Europe Books

This well-researched and (necessarily) somewhat-speculative work covers the sustainment of Freemasonry in Scotland in the time just before Masonry went public in 1717. The title is less accurate than the subtitle, however, for it creates more questions than it answers. For convincing speculation on the actual origins of Freemasonry (and one that fits well before this book if one will take William Schaw as patron and not creator of the Craft), read "Born in Blood" by John J. Robinson.

Prof. Stevenson, a non-mason, has stumbled upon freemasonry while specialising in the history of the Scottish covenanters. He adds academic structure and his formidable historic knowledge to the unwritten part of Scottish masonry, - an oral tradition of memorized texts and a rich variety of lodge rituals, -way before George I's (a Hanoverian who spoke no English) attempt in 1717 to create a system of control by establishing the Grand Lodge of England. Mr. Stevenson may be forgiven for not understanding masonic imagery, however he has given us a well presented insight into Scottish masonry. His impressive work sets new standards in masonic history, based on verifiable and reproducable evidence rather than on wishful thinking. A highly recommendable book.

Outstanding scholarly work. Not an easy read, but full of the details and exacting research one expects from an academic of Stevenson's stature. I am on my second time through this book.
Any Brother who considers himself a Masonic scholar should be in possession of this book.

Though sometimes the reading is a little dry, this book is full of great history. Origins of some aspects of masonry few have heard of. Any Mason who loves history, will find it interesting.

There are about as many explanations of Freemasonry's origins as there are explainers. From Freemasonry's own dramatic and fascinating legends to paranoid conspiracy theories, along with overly fanciful New Age yarns, unsupported armchair guesswork, bestselling thrillers, and careful historical investigations. This book is an exemplary model of the latter. David Stevenson has brought his scholarly acumen and disciplined historical expertise to bear on a much muddled subject, arriving at conclusions as plausible and modest as they are interesting and original--not to mention refreshingly clear.

The first seventy pages or so are extremely dry, and after a while started to wear on my patience. My advice: bear with Stevenson as he lays out the facts here, grounding Freemasonry's murky prehistory firmly in the socioeconomic facts of Medieval Scotland. From this he can demonstrate convincingly how Renaissance elements of Hermeticism, Neo-Platonism, the Art of Memory, and Vitruvian valorizations of architecture came to inform the self-characterizations and common practices of these prior craft guilds, gradually transforming the latter in the process. He sticks closely to previously unconsidered primary sources of the time in question rather than later reconstructions so as to uncover the unfolding of this complicated process, mining fragmentary manuscripts, local records, and other such often overlooked sources tucked away in the shadowy corners of old archives for what they have to tell us--cautiously and painstakingly distinguishing certain fact from plausible but ultimately unverified speculation based on those facts as he goes along. In the bargain he makes a strong case for his rather original thesis that much of early Freemasonry as we know it today developed in Scotland and only then spread to England (and from there to the rest of the world), substantially altering our picture of this intriguingly complex process thereby.

And it's rather amusing to think that it all started with a stray reference the author came across in the midst of pretty much unrelated historical research, one he decided to follow up on for the heck of it and maybe write a little article--an article that grew into two whole books, this one and the more locally detailed The First Freemasons: Scotlands Early Lodges and Their Members. Stevenson's extensive consideration of the Scottish proto-Freemason Robert Moray--crucial in accounting for the evolution of Freemasonry's symbolism, social values, and ethical orientation--has apparently also blossomed recently into his editing of Letters of Sir Robert Moray to the Earl of Kincardine, 1657-73. So what started out as a lark has grown into a sustained scholarly pursuit, of which "The Origins of Freemasonry" here is a key work and perhaps the most accessible for the generalist. Indeed, if you are looking for a sober, reliable book on this topic, this one fits the bill nicely.

I had the pleasure of being a student of Terry Parssinen around the time this wonderful story was released. Needless to say, I couldn't be any more prouder as to what he has uncovered. It is a refreshing book to read in regards to his opinion as to what might have happened; And I'm not just saying that because I was once his student. Excellent read!

To see how close WWII could have been stopped at least in the European Theatre, this book keeps you on the edge, even though you know the outcome. Excellent.

An interesting book about a fascinating "what if" of history. Parssinen makes a convincing case that the plotters of 1938 were closer to success then is generally credited. His case also illuminates the tragedy of appeasement for Great Britain, Germany and the rest of the world.

I learned a lot I did not know about Hans Oster, who comes off as an extremely admirable person and plotter.

Few history books raise to the high bar of objectivity that we're expecting from sciences in general. And objectivity in this context has mainly to do with the broader political context of the times in question rather than just a selective exposition of facts. Too many times, focusing on a certain historical issue without the proper context leads to erroneous interpretations.

Interpretation is not only an academic concern, especially when applied to political sciences. The meaning assigned to facts, the interpretation given has practical consequences, and the book "The Oster Conspiracy of 1938 : The Unknown Story of the Military Plot to Kill Hitler and Avert World War II" points out to little thus far known details about those times, about the framework, internal and international in which Hitler operated, about the blown chances to recognize the opportunity (when it presented itself) to deal with the hitlerite threat in a much less fatal fashion.

The account in this book is fundamentally different than in a typical "what if" book. "What if" books border on fiction. Their premise or starting point is fictitious. This book's premise is not fictitious at all. It's researched facts. The only "what if" part of it is the argumentative interpretation of the British politicians both a priori and a posteriori of the chances of a coup d'etat in Germany, had they agreed to send an unmistakable signal that they do not accept to be bullied and made a joke of in front of the whole world at gunpoint.

A good, objective and reflective read. At times it feels just like a novel and not a researched history text.

It's shocking to me that the events in this book aren't chronicled in every high school and college World History class. The fact that, as Hitler resolutely thrust Germany toward war in September 1938, nearly all his troop commanders had decided to revolt against a war they were certain would mean the destruction of Germany, casts a long and dark shadow on modern-day attempts to deal diplomatically with fanatical national leaders.

Ironically, Hitler's generals had realized what the leaders of the Western democracies had not: that Germany stood to be quickly and decisively defeated in a war against England, France, and Czechoslovakia. On the very morning that Chamberlain, in a pitiful "if Daddy says no, ask Mommy" display of desperation, was grovelling with Mussolini for a peace conference to negotiate German occupation of western Czechoslovakia, armed men were positioned to storm the Reich Chancellery and kill Hitler at the first announcement of war.

More than just a surprising lesson in history, this work speaks volumes to today's leaders of free and peaceful nations in dealing with hostile regimes in the Middle East or Chinese aggression toward Taiwan. Peace kept by capitulation and appeasement is a peace that cannot last, and serves only to sustain and embolden expansionist, warmongering tyrants.

This is an excellent and informative book. I was however quite surprised that Checchino, which I believe has 1 Michelin star and is possibly the best known restaurant in Rome, doesn't rate a mention, especially as it certainly fits the Slow Food motives.

This book was an invaluable resource. Perfect for those who cherish great meals and good wine. We toured Italy from Lake Como to Verona, Venice to Florence and Bologna. In each city we made a point to eat at a site mentioned in this book. Every meal was unbelievable !!! We would love to see more Slow Food guides for other cities around the world.

We brought this book prior to an '07 three week trip to Northern Italy. It is based on the 'Slow Food' movement now going on in Italy. We purchased a number of other books to supplement this one. This book is excellent for people who want to "go" the way the Italian do, i.e., good food (a must for them)at a reasonable cost and small hotels/B & B types without all the hype. We are now using it again for a late '08 trip back to Northern Italy. As a side point - there are also Slow Food shops in Italy where you can purchase quick meals or food items to take away - all of the highest quality and fair price. Remember this "Slow Food" movement was started by Italians for their own people - the main idea was for top quality food and reasonable accomodation at a fair price and they have achieved it. Remember to look for the "Golden Snail"

An essential handbook for anyone with dreams of eating their way around Italy. The descriptions evoke strong images of romantic nooks with sumptuous offerings - all supporting the Slow Food philosophies of local quality ingredients prepared by passionate gastronomes. Included are accommodation options covering 3-star hotels to intimate farm stays. I won't travel to Italy without it.

I almost hate to recommend this book since the Italian language editions have been sort of our secret for many years. Now anyone can find these wonderful places to enjoy authentic regional foods and wines in the REAL Italy! We've been to many, many of these places over the years and the descriptions of them are spot-on so I'm confident that the places we have yet to enjoy will be equally as good. Be patient though, just because the book is in English does NOT mean the folks at these wonderful eateries speak the language. The glossary helps a lot in this regard.

Painting The Word is a truly outstanding guide to Christian paintings and their meanings brings art and spirituality together in an inspiring coverage. More than a history of painting, Painting The Word discusses how Christian images reflected and influenced Christian civilization as a whole, with a universal quality delivering balanced messages. Color reproductions of significant classic Christian art works appear throughout.

As an ordained Anglican priest and the dean of Christ Church in Oxford, John Drury is by no means an accredited art historian but he is a trained artist and has a knowledgeable background in theology and New Testament exegesis. Depicted as "a book about how Christian paintings convey their messages" (p.ix), Painting the Word uniquely "extends" the "historically iconographical, or picture-describing, approach" to art by incorporating spiritual "meditation," in order to bring the reader through a "contemplative waiting process" of viewing Christian artwork (p. xi-xiii).

John Drury specifies that the purpose of the book is for the reader to take ownership of the paintings and receive `spiritual nourishment' from them. What originally began as `postcard sermons' describing artwork exhibited in the London National Gallery, has developed over time into the authoring of this wonderful book, which is full of photographic illustrations of European Christian paintings from the 14th to 18th century.

The author successfully brings the reader along on a spiritual journey through the life, death and resurrection of Jesus. Drury groups paintings under each key moment of the salvation story, starting with the Annunciation, to the Nativity, to Christ's baptism and ministry, and culminating with his death and resurrection. In this way, Painting the Word is entirely Christocentric, as it focuses on the sacrificial narrative of Jesus "from conception to resurrection" (p. xiv).

I question whether Drury successfully builds a connection between the artwork itself and the spirituality being conveyed by the artist, because Drury presents some very odd theological concepts throughout his book. I disagree with Drury's constant insinuation that the original painters understood the biblical scenes that they were depicting as "myths." For example, as Drury begins his discussion of paintings depicting the Annunciation, he states, "A dialogue between Mary and the angel follows. It can only be imaginary, but... it is held together over a respectful distance by their mutual regard" (p.41). Drury claims on the very next page that the "moment" of the Annunciation is thanks to the "imagination" of St Luke and St John. Is Drury actually insinuating that the dialogue between Mary and the angel was only a fantasy? Would the artists of the Annunciation paintings really see their portraits as depicting a mythical scene? If so, then a plethora of Christian artists from the 14th to 17th centuries must have believed that Christianity was nothing more than a "myth", as Drury repeatedly refers to sacred Tradition as "myth" throughout the book (cf. p.48, 89, 114). It is more likely that Drury is imposing his own view upon the reader rather than objectively bringing out the artist's intended spirituality.

A more detailed review is available on my website:
http://members.shaw.ca/angelamccormick

This book is without doubt one of the more beautifully prepared and printed books in my collection. Done by the Yale University Press in association with the National Gallery of London, virtually every page is a treasure. There are nearly two hundred full-colour-process reproductions of artworks throughout the text, and every page (not just the colour plates) are heavy bond, high-gloss stock that shows the ink and colour with vibrancy and depth.

John Drury spent a career at both Cambridge and Oxford dealing in matters of theology, ecclesiology, liturgy, and art. I discovered Drury's book while attending a course at my own seminary on the church and the arts, and kept finding myself frustrated at the rapid pace we would go through topics (a frustration I know the professor teaching the course shared - how does one do justice to 2000 years of music, architecture, and art in a mere 15 sessions?). I sought out supplemental materials to help fill out the outline, and Drury's text serves the purpose in many ways.

Drury states his purpose early in the text. `This is a book about how Christian paintings convey their messages. It takes on whole paintings. It is not content with just picking symbols out of them for identification. Composition, colour, contents (including architecture and landscape as well as figures) and the ways in which the paint itself is handled - all are treated as part and parcel of their religious meanings.' This is a holy and holistic approach.

Drury adopts a kind of picture-describing approach (one that he terms `historically iconographical'). This involves absorbing details while understanding context and material. This is the same kind of attention that worship requires (and indeed, the Eastern church has always had this kind of physical artistic interplay with the tradition of use of icons for prayer, meditation and worship purposes) - it requires an openness to experience and feeling while also benefitting from understanding and guidance.

Major artists and works studied in detail in this text include the work of Tiepolo (c. 1750s), the Wilton Diptych (anonymous, c. 1390s), Titian (c. 1510-40s), Duccio (c. 1310s), Filippo Lippi (c. 1450s), Poussin (c. 1630-50s), Rembrandt (c. 1640s), Piero della Francesca (c. 1450-70s), Caravaggio (c. 1600s), Rubens (c. 1630s), Velazquez (c. 1610s), Cezanne (c. 1900s), and others. Most presentations begin by showing the whole work, then proceeding to look at individual characteristics or highlights often pulled aside in side images or isolated for greater emphasis. The text and artwork is arranged in good pattern throughout the text.

Throughout his text, Drury makes a repeated call for care, meditation and attention to be given to the artwork as well as the response to the artwork. He makes that statement that we should stay in front of the images `longer than people usually do' - noticing in museums, art shops, churches and other places that people tend to shuffle past rather than give attention to the most stunning and sublime works of art. Drury draws in history, theology, philosophy, literature, biblical references and images, and other cultural and contextual references to make the experience of these works a full and profound one. This is not a book to be read quickly or glanced over lightly.

Drury includes a narrative annotated bibliography rather than a simple list; he provides both a general bibliography for the entire text as well as a selected bibliography for each chapter/topic.

This is a wonderful book, a great gift for oneself or for others. It is particularly good for those who want a deeper experience and understanding of the way in which art has and can interact and enhance one's relationship with Christianity and its message.

Reasoned analysis involves dissection of statements and dissection of images. The dissection is needed to detect evidence or to expose the lack thereof. The reason analysis of images is needed is that all of the images are not natural. They are iconic based on conventions (like language) and therefore Christian images are signs. The discipline to investigate them is not the neuropsychology of perception but semiotics, the science of signs. Here we have an excellent semiotic rhetoric of Christian images informing us of the meaning of the signs and the meaning behind the images given to us by an expert in both religion (John Drury is a priest) and in the history of art. The cross, the scourging pillar, the spear and the sponge on a cane -all these have meaning. Particularly interesting was Chapter three with the dissection of the different presentations of the annunciation by Duccio as compared to Lippi and Poussin and the biblical quotes that supported each artist's view of what happened and how it happened.

John Drury is an art historian who uses his vocation as a priest to explain the subtlety of meaning that lies hidden in the symbolism of religious paintings in London's National Gallery.

Anyone how has looked at such a painting but not "seen" it, would do well to read this wonderful book and share the insights that the author offers. Paintings that I would have passed by with scarcely a second glance, are revealed within a context of their time, with reference to their history, the world view of the artist, the common and uncommon symbolism employed and much else besides.

It gives the possibility of sharing a visual language that we have lost and enables us to understand what it is about a picture that we sense is great, without comprehending why that might be.

It is hard to think that anyone who has ever visited an art gallery could not profit from reading this book and has certainly given me the enthusiasm to go and look at the pictures for myself.

In her inspiring and thoughtful memoir, A Pebble in My Shoe, Katherine Hoeger Flotz tells the story of her and her husband's separate escapes from persecution at the end of WWII. The story of Katherine and George were equally fascinating, moving, and disturbing. My overall sense, at the end of the book, is one of astonishment. The incredible strength, determination, sense of survival, hopefulness, and faith exhibited from this amazing couple is nothing short of unbelievable. But, what's even more mind-boggling is that their stories are just two of the thousands/millions of other "displaced" ethnic Germans--stories to which the public seems to be largely unaware. But, their story is fully representative of these brave people who left all they knew and loved to start over in a strange, frightening, and challenging USA.

The experiences of Katherine and George are described in Katherine's spare and straightforward style. She doesn't embellish...because she doesn't have to. Instead, she takes the reader on both of their journeys, the Flotz family journey and the Hoeger family journey, and their related family journeys that were occurring simultaneously. I found her words to be emotionally engaging while maintaining an authentic believability and fittingly descriptive point of view. And, Katherine skillfully handles the changes in story line, time period, chronology of events, and character development.

Katherine relates for the reader the searing pain of losing her home, her belongings, and, eventually, her parents and other family members. And, Katherine reveals an extraordinary awareness, throughout her development, of her loving and caring cadre of family members who didn't allow her to be an orphan--who refused to leave her behind. She engages her readers as she shares her story and her ongoing healing from the soul-tearing effects of losing her mother and father as well as other family members while being in constant fear of losing her sister.

I thank Katherine Hoeger Flotz for this beautiful and moving story. I know I will use her words to inspire my own thoughts. And, I know I have learned from her the value of perseverance and faith.

I found the book to be in my "couldn't put it down" category, and, actually, I read it one sitting. As a career educator, I truly believe the book should be required reading for high school students as it shines a bright light on a rarely discussed historical topic while teaching the lessons of strength, endurance, and compassion. Thank you, Katherine, for this amazing story!

This book gives a first hand look at what life was like for the German Donauschwaben who were victims of Tito's ethnic cleansing. At the age of eight, Katherine Flotz' world turns upside down. Through her eyes we learn about the brutal abuse that her family endured. This book also helps us realize that her story is not an isolated incident since she is only one of the 15 million Germans who were displaced (2 million of them murdered)during this time. My hats off to the author for having the courage to write about this difficult period in her life so that we may learn more about it.

In the spring of 1945 World War ll ended. But in Communist Eastern Europe all hell broke loose for millions of Ethnic Germans. Revenge was taken on young and old. Families were torn apart for no other reason then to obtain vengeance. Many people died. The majority of the victims who survived those brutal years still carry these memories in silence. Very few people have dared to go back and recall that time - let alone put down their memories on paper because the pain is to great.

Childhood became none existing. Hunger, sorrow, fear and confusion was what children experienced in their daily lives. As one grows up sometimes that lost child within begs to be set free, to tell the world what it was like growing up during that time. Katherine Hoeger Flotz has listened to her inner child and set it free in A PEBBLE IN MY SHOE. She has taken the painful road back to revisit her childhood in Gagowa, Yugoslavia, and the long trail that finally led her to America. Next to Katherine's story we find her husbands story, running parallel to hers. Both stories come together in America and end when George and Katherine become a family.

I applaud Katherine for having written A PEBBLE IN MY SHOE. We need more books like hers. History through the eyes of innocent children. Maybe then the world would be a better place for all..

E. Walter author of BAREFOOT IN THE RUBBLE

What a wonderful gift from Katherine Hoeger Flotz! A deeply moving memoir of a child's recollections of life in one of Tito's concentration camps. A story not only of survival but of triumph over deadly adversity. This is a most valuable contribution to the too little known saga of the ethnic cleansing of the Donauschwabians after WWII. As a fellow survivor from another village I was often moved to tears as I read this memoir. Enriched by deeply evocative family photos, touching but never vengeful, A Pebble in MY Shoe deserves a wide readership. A triumph from a wise and generous survivor.

The Truth
This book is a must-read for every reading group. It is a book that every high school history teacher should suggest as independent reading for high school students. Every college professor should use it as a supplement to any course on WWII. In addition, the strength of Katherine's character would bring inspiration to any woman's study course. It could be the type of book Anne Frank could have written later in life, reflecting back on the war - had she survived. This book is so compelling that it could be the story of Anne Frank, or Maria Augusta Trapp's "The Story of the Trapp Family Singers" (which later turned into The Sound of Music,) or Fiddler on the Roof (which was based on selected stories from "Tevye's Daughters by Sholom Akeichem."
Steven Spielberg: Here's your chance for another award winner. Read the book and alert your screenwriters....


The Background
Katherine Flotz attended my nonfiction writing class seven years ago. At that time she shared with the class her desire to finish a memoir that she had been working on.
"This story is something that has been trapped in my heart for many years; it's a story not only about me and my husband, but a story about history, war and endurance," she said to the class.
Throughout the course she read excerpts from the first draft of her book. We all traveled through Gakowa with young Katherine and the Hoeger family, and were drawn into the unusual circumstances which brought Katherine and George Flotz together after separately living through the hardships of concentration camp and the misery of WWII -- armed only with their faith in God, family, and humanity. Their strength, determination, love for family and each other, as well as their vivid recollections of a dark time in history is the "heart" in this book.
"The story has been there in my mind for 60 years, bothering me - much like when I get a pebble in my shoe. That's why I chose it as the title for the book," Katherine said.
After the course she attended two writer's groups in Northwest Indiana "Write-On Hoosiers," and "Writer's Expressions" to further hone the craft of writing.

The success
Katherine Flotz has realized the American dream in so many ways since she came to this country and "A Pebble in my Shoe" is just the topping on the cake. I applaud Katherine Flotz for her perseverance, hard work and the excellence of this memoir.

This is a delightful gem which captures the spiritual inspiration of the pilgrimage both historically and in the modern context. It is a marvelous book for those who intend their journey to be more than just a long cultural hike.

For my recent comiplation of pilgrimage quotations ("Ultreia! Onward! Progress of the Pilgrim") I read all 40 or so contemporary English journal accounts available about the various routes. Rudolph's is clearly within the first grouping of 8 or so best such books (i.e. largely those written by established authors and/or academics). He is able to convey in a fraction of the pages of other volumes many interesting and important aspects of undertaking such a pilgrimage. Though not the most quotable of sources (i.e. 7 such extracted for the review volume Ultreia! Onward!) Rudopplh nevertheless is particularly good at writing about the process of pilgrimage.

The book reads as if you were sitting in an art history lecture -- the author writes using simple, direct, yet descriptive language. While the narrative is framed around the St James trail, it is really a book about inner transformation, not a description of the external world and the landmarks one sees during the pilgrimage. In all, the book has helped me prepare my frame of mind for the bike pilgrimage I am about to embark. The best part -- it's a short and quick read!

Conrad Rudolph, a professor of medieval art,has made the pilgrimage to Santiago de Campostela and knows enough about the history of the pilgrimage and the art and architecture to be seen along the way to write a book that tells not only how to prepare for the long hike and what to take but also what is to be seen and what it all means from a historical perspective.

As I write this review, I'm wearing the boots I plan to use on my own Camino pilgrimage next week. In addition to breaking them in, I've been preparing my body, mind, and heart for the long walk to Santiago. Reading "Pilgrimage to the End of the World" was an enjoyable and necessary part of that process.

Conrad Rudolph's book on the Camino de Santiago has four parts: 1) some historical background, 2) an account of his trek, 3) a series of black-and-white personal photographs with explanations that range from a paragraph to a page or so long, and 4) a practical guide (what to wear, how to pack, etc.). Despite its brevity (only 131 pages), Mr. Rudolph's memoir is packed with useful and interesting information. The surprising revelation that the author is a rationalist only serves to make his tale more compelling, especially considering the profound effect a pilgrimage usually done for spiritual reasons had upon him.

Indeed, the Camino began as an important medieval religious pilgrimage to Santiago, alleged burial place of St. James. But it has grown to accommodate folks on quests of many kinds. What's ironic about Mr. Rudolph's journey is that despite his rationalist mindset, he walked the farthest distance of any pilgrim, faith-based or otherwise, I've read about so far. He began in Le Puy, France, went through Santiago, and concluded in Finisterre - the "End of the World" on the Spanish west coast. That's about double the walking distance from the usual starting point of St. Jean Pied de Port, a French town on the Spanish border. And I thought we religious folk were supposed to be the crazy ones...

Despite his excellent account and helpful information, I part ways with the author in one key area: his firm recommendation of an external-frame pack. He's correct about the increased ventilation it offers, since the external frame holds the pack away from one's back. But according to another pilgrim's memoir, you'll sweat no matter what kind of pack you carry. Also, there are far more sizes and types of internal-frame packs to choose from. At REI I found only one model of external frame pack for sale among the plethora of internal packs - a forlorn Kelty similar to the one the author used. Bottom line, I'd say that an internal-frame pack is a better choice (I'm taking a 4,300 cubic-inch Gregory Baltoro).

At any rate, "Pilgrimage to the End of the World" is a must-read for anyone contemplating, or actually preparing for, the Camino pilgrimage. Other helpful and inspirational books I used to get ready include: "Buen Camino," by Jim & Eleanor Clem, "Camino Chronicle" by Susan Alcorn, and "Fumbling," by Kerry Egan (also, check the Confraternity of St. James' website for lots of good info and up-to-date Camino guidebooks). If you choose to go, let me be the first you wish you a Buen Camino!

UPDATE 9/7/07: On 7/14/07 I stepped off in St. Jean Pied-de-Port (France), and on 8/24/07 I walked into Santiago, Spain. Turned out that the boots I mentioned in the first paragraph were too heavy, so I bought a lighter Spanish pair in Logrono that served me well. My internal-frame pack was the Camino standard (although the model I had was too large and initially weighted down with unnecessary stuff) - out of the hundreds of pilgrims I saw, only a couple had external frame packs. At any rate, I recommend this book as necessary reading for anyone planning to walk the Way.

Excellent book, it gives a good account of one of the British irregular army units in action in Italy and Germany during the later states of WWII.

There are books on your shelf you should never loan out if you ever hope to see them again. This is one of those books. The WW2 British unit known as Popski's Private Army (PPA) operated in North Africa and Italy. Written by its founder, Vladimir Peniakoff (Popski), the book covers the units contributuion to the war effort. Using machinegun armed Jeeps like the later fictional TV Rat Patrol, this small united operated behind the German and Italian lines. The PPA did not beat Nazi Germany by itself, but its contribution far exceeded its small size. If the grand sweep of armies leaves you hungering for the individual courage found in small units, then this is the book for you. I also recommend "Fighting with Popski's Private Army" by fellow PPA member Park Yunnie.

Peniakoff tells a interesting tale of WWII, but I was struck by his continually contradictory behaviour.

In one sentence he'll say that the purpose of a mission was reconnaissance only, and his unit was not to engage the enemy unless escape was not possible and they were attacked. In the next paragraph, he'll tell how they attacked a convoy of enemy vehicles simply because they felt the need for some action before heading back to base.

He complains about the Italian gentry exploiting the peasantry and the next minute, he's eating a seven course meal with them.
That's just a couple of examples; the book is loaded with similar incidents.

Still, it's a good read, and shows how intelligence is gathered during wartime (sometimes you just get on the phone and call ahead!).

This book is hard to find but well worth the effort. Peniakoff led a facinating life and this book is a must for anybody interested in World War II special operations.

On the 6th of May 1945 men in wheeled vehicles crossed the mosaic floor of the Piazza San Marco in Venice for the very first time in history. They drove around the square seven times in the small, heavily armoured vehicles in which they'd fought their way across North Africa, Italy, and were to travel on to Austria. At the head of this curious band was a man who sported a hook for a hand, and a nom de guerre which was similarly incongruous for a 48 year old Major in the British army. Vladimir Peniakoff, or "Popski" as he became known, was the enigmatic Belgian born son of White Russian emigres, who had until recent years "pursued the ordinary activities of industry" as a discontented sugar refiner in Egypt. Having tutored himself, alone in the Sand Sea but for the navigational instruments of antiquity, he emerged from the wilderness to train the men who accompanied him through the years of turmoil to this long dreamt of moment of victory. "Private Army" is one of the finest military memoirs I have read, and ranks alongside Fitzroy McLean's "Eastern Approaches" and TE Lawrence's "The Mint". This is the authoritative work on Popski's Private Army, but is much more than a Regimental history. This is a superb piece of literature which you will not quickly forget. Read also "With Popski's Private Army" by Ben Owen, a superb companion book to the above.

Having spent quite a bit of time in Provence I love to grab this book and go back there, remembering all the times and meals. Creating dishes from this book really helps me to enjoy Provence all over again.

I was a little suspicious of the series. After all, should we trust a book more suitably sized for the coffee table than for the kitchen counter? But my mistrust was misguided. The food is wonderful. All people have assumptions about "others," and one of the assumptions Americans make about the French is that their food is very difficult to prepare and relies on expensive ingredients. The truth is that French food need not be difficult and that it is a cuisine that recognizes the beauty of each season. Since my children bought this book for me, we have been building seasonal rituals around it. For example, we get salt anchovies from the neighborhood Italian deli for our Christmas eve appetizer. At Mardi Gras, we make the oreilles found in this book, which are the pastries sold as "pig's ears" or "angel wings" in the last days before Lent by Polish bakeries in Detroit. Depending on the bakery, they were known as "pig's ears" or "angels wings." My only criticism of the book is that I feel the need to keep it open in the dining room, lest kitchen grease spoils it.

"Provence, The Beautiful Cookbook" by Richard Olney is a beautiful coffee table book filled with exquisite views and mouth-watering authentic dishes from this region of France.

Every time I look through this book, I feel like I am on an actual journey to Provence. And each time, I close this book, I feel a strong yearning to actually see this part of France with my own eyes!

This book is divided into food chapters, like most cookbooks, but also, there are chapters about different areas within this region: Alpes-Maritimes; Soups and Starters; Alpes-de-Haute-Provence; Fish and Shellfish; Vaucluse; Meat, Poultry and Gram; Bouches-du-Rhone; Vegetables and Grains; Var; and Desserts.

A wonderful book for lovers of Provence!

I like this book, but it does point out one weakness in Provencal cooking...a slight lack of variety. There are multiple gratin recipes, good fish dishes, etc. It also doesn't shy away from organ meats, etc., much like the region itself. Like all the books in this visually stunning series, this one has lovely photography.

French born and 4th generation provençale, I take pride in the cuisine from my homeland and I have to confess I was a little wary about what I would find in this book. Well, the authors did a wonderful job at promoting the gastronomic traditions of Provence without betraying them. My grand-mother, our family's head-cook, and our culinary inspiration would have given her seal of approval without hesitation, would she have been around to discover this wonderful recipe collection and it is with her and my homeland in mind that I enjoy preparing the recipes featured in this excellent collection for my own enjoyment and the one of my (American) husband and our friends.

My wife and I went to Croatia and Slovenia in September 2007. This was an excellent guide. We loved the fact that it was completely up to date

I was in Montenegro for business and took a 3-day trip to see Dubrovnik. This guidebook was excellent for seeing the town. You don't need any other guidebook. Additionally, it was perfect for touring the "Bay of Kotor" area of Montenegro, which is a popular day-trip from Dubrovnik.

I have used several guide books for each international trip and Rick Steves always has the most useful information for someone looking for a fun but affordable trip. He picks the best values for the money, and always knows where the locals go. The best was a little cafe in Aix en Provence where we went for lunch, and as we were sitting, Rick Steves walked by with his film crew, so we all ran out and had him sign our Rick Steves' Provence books!

Rick Steves knows Europe and how to convey his insightful comments in an entertaining way. I read the book cover to cover without being bored or inundated with any useless data....everything was relevant. Highly recommended.

I used Rick Steve's throughout Germany and Belgium and his tips and recommendations were spot on. We are now planning a trip to Italy and Croatia and I am once again, using his money & time saving tips, and recommendations on where to stay.

If you want to be simply a tourist, then Rick Steve's is not for you. If you want to truly experience a culture and have a great time then use his book.

We went to Ireland last year for the first time and loved it so much, we are going again this year. We purchased this book as well as another guidebook. This one is fabulous -- very well thought out and organized - you can tell he really knows what he is talking about -- this is the one that we will bring with us -- he even tells you when and how to drive the Dingle Peninsula to avoid the tourist buses -- does not give you too much information. He has a very honest and down to earth approach which makes for an informative and interesting read!

Rick Steve's book is a down-to-earth book that gives so much information to which you can relate. It's a wonderful guide.

Rick Steves' Ireland 2008 is like your brother (your very detailed and analytical exploring brother) writing home with the in's and out's of each city and stop in Ireland. Hitting highlights and lowlights, Rick leaves no Irish pebble unturned for the common traveler. If you have a question about Ireland, it is most likely answered in this book; if not, then Rick has made himself available through his websites if you need further information. It is very helpful to not walk into a new situation unprepared and Rick's Ireland 2008 has proved most helpful!

Ireland offers visitors a diversity of memorable places to visit, memorable people to encounter, and memorable opportunities for recreation. Rick Steves is a seasoned and experienced travel writer and in collaboration with Ireland specialist Pat O'Connor has authored the "Rick Steves' Ireland 2008", a compact, 425-page travel guide that is packed from first page to last with informed and informative information for tourists and business travelers to the villages, towns, and countryside of the Republic of Ireland in the south, as well as the cities and counties of Northern Ireland. Of special note is the introductory chapter dedicated to the best use of this outstanding guide for planning a trip whether of short or extended duration, practicalities when traveling, money, sightseeing, sleeping, eating, 'Traveling as a Temporary Local', and 'Back Door Travel Philosophy'. Another special section is devoted to Irish history, art, literature, language, and an Irish-Yankee Vocabulary. Enhanced with appendices on resources; money matters; telephones, emails, and postal mails; transportation; holidays and festivals; conversions and climate; an essential packing checklist; and a sample hotel reservation form, "Rick Steves' Ireland 2008" is an ideal and enthusiastically recommended guide for anyone anticipating a trip to the Emerald Isle.

We have used Rick Steaves books in Italy, Germany, England and Holland and have not been disappointed.