New York Books

I live in California, but have spent a lot of time with a friend who lives in NYC for the past 8 years. He has one of the original copies of this special cookbook. This is the one I use when I am there. It is GREAT! But my friend refuses to give it up. I am begging for a reprint. Can you help me? Betty McAlpine, Visalia, California

This Craig Claiborne `magnum opus' was my very first serious cookbook, from which I have probably done more recipes than any five others put together. As such, I have an intimate knowledge of its strengths and weaknesses.

The evaluation of this book depends greatly on an understanding of the purpose that the book best serves. The main feature of the book is its vast size. It weighs in at about 800 pages. The only `cookbook' on my shelves with more words and pages is the encyclopedic `Larousse Gastronomique'. The class of cookbook which most closely approaches this book in size is the all-purpose `how to cook' manual such as `The Joy of Cooking' and Mark Bittman's `How to Cook Everything'. This Claiborne volume fits neither of these two categories. It is also certainly not a restaurant, celebrity, or `terroir' cookbook such as those about Provence or Tuscany. It basically defines a class of which it is probably the premier exemplar. This is the class of book that is simply assembled to provide you with as many recipes as possible. It's reason for being is volume. There are some special cases of this class of book which deal with a particular cuisine, such as the `Thousand Recipe Chinese Cookbook' by Gloria Bley Miller. Claiborne outstrips this book by a mile, giving us two to three recipes per page, thereby weighing in with about 2000 recipes covering the four corners of the world.

In a sense, the class of cookbook that may come closest to this MS is the fundraising cookbook commonly published by churches and social organizations with recipes supplied by the group's members. The similarity is that the recipes were supplied by dozens of different authors and there are few if any threads connecting the recipes except the organization sponsoring the publication of the volume. This Claiborne work distances itself from such volumes in the quality and diversity of the recipes. It is important to remember that most, if not all of these recipes have appeared in the pages of the New York Times. In order to do this, they would have had to pass scrutiny of not only Times editors but the thousands of readers of the New York Times food columns. Each recipe would have had to survive a second professional screening when it was being considered as an entry in this book. Additional screenings would have been done for each successive edition. The bottom line is that the value of this book is in its providing a widely diverse selection of high quality recipes for a cent and a half per recipe. Compare that to the twenty to thirty-five cents per recipe you pay for a new hardcover cookbook from the latest celebrity chef or the latest send-off of recipes from Rome, Tuscany, or Provence.

The other side of the coin is that the only thing you get in this cookbook is the recipes. Period. Virtually every recipe is composed of nothing more than a title, a number of servings, a list of ingredients, and numbered steps for the procedure to be followed. A very few recipes for truly unusual preparations such as `Taramasalata', a Greek Carp Roe spread have a brief headnote explaining the source and use of the recipe. For pantry items such as the very first recipe in the book, `Mignonette Sauce', there is only the briefest indication of the purpose to which the recipe is to be applied. This is the price to be paid for the book's filling the role of encyclopedic reference, where sheer numbers of recipes is its objective. I must temper this rather austere picture ever so slightly by pointing out that there are some few recipes which do deserve a special treatment such as the recipe for the omelet for one, where there are some sidebar comments on technique and the procedure is considerably more detailed than the average. This is only fair, since, as Alton Brown has said, the omelet is all about technique. Being an only modestly practiced omelet maker, I believe Claiborne's omelet recipe is illuminating without being overly fussy.

The archetypal recipe in this book, to my mind, is the one for Bouillabaisse. It has a very long list of ingredients, none of which are beyond the reach of the average American supermarket, and a very short procedure. In place of a freshly prepared fumet, the recipe calls for clam juice. The most revealing aspect of the recipe is that it shows that Bouillabaisse is, indeed, a relatively simple recipe. The description of the procedure is less than one-fourth the length of the procedure for making an omelet for one, which can be done within five minutes.

What may be easy to overlook is that this book may have been as important as any in creating the market for gourmet food products. The irony is that Claiborne is clearly a writer and not a chef. In fact, some reports describe him as somewhat deliberate and slow in the kitchen, where he simply did not have the well-practiced manual skills of a professional chef who preps and mixes and sautes every day, all day. In fact, this also means that virtually all the recipes in this book were collected and edited by Claiborne rather than being created or even discovered by him.

This book is a classic which makes thousands of recipes available to people who have no time or room for a library of cookbooks and who have the basic skills which will fill out the complete, but sparse instructions. Coverage of savory cooking is exhaustive. Coverage of baking and pastry is limited. I have never been disappointed by my results from making any recipe in this book, and, most have exceeded my expectations, based on the relative simplicity of the procedure.

Highly recommended for experienced cooks who are time or space challanged.

I HAVE OWNED THIS COOKBOOK FOR ABOUT 20+ YEARS AND HAVE USED IT CONTINUOUSLY FOR AS LONG A TIME. WHEN I WENT THROUGH MY DIVORCE, LUCKILY I WAS ALLOWED TO KEEP THE BOOK IN MY POSSESSION, BUT I HAVE TRIED TO BUY A COPY FOR MY EX-WIFE WITH NO SUCCESS. SHE REALLY LIKES IT TOO. THE RECIPE FOR THE LEG OF LAMB IS A RECIPE OF WHICH IS A THOUSAND YEAR OLD FROM MESOPOTAMIA AND IT IS AWESOME. FINGER LICKING GOOD. THE BHUNA GHOST RECIPE IS ALSO AWESOME.

The best cookbook I ever used. I just love it and use so ofen to cook for my clients. Now I want to buy it for my home cookbooks collection.

I have this cookbook in my possession. It has not really stood out for me as being anything special. I have consulted it occassionally and the recipes are not my cup of tea.

I feel like I'm missing out.

Next week I plan to sell my copy on ebay, as I feel it is taking up space in my bookshelf where a cookbook that better inspires me can go.

Several of you have raved and are looking for it. Well, I have it and it's yours if you want to bid on ebay for it.

Excellent book, I saw this guy on a news program and had to have the book. He is one with the city for sure.

As you can see from the other reviews, David Bradford is a one of a kind, true artist who deserves all the respect he gets. I had the pleasure of boarding his cab back in 1997 which led me to make a short film on him for my NYU film school project. David has access to some of the most incredible scenes of New York as he drives through the city year round and at all hours with his camera. His photographs catch the subtle changes in light, weather, and emotion of the city. And he sees it from the street level behind the steering wheel. I am honored to be his friend and this book to me is as exciting as the work Andreas Feininger did of New York city during the 30's and 40's.

I was so excited to get this book when they showed the story on 60 Minutes. The photographs were all taken with a Yashica T4 point and shoot camera, (the point and shoot of choice for most pro photographers)! The pictures are all in black and white too. The pictures are the pulse of New York City from the viewpoint of a New York Cabbie. I love this concept. I love that this man has used a wonderful point and shoot camera (now discontinued...shame on you, Yashica!), and how he photographs the city while driving. He also photographs the passengers (great idea!!). The text is fantastic. It lets you really understand where he is coming from when he took the pictures. What makes this book winderful is this combination of text and photography, and that it is a new struggling artist who makes his living by driving a cab in New York City, a very rough job indeed.

I have never been to the Big Apple, though for as long as I remember, I have always wanted to go there. David Bradford (a taxi-cab driver) captured NYC from his cab window so well that it really "took me there". I got a feel of NYC while I flipped through the pages of his book. His idea to do this is not only inspirational, but brilliant as well. This book makes a perfect coffee table book- highly recommended to anyone who loves New York!

a book of photographs (and some prose) done by a NY taxi cab driver. all the photos were shot with a point and shoot camera, while he was driving his cab.

a great example of how a body of work is equal to more than the sum of the parts. in other words, the individual images are not necessarily masterpieces, but when you put them all together, the body of work could definitely be exhibited in a gallery. goes to show you that to be a successful artist, a concise body of work is more important then successful individual images alone.

also, this book is a great example of taking one's circumstances and surroundings and creating something artistic from them. there's room for creativity everywhere, especially for photographic creativity.

and in it, the author transcends what might be an ordinary job into something extraordinary. like a bumble-bee buzzing throughout the city, Braford in his cab with camera in hand shows us that in the wake of the events of 9/11/2001 (in fact, the World Trade Center buildings are in many of his shots), NYC is a city full of vitality, life, and soul.

as a published photographer myself, and someone who has not yet spent much time in New York, i really appreciate this book. it's one man's view of the city, yes. but he has such a great vantage point as part of the livelyhood of it.

Are you curious about the life of Carrie Bradshaw before she became the successful columnist with a penchant for designer clothes and $450 shoes? If you answered "Yes!" then you need to read this book. The story of Reality Nirvana Tuttle is, without a doubt, an unintended pre-quel to Sex and the City.

Ignore what the woman from Library Journal has to say! I'm certain that she's the wrong demographic to understand the social relevance of this story. Fabulous Nobodies is funny, earnest, so very New York City in the late 1980s, and, for those of us who were in our 20s during that time, a wonderfully fun trip down memory lane. If you can remember when in was possible to rent an apartment in alphabet city for $350 month and have a tub in your kitchen then you'll appreciate this story. If you can remember scouring Goodwill, Sal's Boutique, and vintage clothing shops with your meager earnings from a club, record store, or underground publication then you'll appreciate this story. If you can remember life before the internet and came of age at a time when local fanzines and arts newspapers were the ruling social arbiters then you'll appreciate this story.

Lee Tulloch's book is a completely captivating snapshot of a place, time, and people who no longer exist except in our scrapbooks and collected memorabilia.

Twentyish Reality Nirvana Tuttle determines who can enter the Less is More Manhattan nightclub though no one, not even she, knows her conditions, which change almost on a whim, but that impulse is inside her brain. It might be an outfit that was in a half hour ago but seems so ancient at this moment. Reality is a pro at what she does as fool "doorwhores'' can match her skill at picking the trendy and tossing the has-beens and wanabees to the street.

However, Reality faces reality when it comes to her one ambition in life as so far she has failed to achieve her goal. She desperately wants to be featured in Hugo Falks' weekly gossip column in Frenzie as a hip woman of power on the move. She enlists her friends, Perfect Woman editor Phoebe, transvestite Geoffrey, and his dog Cristobal Balenciaga to cause a scandal that will turn her from almost famous to famous.

This reprint still retains its sharp acerbic lampoon of the jet set who needs to obtain fame even if it only for fifteen minutes. Reality is a terrific protagonist whose obsession becomes her reality, but never interferes with her selection of who's in and who's polar. Celebrity status takes a beating as Lee Tulloch's satire rips into the cost and inane need to become a known "personality".

Harriet Klausner

Hilarious homage to clothing and finding THE perfect outfit. Reality "Really" Tuttle was born in the late 60's, so if you are in the same genre as myself, you will definitely appreciate references to ghastly 80's attire that she despises as well as the detailed descriptions of her frocks. ...

The writing is masterful, the characters are alive, the story has a compelling mythical power, it should've won a pulitzer. It is wonderful and splendid and shall never perish. It has a deep, soulful message. It has an archetypal power, it shall become a classic. It could be the basis of a great Broadway musical, and we know they are not making great musicals nowadays. Just as My Fair Lady is a great musical, but still consider it now still a Pygmalion. I imagine a animated chorus line of frocks, inhabitated by many the great fashion icons. I would die to see that musical.

Before Bridget Jones, Sex and the City, or Shopaholic, there was Lee Tulloch's "Fabulous Nobodies."

Lee Tulloch was once the editor of Australian Vogue, and she puts her knowledge of fashion and the whole fashion glam scene to hysterically funny use in this little novel. The book opens with a hilarious narrative about the main character's nails of all things.

It's been years since I read Fabulous Nobodies, but it's a definite stand-out in a genre that didn't exist when the book was published in the early 90s. If you're in your 20s, a slave to fashion, any or all of the above, you've got to read this book. You can finish it in a day and you'll spend most of the time laughing at the antics of the main character and her crew. Our 20s are a great time of life (if only in retrospect), because we're no longer teenagers but not quite mature enough to be adults, so there's much goofing off, goofing around, and goofing up to learn from (or at least laugh about). Fabulous Nobodies is filled with all three. Don't miss this one.

From December 1947 until June 1951 while I was a student at SUNY - Albany, I worked and lived at the Albany Home for Children as one of several Assistant Activities Directors. A week ago while googling "Albany Home", I came across this book and started reading it to learn more about what has happened at the home since I left. It didn't take long for me to become absorbed in the major thrust of the book as described by previous reviewers - especially Virginia Mathers. "The heartfelt story she tells of her love for her mother is so poignant that at some points it is almost painful to read - her emotions are so raw and real. The other part of the story is Ms. Carswell's amazing candor as she describes her own problems and obsessions which haunted her throughout a majority of her life. The fact that she has perservered and become a major literary success is a tribute to her strength of character."

I actually couldn't put the book down.

Although it was a minor part of the book, Ms. Carswell's descriptions of life at the home, both from her own experiences and Bob Wygant's, was right on. In fact, I learned more about the purpose and mission of the home by reading the book than I did while I was there.

I'm glad that she got to meet my boss, friend, protector, and straight shooter - Coach Huddleston.

Read this book!

Sue's father is the Director of a home for disturbed children. It's interesting the expertise and wisdom that he can give to other troubled children, but when it comes to his own daughter, he's in denial. Very candid and extremely well written.

Sue Carswell's astonishing, spectacular book is, without a doubt, the most courageous book I have ever read. Carswell opens her heart, her psyche, and her soul to the reader and the world, and does so with monumental skill, humor, and candor. When you finish this book, you feel you know the author better than anyone, other than yourself, because she has revealed herself so generously. What a comfort her struggle with her demons will be to so many people.

I laughed out loud at points and cried (something I haven't done in years while reading a book). Her voice evolves over the course of the narrative and will be in my head for a very long time, maybe forever. So sweet, so sad, so resilient. Ms. Carswell invites readers in to her wirting process in the beginning of this book, and at the end, she brings you back to her flickering computer screen. Even though much of the book is painful to experience, I didn't want it to end and so I read the Acknowledgments as if they were a part of the story and, in a way, they are.

I tried to find one thing I didn't like about this book, but the only thing I was unsure about (the lack of quote marks), I ended up loving. Their absence is liberating.

I recommend this book to absolutely everyone. Put it on the top of your list for 2006.

The tender love emanating from the pages of this book touch the depths of one's soul. Whether she knows it or not, Ms. Carswell has attained spiritual greatness, although the book does not seem to be written to that end. The love she has for her mother and the empathy she holds for the orphans are the true essence of its beauty.

Reminiscent of the style in which Harper Lee wrote To Kill a Mockingbird, the author so poignantly captures the voice of a child trying to make sense of the sadness which is her backyard; while at the same time she interjects bouts of comic relief that can only come from pure childhood innocence. As she ages in the book her voice does also. It is brilliantly done.

I highly recommend this book. You will cry. You will laugh out loud. And, because Ms. Carswell reveals her heart so openly, you will love.

Carswell's book is a tremendous, insightful read. There are so many beautiful images and her writing just flows off the pages. The story is captivating and the characters -- her family members -- are honestly drawn and with great humor.

I literally could not put this book down. Not only is the writing fantastic, her changing voice as she matures and ages is something I don't think I've ever experienced as a reader before. The stories themselves are all intertwined and her observations of her mother and her own self-reflection are devastating, moving, hilarious, wrenching, and lovely. It's a wonderfully fascinating story and for anyone who grew up in a large family in the 60s, it is especially fun.

This is an outstanding read. I will not look at a fire engine, firefighter or the FDNY in the same light after reading this book.

Always managing and being a firefighter in parallel never truly made me a better person. Now after having read Salka's book and truly understood my management style and applying Salka's hints, I feel I am truly a good manager. My staff has noticed the change as has my senior managers. I have passed the book along and regularly mentor my newer managers with this book. Do not pass this book up!

As an officer in a volunteer fire department and having a real world management job, I was able to use everything this book gave me. At first, I did buy the book to be a better fire department officer but I found myself using many of the principles in everyday business life. This book is one of the easiest educational reads I've ever experienced. Hope everyone else enjoys it as much as I did.

The New York Fire Department (FDNY) seemed a company of heroes in the months after September 11, 2001. Later, when investigations revealed the enormity of the blunders and the degree to which petty political infighting had literally doomed firefighters to death, the FDNY lost a bit of its luster. But FDNY traditionally has a core of strong leaders, and John Salka is one of them. In this book, he shares his leadership philosophy. It's no slur to observe that this is a leadership book for firehouse buffs who are as interested in firefighter yarns as in leadership. The leadership principles outlined here are sound but not new; what is fresh is that the author illustrates those principles with fire fighting stories, clearly far more interesting than war stories from accounting - even if a bit remote from most people's everyday business reality. After all, few business people risk their lives in their daily work, and probably no business has the esprit de corps of a firehouse. We recommend this book to business people across the professions. The ride inside the fire truck will keep you engrossed in its solid leadership lessons.

Salka's advice is modeled on the leadership lessons of the New York City Fire Department. He takes many of the basic principles of effective leadership that are used to define the officers of FDNY and applies it to real life situations that can be used at any level of leadership by comparing these situations to those faced by the firefighters and their daily battles.

This book's real strength comes from Salka's approach: he writes to the front line supervisor/manager, the folks who are often on the first tier of management. While many books, as good as they are, assume that the reader is in a position to affect policy and choose their entire team, "First In" speaks to managers whose responsibility is the daily performance of the staff.

In addtion to great advice that can be put to practical use by leaders at any level, Salka regails the reader with colorful stories of the men and women of the FDNY. Overall, a great read.

I flew through this book because I could not stop reading it. The details of life growing up in the Bronx were truly mind blowing, especially for someone who grew up in a super sheltered environment.

However, the best part of this book is how Canada relates how the gun culture has doomed inner city children to an adolescence of violence and how something must be done to change this.

This is the most powerful anti-gun books I have ever read, and the message isn't shoved down your throat, it's told through the author's own life experience which makes it that more powerful.

A must read.

This is hands down one of the best books I have read. Not only does Geoffrey Canada explain in gritty detail the inner workings of ghetto society, he also lists solid well-thought solutions, which would enable inner city youth and residents to rise above poverty and despair. We, the people, have turned a cheek for much too long. Something really can be done. This book should be required reading for high school and college-level coursework.

Dr. Canada presents an emotive argument for gun control through story and eclecticism. He makes an interesting case for the slide from Fist to Gun without ever dealing with the reason for the violence of fist and/or gun. One might argue with his conclusions though one cannot argue with his heart's concern as to the results caused by the increased violence. Overall, a good read for thought and/or argument.

I personally have had the opportunity to hear Geoffrey Canada speak at my college twice, he an alumni of Bowdoin College. Not only is his book inspiring, he spoke to my class about joining the "losing team", and making a difference in the lives of others, like those of the South Bronx and Harlem, NY. Not only has he lived to tell, he has taken his experiences and turned them into something very positive, by developing and running the Harlem Children Zone, making a difference to those children there. The book is a great read for anybody who is an urban educator, or involved in social services.

Canada grew up poor in the South Bronx in the '50s. Violence, then, as now, was a way of life. All boys fought - life was worse for those who refused. Violence and the rituals surrounding it established the social pecking order. In the preface to his memoir Canada says, "The difference is that we never had so many guns in our inner cities."

Canada's first memory of street violence came at age 4, when his two older brothers had a jacket stolen at the playground. The boys' mother sent them right back to fetch it, promising them a beating "ten times as bad as what that little thief could do to you," if they failed.

They left the house in tears and returned triumphant, with the jacket. Their mother sat them down and told them it was a lesson in not becoming a victim. The author, her youngest, was unconvinced.

Then a neighborhood boy who habitually refused to fight was "stretched" over a car and savagely beaten by a group of boys. "The lesson was brutal and unmistakable. No matter who you fought, he could never beat you that bad."

Canada's memoir is a thoughtful, moving portrayal of social behavior in a culture of violence. A quick study, Canada learned to use posturing, attitude and negotiation as well as his fists to minimize the number and severity of violent encounters.

But he is absolutely convinced that violence is a learned response, not innate. He and the other small boys, says Canada, were aghast at the prospect of fighting. Only fear of worse violence and a life of cowering in corners spurred them to fight.

Today, says Canada, the same imperatives operate. But guns have shattered the rituaized formality of the pecking order. Toughness is no longer determined by fighting skills or "heart" but by willingness to pull the trigger.
This is the book's most chilling precept. The streets are now ruled by those whose most important attribute is a lack of compunction about killing.

Canada's own experience as a gun carrier is a perfect illustration. Home from college he found a nearby street ruled by a gang of toughs so intimidating he would take a circuitous route to avoid them. So he bought a gun. Carrying it, he found his whole personality changed.

Instead of avoiding the block or even crossing the street he would swagger through the gang, his whole attitude provoking a challenge. But back at school in bucolic Maine he saw his behavior in a different light. Appalled at how close he'd come to shooting someone, he threw away the gun.

Those who don't leave the ghetto don't have the luxury of contemplation.

Canada has devoted his life to helping poor children and reducing street violence. Today he runs a program which offers classes and recreational activities which involve the whole community. The Rheedlen Center uses public school buildings, open 17 hours a day, in an effort to provide children and families with safety.

At the end of the book, Canada offers a program for solving the problems of violence in the inner cities. Chief among them is getting handguns off the streets by using buyback programs, registration at the place of manufacture (so any gun can be traced) and registration of ammunition.

Whether the reader agrees with his solutions or not, Canada's memoir is powerful testimony of a future of little hope without major change. It is also a riveting and convincing personal history.

To say that Roy Neuberger's book entitled "From Central Park to Sinai" was a real page turner, is a definite understatement. This most engrossing and captivating book details the story of a personal transformation of a man searching for spiritual meaning and purpose in his life. The grandson of a great rabbi and founder of the "Mussar" movement in Judaism, Rabbi Yisroel Salanter, Roy Neuberger's life couldn't be further apart from that of his grandfather. Educated in the traditions of ethical culturalism, Mr. Neuberger felt an ever present spiritual vacuum in his life and as such he embarked on a personal quest for truth, via the study of Catholicism, Protestantism and a whole host of other religions and value systems. He even wrote a book detailing why these other religions and their credos were superior to that of Judaism and why Judaism held no meaning.

Accompanying Mr. Neuberger on his trajectory towards spiritual fulfillment was that of his beloved wife, Linda, also a student of ethical culturalism. The fear and uncertainty that plagued Mr. Neuberger throughout his life could be simply termed as a man living through a perpetual anxiety attack with no relief in sight.

It would seem that G-d heard the inner cry and pain of Mr. Neuberger, and as destiny would have it, he was guided in the direction of Rebbetzen Esther Jungreis. That night in Neuburgh, NY changed the course of an entire generation of Neubergers. Mr. Neuberger was deeply impressed with Rebbetzen Jungreis' Torah message and he began to attend her classes on a weekly basis, despite the hardship of traveling such a long distance during a fuel crisis. Rebbetzen Jungreis served as a conduit to bring the message of G-d's love and compassion to a man who hungered and thirsted for spiritual guidance and meaning. In essence, Mr. Neuberger began to fall in love with G-d, embracing His Torah and commandments.

Since that time, Mr. Neuberger and his wife have raised a beautiful family steeped in Torah values and has spread his joy and understanding of spiritual truth with hundreds of people who he has invited to his home to enjoy the uplifting experience of Shabbos.

Mr. Neuberger's story will not only inspire, but will captivate the heart and soul of the reader. It is a must read for anyone searching for guidance and truth and even for those who are not searching for anything in particular. It is a welcome addition to any library and will remain within the recesses of the soul for posterity.

Roy Neuberger's journey to find himself is extremely inspiring. It goes to show you that a man can have all the money in the world,but without a some spiritual guidance, what is he really living for? In some ways his wealthy background was a great hinderance to him. His parents did not give Roy all the proper attention and guidance as the Ethical Cultural Schools merely confused his thinking.

Finally after 31 years, a colleague woke him up to the fact that he is a Jew whether he realizes it or not. Mr. Neuberger finally realized that he was not giving his own heritage a chance. Finally he asked to visit a synagogue with a friend and it so happened the Rebbetzin Jungeris was speaking there that night. At that point a chain reaction fo events triggered in Mr. Neuberger's brain that this was answer he was looking for.

The rest of the book consists of many powerful miracles based on prayer and faith in G_d. Although many of the stories are repeated from Esther Jungeris' The Committed Life, it is still a pleasure read about people turning their lives around by believing the Power of the Jewish Religion. Judaism encourages its followers to be strong and persist towards acheiving happiness and overcoming obstacles.

This book will make you believe in miracles even if you are not Jewish. An inspiration to us all.

Mr. Neuberger is a very enthusiastic and sincere man of faith, and these qualities shine through in his book.

This book has the power of spiritual elevation reinforced by a sense of personal discovery.

I would highly recommend this book to anyone with an interest in religion, who can appreciate religion as an experience where personal growth and community involvement are not contradictory; but, parallel and mutually reinforcing.

Roy Neuberger's personal story has a strong message even for non-Jews and for people who are not religious. His personal search for God is very moving and is written in a charming, conversational style. I was especially taken with his numerous stories about he and his wife, Leah, helping so many people from various walks of life. There are important messages in this book that will help all of us to live better and more enriching lives.

This was a heartfelt story of a mensch who was dissatisfied with the lack of spirituality in bland liberal universalist culture in which he was raised. Eventually, he found true joy in Jewish orthodoxy. However, if you're pondering deep metaphysical issues, you'll find assertions here, but not deep abstract notions of different "isms" and why they are true or not. I was also uncomfortable with the assertion that Jewish assimilation caused the Holocaust.

Early this spring (2008) I discovered a hummingbird nesting in the dwarf magnolia tree in our front yard. The nest was remarkably engineered and so well camouflaged that it was all but invisible to people walking by. I watched with fascination as the tenacious momma bird clung to her duties through the noise and commotion of an emergency sewer line repair taking place just five feet from her nest. The digging nearly cost us the tree due to the ground caving in around the trench. Thankfully, after the tractor operator learned of the hummer's plight, he was ever so careful to save the tree and her nest. The repair is done and now there are at least two tiny beaks poking up from the nest.

A good friend sent me this book after hearing my hummingbird story. It was a delight to read such a well written examination of hummingbird behavior and the special interactions of one hummer with one human being. The photographs are stunning and informative. After reading this book, I felt like I had developed a special bond with the momma hummer in our front yard. I felt like I knew her on some special level that would have been otherwise impossible. I highly recommend this book for bird lovers and nature lovers of all sorts.

which the talented and admirable writer, Arnette Heidcamp, leads the reader through - namely, the first months of a Hummingbird's life, from the beginning of winter to the advent of spring.

Ms. Heidcamp has amazing expertise in both bird and plant life, and what one appreciates also is her great love of them both. One wants to thank her for this lovely book and for the precious photographs which accompany it.

Throughout the book, the reader gets to know Squeak more and more, to understand the habits and traits of this darling hummingbird, and to realize what an intelligence it has. Ms. Heidcamp is dedicated and devoted and, yes, the ending is sad. I have to admit I shed a tear or two as a reader saying goodby. I can only imagine what an emotional time Ms. Heidcamp had to go through, after fostering this hummingbird so carefully and intimately, when the time came to set Squeak free.

I have alredy got several of Ms. Heidcamp's other books lined up to read, and even signed up with Random House to get an e-mail notice when she has a new book published.

I can't praise this wonderful literary and photographic pursuit highly enough. Reading this book was a true joy!

We were given this book that is filled with wonderful close up observations about one hummingbird. The author shares how she learned so much when a hummingbird over stayed his summer visit and how she helped "Squeak" until the following spring. The book was very enjoyable. We are hummingbird lovers and feed them.

A heart warming story and a great read. If you enjoy birds or wildlife you will like reading this book. The quick thinking and commitment by the author
saved this little hummers life.

Very beautiful photography and a touching story of how the author was able to create a relationship with a very tiny and fragile creature who otherwise would not have survived the winter.

Lincoln at Cooper Union: The Speech That Made Abraham Lincoln President (Simon & Schuster Lincoln Library) The book does a good job of documenting the impact of the speech and provides a copy of it. I consider the book to have given me thoughtful insights to Lincoln that are incidental to the speech but greatly enhance my understanding of him as a human being. It is very elegantly written. I appreciate the author's truely first rate descriptive abilities.

Harold Holzer's book on Abraham Lincoln's speech at Cooper Union gives a clarity to the importance of that speech and how it affected Lincoln as a speaker, politican and future candidate for his Republican Party. While Lincoln was well known among the western states, he wasn't that well regarded along the northeastern seaboard. One of the most important things about the book was how the author explained how this speech gave Lincoln so much creditability among the easterners and how that speech firmly put Lincoln on the political map national wide. This helped pave the way for Lincoln's nomination when others were looking for alternative choices beside William Seward who was at that time, the leading Republican front runner.

The book proves to be quite informative. Abraham Lincoln is obviously one person you cannot judge by your first impression. The author throughly explained the mannerism of Lincoln's speech skills and the way it contrast to his physical appearances which often led to initial misgiving by the audience before they roared in their approval at the end of the speech.

Its pretty clear that Mr. Holzer have complete command of his subject matter which is reflected on the superb writing and ease of reading material that only an expert can do to any subject. The book appears to be well researched and it was about time that a book on this subject came out (I think the last book about this speech came out before Mr. Holzer was born).

I would considered this book to be a mandatory reading material for anyone interested in Abraham Lincoln and probably a good background material for anyone interested in the coming of the American Civil War.

There are so many books written on Lincoln and many different prespectives on his life and presidency. Holzer looks at the Cooper Union Speech and shows how Lincoln, the master politician used the speech and his trip East to get the 1860 nomination. Many historians assert that the speech made Lincoln. However, Holzer shows a unique view of the trip and the speech and how Lincoln used the opportunity to campaign in the East before he was officially a candidate. Ironically, Holzer points out that Salmon Chase turned down the opportunity to speak at Cooper Union demonstrating just one more ocassion when Chase blew an opportunity to get to the White House.

While dispelling many myths about the speech and Lincoln's trip, Holzer also shows the brillance of Lincoln and the time and effort that he spent in preparation for this speech. He also shows how this speech became Lincoln's stump speech. Once nominated, Lincoln followed the tradition of the time and did not campaign but used the Cooper Union Speech as essentially his platform.

For the person just beginning their interest in Lincoln or the seasoned scholar, this book is well worth the read. To add to that it is a quick and enjoyable read.

I enjoyed this book immensely and now look forward to reading more from Holzer about this period. It answered so many questions I had about the messy circumstances surrounding slavery and the formation of the country. What I had always thought of as such hypocrisy was, as I now understand it, an incredible lesson in the human tension between reality and ideals -- such a Christian tension and so true to life, and on such a grand and significant scale. Rather than merely acknowledging the "stain", as indeed it was, the focus today should be on the triumph of overcoming it.

In his highly detailed telling, Holzer over and over exposes Linclon myths surrounding the event and that are, in themselves so revealing of human tendencies. While deflating so many of these myths, in the doing he does so much to explain the likely origins -- often humourous, sometimes self serving, but always understandable and enriching to his story.

And not just myths. One I found particularly poignant was repeated on occasion by son Robert who was at Exeter at the time of the speech. While it had been only about 4 months since they had seen each other, a visit to Robert was one of Lincoln's excuses for taking the time and incurring the expense of going East to speak. Lincoln ultimately made about 10 subsequent stops to speak in New England on his return trip to and from Exeter before heading home. While these speeches laid the foundation for his calculating father's ultimate nomination and election, Robert steadfastly maintained the purpose of the trip was to see him. I found that very touching -- it's one thing to be a father to your country, but still another to be so to your son.

At the heart of it all was the speech itself and the eager ears, eventually eyes, which took it in. While Lincoln's personality was a factor, the power of his words was what carried he day. I found this revealing and a tonic to today's politics -- an altogether different America then.

This was democracy at its best. There is clearly, to me at least, no ideal political system, as all can be manipulated. Now with Hamas the victors in Palestine, I guess even the current administration might be thinking this.

I could go on, but won't other than to quote the following recollection attributed to Lincoln and which might best be read with the thought of current schooling in mind:

I remember how, when a mere child, I used to get irritated when any body talked to me in a way I could not understand. I don't think I ever got angry at anything else in my life . . . I can remember going to my little bedroom, after hearing the neighbors talk of an evening with my father, and spending no small part of the night walking up and down, and trying to make out what was the exact meaning of some of their, to me, dark sayings. I could not sleep, though I often tried to, when I got on such a hunt after an idea, until I had caught it; and when I thought I had got it, I was not satisfied until I had repeated it over and over, until I had put it in language plain enough, as I thought, for any boy I knew to comprehend. This was a kind of passion with me, and it has stuck by me; for I am never easy now, when I am handling a thought, till I have bounded it North, and bounded it South, and bounded it East, and bounded it West. Perhaps that accounts for the characteristic you observe in my speeches, though I never put the two things together before.

PS As a graduate of Cooper Union, I did find Holzer's account of Cooper's amazing building a bit thin. Plans and photos are available on the web. The stage is on the West, not the North as Holzer says, and there are 18 obstructing columns, not 16. These inaccuracies have not altered my faith in his account. I have inserted a plan of the hall in my copy.

For anyone who wants to use the founding fathers as a justification for their belief system should read this speech and this book.

Lincoln in tight, careful reasoning lays out exactly what the founding fathers believed in regard to slavery. Eloquent, exciting and challenging.

This is much needed study to the speeches of Lincoln.

This is a major compilation of the work of the intriguing graphic artist, M. C. Escher. Remember seeing depictions of events that seem plausible but, under closer analysis, involve impossibilities? That describes some of Escher's most interesting works.
The book provides just about everything Escher produced (appearing in the "Catalog" section of the book), including his earliest works compiled during his teens. Among the most well known (and fascinating) include "The Waterfall," "Ascending and Descending March," "Convex and Concave," "Liberation," "Synthesis," "House of Stairs," and so on. The catalog section is fun, for one thing, simply to trace the evolution of his art.

But there is more to this volume than the works themselves. The volume provides context, with a brief description of his father's life as well as a more detailed analysis of Escher's life, from his birth in 1898 to his death in 1972.

There is also a most useful chapter labeled "The Vision of a Mathematician" (featuring the thoughts of mathematics teacher Bruno Ernst). It begins by noting two periods in the work of Escher--(page 135): ". . .pre 1935, in which landscapes predominate, and post 1937, which is characterized by a marked mathematical tendency." Ernst describes the mathematical principles in some detail (for those interested in this, a fascinating discussion). The textual portion of the book concludes with an essay by Escher himself on "The Regular Division of the Plane," including his reflections on his art.

This book has been around a while, but it is a valuable backdrop to getting a sense of the art of M. C. Escher.

I love everything Escher. I have several books, numerous calendars, as well as large jigsaw puzzles, T-shirts, magnets and mini jigsaw puzzles. Because of the detail in this book, I will never need to add another book to my collection. I especially appreciate the explanations. I am nowhere near smart enough to figure out what Escher was doing in each of his artworks. The detailed lesson on what each piece means is much appreciated by an art fan who is not an art scholar. I think this book would be great for any Escher fan, but I feel the need to tell you it is very large. Make sure you have room for it.

And c'mon - if you've seen his work, you're a fan.

The great thing about this book is not just the extensive and readable biography, but the complete (so they say) catalog of his graphic works. Even people very familiar with Escher's ouvre will be surprised by some of the entries here. They go back to work he did at ages 18 and 19, and show the devleopment of the Escher that has become so famous. It's just a little disappointing that the catalog is printed only in black and white, when so many of his works used color. The catalog reproductions are just that - a listing of his work, not a gallery, so the quarter-page size of most pieces is adequate for recognizing a piece, if not for appreciating it fully.

It is fascinating to see Escher's style develop though his (and the twentieth century's) twenties. Various influences early on suggest Beardsley (cat. 49, 67), Picasso (cat. 51, 58), or the pervasive Art Deco of his time (cat.34). Even then, some of Escher's later fascinations begin to emerge, including hands and reflective balls (cat. 88 and 80), symmetries and tilings (cat. 61, 65), and complex interactions of many figures in a repeating structure (cat. 90). The lesser-known parts of his work also start to emerge by the time he's 30, including delicate lithographs (cat. 129, 132). As much as I love his visual paradoxes and flirtation with the infinite, the lithos and mezzotints are the pieces that truly move me. "Snow" and "Blowball" (cat. 278 and 330) have an eloquent simplicity. "Eye" and "Drop" (cat. 344 and 356) demonstrate his classical sense and his perseverance with the demanding medium of mezzotint.

The text is also thorough and enjoyable - a good thing, since it takes up half of this heavy book, including its own set of illustrations. I admit that I have only skipped around this section, which starts by describing Escher's father. It's small wonder that his father was an engineer and that his son Arthur studied geology. Although an artist to the core, Escher had fruitful contact with mathematicians and crystallographers. He is one of very few artists that have successfully incorporated hard science into their artistic vision at such a visceral level, and the scientists appreciated that as much as anyone.

Although out of print, this book is available inexpensively on the used market. It's one of the best bargains around; if you've read this far, you'll probably find it well worth having.

//wiredweird

I haven't even had a chance to go through all of this remarkable book yet, but I am so impressed with it so far I cannot burble enough about how delighted I am with my purchase. This is a beautifully produced, designed, and wonderfully complete book. Many tales of the personal life an vision of the artist, countless, cleanly reproduced graphics, many works I have never seen or heard of before. Terrific! Can't recommend enough!!!

Definitely the first book every Escher fan should purchase. It's helpful in getting to know about the man himself as well as his brilliant artwork. It may seem pricey, but it's totally worth it, being hardcover (at least the one I got), and high quality photos of his work. It also shows his lesser known works (ones never released apparently), as well as photos of himself and his family. A very informative read and a quality edition.