Instruction Books

I'm a school art teacher. Teaching perspective to students is always a challenge. One has to think of examples to illustrate the different kinds of perspective.Phil Metzger's book has finally help me in this aspect. There are ample examples where I can draw from to make my explanation clearer to students. His Part 3 on "Special Problems" touches on perspective of complex structures and what he has shown are very informative and valuable to me as an art teacher.

The "Art of Perspective" is an impressive and very useful guide to achieve a convincing illusion of depth in drawings or paintings. PHIL METZGER shows outstanding talent presenting his techniques with simple and easy-to-follow explanations. With his guidance we succeed putting perspective into the picture- no matter how special our eye-position or view-point may be. And he does not leave out any complementary subject, like atmospheric perspective, light and shadow or reflected light as well as many other effects that contribute to the illusion of depth. Moreover his fine watercolor paintings stimulate us to contemplate, having adopted now the ability of showing what we see in a very convincing way.

This book is incredible. I highly recommend it.

The writing is detailed, clear and simple. The accompanying photographs, line drawings, sketches and paintings are numerous and clearly show what is being discussed.

The discussion is comprehensive but written in a way to make the subject clear without unnecessary clutter.

The author starts with "Natural Perspective" including the elements of size, spacing, tone, value, color, overlapping, placement, etc., then moves on to the rules of Linear Perspective.

I have a burgeoning collection of art, drawing, sketching and painting books and this ranks at the very top.

The discussion of Natural Perpective in the first several chapters is - by itself - worth the cost of the book.

I can't recommend this highly enough !!!!!

So many books fall far short of their promises. This one delivers.

I am an art teacher who has spent years teaching perspective, linear and atmospheric...and I have never found a very good book until this one!!!! The Art of Perspective: The Ultimate Guide for Artists in Every Medium

Illustrates and explains the right way to draw roof angles, shadows and reflections, as well as stairs, tile floors, wheels, etc. Uses many diagrams, photographs, painting examples (watercolor & some oil), and written suggestions for different methods to try in figuring out how to draw something correctly. Briefly touches on focus, reflected light, scale, etc; some step-by-step demonstrations on drawing houses. Some prior perspective knowledge might fill in some small gaps in information (struggled through Rex Vicat Cole's Perspective for Artists, a helpful 1920s textbook-like reprint) but this book goes to great lengths to illustrate perspective in a way I can understand.

I tend to do things without paying as much attention as I should, like buying this book without researching it's details.

I bought the book because my 5 year old daugher loves to draw, and because she's nuts over the Lion King at the moment. I figured it would be great for her to see not just finished work (like what winds up on television) but to also see sketches, concept drawing and paintings, and the like.

So I bought it. When I received it and saw it's pocket size I was so happy! It's absolutely the perfect size for a little kiddo like her, but the content is professional, serious and mature as I had expected. It's hard cover, totally full of pictures, and has glossy pages printed on high-quality paper. Some folks might have been put off by the size but for my purposes it was more than perfect!

We have great fun looking through it together and looking at all the different styles of artwork. If you or your kid likes to draw or paint, and likes this movie, You'll really be sorry if you don't buy a copy. No I don't work for Disney or Amazon. I just like to encourage and support my childs love for art any chance I get, and boy was this a great addition to her library.

Apart from the fact that my copy was close to pocket size, i thought that this book was fantastic. Not only does it come filled with amazing concepts, it also is accompanied with the Lion King Storyline. As an illustrator and student animator, it is a wonderful addition to my resources. The sketches through to the complete full colour images are for any Lion King fan, artists or just someone wanting a beautiful coffee table book. If your from overseas like myself and cannot get these kind of books in Australia, i reccommend Amazon and their associate stores. Buy this, its great.

I received this book as a birthday present last month. To say the least, I was overwhelmed with all the artwork in this book. I love it! The artwork and production animation is breathtaking! It's a really awesome book, I'd get it if I were you! You can't go wrong with "The Art of The Lion King"!!!

This book is one of the most exquisite things to come out of The Lion King. The graphics are beautiful. Most of the pictures are ones that are used for the storyboard and layout scenes. I reccommend it to anyone who loves The Lion King, or just Disney in general. Order with confidence - the book is worth much more than its price tag. It is also much more convient than the larger, more expensive version which I believe is no longer being produced.

"The Lion King," Disney's 32nd animated film proved to be a smashing success, appealing to young, old, and those in between. As it filled movie houses, Disney mania swept the country again. The breathtaking visual effects that fascinated so many are brought to stunning life in "The Art of the Lion King" by Christopher Finch.

This lavish folio-size volume traces the creative process utilized in making the film, from black and white sketches to glorious full-color reproductions and even splendid fold-outs, one exhibiting the surreal beauty of the African natural world.

Actor James Earl Jones, the voice of Mufasa the Lion King in the film, contributes the foreword, while the text is by Christopher Finch, author of "The Art of Walt Disney."

Those fascinated by the art of animation and those touched by the story of Mufasa, Simba and Scar will treasure this color and fact filled memento.

- Gail Cooke

I highly recommend the Black Dog opera books. They're the perfect way to learn about an opera: They include cd's of the opera by outstanding singers, photos of performances, historical and critical commentary, a scene-by-scene summary of the plot, and the complete libretto in both English and the original language, so you can play around with the translation if you're interested. They can't be beat.

This is a wonderful study score to Rossini's wonderful masterpiece. The story of a Barber named Figaro, who is the person that everyone comes to seeking advice.
It's easy to read and the size is standard (9in x 12in). It lies easily on a music stand or desk. It's low price is great for the starving music student. I highly reccommend this for professionals and opera-goers alike.

Be aware that the book shown when you take a "Look Inside" is NOT the book you get. What they show is a bound copy of the musical score with the libretto added. What you get is the libretto described in the written review, no musical score. That having been said, the book you get is useful and of interest, and the CD is a great recording.

One of Rossini's best operas, the Barber of Seville, is immortalized here in another one of Dover's fine scores. From the fast-paced overture to the "Figaro" aria (both made famous in old Bugs Bunny cartoons), this opera is nonstop greatness.

As usual, Dover has provided us with a book of the highest quality: they sew their books instead of gluing them so as for them to stay bound and be flexible, and they print legibly. Unfortunately, legible print is becoming disappointingly rare in modern scores, but Dover is the exception.

For a great score of a great opera at a great price, you can't go wrong with Rossini's Barber of Seville.

This book and CD set are the perfect combination for those who are new to the world of opera and not fluent in foreign language. Better than just a synopsis, the libretto in English lets you read every word so you won't miss the humor or pathos. As a homeschooling mom, I really appreciated this set as a teaching tool. I hope to increase my collection of The Black Dog Opera Library series.

I used this book to study before taking the Foundations of Reading MTEL. It was an excellent resource. I would highly recommend this book to anyone who needs some help in preparing for any Literacy Instruction exam.

This book is an excellent resource to use when preparing for MTEL's foundations of reading exam. I have bought many other books but none of them cover exactly what you need to study than this book. I would definitely recommend that you use this book and its a great price too.

This book was my one & only source of study for the MTEL F.O.R test. I had heard nothing but horror stories from people who had taken this exam. I have been out of college for 18 years and therfore out of practice taking exams. I used this for the F.O.R and not only passed but did very well. I also bought MTEL (the yellow & black book) for the Communications & Literacy and passed with flying colors. Good Luck!!

I just want to say how helpful I found this book. I do not have an education degree, and have never had a course in teaching reading or anything like it, but reading and studying this book helped me pass the MTEL Foundations of Reading the first time! Everything you need to know really is in this book. I am usually very skeptical about the claims of books like this, but I am definitely a fan. Many thanks to Chris Boosalis.

I took the MTEL Reading Foundations test and everything that was in this book was on the test! It was amazing. I am so happy I bought this book!

As someone who is just beginning in botanical illustration, I could not find a better instructional book. The author teaches you what materials to buy, what typse of paper to use, and leads you step-by-step through a number of lessons covering several different types of media.

I could not believe how well my first efforts turned out! I've looked through a lot of drawing books, and this is by far the best I've come across if you are interested in botanical drawing.

It is a beautiful book with easy to follow instructions arranged in a very organized way to help a student progress step by step. The spiral binding inside the traditional binding cover also makes it really easy to actually use this manual. It stays open flat on your table for easy reference while not looking cheap when standing in a bookcase. This book is actually worth buying and keeping. Unlike a lot of others, it doesn't disappoint and is truly informative rather than just being another pretty flower book.

If you want to learn to draw and paint flowers and plants from a botanist point of view, this is probably a great book for you. I have the DVD that can be purchased to go with this book and it is also great. Bente Starke King is an incredible artist with an impressive background in botanical illustration. She begins with teaching about basic form and perspective and then teaches about the use of graphite pencil in botanical drawing and how to depict a 3-D surface using 2 step-by-step demonstrations. Next, the book progresses to Pen and Ink with two stepped demonstrations. Next, you learn ink wash and again, demonstrations are given. Chapter 5 is Transparent Watercolor and 7 step-by-step demonstrations are given. Chapter 6 is Mixed Media, where watercolor is combined with other media such as pen and ink and colored pencils, along with 6 step-by-step demonstrations. The end of the book ties the loose ends by including how to choose a mat, framing,exhibiting,
copyright, etc..

This a beautiful book that can teach you a lot about drawing and painting flowers and plants. It is well-designed and written. I like the way Bente King combines the medias and demonstrates how this method enhances the richness and textures. Her DVD is excellent. I would recommend buying both the book and DVD if you want to speed up your progress. She is a wonderful teacher.

This gorgeous, well-written "how to" book for drawing and painting
beautiful botanicals is a treasure! It is spiral bound so the book won't flip closed on you. It is written by Bente Starcke King, a Botanical Illustrator who teaches at Cornell University. She covers everything from form and perspective, materials that she uses in her demonstrations, and beautiful illustrations.

She covers, with clear, easy-to-follow instructions, lessons in drawing with graphite pencil, using pen and ink, ink wash, transparent watercolor and mixed media. It's like having an instructor in a book, and you can go at your own pace.

The most fascinating aspect to me is how she layers watercolors to create her luminous color illustrations. Fabulous.
Sharyn from Portland, Oregon.

Whomever thought of the spiral binding inside the traditional binding should be knighted. That was a stroke of genius. If I am trying a new technique, I usually scan and copy a page but with this book, I just leave it open.

Bente's book would be useless (as well constructed as it is,) if it weren't for her terrific explanations. She shows the same painting in different stages, tells the reader where she or he can take short cuts and is over-all a great book for the beginning or advanced student.

I loved this book. Jane Bozarth is informative, without being too wordy. I loved that she included info for both PowerPoint 2003 & 2007 since many of us are just making the transition. I got a lot of good ideas from this book that will work well for just-in-time training, as well as for certain special presentation situations. Thanks, Jane!!!

This is a great book for the trainer who needs to create a quality rapid elearning product but doesn't have the time or budget for expensive tools. Ms. Bozarth really knows the program and she has some great tips on how to create compelling animations and engaging content. Team this up with the tools from Wondershare and you will be able to create some amazing elearning.

I pre-ordered Better Than Bullet Points because a preview of the contents seemed to fit my needs of creating engaging online courses. The book more than lived up to expectations; it is simply excellent in presenting its central thesis--"transform" your PowerPoint presentation, don't simply "transfer" it online and declare it a learning tool.

I have several well respected books on elearning, but their encyclopedic presentation is overwhelming. Jane's book is very well focused, flows topic to topic very naturally and logically, and most importantly, is substantive without dumbing down. And while she covers some PowerPoint techniques, the focus stays on pedagogy and field-tested design. Highly recommended for anyone who wants to get their first elearning program right the time. This is your user's manual.

This is a great book for people who have a knowledge of basic Powerpoint tools but want to take it to the next step in creating e-learning. It's easy-to-understand and follow and keeps driving home the point, "It's the design, not the software." People who may feel intimidated by e-learning design and development can use the tutorials and how-to's in the book to create quick, easy and effective e-learning modules. I received an advance copy and was able to use the principles in a graduate class I taught in the Fall. Students were amazed at what can be done with Powerpoint for e-learning purposes and were able to follow the step-by-step instructions. Their assignments reflected their ability to use the principles and guidance in the book, and I will be requiring the book for my upcoming graduate classes this Summer and Fall. The author is obviously knowledgeable, but more importantly, able to "speak" to readers less experienced. I recommend the book highly and also the resources on the author's website, [...].

I agree with everything the other reviewers have said to date. This well-written book (lots of active voice) is useful to anyone involved in training; chapter 2 takes Bloom's taxonomy to a very realtistc and pragmatic level that guides the reader to the most appropriate learning activities. I just finished a master program in distance education and I wish I had had this book in school. Bozarth's interpretations of Roger Mayer's principles of multimedia made more sense to me now than when I read Mayer's book in grad school. Not at all overly academic; very application-based on what most of us learned in school, but needed help in using the theories. Highly recommended.
Margaret Driscoll's "Web-Based Training: Designing e-Learning Experiences" with CD-ROM would make a great companion book to this one for anyone creating e-learning in a variety of delivery formats.

The Birth of Graffiti...I will begin by saying that if you have an inner soul of graff...the curiosity of where it was conceived...of how it was back in the day...the day where you werent even thought of...THIS IS THE BOOK THAT SPEAKS TO YOU THROUGH VISION.

I have never seen a book where the images speak to you as strong as they do in this book...but that is maybe because I have a love for NY and its Graff.

I have a GREAT amount of respect for Naar, and I thank him for bringing us these images of art(as we see it). He did not have to give us this gift, but he did. And the best way you can thank him is by purchasing this book AND adding it to your personal collection, as I have.

The photography is amazing...the shots are unique...and you can tell that the subject of the book IS the begginings of graff...where it all lived up to the hype that we are know. I was born in '79 and arrived to the USA in '84...so I never lived the days of which NYC was NYC...where the walls spoke in MANY voices and many ages in many languages. I have caught a glimpse here and there, but never what I have now captured with this BEAUTIFUL book of NYC-a city I love and GRAFF-the form of art I love.

If you really desire to know what it was like back in the day-on the real-how NYC really was...not no postcard propoganda stuff...GET THIS BOOK.

GREAT BOOK...take it from a cat who's introduction to graff was back in '92 seeing all the Kez5-Bruz-MsMaggs-FLone-Ench throw-ups all over Queens...

Get the damn book...you won't regret it.

NAAR...thanks man.

It was thrilling to see such a vivid documentation of early seventies New York and the graffiti of the period. The prints in this book mark an important period of graffiti's history where the building blocks of the craft were being developed for the first time on the walls, buses, and subways of New York City. Graffiti, for the first time became means of expression for a generation of urban youth in New York. The Birth Of Graffiti demonstrates the inception of style which was evolving on the walls of every borough of the city. Today the techniques and traditions pioneered during that period have been passed down through generations of graffiti writers to develop into one of the strongest and most innovative art movements of the last century. Before graffiti was on every brand of clothing, on billboard advertisements, and used for marketing schemes across the world, it appeared on, city buses, subway cars and the gritty brick walls of 1970's New York City. The youth of New York who created this work were the first innovators of this powerful craft which has now evolved into a worldwide art movement. Jon Naar's photography captures many important moments in a period of great change and turmoil for the city of New York.

this magnificent book speaks to me like no other book on graff, and i have many. aside from a nice introduction, there are no explanations about the photos, nor interviews with the writers, and none are needed. there is such a profound simplicity to these photographs. they expose the beautiful ugliness of urban blight in a sad and delicate light. you want to go there to relive a moment when things were louder, smellier and uglier but that much more innocent.(or so it seemed.) before digital, micro, macro, and the information super highway there was this; innocence, ignorance and bliss. there were no books, magazines or videos about it, there were no websites and rest of the world to share your passion with. there was just you and somewhere out there others like you. whole youthful identitys condensed into an alter ego embellished onto a steel messenger then sent to announce "you were there". unknown in the flesh but known in word and deed. we all spoke and wrote an esoteric language that only a choosen few really understood. to have been there, to have seen it, to have breathed it, ate it, sleeped it, to have known it as it was, not as it is now will remain to me always, a privlidge. how lucky we are that jon naar choose to preserve these precious moments in time as if it truly might mean something one day. i thank you sir. p.s. great review by j.son.

Birth of Graffiti could easily have been titled Faith of Graffiti 2. It is basically Faith of Graffiti with added photos from Jon Naar's archives. Some of these photos such as a The Man 550 piece and marker tags on long extinct subway vending machines bring me back to the days before a slew of talking heads with erroneous sociological and psychological theories started writing books explaining our culture. Mr. Naar's photos are striking and capture graffiti in the transitional period between tagging (single hits) and piecing. Many of the writers documented quit before piecing became the fashion , but the emphasis they put on handwriting style is more formidable than the signatures most writers throw up today. I watched this movement from birth to death on the NYC subways and was lucky enough to participate in it. Although not as visually dynamic as the work that came later, this period fascinates me more than any other. I grew up seeing the names featured in Naar's photos, wanting to meet them and follow in their footsteps. We all owe Jon Naar a debt of thanks for preserving the roots of an ever-changing culture. The book is a must have for any old-timers who want to re-live their glory days and neophytes who want to learn who the real pioneers of the culture were.

This is a really well done book - the photographs are incredible and the printing is perfect. Unlike many graffiti books, this one is very well laid out and is "arty." A very professional treatment of the rough edges of the first spray can art. If you lived in NYC in the 1970's this book will take you down memory lane. You will pick this book up time and time again.

Excellent! The proof is in the pudding. I plan to build the T-2, one of the proas covered in detail. Only the book is needed to complete several proas from start to finish, including sails. Each boat also has options as to material and rig. There is plenty to ponder including the author's website and links. I was looking for something light weight, fast, and different. An outrigger should attract some attention on the boat ramps here in Maine. Paul

If you're interested in building a sailing outrigger or have simply always wondered how these somewhat mysterious boats work, this book is a "must have" and contains a tremendous amount of information, especially for the price. People who have read my book (Canoe Rig) know that I place great value on plenty of top-notch illustrations. Gary's book is crammed full of them and does an excellent job of showing you exactly what he's talking about in the text. They also inspire the reader to build one (or maybe even all three) of the boat projects illustrated, just because they're beautiful boats. Toss in the bonus that they're light, fast and relatively easy to transport and store in the off-season and the become even more attractive. The "Ulua" design, in particular would also make a great paddling hull in case you aren't interested in sailing all the time. Building procedures and options for all three designs are well documented and discussed. This is, after all, a boat building book, not just an explanation of the types and principles of outrigger canoes (though you'll learn a lot about them as you read and build). In short, this book will be a great addition to any conoeist's library and any or all of the boats illustrated should be a very nice and unusual addition to your fleet.

Todd Bradshaw
Addiction Sailmakers

Congratullations to Gary Dierking for a great book in the art of boat building a pacific sailing outrigging. There is enough writing and a lot of pictures to clear any issues a person may have. This is a great reference book for any amateur or experienced boat builder.

As a sailor, builder, and designer of multihulls, and collector of multihull related books, this one is unique! Dierking presents three simple and attractive designs, from a hard chined plywood outrigger for a first time builder or for a class project; to a strip built asymmetric hulled proa that is also simply described and laid out for a first time builder.
The book also details the construction of amas, akas, spars, and foils; everything is covered. If you are inclined to purchase plans from Dierking, this book would be the perfect primer. Actually, it's a great primer to anyone interested in building a small sailing craft.

Well written and illustrated. Three different designs and their variations are presented. Since I am rabid about proas I read it cover to cover and enjoyed it immensely. I don't think it's enough for a beginner to build a complete canoe just from the tables of offsets and parts diagrams but perhaps an experienced craftsman could pull it off. I still think it would be better to buy the full plans if you're serious about building. The plans will have the construction sequence, tips, instructions, etc. that the book lacks. Thus this book is a long advertisement for Gary's plans but I don't find fault with that. I wish there was more about actually sailing the canoes. I liked reading a little more of Gary's history building and designing canoes. In the end this book is exactly what the title says.

Not only are the pictures exquisite, but the text is extremely engaging. This book really speaks to me. Of all my design books (and I have a lot of them), this is my favorite. I re-visit it again & again. The introduction by Donna Karan says it better than I can. This is an inspiring and amazing book if you are passionate about color, art, fabric, antiquities, and most importantly objects with a genuine patina. You won't be disappointed!

This is my favorite decorating book of all time. It inspired me to experiment and create different looks, and I highly recommend it.

French 18th century chandeliers swathed in organza, colorful Japanese candies in charming boxes, luxuriant fresh garden roses scattered across a ballgown skirt-if these images appeal to you, Carolyn Quartermaine Revealed is a must see. The book is a hybrid of fashion and interior design, and showcases fabric designer and collage artist Quartermaine's London flat.

Her home is also her studio, where she is constantly experimenting. She favors the romance and elegance of antique French pieces tempered by clean, airy surroundings. Passionate about color, Quartermaine appreciates beauty in both grand and mundane objects-from the peeling paint of a fine old gilded chair to a pretty ice cream wrapper. The exquisite photographs show yards of luscious silk in robin's egg blue, vivid pinks, and tangerine against a backdrop of crisp white. Calligraphy-both Asian and Western-is another passion of the artist. Her contemporary twists on the classics are smart, fresh, and entertaining.

Essentially Quartermaine seems to live in a splendid world of her own creation, and the book gives readers glimpse in to it.

I adore Carolyn Quartermaine! Several years ago I was captivated by a House Beautiful cover that featured gorgeous, lusciously colored printed silks. I saved the magazine, and later bought this book, only to open it and find the same photo. I was thrilled to finally find the artist who I'd been carrying in my head all those years. Carolyn is absolutely amazing, an incredible textile artist, as well as a beautifully creative individual. This wonderful book includes not only pictures of her work, but also a section on arranging food, and everyday objects that will make you feel like you've slipped into some heavenly version of Wonderland. An excellent book by an inspiring artist!

I found the book first class, but need more help from Carolyn's followers. I am studying at Staffordshire University for a BA (HONs) in Surface Pattern and my research is covering Carolyn Quartermaine. Information about her is limited. Can anyone help me anywhere please by sending me information at sylviroyal@aol.com Thank you so much.

This is an excellent book covering almost every aspect of not just chanting but understanding what all those lines, dots and wiggles surrounding the text in the chumash mean. There is a complete rundown of every te'am and how it fits into the context of the verses, and there is an example in a later section on how each te'am is chanted, basically in the Ashkenazi tradition. There is also a lot of interesting history of the development of the Torah scrolls and history on Torah and Tanakh traditions and also a section on pronunciation.

One word of warning. In order to understand the significance of the te'amim in the context of the verses, you need to have a fairly good knowledge of biblical Hebrew, both vocabulary and grammar. The context of the words in a verse determines which te'amim is assigned to their accents. This is, of course, separate from the te'amim that are assigned to indicate the vowels and pronunciation.

If you want to know absolutely everything about chanting Torah, Haftarah, or one of the Megillot, this book is for you. Every special circumstance is discussed, every rule of reading is discussed and the history and evolution of how and why we chant the way we do today is discussed. It is a wonderful resource for those who teach trope.

This book is a must for anyone seriously studying the nuances of cantillation. This large tome includes chapters on grammar, punctuation, and epistemology. I recently heard a lecture on the meaning of the trope (musical notation)in relation to the meaning of the Hebrew words; amazingly, they informed each other. Such information fills these pages. My son, who studies old manuscripts elaborating some of these topics, was thrilled to receive this book as a birthday gift. The author, Joshua Jacobson, is also the director of a chorale, specializing in Jewish music and his CDs are well worth the price. He's a master in many areas of music and I was fortunate to attend a conference recently where he was the keynote speaker. He's an outstanding scholar and a mensch.

I know of no book that can even compare to the scope and depth of this one, therefore I cannot give it anything but 5 stars. It is a thorough reference of the history and melodies of the cantillation, including a CD and musical notation of all cantillations used for public reading. It is appropriate for all levels of knowledge--from a beginner to an experienced reader.
The grammar he presents is not quite up-to-date and there are minor problems with the phonetic notation he gives certain letters and vowels. However, all in all it is quite excellent.

It is a great book that finally shows that the cantilation is not arbitrary, how it contributes to the sense of the text, how
it works with grammar. Instead of teaching the Taamim as
a dogma, it actually shows how one can understand a text and
put the Taamim himself. It also reveals the grammar of the texts.
I bought four more for my friends.