Instruction Books

Wonderfully presented book of a great artist. Personal and career information is contained in a nice format. Art is described in the context of the time and the artist - his influences, the influences of the time.

Edward HopperThis book is a great presentation of the outstanding Hopper exhibit at the MFA/Boston. Well worth seeing.

One of the highlights of my summer was attending the Hopper exhibition at Boston's Museum of Fine Arts, for which this volume (published by the MFA) was the companion text. At 288 pages, mostly filled with suberb reproductions of Hopper's paintings and sketches, this volume is comprehensive enough for even the most devoted Hopper fan. Perhaps only Gail Levin's "Catalogue Raisonne" offers a more comprehensive look at the artist. No matter how many art books you may own, clear a spot on your shelf or coffee table for this one. You will not be disappointed.

The book was published on the occasion of the exhibition: "Edward Hopper", organised by the Museum of Fine Arts, Boston; the National Gallery of Art, Washington, DC; and the Art Institute of Chicago, 2007-2008. It comprises a series of nine essays by different writers, and concludes with Notes, a Chronology, a Checklist and Figure Illustrations and a Selected Bibliography.

This is a handsome volume large in size and almost square in format, illustrated throughout predominately in colour. The informative essays, each dealing with a specific period or genre, discuss the artist, his work and his methods, are illustrated throughout, with the relevant works appearing on or close to the page on which there are discussed. The illustrations are excellent, virtually full colour throughout, the black and white images being mainly drawings or period photographs. Many of the paintings are reproduced half or full page size, with a few full page bleed images of a detail from selected paintings. The quality of reproduction is excellent, often revealing the brush work and surface texture, and the colour rich and vibrant. In total there are 202 illustrations of which 180 are in full colour, they represent works in oils, watercolours and prints. A very desirable publication.

Plenty of catalogs and art histories have featured the works of Edward Hopper, but what makes EDWARD HOPPER different is this emphasis on his strengths from the 1920s-1940s, when he produced many of his greatest works. A focus on European influences, critical reactions to his productions, his themes and choices, and his special challenges makes for detailed insights on the personality and ambitions of Hopper, while full-page color illustrations - some 150 in all - provide visual emphasis. Perfect for art libraries and for public lending collections seeking even one definitive Hopper coverage.

Diane C. Donovan
California Bookwatch

This is only the fifth in the series of 15 graphic novels for this series and there are some great single stories here, but the value of this series is in the whole series. It is in my opinion the best Japanese Manga series available. It's overall story is close to earth with no robots or aliens and the problems encountered are true to life, which makes this such a great series. I highly recommend this series to anyone looking for a great Manga series that is touching, romantic and heart warming.

When Kyoko gets together with her family to commemorate the 3 year anniversary of her husband's death, an uncomfortable topic comes up. Her relatives begin to pressure her about when she's going to remarry, settle down, and have some kids! Kyoko begins to scout what Yusaku and Mitaka's attitudes towards marriage are and what they would expect out of a wife. Neither prospect seems especially attractive. Kyoko isn't the only one wavering between two lovers as Yusaku is still seing Kozue a bit, and Kyoko even catches him trying to sneak an inebriated girl he just met into a love hotel! The big event in this volume is that Yusaku's ancient and tiny grandma who could almost double for Yoda comes to visit Maison Ikkoku. She has her own designs on hooking up Yusaku with a good woman, and she's willing to step on his toes to get it done.

Maison Ikkoku reads to me like a slice of life independent American comic. This would be a good manga for a non-manga reader because it's just about normal life. Rumiko Takahashi is a genius when it comes to taking ordinary events and milking them for comedy. It's almost like watching Seinfeld in its mix of surreal moments of humor with human truth on how the human animal reacts to situations. Volume 5 of Maison Ikkoku continues the excellence this series started with and gives you the feeling that it will never decline as it goes forward.

The fifth Ikkoku graphic novel is good. But they're all great, so this being great is nothing special.

OH, BABY
Kyoko's mom pressures her to remarry so she can have grandchildren.
MY NOTES
Contains some pretty funny visions Kyoko has of whether she marries Godai or Mitaka. And it all ends in a SLAP!

A VERY TIGHT GAME
The Cha Cha Maru baseball team steps up at bat!
MY NOTES
18 to 11 already?! Are they playing baseball or basketball?!

SHALL WE... REST A WHILE?
Godai goes to a love hotel with a girl, but is caught by Kyoko.
MY NOTES
Godai truly needs to grow a brain cell.

GRANDMA GOES TO TOWN
Grandma Yukari arrives at Ikkoku to visit. Also, Godai and Kyoko are forced to take Yukari to her Tokyo reunion.
MY NOTES
These old women are SENILE! Getting names confused and jumping from emotions are proof!

STOP FOLLOWING ME!
Yukari follows Yusaku on his date with Kozue.
MY NOTES
No important notes. It's just a funny chapter.

COME ON A MY HOUSE
Mitaka invites Grandma Yukari and her grandchild (who he thinks is Kyoko) to his house.
MY NOTES
REALLY funny! Especially when Yukari tells the story of her marrying Grandpa Godai.

GRANNY'S OL' PLUM WINE
Soichiro (the dog) gets drunk!
MY NOTES
That's one grabby little pooch!

PLAYING HICKEY
Kyoko gets jealous over a hickey on Godai's shoulder. Little does she know, Sakamoto accidentally gave Godai that hickey.
MY NOTES
Just cause he's spineless and clumsy doesn't mean he doesn't have-Plenty of GIRLS!

A HOT WIND
On a trip to Okinawa, Godai runs into a very `talkative' girl name Konatsu.
MY NOTES
A good chapter. It's pretty appealing, but I can't figure out why.

OK. That's all.

Another delightful book in the Maison Ikkoku series. I seem to be repeating myself quite often with these words, but anyway good book. The book begins off with the usual struggle: Kyoko vs her parents this time the topic of argument is grandchildren, and leave it to Mrs. Chigusa to drive bamboo shoots underneath Kyoko's fingernails. Mrs. Chigusa even invites Mitaka out for coffee, and of course Mrs. Ichinose and Yusaku are with them. The main highlight of this book, however, is the arrival of Godai's Grandmother Yukari. She meddles in Yusaku's life trying to find out his loves, so she seems to pick up very quickly that Godai has feelings for the beautiful Kyoko. She even gets Mitaka to take the gang to his apartment so Godai can check out his competition, and let's say that Godai falls quite far behind Mitaka in the material world, but Godai is our hero he will persevere. hehe

After a long stretch of melodrama, Rumiko Takahashi deals with some more lighthearted material in the fifth "Maison Ikkoku" volume. Now rereleased in their original order, this charming little collection mixes drama, comedy, and romance in equal measure.

Yusaku Godai has just returned from his stint in self-imposed exile... and he has a bad cold, Kyoko isn't home, and the other tenants are tormenting him. No sooner has he recovered than it's the holidays, and despite his poverty Yusaku manages to give his beloved manager a special gift for Christmas. But Valentine's day brings a new set of problems when Kozue gives him a gift of pansies (meaning: Keep me in your heart), and Kyoko finds out about them.

Things get more complicated when a frustrated Kozue asks Mitaka for advice on men -- and people think that Mitaka is secretly involved with Yusaku's girlfriend. But Yusaku has bigger problems: he finds himself threatened by the memory of Kyoko's late husband Soichiro, when Kyoko's father-in-law asks him to bring her Soichiro's old diary. And Kyoko finds a strange entry in the diary, but the postcard that was tucked inside is missing. It fell out in Yusaku's bag. Will he do the right thing and return it to her?

Since the previous volume of "Maison Ikkoku" had lots of drama and misery and angst, Takahashi lightens things up here. Kyoko's imagination runs wild when she's urged to have kids -- she sees herself surrounded by dozens of squalling babies. Soichiro's food-diary is pretty odd. Yusaku's hormones run wild when Kyoko buys a leotard. And finally the "ship of fools" plays dress up with their high-school clothes -- yes, even the relatively sane Kyoko joins in.

But the romance ante is upped too, as Yusaku and Kyoko accidently kiss (after Akemi drunkenly smooches both of them), and Yusaku goes to great lengths to prove himself to the woman he adores. The two of them aren't involved -- and won't become so for a long time -- but Takahashi knows how to stretch out romantic tension without making it snap.

Our loser hero has grown up a little, and become more responsible and less of a goofball. And Kyoko (who is having sexy dreams about Yusaku) is definitely starting to move past Soichiro, although she's still definitely hung up on her late husband. And except for the beleagered preteen Kentaro, the other inhabitants of Maison Ikkoku are as nutty as ever.

In its fifth volume, "Maison Ikkoku" opts for fluffier standalone fare, but it's still quite touching and romantic. An entertaining continuing story.

This is one of the best book I've ever encountered!

The programmed instruction approach works really effectively and should be used more often by other authors. In addition, it just goes to show that anything can be made easy to learn and understand, it just depends how it's taught.

This book is brilliant. It adopts a teaching style which lends itself to anyone. The approach taken to teaching engineering mathematics, by this book allows you to teach yourself in less time and with more comprehension than any math book I have seen before. When I was a student of engineering, our teachers often prescribed texts which you could not fully understand without the teachers involvement. If they hadn't covered the chapter beforehand in class you could not confidently teach yourself from the book alone. This book should be used as an example of how the teaching community should change their approach to teaching the sciences. Spend you money on this book without hesitation. I wish this author would write similar books on Chemistry, Physics, Mechanics and every other field of science/engineering. Thank you mr. Stroud

THIS BOOK BY MR.STROUD IS THE BEST MATHEMATICS BOOK AVAILABLE.IT IS VERY UNDERSTANDABLE AND I RECOMMEND IT TO EVERY ENGINEERING STUDENTS WORLDWIDE.

I always wander in a library to get good,user-friendly textbooks.I found that book one day incidently.Later I like it very much so I even bought 2nd hand one from book shop(New is out of print)Every one who study Engineering should use and get benefit from it.It explains every concept in down-to-earth,clearest way.I recommend to try both Engineering Mathematics and Further Engineering Mathematics.In addition,other books by same author as same format: LAPLACE TRANSFORMS,excellent book again.Nobody explain laplace transform in that 'amazing' way.You could study differential and integral calculus,plus various other topics Matrix analysis,Probability,Differential equations,Theory of equations, Advanced Integral functions like Euler's Gamma function,Beta function,Elliptic functions etc.Also excellent text for the students of Physics,Mathematics and technical peoples. Last word,if you are Engineering student,you must have it.

Thank you very much to Mr.Stroud who encourage and help in my studies by his excellent book.I wish you write other books in same way.

This book is the best book around in my opinion! Forget about the books given at A Levels. If you use this you will pass ( C or above )! This book goes through things so easily that you will think what all the fuss was about. Good for basics and further studies.A former A-Level student (1999).

I love Weschler's writing and the subjects he writes about, especially on art. He has an interesting way of looking at things, bringing together history and art, broadening our understanding of the visual world we live in. A great book that will get you thinking!

This is what art criticism at its best should do - converge themes from present and our rich history in a clear language.... not obfuscating academic deconstruction but brilliant exposition with beautiful language and so many rich references - it's a joy to read and it actually affirms the fact that you already have very rich knowledge base inside (instead of trying to teach and preach). It weaves our factoids into a beautiful tapestry of human experience, synthesizing and unraveling our time here.

Having read reviews on Amazon and other places, I placed this item on my wish list and received it for my birthday. I was really looking forward to reading it - I love stuff like this and read quite a bit as a diversion from business, fiction, and science reading.

Unfortunately I don't share the same level of enthusiasm for this work as the other reviewers here. While there were times the columnist/blogger/casual-essayist style was entertaining, at many points I found it a bit like listening to someone working hard at making connections because he could, not because they really were all there. If I were speaking with the author at a party, I'm uncertain I would listen to him speak about one of his convergences for very long - not because he lacks education and depth and has some cool ideas - it's just that some of them strain to much to convergence. Is it really convergence when someone forces two things together rather than discovering the intersection?

I guess it felt like naming cloud images. Fun, but not for long, and sometimes no matter how hard you try, the other person can't quite see the pattern you see. But I am only one voice out of many, so take my perspective in stride.

For its strange and compelling originality, I gave this book five stars. Author Lawrence Weschler's visual connections are unlike anything I have ever been exposed to. And it was because of this work, that when I was compiling photos for my parents' 50th wedding anniversary, that I began to notice family photographic "echoes."

A picture of my 1-year old brother in his stroller, mouth wide open in toothless glee, reaching toward the camera, echoed a photo taken at family gathering 45 years later in which the only things different are the chair in which he sits and his gleaming teeth. His body language, his expression, even his adult-sized outstretched arm are the same as the boy from the stroller.

These sorts of echoes are commonly seen in your standard `grip-and-grin" shots at traditional events such as birthdays and weddings. But in one-off photos like the baby/adult ones of my brother, there's something more at work. Did a buried memory surface when a similar photographic situation arose that caused him to echo his own pose from 45 years before?

That might explain the same person subconsciously reacting to a similarly presented situation, but it fails to explain completely separate scenes, at different times, featuring a random set of people or circumstances that nonetheless are captured in an eerily identical composition to each another by artists not known to one another.

Not all the connections in this book are photographic. Weschler includes geographical, artistic, scientific, and architectural connections, too, in which human behavior could not have influenced the outcome. This is a provocative look at an unusual and inexplicable phenomenon of things that converge between time and place.

Lawrence Weschler has a powerful mind. The essays in this collection cover such divergent topics as art to politics. The author, however, finds was to connect seemingly unrelated works. The essays are a camera into a very thoughtful mind who looks at the world and tries to connect it to himself and tries to connect the edges to each other.

I personally had purchased this book and was reading it during a time of poetic writer's block and I found the essays so thought provoking that I produced at least 3 new pages of writing.

The only drawback is that a few of the essays are a bit dated. I am referring here to primarily those on Solidarity. I feel to really understand those in better detail I would have to do some more research on that time in our history.

This is a great intellectual read and is a pleasure for the eye as well with great photography and artwork within its' hardcover pages.

This book was very easy to use. It was just like vocabulary books you had in middle school. You start off learning things like prefixes, root words, suffixes etc. Then they start putting words together. It will help you understand medical terms when you break them down. The flash cards also help.

This is a great way to learn medical terminology. It's easy to understand, interesting and presented in a way that makes it easier to learn than just straight memorization. I am planning on keeping this book and not reselling it, because I think it will be a great reference for future classes as well.

I paid extra to have them delivered in 24 hours and sure enough, they came. Awesome!

Classes started and its not a class you want to be behind on. I odered the book though my school, but it was on backoreder forever. Finally got mad, cancalled my order though school and I ordered book here, paid a little more because I wanted it over night! I guess I'm better off getting the book though amazon. Atleast I didn't get far behind!

In a different school, I took Medical Terminology their book is confusing, This book is GREAT, pic to show where stuff is, and explains. I understood this book a lot more then the old one!

My son finds this book very helpful in his prenursing course which is also entitled Medical Terminologies. It is thorough and comprehensive. The root words are very helpful and the pictures are descriptive.

The Fanatic's Guide shifts the One Note emphasis from recognizing pitches to producing pitches. The accompanying CD contains 12 tracks, 1 in each key. Each track sets up a key, and then drones on that tonic chord for about 5 minutes. The book suggests a number of exercises to sing over the drone, starting with correctly being able to sing diatonic and then chromatic pitches against a key, and then moving on to singing multiple pitches against the drone. This book is both challenging and immensly rewarding. I am now able to identify almost all pitches against a key (still getting the b2 and #6 in tune), but I am much more excited about my new found ability to create melodies and really hear them internally without the aid of an instrument. In my practice sessions each Friday, I have been singing random melodies using any of the pitches I have worked on so far. I have been playing a relative minor arpeggio against a major chord for years, but it has been muscle memory and habit as much as anything. Now I'm really hearing what the 6th, root, and 3rd sound like againt the tonic. When I'm really dialed in, it almost feels like I'm high (or so I would guess).

So how does all of this transfer to the real world, you ask? I have noticed some minor improvements, but I wouldn't say I have a new set of ears just yet. I can pick some things out on the country station, and I think the sight singing exercises have been helping with vocal rehearsals in my band, but that's about it so far. On the other hand, I have been playing music in some form since I was six, and nothing in all of that time has improved my ear as much as the hour a day spent practicing these exercises for a few months. So with that in mind, I have enough faith in this path to keep at it. I just ordered the next books in the series, and look forward to seeing what I start to hear next.

This method is excellent! If I could give it more than five stars I would. If you're willing to put in the time it pays off. I have been working on the exercises from this book for almost a year and my ear has improved tremendously. Follow Mr. Arnolds directions in the book exactly as spelled out and you will do yourself a big favor. He has put in the time learning this material himself and knows all the pitfalls of doing it wrong and has distilled a method that works. He learned from the pros and has published what he learned. If you want a nice glossy book with lots of cool pictures this isn't for you. If you want something that works get it, do it, and you'll be amazed. The bottom line is you have to the work for the results. I have noticed some reviews that note the starkness of Mr. Arnold's books. His books are all substance and no jive! He shows his dedication to the material he presents by providing a FAQ section on the museek Website. You can submit a question and he answers it right away, sometimes in minutes, never more that 24 hours. That really surprised me!

I have been working with Mr Arnold's ear training methods for just over two years now and would like to share with you some of my experiences over that time.

There is no other system of ear training i know that constantly pushes the boundaries of your aural perception. Working with his is as Mr Arnold reminds us a "lifetime's journey". Over the years i have steadily gained the ability to recognise any pitch in relation to a key center and sight-sing any required pitch readily (including chromatics). That is what one note complete and the fanatic's guide seeks to achieve.

The above lays the foundation for further development. In December of 2007 I finally completed key note recognition, that helps you to learn to adapt to various modes(major and minor) and recognise the key by listening to how notes function in relation. Now I am beginning work on two note that builds recognition for multiple notes and following complex modulations.

All this is impossible without dedication and an intense commitment to practice, practice,practice. As a guage i have worked at this at least an hour a day broken up into short sessions over the last two over years. And without keeping to this and really working at it, you won't be able to really understand what this method is all about. But IF you do, this will really change the way you are involved with music.

Just to describe a few simple experiences...

- Early on i began to gain a deeper sense of the music i was listening to. Suddenly everything opened up what can only be described as a kaleidoscope of colours.

- As an active musician, people began commenting on how musical and expressive my performances were getting and always "spot on" with pitching.

- Am now coming to grips with progressively more harmonically complex melodic forms such as modern jazz and funk.

I'm now embarking on the next phase in my ear training that is two note and beyond. I know it's going to be nothing short of gruelling, but with the positive changes that I have experienced in aural perception, I really can't wait to discover what else happens along the way.

Many thanks to Mr Arnold for his fantastic work, gift to aspiring musicians and continuing commitment to music education.

I've been using Mr. Arnold's approach to ear training for about a month now. I have found it very challenging but on the same hand very rewarding. The main thing I have come away with from Mr. Arnold's Ear Training method is how damaging interval based ear training can be to your musical development. He believes that you must first understand how to hear the sound of all 12 notes against a key. I was a little unsure whether this all made sense but after working with this method I am seeing real progress. I'm currently using a combination of the (Ear Training One Note) and the Fanatic's Guide and I find it to be a winning combination. If you are serious about developing your ears like I am, I'd highly recommend checking this method out and starting off on the right path.

I bought this book about 6 months ago. I have only been working on two of the exercises so far but even that has really turned my head around about how to hear sound. I basically have found that this book has started to change my perception of how to identify sound. Though I haven't mastered the ideas presented in this book I am starting to realize that you can indeed memorize the sound of each note within a key and use this as a method to identify pitches. My overall recommendation is not to get this book if you don't have a lot of dedication to practicing. I have found the exercises to very difficult and quite honestly was about to give up a few times. I suppose each person who might buy this book is coming from a different place so my comments may not pertain to everyone. For me, I just couldn't latch onto a method of ear training that worked for me. This method is no "walk in park" but it is working and that's what matters to me.

Good book for any helicopter pilot. My husband crashed his helicopter last summer, luckily he survived but the ship was destroyed. This book helped him get back into flying and learn from his and others experiences. As his wife, I liked the book also.

My daughter's boyfriend requested this book for Christmas. I was very happy to find it and receive it so quickly. It is exactly what he wanted! Thank you Amazon!

WOW!! I am a Helicopter Pilot w/just over 200hrs logged.This book has so much life saving information on what could happen to you when you don't cross all your " T's " .This book is so easy to read , its perfect for students & professional Helicopter Pilots.If you don't want to hear the truth about what could happen to you,then this book is not for you. I can't tell you enough how I wish that all Helicopter flight schools and the FAA should make this book manatory to read.This book could SAVE YOUR LIFE.

Well,i had been looking for a book related to helicopter accidents and causes until i saw "Fatal Traps For Helicopter Pilots".The dramatic accident rate of helicopter operations always took my attention and made me ponder over the subject.This book gives vast information of helicopter aerodynamics and inspects the accident "cause" and "result" logic,rather than connect the dots theory.It does not matter if you are a novice or a veteran pilot,you had better have a look at the Fatal Traps For Helicopter Pilots,because i am sure that you would find something from yourself in this book.
Bottom line;Helo pilots must read this book in order to save lives,because the experince which is the most valuable asset in aviation world comes to you with a reasonable cost.

First off, the idea of dissecting accidents to learn what/what not to do is a great idea and something that rotorcraft pilots definitely miss out on--Whyte should be praised for taking the initiative to do this. On the downside, too much of the book is just raw accident reports (or Whyte's summary of them) that offer either the most basic details or minutiae that makes sense only to the manufacturer's engineers. At some points it's frustrating to read through these not knowing where they're going, or trying to understand technical details only to end a chapter without getting any insight from them. Whyte could have vastly improved this book by taking the time to cut through the crap in these reports and focus on the details relevant to the point he's looking at, although the page count would have been much smaller...

On the flip side, the value in this book comes from:
1/ It is specific to helicopter flight and operations
2/ Whyte's sorting thru all the accident reports that illustrate all the bad stuff you read about in your training. In addition, some (but not all) of the illustrations and explanations go far beyond what you'll find in other books (eg, the FAA's book), making it a good complement for what you'll need during your training. For example, Whyte's book has the best explanation of VRS/SWP that I've seen.

I would have liked to see more focus on R22-specific issues (the SFAR 73 accidents) and a chapter on personnel safety at landing sites would have been a nice addition. Operation-specific hazards (eg, long-lining, operations over water or dense forest), discussion of the relative risks in different ships, and an analysis of how a situation could have been averted or recovered would have made this book a grand slam. Don't get me wrong, all student pilots should read this book at some point in their training, but I hope Whyte will significantly improve the content in later editions.

This is a great book, with excellent color schemes and pallets, examples, and explanations galore. There are times that I can't find some of the themes I'm looking for, but this book makes it SOOOO easy and wonderful to see great examples of wonderful work in simple genres that so many clients are looking for.

I can't give this book rave enough reviews. I would easily rate this book up with the color index book.

Looking for a book to help you and your clients communicate and understand each other? This is it! You know when they say "innovative" and you are thinking one thing and they are thinking another thing? This is the book to take with you to your meetings, for sure! I am excited to do that with my next client! I can pull out the book, show them pictures, fonts, and groups of color, and say, "Is this what you mean by 'fast-looking' or is this?" Then my client can thumb through the book or look up adjectives in the back section and show me exactly what he or she means.

While the intent of this book is wonderful and in great ways succeeds in showing a great variety of design examples, I found the presentation to be less useful. Sure it gives super examples of designs that almost anyone would recognize, but it is difficult to share a book when the spine does not lay flat without cracking the binding and the print and page is so small that even right side up it is difficult to read and to one side or upside down it is impossible.
I'll use it more for a reference book than a hands-on tool.

The simple, precise organization of this book helped me to see the ruts I tend to fall into and how to branch out. I doubt I'll haul it around to meetings, but it's a wonderful reference.

You know what feeling you want your audience to be left with, but how?
This book is the answer.
Colors, type faces, questions, word index, and style, all provided with examples.
Thank your dear Author and designer!
This book showed me how......

this book cotains hundreds of photo's of paintings, drawings and refrences photo's of tim hildebrants artwork. It also cotains the original sketches of the paintings of lord of the rings paintings. highly recommended.

I hadn't actually heard of the Hildebrandt brothers,but got this book for the simple fact that it bore the name of Tolkien.I opened it up and there it was,scenes I pictured in my head were now right in front of me,in richly painted acrylic colors,with moods of sadness,fear,peace,and courage.I recommend this book and give it five stars!Get it come on you know you want to....

The Bros. Hildebrandt were *the* Tolkien artists of my youth, and even today, when I find my own artistic interpretion of the scenes varies so much from theirs, I still deeply appreciate what they did, and am thrilled to see their calendar work -- with the associated sketches and model photos -- reproduced here.

The childhood anecdotes by the author -- son of one of the Brothers -- are occasionally interesting, more often annoying. But the art itself remains glorious.

As any Brothers Hildebrandt fan knows, Greg and Tim's first Tolkein calender went on to become a worldwide bestseller. Some of the art,such as Unexpected Party or Gandalf with the Balrog was simply brilliant. Some of it looks dated today such as the hideous 1976 granny dress that Galadriel wears or the Sgt. Pepper mustache on Aragorn and the silly looking Fell beasts ridden by Nazgul who look like they're about to fall off at any minute. Oh well. Nobody got out of the 70s without some style howlers. Laugh at the funny stuff and be awed by the great.

One of the strongest and most charming elements of the book is the descriptions from Greg Hildebrant's son who was five when the brothers began working on the calenders. Young Greg's memories are full of wonder that's in keeper with what his uncle and father were working on. It's not all sweetness and light however, young Greg remembers that toward the middle of the project things got increasingly difficult in the studio. The pressures of the deadline, creative disagreements and artistic disappointments (Among other things the brothers didn't have time to do a huge battle scene that they'd planned) and the need to do separate projects are all mentioned.

Besides all three Hildebrandt calenders, the book has pictures of privately commissioned works (some of which are better than the orginal paintings), prelim sketches, and photos of the models. If you loved the work of the brothers or have just discovered it this will be a highly entertaining treat for you.

I loved the Hildebrandts' art as a kid, and I appreciate being able to revisit it in this handsome volume. Engaging scenes, fabulous detail, vivid colors, and some of the best Tolkien paintings ever (the Ring of Galadriel, Old Man Willow, the Pillars of the Kings, Saruman and the Palantir). Their influence can be seen in many subsequent interpretations of Tolkien (compare the Hildebrandts' "Eowyn and the [left-handed] Nazgul" with the same scene in the 2004 Ted Nasmith calendar) and in much "generic" fantasy art.

But... Some of the earlier works have odd perspective (check out the chimney in "Gandalf visits Bilbo"). The hobbits look like children (the 5-year-old Greg Hildebrandt Jr. was the model). Shadowfax just fell off the carousel. Treebeard is a cartoon. Rivendell looks like a gingerbread house. Smaug appears to be made of plastic. The Nazgul fly around on rubber chickens (really, that's what they used as the model). And Aragorn's mustache! Perhaps it looked majestic in the 70s, but now it's just laughable.

It is interesting to see the sketches (some of which are superior to the final painting) and reference photos. The text is annoyingly told from the author's perspective as a 5-year-old model, but contains some amusing nuggets like the rubber chicken fell beast. I didn't think much of the pullout poster -- it's certainly not their best work. Still, on balance I would definitely recommend this book to anyone with an interest in Tolkien (unless you already have the calendars).

It is given to particular artists to do the impossible. Claude Monet paints light. Andrew Wyeth paints time passing. You can hear Jonathan Green's paintings. In "Bessie Mae", he paints not only the singer, the song itself springs from the canvas. "Silence With The Birds" transfixes the mind, making common imagery so new that you may as well have just been born. Green belongs with those rare artists whose work leaves you seeing and feeling the world in a new way. You can spend an hour with this book, go for a walk and see fresh grace in the movement of the human body, sense something new in your step. All that and more, you will find in this book. There is in every painting the identifiable signature and the present quest - something that goes to your belly, and makes you whole. This is world-class art, visionary, accomplished, redemptive. Green's work expresses the spirit of a people who endured hundreds of years of brutal oppression, created the greatest religious songs in the language and fought a revolution without guns. Here is love, made visible. As in Rilke's poem about Apollo: 'You must change your life."

Last month I went to Charleston, South Carolina for the first time and discovered the art of Jonathan Green at Gallery Chuma. If I could be a piece of art, I would be painted by him. The art is shown in chronological order and the evolution of style through his career is evidenced. There is one color plate per page so each piece is easily viewed. All are in color. The art section is prefaced by three lyrical, thought-provoking chapters about the artist, the relationship of Gullah heritage, African American aesthetic, and his art as an expression of the layers of experiences mixed cultures bring to humanity. One chapter mentioned the flowing movement in the artwork which is also what first piqued my interest. I just can't help but wish that all that is good in the world of Jonathan Green's art could be in everyone and make our world a better place.

of color and of life. His vivid paintings make you feel glad to be alive

Conroy has done a splendid job of putting together the works of Jonathan Green. Not only does the book show Green's unique style to best advantage, but includes great information about the Gullah people and the artist. A must have book for anyone interested in the Gullahs or Jonathan Green.

a beautiful book of green's work
if you are a fan of his artwork--this book is an excellent compilation in both presentation and accompanying text