Europe Books

Don't read this book when you are hungry. the food descriptions will make you drool. I used this guide when friends from London came over for the weekend. Mouth-watering restaurant reviews and spot-on opinions and advice about Paris. Useful, good value and sometimes very funny. The book also has full sets of city maps and subway guides, and give very clear directions with every listing. I reckon it would be a great read on the train or the plane as well.

Having spent a busy weekend sightseeing, shopping and eating in Lille thanks to this amusing and shrewd guidebook, I have no hesitation in recommending it to anyone else travelling in France and Belgium. The book had all the information we needed for using public transport, getting to know the locals and seeing the sights without ever making us feel like hicks or gawping visitors. We will be in Paris this Easter and have already chosen our hotels and at least two restaurants from the same book. Does this guy write about anywhere else? If he knows other cities like he knows this one, I want to read about it.

Laughter and good food make an excellent combination. This book is full of annecdotes and gossipy tips and snippets, yet it also is as mouthwatering as a recipe book. The author reviews restaurants without resorting to fashionable cosmopolitan cliches. Your mouth waters as he remembers succulent sauces and naughty desserts, you smile as he gossips about the waiters and restaurant owners, you want to linger on the salivating detail of every favourote dish and each evocative evening spent in cellars and dining rooms. Yet, when he talks of history, you are as enchanted by the true human nature of kings and artists that he conveys. I love his casual and very individual approach to sightseeing. He can give equal status to a shop selling haute couture for dogs as an art gallery or monument, and he seems to know where all the good stuff is hidden away from the coach trade. I have queued for hours at the Louvre and Musee d'Orsay in Paris, yet this guy knows of a private house with dozens of Monets on view. And best of all he knows where to find the best meals in town without breaking the bank. This book is hot on the practical side of travelling as well. Following his tips, I found out how to travel first class on Eurostar for less than the price of a second class ticket. My only complaint is that this is not part of a series. I travel all over France and Europe and would love to listen to this author's advice on the rest of the country and the continent.

Just returned from road testing this book in Paris and found it to be absoutely spot on. We found ourself visiting bars and cafes and even museums that we must have passed a dozen times before, and discoverting a genuinely local welcome in the big city. The hotel listings are fabulous, the food reports astute and the insiders' perspective is invaluable. I lent my copy to a fellow passenegr on the TGV train home, who told me that the Lille pages were just as accurate. All I have to do now, is plan my next trip at my leisure. Buy this book. You will save the over price on your first day's eating, shopping or partying.
I must have a dozen guide books to France, but this is, without doubt, the most candid and passionate. I never felt as thougb I was being prushed or processed through the tourist traps.

I laughed out loud
It is a long time since I have enjoyed a travel book so much that I laughed out loud. However, I have found myself smiling and chuckling on the metro each day since I picked up this hugely enjoyable read. The author provides us with plenty of invaluable tips on where to go and how to get there, with hundreds of restaurant and site reviews. But the great thing about this book is that everything has been tried and tested by one man, and he is a man with a top sense of humour and a fund of hilarious annecdotes about his fellow diners and visitors. I have worked in Paris for many years and I recognise so many of my favourite places in his stories and listings. Yet this fellow Englishman seems to know of many absolute treasures that have been hidden under my nose for years. I cannot wait to try more of them. I might even treat myself to a visit to Brussels, on the strength of his suggestions. An enjoyable read and a genuine key to any city.

When I learned my cousin had illustrated a book written on a Paris Cafe, Le Select, I thought, "How nice. I'll have to get a couple copies to take with me so I can get his autograph!" I really didn't intend, necessarily, to read it...
Well I got the book and started flipping through and then was just lured right in and read the whole thing in a rather brief period and enjoyed every minute! What a pleasant and illuminating book! And the illustrations are out of this world! To be expected from this seasoned MAD caricaturist.
Whether or not you are going to Paris, this is a must read if you, not only love Paris and, but also want to get a true understanding of the significance of the Paris Cafe!

Author of a number of histories of literary Paris, as well as a study of Europe's "literary cafés," Noël Riley Fitch now does the trend of Americans writing about their favorite Parisian neighborhood one better by giving us a warm and charming portrait of her favorite Parisian café, Montparnasse's Le Sélect. Accompanied by wonderful illustrations (or, as the cover says, just "drawings") by Rick Tulka, this short book is an experience to savor, much like a trip to the café itself would be.

I've read a number of books over the last few months about Paris cafés, as my vicarious substitute for actually being in one. There's a great variety of such books, all trying in their own way to capture some of the ineffable (and perhaps exaggerated?) romantic charm of Parisian café-dom. Some are glossy photo albums, portraying cafés, brasseries, and restaurants in all their visual diversity. Others focus on the history of various cafés and their neighborhoods, while still others give us recipes designed to recreate café flavors and smells in our own homes. But "Paris Café: The Sélect Crowd" is the first such book I've seen that really takes a close, personal look at an author's own chosen café (in this case, one she shares with her illustrator). I found it a remarkably successful effort, and I feel like were I to visit Le Sélect someday, it wouldn't feel entirely foreign to me.

If I could improve anything, I might wish for more discussion of the people depicted in Tulka's evocative portraits, though there may not have been a way to do that while still respecting their privacy -- Le Sélect is, after all, a neighborhood institution. I also didn't particularly care for the odd covers and binding Soft Skull Press chose to clad this thing in: the cover is uniformly a quarter-inch wider than the pages inside, which made this somewhat awkward to hold. Besides that one wish and one complaint, however, this short book was a fine way to spend a few hours. I hope other authors rise to the challenge and produce similar looks at their own chosen café haunts.

Fitch's etched words and Tulka's loving illustrations provide a no-hassle jet to Paris and one of its treasures. This is an account to be sipped, savored and saved. Le Select's bracing aroma and eye-pleasing sights permeate every page of the francophiles' extended love letter.

Those who've roosted there over a cup of coffee or tingled after a wine will re-experience their warm pleasure; those who've yet to make it to Le Select will find a delicious foretaste of Paris at its best.

A votre sante!

Worth buying for the elegant b/w drawings alone. Tulka's caricatures magnificently capture the essence of every individual depicted... as you look at each page you feel that you are actually sitting with him observing the staff and patrons. A great book for artists, people-watchers and Francophiles.

The moment you open PARIS CAFES, you're transported to one of the most prestigious and traditional cafes in all Paris. Le Select is unchanged and unadulterated, still serving the same food by the same waiters and run by the same owner.
Turning the pages generates that special "je ne sait quoi" ambience that we all think of as Paris.
And Rick Tulka's drawings capture the subtle Parisien look, the Parisien style and humor impossible to experience in any other city in the world. Cafes exist everywhere, but none of them feels quite like sitting in a cafe in Paris. That's the special fun of reading PARIS CAFES.

Beatiful illustrations. Everything you need to know about France. Awesome book to keep for generations. I love it!!!

This book was absolutely excellent, of the highest quality. This is the greatest picture book i've ever seen.

This is more of a reference book than the standard "tour book"; it is a history of Art in Paris, and that is saying a lot! Very LARGE, HEAVY volume for art history buffs that have already visited Paris. Beautiful photography.

BY FAR THE BEST BOOK ON THE HISTORY OF ART OF ONE OF THE GREATEST CITIES IN THE WORD, WHEN IT COMES TO ART. THE HIGHEST QUALITY OF PAPER AND VIBRANT CRISP ILLUSTRATIONS.IF SELECT IT , IS REALLY AN INVESTMENT.

This book IS beautiful, and of top quality. It is about half illustration and half text, covering the history of art and architecture in Paris. There are some exterior and interior shots of different structures and buildings. However, most of the photographs are of architectural details, or are color reproductions of paintings, statues, and artifacts, similar to what you would see in an art book. There are also a lot of simple blueprints, and pen-and-ink type drawings of different structures. This makes sense, given the title of the book. However, based on some of the reviews, I thought it would contain more photographs of the city, and of the beautiful buildings in Paris. When I received it, it wasn't quite what I expected. Overall, I think it's a good value. I wish I could find a book of similar quality, but a little more like a photographic tour of the well-known and obscure corners of one of my favorite cities.

This is an artistic and literary presentation of the Parisian café. The beautiful photographs and matching quotes are an inspiration to the reader who readily senses the author's knowledge of the subject and her devotion to those cafes that were the haven for great painters, photographers, and writers. As one traverses the pages of this elegant, petite volume, one becomes, in one's imagination, a frequenter of those cafes, enjoying their seductive ambiance, while sipping coffee, chatting with artists and friends, admiring the decor without and within, and hoping to find, in this world, a café that can bestow upon him such joy and offer him a home away from home.

Wow! I found this little gem at the bookstore at the Houston Museum of Fine Arts. The cover attracted me because it looked like a scene I had seen many times when I lived and wrote in Paris. Any writer who has spent time in Cafe le Dome or Le Select will get multiple nostalgia attacks looking over the pictures and reading the quotes from Shaw, Papa Hemingway, Camus and the other greats. The review title above about everyone having two countries comes from Thomas Jefferson who loved Paris. Too bad he is dead, for he too would have also loved Val Clark's wonderful little book.

A Literary Companion, indeed! As a writer, lover of Paris and cafes--I found this book delightful, and the perfect companion for a cold winter day. For like the cafe it celebrates, it has the ability to lift my spirits the moment I "enter" its sumptuous pages. Val Clark has done a masterful job in matching up the evocative photographs of Doisneau and Brassai, the art of Van Gogh, Manet, Bemelmans and much more--with the words of writers and artists that endure because they resonate with that fullness of being that the cafe nurtures. This little book pays loving homage to that sensibility. Thank you Val Clark!

Val Clark's selection of images and quotations evoking the literary life of Paris cafes is like sitting down to a cafe creme at Les Deux Magots with your favorite writers. Clark has scoured literary sources both familiar and overlooked to compile an ecclectic assemblage of testimonies on the allure of Paris cafes. She pairs these testimonies with images (photographs, oils, watercolors) so naturally that it seems the writers and artists had collaborated: Langston Hughes and Vincent Van Gogh, Irwin Shaw and Andre Kertesz, Henry Miller and LeRoy Neiman, and many, many more. The Introduction gives an insightful and appreciative overview of the essential role of cafes in Paris literary and artistic life. Like a good cafe, this charming books offers a respite from our hectic work-a-day lives. A delight!

This is a great book! Val Clark has assembled a wonderful collection of photos and quotes that transport the reader to the Paris café scene of Hemingway, Anais Nin and Albert Camus. Flipping through the pages of this beautifully laid out book will send any reader into another world entirely. I would say that it is an ideal coffee table book, except that two friends have already asked to borrow it from my coffee table!

I had not done much research on the Elizabethan time period when I read this book, nor did I have any desire to, but it really has opened up my world! I've gotten a lot more interested in Shakespeare and his works for one thing, and, for another, it has given me a window into the world of acting and plays during the late 1500s. Can you believe that, since women weren't allowed to act on stage, young boys actually had to play the female roles? Not many boys I know would go for that at all!

This truly is a wonderful book about an orphan who finds a life on the stage. I won't say any more, so as to spoil the story, but, I must say, it's a good read for the creative mind.

This book is about a 14 year old boy, named Richard Malory, whos mom has died and his dad left the family.Richard travels to Londonand meets some interesting characters along the way.He gets robbed, beaten, and threatened at knifepoint. he joins the Lord Chamberland's men to act on stage. He meets his long lost father and helps him escape from England. He lives his life the way it was set out for him. I gave this story five stars because it is really suspenseful. I recommend this book for anyone. this book is really good because you never want to put it down.It fills you with peril and leaves you hanging until you read it more.

Richard's mother has just died out in the country. The man his sister and he worked for only has room for his sister to stay and work for him, so Richard sets off for the bustling city of London. Awhile before, his family once received money from a lawyer in London who forwarded it from the father Richard hasn't seen since he was a small child. Before her death, Richard's mother instructs him to go and see this man who she thinks might be able to find him a reputable job in the city.

Once in London, though, Richard has a hard time finding the man who is supposed to find him work. He instead meets up with a man who says the lawyer is no one he would want to talk with. This man directs him instead to the docks, where he works for a time for a company that imports wine. Soon, though, Richard comes to realize that there are men following him who may want to harm him.

Around the same time he realizes he may be in danger, Richard is recruited by the local theater to be an actor. He is fourteen, which is a good age to play the women's parts in the plays. Richard plunges into the theater life, making both friends and enemies with the others in the cast. William Shakespeare is the primary playwright for the theater company, and Richard enjoys many of the plays he writes for them. But there is a mystery out there waiting to be solved, and Richard becomes more and more convinced that he has a right to be interested in it.

I liked the history of this story; it was interesting to read what London was like when Shakespeare was writing. It was also fascinating for me to read about life in the theater in these days. It was a little hard, though, for me to follow the parts of the history concerned with the nobility in this story. I couldn't keep track of the monarchs and their allies and enemies.

This book is great for all ages, as the other reviews have said. I, being a 13 year old, loved the mystery plotline, and I enjoy reading books like Shakespeare! I recommend the author's second book, The True Prince, and The Shakespeare Stealer and Shakespeare's Scribe, both by Gary Blackman! All of these books have a young boy who acts in Shakespeare's troupe, so if you enjoy that aspect of The Playmaker, then you'll love the others!!!

The Playmaker is a work which literally transports the reader to Elizabethan England in a very convincing manner. Cheaney has a beautiful use of language which does not talk "down" to her young readers at all, but instead presents them a fast-paced, exciting story which is as enriching as it is entertaining. I really fell for all the major characters, and I am hoping for a sequel...or several of them! Richard, Starling, and Kit are so well developed they seem like real historical characters rather than fiction. The Playmaker is a great example of how fiction can present a historical period to young readers so that the reader develops a feel for the period-encouraging an interest in history, too. That's a very enriching asset for a novel to have. This book is on my Christmas list for my young friends AND friends my age and older! My 27 year old daughter is going to love it!

This work of Craig's is the definitive one volume history for the Prussian Army. You can read lots of books about the different Prussian wars or Prussian history - but they will ALL list this book in the bibliography. So do yourself a favor and read this first.

Gordon Craig is the doyen of America's historians of Germany. Now retired from academic life, he is highly respected at home and in Germany, and is sought after for sound and temperate reviews and commentary in the media. No other survey has superceded The Politics of the Prussian Army, although it is now over 40 years old. (However, Gerhard Ritter's important, multi-volume "Staatskunst und Kriegshandwerk" covers a lot of the same ground, with a more conservative viewpoint. There's an English translation) There are two basic reasons for this, I think. One is of course the book's very high quality. Craig became throughly familiar with all the most important source material available, and his fundamental conclusions are unquestioned: that the army was the keystone and guardian of the Prussian monarchy and its conservative social order, and always at work to hinder the progress of democracy and the achievement of popular over monarchical sovereignty. The authoritarian (N. B.: as distinct from totalitarian!) sympathies and traditions of the Prussian officer corps survived after the end of the Prussian monarchy in 1918 and carried on in the Reichswehr of the Weimar Republic, and then in the Wehrmacht. Eventually the officer corps sold its soul to the "Austrian corporal" (Hindenburg's disdainful reference), Hitler, believing they could control him for their own ends, and that he was in any case the best available political option. But Hitler was nobody's fool, and his ultimate aim always remained to undermine the social authority and prestige of the regular army and in its place install himself, his party, and an absolutely fanaticized and obedient military force (the Waffen-SS). A sense of duty not to Hitler but to the German people and their civilization flamed up and extinguished in the assasination attempt of Oct 1944, led by Wehrmacht officers of the old Prussian nobility. Recent research (in English, cf. for example Omer Bartov) has tended to see more ideological sympathy for Nazism in the officer corps of the Wehrmacht more than Craig does here, though his focus is less on ideology than on the army's involvement in political machinations at the highest level. German historians and journalists are debating this issue at the moment, as new publications argue that the Wehrmacht committed war crimes on a greater scale, esp. on the Eastern front, than previously admitted, and that it fought unrestrained by professional ethos or conscience. A second reason for the book's longevity is that most of the Prussian military archive was destroyed in a 1945 bombing raid, which makes significant new discoveries impossible for the period before World War II. One has to rely on published sources, and as I noted, Craig read the most important of them. New histories of the Prussian army would be new interpretations of the same sources. One could, for example, to take a more sympathetic view of the army's 19th-century ideology and ethos - that it was defensive - in view of Prussia's vulnerable geographical position, the hostility of its neighbors, and the rise of the socialist movement. But in the early 20th century Germany was far and away the dominant power in Europe, and the question arises of what "went wrong" and led to Germany's (in my view) unprovoked attack and reckless strategy in World War I. Note: Despite the title, the book is really a history of the army after 1806, with an introductory chapter on the period before.

I had to read this book for a History of Germany Course at Mary Washington College. I remember my Professor, Blakemore, hyping the book. He was right. Based on this book, it is easy to see why Gordon Craig is considered one of the best Historians when it comes to Germany. This book is not only a history of the German army, but it is really a history of Germany it self. It was especially interesting to read about the importance of the Blood Oath of Loyalty taken by the German Army to Hitler before WWII. If you are interested in Germany, I highly recommend this book.

Gordon Craig's history of the Prussian officer corps and its relationship with the state it served is a true classic of military history. The primary focus of the book is on the civil-military relations of the Prussian state beginning with the Peace of Westphalia in 1648 and tracings its evolution and influence to the Second World War when Hitler and the Nazis crushed the political influence of the officer corps. In addition, the book also addresses a number other issues in exquisite detail, including the formation of the German General Staff, the strategy developed before the First and Second World Wars, and the social conflict of the unified German states.

Craig's conclusions on the Prussian officer corps, their reforms and their performance are rather "standard" as far as historical interpretations go - but that is due in no small part to the fact that the author in many ways set the standard. The most salient theme of the book is that for all the German military got right in planning, strategy and innovation, it was never able to effectively solve the civil-military relationship issue, and it was that failure that led to the disasters of the First and Second World Wars.

In Craig's opinion, the opportunity for success was formulated but squandered early in 19th century. After the devastating defeat at Jena in 1807 at the hands of Napoleon, the once vaunted Prussian military had to assess how and why the disaster had occurred. The solution presented by the great military reformer Scharnhorst was the institutionalization of military genius in a centralized, elite general staff and the accountability of the armed services to the German people through an oath of allegiance to a republican constitution, rather than personal fealty to the monarch. The former was adopted and proved a stunning success, especially in the wars against the Danes, Austrians and French in 1866-1872. However, the conservative officer corps' unwillingness to embrace the more liberal reform set forth by Scharnhorst kept the military at odds with the nation it served and ultimately led to the military's political dominance in World War I and political subjugation in World War II.

If you have a keen interest in civil-military relations, German history, or the development of the General Staff system this book is simply indispensable.

This excellent volume was one of my textbooks in college, and I completely underestimated its importance for years. Being deeply involved and interested in Napoleonic military history and the campaigns of the Grande Armee, I have again started to use this book as there is now a 'revisionist' (read 'excuse')school of Prussian history beginning to emerge, revolving around the disastrous, for the Prussians, Jena campaign of 1806. For this period, and indeed for the periods up to the end of World War II, this book is invaluable.

The author uses myriad German source material for his references, and the story he tells is accurate, lively, and riveting. He knows his material, and his subject, and is unflinching in calling a spade a spade when necessary. While I am only interested in those portions relating to the Napoleonic period and its immediate aftermath, students of the Prussian/German Army will find this book invaluable.

Craig's bona fides are impeccable and he writes with authority, verve, and accuracy. His analysis of the Prussian Army's beginnings in the aftermath of the Thirty Years' War set the definition and trends for what the Prussian Army would become, something apart from the people of Prussia and an army supported by a dynastic state. His demonstration of the effectiveness of the instrument under the Great Frederick, and of his policies, and those of his successors after the Seven Years' War, tell the tale of why is became nothing more than a 'parade ground facade', made up of half-foreign mercenary strength, which were two of the many reasons for its defeat and destruction by Napoleon and the Grande Armee in 1806.

The coverage of the Prussian reformers is also excellent, and dispels many myths, some of which unforunately are resurfacing under the guise of 'recent scholarship.' The War of Liberation from Napoleon was in actuality a war of liberating whatever German territory Prussia could grab in the chaos of the aftermath of French hegemony in western Germany (they took the Rhineland, most of Westphalia, and about half of Saxony, keeping the Saxon king, Napoleon's ally, as a prisoner of war). Additionally, force had to be used in Prussia to get the manpower required to fight the Grande Armee. The end of the tale is also excellently told-that of how the reformers, so necessary to Prussian resurgence, were treated and eventually disposed of politically, the Prussian monarchy almost completely retrenching to pre-1806 'values.'

All in all this is an excellent volume for students and historians of the period or of the Prussian/German army in particular. It is highly recommended.

2nd book in this series, and I loved it. The characters are wonderful and the plot is fast paced. Can't wait to read the next one. Marne Davis Kellogg is a great author.

Priceless is the second book I've read of Kellogg's; Brilliant being the first. Both were equally amazing. This book, much like Brilliant, has it all: romance, mystery, seduction, fine wine & dining, & breathtaking descriptions of jewels & jewelry to name a few. Kick is a woman after my own heart. Simply alone, her love of jewelry was enough to keep me spellbound. Never have I read a character to whom I can relate to as easily as with her in that sparkling respect. One sentence from Priceless reads as follows: "I can only describe the pleasure and warmth I receive from jewelry as intense, intimate, erotic."
Don't get me wrong- this book doesn't just rant about jewels. The mystery itself is deliciously, slowly unveiled & Kellogg has skillfully rendered it so until you literally cannot put it down. The majority of the story takes place in lovely Portofino & Kellogg has obviously done her homework. Minute details decribe fine wines, scrumptous food, famously beautiful hotels, and the inner circle of the world's elite of the elite. Oh, and did I mention the jewelry???! **grin**
This book for anyone who is looking for an escape or merely a change in scenery. Kellogg will keep you entertained until the very last sentence of the last page!

I thoroughly enjoyed this sequel to Brilliant. Kellogg has created a great character in Kick Keswick. I finished this book in two days, the story moves quickly with intrique and wonderful new characters.

The only complaint I would have is the rehashing of the background story. Since I had just read Brilliant I found it redundant, but it would be nice for those who did not read the first book. I would suggest reading it though as it is a great book also.

The locales, food and detail of jewlery is amazing. You can tell alot of research went into this book. It is as rich a story as the desserts described!

Priceless is a gripping and suspensful book. The characters are all well thought-out and you can actually see them as if they are right there in front of you. Marne Davis Kellogg is a wonderful writer that puts you right in England, French Riviera and the rest of the wonderful places that Kick Kerwick visits. Even the food and wine she descibes makes you hungry and thirsty. This book is a great, fast read and I couldn't put the book down...a great summer read laying by the pool. Can't wait to read her next book!

Kick Keswick is a retired jewel thief. She wasn't just any jewel thief, she was the Shamrock Burglar.

Now she and her husband, Commander Thomas Curtis of the Scotland Yard, have retired to their wonderful home in Provence. They enjoy wonderful food and picnics in lavender-filled fields.

Not long after Thomas disappears with her secret cache of precious stones and a cryptic note, Kick starts hearing about the antics of the Shamrock Burglar stealing irreplaceable jewels. Since she didn't do the thefts, she knows an imposter is out using her signature. And they aren't using it right, she might add.

She fears Thomas has betrayed her and heads off to figure out who is pretending to be the Shamrock Burglar and see if she can trip them up without being caught herself. She also finds out that her husband is heading up the investigation.

She ends up in Portofino where there is to be a large ball. She is watching the various people trying to figure out who the burglar is. Plus she is scoping out the location of the ball. Various interesting things happen along the way. She is finally able to gain access and stay at the home where the ball will be held. Now, can she find a way to thwart the thief and get away without being caught?

I love this series. Kick Keswick is so much fun. She is charming and always wonderfully dressed. Her antics are delightful and there is plenty of intrigue to keep you guessing. Not only is she a well-developed character, but the places she visits are described so well, I feel like I visited them. Plus what woman wouldn't love reading about all the wonderful jewelry and diamonds!

I look forward to many more adventures of Kick. I highly recommend this book.

Dr. Nadieszda Kizenko has truly mastered defining and illustrating the life of "A Prodigal Saint" It is written in a solid and cohesive manner that makes it a pleasure to read. I too, have had the pleasure and honor to have been one of Dr. Kizenko's students I would unequivically recommend this book to any individual interested in Russian History.
I look forward to her next literary work!

I have the immense pleasure to have Dr. Nadieszda Kizenko as my professor of Russian History at the University at Albany. This book is a must read, it clearly illuminates the life of "A Prodigal Saint" during a time period of religious revival in Russia. Wonderfully written, easy to read, and follow.

I find myself reading this book since I had to do a 10-page book review for my Russian history class and I have to say it's a very good book. It's not a hagiography, just as the author states at the beginning of the book, which means the reader won't find any phrase like: "The most holy, most righteous, Father John of Kronstadt."

It's a well-researched book. Kizenko employs primary sources such as Father John's diaries as well as popular press representations of him. She also uses the thousands of letters sent to him by people asking for his prayers. These are also good sources when trying to find how others perceived him. Many of these letters were from women and Kizenko makes a good argument about the importance of women in religion.

One interesting point that Kizenko makes is the conflict between a saint's or a priest's two bodies - body public and body private - and how Father John dealt with this conflict.

The only weak point of the book is Kizenko's attempt to condemn the Ioannites, a cultic sect of the Orthodox Church who believed that Father John was kind of a savior. Kizenko does not entirely succeed in arguing that the Ioannites were a blemish in Father John's reputation.

An well researched, insightful and VERY WELL BALANCED look at the life of St. John of Krostadt. A must read for any Russian Orthodox Christian.

The book chronicles the life of Father John of Kronstadt, a controversial and highly profiled religious figure during the pre-revolutionary period. Details of his life and his world are fascinating. Seeing how he is approached for help and his actions indirectly reveals much about those living in Russia during that time. the book was also very helpful in dispelling some of the myths that commonly surround this man.

I think this is an excellent read for Orthodox Christians and ALSO anyone interested in Russia during that time period.

Peter Mayle's books about Provence are always wonderful, and this one does not disappoint!
Mireille McKell

Peter Mayle's "Provence A-Z" is a collection of personal interests and discoveries. There are amusing stories of construction complexities, the celebration of truffles and humorous stories of wild pigs eating perfectly ripe melons. Peter invites you into his world and as he explains the reality of Provence he keeps the fantasy of the perfect vacation alive and well. Since I recently made my own tapenade it was interesting to see a new recipe. There is also an explanation of why tomatoes are known as pommes d'amour. There are stories of unique fruits and visions of hills that are home to two thousand types of butterfly. I loved the story of the new puppy and you can't help but smile when you think of all the adventures Peter has on a daily basis. Overall, this collection of writing makes winter days seem a bit warmer and it is perfect as a cozy read by the fire.

~The Rebecca Review
Once I spent a weekend in Provence

An enjoyable collection about things in and of provence. Peter Mayle has done another winner.
An easy read and quite informative.

This is a collection of short essays about the culture of Provence in alphabetical order. I think it is typical Mayle, intelligent, bright, and whimsical without being "cute". It's a writing you can sample in at odd times.

Here's a book of a couple of hundred entries, from A to Z of course, about life in the Provence region of France. Each entry then has from a short paragraph to a few pages of description. The author is Peter Mayle who has almost made a careet of writing about Provence. He's a Brit who moved there many years ago. He was going there to write a novel, but instead wrote a book on Provence which to the surprise of many turned into a best seller.

This started a trend with 'A Year in Provence' and 'Toujours Provence' being the best known. Like expats everywhere who have permanently moved from their homeland, Mr. Mayle is in love with his new chosen country. It shows through his selection of words to include in the book and in the dedication with which he has given these words their Provence meaning.

It's almost enough to make people who don't like France ready to go visit.

This is one of the best books ever written on the subject of Elizabethan Costuming. It mainly contains all of the details of Queen Elizabeth I wardrobe but it has unique points in the society that surrounded the dresses. This book helps to explain the Gloriana image that became so popular and it helps us to understand all the little details that went into the dress of the period. Detailing costumes using portraits and explaining how the fashion progressed makes this book a must for anyone interested in Renaissance Faires and the nobility. The only drawback is that very very few of the portraits and pictures are in color. I think a total of about 7 are in color the rest is in black and white. The only way to make this book more appealing and usable would be to put all of the portraits and pictures in color, but that would make the book even more expensive. After this must have book the 2nd on the shelf should be a J. Hunniset book (the lady who did all the costuming for Elizabeth R and The Six Wives of Henry the VIII produced by BBC). Next, any Janet Arnold book. Last, would be the Norris book: Tudor Costuming and Fashion (although most of this book is very outdated it is nice to look at). All of these are must haves and will make a well rounded library. Dispite the high price of the book it is worth posessing. Enjoy.

This book is amazing. Huge, and packed full of information. An essential refernce work if you are seriously considering doing anything with elizabethan fashion. The author has poured years of scholarship into this work and it shows. It's not really a coffee table picture book. Instead it is full of carefully culled facts for the serious student or anybody curious about 'real' English Tudor costume.

For the historical costumer focused on 16th century clothing, this is the "bible" hands down. Big, expensive, and filled with the usual detail that is the hallmark of Janet Arnold, this is one very worthwhile investment for the serious costumer. This book has one tiny drawback, in that it focuses entirely on women's fashion in the 16th century as viewed through the wardrobe accounts of Queen Elizabeth I and some of her contemporaries. Therefore, it has nothing to say on the topic of men's clothing, which is an unfortunately neglected aspect of 16th century research.

Much of Janet Arnold's most important contributions to the costuming community are addressed in this book, making it extremely valuable. She presents each section with satisfying detail, raising very few questions that remain unanswered. The photographs accompanying the text are also invaluable, as many of them are not available in other books or to the general public for viewing. If only there were more color images...

If you can afford the book, you won't regret buying it.

For years I heard how this was _the_ book to buy if you were into Elizabethan costuming and wanted authentic items that could be documented. The book is good for that, and I enjoyed the style that Ms.Arnold wrote it in.

But I have two major gripes with the book-both regarding the quality of graphics and images in it.

First off-in the whole book there are only about 5 pages in color. The rest of it-including hundreds of portraits, examples of extant clothing pieces and pieces of embroidery were all in black and white. I complain about that because, with so many of the portraits quoted as examples it would help if they could be seen clearly. (Many of them are too dark to have reproduced well, and a few are quite horrible.) And the photographs....

If they could reprint this book and possibly include more color plates it would be a much much more valuable resource. As it stands now, it is a good source, but not all that I could have hoped for. Instead I have begun a search for color reproductions of the portraits cited in the book. A long tedious job but one that I think over all will make it a much more solid resource for my needs.

I bought this as a gift for a friend who helped a great deal with my wedding, advising me of dress styles, hair styles, fashion from this era, dances, music, food, and everything in between, as well as arranging all the flowers for the wedding! She was a godsend! When I gave her the book, her jaw dropped and she was so excited to get it... she said she had been wanting it forever. As I consider her quite knowledgeable about the subject matter of this book, and as it came highly recommended by her, I would say that it's a great book to have if this is something you are interested in as a serious hobby or more.