Europe Books

Ever wonder what kind of person takes such an interest in every form of flora or fauna there is? One who is hyperobservant, apparently. And when Gerald Durrell turns that eye on the eccentric characters in his family and around him on the island of Corfu, you'll absolutely love reading his words.

This book is very funny and enjoyable. It tells of the author's years as a boy spent on the Greek island Corfu. I love the stories of his adventures raising and studying the wildlife on the island. It is also funny because he recounts tales of his strange family. At some parts I found myself laughing out loud. You should read this book along with Birds, Beasts, and Other Relatives.

All of Gerald Durell's writings are terrific, but the ones about his family are truly laugh-out-loud wonderful! This is a book I have enjoyed over and over, and have given as a gift many times.

This book, ironically, was on one of those horrible "summer reading" lists so many of us are forced to do in high school. It's the only one I was ever forced to read that I truly, genuinely loved. I laughed out loud literally every two or three pages, and though I have no natural interest in animals (especially insects), Durell makes his descriptions of the nature on Corfu as gripping and as touching as his descriptions of his family.

It's been ten years since I first read this book, and when I get together with my old friends, we STILL argue about our favorite scenes, the best character, the most troublesome pet. This is a book you won't be able to put down the first time you read it, and will want to re-read the moment you finish it.

Not many adults ever reminisce about their childhood dreams. Those who do, generally label these as wishful thinking and sigh them away. Rarer are those who live lives of fulfilled dreams. Gerald Durrell, an eminent author, naturalist and expeditionist, was one of those uncommon individuals whose life's entirety was one long childhood dream come true. "My Family & Other Animals" is his most famous work, and is the first of his Corfu Trilogy.

The kid Gerald Durrell, or Gerry, was eight years old when his family moved from England to the Greek island of Corfu. Through the eyes of the young, fauna-loving and ever-inquisitive Gerry, Corfu seems to be the strangest place on Earth, and all humans, whether inhabitants of Corfu or not, appear to be strange people. The book describes Gerry's meticulous observations and detailed experiences in Corfu amongst dogs, cats, toads, snakes, scorpions, owls, magpies, gulls and other creatures he keeps as pets in his house, and his family members who are bemused as well as troubled by Gerry's love for these animals and insects. Young Gerry's mother and siblings stay engrossed in their own worlds, leaving Gerry alone to spend his days as he wishes, free from burdens such as going to school and being nagged by elders. Thus begins Gerry's exploration of Corfu, starting with the garden in his villa, and eventually his domain of knowledge crosses over to the neighboring islands.

The book will make you roar with laughter right from the preface itself. Descriptions of animals are unconventionally funny. Humans also are not spared. Imagine an entire family changing residence from one villa to another, just because one of them foolishly invited his friends so many that they would not fit in the current villa. After animals and humans, the third elaborately portrayed element is nature. Detailed descriptions of fig trees and setting suns create a Wordsworthian aura. Once Gerry sets on describing some of these, he can be drawn back only by some exquisitely crafted squirrel or a raucously howling dog.

The best way to savor the book is to read it over several sittings, by allowing the excessive laughter to brighten many a dull day. An enlightening perspective of the work can be seen through Gerry's eyes. Animals, unlike humans, know exactly what they want. They are easier to please and easier to be understood. Most importantly, animals are easily befriended and are almost always loyal. When the book ends, it feels as if an intimate and jocular friend has left you forever.

"My Family & Other Animals" is a beautiful comedy, and is highly recommendable for reading by people of all ages.

http://readsafe.blogspot.com

We are accustomed to viewing excellent documentaries on the TV and the big screen. It is nice to find a literary documentary just as enjoyable. The mid 19th century was an incredible time for change. Europe was adjusting to the post Napoleonic ideals of political and religious freedom. The United States was fighting against the secular immorality of slavery. Prussia was building a military machine to dominate Europe. Italy was struggling with a unification which would require shedding the medieval yoke of the Catholic Church. In the midst of these changes a 6 year old Jewish boy , Edgardo Mortara, is kidnapped within the Papal States under orders of the Inquisition. The charge is that the boy has been secretly baptized. The baptism cannot be undone and therefore the boy cannot continue to live with his Jewish parents. Governments from around the world protest the kidnapping and Pope Pius IX responds with traditional dogma. This is a wonderful researched narrative which brings together themes which will be of interest to Christians, Jews and any reader curious about the changing role of the Roman Catholic Church in this period of European history.

The excellent DVD, "Secret Files of the Inquisition", (available from Amazon and Netflix) dramatizes part of this story and includes commentary by the author, David Kertzer.

Simply one of the most insightful books I have ever read. Thank you Mr. Kertzer for illuminating this fascinating event in our history.

Douglas Wood has already summarized and evaluated this book, justly praising its historical worth. I'd like to add a note about its shock value; in a moment of history when anti-semitism seems to be a joke in some people's minds, surely this is a book that might make the pain and folly of bigotry "real" in terms of a single family, and therefore accessible to readers who can't empathize with mass tragedy.
It's also quite a thrilling book to read, by the way, a better detective story by far than Dan Brown could manufacture.

A Jewish family's illiterate Catholic housekeeper sprinkles well-water over an infant child and furtively mumbles the baptismal sacrament. When the Inquisitor learns of the deed, he orders the kidnapping of the then six-year-old Jewish boy. This foul deed is almost certainly sanctioned by the highest levels of the Catholic hierarchy. The police forcibly remove the child from his family's Bologna home and swiftly transport him to the Church's House of Catechumens in Rome for reeducation. Despite all protests from the boy's family and the Jewish community and in the face of a destabilizing international uproar, the Holy Father refuses to yield. By holy grace, the boy has been miraculously saved and the Church keeps him, inculcates him in the Catholic Christian religion, and assiduously converts the boy.

The boy kidnapped in the name of religion? Edgardo Mortara. The Holy Father in question? Pope Pius IX. The year? 1858. That's right 1858, not 1458, not 1658, but smack dab in the middle of 19th century Europe.

Historian David Kertzer tells the complete tale in his excellent work, `The Kidnapping of Edgardo Mortara.' As Kertzer relates in the epilogue he learned to his surprise that there was no reliable work on this topic. Kertzer sets out to remedy this gap and succeeds by examining the episode in fine detail. Using detailed court and police investigation records, Kertzer explores numerous evidentiary questions such as whether the baptism took place at all, whether the proper conditions for a valid lay baptism existed, who put the girl up to it, and how did the Inquisition find out about it?

The story is told against the background of the movement to unify Italy under secular rule. And here is yet another surprise for the uninitiated reader, including this one: until 1861 the Pope was still the temporal ruler of a wide swath of the Italian peninsula (this rule continued on a lesser scale to 1870). The treatment of young Edgardo was one of the factors that helped build support across Italy and internationally for the Risorgimento or Italian reunification.

The episode also hastened Pius IX's evolution, shall we say, to reactionary beliefs. Pius IX not only made papal infallibility part of Church dogma, but he also issued his infamous Syllabus of Errors in 1864, a broad attack on rationalism, science, and religious freedom - really a frontal assault on the Enlightenment and most other signs of progress in the previous three centuries. If Kertzer's book does nothing more than direct his reader's attention to this astonishing document, he has succeeded in the historian's task.

Kertzer examines the trial of the Inquisitor in detail and the formidable difficulties facing the prosecution. For example, what crime did the Inquisitor commit when his acts were legal at the time he committed them? Would the new government prove willing to violate the fundamental principle that the accused must have had notice of the illegality of his acts?

As for Edgardo, he remained with the Church fathers until he reached his majority and by then his conversion had firmly taken hold. He went on to become a famed proselytizer for Catholicism especially among the Jewish peoples. This role may help explain why this story has remained untold: it embarrassed Jews and Catholics alike.

Some readers may find the detail devoted to the investigations and trials to be excessive, but bear in mind that Kertzer is writing the seminal history of Edgardo's kidnapping. A fascinating tale full of surprises, very highly recommended.

I can't help but think that millions who do not know that they are interested in the history of the Italian Risorgimento would suddenly find themselves incapable of putting this book down. David Kertzer kept my attention while helping to answer my questions regarding how a country that is predominately Roman Catholic can name streets, buildings, and piazzas after the heroes of the Risorgimento who took by force most of the lands ruled by the Pope while Pope Pius IX called upon all the faithful to oppose them. I am now closer to seeing how statues and monuments honoring Garibaldi, Mazzini, Cavour, and King Victor Emmanuel can share the beautiful Italian landscape with cathedrals and the Vatican.
Historical events are impossible to understand without learning of the human issues of the times in which they transpired. Such a study should not be a dry recounting of the facts when it can be, as Kertzer demonstrates, a living, breathing, gut-wrenching encounter with those who created that compelling history.
I know it's almost cliché to say that this reads like a good novel, but it's true.
The trial of Momolo Mortara rivals any of the stories by Sir Arthur Conan Doyle and it is all the more riveting in the context of the amazing events that led to it. Sherlock Holmes could not have used his powers of deduction more skillfully than Momolo's attorney used his unbiased mind to separate facts from prejudiced and selective interpretations.
I give this book my highest recommendation. I hope that THE KIDNAPPING OF EDGARDO MORTARA has been or will be translated into Italian. Perhaps a greater awareness of the past can positively influence current challenges in Italy involving the assimilation of other cultures and religious beliefs - brought on by mass immigrations in recent years.

Although I had read several other accounts of the conquest of the Incas, this one is probably the best. It is hard to put down. Starting with Hiram Bingham and ending with him and the several other explorers of the Antisuyu, the author weaves his account of the downfall of the Incas with skill. I had not realized that so many historical records from that time period were available. Evidently much more is available on Pizarro and his conquest than on Cortez and his. Some of the 16th century documents were discovered only relatively recently and were not available to chroniclers such as William Prescott. If you have already read the story of the Incas, you will not be disappointed in reading about them again. One wonders what might have been if Pizarro's small band had been wiped out before capturing Atahualpa.

As a fan of John Hemming's The Conquest of Incas I was dubious that Kim MacQuarrie's work could begin to approach the level of Hemming's classic. Notwithstanding, I opened The Last Days of the Incas hoping I might glean an interesting insight or two. MacQuarrie's work quickly sent me shooting the rapids of Inca history. It is a breathtaking ride into the rich fabric of past events that make Peru such an enchanting venue today. Read this book and experience the sights, sounds and colors of Incas and Spaniards colliding on the stage that is Peru. Take the trip and you may be as pleasantly surprised as I was. I suspect that even John Hemming would enjoy the show.

I love this book!! could not put it down,it went everywhere i go,well written(i kept my dictionary close by)love the language,the playing with words,how the author made the characters come alive and made u feel like you were a part of the struggle,i went through different emotions reading this book and had to remind myself that this is modern time and what in the past is in the past.Now i am in the research phase buying products from amazon,and investigation how i can visit.
I raise my hat to you Kim,well done.
Montgomery Croker

MacQuarrie is a great story teller, and he pulls you right in.

He makes these historical events read like a novel. Part of the appeal is his presentation of Manco Inca and the Pizarro brothers. The author helps you understand the characters and once you do, you become absorbed in their times and troubles. Even the battle scenes, from which I normally cringe, are compellingly written. The contrasts in technology, religion, customs and values of the Spanish and Inca culture are marvelously described.

The "Last Days" parts stand in contrast to the beginning and the ending which are about the exploration of the areas and the re-discovery of the sites. While these are interesting tales, they pale before the story, which MacQuarrie tells so well, of the last days of the Incas.

I do not have much to add to what previous reviewers have said. I loved this book for its colloquial style and flowing narrative. The author did a great job detailing the life and deeds of Manco Inca, though, somewhat anti-climatically, he cut short the account of Gonzalo Pizzarro's (a major arch-villain) defeat and death. I personally recommend reading this book AFTER reading Prescott's account, in that it elucidates and magnifies the interwoven sories that make up this tragedy.
P.S. I STILL do not understand how could the Spanish have survived if 50,000 warriors would have just rushed them (rushing like a crowd in a burning movie theater) or thrown SIMULTANEOUSLY stones and javelins at them. I just don't get it.......

This is the autobiography of Japan's greatest ace pilot to survive WWII. Saburo Sakai became a hero in his homeland and his account of his place in the Pacific War is even-handed and illuminating. In the early days of the war, victory seems to come relatively easy to him and the other pilots in his fighter group due to their superior training and the excellence of the Mitsubishi Zero fighter. As the war wears on, however, and the United States becomes more fully engaged on its Western front, the tide turns and the situation becomes increasingly desperate for Sakai and his compatriots, until the inevitable crushing defeat. Sakai, along with his co-authors Martin Caidin and Fred Saito, presents exciting accounts of air battles and Saito's harrowing experience piloting his aircraft back to base after sustaining injuries that should have killed him. As good as this stuff is, I was glad that the home front wasn't neglected in his narrative. In addition to being a great air warrior, he also lived a wonderful love story with his future wife.

Samurai is Saburo Sakai's own story of his times as a naval aviator for the Imperial Japanese Navy. Mr. Sakai tells us about his past (yes, his ancestors were samurai's), his time spent learning to be a naval aviator, the pre-war (meaning hostilities prior to those with the US), and yes, his time fighting US pilots.

Things that I personally found very interesting in his telling:

What Japanese Naval personnel (aviators and non-aviators) went thru in basic training. Very brutal treatment. Mr. Sakai tells about Petty Officers beating trainees, ordering them to do physical things that bordered on the impossible. Aviation training was better, but only from the perspective of beating not occuring due to minor infractions. However, the standards they were held to... Obviously, the training was not run by kinder, passionette people.

Mistakes in combat. Mr. Sakai remembered his mistakes so well. The simple fact of failing to arm the guns, over shooting a target, or worse yet, failing to properly identify the target (Mr. Sakai mistook a unit of TBM/TBF Avengers for F6F Hellcats).

His respect for his opponent. Most of Mr. Sakai's combat time was spent in New Guinea flying against US units that were flying P-39's and P-40's. Both of these planes were outclassed by the A6M Zero in almost every category except diving (note, since neither the P-39 or P-40 were supercharged at this timeperiod of the war, their performance went from bad below 15,000 feet, to terrible if they went above 15,000, thereby denying them altitude to dive for an extended period). When this is merged with the fact that the Japanese pilots were combat seasoned veterans, while the Americans were green, it makes for a bad time for those flying the P-39's and P-40's. In remembering these engagements, Mr. Sakai spoke very well of how the US pilots tried to engage the Japanese pilots.

Mr. Sakai's writing style if very readable. It's direct, to the point, without great flurishes or breast beating. This does not mean that it's unemotional, but rather that when he uses emotion, it's very memorable. For rating purposes, I have to give this 4 out of 5 stars (Amazon rating system). I don't know how he could have made it better (writing style?) but I can definatly say that it's a very good read!

Samurai! documents the wartime exploits of Saburo Sakai, the greatest Japanese fighter pilot to survive World War 11, in which he was credited with downing 64 enemy aircraft. Sakai, who died in September 2000 of a heart attack became a legend in his own lifetime. This book explains why.
Samurai! takes us from early victories over the Chinese airforce to the later dogfights with the Dutch, the Australians and, finally, the unstoppable Americans. Sakai, in describing his journey from a rookie pilot to the final surrender, also chronicles the rise and fall of the Japanese Imperial Naval Air Force as seen from one of the most spectacular cogs in its vast apparatus.
Saka, who was never decorated for his actions, was a truly amazing fighter who was held in adulation by his mechanics and wingmen. Indeed, of all Japan's aces, Saburo Sakai was the only one who never lost a wingman in combat. This is an astounding record for a man who engaged in over two hundred aerial melees. But then again, Saburo Sakai's story is an astounding one.
His retreat from Guadalcanal is evidence enough of that. Having suffered paralyzing wounds in his left leg and left arm and having being permanently blinded in his left eye and temporarily blinded in his right eye, with jagged pieces of metal in his back and chest and with the heavy fragments of two 5-caliber machinegun bullets imbedded in his skull, he managed to fly his crippled Zero all the way back to New Guinea. That is the stuff of Hollywood legends.
So too is his dogfight against 15 Hellcats over Iwo Jima. Although he only had sight in one eye, Sakai managed to out manouver the Hellcat fighters and land safely back on the besieged island. His escape from Iwo Jima is also the stuff of Hollywood legends.
Hollywood bases its stories on legendary warriors. And Sakai and his comrades quickly became legends as their honed skills and Mitsubishi Zeros allowed them to cut a swathe through their Chinese, Dutch and Australian enemies. Sakai's accounts of those earlier battles are like reading th accounts of Cochise, Crazy Horse or Geronimo. Sakai and the other Japanese warriors of the air went out and did what they felt they had to do. Their Zeros were as precious to them as the finest steeds were to the warriors of old. They were the cream of the crop.
Unfortunately for them, their numbers were whittled down as the war dragged on. Midway accounted for over 300 of Japan's best pilots.The Americans, meanwhile, came relentlessly at them with their Wildcat and Hellcat fighters, which were purposely designed to outpace the Zero. Time and again, Sakai stresses that it was only the Americans' lack of combat experience that saved him.
They didn't save the others. As the war dragged on, the standard of the average Japanese pilot plummeted.
This book is not a glorification If this book glorifies anything, it is the futility and blaspehemy of war. Sakai describes how business went on as usuall in China even in the middle of combat zones. He describes watching Australian pilots being eaten by sharks. His account of how his superior skills saved him at Iwo Jima reflect the skills he noted in the Dutch and Chinese pilots of the earlier chapters. The Japanese, who had been the confident hunters I nthe earlier chapters, were now the prey. Usually, they were sitting ducks, powerless to do anything but volunteer for a kamikaze mission or to train the young novices who made the bult of the kamikazes.
Hiroyoshi Nishizawa, another top air ace who was later shot out of the air in an unarmed transport plane, was one of these. Sakai describes him as bing "unpredictable in the air, a genius, a poet who seemed to make his fighter respond obediently to his gentle, sure touch at the controls." Sakai constantly uses similar imagery to decribe his love for the Zero. This book has been reissued on countless occasions. Read it and find out why.

Sakai gives us insight into the progression of the war from the Japanese perspective, revealing the mindsets of those on the other side, without meandering into the chronological army list minutiae that many others succumb to. Action and emotion, quandaries of conscience and honour are always the subjects discussed.

Very good book. Highly recommended - very pleasureable read.

Also of increased value to those of us who play WWII combat flight simulators (grin).

This book shows that combat warriors on both sides have the same thoughts and concerns. They worry about their families and complain about their leadership.

I bought the Classics of Naval Literature volume after reading a library copy. That's how much the book impressed me. The top-surviving Zero naval ace of WWII, Sakai had realistic and controversial opinions of Japan's role in the war. He did much to build postwar friendships with the United States, even at risk to his own life.

Little did I realize when I bought the book that I would someday meet him. I visited him in his Tokyo home and hosted his visit to Naval Air Facility Atsugi. My book is now autographed.

I was unfamiliar with the Kindertransport that moved 10,000 Jewish children to safety from the Holocaust. This biography brings that event to life through the memories of Lisa Jura. At 14, her parents sent her to London and the book covers that wrenching journey and the next six years of her life. Growing up during the blitz in a refugee home with 31 children makes a fascinating book.
Lisa's devotion to music weaves the story together as she strives towards her parents' dream. Becoming a concert pianist seems unachievable under the circumstances, but this touching biography details Lisa's progress towards that goal. This account has appeal for both adult and teen readers.
I also recommend In The Shadow Of The Cathedral: Growing Up In Holland During WW II by Titia Bozuwa

author of Cooking Jewish: 532 Great Recipes from the Rabinowitz Family

from the Jewish Journal of Greater Los Angeles
August 30, 2002

Vienna, 1938. In the city of Mozart, Schubert, Beethoven and Strauss, 14-year-old musical prodigy Lisa Jura looks forward to a promising career as a concert pianist. Hitler has other plans. With the breaking of glass on Kristallnacht, Jura's dreams are shattered.

Internationally celebrated concert pianist Mona Golabek, with journalist and poet Lee Cohen, has crafted a loving, lyrical tribute to her mother, Lisa Jura, in "The Children of Willesden Lane: Beyond the Kindertransport: A Memoir of Music, Love, and Survival."

Jura was one of 10,000 Jewish children saved from the Nazis by the British and sent on the Kindertransport to safety from Eastern Europe. Already being compared to "The Diary of Anne Frank," this simultaneously heartbreaking and uplifting tale weaves together the stories that Golabek's mother told her about prewar Austria; the gut-wrenching separation from her family; life at the orphanage on Willesden Lane; and the power of music to help her survive.

As Jura's mother, Malka, puts her on the train, she says the prophetic words that will sustain and inspire her daughter and future generations: "Hold on to your music. Let it be your best friend."

In a world turned ugly, the beauty of music becomes Jura's strength, and, against tremendous odds, with the help and encouragement of the 30 other displaced children at the orphanage, she wins a scholarship to London's Royal Academy.

"Each kid saw something in my mother's music that reminded them of what they had left behind in Czechoslovakia, in Austria, in Germany," says Golabek, a Grammy-nominated artist, "and that's what I tried to do in the story, not only to pay homage to my mother, but to all these kids and to their bravery."

The book opens with Jura's tantalizing daydream of performing in a great concert hall and closes with the fulfillment of that dream, as she makes her debut before an exhilarated crowd. And in between, the pages burst with melody: Jura pounding the cadenza of the Grieg "Piano Concerto" to drown out the sounds of bombs during London's blitz, Jura visualizing Chopin fleeing a flaming Warsaw as she struggles with the somber coda of the "Ballade," Jura remembering her mother's Sabbath candles as she plays the solemn opening of Beethoven's "Pathetique."

"My mom and her mother never cared if a piece is in C major. What really counts is the passion behind it, the image. If it's `Clair de Lune,' imagine the moon over a desert island. That imagination allowed her to survive the horrors of what she experienced, because a C-major chord will not inspire you through the horrors. It's the moonlight, the idea that maybe the composer wrote it for someone he loved. These things inflamed her imagination, and that's how she inflamed mine."

And now Golabek's book will inflame the imagination of a whole new generation. The Milken Family Foundation, together with Facing History and Ourselves, an educational organization that teaches tolerance to 1 million students annually, are working with Golabek to bring the story to schools across the country by developing a companion curriculum guide.

Plans are under way to launch the book in Austria, and make it available to teachers as part of the now mandatory four-year Holocaust education program for students.

The saga of Golabek's 18-year struggle to get the story published is almost as harrowing as her mother's story itself. "It went through many, many writings; many, many ups and downs, starts and disappointments," Golabek says.

Now the accolades and offers are pouring in. On Sept. 24, she will be an honored guest speaker at the California Governor's Conference for Women at the Long Beach Convention Center and will appear at Beth Am on Nov. 17 with her sister, pianist Renee Golabek-Kaye, and Jura's four grandchildren, all musicians: Michele, 16; Sarah, 14; Jonathan, 8; and Rachel, 7. Brandeis University will honor her at the Skirball Cultural Center next March 31.

Last week Golabek was interviewed on NPR's Morning Edition and was the subject of a feature story by Andy Meisler of the New York Times. In the planning stages is a concert next year co-sponsored by the U.S. Holocaust Museum and the Austrian government. And, of course, Golabek is considering movie offers.

On her syndicated radio show, "The Romantic Hours," which highlights stirring writings against a musical backdrop (Saturdays at 10 p.m., 105.1 FM), Golabek often quotes the poet Jean Paul Richter: "Life fades and withers behind us, but of our immortal and sacred soul all that remains is music."

"That was a quote my mother taught me, and the whole reason why I wrote this book and why I created `The Romantic Hours' was that my mother felt through words and through music our souls would be immortalized."

This is one of my all-time favorite books. If you are a musician, you will fall in love with it. The story is inspiring and moving and will make you appreciate music to the greatest extent possible.

Full of history. Easy to follow. Great read for young and old alike.

This is a story which every parent should read to their children. Talk about the history of WW2 and discuss the extremes of humanity. A book which once read you will never forget.

This scholarly and highly readable book is of importance to art historians, historians, and anyone with a serious interest in orientalism as both an art movement and a western cultural phenomenom. The illustrations are superb,and the additional profile articles on key orientalists (such as Richard F. Burton) are an added bonus. This book is certainly worth more than its price and will be of lasting value to future readers.

"coffee table" art books are usually just vehicles to display reproductions of the paintings. Not here - Davie's writing would make compelling reading if it was published in regular book format. He mainly focuses on orientalist painting itself - and shatters the critics - but he also has a fascinating section on four famous 'orientalists' which include Richard Burton and Lady Digby.

The reproductions are are splendid very accurate ( i have the pleasure of having easy access to some of the original paintings) and capture the exquisite craft of "Orientalist" painters. often with close ups of parts of painting that allow the reader to see the elaborate detail.

Worth every penny. I find myself reading it again and again.

An outstanding volume providing high quality images and interesting commentary. Too many art books commit the sin of spreading large images over two pages so the picture gets lost in the spine - not this one. Orientalist paintings are crammed with detail to show the erudition of the artists and their patrons: for once you can see plenty, and you're not sold short by the layout or the print quality. Not a book if you're looking for lush pictures of harem lovelies, one of the aspects of orientalism not given such high prominence here. Over all impression? The many different effects created by light in Middle Eastern landscapes, and the skill of these artists in capturing it

Brilliant book completely covering the subject, solid research, perfect rare illustrations. Lots of forgotten and difficult to find names. Very useful and highly recommended - worth every penny!

Really I'd like to give this 5 stars but for the lack of women it's 4. I feel sort of silly doing so because the art is astonishing and the sheer beauty just magnifies how "art" has changed. I wonder if any artist alive today could come close to duplicating these masterpieces. I doubt it. And Mr Davies writing blends with the terrain and subject matter splendidly.

I have always been a museum addict. If the Metropolitan Museum of Art would let me place a cot somewhere, I would probably take up housekeeping. So, it was extremely rewarding to read this story of how so much of the stolen art from WW2 was found, protected, recovered and finally returned to rightful owners. These "Monuments Men" should all have received medals. The world owes much to them for making so many artistic marvels again available.

The illustrations are quite good. Many are available in other sources but so many, at least for me, were viewed here for the first time. The attempts to protect many objects - e.g., St. Marks in Venice - were also interesting. When I visited there a few years ago I was very appreciative.

Mr. Edsel is to be commended.

Excellent book with many historical pictures and historical comments of the war's effect on the art of many countries.

This book shows and tells another side of war. It is the story told in picture of Hitler and his Nazi thugs pillaging Europe and stealing priceless art objects, painting, statures, books, even ancient scrolls then hiding them in caves and bunkers in Germany. What I loved about this book were the photos of US Army units rescuing those stolen art treasures then returned them to the towns, churches and cities. The author has done an exemplary job of finding photos and stories which has made this an important work. Photos I've never seen and story I have never heard about. I think this book needs to be in every high school library in the country. Students need to be shown how our American Army worked to recover all this lost art. His book made me proud to have serviced in the US army.

Thank you for writing this book

I was really surprised by this book. I thought it was going to contain more text but it's really all about the art and the people who rescued it. The result is a very impressive, easily readable 'coffee table' style book that's beautiful and informative. Teachers should grab this up for the classroom and it also would make a great gift for anyone interested in WWII and it's aftermath. I can't say enough about the photos and the story they tell. Bravo!

This is one of the most fascinating books i have ever read. The period images are amazing, just the photo of italian masons bricking up Michaelangelo's iconic David is worth the purchase. After reading this book I was stunned that so few art treasures were destroyed. I had no idea that much of the treasures at the National Gallery of Art in D.C. was stored at Biltmore because of its remote setting. I was also blown away to see the images of workman removing winged victory from the Louvre, I just had no idea all of this went on leading up to the war and during the war. The German pillaging of the great European art treasures is disgusting of course, especially the art they looted from the weathy Jewry like the Rothchilds and others, some of which even to this day are trying to get back art work that is rightly theirs. I highly recommend this great book to anyone interested in art, history, art history, or frankly has an inquisive mind. I want to thank the authors for a job well done.

The U-boat war off America's coast "Operation Drumbeat" was merely one of Germany's U-boat operations. This book is an interesting read. I, like others, wasn't aware of the magnitude of U-boat operations off America's coast. It's a great account. It's limited to that operation. There's hardly anything beyond Operation Drumbeat...but that was the book's intent. It's a good account.

I've read a number of books over the years, both about WWII and other topics. I can say that Torpedo Junction is the most fascinating book I've ever read. Even though the author gives lots of details about the attacks, he keeps it moving along at a steady clip. I didn't want to put the thing down. It's very well-documented (albeit with some secondary sources), but also provides a lighter narrative style along to way to break up the "action reports."

Ultimately how good I like a book is if I'm committed to finish it. Torpedo Junction by Homer Hickman is a book I had to finish, but I was so interested in what it revealed I hardly wanted it to end. Many factors were at work here. First, Mr. Hickman's writing is so clear and linear that it belies the painstaking research such an easy to read factual narrative requires. Thank you Mr. Hickman for doing the work so I could both be reviled and astonished!

This little known yet very tragic part of World War II played out right at our doorstep. Because of Japan's audacity to hit us with one massive surprise salvo the even more insideous U-Boat war on the U.S. coastline played out largely unknown to the general public. For months that seemed to drag on and on the Germans sank boat after boat after boat. Maybe for our protection or maybe because we couldn't quite get a handle on how to stop the German U-Boat threat the mounting damage was kept quiet. It was a tremendous tragedy which caused great loss of life as well as massive destruction of resources. With Torpedo Junction we can finally see how close to home death truly came. Also, we get to know the true courage of those who protected our home shores so we could both support the war effort as well as keep that all important semblance of a "normal life" at home. To know the facts surrounding the North Atlantic U-Boat war helps to rectify those long years of not talking about it.

I recommend this book as both educational and entertaining. As with Rocket Boys I was pulled inside a time and place as if I was there. Storytelling really doesn't get better than this.

As the U. S. Coast Guard Cutter Dione's lead soundman during period of Hickman's book I can attest that he did a wonderful job telling our story about some real hazardous duty. Homer's collaboration with our Radioman 1st, Swede Larson really paints the futility and danger of our sub chasing before and after convoys. I'm so glad Homer wrote about us. Now maybe we won't be forgotten.

Reads like a Clancy thriller. I recommend this book along with Michael Gannon's "Operation Drumbeat" so one can understand the havoc wreaked by German U boats along the Eastern seaboard against totally unprepared and in many cases complacent ships in the early days of World War II.

The Golden Milestone uncovers the most amazing facts about Italian and Italian-American accomplishments. It is a very unique book that covers just about every subject. Great stuff and fun to read. We also used the book's "Italy Travel Guide" that is included as a supplement for our trip to Italy this year. Read this book and pass it on. It is refreshing to read the positive things instead of stereo-types that the media usually servers up about Italian-Americans. Thank you Mr. Esposito for writing this book.

This thoroughly researched, masterfully written, and fascinating book is truly an encyclopedia of accomplishments from Roman times right up to the 21st century. The book lists countless fascinating facts from Roman, Renaissance, modern Italy, and Italian Americans. It also lists 19 Nobel Prize winners. A great review of somewhat forgotten information about Italian heritage, that is assembled and at your finger tips for reference. A refreshing change from the negative stereotypes offered by shows like "The Sopranos."
Read this book and give it as a gift.

This book is a great review of significant Italian and Italian-American accomplishments since the beginning of time! It is full of information that you may already know in the back of your mind, but the book clarifies it and recognizes the individuals instrumental in the contribution. The author inserts a little of his own humorous antidotes along the way. All in all it is a very interesting book. It would be good for students of any age to learn an overall view of the subject matter. Any reader should be both amazed and entertained!

There is no way to describe the amount of in-depth research on so many interesting subjects in this book. Well written, researched and organized. I got it as a birthday gift and couldn't put it down. It's mind-boggling how anyone could have done so much in-depth research. Amazing stuff that wont disappoint any reader interested in the origins of inventions, artifacts, conventions, foods and traditions, as well as biographies of many famous entertainers and sports personalities. For me, the book's chapters on architecture and American government alone make the book worth the price. Read it and share it. Something for everyone in your family to explore and discover.

Book Description (from Amazon's Editorial Reviews section)
This highly acclaimed and uniquely comprehensive book offers readers over 2500 years of Italian and Italian-American accomplishments. The book's 22 chapters cover every subject: art, architecture, music, fashion, science, law, culinary arts, economics, medicine, automobiles, the entertainment industry, sports, and much more. The author's ability to blend facts, with some humor and personal anecdotes makes this book a joy to read. The book covers the wonders of ancient Rome, Renaissance Italy, as well as modern contributions and Nobel Prize winners. The book is illustrated and contains an astonishing collection of inventions and accomplishments. For example, Italians invented the piano, violin, opera, ballet, battery, telescope, radio, and telephone in NYC years before Alexander Bell. Discover how Enrico Fermi ushered in the atomic age, and how Italian sculptors carved the Lincoln memorial in Washington D.C. Explore the chapter on Literature to uncover the origins of many famous fairy tales (Cinderella, Snow White, Pinocchio, etc.). In the chapter on American Government, the author quotes John F. Kennedy who wrote in his book, "A Nation of Immigrants" that the great American principle, "all men are created equal," originated with an Italian physician, Philip Maezzi, who was a personal friend and neighbor of Thomas Jefferson. Also, learn about many other distinguished personalities: NYC Mayors, the former Chairman & CEO of the New York Stock Exchange, the President of the European Union, and the Director of the European Space Agency. The Golden Milestone has thousands of notable entries and fascinating facts. Critics agree. It is a must for anyone's library.

This book also includes a unique `Italy Travel Guide' supplement that combines history and attractions for over twenty cities and locations in Italy. A great virtual tour!

Superbly researched, detailed, and precise. In 22 chapters the author proves his points. He sometimes got overly preachy, but with all the negative stereotyping of Italian-Americans by many in Hollywood and the media I can sympathize. It is one of the most organized books I've ever had the pleasure of reading. From the Roman Republic to the present, Italian contributions to Civilization are described. It also contains a unique travel supplement and some funny personal stories. Anyone who is a history buff should read it, every possible field is covered.

Judith Sherman's Say the Name can be seen as a theodicy that arises out of the Jewish tradition and in response to the events of the Holocaust. In poetry and prose we see, on the one hand, the horror of human evil, and on the other, the hope and meaning that arises out of tragedy in the form of poetic expression and imagination. Sherman a provides vivid and horrific account of physical pain, mental suffering, and moral wickedness. In a moving passage, Sherman recounts:

Today a woman runs suddenly from the Appell line--she runs towards the electrified fence. The dogs get to her before she reaches it. Screaming, she tries to put push the dog away...The animal is not called back, he attacks until there is no more movement. Every horrified one of us wants to rush and help--no one does. Silence. There are so many of us here, how are we so crushed into silence and inaction? The reason right there, in front of us--they watch us closely, provocatively, hand on the trigger and dogs at the ready--hoping for another futile sacrifice...We are filled with rage and pity and helplessness and are paralyzed by their brutality (102).

This passage confronts us with the reality of evil as experienced by Jewish women in German concentration camps. Based on this reality, it is not difficult to see how people who believe in God, and have a particular image of God, can question or call into account the God in whom they believe. Sherman's account reveals a questioning of the divine. Is God not outraged? Does God not hear what is going on? Indeed, where is God? "Where is the judge? Where are you, judge? Is there a judge?" (117).

Her response to these questions is to invoke biblical imagery and to invite God to come and witness, and account for the tragedy that has taken place. In her poem, "The Invitation," she invokes the imagery of Jacob's ladder and asks that God come down the ladder and witness the sights "not fit/ for Godly eyes/ not fit for thee/ is it for me?/ who will make it fit for Thee?" (118). Or again, having experienced so much pain, she requests that God take on her pain, "You have it/ and be/ branded" (122). Does God identify with our pain? Is God in solidarity with those who suffer? It seems that Sherman is inviting God to be present with the women beaten down by guards, chased by dogs, shot to death, and with those who have to witness these events without the ability to respond. It is a moving book in which the author has mustered up the courage to recount her experiences and to "say the name."

How can there be so much evil in the world? More pointedly, how can an all powerful and loving God allow such evil? Where is God? These and other tough questions are asked by Judith Sherman as she reflects on her time spent at the Nazi concentration camp Ravensbruck at the young age of fourteen. Combining narrative prose with short poignant poetry, Sherman walks the reader through the painful and emotional events, describing her sense of frustration at a God who has abandoned her and the rest of the Jewish people. Most accounts of the Holocaust elicit deep emotions and feelings and this book certainly does that, but in a unique way. The prose unfolds the details of her story and then all of a sudden you become struck by the overwhelming emotion and powerful insight of a short three or four line poem. This combination has a strong effect and throughout the book the poems remain clearly in your memory and serve to give more meaning to the details and descriptions of the horrendous struggles of a concentration camp.

With detailed descriptions, Sherman focuses on everyday objects, such as a pair of shoes, and transforms them from their ordinary status into things that have a greater significance and meaning. The transformation and emphasis on objects shows how Sherman's outlook on life has changed and through this outlook Sherman has finally been given the voice to tell her story, giving the reader the chance to connect to it in a moving and profound way. Reading this book will give new meaning to the themes of theodocy, family, memory, the human spirit, and most of all will give you a new outlook on life.

After having learned at length about the atrocities of the Holocaust in history class every year of middle and high school, and after hearing personal accounts from my many Jewish classmates about their grandparents in concentration camps, I felt almost overloaded with news of the horrors and wasn't particularly excited about reading another book about the Holocaust.

But Say the Name is different. Judith Sherman manages to convey the depths of despair and suffering that occurred during her time in hiding, in concentration camps, on a death march without any trace of stridency, but rather with her own quiet and simple words that are humbly defiant and moving. She communicated to me, for the first time really, how it feels to not have any control over what happens to your body, to be stripped of a voice, to be robbed of a name. This poetic novel, more than any other I have read on the topic, speaks to the psychological death as well as the physical one that the Nazis inflicted on so many millions. Judith Sherman resists both, however, and her spirit is evident in the fact that she was able to share in writing her deepest and most agonizing thoughts and memories about her experience.

Another aspect of the book is Sherman's relationship with God, which is a complex and vacillating one. In some passages it almost seems as if she is referring to a lover who has betryaed her, and she is filled with sadness, anger, longing, and ultimately a love that she will not forsake. She does not, however, blindly accept "the will of God," instead demanding over and over, "where are you?" If God should be praised for the blessings he gave her, then he should also be held accountable for his apparent abandonment of his people.

To read this book is to explore memory, theodicy, religion, family, genocide, the human spirit, and will leave you saying its name.

Say the Name is a powerful and poignant account of a young woman's experience in Nazi imprisonment during WWII. After years of silence, Judith Sherman was compelled to come out and tell her story, not only for herself and her family, but for the millions of other who had no voice. The unnamed victims of human suffering in camps like Ravensbruck cannot be put away with the history books. They are people who were made to be things, but they were not things. Sherman describes in her prose and poetry how the life that they had known before the war melted away, and was replaced by a reality that terrorized, brutalized, and destroyed. This reality was the dehumanizing force of the Nazi regime.

I wonder how an author who is so modest with her prose, who even wrote that "words fail" to capture the "monumental horror" of the Holocaust, is able to to move the reader with her words with such remarkable ease. Her voice resonates with the child, the daughter, the mother, the friend, and the person who had to ask God, "Why?". Sherman's writing, and especially her poetry, are evocative and elegant for sure, but I think that it is the place that she is writing from that creates this feeling of "being there' with her. Her pain and the pain of those she names is human pain. Their loss is human loss. As people we have lost something by allowing evil like this to exist in the world. It doesn't have to.

Her tale is not one of Jewish suffering but human suffering and survival. She recalls the ways she resisted the forces that sought to destroy her. Sherman's life was never the name when the war was over, which is to say that the experience never ended. However, she is able to take her pain and wordlessness and make something that helps others understand. I thank her for that. Sherman's book would be good for students of all ages and particularly those interested in the stories and history of the Holocaust. I guarantee this courageous little book will move you no matter what you're looking at it for. Her connections with human suffering are particularly intense regarding family loss, motherhood, friendship, the struggle with divine over the existence of evil, and the loss of the "ordinary things" we take for granted when we're home.

Judith Sherman's Say the Name is a survivor's account of a teenage girl's struggle with God and humanity in Ravensbruck concentration camp during the Holocaust. Sherman, now a wife, mother and grandmother living in the United States, writes her memoir some 50 to 60 years after the Nazi's carried out their "Final Solution."

Sherman's poetry and prose in this book reflect a loss of people, places and things that make up the fabric of a person's life, culture and beliefs. She is, at turns, angry and bewildered. She demands an accounting for these atrocities. But ultimately Sherman's quest for survival and her insistence on remembering the names of women who were killed conveys a sense of humanity and even of hope. This is Sherman's first book, and she is not a polished writer. She writes in fragments and one has the sense of poetry scribbled on napkins over the years and then included in the memoir. Her book is all the stronger for this.