Illinois Books

Excellent gay murder mystery that kept the reader guessing for a long time! Measured backstory on the psyche of the killer gave the reader another dimension of the killer. What horrific events lead this man/boy to commit the murder of gays. Where his rage came from and his helpless life that caused him so much misery.
Well-developed characters and great descriptive narratives of places, murder victims, etc.
Thoroughly enjoyed the novel!

From the book's very first murder, Mr. Reed takes the reader on a wild ride where nothing is as it seems. Ed is a cop whose job crumbles from under him as he chases after a madman who may already be dead. Timothy Bright seems heartless and cruel, but as the story progresses, the reader learns what has made him who he is. Throughout the book, the pacing is tight and fast, catapulting you through the twists and turns, leaving you breathless, until you're reading as fast as you can in an effort to find out how it ends.

Beware ~ the violence is graphic and sexual, disturbing images that speak to the dangers of anonymous sex. But Comparetto is the perfect counterpart to the evil Timothy Bright, who haunts the cop's every move throughout the story. I found myself rooting for Ed from the start, and as time seems to run out for him, I was on the edge of my seat, reading furiously, flipping pages to find out what happened next.

In short, this book is riveting. I couldn't put it down. This is a must read for any fans of gay fiction who are looking for a good murder mystery/horror story. Think Stephen King meets Patricia Cornwell, with lots of gay sexual references to satisfy readers. I really enjoyed this book and look forward to reading more of Mr. Reed's work.

Rick R.Reed has confected a mystery/horror/suspense tale as only an artist could do. Not only is the story a major page-turner, but the reader comes to know the characters as three dimensional human beings -- and one tends to care about them.

I read at least one book of mystery fiction per month. I tend to enjoy the most those works which shed light on a certain culture or role: being Amish, being a guidance counselor, being a maid, being an Irish inn-keeper, being a journalist, etc. In recent years writers such as john Morgan Wilson, Mark Richard Zubro, and RD Zimmerman have invited readers into the gay community with all of its wonderful and intersting attributes, as well as it demonic dimensions. I believe Reed has done the finest work, however, in the cause and effect within human relationships. Also, the reader cares about the characters, and flinches at some of the events which have formed their experiences. Definitely, this is not a "cozy."

A reader does not have to be gay, however, to share in this story, any more than one needs to be Catholic to understand THE DI VINCI CODE. The author develops the meaning of psychosis, displays the technology which is such a great influence in our current culture, and empathetically focuses on the effect of life minus loving relationships. As well he develops a budding relationship which adds an element of hope to the story, as well as an invitation to further stories flowing from this love.

As a Chicagoan I was excited about the use of so many places in the story which are only blocks from my home. He so well describes these settings, however, that one could live in Newcomerstown, Ohio or Rim-of-the-World, California and still share in the adventure with the same high interest. Again, this is an artist who has developed this tome.

I have already recommended this story to my friends. I want to encourage any mystery buff to explore this novel.

Thomas P. Hull, Chicago

IM is one of those rare books that scared the bejeezus out of me, to the point that I had to put the book down. A few days later, I was drawn back to the book "like a moth to a flame."

The story moves quickly, switching seamlessly between several points of view - Ed Comparetto the detective, the victims, the bystanders and the killer. The third person narrative, switching to first person narrative with the murderer was intensely effective. Downright creepy! The mystery unfolds in many layers, shifting in time, twisting and turning to the heart-pounding end. Once everything is revealed, Reed isn't done with us yet; the story continuing through one final confrontation between Comparetto and the killer. At first, when I read the "blurb" on the back of the book I was slightly disappointed that so much was given away, but I soon realized that was only the beginning of something so much more. The blurb was like a plot device in itself. I also felt the ending left something unresolved, but once my heart rate returned to normal, the ending made perfect sense - Comparetto was where he wanted to be.

Detective Ed Comparetto is an appealing character, a dedicated cop that still feels compassion and remorse for the victims. He isn't one of those wise-cracking police detectives, spewing out one-liners like some "has been" stand-up comedian. When Comparetto enters the first murder scene, he's feeling unsettled and apprehensive, oppressed with "what's behind door number one" type of feeling. He hides his true emotions well, slipping into that professional cop-mode, feeling the need to prove himself to those out there that are just waiting for him to "slip-up." His professional life is already threatened after a recent "public" outing. Ed's a humanly portrayed character, with all his human flaws and human weaknesses. In other words, he's not an arrogantly perfect macho man. And this is not meant to be a negative reflection on Ed's sexual orientation. It is wholeheartedly meant as a compliment. I really got into Ed's character, his motivations and toward the end -- his fear.

I loved Ed's lover, Peter. The two meet for the first time in a library where Peter worked, when Ed was researching a lead. Peter's like a breath of fresh air in the story, pursuing Ed with an amusing single-minded determination. He's a lot like Nick's Nora (The Thin Man Series), helping Ed investigate and sort out the conflicting clues. A real partner in and out of bed. I would have loved to see more of Peter. Peter begins to have second doubts about their relationship, when Ed starts to become obsessive about the case. For Ed it's more than just finding the killer, it has become something personal. And that's something Peter needs to figure out.

The book should have Nightmare Warnings, because I sure as heck had 'em! I liked Reed's use of descriptive phrases to set the proper mood like, "the gallery of ghouls," to described the assembled investigation team at the first murder. I thought the plot became a little "out there" with certain elements, but I realized that was just the type of book I was reading. I just suspended my mundane imagination a little and enjoyed the nightmare ... I mean the story.

According to Reed's Amazon Blog, he has signed a contract for a film option. I'm keeping my fingers crossed! And my toes. *grins*

When it rains, it pours...just ask Ed Comparetto...

The Chicago police detective's life is losing its luster: his lover has just left him, and, blamed for his failure to solve a rash of gruesome killings, he is suddenly run off the force. The reason for his dismissal: falsifying a witness at a crime scene. Ed may be losing his touch, but he knows he's not losing his mind, so this reasoning doesn't fly with him. He knows what he saw, and he knows who he talked to...slowly but surely, he gets the feeling that someone, somehow is playing him - little does he know...

Before long, Ed finds himself inextricably caught in the middle of a deadly game being waged by a sadistic killer with a malevolent axe to grind. More bodies are found, more questions go unanswered. As the clues begin to pile up, so does the danger, which Ed can handle as long as he's the only one involved; however, when his newfound love, Peter, gets entangled in the mess, the stakes are raised to a much more urgent level, and Ed knows it's imperative that he solve the case before more innocent blood is shed...

What he doesn't know, though, is that nothing can prepare him for discovering who is truly responsible for the murders - especially considering the fact that all roads actually lead to someone who died in similar fashion just two years before...

The action of IM is unmatched. Reed deftly weaves intriguing characters throughout an intricate plotline of misdirection and manipulative sleight-of-hand. The resulting mosaic is a masterpiece of suspense and nail-biting drama. Many make noble attempts at crafting whodunits, but few pull it off with such convincing realism as Reed.

The backdrop of IM lends much to the enjoyment you experience in putting all the different pieces together along the way, as you truly don't know just who/what the big picture will ultimately reveal. With equal parts action and mystery, Reed's tale is an enjoyable, fast-paced read entertaining to the fullest. Highly recommended for all readers, whether you're fans of the genre or not.

Chances are if you're reading the reviews for this book then you've read at least one Capone biography and walked away, like me, thinking, "Great story, wish I knew more about the Northsiders." Well Rose Keefe has heard our collective wail and has provided us with one of the best books on both Chicago gangland and one of its most interesting characters. There is much more to the O'Banion/Northside story than just being fodder for Capone's gunmen. If you're into Chicago's gangland past then this volume is a must.

A great bio on the Chicago gangster gunned down in his flower shop during the "Roaring Twenties". The book focuses on the rivalry between the Northside Chicago mob and the Southside Torrio-Capone mob.Obanion and his cohorts are literally devoured by the inter-city "big time" mobs with connections to New York city.From reading this book I don't believe Obanion knew what he was up against,he was a small town boy who moved to the city of Chicago, yet he tried to run his crime empire like a small business. Cavorting around a flower shop by day,shaking hands,(without an enemy in the world?),with little to no protection,meanwhile engaging in criminal activity that would include murder.That's just asking for it,and Torrio's mob,later inherited by Capone,was only too happy to oblige. It seems Torrio's mob when they arrived in Chicago was already an experienced hard core criminal transplant from NYC and cites thereof.How could Obanion honestly think that when the control of rackets,gambling,bottlegging,and the millions of dollars at stake, there was a "moral" line that shouldn't be crossed?Especially when dealing with the mob and seeing as the mob eliminated its own so what could a rival gang expect.Capone listed his profession as furniture dealer but I doubt you would see him lifting furniture into trucks.His furniture business was a fort.The short baby faced Obanion never had a chance in dealing with the NYC mob. this book really brought this out as I read it.An excellent work on crime history but it sort of makes Obanion look like a "farmer".

This is a must have book for anyone interested in Chicago's beer wars. Mrs. Keefe has written a brilliantly told acurate story that helps us understand how Capone became the legend that he is, for without Dean O'Banion on the north Capone may not have been as big on the south.

This is about the people who nearly beat the Capone Mob for control of the Chicago boot-legging business. They were led by a florist and included a war hero, a cowboy, a bigamist and a practical joker who starred in an early stag film in the middle of a gang war. The wild Northside Gang is today best remembered for being the victims in the St Valentine's Massacre but in the twenties they were household names. This and Rose Keefe's book about Bugs Moran are both fascinating. A must read!

This is the most comprehensive and thoroughly researched biography of Dean O'Banion and it has been justly recognized as definitive. Rose Keefe's greatest accomplishment is that her meticulous research has refuted dozens of journalistic half truths, embellishments and canards that have become commonly accepted as the truth simply because of constant repetition over eight decades. The actual Dean O'Banion is a far more complex and interesting character than his newspaper stereotype.

Many sources have characterized the Prohibition battles between the Northside Gang and the Capone/Torrio mob as simply a territorial battle between the Irish and those damned Dagoes. Keefe correctly points out that the Northsiders were, in fact, an exceedingly diverse group comprised of Irish, Italian, German, Jewish and Polish hoodlums. The reality was more complicated than the widely accepted conventional wisdom.

Although O'Banion could act in an utterly ruthless manner if circumstances warranted, more often than not he relied upon his quick wits. He possessed superior intelligence and had an engaging personality that inspired great loyalty from his comrades even long after his death.

Despite his humble origins, O'Banion had the ability to put people from various walks of life at perfect ease and to form lasting friendships that allowed him to move easily in political and social circles despite his criminal background. O'Banion was a contradiction: he was a devoted son and husband. One could envision the industrious O'Banion succeeding in almost any field of endeavor that he tried. The loss of his beloved mother to tuberculosis and a childhood accident that left O'Banion partially crippled with a permanent limp were traumatic episodes, but rather than contenting himself to be sidelined by his handicap or to endure a life of economic hardship and privation, O'Banion chose not to be pushed around as he hit back hard with both fists in order to survive in the rough and tumble, dog eat dog environment that was Chicago in the early years of the past century.

If you are living from hand to mouth, it always pays to be ambidextrous and O'Banion was, figuratively and literally: his custom tailored suits contained multiple pistol pockets which allowed O'Banion to draw concealed revolvers using either his right or left hand or both hands simultaneously. The same hands that O'Banion could and did use to fire pistols, crack safes, stuff ballot boxes or slug out rival newspaper hawkers would also cut flowers into lovely arrangements for weddings and funerals. As a bootlegger, O'Banion prided himself on selling quality products as opposed to the rot gut handled by his rivals.

Keefe relates the many occasions on which O'Banion performed acts of charity. Some of these kindly acts were calculated, however, since O'Banion was also interested in reaping votes come election time. By performing good deeds, he could call in favors when ballots were being cast by his neighbors. Unlike Al Capone who coupled brutality and with openly lewd and lecherous behavior (Scarface allegedly gained his trademark after making crude remarks about a woman's shapely posterior in the presence of her protective and knife wielding older brother), O'Banion was noted for behaving in a courteous and oftentimes chivalrous manner.

Keefe's writing is factual and entertaining. The O'Banion who she describes in such great depth proves to be such a charming and larger than life personality that it is entirely possible to imagine his immortal soul awaiting forgiveness and redemption in Purgatory. I was reminded of the Warner Brothers crime melodrama "Angels with Dirty Faces" in which a priest played by Pat O'Brien called upon a group of juvenile delinquents to "pray for a boy that who couldn't run as fast as I could" after his childhood friend who failed to escape the corrupting influence of the mean streets died at an early age as a result of embarking upon a criminal career. If this sounds like a mere Hollywood screenwriting cliche, consider the fact that a Roman Catholic priest was disciplined and transferred for leading graveside prayers for Dean O'Banion despite orders from the Cardinal to deny Christian burial rites to known gangsters.

The only serious fault that I found with "Guns and Roses" is that the book lacks proper footnotes. There is a bibliography, but Keefe ought to have provided footnote attributions to the excerpted materials that were previously published elsewhere. There are also some minor geographical, historical and typographical errors that Chicagoans may catch in the text, usually on minor details, but the book is otherwise solid. Despite these shortcomings, this book is nevertheless a significant addition to the true crime history of Chicago during the Prohibition Era.

This book is funny,soul searching and makes you want to read the whole
series. Start with the first book and you will easily identify with one
of the women. Jodie is mine. This series helps you to take a good hard
look at you and your life. GREAT READING !!!

I read this one even faster than the last 6. I was so sad to realize this series is over. Felt a little better to find out the author is coming out with another series that will include some of the original characters.
Great reading!!
Book was in wonderful condition and arrived very quickly!
Thanks
Connie in NC

This is a spiritually stimulating series full of warmth and wit and a delight to read. It captured my interest and my heart. Good job!! A series everyone should read - you will be a better person for it. Peggy Touchtone ShollyDown Home Delicious

I enjoyed the book, but I was a little disappointed that it was so short. Overall it was a decent ending to a great series.

Now that I have finished the Yada Yada series, I am grieving that it is done. I have so enjoyed these books from start to finish. The author does a great job showcasing the power of our Lord without being "preachy". I have learned a lot about my own prayer life while reading these.

I loved Mr. Ayala's book. This book tells of real life situations, as many people experience this lifestyle everyday. He teached us that no matter what the situation is, faith in the Lord will bring you through. I have had the pleasure of reading Mr. Ayala's novel Alabaster Box as well and loved it! If you love Will You Be Made Whole you will enjoy Alabaster Box just the same. Please keep writing Mr. Ayala!

When Keith Coleman got on the Greyhound bus headed to Chicago he knew his life would never be the same. At the ripe age of 13, he fled his home in Atlanta after he defended his mother against his stepfather. Fearing the loss of his freedom, he thought he could go to Chicago and stay with his mother's sister. However, staying with his aunt was not an option with the authorities looking for him. Unfortunately for Keith, he was beaten unconscious soon after he arrived in Chicago and it was Drake Sommersbee who helped to change the course of his life. With Drake's help, Keith became KC and into his life came a succession of characters all seeking solace and help but not knowing where to garner it.

Katy meets KC while at a club, which begins their friendship. She is from a wealthy family in Ohio and finds Northwestern University has more to offer than just an education. However, she finds herself in a situation, that can only be categorized as purgatory. She goes from being a young woman with goals to a prostitute who can't get away from the man she thought loved her, but was really just her pimp.

There are several other characters in this story whose lives are intertwined as they live sinful lives and hope for a better life. One constant person in the characters' lives is a homeless man known as Old Ben who seems to know everything about each person and tries to guide them to salvation. He seems to be in the story to help them all learn to accept Christ and know they are loved.

WILL YOU BE MADE WHOLE has an inspiring message of accepting God's love and faith without being overly preachy. The characters all have lived sinful lives whether it was drugs, alcohol, sex, homosexuality, murder or more illicit transgressions, yet they are all deserving of being saved if they are willing to ask forgiveness for their sins and accept Christ into their lives. Readers will be drawn to several of the characters because it was easy to understand their pain and because they will probably recognize some of the characters from people in their own lives. The pacing was okay, and there were only a few editorial issues. Unfortunately, the story was too predictable; you knew what was going to happen before it happened, leaving no element of surprise. Although written in a simple manner, it guarantees the readers will receive the inspired message.

Reviewed by Cashana Seals
of The RAWSISTAZ Reviewers

From the beginning to end to book of work keep you wondering what's going to happen next. Once you pick this book up you will not want to put it down. The author really gives life to all the character's in this book. My favorite character in this novel is Big Ben the homeless man. He's like the conscience or guardian angel througout the story. If you're expecting a E.L Lynn Harris or a ZANE like experience you will be disappointed. Ayala will take you mind to a different level. He brings a strong and powerful Christian standpoints but he don't turn you off with it. Ayala isn't someone to sleep on. Check this book on all of his other literary works.

Often in life we face a moment time that will alter our lives forever. This was the quandry Keith Patrick Coleman found himself in as the sand from the hour glass slid away. From page one you'll find yourself enthralled following Keith's every move as he leaves Atlanta for the mean streets of the windy city. What do you do when you can't stay home, and you have no place to go? Will you be made whole has all the angst and passion of Shakespere's Hamlet in a modern day setting. Get ready for the ride of your life!

E.L. Ayala is a very powerful writer. With a background in playwriting and stage productions he has honed a sense of drama that serves him very well indeed as a new novelist. Ayala joins the ranks of the fine cadre of African American writers today with his first novel WILL YOU BE MADE WHOLE, and with the surety of voice he has developed, we can expect further equally fine books from this artist.

Ayala has chosen Chicago as his stage for this story of multiple lives that interweave in a journey through drug abuse, prostitution, sex rings that involve both boys and girls as sex workers, violence, parental abuse, AIDS, the homeless street people, and ultimately for the power of friendship and love and as well sculpted a use of introducing ethics and religion as any writer writing today. He paints wholly three-dimensional characters, allowing their own character development in the course of the story to physically and emotionally describe their physical personas. The leading character is KC, a young thirteen-year-old running away from Georgia after being involved in murdering his abusive stepfather and while on the bus to Chicago he encounters a dear lady who shares with him a tattered book 'When God Doesn't Make Sense', a book she eventually leaves with him and which sets the tone for the long epic ahead. Once in Chicago KC is taken in by a kind black man (Drake) who treats him well, cares for him, and eventually becomes KC's lover as well. Drake is involved in a male prostitution ring and KC successfully develops into a handsome hunk who is one of Drake's prime hustlers.

Parallel to his gradually developing story of one lad's rise and fall is a second story of a young girl Katy who arrives in Chicago from Youngstown, Ohio to attend Northwestern University. What begins as a mild shy girl develops into the character who likewise falls into the prostitution line due to the influence of the handsome but evil Sugar Man. This slow but inevitable descent into low life is populated with a number of friends for Katy and one of those friends is KC. From the time of their meeting the story pummels into the fast track of bad choices, violence, drugs, bondage to pimps, yet in this story there also appears Old Ben, a homeless street person 'angel' who seems to rise up out of a sense of strange timing to offer consoling words from the Bible, messages about God's love and restorative powers for the downtrodden.

To tell more would be to deprive the reader of just how facile E.L. Ayala is in bringing the reader face to face with the seamiest side of life, creating a glowing tapestry with threads of fear, of need, of illness, of desperation, of shared love, of disappointment...of restoration. Ayala is in control of the story at every turn and never lingers too long to let the numbing persistence of a world gone wrong become maudlin. The narrative is crisp, the events propel naturally, and the use of the introduction of spiritual healing is never intrusive, only needed!

Stories of crime in the smarmy side of big cities are many, but few have been told with the finesse and page-turning style Ayala manages. This is a fine book, worthy of serious attention among readers, and a first novel that bears witness to a fine new talent. Highly recommended. Grady Harp, March 06

There is also a paperback version of this book available for $24.95. Amazon sells it for $15.72 (37% off the cover price). You can find it by searching under the editor's name.

Wonderful Wonderful Edition!! I agree with the former missionary. This is a very user freindly edition of the BoM. The offical LDS Church Edition is very imposing and stark compared to this very inviting and easy on the eyes BoM format. Hand this edition to potential converts and they just might read the BoM. Why it took a secular university to put another Churche's Main Religious Text in a truly inspired format is beyond me. Maybe it is time the LDS Church puts out a new version of the "Standard Works". After all....it has been quite a while since 1978 when they redid all of the scriptures.

(From Paragraph 67) Christian faith cannot accept 'revelations' that claim to surpass or correct the Revelation of which Christ is the fulfilment, as is the case in certain non-Christian religions and also in certain recent sects which base themselves on such 'revelations'.

(Paragraph 73) God has revealed himself fully by sending his own Son, in whom he has established his covenant for ever. The Son is his Father's definitive Word; so there will be no further Revelation after him.

This edition of The Book of Mormon is absolutely delicious. "Come unto the Holy One of Israel, and FEAST upon that which perisheth not ... and LET YOUR SOUL DELIGHT IN FATNESS."

I read the Book of Mormon for the first time in mid-2002 at age 15. Since then, I have read it almost 9 times (as of this review). Moreover, I have read a heck of a lot of material critical of the text itself (e.g. The Tanners, Evans, Vogel, Metcalfe) Notwithstanding, most, if not all, the attacks are usually based on fraud and/or popular though errant assumptions about the Book of Mormon text that actually do not jive with the text itself. In additoin, what Hardy has done with the 1920 text is make it more accessible to those approaching the Book of Mormon, following modern editions of the Bible, by indenting, for example, prose, not too dissimilar to the NRSV rendition of Deuteronomy 32, and leaving introductions to chapters to a bare minimum, alongside adding a number of appendixes, such as one on poetry in the Book of Mormon (e.g, chiasmus).

I urge any one interested in the truth to read the Book of Mormon to discover for themselves that it is indeed another testament of Jesus Christ, and to learn of its truthfulness by study and by prayer to God, after "testing all things" (Acts 17:11).

This series really helped me through a tough time. Reading how these women handled their everyday and not so everday problems ministered to me as I went through a serious illness with my husband. The women are down to earth and practical. Recommend for anyone.

I have been in prayer doldrums recently and this series helped get me perking again. It is delightful and rewarding reading. I recommend this series to everyone. These gals are great! Peggy Touchtone Sholly

I simply gush when I talk about the ladies of the Yada Yada Prayer Group. I love each book. The stories are wonderful. Mrs. Jackson masterfully develops each story so that each book captures you. Then, the books build on one another. You will feel as though you have a vested interest in these wonderful, diverse and perfectly imperfect women. I thank Mrs. Jackson for this labor of love. The books helped me through a rough time in my life. The series helped me forgive someone who hurt me deeply with this line - "God expects us to fogive people. Even the ones that don't say 'I'm sorry'". I was able to move from resentment to forgiveness through that one line. YOU WILL BE BLESSED BY THIS BOOK SERIES!!

The Yada Yada books continue to challenge relational growth, by showing life experiences with diverse characters. Each book has new elements of change and development, which can inspire real life solutions to problems.

This series of books is a MUST read. Excellent stories of love and faith. Very inspirational. I felt like I was there.

The story traces the life of Nick Romano from alter boy to cop killer,painting pictures of the disowned people and places in pre war Chicago.
To put it simply, this is a fantastic book. It is so readable;the pace never drops and Motley never loses the readers attention.Anyone from teenager onwards will enjoy reading this all time great novel and it will push them on to searching out and discovering other Chicago greats;Richard Wrights 'Native Son' or Nelson Algrens 'Neon Wilderness' for example.
A great story not only well told, but written how it should be.The original 'unputdownable' read!

This novel is Willard Motley's masterpiece. His subsequent books never approached the impact of "Knock on Any Door." The author set his novel on Chicago's West Side Skid Row. The book contains numerous Chicago street addresses and local references. Motley actually lived on Skid Row while writing the book.

Motley was an African American writer, but it might be difficult to discern this from his writing. As an author, he focuses so much upon his Italian-American characters that he seems to fade completely into the background. Motley once worked for "The Chicago Defender." He has been credited with creating the Bud Biliken character which gave rise to annual Back to School parade which is held in Chicago.

"Knock on Any Door" was adapted for a film with Humphrey Bogart and John Derek, but it had to be carefully revised for the screen. Much of the sexual content had to be removed or muted. Nevertheless, for readers and movie goers in the Forties, the material must have been considered somewhat shocking. The novel addressed several taboo subjects such
as adultery, capital punishment, communism, crime, gambling, homosexuality, illegitimacy and prostitution.

The success of "Knock on Any Door" inspired a sequel, "Let No Man Write My Epitaph." The second novel follows the character of Nick Romano's illegitimate son who may be following in his late father's footsteps.

Much of the Skid Row area along West Madison Street has been cleared due to urban renewal, but this sociological novel is still worthwhile and timely. I am somewhat surprised that Motley is not especially well remembered in his native Chicago. "Knock on Any Door" is a forgotten masterpiece. I had to find a worn copy in a public library to read a few years ago. It is good news, indeed, that the novel has been reissued in a new edition.

Of course there are writers that use their brains, and writers that write with their hearts...Willard Motley spills his guts all over the pages in every one of his four novels.

I first read KNOCK ON ANY DOOR when I was a freshman in high school, and got sent home with a letter to my parents for bringing "unacceptable reading material to school"!!! I have read that book at least three more times, and each time it is a belly punch. The Bogart movie did not do justice to this fine work.

I did not know Motley was African-American, until after I finished his thrid novel.

Willard Motley was not just a great novelist, he was what the heart and soul of this Nation should be.

I'm sorry to offer a counter opinion amongst all the enthusiasm, but if you are interested in this subject you really should read "Never Come Morning," by Nelson Algren. KOAD is an OK novel, neither great nor terrible. And I don't want to disuade you from buying it. However, it pales in comparison to NCM, a FAR superior novel written by a FAR superior writer. Put KOAD in your basket and then RUN, don't walk, to the Nelson Algren section and buy Never Come Morning. Now you have a one good and one GREAT novel in your basket.

I read this book 41 years ago , i was not very well educated my school only taught religion and self preservation, i left at 15 . One day i found this book on a bus and took it home it was on the shelf for a month or two then one night i started reading my first novel i could not put it down i found a new pleasure in life instead of going out every night hanging round with the gang and breaking the law for kicks i changed and i put it down to this book knock on any door, i found the author understood my feelings and it was so easy to understand thank you Willard Mottley

Many adults have suffered great hardships in their childhood, even being sent away. This now successful man had a horrible beginning. One can feel the isolation he felt when he was "dumped" off at the age of 3.
A good book to restore your belief that you can make your life different.

This book was easy to read and understand. It should be read by every young person in children's home, in the foster system, in juvenile detention, and those with an incarcerated parent. Even those of us who never suffered any of those hardships, can learn an important lesson in forgiving those who have hurt us.

Wonderful book. Would recommend this book to any age group. Very touching and inspiring story.

I really enjoyed this book. Being from Chicago as well, I felt an ever closer connection to the author and his story. I had a real hard time putting it down and I had to keep tissue close by whenever I was reading it. As a Mother, it was especially heart wrenching to read some of the thoughts and emotions the author experienced as a child. Such wonderful writing and expression - always feeling the emotion the author was sharing. I would highly recommend it! I passed it onto a friend after I was done with it - so the enjoyment could be passed on!

Having been in the service of serving abandoned, behaviorally disturbed children and adolescents for 32 years, I was able to reminisce and find memories explicity tied to this book. The messages are accurate, profound, and direct. The chapters relive one man's story but the themes are multiplied by the number of kids in care from yesterday to the present and the stories are wide and varied. There are many stories in the lives of children from both yesteryear to this present day and age.The names change and the faces are different but the broken body and mind are still evident today. When one reads this book you become acutely aware of why behavior, emotion,identity, can go awry. All of the clinical terminology which labels children in placement existed then and still does today. What is remarkable and I have seen it over and over is that there are those who "will" to live, who "will" to grow, who never give up. Out of all the chaos emerges a Rob Mitchell and there are numbers upon numbers who, in spite of the many abuses and neglect, rise to become vibrant creative human beings like he has. This is a story of one of them. And, of so many of the children I have seen rise out of their pathology and into health, I have also seen a remarkable closeness to an abiding faith. Rob Mitchell is a man of that faith. Castaway Kid is just one of many castaway kids. What a wonderful read.
David Carlson MSW, LCSW

It is inspiring to see the growth in the main character's walk with the Lord. I enjoy the characters in this book and love reading about their lives and journeys. Book four, here I come!

The Yada Yada girls just keep getting better with each book. I can totally relate to several of the characters and what they are going through. A great and easy read.

I bought the whole series at one time and read them in order. They are delightful and I began to feel like I really knew this mixed up group of gals. Thanks for the marvelous read that left me wantint to pray more and keep God in the middle of my day. Peggy Touchtone Sholly, Award winning author Down Home Delicious, the cookbook that has made homecooking in vogue again. Buy yours today at[...]

This is my third book of the Yada Yada series. Great story, great price, and the book arrived in good time and in excellent condition. I've just ordered book four from the same sellers.
Thanks from a pleased customer.

I had enjoyed the first two Yada Yada books in this series and this book was just as good. I feel as if I have participated in their prayer group through the first three books and am looking forward to #4!

I've been acting for ten years and got my first directing assignment. I know a lot about directing from having been directed, but this book was a great guide for script analysis with the big picture in mind, not just one character. The show was a success and the actors still like me.

It seems like reading would require no specific techniques, that they would come naturally to one and go without saying, even when the task is more specified, as in the reading of plays. But Ball breaks down this seemingly natural sense into its component elements and explains them in easily digestible, well-paced segments, and to examine these elements does much in the way of re-learning and thus refining and fine-tuning one's seemingly natural reading skill. This skill can be taken and applied in various ways (as Ball describes in the introduction), some of which are immeasurably improved by the complex understanding that posessing these refined elements provides; the reading a play to produce it, for example, or the writing of one yourself can be tremendously improved if one is constantly aware of what they are doing, why they're doing it, and what about their actions are correct, lacking, unnecessary or obtrusive. Without having a defined sense of the tools contained within this book, these tasks would be much more difficult, complicated, vague and roundabout, thus slowing, weakening or perhaps ruining the final product. Pair this skill set with application to texts such as plays, which are made all the more difficult by the fact that the playwright thinks in terms more of making their production work when produced for an audience and less of making their script read and be easily graspable completely on the page, and this manual becomes immeasurably more useful on a basic and elemental level.

This book would serve a Script Analysis class very well. I plan to use it for mine in the fall. It also is reader friendly enough to serve an actor/director/designer wanting a different perspective, perhaps, on a script; or could be a different way of explaining what we were generally taught as undergrads.

I have read a lot of books on the subjects of writing and acting. This book contains almost every important point in the tens of thousands of pages I have read when it comes to structure. If you are a writer you have to own this book! There is no wasted space in it. No actor or director on the planet should live without it either. You can read it in a day, but you'll read it again and again.

This book may have been primarily written for directors and writers, but it is a great tool for actors to get to real active meanings in a script.