New York Books

I've always been fascinated by dreams we have and what they mean. Many of my writing ideas come from the different strange dreams that I have while sleeping. You can imagine my eagerness to read this book.

In "The Dreamer," Molly Parker has lost her father in a car accident exactly a year ago. In her dreams she is visited by a strange little girl who offers her help bringing her father back. Molly is introduced to Father Time, with whom she makes a bargain. If she finds and delivers a new crystal ball to Mother Time, she can have her father back. Molly begins an adventurous quest full of obstacles in search of Mother Time, along with her new and loyal friends.

I enjoyed this story very much. It's an easy read (as it is intended for all ages), and easy to follow.

My favorite of all, I have to say is Father Time, Mother Earth, Death, Chaos--all personified! There were many interesting fantasy characters. I loved the winged horses. I was particularly intrigued by Medusa who also makes an appearance in this story. I've always been fascinated by Medusa and her hair full of snakes (I'm terrified of snakes).

Overall, great story!

World building is one of the most significant aspects of any fantasy novel. For many people, including myself, that is the exact reason they read fantasy novels. Truly, if an author creates a unique world that gives life to the story and makes the reading experience memorable, he has written a first-rate fantasy novel. Matthew G. McMillan has done exactly that.

In his first novel, The Dreamer, McMillan has given us a splendid setting called The Realms of Timeless Wisdom. It is a place separate from our Earth, yet connected enough that with some help we, too, can go there-in our dreams. It is there that we go when we sleep or die. And, maybe more importantly, it is in this Realm that all the creatures of legend exist: dragons, flying horses, and giants to name a few. To make it a little more intriguing, McMillan hints at the possibility of other Realms, too. As one of the characters states, there are many Realms and Worlds.

Enter Molly Parker. She is a young girl from Littletown (on the planet Earth) whose father passed away in a car accident exactly one year before the book begins. Struggling with her loss, Molly has only one wish: that her father was still alive. Molly is then given a chance to see this wish come to fruition by Father Time, himself, provided she succeeds in the mission he has entrusted her to complete. It is this mission that remains central to the novel and sends the heroine off to battle evil in The Realms of Timeless Wisdom.
Though there are many facets of this book that I love, there are two that really stand out for me. One is that the book has some thought-provoking qualities. As a teacher I constantly find that I slip into Teacher Mode while reading and I ask myself, "How could I use this in the classroom?" Though many fantasy novels lack this type of educational quality, I could certainly see The Dreamer being used as a springboard for many discussions. Topics such as time and its uses, the possibility of life on other worlds, and what it's like to lose someone you love are a few that could be brought up while reading this book.

It is the topic of loss that truly puts The Dreamer into a unique group. In a day when most books seem to get their characters and families from shows like The Simpsons (where everything is sarcastic and dysfunctional), McMillan paints an opposite picture. The love between Molly and her mother Klara is tenderly portrayed and nurtured throughout the novel. We get to experience their pain over the loss of Mr. Parker, which in turn gives us a window to see that this was once (and in many ways still is) a very loving family. That, in today's market, is truly rare.

With all this in mind, I heartily recommend The Dreamer to all readers, both young and old. Matthew G. McMillan has written a wonder of a first novel. McMillan's novel has enough strange events in it to make Rod Serling scratch his head and enough fantasy to make Tolkien smile. Yet, like many of the classic young adult books, The Dreamer leaves one with the idea that hope is real, and life can (and will) get better even when it's rough. It's a great read and the thing that makes it even better is knowing that there will be more books to come!

Thomas Bolme, Jr.
an independent professional book reviewer

Matthew G. McMillan has written a superb fantasy story that asks you to suspend your disbelief in the impossible and allow the infinite range of possibilities to sweep you away in a tale of excitement, love, courage, and redemption. I cannot wait for the second and third books to arrive!!

With a writing style that I can only compare to the great Lloyd Alexander (Of "The Prydain Chronicles" fame: ... Matthew G. McMillan takes us into a world where fantasy is real and our heroine has only her wits and her friends to survive. I truly enjoyed this book, and can't wait for the next installment. I guarantee that my daughter will enjoy it as much as I did.

This is one of the best books I have read in a while,
I def. reccomend this book to anyone who likes fantasy. This book is good for all ages. I can't wait till the other 2 books come out.

The book does a very nice job of describing one of the more important, but forgotten, figures in US political history. Smith's role as governor of New York and the various groundbreaking reforms he introduced, his mentorship of various figures from FDR to Robert Moses, and of course being the first Catholic to run for President would be enough to rank him right up there with some of the more widely written about icons of America. When you consider two of his top four advisers were women (this is the 1920's, mind you), his role in building the nation's tallest building at the time, his emergence as a spokesperson for the immigrant masses who became a political force during his era (and the subsequent, seismic shift this caused in the nation's political landscape - he was the first Democrat to lose the Solid South since the Civil War), his being one of the first politicians to speak out against Hitler, and that he did all this without even attending high school, Al not only deserves a high quality biography but perhaps a major motion picture as well. John Cusack in the lead!

The book is occasionally "cheerleady" - superlatives come landing out of left field in the midst of other, more traditional descriptions of events. It is, however, critical and frank in other areas of Smiths career, so it reads in a balanced fashion overall. It is a great read and one that should be read by anyone interested in the US political landscape and how it got to what it is today.

Growing up in New York, it was hard to avoid the name Alfred E. Smith. The huge housing development on the Lower East Side is just one structure that bears his name. But it wasn't until I had read Leon Stein's "Traingle Fire" (for a college paper), when I learned something about the man himself. Later, as another reviewer mentioned, Al Smith was highlighted in the Ric Burns "New York" documentary. Intrigued, I picked up Christopher Finan's "Happy Warrior", which was a very good introduction. However, Professor Robert Slayton's "Empire Statesman: The Rise and Redemption of Al Smith" has completed the picture for me.

Slayton painstakingly examines the complex relationships between Smith and many of the players in his political spectrum, especially FDR. How this contrasts with the simple but deep relationships he had with friends and family is astounding. One of Professor Slayton's main theses--that Smith embodied the best qualities of turn-of-the century immigrant New York--is smoothly argued. For New York, Smith was the right man at the right time. But then Slayton switches gears, with convincing authority, that Smith was the wrong man at wrong time for 1928 America. It is a devestating irony, and grippingly described.

I found the final sections about Smith's reconciliation with FDR and America extremely moving. The entire "Finale" section, including the deaths and funerals of Smith's wife, Katie, and then Smith himself, had me choking back the tears. Finally, there is Professor Slayton's reminder of the legacy that Al Smith left behind, both for New York City and the nation. I cannot recommend this book highly enough.

Rocco Dormarunno
Author of The Five Points

The election of John F. Kennedy to the presidency occurred when I was in the seventh grade of my local parochial school. In the Catholic/Democratic atmosphere of East Buffalo, and probably in Tim Russert's South Buffalo as well, the resulting ascendancy of a Catholic to the White House was a vindication. We knew that a Catholic had run once before; in fact, he had been governor of our own state. The popular wisdom of the Catholic grass roots held that the first intrepid candidate had lost because he was a Catholic, and a lot of America did not like Catholics. It did not occur to a seventh grader that people vote for lots of reasons, and that this was true in 1928 as in 1960.

Alfred E. Smith, a man of no small accomplishment, lost miserably to Herbert Hoover in a 1928 presidential election that added little to the American character. It may be true that his Catholicism was a major factor in his defeat, but biographer Robert A. Slayton provides a balanced study of Smith that gives reason to pause. We see early in this work that Smith [particularly when compared to Hoover] suffered from major deficiencies in his political upbringing that affected his judgment and contributed to a naiveté about the nature of the American electorate.

Born in 1873 in New York's infamous Fourth Ward, there was no way that young Smith would not be baptized into the two religions of his neighborhood: the Roman Catholic Church and Tammany Hall. At his local St. James Parish he received his elementary school education from the Christian Brothers. It is doubtful that he absorbed any particularly subversive tendencies of church and state at St. James. Catholic schools of the time were a laborious financial undertaking for Catholic bishops of the day, who considered them a necessary refuge against the virulent anti-Catholic attitudes of many public school curriculums. What Smith certainly absorbed from his Catholic upbringing was New York's multiculturalism, a phenomenon not understood and generally feared in the predominantly agricultural and Protestant Middle America.

Tammany Hall, one of America's most notorious yet beneficent Democratic political machines, would also demonstrate in Smith's day that same ability to adapt to cultural diversity despite its Irish heritage. Tammany was the incarnation of Tip O'Neill's dictum that "all politics is local." Slayton has no argument with this philosophy except to note that it is notorious bad presidential politics. Thus from the formative years Smith emerges as the Catholic/Tammany wounded duck.

But Smith postponed his inevitable denouement for a long time. For much of his life his personality, loyalty, affability and attention to detail, not to mention his "made man" status with the Tammany war horses, were enough to see him through his political climb. Despite its size and stature, New York State government was Byzantine and unwieldy. The legislature itself was a purgatory for a man without some kind of particular agenda, and Smith found his in the very organization of state government. With little to do, he became that body's best studied member and probably the best informed of the lot; he had something of Bob Taft's feel for the paper of legislation but with a much more extroverted personality. His counsel became cherished and his respect among his peers flourished.

And, he was lucky, though it is also true that men can make their own luck through hard work. On March 25, 1911 a fire at the Triangle Shirtwaist Company Fire in New York killed 146 workers. The dimensions of this tragedy and the accompanying neglect of worker safety made labor reform a statewide issue, allowing Smith to conduct emotional public hearings throughout the state. This exposure, and his public advocacy for a popular issue, put him into the New York State governor's mansion in 1919. With the invaluable help of Belle Moskowitz, Frances Perkins, and Robert Moses, among others, Smith continued his program of reform of the state constitution and generally pleased voters enough to maintain office more often than not in the dreadful decade of 1920's national Democratic defeats.

When William McAdoo declined to seek the presidential nomination in 1928, Governor Smith was virtually unopposed within his party. Suffice to say that once he stepped onto the national stage, however, all of his assets of many years became liabilities. His New York bonhomie, his Catholicism, his parochial accent, and his enjoyment of spirits in the age of the Volstead Act doomed his campaign from the start. He was running against the extremely popular Coolidge legacy, against a candidate who knew how to avoid mistakes. To borrow a metaphor from this century, the "red states" were really red, and there were many more of them in 1928.

Having said that, there is no denying that the 1928 campaign set the twentieth century low water mark for bigotry and ugliness. Slayton points out that the KKK of the 1920's was primarily an anti-Catholic movement; Jim Crow laws made Negro intimidation relatively unnecessary at the time. Catholicism was understood as a foreign invasion of lower class degenerates who drank excessively and usurped the jobs of present American citizens. The Democratic ticket was seen as an endorsement of this demographic shift, and voters turned upon the top of the ticket with a particular vehemence. Smith's parochialism had not prepared him for this, and the intensity of feeling against him, along with the size of the defeat, seems to have left psychological scars that remained with Smith for the rest of his life.

After this grueling ordeal, it galled Smith all the more that the perceived savior of his party was a man he considered a political lightweight, Franklin Delano Roosevelt. As long as FDR lived, Smith would never get his electoral revenge. Coupled with the debacle of managing the day's tallest white elephant, the new Empire State Building, Smith's "redemption" makes only a cameo appearance in this work.

there is a largely-forgotten statue of al smith on the lower east side at the corner of monroe & catherine streets, but i like to think of the empire state building as the true monument to al smith. at the time perhaps the building was a financial failure, but it was simultaneously a symbol of hope even during the depression when it was being built. only a man like al smith had the vision to help create a monument of such optimism during such bleak times - but more importantly, he did so with the intention of providing a symbol of hope to his fellow nyers. (a symbol, i might add, that has renewed importance in post-9/11 ny.)

i appreciate & love the fact that reading lists in nyc have been expanded to include the writings & histories of all the races & creeds & cultures that have come to nyc. but as a white, working-class, catholic nyer, i have noticed a real lack of identity awareness or cultural heritage. this biography of al smith fills that void: by presenting al smith and his beliefs, it not only describes the immigrant experience of catholics at the turn of the century, but shows too how great men like al smith were key in helping the various catholic immigrant groups (irish, italian, polish, etc) to become mainstream, integrated americans in this formerly predominantly-protestant country. the anti-catholic impulse in america is largely forgotten, & in fact it is also forgotten that there was a time when white catholic americans were certainly not considered part of the white ruling class.

in addition, i love the fact that al smith's life & legacy point to another subculture: the progressive catholics. this term is not an oxymoron; at one point in american history, catholics were on the frontlines of many progessive agendas. this book provides an insight into a church that might have been.

i strongly recommend this book to anyone interested in american history or politics, but moreso to anyone who wants to examine the relationship of ny to the rest of america or how the aspects of class and religion (& not just race) influenced the poltical and cultural climate of america in the 20th century.

al smith was a hero of the working class, a hero of immigrant groups, a hero for catholics, for liberals, for new deal democrats, and ultimately for all americans. it is a shame that most people - even nyers - don't even know his name. this book is a huge step toward remedying that tragedy.

very highly recommended!

In his short 1958 study of Al Smith, Oscar Handlin noted that "[t]he written word did not come as easily to Al Smith as the spoken word." Because of this, there it no great body of correspondence or private papers for Smith biographers to consult, ultimately hampering any effort to understand "the Happy Warrior." In this respect, Robert Slayton's book stands as a major achievement. Having conducted extensive archival research and interviewed the children and grandchildren of many of the key figures, he presents what is the most thoroughly researched work on Smith that we are likely to have, and easily the most definitive one currently available.

Slayton uses this material to present a compelling interpretive portrait of his subject. Tracing his idealistic, even naive view of America to his upbringing, Slayton argues that Smith never grew beyond viewing the world through the prism of the lower East Side. This was not a problem in the context of New York state politics, where he rode the crest of a wave of change in the state, one which brought him into the governor's office as the first holder representing the urban immigrants who were to plan an increasingly important role in politics during the twentieth century. When Smith ventured onto the national stage in 1928, however, his naivete about America's essential decency and tolerance crashed up against the prejudices of an America still dominated culturally by rural Protestant values. Slayton sees Smith's defeat as a decisive event transforming his character, leaving a streak of bitterness that only grew as he saw Franklin Roosevelt - a man he dismissed as his political junior - capture the prize that Smith would never obtain.

Yet for all of its strengths of research and analysis, Slayton's book suffers is in its writing. Throughout much of the book Slayton peppers his text with unnecessary slang, and at points such as when he is discussing Tammany or Smith's old neighborhood he adopts a more casual, colloquial tone. The effort jars with the more readable narrative of the rest of the text, appearing as if he were attempting to evoke the conversational style with which Smith was most comfortable. Instead of appearing atmospheric and creative, however, it comes across as amateurish and ham-handed, hobbling rather than helping the rest of the work.

These compositional gaffes can distract from the overall quality of this book. Slayton as provided a biography of Smith filled with insight into his character and his times. It is a book, however, that doesn't quite embody the legendary nature of this political figure, who dominated Democratic politics in the 1920s and who heralded many of the changes that America would undergo. Until the book that can capture this is written, Slayton's biography is the best work available for anyone seeking to understand this fascinating individual.

I thought this book was absolubtly "wonderfull"!
As a former resident of Harlem during AZ's reign, I can assure you of the accuracy of this well written, informative book. I laughed, I cried, I felt fear, and I celebrated, as I was entertained. I believe this book should be a required text of all schools; for it is a lesson that both teachers, and students can benefit from. I applaued AZ for his candid accounts, and his chosen co/author (Agyei Tyehimba). This Authors abilities breathed litterary life into a story now not soon to be forgotten. I look forward to Mr. Tyehimba's next projects, and Az's future accomplishments. Wishing you both continued success... Mochabreez

THIS AUTHOR HAS BEEN THROUGH HELL AND BACK, WHAT WITH THE LOSS OF SO MANY FRIENDS AND LOVED ONES!!!! I AM SO VERY PROUD OF THE FACT THAT YOU ARE NOT GLORIFYING YOUR FORMER LIFE,BUT YOU ARE UPLIFTING YOUR FAITH AND I APPLAUD YOU FOR THAT!!!!!I REALIZE IT PROBABLY TOOK A LOT TO DIVULGE ALL THE INFORMATION THAT YOU DID,RELIVING THE PAIN OF THE DEATHS, THE ATTEMPT OF YOUR OWN LIFE,AS WELL AS HAVING THE COURAGE TO LEAVE THE FAST MONEY BEHIND AS YOU'VE SAID IT'S VERY ADDICTIVE!!!! A COPY OF THIS BOOK SHOULD BE GIVEN TO ALL OUR STREET VENDORS,I'M SURE SOME OF THEM NEED TO BE ENLIGHTENED AS WELL!!!!!

This book was excellent and should be passed out at every juvenile system and prison. I wish I had read this book before my son turned 20 and moved out. I would have made him read it and right me a full report about! I have a younger son and it will be a must read in a couple more years!
Thank you for sharing and writing a powerful and enlightening book.

This book tells it like it was. I grew up in the Drew-Hamilton Projects. I remember Donald "L.A." Johnson very well. One of the most charismatic dealers I ever saw. Handsome, suave all that. But, like so many young people in my 'hood, he was killed. That's the way it was. Literally hundreds of kids died in that area, all violently and mostly due to the drug trade. It was very sad to see. What a powerful book.

Every young person who thinks they want to sell drugs should read this Book. Azie,Rich Porter and Alpo, were Legends in the Dope Game in New York. Rich is dead Alpo is in Prison. only Azie was able to change his life around and turn to God. This Book should Be Required Reading for anyone who thinks the street game is all fame and Fortune

This is one of my favorite Baldwin novels. Only someonle with Baldwin's background could so poignantly express who Arthur was and how he felt about his music. An excellent piece and a must read!

This book is the best book I have ever read in my life. Its emotionally naked grappling with what race and violence has done to our country is painfully acute and brutally honest. Every American should read this.

From the moment I read the first page, I have loved this novel. I have read it several times and each time the characters come to life and I find myself caring about them. Hall has to deal with so many issues--least of all, is Ruth the woman he truly loves or should he be with the evangelist? Arthur-the gay gospel singer who sometimes would just as well have a drink or a man than sing the gospel, but who sang it so well when he chose to. Then there are the complex lives of their friends and parents that seem so real and yet so tragic. Baldwin created a masterpiece!

Probably one of the more underappreciated novels in American literature. It is unfair to charecterize Baldwin as merely a social critic of the civil rights era. He stands alongside Dickens as one of the great writers of any era, with the ability to articualte an understanding of human nature that trancends any era and stands second to none.

This novel is a testament in a way, the testament of a man who has lived long and well, too much even and too hard, in the world. A testimony too. Every single event in this novel about a black man who became a gospel singer and then a blues singer is the crystalisation of the whole history of Afro-Americans in the USA, the whole history of each character that is living the event through, the whole past and future of a present that is both crooked and promising. That is the very dilemma of this book, a dilemma that we feel and sense everywhere, on every page. Each moment in the life of these characters is the condensation of the cosmic, historical and human past of the individual and the sublimation of all possible wishes, desires, potentialities that this individual has developed in his situation and with his heritage. The novel may appear as very pessimistic because one cannot evade their heritage. But it is tremendously optimistic because one can always choose to realize their dreams, even if the situation around limits the possibilities and the chances to succeed. The aim of life is not to succeed, but it is not to fail, hence to move forward a few steps, and that one can always do it, even if it entails a lot of suffering and a lot of pain. Baldwin is also very optimistic about the world, about human beings, about Afro-Americans because he believes and tries to demonstrate that this forward progress of the pilgrims we are is fuelled by the happiness one gets from life, and that happiness comes from one's effort to accept what may provide happiness, no matter what that is, and the first thing to accept is love, no matter what form it may take. Yet there is a limit for Afro-Americans, a limit and a contradiction : they have great difficulties thinking in other terms than racial terms. They have been the victims as a « race » of deportation, slavery, discrimination, in a word a holocaust, and they cannot differenciate between the whites who are responsible for that fate, those who have made a direct profit out of it, even if many others have been able to enjoy some improved conditions thanks to the exploitation of black slaves, and the whites who have no responsibility in this historical process. How can we put on the same level, in the same boat the slave owners, the slave traffickers on one side, and the serfs that could only survive between famines, and the workers who were exploited too in the factories, and still are ? How can we put in the same bag the pharmaceutical firms that let Africans die because they don't want generic drugs to be produced and the workers of these pharmaceutical firms who are exploited just the same, even if in another way : the research and the patents the bosses want the poor to pay at the highest price, and in this very case most of these firms are American in the world, have been produced by workers who should be considered as the owners of their work and are, too often, paid a pittance when compared with the riches their bosses get out of this work. That's James Baldwin's dilemma. He hardly can discriminate between the white corn and the white chaff, and the white chaff is the workers, those who create the riches of the white corn. Some chapters become extremely poignant when this issue is brought up here and there and when Black Arthur cannot accept to love and be loved by white Guy, just because Guy is white and considered by principle as an accomplice of what the lords of the white « race » have done in history. And one of James Baldwin's concluding thoughts is : « To undo the horror, we repeat it ». And not to repeat the horror of the killing of a black man by some whites (like Peanut for instance), Baldwin makes his Arthur die in London, in a pub where he is the only black man, and by falling in a state of amazed drunkness on the stairs leading to the restrooms in the basement, at a moment when love had been slightly roughened by life into a distance that could have been avoided if love had not gone through a storm in what appears like nothing but a glass of water, the glass of water of everyday life.

Dr Jacques COULARDEAU

Much has been written about the late, great, Pennsylvania Station, and yet it can never be too much. This landmark should be standing today, with it's pink granite shinning in the sun, and being a becon in cloudy weather. In the 1960's, in many other cities their grand "Union Stations" were being sectioned off and abandonded, some are still standing as ruins today, this is part of the irony of Penn Station's demise, even in the 1960's there were hundreds of passenger trains using the facility daily, and this number has been climbing since.

The author gives us all the facts and figures about this station, from it's planning, short life, and needless destruction. However she also paints the human picture of this building, and in doing so lets us understand how the public allowed this building to slip away.

The opening of Penn Station was celebrated during the final years of the Gilded Age, acted as shelter to thousands during the Great Depression, and it served as a virtual military base during the WW II years.
To the multitudes of returning vets, and their famalies, the railroads and Penn Station represented the past, and times that they all would rather forget. Remember back then there was not the mental health counselling available to the returning soldiers, and one way they coped was to simply forget the past, and all that it contained.

In this book we see that the stations fate was sealed with VJ Day, and the social changes that started to take shape with WW II's end.
By the 1950's, Airplanes and Interstate Highways were in, Railroads were out. Yet at least in the NYC area, commuter trains still played an important role that never went away. The beautiful building was allowed to decay, and was altered by a private company without any accontability required to the public.

By the early 1960's some of the public finally woke up, and NYC's Landmark Preservation Committee was formed, by it was too late for the "Temple of Transportation".

This book also contains an excellent compliment of photos, including a number from the 4 year, yes, four year period it took to destroy the station.

Ken

Very good book which takes into account the historical background of why Penn Station was built in the first place right through to its destruction. A tragic loss not only for New Yorkers but for America and this book describes it well.

I was barely seven years old when old Penn Station was torn down, but I remember the sadness and outrage of my neighbors in Brooklyn. I had only been to the station once or twice but I was too young to remember. I didn't really understand the big fuss about its destruction. And after it was gone, I don't remember there being too much grieving.

Now looking back, through films and books, I understand what it was all about. "The Late, Great Pennsylvania Station" by Lorraine B. Diehl is the best book on the subject that I've come across. Her analysis of the rise and fall of McKim's great station is both awe-inspiring and heart-breaking. The smattering of beautiful photographs is a plus, as well. Penn Station's demise, of course, could be regarded solely as a loss for the city but, as Ms. Diehl explains, the real legacy of the destruction was the enormous preservation/conservation movement that followed. In the aftermath, so many other buildings were spared a similar fate.

There are those who say that the people behind Penn Station's demolition were justified (Ms. Diehl rightly avoids villifying anyone). The apologists for the destruction claim that Penn Station was too big, in the wrong place, and was in the red. The Empire State Building was erected ten blocks south of the midtown business area and three miles north of the Wall Street district. It was a very big building and rarely had over 50% occupancy until the 1950s, when it finally began earning money. Should it have been knocked down too?

Mr. Mark S. Jendrysik is from North Dakota. What in the world would he know or care about New York City? Judging by his past reviews, he is a big business apologist in a square state in the middle of nowhere.

A native New Yorker myself, I could not imagine my city without Grand Central, for instance, or SoHo, Central Park or the historic area of Chelsea and the West Village. Some things are worth preserving.

This book is facinating and so well written, I really could not put it down, the author has a real sence for the history and importance of the building, I agree it could have used more visuals, but that is a minor quibble and really does not take away from the merit of the book. I must take some exception to the review of Mr. Jendrysic, in all due respect he misses the point totally of perservation when he says the building was a white elephant that was in the wrong place and in the red, that may have all been true, but in those cases you find other uses for the building, like Paris did with the Orsay train station and the colossel Louvre as well as Versailles, I mean would you call for the pulling down of Versailles??? and the Orsey Museum is spectacular. This was not just any building, this was a masterpiece a true treasure, that could have been coverted to other uses, buildings of this quality should be persevered, period, not torn down like some 50's tract house. I highly recommend this book in everyway, if you have any interest in great buildings or just wonderful books quite frankly, then you will not be disappointed in this book, you are right about one think Mr. Jendrysic this book is first rate.

This is THE definitive book of New York City trivia. More than just informative and intelligent, it's truly fun. It's a great gift for an NYC smart aleck who thinks they know everything about the city, or for anyone who wants to learn a whole lot about what is, of course, the capital of the world. Apparently the author biked from Queens to Manhattan across the 59th Street bridge at an age when most kids wouldn't be allowed to walk to school on their own. So this is clearly a 40-year or so labor of love. Most of all, it's fun. A great buy.

Celebrate New York City with this book, one of the best ways to explore all of what is special about New York City! From the novice to the tourist, from the born and bred to the commuter who works in New York City or just for the curious planning a visit...this book has it all. Little known interesting facts will make your every day stroll down the block into a history lesson. Fun for the holidays to quiz your friends and family.

You won't be able to put it down. Test your own knowledge. Written in an easy reading style, yet thorough and detailed enough to challenge and entertain at the same time.

Enjoy!!!

Definitely a fun and interesting read. It doesn't take a trivia lover to enjoy this book. Volume 2 has its way of sparking your interest on triv-bits about NYC (even those that you normally wouldn't care to know). Once again, only John Barbieri can show you how to really appreciate NYC.

John Barbieri makes the 'second time around' even sweeter, with Mr New York's Trivia Quiz Volume 2. Mr. Barbieri has a talent in bringing us tid bits of information about the greatest city in the world, but with his own unique and entertaining spin. Run, don't walk, and buy this entertaining read.

I give this book a "10". I just couldn't put this book down. You think you know New York, but now you really know New York after reading it. It's a must have even if your not from New York. This book is proof of why there's no place like New York. New Yorkers are the most wonderful people in the world. Only a true New Yorker could write such a wonderful book. This book brings back such great memories growning up in New York. You cover 38 topics, 563 pages on sports, boroughs, politics, theatre etc... I had to go and buy another book because my friends took it and they won't give it back. Thanks for writing it.

Chinamanýs real name was Liu Chiang-hsin, but his friends called him ýChinamaný. In fact, thatýs what he named his business, Chinaman Investigations. Business? If he didnýt get some cash flow soon, there would be no business. In Chinese his name meant ýa mind sharp as a swordý. Funny, he didnýt feel very sharp right now. It seems all your clients no longer have any interest in paying you once youýve solved the case. But when he puts all his active cases on hold because an old girl friend has been murdered, things get really tight.

Judy was more than just an old girl friend. He had known her long before he met and married his ex-wife. In fact, the ex-wife wouldnýt be ex if she hadnýt caught him in bed with the old girl friend. He never meant for it to happen but there was a connection between him and Judy that he couldnýt explain. He had met Judy in another life, before he became a private detective, when he was teaching creative writing. She was one of his students. When her dream of becoming a world famous author didnýt materialize, she somehow slipped into the role of high priced call girl. Judy was quite successful due to the fact that she was not only beautiful, but because she had also discovered a need to conquer men by sexual seduction.

Chinaman found out about Judyýs murder from his ex-father-in-law who called him to identify the body. Joseph Abrams was Manhattanýs Chief of Detectives and he hated Chinaman. It was bad enough that his daughter married a private detective, but when they divorced, he blamed Chinaman and rightly so.

Judy was murdered, along with her ýclientý in their room at The New York Palace Hotel. It appears that Judy was just at the wrong place at the wrong time. But was it that simple? Nothing is ever as simple as it appears. Chinamanýs investigation leads in many directions, all of which seem to go nowhere until something an amateur magician said to him put everything into perspective. ýItýs all in the set-up. And if the setupýs right, when you think Iým doing one thing, Iým actually doing another. The success is in the diversion. Misdirection is the key.ý

This book is well written and contains all the elements that keep you reading page after page, when you really should put it down and go do something ýresponsibleý. It calls you back again when you finally do manage to put it down for a while. Entertaining and well worth your time.

Chinaman is a great character as well as a good detective. I liked this book because people come to life, there are no stereotypes. Cindy-Mae really comes on to him and he handles her beautifully. I hope to see more of these.

Chinaman is a great character and he is what makes the book so interesting. Particularly, his Beijing background and his character. The New York setting is also very well done and the plot works well. The author obviously knows things Chinese as well as Manhattan, etc. A very well done detective novel.

This book really is refreshing in that besides being well written and well plotted, it really concentrates on the detective himself and the atmosphere in which he works. That is what Raymond Chandler did and even when his plots went just a bit weird or got away from him, Chandler's books are still great. Barrett also seems to have a natural gift of talent to create a detective we want to see involved in more cases. This Chinese detective from Beijing scraping by in Manhattan is a winner.

Dean Barrett began his considerable Asian experiences as a Chinese linguist in the Army during the Vietnam War. He returned to the United States after the war and finished a Masters Degree in Asian Studies from the University of Hawaii. He has written four novels with an Asian theme. Several of his plays have been performed in New York, including Fragrant Harbour. Mr. Barrett is a member of the Mystery Writers of America and the Dramatists Guild.

Liu Chiang-hsin is commonly known as the "Chinaman." He is a displaced victim of the Red Guard's attack, which killed his parents and have left him with severe emotional scars. One woman has managed to gain entry into his heart, and she has just been killed in what looks like a professional hit. Chinaman employs his considerable talents as a private detective, as well as calling in a few favors to exact vengeance for the murder of possibly the only woman he has ever loved. Unfortunately, two of the people he needs help from are his ex-wife and her cop father:

"Chinaman waited for the ominous silence to end while in the background ringing phones went unanswered at Manhattan Properties. When she spoke again, something new had crept into Mary Anne's voice. Something toxic. 'Let me get this straight. You put your other cases on hold to solve the death of the woman who destroyed our marriage and now you have the unmitigated nerve to call ME and ask for money? You want ME to loan you money?"

In spite of his propensity to innocently infuriate everyone around him, Chinaman is a lovable and tragic figure. He has much to teach us about East/West differences, and there is much about him that is honorable and noteworthy. Barrett writes a finely crafted mystery/suspense novel, with enough spy stuff to keep the reader rifling through the pages to see what is just around the corner. His denouement is excellent; set in Brooklyn's Red Hook area. What is most noteworthy about this tale, though, is the fact that ordinary, intelligent people are caught up in nefarious activities simply to make a living, and how easy it is to slip over the line into crime.

Shelley Glodowski
Reviewer

Gillian Zoe Segal's book, New York Characters, is outstanding- the best photography book I've ever seen/read! The photographs featuring prominent New Yorkers are incredible. Each one captures the true essence of the "character" and truly comes to life on the page. The characters are all photographed in their natural environment, and as Segal points out and demonstrates in her book it is New York's characters that make "it the greatest city in the world". In addition to her photographic genius, Segal writes beautifully. The vignettes's about the characters are intersting, informative, humorous, and touching. No coffee table should be without a copy of New York Characters. It makes the perfect holiday gift for New Yorkers as well as out-of-towners because everyone loves or has an interest in New York, right? Furthermore, all of the proceeds of the book sales are going to the September 11th fund. So what could be more gratifying than supporting the city's recovery effort by buying this wonderful book for yourself, for your friends, for your family...? I feel confident in saying that anyone who picks up New York Characters will enjoy it immensely. What will Segal do next? I can't wait....

Gillian Zoe Segal's book, New York Characters, is outstanding- the best photography book I've ever seen/read! The photographs featuring prominent New Yorkers are incredible. Each one captures the true essence of the "character" and truly comes to life on the page. The characters are all photographed in their natural environment, and as Segal points out and demonstrates in her book it is New York's characters that make "it the greatest city in the world". In addition to her photographic genius, Segal writes beautifully. The vignettes's about the characters are intersting, informative, humorous, and touching. No coffee table should be without a copy of New York Characters. It makes the perfect holiday gift for New Yorkers as well as out-of-towners because everyone loves or has an interest in New York, right? Furthermore, all of the proceeds of the book sales are going to the September 11th fund. So what could be more gratifying than supporting the city's recovery effort by buying this wonderful book for yourself, for your friends, for your family...? I feel confident in saying that anyone who picks up New York Characters will enjoy it immensely. What will Segal do next? I can't wait....

I got a copy of this book and the other night three friends and I made a bet as to who had seen the most "characters" in real life. Sad to say I was not the winner but did pretty well with 24 and came in second. Anyway, it's a great book and a kick to get the real stories behind some of the interesting people we see around town. Highly recommended.

If you admire great photography and exquisite prose and feel the slightest attachment (or wish you did) to New York, then Gillian Segal's book is for you. I moved from New York a little over ten years ago and was determined to keep in touch with the city I love. However, it was only a matter of time before I lost touch with what really made New York special: the people's unique personalities. Gillian's book has allowed me to reestablish contact with the city that I still like to call home. Now, when my colleagues in Providence ask me what to do in New York, I no longer provide them with a mundane and outdated list of restaurants and sites. Instead, I refer them to Mrs. Segal's book. I inform them that in its pages is where they can find the real New York. Everything from great food, The Egg Cake Lady, to a wonderful opera on 57th street, performed by Opera Man, to a great jogging partner, the Mayor of the Reservoir (he is featured on the cover) can be found in "New York Characters".

If you are a New Yorker, a former New Yorker, or someone new to the City, you should own this book. The photography is both penetrating and compelling, and the characters featured are truly fascinating. It's like the Zagat of New York people. I hope the author comes to Los Angeles to do a book on characters here (there are plenty)!

I also enjoyed this book, but thought the love story - both past & present - was a plus. Claire Lucas makes a great heroine: she's strong, she's independent, she's sassy. And if she has moments of self-doubt, doesn't that make her all the more real and interesting?

I liked the other characters too---an evil Vatican bureaucrat, the snarky art dealer, a Buddhist monk, & others. Add an exciting plot & fascinating background on religious history and you've got a great read. Definitely recommended!

It's hard to describe this novel-- Is it historical fiction, romantic suspense, religious conspiracy or action thriller? It doesn't really matter because if you like any of the above, you'll enjoy this book.

The Painter's Gift has lots of adventure, a dollop of mysticism & an exciting plot. Scholars find an ancient scroll that prophesies a new world vision. According to the scroll, the key to the vision will be found in 3 special paintings, and so the hunt is on. The search team consists of a beautiful widow (also a visionary), a Benedictine monk, a religious scholar, & a handsome art historian who work frantically to find the paintings before the villains.

Perhaps because of the author's English/American background, the Painter's Gift includes fascinating background on the Manhattan art scene (shallow), religious symbolism (I'll never look at church spires the same way) & the history of England's magical Glastonbury, home to King Arthur & Guinevere.

All in all, a great book with lots to think about.

Intriguing and thought provoking as well. A mystery with a message. A great read!
Penelope vividly portrays the paintings which are the backbone of the story. Barbara Brockelman cleverly illustrates on the book cover, clues that speak of the main character, and perhaps the reader. Two thumbs up, ladies. Thank-you !!

If you liked Davinci Code, you'll love The Painter's Gift. I couldn't put it down. The character development was excellent. I only hope the author considers writing a follow up as I really want to know what happens with these characters. Enjoy!

The surprise and reward of reading is sometimes lost in the first hundred or so pages. Many books have readers slogging through one meaningless detail after another until reaching a dissatisfying ending. Thankfully, this novel is not one of those books. Though it is perhaps not the greatest read imaginable, Holt interlocks an interesting dollop of crafty religio-mysticism and classic upper-class romance. In doing so, Holt brings the book back from the creeping chasm of a maudlin love story.

In their supremely positive visions, Holt (with words) and the protagonist (with a brush) paint warm strokes that relay a message of healing after loss. Not only does the protagonist's (Manhattan artisan Claire Lucas) radiant painting soften the hardest hearts but is a nod to the reader's sense of wonder and fertile imagination. Additionally, the story leans slightly on a Dan Brown-esque critique of religious status quo themes. But, thankfully, Brown's obsession with detail doesn't show up. Essentially, the story revolves around simpler themes of remorse and joy; loss and renewal; and embitterment and faith.

Holt presents an interesting concoction of romance and quasi-religious mystery that blends quite seamlessly. She has crafted a pleasantly surprising novel and a solid, quick read. I recommend this book despite the maudlin self-doubt that possesses Claire but quickly fades as the story progresses.

When researching my novel THE SHAPE: A NOVEL OF INTERNATIONAL SUSPENSE (available on this site, incidentally) I used HOW TO MAKE WAR for my research so as to make the ordnance section of my novel authentic. This is a well-written and well-thought-out book, and I highly recommend it.

This book seems to be very complete and the author highly qualified in war technology, strategy, logistics... For that one is easily convinced by almost all his affirmations but one: it's about the tanks: he says them are impressive war machines, but you must don't trust very much on his power: these steel monsters have demonstrated to be very vulnerable and his use are best when infantry have destroyed the main opposition, against residual resistence ¿¿??. Dunnigan trusts much more in war aircraft. I confess these paragraphs are astonishing for me after the Panzer campaigns, and today, in Middle East. As it were one must expect that also there this book must be read and serve for the ceasefire for once.

Excellent review of how military operations occur. I differ with the other reader below that says that the author assumes only two armies, the US and the USSR. He proposes that two different models exist. In the US/Western model the units are more equiped with the talents required to be self reliant. In the Soviet model the field units use the services of experts in other units because of lack of human resources with the needed skills. This got me thinking about the way we organize our businesses and how one model has proven more effective in the battlefield.

Background

1. 'How To Make War' is as the title suggests is aimed to be `a comprehensive guide to modern warfare for the post cold war era'. This, the third in the series of 'How To Make War' books written by the author James Dunnigan is a comprehensively revised edition published in 1995. The author has gone on to gain much acclaim through his later titles including the well-known `How Not to Make War'.

2. After the end of the Cold War, the world has seen major upheavals in the politico-military arena. The emergence of the United States as the only superpower and recent events such as the Gulf War in 1991, have changed the threat perceptions of most countries and as a consequence military policies. This has invariably lead to a rethink in warfare methods and techniques, in addition to the continued advancement in terms of warfare technology. Dunnigan has written this revised edition of 'How To Make War' with special emphasis to the above changes in the post Cold War scenario.

The Book

3. The author begins by acquainting the reader with the universal `principles of war'. The book is structured into four major sections, the first three being the obvious air, land and sea theatres. More importantly however, is Dunnigan's emphasis on the human factor involved in war, which has a section by itself devoted to it in Part Four of the book. In addition there are four other sections dealing with special weapons, numerical warfare, and transportation logistics. The final section is a summary and statistics of the weapons and armed forces of the time. The sections are interspersed with as many as 48 different charts and tables displaying a vast array of data, which help the reader in assimilating the text. The sections on Ground Combat, Air Operations and Naval Operations introduce and discuss the composition, roles, conditions, developments and future trends of their respective components. This helps the reader to understand and comprehend the facts presented subsequently.

4. In the part dealing with ground combat, the author has brought out the changing role of the infantry with the advance in technology. At the same time he clearly brings out it's indispensability with respect to occupation of enemy territory, which continues to be the final determinant of victory. Dunnigan also charts out the material developments in ground battle methods, by providing details of the armory of the major players of today. The tremendous development in artillery weapons is well documented and interesting, while the factual account of the same is fairly precise and informative. This section also has a chapter devoted to the increasing role of the paramilitary forces and reserves.

5. In the section on Air Operations, the author tries to substantiate his theory that the air force is primarily an information gathering service whose warfare role evolved to destroy the enemy air forces. He does dwell on it's emerging importance in softening of enemy targets for the infantry, while contending that this role is being taken up by air support divisions of the latter. He also elaborates at length on the air force's "simple missions" but complex "means". A separate discussion on Air Defence in the following chapter contains a wealth of information and statistics.

6. In the section dealing with the Navy, the author stresses the importance of control of commercial shipping lanes through naval might. The importance of technology upgrades for the US despite the indisputable superiority of its forces is dealt with at length. Submarine warfare and naval air operations are also discussed separately in different chapters.

7. The author has laid great emphasis on the human factors of war. He has dealt elaborately on the psychological, professional, motivational and leadership aspects of this major constituent of warfare. One cannot dispute his contention that "when it comes to fighting, warfare is not waged by numbers, but through the courage, determination, skill, and leadership of individuals. As a part of this section the author has included a brief discussion of the peacetime role and pressures on the armed forces.

8. The discussion on special weapons includes interesting details on electronic warfare and the opening up of space as the new dimension in warfare. The dangers of biological and chemical weapons and the tendency of Third World countries giving in to this low cost option is clearly brought out. The author also raises relevant questions about the viability of Nuclear Weapons and their relation to the conventional options. Dunnigan also raises important issues of economics and the logistics of war. The reader is given a concise picture of the quantum of mobilisaton of supplies and the related costs.

Comments

9. The book as a whole provides a fairly comprehensive picture of the world's weapons and armed forces. It also attempts to give an insight into the tactics employed. The information provided is interesting and educative without going into specifications of armaments and weapon systems. The author's credibility is enhanced by the fact that warfare developments and results of wars, have conformed to his predictions in earlier books. This book should not however be in any way mistaken for a book of reference akin to Jane's. It is more of an educative tool in the hands of a young officer who wishes to improve his understanding and comprehension of the various aspects of warfare.

10. At the same time the reader may be cautioned that the author's viewpoint is primarily based on information and intelligence derived from a majority of US sources. Some of the theories enunciated and assessments are based totally on US perceptions. Additionally the concepts enunciated in 1995, may require some revision in the fast changing world scenario. The length of the book and its text format (622 pages of fine print) does tend deter the prospective reader. However, the book provides the discerning reader (the service officer and the layman alike), an opportunity to expand his horizons, by enabling a fairly in depth insight into all the important aspects of warfare while increasing his knowledge on weapons and systems. 'How To Make War,' undoubtedly needs to be included in any Naval officers `should read' list.

Very thorough. Excellent knowledge of the arms and methods of modern warfare as used around the time of the Gulf War and Cold War. Graphs and charts comparing Western and Russian /Third World armies and arms. Discussion of everything from strategies to morale and the intangibles of modern war. Gives insight into warfare and you understand why anyone who's been there doesn't want to go there again. Yet it gives the necessities and analysis of war. It's got alot of information, which the average reader may find more information than they need or want to know. Yet the readability is good. An excellent book.