Instruction Books

People try to put him d-down
(talkin bout my inspiration)
Just because he monkeys around
(talkin bout my inspiration)
Things he draw look awful c-c-cold
(talkin bout my inspiration)
hope he's still drawing when we're both old
(talkin bout my inspiration)...

This book sits front in center on the coffee table in the living room. It's great to watch peoples expressions as they flip through the pages. Love it...

If you want insight into a creative mind, this is your book. Here is an individual who has a unique vision that will not abide by convention and that is refreshing. Get ready for creative, erotic, organic and always refreshing work that does not abide by the mainstream. The mind of Nate is a refreshing one with longevity, creativity and originality. Get your own copy for inspiration.

a great little book with lots of the works by N8 Van Dyke (cheap also). Not for everyone taste I reckon..... hate it or love it. Personally I love it. The legends of the plates are hilarious, this guy is seriously crazy!

I was pretty surpised by Plan A. Mostly because I was expecting a gentle romp through the delightful mind of a wonderful artist. Unfortunately I hadn't prepared myself to be dragged roughshod over 23 miles of glass, nails and artistic insanity. After I regained my breath, and covered myself with bandaids six inches deep, I went for a drink. Then I had another one. And another one. Then I went back and read it again. I'm not saying that you'll need therapy after reading it. But it's probably good to make friends with a professional... Mostly because after awhile you'll start to think... "If this is Plan A, when can I expect Plan B-Z to come out? When, I ask you, WHEN???" I'm paying 150 bucks an hour and all my shrink will tell me is "Someday..." Grrrrrrrrrrrr... I'll never heal... and I don't mind a bit.

Emmons and Thomas convert the "Tennis Technique" to a singer's manual for mental stamina. My favorite aspect of this book is the charts. There are charts to help you schedule, program, and maintain mental, physical, and emotional stamina throughout your practicing, preparation, and performance. The book contains many appendices that contain helpful reminders, charts, and tips for singers who teach and those who just perform. Using minimum to no scientific language, Emmons and Thomas communicate the importance of having a power performance by aiding the singer/teacher in "starting from scratch" to build up to the utmost potential of performance. Using techniques and advice from Olympians and teachers of singing, the witty language and motivating advice can help lead anyone to success.

This is a very good book. The area of the mental side of singing and performing is really paid too little attention to. There are so many books about singing technique etc. At last a good book on this subject! After having read only a few pages, it helped me already. The book is giving me very helpfull practical tips about selfconfidence on stage etc. The only thing is, that the English which is being used, is not so easy to read as in most American literature (I'm from Holland). But the positive thing about that is that I am increasing my English vocabulary...

This is a book with very down-to-earth advice. What amazed me most was that the most things I had always felt about performance, but didn't know how to put in words, are voiced accurately, objectively, concisely and fulfillingly in this book. Also, many things I had never stopped to think about are also dealt with nicely. You will learn how to make the most of performance problems, their sources and consequences in order to help you perform well. There is great joy awaiting you in this book. You will never regret buying it. Buy it. Buy it. Once more: buy it!

I am a professional trumpet player. This book is the centerpiece of a long list of reading material I've culled ideas from over the years. NOT FOR SINGERS ONLY! All musicians can benefit from this book! The book challenges the reader to think and to act. It is not a book you can read passively. If you work carefully through the charts and teaching points you will be rewarded with performances you enjoy giving and ones that audiences will enjoy hearing! Simply put, you'll get out of it what you put into it.

This is the book that all others will be judged against. It leaves "Inner Game" in the dust!

The techniques in this book are applicable and a "must have" for any kind of performer, though directed specifically toward classical singers. Whether you are an opera singer, a rock & roller, an actor, an instrumentalist, a public speaker, etc., you can benefit from practicing "power performance". It doesn't come easily. There is a lot of ground-work that you must do to fully benefit, but you will find practical tools to use along your journey, even before completing the book. In my opinion, it's a much more thorough discovery process than found in "The Inner Game of Music", though along the same lines. Definitely worth the investment.

It was a great book, gave me what I needed at the pace I found acceptable. I also jumped into the middle of the book once to give a friend a hand and it was on polynomial functions. In ten minutes flat I was already calculating them! Amazing! If I continue at this rate, I can slack off in my Pre-Calculus college class and still pass! No, but seriously though, it's an awesome book and have recommended it to all my friends.

A great help in my Precalculus I class. The information is presented in a better manner than the textbook for the course.

I applaud Rhonda Huettenmueller and whole heartedly agree with the R. Orchanian review (the New York teacher). The very best available that absolutely takes the mystery out of this area of mathematics. The sequence of the chapters is superb, clear, concise and very, very accurate. It includes process steps that are left out of many *so called* self-teaching guides which leaves many students scratching their head. Just quite simply the very best book written on the subjct, hands down. I hope Ms. Huettenmueller doesn't stop here.

I received this book 2 weeks before my college entrance exam to smooth over what I momentarily learned in high school--I Do not want to end up in a lower than Calculus math class, paying for a class that does not give me any college credit.

So far I have been getting through a chapter each day, in about hour and a half of on and off study.

It is continuing to get me more comfortable with my math skills in a very short time. I Recommend it to anyone who fears there college entrance exam, or interested in learning Precalc on their own.

I am one of those pathetic cases who should have been a math major, but could not stay awake during the freshman pre-calc lectures conducted by bored and boring grad students. Now, nearly 40 years later I am determined to self-educate my way through calculus.

At first I took a crack at the Wiley "Precalculus A Self Teaching Guide". Holy cripes, what a disaster! Unnerving to find such an improbable number of errors, especially for student picking up after decades of non-study.

Then, I grabbed Rhonda Huettenmeuller's fine work, and am doing the practice at the end of chapter four. I actually remembered some of my advanced algebra and managed to work my way through the problems.

Well written and clear, she provides enough dimensions on problems to give you insight, then gives you room enough to have to think a bit. The answers are all provided, and are *correct*. Well, at least we agree, so that is certainly a good sign.

I especially appreciate how she teaches this from the perspective of tackling calculus as the next step, pointing out issues that particularly apply, and how, to more advanced mathematics.

Now, if we can just get her to write more books...

This is a must have book! I had bought The PreRaphaelites: Inspiration From the Past but this book is much better! The first book did not have the breadth of illustrations and seemed to focus a lot on the sex lives of the artists. Many of them were promiscuous, but their artwork is still awesome. The illustrations in this book are very inclusive and none of the large illustrations is split between two pages, which is true of the other book I got. The illustrations are gorgeous here and plentiful and the text is intelligent and informative without being too "heavy." I can't recommend this book highly enough for someone who enjoys the PreRaphaelites (and perhaps like me, wishes artists today had the same color sense, high ideals and delight in nature).

This is a stunningly beautiful book filled with incredibly beautiful art. The narrative text is well written.

This book is the most amazing introduction to the Pre-Raphaelites! The pictures are absolutely amazing, especially since this is an over-sized book and therefore the details in the photos are amazing!

I highly recommend this book to anyone wanting to know more about the Pre-Raphaeilite Artists (in general) and also to anyone that loves the Pre-Raphaelite works of Art & needs a good introduction!

First, let me say what I like about this book. It is profusely illustrated with full-page images, nearly all pictures mentioned in the text are reproduced in good quality, so one immediately sees what is described by the author. The text is free of jargon, lucid and highly entertaining (check the story of John Ruskin's unhappy marriage). Basic facts are rendered, short biographies of major painters are here, as well as some historical background (for example, the Aesthetic Movement and Oscar Wilde).
But this book has its weaker points. Mr. Christopher Wood does not specify what he means by "Pre-Rafaelite style"; sometimes it appears as he only means close adherence to nature and precise detailing. But what would he say then about German Biedermeier or French Neo-Grecs? The text overall is too smooth, it does not take into consideration newer approaches to art history (Norman Bryson's studies of pictures as sign systems, for example). So if you want a problem book, a challenging essay, you better look to Elizabeth Prettejohn's study. This one is just an introductory survey aimed at a general reader -- but a pretty good introduction, I might add.

I am a learning hobbyist artist interested mostly in portraits. An artist friend told me that I might be interested in the pictures of the Pre-Raphaelites. "Pre-Ra...What?"

When I bought this book I had not intended to read much of the text. I was primarily attracted to the beautiful pictures in the book, which I hope to learn from. It turns out that Christopher Wood's rendition of the biographies of these remarkable group of mid- to late 19th century English artists was exceptionally well weaved and readable. I got a very good education on the history of the Pre-Rephaelite art with fascinating details of the lives of the key players and, of course, beautiful, large-format reproduction of their best work.

I came across a number of books on this subject. Some have better and more detail prose, but none comes close to this one in terms selection and the quality of reproduction of the pictures.

From the first few words in the introductory portion of this book you start to remember everything that was wrong with the approach of your past teachers. I once spoke about Galamian's teaching methods with one of his former students. I actually saw the notes that Galamian himself made in a notebook. For years I've wanted to get my hands on those notes again. And now I can.

This book is an "All-you-need-to-know" guide to violin playing and teaching. Every possible detail is mentioned and, what I love best about this book, references are given to etudes to apply them in practice.

Of course, as Galamian himself said, no book can replace a live interaction with a teacher. It can only help with ideas. Well, this book can help anyone find another approach to problems they may have.

I would recommend this book to any musician. Although it extensively covers bowing and left hand technique, the most important aspects are in how to practice and master your art. The variations suggested can be used by any musician on any instrument and will take you to a new level of technical control.

I would not suggest this book for a beginner, this material is best learned from an experienced teacher. Advanced students and teachers should all have this book in their book collections.

As a former violin student of 9 years who moved towards piano instead, I have found this book immensely valuable in helping me as a Suzuki parent of a young violinist myself. If you have a child moving into the Kreutzer etudes, or in Book 7 or later in the Suzuki series, this book is a godsend. At this point in your child's studies, you have no doubt been listening to many great artists, and wondering how they attain the immense variety in tonal coloring, or how they actually implement such amazing shifts, or complex bowing techniques. This book, with its pictures, is outstanding in deconstructing these motions. While it is highly analytical in parts, the book is also excellent in addressing the body's motion as a whole - in showing the coupling between the hand, elbow, shoulders, violin... using well known extracts from etudes, caprices, and solo works as practical examples.

It most definitely helps to be an advanced instrumentalist in reading this book, as the author certainly presumes that the reader has a trained ear. The sections on how to practice will also be appreciated by those who have worked in intensive Master Classes, and have carried back from these classes some improved practice habits.

All-in-all, this is book not to be missed, particularly by the supportive parents of maturing artists.

this is a MUST for any violinist who is serious about playing the violin. This book has solution to all of the problems that a violinist faces, in addition, this is a great leaning tool, lines from major concertos are used as exemples. again, this book is a must for anyone who's serious about playing the violin or even becoming a concert soloist.

Ivan Galamian (1903-1981) was one of the great violin teachers of the 20th century. He taught people like Perlman and Zukerman, as well as countless other professional players of today. This book sets forth the essentials of his method. The text was written by Elizabeth Green, herself a Galamian student and a noted author and teacher in her own right. But the ideas are Galamian's. The small number of pages (100+) is deceptive; every sentence is packed with information and must be read carefully lest some important feature be missed. Violin playing is a complex mental and physical activity, and to learn it well demands the ability to focus on many small details as one trains the ear and the hands. This book is not really intended to be a self-tutor so much as a reference for the teacher and the student who is advanced enough to understand what Galamian is saying. It is not for beginners. A beginner book might tell you where (approximately) to put your fingers on the string to get certain notes. This book tells you (in words and photos) what your finger looks like when it is on the string, what part of the fingertip is pressing on the string, how hard it is pressing, how fast it should be traveling as it hits the string, the musical effect of different methods of lifting the finger, and so on. And that's only a tiny bit of what is written about what the left hand and fingers do. This is followed by a complete analysis of the mechanics and musical effect of every conceivable bow stroke. Matters of bow speed, pressure and point of contact with the string are all considered in light of the effects they produce, along with many more ideas concerning placement of thumb and fingers on the stick, angle of bow to string, and more. The book concludes with an analysis of effective practicing and teaching. There is much useful material on the relationship between technique and artistic interpretation as well. The many excellent photographs and musical examples add a further measure of depth to the book.

One small quibble: I don't think he spent enough time discussing how to play in tune. What he does say is all correct--he mentions that one must "think the sound" of the desired pitch as well as mentally prepare the hand and finger motion--he is speaking of shifting--but thinking the pitch needs to be stressed more, I think, and extended to thinking the actual sound of a beautiful violin tone as well.

This is a book for teachers and players who are advanced enough to know the areas they need to work on. It is considered one of a handful of classic books on violin playing, which include the famous treatises by Leopold Mozart, F. Geminiani, and Carl Flesch. First editions of this book (1962) are scarce and cost anywhere from ..., which says something about its importance, I think.

The BEST collection of pulp genre ever. Who knows what evil lurks in the hearts of men? Is there a Doc Savage in the house? Can I get that Fu Manchu to go? how about some Lovecraft? I guess it all should have warped us, but it didn't, and all that we watch and read today has drawn strength from these wonderfully cheap reads. Totally sweet from design to content. Robinson knows his stuff and it all makes for a CHERISHED collectible book!

This is a fully revised edition of the first pictorial history of the pulp magazines to be published and the authors finally got it right. There is a complete index of magazine titles and the artists who painted their covers, the images have been rescanned to eliminate any "moire" patterns that may have degraded the paintings, and the most unusual cover ever published has now been included (a painting by John Held Jr., famous for his "sheiks and shebas" of the Jazz Age). The cover has been redesigned and features the image of a pirate far more fearsome than Johnny Depp. This is the book that started it all and the price is now more than right. --Frank M. Robinson (I'm one of the authors).

I puchased this book for 50% off, and after reading it, I can say that even at full price, it would have been worth it. Page after page of bright clear reproductions of pulp covers, many almost full-page, with any extra space filled with smaller images. The book is divided into chapters based on subject matter: Westerns, Super Heroes, Sci-Fi, Horror, Gangsters, etc. The text is informative, but minimal - it provides just enough background on each chapter's subject and then lets the art speak for itself. Each cover is accompanied with information on the issue and artist, plus some informative personal commentary from the author. Plenty of top-notch artists are included, such as Wyeth, Baumhofer, etc. Don't buy this for an in-depth analysis of pulp magazines; the star here is definitely the art, and it delivers in spades.

Hard-boiled Detectives, mysterious heroes, shadowy villains, evil oriental masterminds, and dames in distress...they are the stuff of the pulp magazines and the subject of this wonderful book by Frank Robinson which traces the history of pulp magazines and provides covers to hundreds of these great pulp magazines, so many lost in the antiquity of time...not to mention paper drives of the 1940's war years.

Robinson begins by tracing the roots of the pulps back to the dime novels of the late 1800's. Argosy would premiere as the first true pulp back in 1896 and before long dozens of competitors would emerge such as Popular Magazine, All-Story Weekly, New Story and so many more. Street & Smith, long a major publisher of dime novels would convert their Nick Carter series into Detective Story Magazine in 1915. The pulps were born!

Early on, adventure pulps were the most popular as they transported readers to strange and exotic lands in a time when few would ever leave their own state. It's where we first read the exploits of Tarzan, and heard the names of writers such as Burroughs, Mundy and Rohmer. Adventure magazine was among the most popular of those early days and they even had their own organization you could join called "The Legion" which would one day evolve into the American Legion. Adventure printed more than just fiction, they had many regular columns including "Wanted: Men & Adventurers" where real life mercenaries could advertise their skills for hire.

In the 1930's, detective pulps became the most popular as there were literally dozens of detective pulps being published. Among the most prominent pulps of the day was Black Mask Magazine, started by prominent newspaperman and political commentator H.L. Mencken. But he considered the pulps so low-brow that he didn't want his name associated with them. Still, Blackmask was a breeding ground for some for some of the great mystery and detective writers ever to pen a story including Dashiell Hammett, Erle Stanley Gardner, Lester Dent, and Raymond Chandler.

Robinson's narrative moves from one pulp genre to the next, with a short, but concise history of each. He examines the Western pulps and the interesting history of the man known as Max Brand. Brand was the most prolific pulp writer ever, appearing in 622 issues of Western Story magazine from 1920 - 1935. From there it's on to the hero pulps and the birth of the most famous pulp characters of all including "The Shadow", "Doc Savage", and "The Spider". The Shadow's covers were always among the most evocative and terrifying, especially those by the great George Rozen.

But the genre that gave us the most outrageous and grisly covers of the pulp era belongs to the "shudder pulps". Bondage, torture, sadism, nudity...nothing was held back in covers for such pulps as "Terror Tales" and "Horror Stories". These pulps are some of the most sought after today by collectors.

Romance, spicy adventures, sports, war...all of these get their just do in Pulp Culture but it's the sci-fi and fantasy section that will be a major appeal for many fans. It was here where some of the most famous and long-running pulps made their mark. Hugo Gernsback would usher in the age of Sci-fi pulps in 1926 with Amazing Stories. Soon there were dozens of competitors including Wonder Stories, Astounding Stories, and many more. And then there is perhaps the most famous, most collectible of all pulps, Weird Tales. Weird Tales would unleash the enormous talents of Robert E. Howard, H.P. Lovecraft, Robert Bloch, August Derleth, and countless others with stories that would endure, and continue to be reprinted, decades after their original publication. There are dozens of covers provided featuring the works of artists like Margaret Brundage and Virgil Finlay.

Robinson closes his book by providing an appendix to a handful of pulp dealers and notes on pulp values. This book would be worth the $40 price tag alone JUST for the hundreds of stunning covers re-printed, but Robinson's concise history of pulps just adds to the luster of the book. Simply a magnificent book for any fan or collector of pulp magazines.

Reviewed By Tim Janson

This book is a marvelous journey to a time that will not come back.Guided by two wonderful connoisseurs: writer ,pulp magazines scholar and collector Frank M. Robinson and Lawrence Davidson,"PULP CULTURE" was a beautiful gift that I bought(via Amazon.com ,from the NIGHT OWL CAFE Bookshop in North Hampton,NH) for myself.Reviewing this work for January magazine,David Middleton said:"For me it's mostly about covers.Those lurid,sensational covers." Well,for me it's about everything.I love the covers,of course(see the HANNES BOK painting for the November 1941 cover of WEIRD TALES),but I admire, too,the stories and writers.The adventure tales written by H.BEDFORD JONES and TALBOT MUNDY;the mystery and detective stories created by legends like DASHIELL HAMMETT and RAYMOND CHANDLER;the western yarns concocted by pulp giants like MAX BRAND and FRANK GRUBER.And the Magazines!It's titles!It's alluring titles:THE ARGOSY,THE ALL-STORY,BLACK MASK,DIME DETECTIVE MAGAZINE,ADVENTURE,THE BLUE BOOK,THE POPULAR MAGAZINE,WESTERN STORY,THE SHADOW MAGAZINE,G-8 AND HIS BATTLE ACES,TERROR TALES,HORROR STORIES,STRANGE STORIES,AMAZING STORIES,ASTOUNDING STORIES,FANTASTIC ADVENTURES,FAMOUS FANTASTIC MYSTERIES,THRILLING WONDER STORIES,PLANET STORIES and so on...I have a good envy of collectors like Frank M. Robinson who owns hundreds and hundreds of these shiny magazines with their garish covers,a happy guardian of these rare and precious popular art objects.
The books published by Collectors Press are already much sought after for it's exquisite design and intrinsic quality."PULP CULTURE" is one of them.

I salivate over this book, and look at it daily. Diebenkorn has always been a big inspiration to my artistic endeavors, and the images in this book (plus the text, which is well written) is such a treat. Really covers it all!

Good book at an excellent price. It is worth it. Good pictures. Reading a little bit heavy.

I give it a 5 star because the content was exactly what I was looking for. To own a book by the author is difficult to find. The text is very informing and the photo's are true to color. I am always interested in abstract art, and I found it very informing.

One of the best art books I have read so far. The reproductions do justice to this master of color, virtually unknown outside the U.S.and, as a French reader,thanks to this book, I discovered one of the most impressive achievements in recent modern art: the Ocean Park series which Diebenkorn painted in the late 60's and early 70's. The other aspects of his oeuvre are, in my opinion, not as imposing, but to understand an artist, it is necessary to have a global vision of his output, and this is what this book manages to give.

Excellent monography about a painter all to discover; all the periods and technics are overviewed in a very pleasant language; a lot of place for reproduction of works of Diebenkorn and reproduction work is very meticulos. So, probably the best book about the work and life of Richard Diebenkorn

My wife and I had just returned from a trip to Egypt when we found out about this book. We had seen a few of the places in the book, but obviously not all of them. We were blown away by the quality and size of the photos, of both places we'd seen [but weren't allowed to take pictures] and places we hadn't.

This is an excellent book. There are dozens, if not hundreds of books filled with pictures of Egyptian art these days -- but this back far surpasses all the others I've seen.

Don't judge this book by the cover on the Amazon page. The cover is rather bland, colorwise, in contrast to the spectacular color illustrations.

The description says there are 30 foldouts -- but it doesn't say that these are huge foldouts--several pages long.

The thoughts that ran through my mind as I looked at the book were, "this is a cultural achievement -- the greatest tribute to the Royal Tombs of Egypt yet paid in modern history" and "surely this is a labor of love by Zahi Hawass, Director of Egyptian Antiquities."

For $65 (the original US price), this book is a bargain -- and even more so with the discounted price (as of this writing) of only $41.

Another exceptionally fine book from the publishing house of Thames and Hudson. Exquisitely photographed by Sandro Vannini and sterling text by Zahi Hawass, the highly respected expert in the field of ancient Egypt. For those who will never have the opportunity of visiting Egypt, this "virtual" tour of its royal tombs is an essential addition to any library of those interested in this extraordinay civilization.
Greg Slater
Australia

As a lover of all things Egyptian and a trained Egyptologist I had high expectations for this book.... and it delivered in every way. The fold-out pages give a fantastic view of the insides of the tombs that the average tourist isn't permitted to take photos of. And instead of viewing a small section at a time you have entire vistas laid out for you. The high quality photography shows the smallest details so clearly that you can see the individual bushstrokes and even places where the painter accidentally dripped some paint and forgot to clean it up. Every time I turned a page memories of my time in Egypt came flooding back.

If I have to make one complaint it would be that there are not enough images of the tomb of Nefertari, and perhaps also the tomb of Seti I. The images that there are are quite selective and do not give an overall impression of their beauty. Admittedly, the focus is on the Valley of The Kings, but Nefertari was a queen and henceforth royal, too.

All in all, this is a MUST have book for anyone who loves Egypt.

Nothing short of exceptional!!! I had heard that the book was a bit tricky to read - what with many foldout pages - but I didn't find that to be the case at all. This might be the situation for someone who is leafing through the book quickly - but this a book that needs to be savored. The photography is fantastic - you get a REALY good idea of what the insides of the Royal Tombs look like. I have no complaints, gripes, nit picks, etc. - This is a book to own and re-read and puruse for years to come.

I thought this book was an excellent read, although I wish there was more to read, but the visuals in the book make up for it, because Saber is totally awesome. You get a great insight of what goes on inside this mighty artist's mind, and you get to realize what kind of a good person Saber is. Then the amazing stories, including the one how he was able to do the Los Angeles river piece is great. Nothing else to say but that it's a good book, and I guarantee to read it.

The book was overall good and exciting with lots of laughs. Its kind of a kids book sort of speak... for graff writers. Mostly short storys and tons of pics. It can also be finished in one day, although i took two.

It starts out by going into sab's upbringing, which was acually interesting, kind of all makes sense. youll know what i mean when u read it.

Than it quickly dives into some of sab's legendary illegals and stomping grounds for AWR and MSK. It also grazes into a few other peoples lifes and tells some things that most people dont know.

I only wish he told more. I guess i feel that i got the short story of it all and i was in for the long. Im also very dissapointed that he never really got into king AYERS story, kinda just skipped over him.

all in all, its a book worth picking up for the price.

to sum it all up:
amazing artwork. deep, funny look into the life. in kind of a short story form.

It a great book filled in with great artwork. It shows why SABER is a KING.

Nice book, great stories and smart texts. Lot of pics and all you can ask to a book about an artist.

This was a pretty good graff book. I have others where the text part of the book was pretty aweful, where the writer(s) just basically say how great they were and how much better they were, or they were the first to do everything, etc. This was more humble and it complemented the pictures, instead of coming across as ingnorant/ selfish. I'm from NY and had little exposure to the LA scene, and this was a really good book, even though it is basically on Saber, not all LA writers. I recommend it.

I have yet to hear a song by Selah that I did not like - their harmonies and soul are inspirational. I wonder, however, if I can ever find the music for their version of Wayfaring Stranger. Selah's version of this song is the best I've ever heard, and our praise band would love to find the written music for it.

Simply a must for everyone considering praise seriously. Is not only because I`m a Selah fan, but because the anointment this group has is what it makes it an excellent oportunity to praise God.

Selah's recordings always touch the heart, and their arrangements in this lyrics book do, too! We have used several of the arrangements during our morning worship services at our church, and everyone has talked about what a blessing the music is to them. I had very high expectations when I purchased this book, and I certainly have not been disappointed!!

I already loved the songs in this book and now I can play them on my own. You do not have to be an advanced pianist to play these songs. Great for solo and duets in church.

This is just the music exactly the way Alan plays it. I still, of course, can't play any of these, but it gives me something to work toward. Most of these songs are in very difficult key signatures and I have not been playing very long.