable or willing to support the new realities of what is effectively the post-NLRA era.

This book is far and away the most important book on labor in many years. While it covers immigrant laborers in the U.S. the book can be applied to U.S. workers as well. The book counters the intuitive notion that migrant workers are too afraid to organize. In fact they are the most likely to organize! Then the book provides a road map for all labor organizing, both immigrant and U.S.-born workers. Of all the books I have read, this book provides the most theoretically sound approach to labor organizing and mobilization in a clear and concise manner. The book is accessible to any reader and, without hubris or jargon, explains in a clear way that it is workers who organize first. Power is consolidated for the workers by unions. But even without unions, the book shows us that workers are more willing to take risks and are much more militant than their unions. Written clearly, the book is the best book on immigrants for university students. In my class, I found that students were so enthusiastic that the book in fact sparked discussion without my intervention. Bravo to Ness.

This is one of the very few books that addresses the issue of worker organizing and the importance of migrant workers to the oranized labor movement. The AFL-CIO increasingly recognizes the need for immigrant workers as they form a larger part of the labor force in low-wage jobs amenable to organizing. Unions have a range of responses to this newfound worker militancy, from complacency to building power and support for workers otherwise left to their own. Unlike other books, Ness shows that migrant workers from similar backgrounds tend to have strong ties to their co-workers. In fact, these strong ties contributes to solidarity and the will to confront rapacious employers. Surely U.S. workers have much to learn from migrants whose bonds of solidarity are reinforced by common religious, national, language, and ethnic identities.
U.S. workers are no less militant if confronted with identifical circumstances as immigrants. However, the rise in contingent work contributes to fewer bonds of solidarity as native-born frequently move from job to job as they seek out individual gains--mostly without success.

The case studies in this book will be instructive to international unions in seeking out new strategies for organizing immigrant and native-born workers alike. This book is the most important contribution to the literature on labor organizing in recent memory, and provides the basis for understanding the labor struggles of the early 20th century when mobilized immigrant workers formed unions and were consolidated by the national unions. This book offers hope to all of us as the government seeks to marginalize immigrants through imposing draconian laws and weaken their legal status as workers.

Immigrants, Unions, and the New US Labor Market is the most timely and intelligent examination of the implicatoins of the expansion of global capitalism on international migration. The book provides real life evidence of the human spirit of solidarity among migrant workers. This stirring book offers a roadmap for unions and employers of the eternal struggle for dignity among an outcast population that now forms an important component of American labor. This penetrating book is indispensable to understand the plight of migrants and how social conditions and human experience shapes the actions of working people. I commend the author.

Professor Immanuel Ness brings a lot to the lectern in this story of spirited, but impoverished immigrant workers organizing in New York City. Ness is a professor of political science. He's written widely on cities. And his years as a union organizer give him instant street credibility.

All this experience and knowledge is effectively woven into his book, Immigrants, Unions and the New U.S. Labor market The title is accurate although Ness rarely strays far from the battles in New York's five boroughs. New York is a kind of testing ground. Immigrant workers in New York City make up more a than half the labor force. The low wages of these immigrants explain why New York County has the biggest spread between rich and poor in America -- It's in these organizing campaigns that the struggle to keep America from sliding back to the pay and conditions of the Gilded Age are being determined.

Ness focuses on three campaigns: Mexicans who work in Korean deli's, Pakistani limo drivers; and west African grocery store workers. With dozens of candid interviews, he takes us inside these immigrant communities, to hear the voices of New York's most silent workers.

Everyone knows that immigrants have it hard. But Ness forces us to see just what it means to be delivery man from Mali and be forced to live on $1.00 an hour - plus tips of course - while working for A&P's Food Emporium.

These workers are so exploited they aren't even permitted the status of workers. They're "independent contractors" "a fiction that allows employers the right to ignore the provisions of the Fair Labor Standards Act (1938) regulating minimum wage, maximum hours and safety conditions. The upshot is that the grocery baggers from Mali wind up making that $1.00 an hour - which is more than they would make in Mali but not as much as Americans made a century ago. .

Ness shows us how these immigrants nevertheless have been able to come together to demand dignity, rights and a few extra dollars - at great risk, despite threats of physical harm, deportation, and job loss. It's not exactly workers of the world unite. But a triumph of the resilience of traditional social bonds which somehow survive even in the Global City. Plus it turns out they can mobilize a lot of outside support - the Mexican workers in Korean deli's got help from State Attorney General Eliot Spitzer who obligating sued the employers for back pay; a formidable community campaign sprang up on the Lower East Side to support the workers when they went on strike; the Mexican Consul-general got involved, too.

Ness' most surprising finding is that American unions - the institution you might expect to be leading the charge on behalf of the most exploited workers - the established unions - are mostly missing in action or actively undermining the immigrant organizing campaigns. There are some splendid exceptions, like Ernesto Joffre the former Chilean miner, jailed for subversion under the Pinochet dictatorship who went into exile here in New York and became head of an exemplary garment workers local. But mostly organized labor is too busy patrolling its jurisdictional boundaries to give more than perfunctory help. Almost immediately after Joffre's untimely death, his parent union liquidated support for the organizing campaign. A shady longshore union located in New Jersey wound up with sweetheart contracts with several of the Korean deli's.

Ness' accomplishment is dual: anthropology of New York's newest immigrant communities and a political science of the city's unions. It adds up to the most valuable account yet of the astringent realities of immigrant organizing in America.

A great and very fun read for the Niagara Falls lover or history buff.

This book absolutly keeps you intrested from the first page to the last. After a recent trip to the Falls ( having not been there since a 9 yr old kid) i was captivated by the wonder of the falls and the respect it comands. I wanted to know more, not just everyday facts, but the inside stories and how lives are affected by the wonder of Niagara. this book captures that and makes the reader gain a respect for the falls and for all those who dare to take on the wonder of it. The stories of those who tept fate at the falls are intriguing and very well told. Again it gives you an added appriciation for the wonder and power of such an amazing place. Anyone with an Intrest in the falls and wants to know more about it and how it affects people has to read this book.

True stories about gut wrenching tragedy and heart pounding rescues that will leave you on the edge of your seat awaiting the outcome of yet another victim that has fallen prey to the beautiful but sometimes deadly river.

T.W. Kriner's style of writing and attention to detail will leave you feeling like your IN THE MAD WATER with them. A must read for anyone interested in the disasters and sometimes bizarre history of Niagara Falls.

And if that wasn't enough check out T.W. Kriner's previous book JOURNEYS TO THE BRINK OF DOOM and he will take you there and back with more tantalizing accounts of mystery and mayhem that have made the falls famous.

Having grown up just a few miles from the falls and working there for four summers, I've seen and heard first hand many accounts of lives lost tempting fate on this incredibly dangerous river (both upper and lower). Perhaps having been a local I have a better appreciation and respect for the Niagara. But I am constantly amazed at the stunts and stupidity people will undertake trying to conquer this obviously unconquerable landmark. After each account you'll be asking yourself the same question locals have for years... what was that guy thinking?

This is the first book on Niagara that has captured both the fact (which many books do quite well) and the FEELING of the place. I grew up on Grand Island, just upstream from the Falls, and growing up on 'that' water was different from growing up on any other, because you always had the nagging sense that four miles away was certain death. When you went fishing, you were afraid to fall asleep for fear of waking up in the Rapids; when you went swimming, there was always the unreasonable notion that somehow the river would not let you get back to shore. TW Kriner is the first person I've ever read to capture a sense of the ominous presence of the Falls just in the background of daily life on the Niagara Frontier.

I can't put Roger Kahn's book down. His writing style is personal yet detached, and he is as unkind to himself at times as he is to others. He is in his eighties now, and reviews the people and events that impacted his life. He has not grown softer with age, and still has his signature sharpness. His sportswriting and journalistic career are the backdrops from which he travels through life, but all of us on our own pathways can benefit from reading his struggles and observations.

The author of the classic The Boys of Summer reveals his life story via a select few main influences, from his journalistic mentor Stanley Woodward to Jackie Robinson and finally to his late son, Roger, Jr. Books like these often provide glimpses into lives we know mostly from a public non-intimate perspective. In Into My Own, we get a deeper revelation about the heroism of Jackie Robinson as the first black player in major league baseball as well as insight into his full humanity. The same can be said for all the other protagonists in Kahn's memoir, including his first wife. There is some sadness that lingers from the narrative, particularly the lack of closeness between Kahn and his mother, and especially the passing of his son, but there are also moments of triumph and joy in everyday life.

Roger Kahn is one of the greatest sportswriters of the century, and in this memoir he does what all great sportswriters do--bring the readers into the story. Although this is a memoir, Kahn focuses not on himself (which is in itself refreshing), but on the people he loved and worked with. The first chapter is as much about the Herald Tribute as it is editor Stanley Woodward, who taught Kahn his craft. As Kahn moves on professionally we get to know Pee Wee Reese, Jackie Robinson and Robert Frost. Even when Kahn exposes his deepest feelings in the heartwrenching chapter describing the gradual deterioration of his son, the story focuses on young Roger.

This is really an elegant, moving book that everyone should read even if they've never heard of the Brooklyn Dodgers or the Herald Tribune.

The English poet Alfred Lord Tennyson once wrote, "I am a part of all that I have met." Roger Kahn has provided us with a heartfelt tribute on those individuals who have influenced him throughout his adult life. Stanley Woodword, his mentor at the New York Herald Tribune, teammates Pee Wee Reese and Jackie Robinson on the Brooklyn Dodgers, poet Robert Frost, polititian Eugene McCarthy, and his late son Roger Laurence Kahn are all written about in a way that author Roger Kahn can use his skill as a writer to bring these people who have special meaning to him to life. Anecdotes not found in other baseball books are included here such as Dodger pitcher Orel Hershier's kindness to Roger's late son, Dodgers' owner Walter O'Malley sending a note of warning to the author when Kahn's late wife, Joan, had her nose broken by a batted ball while sitting in the stands, Jackie Robinson suppressing anger and quietly telling a teammate to deal the cards when pitcher Hugh Casey described what folks in the south used to do when good luck was needed. Kahn interviewing Robert Frost with the poet calmly describing his son's suicide little knowing that he, himself, would have to face the same tribulation lurking in the future. We all have people who have influenced our life in a positive manner, and Roger Kahn's sincerity fills the book on those who have touched his life. This is a book that will appeal to anyone who enjoys good writing whether you are familiar with Roger Kahn's previous books or not.

Roger Kahn has been writing about sports and other topics for more than half a century, but it was only with THE BOYS OF SUMMER, his watershed account of the Brooklyn Dodgers, that he became a household name and a standardbearer for similar endeavors.

The product of an intellectual New York home, Kahn grew into a curious, if not exactly academically motivated, young man. School was tolerated, not embraced, until his father arranged an interview for him with the Herald Tribune. Thus began a long career in journalism, writing about other people and issues. With INTO MY OWN, he invites the reader into a personal world, focusing on several individuals who were influential in his life and work.

Among these are Stanley Woodward, his boss, mentor and friend, who challenged him to be not just another sportswriting hack. Kahn looks back fondly on his salad days as a young copyboy who broke into the ranks of the ink-stained wretches, earning more increasingly important assignments until he became the Dodgers' beat reporter.

Since the Brooklyn team was his ticket to middle-aged fame, it is fitting that two of the key members of the team receive significant attention: Harold "Pee Wee" Reese and Jackie Robinson.

Reese, the shortstop and captain, was a Southerner who literally embraced the African-American Robinson in full view of hate-spewing racists, thereby setting an example of gentility, cooperation, tolerance and friendship. Robinson was a more fiery personality and gave Kahn the opportunity to learn about the difficulties of being a black man in America on several levels. These relationships lasted long after the players had retired.

Kahn was more than a one-trick pony, however; he also wrote about "serious" subjects, such as politics and his Jewish heritage (THE PASSIONATE PEOPLE). He also recalls relationships with the likes of Eugene McCarthy and the poet Robert Frost.

The most touching chapter, however, is painfully personal: the difficult life and premature death of his son, Roger Laurence, a suicide at 23. Roger L. was the product of a "broken home" following the divorce between Kahn and his second wife, Alice. The author does not mince words as he writes about their tenuous relationship, which deteriorated when his son was quite young. Despite numerous therapists and private schools (including a controversial boarding school), Roger L. sank deeper into bipolar problems, much to his father's helpless distress.

--- Reviewed by Ron Kaplan

I recommend this book to anyone who loves poetry. Mercado's use of imagery and music in her work is new and inspirational. She is one of the more exciting new Nuyorican voices on the scene. Honest, clear and down-to-earth, there's no pretention here. Buy this book, you won't be sorry.

In clear, passionate and moving poems Nancy Mercado brings us the full flavor of life. She speaks on a personal and universal level for people who are on the outside; people of all colors.

These are celebritory poems that affirm the ability of the human spirit to servive. As Piri Thomas has said of her work, "Nancy Mercado has learned that words can be bullets or butterflies, that one must say what one means and mean what one says."

Maria M. Gillan
Executive Director of Poetry Center

Passiac Community College

It concerns the madness was real. I lost myself behind the author's passion for poetry, and her fond memories of Puerto Rico. The rhythmic flow of expressions reached down into my soul and took me "home"....

I enjoyed reading It Concerns The Madness.It really brings you back to your roots. It made me remember a lot of things about my grandmother and grandfather. I feel Mrs.Mercado writes from her heart and life experiences. I recomend this book of poetry to everyone. I know everyone could relate to it one way or an other. To Mrs. Mercado keep up the good work.

This book was well written and interesting. The author has an understanding of the madness faced today. Latinas have come a long way and this author shows that we will continue to grow and prosper as women.

"For theater lovers, this holiday brings books that should satisfy even the pickiest soul. My favorite is a gossipy portrait of Broadway over the past 60 years - IT HAPPENED ON BROADWAY, AN ORAL HISTORY OF THE GREAT WHITE WAY..... It's fun to browse in (lots of nice pictures), but addictive as a bag of potato chips."

IT HAPPENED ON BROADWAY: AN ORAL HISTORY OF THE GREAT WHITE WAY By Myrna Katz Frommer & Harvey Frommer

The Bloomsbury Review, November-December 1998

What better way to write a history of the last fifty years of Broadway theater than to get the information from those who made it all happen! The Frommers have compiled an oral history that is told by many of those wonderfully talented, hardworking people who spared no effort to create great hits and, yes, occasionally, flops. More than one hundred actors, directors, choreographers, producers, composers, lyricists, and playwrights as well as set, costume, and lighting designers, extras, and publicists have contributed to this deliciously enjoyable compilation of material about the great white way.

It Happened on Broadway is filled with background information about the Broadway shows of the last half century, and the successes, failures, struggles, and uncertainties of many personalities. Many interviewees have been household names for generations, others are just achieving recognition, and some names are not likely to mean much to most readers. Yet they all bring us some of the most interesting experiences and insights about the Broadway theater of recent years. One wonders how the Frommers managed to persuade so many luminaries to share their tales.

The first chapter "Broadway Calling," should be required reading for every theater student, aspiring actor, and budding theater professional. To hear Carol Channing, Jerry Herman, Betty Buckley, Manny Azenberg, Betty Comden and Adolph Green, Al Hirschfeld, Richard Kiley, Leslie Uggams, Louise Lasser, Charles Durning, Patricia Neal, Jerry Zaks and many more tell how they got started in their careers is an education in itself and makes for superbly entertaining reading as well.

Much of the book is devoted to musicals, since those were the majority of "name" Broadway shows of the last half century, but there are also stories of the Theater Guild, from Eugene O'Neill and Bernard Shaw to William Inge and Sean O'Casey and the last week of Clifford Odets, and about the extraordinary talents of Arthur Miller and Tennessee Williams and such performers as Marlon Brando and Tallulah Bankhead. Celeste Holm tells how her Broadway career began when she was cast by Lynn Fontanne in The Time of Your Life together with Gene Kelly and William Bendix. And there is talk about the groundbreaking impact of Lorraine Hansberry's A Raisin in the Sun.

In one chapter "Look, Look, Look Who's Dancin' Now," Gwen Verdon, Marge Champion, Donna McKechnie and others share stories about Agnes DeMille, Jerome Robbins, Gower Champion, Bob Fosse, and the creation of Chorus Line and Chicago.

Most new shows go through a difficult gestation period before they are ready to be presented to the public. In some instances, a late edition of a song or conversely, deletion of some material can turn a potential loser into a future hit. Backstage tales, candid comments on their own performances and those of their fellow actors, the roundabout ways in which producers obtained production rights, often after years of effort, all make for fascinating reading.

This book gives the rare opportunity to hear the comments of those who were involved in the creation of Guys and Dolls, Cabaret, Zorba, Wonderful Town, On the Twentieth Century, The Will Rogers Follies, Annie, Nine, Grand Hotel, Titanic, and many, many more.

To sum up, the Frommers have combined these interviews and stories into a rich, seamless, history that masterfully captures the essence of Broadway's last five decades in a most enjoyable fashion. _____ __

Paging through this book is like stepping back through those years in the mid to late 20th Century when Broadway was bursting with fresh talent and wonderous creativity. Fantastic photos (many of which I have not seen elsewhere) and the collected personal memories of an army of Broadway veterans. Instead of muddying these memories with reams of connecting text, the editors have grouped related anecdotes into chapters and let those who lived this history speak for themselves. A great read for anyone who loves the theatre -- Broadway in particular.

This is a one of a kind Broadway book. The stories, the photos, the whole feel . . .it is like table hopping at Sardi's.

The stars, both onstage and off, that have helped create the Broadway theatre of today have committed their lives to one of the most important and vital of all the arts. This book gives them their due in a way few others have. It Happened on Broadway is a very well-done book recording for posterity the fine tradition that is Broadway theatre, using almost entirely the words of the people that actually lived their lives there. It is funny, touching, englightening, and a must-read for anyone who loves Broadway and theatre as much as those in the book who gave their lives to it.

This is the catalogue for the landmark Pollock exhibition held at the Moma and the Tate in 1998-1999. Considering the steep rise in the insurance value of Pollock's paintings, such a comprehensive retrospective is not likely to be repeated in the near future and we are therefore fortunate to have such a brilliant book to help us remember it. The late Kirk Varnedoe was one of the best interpreters of contemporary American art and his text, never anecdotical and always informative without being pedantic, does justice to the masterpieces without falling into any of the cliches that often pollute our view of this great artist.

Beautiful illustrations make this book an indispensable presence in any arts library.

Having just taken in the MoMA show, I was very satisfied with the Pollock catalog. Very nice job reproducing the works (a difficult task in the printing of art catalogs!) Many fold-outs assist in conveying the size of Pollock's larger works. Large, full-bleed detail shots add a nice touch, complimenting the entire painting. While I'm not thrilled with the cover design, the interior is well-written, well-presented, and well-worth reading.

I picked this book up at the MOMA Pollock retrospective a couple years ago and have used it extensively. Having seen many of the paintings in this book firsthand, I can say that these are some of the best reproductions offerred in book form on Pollock's work. Another plus is that several paintings are printed on fold-out pages, so that the work doesn't cross the book's seam. So many of his paintings are extremely wide that this makes a lot of sense (otherwise, there would be hardly any resolution in the height dimension).

If you're interested in Pollock and need to refer to the reproductions, I absolutely recommend this book above all others out there.

This breathtaking catalogue is simply the best single volume available on Jackson Pollock, and this is primarily--but not only--because of the number and quality of the reproductions it offers. Almost every one of the dozen or so Pollock books in my library contains a painting not available in the others, but this book collects and beautifully photographs the greatest number and variety of his canvases--outside of a catalogue raisonee.

As the other reviewers state, there are many generously-sized fold-out pages here, and the crispness and resolution of these big reprints and of the more modest pages are simply amazing. To take two essential examples, this book's reprints of "One: Number 31, 1950" and "Blue Poles: Number 11, 1952" are astoundingly clear, better than any of the many other versions I've seen in art books, even in Ellen Landau's large-format survey, a book which also includes gatefolds.

(Another reviewer, by the by, states that "Lucifer" is not available in any other book, which is not true. Among other places, it appears in Landau, in Elizabeth's Frank's concise volume, and as the sole color reproduction in the book for the 1965 MOMA retrospective. Anyway, it gets terrific treatment here.)

Another invaluable inclusion in this book is a great number of full-sized detail photos of the canvases. For example, on a page adjacent to "Lucifer" and "Autumn Rhythm" and "Full Fathom Five," we see another photo of just one small section of that same painting but in 1-to-1 scale; these details reveal much of the dynamic, kinetic, urgent quality of these works, their encrustations of sand, glass, pennies, paint caps--traits which even this book could otherwise never offer a livingroom Pollock-viewer.

Further, having seen the exhibit in January of 1999, I can attest to the generally excellent fidelity of the color-balance. (Curiously, no one seems to be able to capture "Autumn Rhythm"'s grey-teal passages in a book, but if you were at this show or have viewed the painting at the Met you've seen them.)

The accompanying articles are excellent. Kirk Varnedoe overviews of Pollock's life, artistic aims, his accomplishments, all illustrated with family and archival photographs and drawing on Pollock quotations. Pepe Karmel uses the extensive photographic and film record of Pollock painting to analyze Pollock's physical movements. Most wonderful are Karmel's computer reconstructions of early states of the painting "Autumn Rythm," based on Hans Namuth's photos of Pollock at work.

In sum, this book gives the finest, fullest offering of both Pollock's life and art.

Excellent companion piece to the MOMA show (which traveled to London's Tate) goes beyond all other Pollock explorations. A "must" for students of modern American art as well as those just wanting to get a better understanding of what Pollock was REALLY DOING.

Large format features fold-out reproductions of breathtakingly high quality. Among these, incredibly, are paintings not found in any other published sources. (The incomparable Lucifer (1947) is one such work).

The text is scholarly but readable, and although there is a considerable amount of it, each open page of writing offers at least a couple relevant and highly interesting photos or other illustrations. The many large color plates would certainly make a gorgeous and impressive coffee table book for anyone who doesn't choose to read it.

Kirk Varnedoe writes definitively about Pollock's mercurial life & career. Varnedoe's nearly 75 pages of biographical analysis are a welcome alternative to the kind of misguided mythologizing about Pollock that has for a long time colored the artist as an overrated art "star."

Pepe Karmel's contribution to this book is an amazing analysis of Pollock's painting process through an exhaustive examination of the famous films and photographs of Pollock at work. This was a fascinating, ground-breaking part of the exhibition, and is equally wonderful in the book.

Well worth the price.

A simple but effective running of the history, with comments on the individual recordings, of the songs that appear on James Browns first major album hit, "Live at the Apollo" recorded in October 1962 alongside the then occurring critical world event of the Cuban Missile Crisis, makes for an effective time capsule telling by Douglas Wolk of the making of this classic recording.

While the author veers towards the over stated at times (did the 1,500 in the audience based on the limited public news released really behave as they did based on the belief they could die in a week!) he does a much better job of nailing the history of James Brown. These include how he got to make this recording against his record company's indifference; his on balance limited hit record success to date offset by his constant touring of an all action performance, but most of all that what was on show here was one man's personal and stylistic interpretations of a suite of songs that covered black music across the 20s to the early 60s. Some songs had undergone numerous adaptations and recordings by others plus JB before the versions done here (the ripping of of other peoples songs seems almost to have been a lifelong JB hallmark). What was really being performed was an exercise where songs could only last for less than a minute to over ten minutes as JB backed by his ever tight band riding on their leaders moods and his reading of the audience emotions laid down one of the truly original live recordings made.

The fact that the LP was in popular demand for many months after to be played in full on R&B radio stations at a time when single hits were paramount was testament that something unique that connected with the black audiences of 1962/1963 had occurred and it was to be some time before JB reconnected in such a way again (and certainly never again with another live album, despite several attempts).

Wolk also does a very good expose of Brown's ego and resulting mis-treatment of all around him plus how the recording was not a true full recording from having to be adapted and edited from the true JB live revue show, which while visually spectacular would not have translated into such an effective audio format.

A story telling which is certainly "on the good foot" throughout.

Fans of James Brown will find Douglas Wolk's slim but hard-hitting classic, Live At The Apollo: 33 1/3, brings to life Brown's performance in 1962, piecing together what took place, what was recorded that night, and Brown's musical heritage and contributions as a whole. Live At The Apollo recommended pick for any avid fan of Brown and a welcome contribution to 20th Century American Music History collections.

the cuban missile crisis almost brought an end to life on earth as we know it. who saved the day? maybe it was j.f.k.... or maybe it was the number one soul brother james brown. douglass wolk makes a good case for the godfather of soul in this well-researched, compelling, funky good time book.

A great short read about the live recording sessions that led to the creation of one of the seminal R&B albums. The writing is punchy, respectful, and never overwrought -- except for the glaring and jarring detours into the Cuban missile crisis. The episode is clearly relevant to the story, because the concert in question took place in roughly the same 24-hour time span that the crisis was unfolding, but while everyone in the Apollo that night may have had the crisis on their minds, the digressions into what the fighter planes and the decision makers were doing at exactly the same time that James Brown was wiping sweat off his brow as he switched gears and tore into another song are distracting and ultimately tell us little about why the crisis made the night charged. Wolk should have stuck to the performances and the music or else found a better way of weaving the crisis into the book.

Given a book-length space to fill, many magazine writers do what comes naturally: they write a book-length magazine article. Wolk, however, approaches his narrative from the top down, treating the long form with the reverence and intricate attention of a clockmaker god. His story moves chronologically in an evening's frame, but it's also shot through with a series of gears and patterns, nibble-sized pieces, and odd bits of synchronicity that align in unexpected choruses. Gliding across it all, of course, is the electric, eccentric energy of James Brown. Scrapbookers, beware: this is more than simple homage. It's a work that stands independently, with one hell of a soundtrack to boot!

This book by Wilson Smith is a little gem. He has written bravely and honestly about events in his life that will make the reader laugh and cry and just wonder how on earth he ever lived to tell the tales in Just Dirt.

It is amazingly touching and and not without humour. I think every teen who is thinking of running away should read this book. In fact every teenager should read this book and if I had a say I would put it on all reading lists in High Schools.

Just Dirt is not just for kids. Mr. Smith has recalled events that touched his life, his family and those around him. Every person reading this book will be moved in some way.

Mr. Smith has written the book in a really casual style, if I may say that. While reading Just Dirt, the reader feels as if he/she is sitting with a good friend while he is recalling episodes from his eventful past.

Wilson Smith, Just Dirt (Lulu, 2007)

I'll start off by saying there's no way I can write an unbiased review of this book. I've been reading Wilson Smith's writing for nigh on a decade now-- as hard as it is for me to believe that stockboy recruited me old pal Mike Burns and me for xnet membership almost ten years ago, such is the case-- and, like most of the list folk, I am well aware that Smith can spin a mighty fine tale when he takes the mike. And I have heard a number of these tales before, either just as they are here or in somewhat rougher form. Besides, I'm actually thanked in the credits. Me? Unbiased? Are you [censored] kidding?

I should also start off by saying that memoirs generally drive me up the wall. And that, interestingly, perhaps what I value most about this book is that Smith nailed why, on the head, in a brief digression in one of these stories. And then went on to write the first truly readable memoir (as opposed to those memoirs-passed-off-as-novels that are far easier to bear, witness Bukowski or Exley or even Jay McInerney's Ransom, his best and most underrated novel) I've come across in... longer than I care to remember. I consider this just payment for having forced myself though 100 Strokes of the Brush Before Bed.

Part of what makes it so readable is that this isn't a memoir in the way you might think of memoirs. It reads more like a collection of short stories. (As a side note, the book's main weakness also comes into play here; there are some times when pieces of a story are repeated. Remember in the Encyclopedia Brown books, where Donald Sobel's first few paragraphs were startlingly similar in every story? You get that here, but only once or twice.) The end result has a sort of concept-album kind of impressionism, a feeling that you're not getting the whole story, just the pieces that matter. Would that a number of other memoirists had thought to do such a thing.

But what really nails it for me is something I found completely surprising. In this scene, Smith finds a number of old stories (from a long-abandoned first draft of the title piece) in his attic, and is re-reading them:

"The stories, though, were non-stop "Show, don't tell" (the first rule of writing, eh?), to a degree of which I'm now mostly incapable. It makes me feel like a hamster on a wheel to try to write that way now."

Now, I'm a big fan of "show, don't tell." A huge fan. It's by far the best way to approach fiction. It's the only way to approach poetry if you want a poem that your public won't laugh at. But when I read that bit, I looked back on all those memoirs I've hated over the past few years, since they got so huge, and I realized that they were all trying way too hard to show (and to show every excruciating minor detail), whereas Smith is just sitting there like the guy next to you at the (juice) bar talking about all the stupid [censored] we did as kids. Well, some of us did as kids. (If you can't find anything in here to identify with, I envy you.) And, wonder of wonders, miracle of miracles, it works. I'm not sure it would work in a longer manuscript-- Smith's book weighs in at a light, easy-to-digest-in-one-sitting 132 pages-- but it works here like a charm. (Which begs the question: how well do charms work? And what do they do? My mom's just dangled from her bracelet.)

This may sound like, well, it's just some guy sitting there telling you a story. Anyone who made the mistake of signing up for a first-year psychology class in college knows just how boring that can be (especially if you had my professor). Smith's self-deprecating wit coupled with the basic insanity of the times keep it from ever being boring. (Note: Smith does assume something of a knowledge of those times. If you're not familiar with, for example, the sixties hippie counterculture, you might find yourself confused. Be warned.)

Also, something else of note. As I mentioned; this is a one hundred thirty-two page manuscript. I grant you, I wasn't reading with a proofreaders' eye, but I noticed a total of two typos in the entire book. I can't think of the last book I came across from a major press with two typos. It's unheard of in the realm of print-on-demand books. That alone is reason enough to pick up a copy of this, even if the book itself had sucked. And this one doesn't, not by a stone's throw followed by a world-record chaw spit.

End result: even if you loathe the entire memoir genre, check this one out. It may just change your mind (though, I rush to add, just about itself. The rest of those memoirs? Yeah. Still garbage). *** ½

"Harrowing" is an over-used word in pop culture criticism, but I can think of few places where it is better and more aptly deployed than in a review of Wilson Smith's "Just Dirt." This loosely chronological memoir is crafted as an integrated series of short, near-still life vignettes (painting brutally honest and specific pictures of moments and places in time) and longer tales of transition (where thing/place/person A becomes thing/place/person B, and where the process, the crucible, is key).

In less deft hands, such a tale could have been ponderous, self-indulgent and dire, but Smith's story-telling skills are sharp, and his language and characterization are rich and evocative, drawing a reader into the emotional peaks and valleys that frame his psychological landscapes. He paints his self-portrait with brutal candor, and does a tremendous job at building tension in some of his longer works. You just know that something awful is going to come of all this, but you can't stop reading until Smith shines the spotlight on the shortcoming or mistake that wishes to expose or expunge, at which point you generally find a hidden element of beauty and grace, where you least expected it.

And ultimately that's what makes this book so lively and lovely: these are dark and troubling tales, but grace and transcendence and growth (and the desire to find them all) permeates the narrative, palpably. There's no treacly ending, no easy answers, no pat wrap-up, just an uplifting sense in the end that, hey, even though we're often our own worst enemies, and even though we may not always like ourselves, we're still something finer and grander than the sum of our molecular matter, and we're not just dirt, not by a longshot.

"Just Dirt" regales the reader with wonderfully disturbing stories, stories painfully familiar to many of us -- except we didn't have the balls to make them public. Smith has a refreshingly honest style of writing, sort of "in your face," witty, intellectual, anti-intellectual and hip all at once. Part journal, part personal journey, part freak show, it's a lurid, sensational look into the very deepest, darkest corners of not just Smith's world, but certainly mine and probably yours.

"Just Dirt" is a gloriously readable collection of events that may make you draw comparisons to your own experiences or may make you aware of your own relatively uneventful life. The style Smith employs is highly personal, and while he doesn't glorify the dysfunction, he embraces it in a way that helps explain how he has become the man he is today.

His ability to step away from himself and look back with remarkable clarity is impressive.

As a reader, I felt some guilt because I wanted MORE, even though reading his memoirs resulted in a level of discomfort. To say I "enjoyed" the book seems inappropriate, but I couldn't stop reading it, and it's been a long time since I can recall being so captivated.

Dan is an individual with a very large history in the detection business...And unlike all other authors...well let me put it this way...how many authors let their readers email him and he actually replies and replies as long as he still has something interesting to say..which is always. THIS is the only book in his series that I do NOT have, but if every other one is any clue, damn, lol. They are the most involving, well written and well linked together books Ive ever read and Ive read ALOT of stuff in my time. Highly recommended by a person who was in the law enforcement business.

I love books that have the same characters whom I like enough to go back to the beginning and read them all. This is my first, and I will find all the others. Great read.

See storyline above.

A good police procedural. Dan Mahoney's story telling seems to be made for the big screen, but in his writing you get a much better idea of a character's true self.
The story moves at a good pace, while the action and drama will keep you going to the very last page.

Recommended.

ONCE AGAIN DAN MAHONEY HAS WRITTEN A GREAT NYPD NOVEL. IF YOU HAVE READ HIS PAST BOOKS YOU WILL THROUGHLY ENJOY JUSTICE. DAN WRITES ABOUT WHAT HE KNOWS WHICH IS THE NYPD AND POLICE WORK. WHY HOLLYWOOD ISNT TURNING HIS BOOKS INTO MOVIES I DONT KNOW. KEEP WRITING DAN.

Justice is the latest, and in my opinion the best of Mahoney's NYPD thrillers. More action this time, a bad guy that you end up rooting for, and two cops fighting against the system and their own department to stop him from killing again. Mahoney nails the details and as always has great "only in New York" characters who weave in and out of the story. Shootouts, chases through the city, a spy in the police department, and a final showdown: Somebody should make a movie of this one!