Europe Books

This is a scholarly analytic type book that investigates not only the colliseum building itself,but the spectacles that took place inside.The book also describes why the Colliseum was built as well as how it was bulilt.The Colliseum according to my read of the book was an important propoganda and public education tool of the Roman rulers.It showed the populace that not only had Rome conquered,but that all the beasts and "savage peoples" of the world were Roman possesions for amusement.The building may have also served as a warning,"you too could end up here" and was an outlet for high risk takers to make a name and a fortune. Also alot of these gladiatorial spectacles were actually public executions of criminals,the sword of a gladiator maybe no worse than the electric chair or gas chamber!Unfortunately no work on the Colliseum has covered the gambling on an immense scale that must have gone on at these events.For one I have always thought that the Gladiatorial helmet that is always used in movies and art appears awkward. It seems as if the fancy ornate designs and rims would block not just the peripheral view but about every other one as well.The author points out that these helmets that were found in the buried ruins of Pompeii may have actually been "parade helmets",used for the pre-fight spectacle to identify and give status to the Gladiator.In the arena he may have found such a helmet in fact a great disadvantage. That's the kind of research contained in this book.In regard to the wild animal fights the author spends alot of time breaking down and analyzing the industry that was involved in transporting "wild beasts" of all descriptions from various parts of the world. It must have been a great part of Rome's GNP.The author also questions alot of the traditional source material for acounts in regard to the Colliseum and its spectacles.It seems in times past that writers may have been as prone to exaggerations as they are today.You'll leave this book with a good knowledge of "the Games" and realize that alot of them were anything but "fair contests" between men and beasts.Rather alot of stage theatrics and "smoke and mirrors".Could it be that the the Roman popes banned these spectacles not only for the brutality,but because they were just plain boring.In fact these games were continued on well into the Roman Christian era,so there may not have been an initial Christian "moral outrage" when Rome was Christianized under Constantine.Anyway,I got my tickets to my first(and last) game from a scalper who had "copped them" free from a "charity organization"On the final page I seriously believed that the Retiarius Gaius was using steroids,and someone had spilled their greasy nacho cheese on my"Gladius" t-shirt.I also had to move 2 seats over because I believed the man next to me was coming down with a case of "bubonic plaque"That's how real this book is.

This is a rather specialized account of the Colosseum, and any student intending to visit the structure should read it. It debunks some myths about the place, but shows that it is a fascinating world wonder which deserves the attention of all visiting Rome. The research seems impeccable.

All the reviews here so far were written on the tourist side, not the scholar's. The great merit of this book, in my view, is that it fits both audiences in a very nice manner. Scholars would of course expect a more exhaustive treatment, but it's striking that there are almost no other academic books devoted to the subject of the Colosseum. Many studies on this building and other amphitheatres concentrate on technical, architectural issues, but this book offers concise and clear analyses on social aspects of gladiators, the interpretations of the Colosseum through the ages (a fascinating part!) and other varied issues. Profs. Hopkins and Beard are two leading authorities in Roman History, but their text is lively, fluent, good-humored and very pleasant - I wish all scholars could write like this! Therefore: for specialists, it's not a thorough book, but very welcoming all the same.

As for the occasional interested tourist, as others here have also said, this book is as useful, appealing and enjoyable as it can be. Having been to the Colosseum myself, though, I don't agree with the advice of getting there one hour before it closes (last entrance allowed is at 3PM). Packed crowds of tired tourists with noisy kids are better to be avoided if you want to take your time inside, so get there as early as you can. Also, like the authors, I strongly recommend a visit to the nearby Palatine - but get a good guide, so that you can understand the ruins you're seeing (use Oxford Archeological Guide, Coarelli's book, or even Blue Guide Rome).

Small though it may be, this wonderful book contains a wealth of information on the Colosseum. The authors - scholars in this field - very ably guide the reader along this amazing structure's long journey through the ages up to the present, debunking myths along the way. Although details on the formidable challenges faced by those who built the Colosseum are relatively few, its history and archaeology, as well as snapshots of the lives and times of those who used it and performed in it, more than compensate. Occasionally, the authors challenge the "generally accepted" interpretations of some of the often-sparse archaeological and historical evidence and offer alternative views. Near the end of the book, useful advice for the potential visitor is provided, followed by an extensive bibliography. The writing style is clear, friendly, authoritative and quite lively. This book can be enjoyed by anyone, but especially by those fascinated by ancient history and archaeology.

The Colloseum in Rome is arguably one of the five most famous buildings in the world but there are very few books about it. At least I have found that to be the case, as I have always had a fascination for the place. May this is the macabre side of me coming out. But it is not just the gladiatorial contests and many other blood letting contests that went on including wild animals fighting both humans and one another or the naval battles that were fought there. Yes naval battles, with real ships and the arena flooded with water. I readily admit that I find these interesting and have done for many years.

However the main attraction of the Flavian Amphitheatre, to give it its correct name is its architectural beauty. It is a building that we would be hard pressed to replicate today, even with all the modern building techniques that we now possess. A building that could fill with people and empty at the end of the games quicker than most modern football stadiums. A building that has stood the test of time. It is only vibration and pollution from modern day traffic that is now affecting the building more than the last two thousand years ever have.

A building that had more happening underground than ever happened above ground. Gladiator quarters, infirmaries. Lifts and hoists moved by an intricate network of pulleys and cables, that allowed wild animals to be brought up to the arena level.

This book tells you everything you need to know and more. It is well written And has some illustrations, but these are secondary to the excellent text.

When this book appeared, it collectively took the breath away from World War Two armor enthusiasts and historians alike. Karlheinz Munch has cleared away decades of half-truths and assumptions by going directly to the source. He has interviewed unit veterans and consulted original military documents and private diaries to produce the most complete history of the 653rd Heavy Tank Destroyer Battalion, a unit that operated some of the most remarkable vehicles of the war, the Ferdinand, a self-propelled antitank gun built on the redundant chassis of the Porsche Tiger (and later renamed the Elefant), and the Jagdtiger, a self-propelled 128 mm antitank gun built on the chassis of the King Tiger. The other surprise was that the soldiers were avid shutterbugs, and the veterans and their familes have opened their private photo collections to the author. These are vehicles previously known through a mere handful of German propaganda photos and US Army Signal Corps pictures. Suddenly, we have not dozens but hundreds of fresh photos, showing details of operations, unit markings, and more. Rarities include a Porsche Tiger P prototype converted to a command tank, a recovery Panther with a Panzer IV turret bolted to the roof, a Russian T-34 converted to a German antiarcraft tank, and more.
What you will not find is breathless, blow by blow recreations of thrilling battle scenes (for that, read books by Franz Kurowsky). Munch offers straightforward reprints of unit after-action accounts augmented by some private materials provided by unit veterans. Publisher Stackpole books has taken the enormous hardcover edition originally published in Canada by J. J. Fedorowicz, and reissued it in a slightly edited softcover edition at 20% of the original price. A superb investment for the historian or model builder.

The great book on this unit, when you want to get know its history.
It's a pity, there is no table where you can easily find a particular vehicle's tactical number, its commander's name or the details on its end, especially when you look for any details on rearming this unit with Jadtigers.
The big disadvantage are the photos, not good quality in fact.

Superb pictures, exhaustive detail on all facets of this Unit. Great coverage of the Ferdinand. Combat diaries, maintenance records, tons of detail that you either love or hate. A treasure trove for the armor nut, highly recommended for the modeler as well.

This book does give you an idea of what working with these very heavy tank destroyers was like. In practice that meant dealing with the frustrations of equipment which was frequently broken down, and you will see how critical the infrastructure which supported the actual AFV is. There is very little about actual combat, but some. You do get a good feeling for the tradeoff of extremely heavy unit weight and combat effectivness. If you know what you are buying this can show you a lot, but it is not a combat narrative.

This book contains little combat information so it is not for the combat fan. However it does provide you with a written record of how this unit functioned, the trials and problems incountered with heavy tank killers.
The book is crammed with photographs, most of which I have never seen before. It is a wonderful source of information for the historian, heavy fan, or model nut. A must have for any reference library and the scale drawings and colour picture will please the model builder. An unbeatable value for the price!!

Let me state, before beginning to comment, that I did not read the English version, but the French one. The comment therefore pertains only to the contents.

There is a great deal of information in this book: technical, historical and cultural.

If there is something to pick upon, it will be that the book focus too much in France - but then, this is only normal and it may be argued that France having been one of the most important cultural centers of Europe this is no bad thing.

The book is very well written: in some places it may be difficult to understand unless one already knows something about printing and casting, but it is always very clear. The logical integration of the book - I mean, the connection of ideas - and the balance between facts and interpretations is extremely good. In fact, it is possible to read it for very long hours indeed, which is rare for books on books.

As far as I know, in terms of quality, it is the very best book on this subject.

Some people will deplore the lack of pictures. But I think the flow would be compromised and, in any case, there are other books which illustrate printing history.

Excellent

The written word isn't going away. Prose may read from the commercial to poetic, we may read more package copy than works of literature, and more off a screen or monitor than printed on the page; but read we do and will continue to do. One could say that reading is as natural (and necessary) a function as breathing, eating or drinking; but, in fact, the book has an techno/economic/political origin. And, why not learn something of that origin? Just how did the book happen? Why? And, once the proverbial genii left the bottle, how did the book change everything? Things just don't happen. Dots are not just connected. Or are they?

Febvre and Martin explain it all and with all its historical, political and economic implications. David Gerard translation is lucid and fluid and the book is a lovely read.

The Coming of the Book is essential reading for anyone interested in book history, the development of modern literary languages, or the growth of capitalism in early modern Europe. It's an excellent example of the social history that the Annales school of sociologists and historians worked to produce: coherent narrative drawn not from specific important events but from the interpretation of massive amounts of data on the 'everyday' professional lives of early type founders, journeyman printers, shippers and booksellers. Most importantly, Febvre and Martin analyze the affect that the unique pressures of print as a capitalist enterprise (the capital investment in type, the costs of paper and of labor, problems in transport and marketing) had on the development of standardized print-languages, the development of 'mass' culture, and the spread and evolving functions of literacy.

Lucien Febvre and Jean-Henri Martin have integrated careful archival research with a lively recounting of history which transcends individual rulers in this account of early printing. The book is particularly interesting since we also live in a time when the economics and sociology of information dissemination is changing quickly.

The reaction of the early copyright system in place at medieval universities to new realities, of the technical innovation necessary to make good type founts, and of early print censorship were particularly interesting. I also enjoyed the discussion of the documentary evidence about Gutenburg and his unhappy relations with his financial backers.

Febvre and Martin's, The Coming of the Book, is a scholarly work without the dry academic tone of a textbook. Having said that, this isn't a casual read, as the authors will provide some of the details of edition sizes, costs, and distribution. The authors themselves give the reason for the present work, "...we hope to establish how and why the printed book was something more than a triumph of technical ingenuity, but was also one of the most potent agents at the disposal of western civilization in bringing together the scattered ideas of representative thinkers." In support of this thesis, Febvre and Martin spend a considerable portion of the book on technical issues such as the invention of the moveable-type press, how books were constructed, economic and social forces affecting the distribution and printing of books, and the geography of the spread of books. About the last third focuses on, "The Book as a Force for Change."

The first three chapters are devoted to the introduction of paper into Europe, the technical difficulties associated with the invention of the moveable-type press in Europe, and the basic construction of the book. It is important to note that both paper and moveable-type presses were not unique to Europe - they were invented in China centuries before. However, aside from paper there is no direct evidence that the moveable-type press was imported; it seems more likely that it was an independent invention. The major problem facing inventor(s) of the moveable-type press was finding suitable materials and processes for the creation of metal type founts. Febvre and Martin devote relatively few pages to such enabling forces as the development alphabetic languages (Douglas McMurtrie in, The Book: The Story of Printing and Bookmaking, provides a more complete summary). But they do spend some time discussing processes in related industries that provided adaptable techniques - the use of clay moulds to make relief inscriptions and the use of brass die-stamps by moneyers to strike coins to name two.

The next four chapters are devoted to the book as a commodity, the economic and social conditions affecting its production and sale, a short section on apprenticeships, and geography. Here the authors discuss the growth of book production into an international trade and its subsequent fracturing into more localized businesses, due in part to a series of wars and the increasing popularity of printed material in the vernacular. Febvre and Martin introduce the reader to the great printer/publishers of each age, Anton Koberger, Jean Petit, the Estiennes, etc.

It is the last, and longest, chapter that is devoted to how the book enabled some of the changes that occurred in Early Modern Europe. If there is one event that most readers will be familiar, it is the Reformation. Febvre and Martin discuss the distribution of Protestant literature and the ineffectiveness of the various laws and censoring edicts enacted in France, and other countries, with the intent to stem the spread of such material. But this chapter isn't limited to the Reformation. It also covers the effect of printing on Humanism and the knowledge of Latin and the classics and the effect on the development of modern European languages.

Throughout, Febvre and Martin provide details on the sizes of editions, and sometimes their geographic distribution, of the most popular works in each period; be warned though, the authors do not translate the French, Latin, Greek, and German titles. You can see how the increased availability of books led to social and cultural changes, which in turn led to changes in what works were produced, which lead...well you get the picture. As with many of the scholarly works I've read of late this one is also nearly devoid of illustration. It isn't a fatal flaw, but it would have been nice to include more maps and perhaps some images of incunabula. Though I haven't picked it up yet, The Smithsonian Book of Books looks like it makes up for this lack with over 300 color plates. You can also, as I did, find plenty of images and the occasional map on the web. One thing I do want to point out is that the Verso paperback edition is rather fragile. After a single reading the book is falling apart. If you are more careful than I was, you can probably keep it together.

If you are interested in learning some of the details of the invention of the moveable-type press in Europe, the economics of early printing concerns, and some of the social and cultural changes books enabled I'd recommend reading, The Coming of the Book.

I've spent the past year spending literally thousands of dollars on various books about ancient Greece. I wish to write about it, and I've read about 60 books so far on the subject. I found this book in a secondary book store, and as I've read so many specialty books, almost passed it up. Feeling the need to step back and get a more general perspective on how everything I'd been reading about fit in to the scheme of things, I bought it. Boy, am I glad I did. I've read many types of collections in my time from short stories to articles, and one never really thinks of the editor who put it all together. With this book, however, I was struck early on by the fluid and expert way the various articles and excerpts by varying archeologists went together as if it were all written by the same author. The choice of the little examples of ancient life, or the passing mention of a political outlook did a great job of illuminating whatever the excerpt was about, and since the excerpts had to be edited to fit the chapters, much credit must go to Mr. Nardo for his choices of passages as well as his choices of books to borrow from and his progression and layout of chapters. If you are starting study of Ancient Greece, there is no better place to start than this book. If you only want one book to get a general understanding of the greeks, this has to be the one. I've never seen this sort of thing done this well before. One thing that astonishes me is the price of it here on amazon, though, as I only paid 12 dollars for it at book store which had 3 of them in the Northgate mall in Chattanooga. Go figure.

As general reference books for students go, this is absolutely first rate. The author, who has written numerous smaller books on the subject, goes all out here, providing almost a whole library unto itself about the ancient Greeks, their history, institutions, ideas, etc. This should be on every educated person's shelf, not to mention every library shelf.

Historian Don Nardo edited this large compendium of articles by himself and other noted classicists about ancient Greek civilization. Extremely well-organized, thorough, and informational, the volume covers all aspects of Greek history and culture, each aspect covered in a separate chapter that begins with a helpful introduction by the editor. The articles themselves also have introductions providing brief backgrounds of the various contributors. A chronology, glossary, bibliography, and indexes, all quite large and useful (especially the bibliography, which is one of the best I've ever seen for ancient Greece), round out this first-rate volume, which I highly recommend to students and teachers alike.

Wow! For high school or college students doing research on ancient Greece, or for anyone interested in the ancient Greeks in general, this is an extremely comprehensive, well-organized, and useful book! It starts off with a general overview of ancient Greek civilization written by the editor, Don Nardo, who is a noted authority on the subject. Then there are dozens of articles witten by other well-known historians, each covering some aspect of Greek history or life. There's information on democracy and and how it came about, about Greek literature, about Greek theater, which started in Athens, about commerce and trade, and weapons and war, and lots more. In the back of the book are short biographies of important people and gods and Greek places, and a huge!! glossary, and best of all a really huge bibliography, that gives the reader plenty of ideas about where to go for more information (though it seems to me that only scholars would need to look furhter than this book). The price is kind of high, but students should be able to find the book in a nearby library. It will be well worth the effort!

I teach high school history, including a course on ancient history. I spend quite a bit of time on the Greeks and Romans, of course, and I have used a number of Mr. Nardo's small but superbly written and well-documented books in the past as supplementary materials to the regular text. His LIFE IN ANCIENT ATHENS, AGE OF AUGUSTUS, LIFE OF A ROMAN SLAVE, LEADERS OF ANCIENT GREECE, and several others have proved invaluable as sources of information for both my students and myself. Mr. Nardo's more recent COMPLETE HISTORY OF ANCIENT GREECE, which I'm reviewing here, is easily the best single-volume overview of the ancient Greeks I ever seen for this age group. Though much larger and more comprehensive than his other books for young readers, this one is extremely well-organized, both chronologically and thematically. The essays he has chosen and edited are all clearly-written, highly informative, and each perfectly captures or illustrates an important aspect of Greek history or culture. Nardo's own quite fulsome chapter introductions are also very informative, well-written, and up-to-date. The appendices of this book also deserve special mention. The glossary is huge and accurate, the best available in any non-scholarly book about ancient Greece that I am aware of. The bibliography is also massive, again, the biggest and best I've seen outside of scholarly works. ... it is also proving a tremendous aid to me personally by giving me one, compact source from which to draw facts, topics, and ideas. Would that more professional historians took the time to write as much first-rate material for high school students as Mr. Nardo does.

IT'S GOT ALL THE THINGS YOU NEED TO KNOW, IN A VERY ENTERTAINING WAY, HIGHLY RECOMMEND IT!

This book perfectly served my purpose of reading an overview about European history without getting too deep into details. Considering the little free time I have and the thousands of other things keeping me busy, I found this book excellent.

It is written in clear language, divided into short paragraphs and adorned with pleasant-to-the-eye font and graphics.

Highly recommended!

My daughter's AP European History teacher recommended this book to parents during the open house. We were told that it may help during the year and so far so good.

"The Complete Idiot's Guide to European History" is not an exactly correct title. It would be more accurate to say modern Europe, because the book begins at the end of the so-called Dark Ages. It then talks generally about most of the important movements in Europe; the Reformation, the Enlightenment, industrialization, the various socialist movements, and several of the wars of the last 700 or so years. It goes a long way to explaining how the European Union of today comes to be. If there is really any complaint it is that it is too broad and general. I know that is the point, and that all these Complete Idiot's Guide books are just a once over and a starting place for the subject at hand, but still...Oh well. It is great for what it is. I recommend this for anyone that has a western civilization class coming up in high school.

I read this book over summer because I wanted to get ahed in the European History class I would take in the fall. It is a very good overview of most of the major events in European history. Be Warned that this is a good, quick overview, which only covers the basics. Good for people who have not been in a European history class before.

Although written before the fall of the Soviet empire, this books charts the course of relations between the Russian nation and Islam during the past 300 years or so.
At times this book is difficult for the average interested reader because it is so full of facts and unfamiliar names.
But those who persist will be amplyu rewarded, if only by the beauty of the wrtier's prose and his strong narrative sense which is closer to a literary novelist than a journalist.
R.B

As this review is being written, the attack by Chechen guerrillas against a theatre in Moscow is still going on.
The outside world is trying to understand why so many desperate men and women decided to risk their own lives by seizing hundreds of innocent people hostage in a Moscow theatre?
The answer comes in this book to which I return whenever there is something dramatic between the Russians and the Muslim peoples who live amongst them or are teir neighbours.
I wish Vladimir Putin had read this book before vowing to crush the Chechens who have been at war against Russia, and for their own independence, since trhe 18th century.
Believe me it is not enough to say "terrorism and repression" to understand.
A READER IN PARIS FRANCE

The liberation of Afghanistan from the Taleban last year has attracted international attention to a vast area the size of the United States and known as Central Asia.
It was there that the colonial empires of the 19th century played what is known as The Great Game.
The term Central Asia is misleading because the lands concerned resemble a secluded area rather than one that is at the centre of things.
The region may achieve centrality because of its oil and natural gas resources, and the rivarly it is generating among America, the European Union, Russia, China, India, Iran, and Pakistan.
This book by an Iranian author and journalist tells the story of Islam in the entire Soviet Union of which Central Asia was part until 1991.
Much research has gone into this volumnious study, one might even say too much research, and the torrent of details may prove tiresome to some readers.
But the prose is fast paced and journalistic in the best sense of the term, thus compensating for the heaviness of the facts, names, dates and figures.
The book appeared more than a year before the collapse of the USSR but clearly predicts that event.
One would have preferred more detailed maps with this volume.
The author should do a sequel to bring us up to date about developments in the region in the past decade or so.
A READER

Very little is known about the huge landmass that forms Central Asia and the Caucasian highlands with the Caspian Sea, the world's biggest inland body of water, in the middle.
This book tries to fill the gap by providing an exhaustive, and yet highly enjoyable, account of the history, geography and culture of the many different nations that inhabit the area.
The book was published a year before the fall of the Soviet Empire and clearly predicts the end of Communsim and the USSR.
But the chief interest of the book is the fact that it brings so many peoples out of obscurity.
In recent years such places as Chechnya have gained notoriety. We also know about the overspill of terrorism from Afghanistan into neighboring Uzbekistan and Tajikistan. But little material is available on the background of these conflicts. This scholarly book is, to my knoweldge, the most authoritative source available in English.
I receommend it to students and scholars as well as the intersted general reader. A READER

Bombs exploding in Moscow and Saint Petersburg? Russian planes pouring Napalm on villages in Chechniya and Daghestan? If you wish to know why all this is happening all you need do is get a copy of Amir Taheri's book, already regarded as a classic. The book was written before the Soviet empire collapsed and clearly forecasts the disintegration of the USSR as " the last colonial empire of the 20th century." Narrating a history of over 1000 years, from the time that Islam arrived in the lands that later became Russia, the book provides a detailed study of numerous ethnic groups, languages, cultures and civilisations spread from the Ural mountains to the Far East and from the frozen steppes of the north to the Caspian Sea in the south. One of the first books to tackle this complex subject " Crescent in a Red Sky: The Future of Islam In The Soviet Union" may at first feel a bit heavy going for the uninitiated, especially because of the copious footnotes and addenda the author provides. But a little bit of patience and time would procure great rewards. The reader discoveres an entire world about which very little is known in the West. For example did you know the symbolic signficance of those strange domes in Saint Basil's church in Moscow? Taheri's book gives the unexpected answer. The chapters that deal with the Russian and then Soviet periods in the history of Muslims in that part of Eurasia are especially fascinating. They reveal an underground world that continued to exist side by side with the official Russian or Soviet society for almost two centuries. The book tears aside the masks of many Russian and Soviet leaders to show their exceptional brutality in dealing with the Muslim nations under their rule. Peter the Great and Cahterine the Great are revealed as barbarous conquerors who built their empires on hecatombs. Lenin, Stalin and Ferunze are presented as mass murderers who drew the map of the Soviet empire in blood. Even Mikhail Gorbachev, the darling of Western lberals, is shown ordering the use of force to crush revolts in Kazakhstan, Central Asia and the Caucasus. Taheri's book accurtaely forecast the wars in Chechniya and Daghestan which are now raging. Once you have read the book you will know that this is not the end of the story. More wars could come in Tatarstan, Bashkortstan, Ossetia, Ingushetia and other parts of northern Caucasus. Although the Soviet empire has collapsed, the Russian empire continues to cling to its bloody existence. Taheri's book shows that this empire, too, is sure to disintegrate. The time when one nation could rule over whole subject nations is gone. I wish Boris Yeltsin, the Russian President, would read this book to understand why.Western leaders, especially in the United States, also need to read this book to get a measure of the biggest problem that new Russia is facing as it tries to build itself a new future. A READER IN CASABLANCA

Ms Ugresic makes a real case when she exposes the nationalisms that permeate our world. How do things that are similar become different? Why do people not approach themselves but are being "held apart"? Much of the reasons are political policies, money and power struggles. At the end of the day, everyone of us is victim of national brainwashing. This is why we ought to be critical and never forget how we have something essential in common: we are all human.

This well-written book gives keen insight to events surrounding the dissolution of Yugoslavia while providing a view into the collective mind of former Yugoslavians. This book also makes one wonder about how nationalism is used, for better or worse, in other countries as a political vehicle to motivate its people to support specific ideals. While I agree with Ugresic's criticism of nationalism and the role it plays in post-Yugoslavian times, I also wonder if it is just a collective defense-mechanism, a means for survival when collective identity is being shattered. It is a fascinating read, well-written, and illuminating on many different levels.

Although it has taken the English translation of this collection of essays a few years to come into print (it was first published in Dutch),this is a highly relevant, illuminating, and moving book. Most of the essays were written between '92 and '94, with more recent postscripts. With rare clarity and complexity of thought, gift of articulation, emotional courage and absence of pretence or squeamishness, Ugresic has carried out a highly accessible investigation into the Yugoslav war, the demise of communist Europe, the East-West polarity, the ambiguities of exile. With references to other East European writers and thinkers (Milan Kundera, Miroslav Krleja, Danilo Kis, Josiph Brodsky), she explores the tyranny of the new constructs of national identity in the Balkan states, the enforced collective amnesia of the former Yugoslavs, the many traumas of their history, as well as the common psycho-cultural lanscape of the 'Eastern block'. There are many deeply moving episodes and revealing insights here, delivered in the familiar 'Central European' style of ironic, melancholic, bitter humanism. Vaguely reminiscent of Milan Kundera, only better because of the lack of smugness and the final doubting humility of someone who has felt intense pain and articulated the nature of this pain.

Dubravka Ugresic is perhaps less well-known in the English-speaking world than the other Croatian "dissident" writer Slavenka Drakulic, which is unfortunate. Both Ugresic's essays and especially fiction are far superior to that of Drakulic. "Culture of Lies" includes the author's observations of Croatian society and politics of the last ten years, both of which have been none too kind to her (indeed, while achieving great acclaim in other European countries, she was branded a "traitor" and worse by Croatian politicians and the pro-regime press for her uncompromising criticism of Croatian nationalism, etc.). In this book, Ugresic shows the many ways in which nationalism imbued all levels of society in Croatia, making people increasingly hostile to different views and people who were/are "different." Her particular area of interest is the way this was reflected in the behavior of intellectuals, who-at least one would like to think-are not supposed to be as susceptible to the appeal of God-and-country patriotism and nationalistic kitsch. Her description of an incident in a Zagreb tram, in which a young man accosts and beats an old destitute drunken man, is particularly vivid and sadly indicative. In fact, this whole section of the book, called "Souvenirs from Paradise" is an excellent collection of impressions and observations of the underside of Croatian life. Despite the recent sweeping political changes in Croatia, many of the negative aspects of society in this country as described by Ugresic are still here, and they will haunt this country for some time to come.

It tells truth of thousends of people manipulated with mass media on Balkans. If you want an expert book on how wars started in ex-yugoslavia you should read this one.

I agree completely with the praise other reviewers have heaped upon this book. I have a large number of books on the Middle Ages and this is one of the best, if not the best. There is detailed information on a large number of topics, which are easily located, and well written. This book is a winner.

This author has accomplished quite a feat by taking what could be extraordinarily dry material and masterfully crafting a very interesting book. Rarely do you find a scholarly work of this caliber that you can read simply for pleasure. Mr. Newman debunks all of the supposed truisms about the Middle Ages to put the era in its proper perspective in history. This is a marvelous, considered, detailed accounting of what life was really like in those times, and it was not nearly so dreary as you have been told. This thought-provoking book is a must-read. You won't want to put it down.

"Daily Life in the Middle Ages" provides and excellent look at life, food, cleanliness, warfare and other aspects of the period. It is at the same time very accessible to the lay-reader such as me. After reading about the development of armor, the reader will look at "Braveheart" a little differently. The style is informative, but neither dusty nor without humor. Higly recommend.

Newman's book is divided into seven sections -- Eating and Cooking, Building and Housing, Clothing and Dressing, Cleaning, Relaxing and Playing, Fighting, and Healing. Each chapter is further broken down into convenient and well-organized sub-sections that combine to paint a thoroughly detailed portrait of life at all levels of society throughout Europe. Newman points out how each of his seven areas differed from country to country and in different centuries. The writing style is simple, yet vivid and entirely engaging, bringing the middle ages to life in an easy-to-understand yet detailed way. For example, in the chapter on building and housing Newman discusses what materials were used (and where and why), how they were worked, and what tools were used for each; types of buildings and construction techniques; use of lighting, furniture, decorative elements, etc. The section on food includes what food and drinks people consumed, how food was grown, gathered, stored and served, and differences in class and geographical areas. Almost two pages are devoted to grains alone. Newman explains each element clearly, using photos to illustrate many of the concepts. He dispels common myths about the period and writes convincingly that life was much more advanced and varied than is commonly believed. This is not an academic book (no footnotes or specific source material, although there is a rich bibliography for each chapter generally), but rather a book for the casual researcher, writer or lay person who really wants to understand the middle ages. It is extremely well-written (if poorly proofed), and the only real criticism I can make of the book is the quality of the binding, which makes it hard to read the left-hand pages in the early chapters.

I have been heavily researching the middle ages for a book I am writing and have read numerous books on the subject. This one is by far the most informative and enjoyable.

Newman really gets down to the "nuts and bolts" of medieval life. For most topics, he is extensively detailed. (For a few topics, he touches them so lightly I don't know why he even mentioned them.) His sections on food, clothing and construction techniques are the best I have seen so far in any book on the subject. Overall, if you want to know the "how and what" of medieval life this is a great reference book. I only gave it four stars because while Newman had great information, he was skimpy on how he knows it other than a few pieces of artwork and some very rough sketches. More artwork examples, better diagrams, and some actual photographs would have helped.

This book is an excellent guide to where you want to go and how to go about getting there. Time tables, open and close time, where to eat and what to avoid. I've used this book on two separate trips to London and it has saved me frustration and time. If you want to take a vacation and base yourself in London this book is worth its weight in gold!

Used this book for a few local trips. Some of the prices quoted need to be update but good book overall.

Although I rely on Rick Steves' travel books to explore major European cities, I never leave home without Daytrips if I intend to day-trip by rail to smaller towns. In England and parts of Scotland, the Guy Friday bus tours make it easy to explore a town on your own without a tour group, and are highly recommended. However, Daytrips will cover in detail sites worth seeing, good hotel recommendations (better than Rick Steves), good restaurant recommendations, and fairly good maps (bring a compass). Very reliable and solid guidebook for travellers who enjoy walking. Certain cities are recommended with a star and from experience, it is extremely accurate.

I have used this volume extensively, over a number of years, and have found it to be exceptionally useful. Pair it with a Brit Rail flexipass, and you will never need to join tours or be at a loss for new places to visit.

The descriptions and maps make it possible to explore locations at a leisurely pace, noting spots one would find of particular interest. Though the 'walking tours' outlined are within the reach of most, those who cannot walk distances should not be deterred, because there nearly always are local buses (if not Guide Friday tours, which are convenient and relatively inexpensive) that can bring one from the station to the town centre. I have never had difficulty exploring a new city using the Daytrips maps, and I am by no means gifted with any sense of direction.

Though not aimed solely at those with Brit Rail passes, this book can help those who hold them to have maximum benefit. (Those travelling from the States, used to a country that is geographically massive, and where major cities of interest can be separated by hundreds or thousands of miles, often need time to adjust conceptually to that one may see much of England by travelling by day return. One cannot get the full benefit of rail passes unless one gets away from the mindset that any journey means an overnight stay.) Since, for example, the most common flexipass allows one four days of travel, not journeys, using Daytrips to select destinations, then returning to the home base in the evening, means exploring four cities - not going in one direction on the first and returning on the next 'day of the pass.'

The sixth edition of this helpful guide replaces our well-worn fifth edition (published 1995). In addition to being updated, it includes five additional day trips (Hastings, Shanklin on the Isle of Wight, Cardiff, Wells, and Chester).

This edition follows the format of the prior one with each of the fifty-five destinations being allotted its own chapter. A brief introduction to each place is followed by directions for getting there that may include transport by underground, rail, car, boat, or bus, as applicable. The discussion always includes the distance from the city, which London train stations service the area, a summary of the schedule ("at least hourly from Victoria") and the duration of travel. The guide then cites a few pubs and restaurants in the area (generally those providing English fare), with a one sentence review. A walking tour is provided with a map and commentary on the various sites of interest encountered along the way. Also included is a section entitled "Practicalites" that lists the dates and times major attractions are not open to the public, the address and phone number of the visitor center (although they spell it centre), and other information pertinent to someone planning a visit.

Destinations vary from those within London itself (e.g. the City, and Westminster), to those located fairly near the city (e.g. Windsor Castle, Richmond and Hampton Court), to those located over one hundred and fifty miles from London (e.g. the Welsh city of Cardiff, and York). The latter destinations can take two hours to reach by rail (each way) and may be more amenable to an overnight stay than a one day visit.

Also included is an excellent section on managing the British rail system (it really is quite simple).

The major advantage of the guide is that it tells you how to get to and explore many places of interest in southern Britain without having to join expensive and restrictive organized day tours. It gives you the freedom of choosing your own itinerary; if you want to spend your time lingering over a long lunch, shopping, or just enjoying the ambiance, you can do so. There is no: "The bus will leave at exactly 2:15 this afternoon, be sure to be here."

For the first time visitor to London who only wants to take in the grandeur of the city, the book seems to be of limited value. But if a trip outside London, such as to Stonehenge or Bath, is contemplated, the guide can prove quite valuable. It is highly recommended.

An unheard and untold story of World War II. Romanian Jewish emigrants are stranded on an old ship waiting to get settled somewhere. Great Britain does not want them in Palestine and Turkey does not want them in Istanbul. After spending two months in the harbor of Istanbul, the Turks tow the ship out to the Black Sea where a "heroic" Soviet submarine torpedoes it. There is a lot of blame to go around. The Romanians and Germans for starting the Holocaust. The British for losing sight of human kindness and turning a blind eye toward this suffering. The Turks for not doing more to help these poor people. Finally, the Russians for torpedoing a ship full of civilians.

The authors detail the journey of one man to find why his grandparents were on this ship and to locate the wreakage of the ship. This is a great read. This shows mans inhumanity to man.

A disturbing but important tale told in rich, compelling detail. The ``Struma'' was to be a lifeboat for desperate refugees from Hitler's Europe only to become a pawn of politics. History kept this secret too long, but thanks to Douglas Frantz and Catherine Collins the story of the ``Struma'' has been recovered from the depths of obscurity. And just in time to underscore the real, human costs of indifference to brutal prower and the failure of reasoned diplomacy. Here, the victims have names and they haunt the pages of ``Death on the Black Sea'' -- as they must always the pages of history.

The story of the Struma, probably one of the least known of WWII, is also probably one of the saddest chapters of both the war and the Holocaust. At least two countries (Britain and Turkey) and possibly more were presented with the opportunity to save the almost 800 passengers who were sailing on the Struma and, for various reasons, all elected not to do so. As a result, the Struma ended up being torpedoed by a Russian submarine with the loss of all but one of those aboard. The authors give a very good history of what led up to this fateful voyage, including detailed biographical backgrounds on many of the passengers. Intertwined within the story is the modern day search for the wreckage of the ship by the grandson of two of the people who died when the ship went down in the Black Sea, and a final goodbye by many relatives of the victims of this tragic event. This is a great addition to both the literature of the Holocaust and WWII and I highly recommend it.

A disturbing but important tale told in rich, compelling detail. The ``Struma'' was to be a lifeboat for desperate refugees from Hitler's Europe only to become a pawn of politics. History kept this secret too long, but thanks to Douglas Frantz and Catherine Collins the story of the ``Struma'' has been recovered from the depths of obscurity. And just in time to underscore the real, human costs of indifference to brutal prower and the failure of reasoned diplomacy. Here, the victims have names and they haunt the pages of ``Death on the Black Sea'' -- as they must always the pages of history.

There are countless stories of the Holocaust that can never be told because those who experienced them were lost in the mad destructive fury. The story of the doomed ship _Struma_ might be one of those stories, except that one of the nearly 800 people on board survived the sinking of the vessel. _Death on the Black Sea: The Untold Story of the Struma and World War II's Holocaust at Sea_ (Ecco) by Douglas Frantz and Catherine Collins, is not just a survivor's story, but a full accounting of a shameful atrocity that has been largely overlooked, even in histories of that bleak time.

The history begins with an account of pre-war Romanian history, and the brutalities that occurred even before the country joined the Nazis. Only the desperate would have paid the shamefully exorbitant cost for passage on the leaky, filthy cattle boat _Struma_, with the hope of getting to Palestine. The British controlled such immigration, however, and restricted it so as not to bother the Arabs and their oil supplies. The ship left Romania in December 1941, with intent to sail out of the Black Sea, through the Bosporus Strait, and on to Palestine. The engine failed on the first day, was patched, and failed three days later. The ship was towed by a Turkish tug to Istanbul harbor. There the ship stayed for almost two months, while bureaucratic nonsense was conducted to seal the fate of the passengers. They slowly withered due to disease and lack of fresh food and fresh air. There was even bickering over a plan to let the children leave the ship, a plan that never happened because Turkey, following a suggestion from the British, cut the anchor of the engineless vessel and simply set it adrift. Stalin had ordered Russian submarines to sink all ships in the Black Sea to prevent them from getting to Germany. A day after being set adrift, the helpless _Struma_ was torpedoed, and quickly sank. Nineteen-year-old David Stoliar miraculously was rescued by Turkish fishermen, but was imprisoned in Turkey thereafter; much of the book is his story.

The horrific story of the _Struma_ is here told in a plain and unsensational way. The authors have rightly sensed that there is no need to try to make the account more dramatic by artificial recreations of imagined conversations or thoughts of the people involved. There is some heroism, like that of Simon Brod, an Istanbul businessman who selflessly devoted constant efforts to helping refugees of various kinds and from various sources. Such lights are few in this, one of the darkest episodes of the war and one that took longest to be seen clearly. There is a portion of blame to go to the U.S., which parroted the British line about the importance of limiting emigration, and did not want to get further involved. The evil of the Nazi purge is to blame, of course, in its Romanian variant, as is the ruthlessness of Stalin's blanket order to clear the Black Sea of shipping indiscriminately. Those on the _Struma_ died, however, because of the joint efforts of the British and the Turks, from veiled anti-Semitism to indifference to outright murder. Frantz and Collins have produced a vivid and shocking book to rescue a gruesome but essential story into history again.