Instruction Books

Here's a secret to share with a friend.... Kim Marshall's remarkable book about sexual relations between lovers is a treasure and one of those rare books that will change your life. In our sex- obsessed culture, Marshall points out how little we really talk amongst ourselves and our lovers about the most intimate and pervasive of all subjects. I have no idea why this book hasn't become a national blockbuster but here is a guarantee, it will. It is hard to read the book and not tell someone about it and its "secrets". Secrets that are so obvious, we have trouble seeing them.

Sex is a two- way street and there are certain biological and cultural imperatives that dictate an essential truth: The needs of the woman must come first. A simple secret but one that is rarely acknowledged even in today's world.

Mr. Marshall is a gifted writer who is both informative and humorous. In a popular and commercial culture that buries us with impossible- to- meet demands on sexual performance, he clearly gives the reader guidance on how to build a trusting and loving sex life... without frustration.

So, buy one for your partner, friend or adult child to help them understand these truths about men and women - then enjoy a fulfilling and satisfying sex life that will last a lifetime.

Spread the word, The Great Sex Secret is an amazing book and an absolute must read.

You will have Mr. Marshall to thank for changing your life.

"The Great Sex Secret" is a very good book. It is short, clearly written, and most interesting. I learned alot. Put simply, the book offers practical information on how women and men can experience orgasm during intercourse. Reading this book together is an ideal way for partners to discuss their sex needs
The book is helpful for various audiences: young women, young men, and older couples.
Humor is employed throughout the book in a pleasing way. The result is that the reader smiles alot, even chuckles, without the importance of meaningful sex being disparaged.

This highly readable and straightforward book will be fascinating to heterosexual men and all women who want to have good mutual sex. It should be core reading for any college course on human sexuality.

-Peg Winship, "Ask Beth" columnist of the Boston Globe

For years books, movies, and TV programs have set the expectation of mutual climax during sex. But does that really happen? For as many as 85% of women the answer is no.

Most of us have seen the hilarious scene in "When Harry Met Sally" when Meg Ryan fakes an orgasm with much screaming, yelling, and thrashing about. A woman at the next table deadpans "I'll have what she's having."

Kim Cattrall who played Samantha Jones, the vixen in the series Sex In The City, confesses that she was sexually unsatisfied for most of her adult life. I'm reminded of the phrase "I'm not a doctor, but I play one on TV."

Unfortunately, too many women today share their frustration! Traditional intercourse almost always ends in climax for men, but rarely for women. While this might satisfy women over the short term, over the long term it leads to frustration, anger, and bitterness.

Kim Marshall, sex educator and author, provides answers to solving this problem in "The Great Sex Secret."

Marshall has worked in public education since graduating from college in 1969. He was trained as a sex educator and began developing and teaching a sex education curriculum, reaching more than 1,700 young adolescents over the years.

Marshall addresses, in simple, clear, and concise ways how to address the physical and emotional challenges that prevent so many couples from achieving mutual satisfaction and shared intimacy. While technique is important, you also need to address communication, love and romance. All those things that strengthen a relationship, especially a marriage.

Great Sex that satisfies both partners can and does happen. I highly recommend it!

Read "The Great Sex Secret" by Kim Marshall to find out how!

Kim Marshall's book is a delight to read! Even though at first I was skeptical of one secret that would solve everyone's problems, by the end of the book Marshall had me totally convinced his suggestions can help most (heterosexual) couples have better sex - and more fulfilling relationships. His incorporation of facts is always interesting and balanced with humor and charm that make the book as enjoyable and funny as it is important. Its emphasis on the connections between physical and emotional intimacy in both one time "hook-ups" and long-term relationships is persuasive and insightful. It is a crucial read for people with any level of sexual experience, and I have already begun recommending the book to all of my friends!

If you enjoy Edward Gorey's work, you'll enjoy this. Both drawings and text have been crafted with exquisite precision and wit.

In this sequel to "The Haunted Tea Cozy," the Bahhum Bug returns to Edmund Gravel and takes him on another journey to ponder over the fates and destinies of others. Upon their return to Gravel's home they calmly await the millennium. After all, will another day make a difference in the lives they just saw?

If you're unacquainted with Gorey, don't start with this - start with Amphigorey. But if you've already got the EG bug, here's another must for the library. This sequel of sorts (in as much as anything can truly be linked to anything else by EG), is a delight that will get you snickering everytime you put marmalade on your aubergine.

The following facts should be made clear immediately. There is not, in spite of the title, a single bust in this book (to say nothing of headlessness). There is not even, I might go so far as to say, much of a plot. But what there is lives in superb Gorey glory. The best way to approach this book is to consider it a sequel to Gorey's "The Haunted Tea-Cosy" (which actually did include a cosy of spectral proportions). Our heroes, Mr. Edmund Gravel and the Bahhumbug have finished saying goodbye to the last of their guests for the evening. Ah, but a creature soon comes to spirit our protagonists, "from place to place, where there is shame, also disgrace". The story uses such delightful and little heard words as "druthers" and "aubergine" while telling the lightly lamentable tales of a host of people. Each situation is privy to a little four line poem in the style of a-b-a-b. The subtitle of this book was "A Melancholy Meditation on the False Millennium" and by the book's end both the Bahhumbug and Mr. Gravel sit, drink their tea, and think about the new Millennium (looks of horror clearly plastered on their faces). This being one of Gorey's later works, we can't criticize it too severely. Mr. Gorey had a style all his own and there is a plot here, buried as it may be. If you're partial to Fellini-esque tales of woe, you will like this book. If not, best that you pick up a copy of something entirely different (like "Betsy-Tacy" or "Goodnight Moon") and leave this book to those who would enjoy it better.

Edward Gorey died in the Hyannisport Hospital on April 18, 2000 from heart failure. On April 23, 2000, Charles Osgood on "Sunday Morning" (CBS) aired a final interview with Gorey and gave a short memorial to him. Gorey final interest featured finials, and his final stuffed creation was the figbash. Gorey's first work was THE UNSTRUNG HARP (1953) and THE HEADLESS BUST (1999) appears to be his terminal one unless he has left some manuscripts for posthumous publication. Let's hope that he did. He's gone, but he is now draped with the robe immortality and on his way to take his place in the Pantheon of Literature next to Edward Lear and Lewis Carroll. A fitting poem for his mausoleum would be one by Walter Hamilton: "I never had a piece of toast, Particularly long and wide, But fell upon the sanded floor, And always on the buttered side."

Even though I haven't broken 100, this book has given me the areas to focus on to break both barriers (100 & 90). Wish this was on Audible, so that I could hear it over and over. Great Job.

I can't believe that I am writing a good review for Mr. Tomasi. I loved this book. It is better than a lot of his other books. I recommend this book even if you want to break 100. It tells you what you have to do to get there. I liked how Mike Adams writes. it is simple and makes you want to go on the course to try out what you read. Get this book. I can't believe this is the same TJ Tomasi. If you want to break 100 or 90 then get this book. it will help you.

The first golf book that I have really understood when reading it. It breaks down many of the mysteries of golf in easily read, easily understood English. The touch of humor, here and there, also adds to the enjoyment of reading this book. In the space of 90 days from first read, I was able to reduce my handicap by 6 shots, win 3 competitions at my club and begin to really enjoy the game. It does work and I have recommended it to many of my golfing friends.

I started golfing regularly (about 3 times a month) last summer, practice at least once a week at the range, took a few lessons and finally broke 100. At that point I purchased "How to Break 90".

This book does an excellent job at teaching course management to avoid the dreaded blow up holes which ruin our scores. You will learn how to break down each hole to avoid hazards and to play within your ability. Instead of blasting a long iron or fairway wood on your second shot to the green of a typical par 4 hole, the author advises you to layup with a shot within your means to achieve your "personal par". There will be situations in which you can take chances and "go for the green", but in most cases, the risk doesn't pay off for golfers of our ability.

This book, together with practice will help you lower your scores. In fact I broke 90 (84) for the first time last month. I still hit plenty of bad shots but instead of trying to pull off a heroic shot to save par, the book has taught me to take my medicine and I usually do no worse than a double bogie.

Besides the outstanding course management help, "How to Break 90" also teaches you a variety golf shots in easy to understand language with a sense of humor. Highly recommended to all weekend golfers who want to improve.

I bought this book, even though at the time I was trying to break 100 rather than 90. I really liked the way the authors focused on course management and the short game rather than swing changes. I also liked the little bits of humor scattered throughout.

The authors make the point that if you average a 5 on every hole (something they call "Level 5's"), then you will shoot 90. I took this a step further and told myself that if I could shoot Level 6's, that's a 108. So if I could shave a few strokes from there, shoot 5 on a few holes (which isn't that tough, even for me), then I could break 100.

Sure enough, using thier course management advice and focusing on shooting 6's, not thinking about par, I broke 100 several times in the my next few rounds.

I'm now re-reading the book, and practicing some of the advice I thought was too advanced back then, and refining some more to hopefully break 90 soon.

This book truly helped my game....one of the few books I can say that about!

From the day my 5year old daughter got hold of this book and "I can draw animals" she is stuck with these. She completed 4 drawings at one sitting and always wants to do more. The best part is the simple visual instruction that shows the way without any adult supervision. Great book!

I bought this book for my six year old daughter. The book has simple steps for drawing that were easy for my daughter to make. My daughter has gained confidence and feels great when she has to make drawings for her book report. I also enjoy these drawings. We recommend the book.

..but don't know what to draw. It is full of ideas involving people and is easy to follow for children who cannot read.

Hours and hours of fun! My 4 year old daughter and my 4 year old nephew received these for Christmas. They both use these books for hours and we also do it as a family. These (I Can Draw Animals, I Can Draw People, What Shall I Draw Today) are the only ones we have so far, but they are super. Not only are these books teaching my little girl how to draw, but reinforcing time alone drawing, group activity, sharing and "Please pass the yellow", etc... Every child should have these books.

I Can Draw People is an excellent teaching book for young children. It teaches them how to draw in simple steps. It is easy to follow with pictures kids love. This book and series helps children gain confidence in their art skills.

Why is this book so good? Unlike most books, Richards takes the time to explain why each of the example pieces are important, and what you should pay extra attention to. He also really holds your hand in the improvisation practices by suggesting notes (and explaining why the suggested notes were suggested). Also very good is the use of different keys in the pieces. Some blues books tend to stick to C or G, but in this book the keys are varied (and Richards suggests going back through the pieces in other keys, which is a very good idea).

My only wish is that Richards makes a sequel to this book. This does not mean that this book isn't completely jammed with material, or is too easy: no on both accounts. I found myself wanting to learn more of the advanced "cliche's" which make Blues sound like the Blues. Nonetheless, this book is the best there is on the market for blues or improvisation instruction.

This is, by far, the best blues piano book out there. Mark Harrison's book is also good, but more as a quick guide for those who already have some chops and some understanding of theory.

Richards' book is a full course in Blues theory and practice and as such, you have to work through it. I've been at it for 14 months now and have just finished the second chapter. The material is perfectly paced for a pianist of my level (about Gr. 2-3, RCM, 30+ years ago). The pieces are fun to play and jam packed with important ideas and blues cliches. I'm really starting to see the beginnings of true hand independence that works , not only when I play memorized pieces, but that I can invoke when trying improvisations!

If you want to play professional-level blues piano in a month, then this is not the book for you. If, however, you live in the real world and are prepared to work at it, this book will do more than show a few riffs or tricks. It will give you a deep and firm foundation in popular piano improvisation in general, and blues in particular. I estimate I'll be another couple of years with this book and I can't wait to get back to it!

This book is a work of genius. Thank you, Tim Tichards!

I'm an aspiring jazz pianist in Canada (I'm 32). I'm another one of the victims of the classical music education system that was taught to read the page and nothing else. I always thought that people who were good at jazz and could play by ear were born that way.

When I was in high school I wanted to play jazz piano. Someone recommended the Mark Levine book to me. I tried going through it but gave up because I couldn't even figure out what a II-V was from his explanation. I figured jazz was this impenetrable language. I was sick of classical lessons by that time and gave up the piano.

Fast forward ten years when I decided I didn't want all those hours of practicing (before school, even) to go to waste. I headed to a local music store and literally went through every piano book before I found IBP. It's pretty much been a revelation, from discussions of notations to chord types to ideas. I still suck at improvising, but before this book I wouldn't have even tried.

I've got Tim's other two books on my shelf, patiently waiting for me to get to them. Seriously, his books are phenomenal. If I had found IBP back in high school instead of Mark Levine's brick wall of jazz accessibility, I might be ten years ahead. I can't recommend it highly enough. Rumour has it he's working on a fourth book about Latin piano, too.

There realy are not many great methods for the blues out there, but Tim Richards is thorough and goes into the required detail to show you how each blues style works.

The examples are very playable, suiting more or less an intermediate level pianist. Richards is one of the few take-away instruction teachers to be concerned about fingerings, and takes the trouble to suggest good ones. His playing instructions work very well and add a dimension that you don't often get in these method books - he has a great insight into the chords, and the notes and the way they fit the music. The breakdown of theory is very well explained, if sometimes overdone. But he never floods you with scales without showing you how to apply them - that in itself is a good thing!

Richards' choice of music is impeccable, and calssic blues standards of af all styles are presented from boogie, to funk, slow blues, and some jazzy numbers. And he shows you music in a number of keys so you aren't stuck to one or two and get a work out in the other keys. I found the music very playable, and well sounding, although I didn't always find the improvising instructions that intuitive.

The historical background he gives is accurate and informative and the pictures of blues and jazz legends really make this book interesting.

My criticism of the book is that it should have stretched up to the more advanced techniques of the blues - where the top players are, like Oscar Peterson, for example. That is its dissapointment - a teacher as good as this who dedicated the time to work a out a progressive and different course in blues shouldn't have stopped at the middle level. He surely should have stretched us, his interested audience up to the highest level.

But this should not stop you from using this very useful and inspiring book - I Thank you sincerely Tim.

Now and then you run across a method book that makes you a better player and is great fun to work through. "Improvising Blues Piano" is one such book. It starts out very simply and steadily progresses to a pretty sophisticated level. The accompanying disk is well recorded and the author's playing, particularly his timing, is quite musical. On most examples, if you can make your playing sound like Tim Richards, you'll really swing.

Starting in "C" and moving on to other familiar blues keys, the author mixes theory and practice in a logical progression of "bite sized" lessons that are very complete and doesn't assume anything about the student. At first, the experienced player may find the pace a bit slow but each section builds smoothly upon the foundation of the preceding material and I think it's worth while to patiently work on your weaknesses. When you can make those first simple exercises sound really musical, you've learned something valuable.

The volume is accessible to beginners (this will take you a long way) while remaining useful for the more advanced because there is so much good content. I particularly like that he weaves in biographical information of known blues players along with examples of their style. The history of blues unfolds along with the student's expanding ability to play.

If you are interested in the blues, I can't think of a better learning tool.

I found these tapes very helpful in preparing for a trip to Japan. They were a good supplement to basic lessons since listening and repeating is the way we all learn language. I also liked the practice in being able to understand Japanese enough to formulate an answer. The tape gives you the opportunity to speak Japanese in response to conversation, yet still repeating the correct words and intonation. The price was great too. The only drawback was the somewhat limited selection of phrases used. I learned them well but got tired of asking and responding to "do you want to eat something ?"

This is worth doing if you dont have a lot of time and need some survival Japanese.

Quick and simple: I used over 10 different tapes, and these were the only ones that I could learn from. The tapes go through phonetic pronunciation as well as interacting with the student forcing them to think about the words and recall them when prompted. Pimsluer is THE BEST!!!

I'm a language teacher and I've sampled several of the Pimsleur basic courses. I've concluded that they're great IF: 1. You're a beginner in the language. If you already know the basics, the leisurely pace and frequent repetition will drive you up the wall. But for a novice, that's just what you need. 2. There aren't any subtle phonetic distinctions in the language itself that need to be explained in writing beforehand. For example, in the Cantonese tape, the word for "you" sounded like "lay" when the female speaker said it and "nay" when the male spoke. This needed to be explained. Fortunately, the Japanese pronunciation is clear and simple throughout. 3. You want a tape that you can listen to while driving or walking. These are perfect for that.

So far, I've found the Japanese tape to be the pick of the litter, followed by Swiss German, Haitian Creole, and Western Armenian. I couldn't stand more than a few minutes of German and Spanish, which I already know, but for someone else, they might be just the ticket.

Again, if you want a good place to start with Japanese, Pimsleur makes it a walk in the park.

I am taking a beginners level Japanese course and I found the Pimsleur Japanese tapes a great supplement to the classroom work. I think it does a great job in providing positive feedback and confidence for a beginner. In contrast with some of the critical reviews I've read, I found the tapes to be very good. Sure, after the four tapes you're not going to be a native speaker. You will be familiar with the sentence structure and some verb use in a very painless manner. It's actually fun! I'd like to do the entire course, but the price of the complete course is high.

Consists of 8 lessons 30 minutes each for 4 hours instruction. I spent 30+ hours listening and repeating each lesson multiple times in my car while commuting. I highly recommend this product as well worth the money. What it teaches, it teaches well. But, only 4 hours of lessons has its limits. The selection of phrases I am sure is good but still, limited due to the fact that it is only 4 CDs. I live on a tropical island and meet Japanese tourists every day, these lessons have been great but I still can't carry on a significant conversation. These CDs, which were easier and had me speaking better than a ... eight week class at the community college, gave me the ability to attempt a conversation with a Japanese speaker. I have just ordered the Pimsleur Japanese One 15 CD set ... . Wish me luck. My recommendation is, if you need to get comfortable speaking a few Japanese phrases like "My name is", "I'm an American", and "I only understand and speak Japanese a little", so that you are ready to go up to a Japanese person and say "Hi", order this product. If you are serious about and want to learn conversational Japanese, skip this product and go for the much more expensive Pimsler Japanese One.

this will teach you the fundamentals in creating your own voice in jazz guitar, instead of wriggling your fingers, now you can play interesting triadic lines and hip modern superimposed harmonies, thank you andrew green!

Very clever book, I never read the notions explained here anywhere else,
or maybe it was because it wasn't clear enough. The material is precisely
organized and the examples sound great. This gave me another way to hear
bebop, recognizing some structures.

You have a lot to work on this stuff to make it comes naturally, but the
challenge is really worthy, so good luck !

peace

This book, though limited to just a few melodic structures, gives a very good insight to what improvisation is about: telling your own story, using coherent and consistent melodic structures. It goes to the basis, and because it doesn't overwhelm you with all possible modes/scales/structures but just sticks to a few powerfull tools, enables you to understand and implement. A must for the advanced guitar player.

I have all of Green's books and they are uniformly excellent. Structures gives you a wealth of applicable information. Not scales, or licks, or weenie theory, but applicable ideas. Intermediate++.

This book has been the stepping stone I need to get to applying arpeggios all over the neck and combining different sounds with them. I've only gotten through the 1st section (minor arpeggios) and I'm not only more able to connect arpeggios over the neck but also able to substitute them in over other chords. For instance, before this book I didn't know how to substitute and play only minor arpeggios over a ii V I progression. Now I know multiple ways and can very the sound depending on degree of the chord I build off of. There is a lot of information and so much to get out of the book. The other sections that I haven't even gotten to yet covers in the same way how to use and apply major triad +2 and minor tetrachords.

The best thing about Andrew's two books I have (Comping is the other I have) is they way he presents things. The examples he gives allow you to understand the concept and then later know how to easily apply it. So many books give too few examples that are so easily applicable outside the book.

To get a better idea of the contents of the book, check out Andrew Green's website at www.[...]com. This along with his Comping book have been two of my favorite books in a while. Know that both of these books require reading skills (no tab) and they are not aimed at beginners.

i bought this book after seeing the sargent show at the met in new york. i have been studing it ever since. mr ormand, ms. kilmurray please hurry. you have brought the works of this great american master to life as no one has done before and i look forward in anticipation to vol 2.

i bought this book after seeing the sargent show at the met in new york. i have been studing it ever since. mr ormand, ms. kilmurray please hurry. you have brought the works of this great american master to life as no one has done before and i look forward in anticipation to vol 2.

This book is for Sargent lovers. His incredible talent oozes in these pages. I can't wait for Vol 2 of this beautiful production of Yale University Press. I got me a magnifying glass and have spent hours looking at the unbelievably grand flesh tones that Sargent commanded. You'll love reading the background data of these portrait commissions during Sargent's career. I would give it six stars if I could. See it to believe it.....if I could only paint like he did or anything barely close. One of my best of collection. Hurry up Yale and give us Vol 2.

By all means, buy this book! This is one of the most engrossing art books that I have come across. Each reproduction has crystalline clarity and the accompanying information makes for very interesting reading. You find yourself really interested in all the people depicted.
This is an excellent combination of art and text, without the book becoming a glorified textbook, but still being useful for research. I purchased the book mainly for the art and I am not disappointed! It's not one of those 'trick' art books that promise lush full color reproductions and actually consist of mostly black and white images. The only black and white included here depicts paintings that are lost. If you love J. S. Sargent's work, this is a great introduction to his earlier work and he only gets better!

This book is such a treasure, it is such a wonderful tribute to an American icon. The pictures are just amazing and the text highly informative. It is truly an amazing compelation of his early work. It is the first in a series of three and they are all consistantly good. If you are a fan of Sargent you will definitely what to possess all three. I highly recommend this book to anyone with an appreciation of great art from a one of the masters.

This book is pretty cool. It's like reading an encyclopedia of golf. I highly recommend it. The thing is, it only brings you up to intermediate level. If you want more help in deeper mentality of golf or simply play golf with more precision, read "How I Play Golf" by Tiger Woods.

Here is my suggestion: If you're new to golf but are excited to learn, skip Part 1 and jump to Part 2. Why do I say that? Simple. Part 1 talks about history, rules, golf courses and the "anatomy" of golf. They're good to know, but it can bore you from time to time and plus, it has nothing to do with the basics of golf yet. It's like reading soccer rules and how soccer is played. Knowing that can't improve your techniques. Duno also recommends hiring a professional & practice by going to the driving range. Personal preference: Everyone have their own way of playing golf and no one technique is perfect for everyone. If you read the simple techniques explained in this book, it'll get you a long way. Bottomline here is, save time and money by buying yourself a golfnet and turf and practice in your backyard or anywhere you have room to practice.

Part 2 is the perfect place to start if you want to swing that club! It's all about which clubs to buy, how to get good grips, aim better and understand basic swing fundamentals. It's my favorite part that is also worth reading it over and over again.

If you already know the basic fundamentals of golf such as golf rules and/or swinging a club but want to improve your short game, skip Part 1 & 2 and go on with Part 3. It teaches you how to master putting, chipping, pitching and hitting from the bunker. If that doesn't get your money's worth, go on to Part 4 (Become a Better Golfer) which talks about flaws to avoid, bad lies, hills, bad weather, etc.

Part 5 however is somewhat useless in my opinion. It talks about competing, differences between golf clubs, balls and what to do if you take a golf vacation. It's basically teaching you "what to do with your money once you're already a multi-millionaire." I mean, no-duh, everyone have their own preference how they want to take their golf game further. All in all, this book is worth reading and if you love golf like me, buy it just so you can read and reread it over and over again.

This book provided me with the basics of the game and the use of the tools, rules and other essentials and serves as a reference guide to this time. It is clear and simple and straightforward. It can help any new golfer to get into the game and help any duffer to refine his technique.
I recommend it highly.

I have only recently taken up the great game of golf. This book has been an indispensable aid. It explains all the basics of the game wonderfully, with outstanding illustrations and very clear step-by-step explanations.

Since I bought the book three months ago, I have probably read it at least five times - that many times I have gone back to it as a reference for the latest thing ailing my game. And I am sure that it will continue to assist me as my golf game progresses (hopefully) in the future.

I spent a lot of time at the bookstore comparing the different golf guides. This was by far the best book for the price.

This book is a gem. It is organized in a very practical fashion that allows you to focus on each aspect of the game. The range of topics is wide, going from the elements of the swing, the different shots, and all the way to strategy and conditioning for Golf. The book is written with practical summaries that allow you to keep key points in the foreground and get ready to play.

If you only buy one "how to" golf book, this should be the one.

When I wanted to get started with golf I picked up this book. Easy to understand, with simple instructions and explanations. It also has the clearest overview of the basic rules of the game that I've seen. Even the hardest part of any book on golf, the swing, is covered pretty well - I at least have the intellectual knowlege now to on swinging the club. Great book.

Mom or Dad would need an amazing vocal range to do justice the wide variety of material on this lovely collection. And it doesn't hurt baby to get an early introduction to good music.

These are not the optimal performances of the individual works, but it's a great start for a child's musical library.

Good if you would like to play lullabies, and the pictures are super. I like the tape of Golden Slumbers in the book section but its really songs, and better ones then are on Lullabies.

Beautiful, lovely book of lullabies and incredible illustrations. Wonderful for gift-giving to new parents.

This collection is a "must have" for anyone who believes that music enhances both learning and bonding experiences for children of all ages.

I purchased this book and accompanying CD for my 5 month old son. Four months later, he still loves the music. My husband and I sing a few songs to him every night as part of his bed time ritual, and then we play a few songs from the CD when we tuck him in. There are also a few livelier pieces for daytime play. As I expected, my son is still a bit young to appreciate the artwork, but the diverse illustrations will make a nice learning tool later.

BTW- If you're bothered by the fact that the song order on the CD doesn't match that of the book, save it to your computer's hard drive, convert the files to MP3s, and change the order manually. Problem solved.

This beautiful book has gorgeous slick illustrations from the Metropolitan Museum of Art as well as clearly printed piano scoring to accompany the lullabies. It is by far the best book of its kind I've seen. I send it to every new baby on my list and hope it never goes out of print!