California Books

I work a lot with Welsh Gods and I have to remind everyone, this is THE source of what we know about Welsh mythology. I am not sure if persons not interested in deciphering the stories would enjoy them, but if you want the mystery and challenge, buy this book. Too many people claim to worship Rhiannon or know all about Ceridwen, and have never read the original sources of what we know about them which drives me nuts.

I received this book the evening before departing on a trip. After settling in on the plane the woman who was seated next to me asked, "What are you reading?" I showed her and was greeted with an immediate "Oooooh.... ugghh." I must admit that I understood her reaction. Although I have steadfastly slogged my way through them, many translations of ancient works have left me wishing for the touch of a modern bard. This one, however, did not (or perhaps it had, indeed, benefitted from such a touch!). Ford was my companion on both the flight out and the return trip. He was informative, entertaining, insightful, and (I am told by others who would know), quite accurate. I recommend this book highly.

Patrick Ford's translation is the best that I've read. It appears to be the most accurate translation and the easiest to read and understand. Anyone who is interested in Welsh mythology or mythology in general should read this book. The tales themselves are interesting and entertaining. They give us a great glimpse into the world of the ancient Welsh people.

How does the handsomely bound new rendering by Sioned Davies, Chair in Welsh at Cardiff, compare with the standard version often used and widely praised, Harvard professor Ford's? I consulted my 1977 copy as Ford's new printing has not yet been published. Will his "30th Anniversary" U of California paperback reissued edition find itself in a dead heat with Davies? The race may prove a photo finish!

I compared their translations of a favorite passage of mine early on in the First Branch, Pwyll's tale. Arawn's just been reunited with his queen after the year's test by unwitting yet steadfast doppelganger Pwyll. She wonders, post-coitally after a long year's lapse, why it's been so long since her husband made love with her.

Here's Ford (1977 ed., p. 41) first at the starting line.

"Shame on me," she said, "if from the time we went between the sheets there was even pleasure or talk between us or even your facing me-- much less anything more than that-- for the past year!"

And he thought, "Dear Lord God, it was a unique man, with strong and unwavering friendship that I got for a companion." And then he said to his wife, "Lady," he said, "don't blame me. I swear to God," he said, "I haven't slept with you since a year from last night nor have I lain with you."

And he told her the entire adventure.

"I confess to God," she said, "as far as fighting temptations of the flesh and keeping true to you goes, you had a solid hold on a fellow."

"Lady," he said, "that's just what I was thinking while I was silent with you."

"That was only natural," she answered.

--You can feel the hesitant insertion of the teller's dramatic pauses implied with the "saids." These intensify rhythms of the poet's strong, confident prose. A few contractions and the well-placed dashes quicken the dialogue's pace. The language avoids the flowery exactitude and chivalric diction that marked Gwyn and Thomas Jones' 1949 Everyman edition. But, neither does Ford choose an entirely modern register. He keeps a slightly elevated style while emphasizing verve and a gently sophisticated voice for the couple.

--Compare and contrast Davies (2008 ed., p. 7). As in other pages I spot-checked, the two professors run neck and neck and overlap considerably-- a sign of how both scholars channel what Ford calls the "restraint" in this passage as well as its humor and tension.

"Shame on me," she said, "if there has been between us for the past year, from the time we were wrapped up in the bedclothes, either pleasure or conversation, or have you turned your face to me, let alone anything more than that!"

And then he thought, "Dear Lord God," he said, "I had a friend whose loyalty was steadfast and secure." And then he said to his wife, "Lady," he said, "do not blame me. Between me and God," he said, "I have neither slept nor lain down with you for the past year."

And then he told her the whole story.

"I confess to God," she said, "you struck a firm bargain for your friend to have fought off the temptations of the flesh and kept his word to you."

"Lady," he said, "those were my very thoughts while I was silent just now."

"No wonder!" she said.

--Davies in her preface emphasizes the "performative" qualities in her edition. In this passage, she appears to let the lines go longer rather than reining them in to English syntax. They drift away slightly before coming back to us. Perhaps this echo demonstrates Davies' own scholarship in the medieval Welsh interplay between orality and literacy. The author of two books on the Mabinogi, she stresses the "interactive" nature of the manuscript to be read aloud for the "acoustic dimension" embedded in the Welsh texts and through alliteration, tone, and beat, she tries to give us a feel for this tempo, albeit imperfectly conveyed perforce into our clunkier English.

--Both Davies and Ford include the four branches: Pwyll, Branwen, Manawydan, and Math. Both include Lludd & Llueyls. But, reflecting textual differences in the original manuscript anthologies, they also differ. Ford's tales attributed to Gwion Bach & Taliesin, Culhwch & Olwen, and his appendix on Cad Goddeu do not appear in Davies. She provides Peredur, The Dream of the Emperor Maxen, The Lady of the Well, Geraint, and Rhonawby's Dream.

--Both editors explain their textual choices and open with prefaces. They both add glossaries, pronunciation guides, and bibliographies. Ford situates the tales in Indo-European contexts and Davies delves into their delivery as recited stories. Ford begins each tale with a short introduction; Davies adds explanatory notes in a detailed appendix, keyed to asterisks in the body of the text. Davies keys her "Index of Personal Names" to pages in the text while Ford does not. For study and teaching, it looks like the competition may result in a dignified and spirited draw. Most serious readers doubtless will want to consult, as I have, both fine efforts side-by-side.

(This review's, fittingly, also at the Davies listing on Amazon US. May both translations flourish.)

An excellent and accessible translation of most of the stories normally included in the Mabinogion (minus the three Arthurian tales, Macsen Wledig, and Rhonabwy), plus "The Tale of Gwion Bach/The Tale of Taliesin" and the hard-to-find "Cad Goddeu". Includes introductions, a glossary of proper names, and an index.

This was one of my favorite Mandie books!I really loved the part when they find the gold in the cave.Everyone should read this book!!!!!!!!!

I started reading this series when I was 12 I fell in love with the charecters and story. I laughed and cried with Mandie. The second book in the series is one I have read over and over.

I was extremly impressed by this book.It was really cool when they found the cave and discoverd the gold.I think that T'sani was really mean to not save Mandie from the panther and when he left Mandie,Sallie and Joe in the cave.I am going to buy all the Mandie books that come out!!!!!!

WOW! I absolutely love Mandie and this book was definately AWESOME! I loved the waterfall and the cave behind it. Ever since I read this book, I have been dreaming that I could go on adventures like this one. Also, Dimar was socool. I dunno who Mandie likes more. I think Joe, but that's my opinion. Anyway, ya gotta read all the Mandie books and you'll will share my enthusiasm.

Mandie is happy that she finally has her family back. Her biological Mother has just married her Uncle John, and the three of them, or rather the four of them, if you count Mandie's beloved kitten Snowball, are preparing to go stay with Uncle Ned and the rest of the Cherokee Indian tribe. Mandie's best friend, and probable future husband, Joe, will also accompany them on their journey. When they arrive, Mandie hears of a mysterious legend involving the Cherokee people and long-lost gold, that has been hidden for centuries by an Indian chief. As Mandie, Joe, Snowball, their new friend, Sallie, and their new enemy, Tsa'ni begin exploring the Indian grounds, they stumble across treasure. Now Mandie is worried that the treasure may bring a curse upon the white men who find it.

As someone who absolutely adored Lois Gladys Leppard's previous tale about Mandie, MANDIE AND THE SECRET TUNNEL, I was skeptical about MANDIE AND THE CHEROKEE LEGEND living up to it. Surprisingly, MANDIE AND THE CHEROKEE LEGEND was just as good, if not better than MANDIE AND THE SECRET TUNNEL. Mandie is an exciting character, who is spirited, and loving towards everyone she meets, whether they are kind to her or not. I really love the way that Lois Gladys Leppard introduces a few new characters into each story, as it keeps the books fresh and interesting. Fans of MANDIE AND THE SECRET TUNNEL must read this book. You won't be disappointed.

Erika Sorocco

This book hits the nail on the head in many areas, but its greatest quality is that it is thought provoking. Perhaps your company is stuck in a rut and you need to create ways to get it growing again--this book will help get the thought process going. This could also serve as a team building book in that you could buy a copy for each of your key employees (possibly directors and VPs) and assign them each a chapter to discuss at an upcoming meeting. Then brainstorm after each meeting to implement the best ideas from the brainstorming session.

This is truly a great book that should help any executive or company to stimulate the creative juices. Highly recommended.

Market Busters, which purports to offer "40 strategic moves that drive exceptional business growth," follows through well on that promise and does exactly that. It's not a book of fluff or platitudes, and every single strategic move in the book is built upon a foundation of time-tested theories and actual, real-world examples. This isn't a motivational book that tells you "you can do it" but rather an extensive study into what has worked (and also what has NOT worked) written for educated people in straight-forward, albeit not "dumbed down" terms.

Here's how the process works for these 40 moves and for this WHOLE book; in my humble opinion, it's a good process, and I learned a lot. It will suggest a business strategy as follows. I'll take one as an example. Move #11: Eliminate Complexity: "...opportunity for what we call radical surgery, a move to dramatically eliminate complexity. Radical surgery is made possible, ironically, by the very efforts of companies to be responsive and to invest in improving their offerings. [...]" Two examples are then provided, one of a stripped-down hotel experience and another of an overly-complicated oven. Finally, prospecting questions are provided for eliminating complexity or executing the strategy move first proposed.

WHO THIS BOOK IS FOR: This book is for serious business people, and people who want to study business as a science and a strategy and not simply as an array of promises and platitudes. I think it is best for someone in a LARGER company or with ABOVE-AVERAGE resources, because a lot of the moves suggest using teams or collections of people, so it is most suitable for corporations and large entities, although for me, it was a pleasure brainstorming experience even as a small business.

Overall, the book is great. It provides a strategic move, talks about it, gives examples, and then asks you prospecting questions or thinking questions to force you to think about the strategy as it applies to your own business. The examples are all real-world and don't always involve success (some show what caused failure). I'd recommend this not only to people already in business but also those planning new ventures.

A very down-to-earth and very practical handbook for any strategical formulation endeavours. Better than those metaphorical ones, like "blue ocean strategy". Would get five stars if it did not mistakenly treat "People's Republic of China" as "Republic of China" in the case on p. 129. There is only one province of ROC, i.e. Taiwan.

There are a number of books on the market focused on innovation, and this one is by far the best. McGrath and MacMillan have built upon concepts introduced in The Entrepreneurial Mindset, and have yet again provided actionable strategies for driving extraordinary growth.

MarketBusters provides a disciplined approach toward examining "profit drivers" within a company and developing straight forward strategies for redefining products, processes and business models. Through models and prospecting questions, the book provides a hands-on tool that can be put to use immediately in virtually any business.

For example, identifying what you charge customers for and how you measure profitablity, and changing the game to match customer needs, is an example of a simple, but effective technique for redefining your offerings and developing a defensible competitive position.

I have seen the results of using the concepts in MarketBusters. A must read!

Better than "Ghostbusters!", this book is most valuable due to its sharp questions and pointed advice to chase away the ghost of slow growth. I'm professionally involved in Private Equity and Venture Capital investing in Germany and internationally. For an investor it is crucial to understand growth drivers and the future growth potential of portfolio companies. The 40 strategic moves and the framework for MarketBusters offer practical guidelines - far more helpful in the day to day business than for example the rather conceptional books of Clayton Christensen. I would highly recommend this book not only to top executives for structuring their companies' growth efforts, but also for investors as guidelines for due diligence questions and better comprehension of growth potentials. Clearly 5 Stars!

The book "Maverick's The Big Story of Big-Wave Surfing" by Matt Warskaw is one of my favorite books. This book is about surfing and its mishaps and adventures. The title of the book is Maverick's, this relates to the book countless times because it is a gigantic storm of waves in California that come every year. There are many different stories, some that are good and some that are sad or not that interesting. This book talks about how surfing has changed over the years. Also how far it has come since 1914. It has some very fascinating stories from surfing a 25-foot wave to drowning and having your last ride. I would rate this book a 5 out of 5 because of how interesting it was. I would also recomend this book to all ages because it is such a good book.

This book gives you a feeling of "look at that wave!". If you really want to get an idea of big-wave surfing, find an IMAX theatre showing "Extreme". Then read this book. The photographs are good and the historical information is presented well and has some depth to it. You also get to see pictures of one of the biggest wipeouts ever!

Growing up in Montara just a few minutes north of Mavericks, no one I knew even talked about surfing there. The surfers from the coast surfed the Jetty, and the stronger surfers went to Montara. There were many places around that one could surf, but no one considered Mavericks a surf mecca. No one mentioned it's name.

Seeing is believing. If you have NEVER seen big wave surfing except in pictures you are missing out!...

Enjoy the book. It is a great piece of history about the location and surfing in general!

Look for DVD's and Videos of Mavericks at [their website], taken by locals Eric and Kurt at Powerline Productions.

Not just a nice coffee table book, but also a great story about big waves and big wave surfers. Some of the shots are absolutely spectacular. And what would a book on big waves be without a chapter on Greg Noll - what a character.

This is a fascinating look at the history and sport of big-wave surfing, focusing primarily on Maverick's but also discussing some of the other big-wave spots in the world, such as Todos Santos and Cortes Banks. If you have fond memories of the classic travel and surf-bum movie from the 60s, "The Longest Summer," about great surf spots around the world, you'll probably enjoy this book.

My review concentrates mainly on the dangers, since I was interested in researching that, but overall it's a beautifully illustrated and well-written account of the sport. The author starts with the early history back in the mid-1850s (when a legend has it that a Hawaiian was supposed to have ridden a tsunami back to shore).

I was interested because I used to live for many years near Maverick's, one of the premier big-wave surfing spots in the world, and I was curious what it had to say. I've never been a board-surfer myself, but grew up in southern Cal and did a lot of body surfing when I was younger. One time, I foolishly tried to body-surf a storm-driven 18-footer at Gillis Beach in southern California and got ground into the bottom and held down long enough so I thought I might not get back up to the surface in time. But I survived, and am now older and wiser.

I've had a few other misadventures, such as having been pulled out by a couple of riptides (including one that pulled me underneath the water briefly), so I've always had respect for the ocean, and I figured big-wave riding must surely be even more dangerous. Photos of lone surfers dwarfed by enormous waves have always amazed me and sent shivers up my spine, as I remembered my own scary encounter with a wave. Oddly enough, the author goes to some pains to dispell that notion by recounting various statistics and many anecdotal stories about the sport.

For example, although it's possible for a big-wave to hold a surfer underwater long enough to drown, this is very rare. More likely is for a surfer at the more crowded small-wave sites to get knocked unconscious by someone else's board who wiped out and to drown that way. Or there's the possibility of an unsupervised and inexperienced surfer drifting into a strong riptide. And as the author says, "No big wave surfer ever tested the odds as boldly as the untrained, pot-bellied, beer-staggered, citizen body-surfer."

Mark Renneker, a UCSF physician and avid big-wave surfer, gathered data and compiled statistics on injuries and concluded that cheerleaders were injured more often than big-wave surfers.

Peter van Dyke, another big-wave fan, had some other comments, pointing out that in one recent year, a half dozen Grand Prix racers were killed but not one surfer, and many more bull-fighters were killed. He said that big-wave surfers were so unconcerned about their fitness that they trained on "cake, Kool-Aid, ice cream, and cigarettes." He also pointed out that the last surfer to die at Waimea was Dickie Cross back in 1943. By 1994, no-one had yet died at Maverick's (although that would soon change with Mark Foo's death).

The book also contains a full chapter going into the events preceding and following Mark Foo's death. One of the things that becomes apparent there is that surfers aren't so much killed by the waves as by occasionally getting their ankle straps caught in underwater reefs so that they can't surface. Although no-one to this day knows what killed Mark Foo, it's possible this was part of it, and one of the other surfers had the same thing happen that very day, although he was able to get free just as he was running out of air and get to the surface.

Still, because of the perceived dangers, out of 5 million surfers world-wide, only about 100 are regular big-wave riders.

But as I said, the book also contains a more general discussion and history of the sport from the early days to the present, using Maverick's as its point of departure. There are many spectacular photos, including a fantastic two-page spread of Mike Parsons riding what's thought to be the largest wave ever ridden at Cortes Banks, an open ocean reef 100 miles to the west of San Diego.

By the way, I agree with the previous reviewer about possible huge waves up in Alaska. In fact, in Puget Sound they sometimes get 60-foot waves, and they can get 20 or 30 foot waves at the mouth of the Columbia river in Oregon, where the Coast Guard trains captains in the heavy surf handling of boats. Also, off the tip of South Africa there is an area where, because of the way the ocean currents travel up from Antartica combined with a sea floor that funnels the wave energy, it's thought that 100-foot waves can occur. (In fact, it's one of the few places in the world where large ships occasionally disappear, and it's suspected huge "rogue waves" may be responsible). There was also the finding of the underwater quake that caused a tsunami to go 2000 feet up the mountainside at an uninhabited bay up the west coast of Alaska. No-one saw it but the devastation was so dramatic it wasn't hard to figure out the cause when it was discovered later.

The largest wave ever recorded (at least by a reliable observer) was by the USS Ramapo back in the early 1930s. The ship was about 120 feet long and completely fit on the side of an enormous sea wave that passed under it in the mid-Pacific, and was estimated to be 134 feet high. Now that's a wave any surfer could envy.

I wasn't sure what to expect when I bought it. I didn't like it. It's really for someone who likes to or wants to tour Napa wineries. If you want to explore Napa, this book will help you find something you might have overlooked. You might also save time by avoiding certain wineries. A good book for the right person.

What a funny book. A 12 month journey visiting all wine tasting rooms in NAPA. Not a review of the wines, but a review of the tasting rooms. If you are into NAPA Wines, then this is the book to read. Each chapter is a short story. I would have given anything to be able to take their year long journey. Very well written....

I loved this book! Not only is A Moveable Thirst an informative read, it was a pleasure to read. The writing mirrors the rollicking ride these two authors obviously enjoyed while on their "Quest" in the Napa Valley. Highly recommend this to both the wine obsessed and anyone planning a wine tasting trip. Great fun!

This book is a humorous narrative and guide to most of the wineries in Napa Valley written from the perspective of a person who likes wine, but hasn't adopted the artificial habits and vocabulary of a "wine snob". Rick Kushman has co-written a book along with Hank Beal, who is the executive wine buyer for Sacramento area Nugget Markets, that both informs and entertains for people who want to learn about wine and the hundreds of wineries in Napa Valley. It is one half narrative, filled with facts and information about the art and difficulties with wine-making, described through multiple interviews/conversations with local winery executives and personnel in the tasting rooms. The other half lists objective information of most Napa Valley wineries with facts that include: hours and days open, varietals offered, tasting and tour information, access information,and extras such as food offered or picnic areas. I have used this book several times to take friends and relatives to Napa and to successfully select vinyards that complement their interests and tastes.

This is a fun book to read. Part personal story and part tasting room reviews, it combines interesting information about wine making, the stories behind the people and the wineries, and details about each tasting room. It is well-written but in a tongue-in-cheek sort of way. It's very approachable and teaches about the wine business without making you feel like you are an idiot. One of the authors is a professional in the wine industry, the other (the primary author) is a journalist with little experience other than he likes to drink wine. After reading this book, and knowing something about wine, I still learned a lot and was greatly entertained. I now want to plan another trip to Napa Valley as there are many new places that I want to check out! I have recommended this as a must-read to many friends as they plan their own trips or are just looking for a good book.

New Orleans is my favorite season of Real World thus far, and i am a little disappointed in the contents and layout of this book in comparison to editions for later seasons (ie, chicago and las vegas). Instead of putting cast member information in an orderly fashion, they throw around the facts over various pages. castmember david's fact sheet is also suspiciously missing. I didn't like the rw reunion junk at the back of the book to pad its length. they should have included the floor plans of the house and more photos taken by the cast instead of this.

If you watched the Real World New Orleans, this is a great guide to what you didn't see. If you DIDN'T watch the show, well, then there's no reason to buy the book!
My favorite part about the book was the information about the Kelley/Danny and Melissa/Jamie "feud." With quotes from the sources themselves, it adds even more drama than was on the show! VERY interesting!

This book is amazing!! anything you ever wanted to know is answered!! It even goes into a bit of stuff from other seasons, with pictures of Rachel(S.F) and Sean's (boston)wedding! as well as tonnes of pictures what they're doing now etc....etc.....
You will really enjoy it!!

I liked this Real world book a lot in fact I like most of them, all except Seattle which was incredibly boring . But this book gives you a lot of insight into what the camera didn't show. Some of the things mentioned don't seem to make sense b/c when you see the reunions on tv they don't act towards each other they way that you would think w/some of the comments that they have made about each other in this book. Besides that it is well worth your money and time to read it.

It's amazing how much is told in this book that wasn't revealed on the show. This book gives the show and the cast (which I think is the most interesting cast yet) more depth. The thing dealt with most in the book is something that wasn't hardly dealt with on the show, and that's Kelley and Danny's dislike of Melissa and Jamie. There's way more content than that, but that is what's focused on a bit. 'Unmasked' also put to rest the answer of some questions, such as "Why was Kelley not in the house a lot?" and "What did Matt really think of Julie the whole time she crushed on him?". All the cast members let out what they really thought about each other, and some of the results could be surprising. All in all, I found that this season and this book is the best ever. Can't wait until next season!

...and I look forward to reading it myself. My son liked the characters and the story line, was intrigued by the name "Nitro," which led to a dynamite conversation, and told me he thought I'd like the book a lot too.

Though the protagonist of this well-written novel is a "normal" sixth grader, I wonder whether the erudite family and school setting he is privileged to have would be something a "typical" American middle-schooler could really relate to. That said, this could be an excellent book for a teacher to read and discuss with a middle school class; parents who regularly read books together with their older kids could also use it as a great discussion starter for all kinds of topics and issues that develop throughout the book.

Any text that includes discussion of John Donne's poetry, background on Good King Wenceslas, Pele and Mia Hamm, and excerpts from T.S. Elliot's Old Possum's Book of Practical Cats in a way that younger readers can understand and even enjoy is definitely to be recommended.

I had the curious experience of meeting Devin Brown before I knew much about "Not Exactly Normal". He was one of the authors at a festival showcasing largely YA books. While I knew practically nothing about the others, I knew that Mr. Brown had previously written a book on Narnia so, when I arrived, I went to the B & N tent and purchased "Not Exactly Normal" (plus two other books). I loved the title at once. It reminded me of a friend-therapist who says that no one is "normal" as we think of the word. We're - everyone - just a little bit a-kilter from that abstract center-point of humanity. (That's a very reassuring observation if you consider yourself to be "unconventional".)

According to the blurb on the back cover, the protagonist (Todd Farrel) sounded like an interesting kid. For a start, his best friend is named Nitro & his dog Cathode. He likes swimming and soccer amongst other things but he's also interested in having a mystical experience. The blurb even mentioned "seeing the extraordinary in the ordinary". Mystical experiences? Yowsa! The book sounded like a far cry from the usual one-note "school story" books.

Well, I managed to miss Mr. Brown's talk at the festival but I was curious about him so decided to wait out the autograph line in order to exchange a few words. When it was my turn, I mumbled something about my own experience with the mystical or "numinous" (as Lewis or Tolkien would have termed it). My words elicited a keen look of ... understanding or ... recognition. I realized that Devin Brown had written from personal experience. (Yowsa #2)

I've read the book with slightly different expectations than the other reviewers maybe, For one thing I was looking for any bit of authenticity in the protagonist's search for the mystical. Yes, I found lots of evidence pointing to experiences with the mystical by the author. At the same time, Todd Farrel and his friends, Nitro and Leda, came across as absolutely realistic. Some scenes were thought-provoking but many evoked nostalgia and some were outrageously funny.

I found Todd's family perhaps a touch too close to the extraordinary family in Madeleine L'Engle's A Wrinkle in Time series and Mr. Phillip's sixth grade class perhaps a trifle close to the class in The Dead Poets' Society. But please don't misunderstand what I'm saying here! I'm not talking about "literary clones" but about an author breathing life into an extraordinary class and family and making them as real as, well, as "normal" ones - whatever they are.

Every word of what I just wrote is backwards, the more I look at it. Really what the author has achieved is showing us the extraordinary in an ordinary classroom teacher and in ordinary family members. He does this throughout the book with various settings and experiences - subtly highlighting brief outdoor scenes, moments of perfect teamwork between soccer players, and encounters between Todd and Leda all of which embody something "other" - something beyond the norm. As Todd says in one case, it was a "shimmery" moment.

This is a "shimmery" book. Maybe I was just lucky, but I found a lot of goofy ordinary school scenes and a lot of shimmery moments long before "the pivotal emergency" near the end of the story.

I hope that you will do so as well. Just keep looking for the extraordinary.

Sherry Thompson

(Oh, take a close look at the moon on the cover. It's not exactly normal. ;)

I thoroughly enjoyed reading this book! So much of modern literature fails to provide a satisfying ending. You invest time and energy into getting to know the characters, only to have an ending that does not ring true to their traits or story arc. Not so with NOT EXACTLY NORMAL!!!

Mr. Brown artfully finessed the ending to leave you feeling complete and satisfied--in a true storyteller fashion. I felt rewarded for the investment I made in Todd Farrel. Mr. Brown also does an excellent job of conveying weighty, moral topics in a simplistic, easy to digest manner. While undertaking this task it would have been easy to cross the line into pedantic and preachy (many fine authors have slipped across this line), NOT EXACTLY NORMAL never feels that way! Mr. Brown seems to respect the reader and their ability to glean the moral issues rather than hitting you over the head with them.

I also felt the characters were deftly drawn. The kids did age appropriate things, interacted with each other in a realistic fashion and spoke with voices that sounded like sixth graders (and not like an adult man trying to sound like a sixth grader).

I whole-heartedly recommend this book for adults, as well as young adults! In NOT EXACTLY NORMAL, Mr. Brown has refreshed the art of good storytelling.

My wife and I very much enjoyed reading Not Exactly Normal. Travel along with Todd Farrell, who is an ordinary 6th grade student going to a private school in a small town. Ordinary events, however, become extraordiary as Todd searches for a mystical experience as a part of his big Social Studies project. The characters are very vibrant and easy to identify with. There are many teaching moments in this book and it would be great for literature and/or religion classes in middle school and high school.

Sicerely,
Richard Galentino

I found some rocks near our cottage in the woods, and VOILA, beautiful flowers are now growing where they never could before. I am not an artist by any means, but after following the easy, detailed, step by step instructions, I had masterpieces! AMAZING book with AMAZING results. Thank you Lin for sharing your knowledge and bringing out the creative part of me I didn't know I had!

Follow the simple step by step directions for a beautiful "rock garden."

Whether you are simply curious about rock painting, or have a desire to paint flowers on rocks, this book is for you. It is well written by a world class rock artist and teacher and in addition to offering know-how, it is an encouraging book that shows the way to get involved in this fascinating and not too expensive art form.

This book was as I expected it to be.. the demonstrations were clear and instructons easy.. I ordered it because of an episode on the Carol Duvall show in which the author painted a beautiful bouquet on a simple smooth rock ..I have ordered other books of the same nature from Amazon before and have been equally satisfied.

It was such a pleasure to receive Lin's book about painting flowers on rocks. I have several of her other books which has brought us lots of hours of fun and fantasy. We appreciate her talents and her sharing her ideas with others like us. Her flower painted rocks are perfect for places like cemeteries that don't allow fresh flowers. It helps bring beauty to our loved ones graves without the work and worry of live plantings. The rocks require "no watering!" Thanks Lin for all your creative ideas.

"During my whole life, I have not found a happier hunting ground than that in the course of the Somme River." That famous sentence begins the chapter on the Battle of the Somme in Manfred Von Richtofen's autobiography, The Red Baron, first published in 1917 and available in a reprint by Pen & Sword with additional new material. In this edition, Norman Franks summarizes Richtofen's air battles and gives us a fine summary of the life of Richtofen. N. H. Hauprich presents a list of the aircraft flown by Richtofen.

That this work is of historical value cannot be denied. It is, after all, the autobiography of one of the truly great flying aces of World War I. That it is a fascinating portrayal of a gentleman officer in a world long gone cannot be denied. That it is a very entertaining read cannot be denied.

And yet, to the modern reader there is something uncomfortable in Richtofen's describing combat in such a way as to read like the adventure books for boys so popular in his time: "I advised him to fly around the smoke cloud. Holck did not intend to do this. On the contrary. The greater the danger, the more the thing attracted him. Therefore straight through! I enjoyed it too to be together with such a daring fellow."

Richtofen died young, of course, and he died in a fight in the Valley of the Somme, his happy hunting ground. We are not likely to see his type again, and that may not be a bad thing.

--David Lang at Advance Book Reviews

I saw a biography about the Red Baron on tv and thought that he had an exciting life so I wanted to read his book that way I could read about it straight from the person that lived these events. The book is fairly short and you could easily read through it very fast without any trouble. He writes about his childhood,entering the cavalry and the war, then how he became a piolet and the rest of the book talks about his many victories as the best fighter piolet. There are a bunch of black and white pictures of the Baron, other German aces and a few planes. There is also a list of all his victims including the plane type, date, times and piolets and there is also a list of the planes he flew and which victims he shot down in which plane.

I liked the book because it's an easy read, it has some funny parts and exciting moments and in a way you get a feel for the man himself. However there are some things I didn't like such as he doesn't go into much detail through the book it's like he just breezes through some of his fights in a few sentences or so which kind of makes it anti climatic. One example is how his brother just shows up out of nowhere and is fighting along side him and not much is said about him. I'm also sure that there was some propaganda thrown in since this book was released during the war. I bet he would have wrote a far better book after the war had he lived but as we all know he was shot down.

This isn't the book to read if you want to know everything about the Red Baron but if you want to read what he experienced first hand then get this autobiography because it's a good read and it's coming straight from the horses mouth that.

I wonder if some of the fatherland stuff was added by one of the Kaiser's goons. This guy is a wild boar hunting nutcase. A great book if you wonder why Germany keeps starting wars.

This is a fantastic autobiography, because Von Richthofen was an amazing person. Very real (he devotes as much attention to his cousin and him climbing the spire of the local church, as he does to some of his aerial battles), full of good-natured humor and a zest for life. I particularly loved how the early fighter pilots were known as "Knights of the Sky", and kept to the chivalric code, including following downed pilots to ensure that they were all right.

Great book! Great photos and an amazing life told by The Red Baron himself (translated into English, of course!).

Excellent! Great images.

(Although much of the text is very technical and concerned with small and trivial details.)

This book explain a little about Rembrandt technique and some details in his paints. You can understand how could he painted so beutiful arts. But you won't be Rembrandt reading this book. Only the technique is not sufficient to be a master!
But, if you are a Rembrandt fan, you have to read this book!

This book is generous with loads of quality pictures of the masters work and an equal amount of text for the reader of history and the technical , a good buy certainly worth the money , I really enjoyed this and I suggest it to any one with even just a passing interest in Rembrandt and an insight into how he produced his work , they actually found some of his dna in his paintings (i bet that makes you curious). This and the other book " Rembrandt's Eyes by Simon Schama" is another beauty possibly a bit better than this one Schama's book spend the first half talking a about Peter Paul Rubens and the dreams Rembrandt had of being his equal , both are great companions to each other I recommend them together.

There isn't much more I can say, which hasn't already been said to reveal the great merits of this book. However I think the sheer quantity of 5 star ratings speaks volumes. This book is essential for any academic or personal study of Rembrandt, especially so for a painter as I am. On top of all the incredible detailed scientific analysis, the text is written very clearly and is even a pleasure to read. Above all, the detail shots of his paint surface, are breath taking and most instructive for any painter. They utilized different levels of magnification to reveal his work from the entirety of the picture down to the microscopic level. This book has revolutionized my studio practice!

Richard T Scott
Joelle-Scott Gallery

This book is not easy to evaluate, at a first sight is a very irregular book, amazing in many passages but extremely boring in many others, a whole chapter dedicated to the canvas support !?, with a great mass of technical information about thread density and weave, I think it is too much, a very important Rembrandt's trick like "glazing and sweeping" (that it is supossed he created this technique) is just overviewed when it is perhaps one of the constituents for the most amazing passages in many of his paintings.
My conclusion is that despite of Rembrandt's Project and a lot of scholars studying his masterpieces is very, but very little what we know. How he commited his works is an enigma like in Vermeer's case, so there are a lot of books about them but very little valuable information