Europe Books

The Red Balloon is a wonderful story with an adorable little boy as the star character. I bought both the book and the DVD to give as a present to younger children (4 yrs old). I think they will enjoy if only for the visuals. The film is produced in French language but there is so little dialogue that not understanding the script doesn't affect the enjoyment of watching the film. Overall, it is a fun story with a good feel to it. There were only a couple of situations in the story that I thought might be a little sensitive or a bit scary to younger kids .. one being a group of boys chasing the little boy trying to take the balloon away from him. The other a very quick scene where a school headmaster is upset with the chaos going on and he puts the little boy in a room and locks the door. These are minor to the overall upbeat feel of the story but parents may want to review first to consider their own fast forward editing or explanations. In my case, the quality of the DVD was not great. It's an old film so perhaps the age is showing a bit in the reproductions.

Great story....grew up watching the short film and checking this same book out from our local library. Now that I'm a mom, I have introduced this video and book to my kids, and they're infatuated with everything about it. Great, well-made books with lively photos and storyline that holds little ones' attentions.

this book was written some decades ago but the excellence of the writing and the very skilful, thoughtful & sensitive photography which integrates very successfully with the story, are such that I believe this book will be deservedly popular with very many generations of children in the future. I believe that it is a masterpiece of children's literature and I strongly recommend it as a gift to be given by any parent - or grandparent.

I must have checked this book out a hundred times when I was in Elementary school as it was such a favorite. What a joy it was to find it still in print and telling it's charming story to future generations. This is a classic, and a book that I would recommend to all children and adults that want to hold a piece of their treasured childhood memories. This story was told in film on the International Children's Film Festival, hosted by Kookla, Fran and Olie, and further helps to bring this story to life.
Treat yourself and your children to the story of a boy and his friend, the red balloon.

The photographs, the text and presentation are remarkable. A piece that makes a good complement of the movie.

Saboteurs, by Michael Dobbs is a very well written story, about what I consider to be a little known chapter of WWII, namely, the German plan to land two groups of saboteurs on America's shores. Once here, these men were to operate an "extensive campaign against the United States to disrupt the production of tanks and airplanes and blow up bridges and railroads." Luckily for America, the Germas sent probably the most inept group of spies that was ever assembled, dooming this mission from the start. What transpires during the course of the story would be comical if not for the fact that the majority of the saboteurs were executed. Also, luckily for America, we were able to catch these men despite ourselves. This is a very enjoyable read.

Truth is certainly stranger and more entertaining than fiction in this case. This fast paced account of the 8 man team of Nazis sent to sabotage the US railyway system during WWII is so colorfully told, it's like a movie. The fact that it's a true story makes it all the more fascinating.

Famous figures like FDR and J Edgar Hoover and not so famous ones like Atty General Biddle and the German conspirators, all come to live and the stories (in this age of the Patriot Act, public paranoia and prisoner abuse scandals) are especially relevent in today's political climate.

Thoroughly enjoyable and informative read for buffds of both history and spy stories.

One of the first actually enjoyable nonfiction books I have ever read. A moving, suspenseful, accurate tale by Michael Dobbs - totally worth reading no matter what!
After reading it, I changed the subject of my paper to Operation Pastorius because of the wealth of knowledge I had about it from reading this enjoyable book!

I'm still not quite sure why I liked this book so much. Let me just say Dobbs does a terrific job (aided by some very detailed sources) of outlining a story that is bizarre, funny, and strangely compelling. It's one of those books where you keep coming across events so strange you have to tell someone about them. Also, it's quite timely, as some of the legislation that came out of the Operation Pastorius trials is currently being used to the hilt by the Bush administration, even though the key Supreme Court justice in those decisions later said he regretted them.

If you like it, I would also recommend "In Harm's Way" by Douglas Stanton, about the Indianapolis disaster. That's more of a horror story than a comedy, but it also is filled with historical ironies and well-delineated characters.

In June of 1942, two 4-man teams of Nazi saboteurs exited U-boats onto American beaches in Florida and Long Island, NY. All of the eight had previously spent time in America. Indeed, one had spent twenty years in the U.S., and another, a naturalized American citizen, had spent seventeen since the age of five. Returning to the Third Reich for various reasons, they volunteered to return to the U.S. and sabotage that country's war effort by striking at its aluminum production plants. Each team hit the beach with a supply of explosives and $90,000 cash for expenses. Two weeks later, they were all in FBI custody. All were tried by a military tribunal and found guilty. Six of the eight were quickly executed by electrocution; two were imprisoned for the war's duration and eventually returned to Germany.

A friend of one of the saboteurs, who'd also been offered the chance to join the mission but declined, said:

"In Germany ... everything was rationed. Nobody in his right mind was going to go from a country like that to a country with everything, like America, and start blowing things up. You'd have to be nuts."

That statement just about says it in a nutshell because even though Hoover and his FBI trumpeted their foiling of the plot as the greatest victory for America since Yorktown and the former just about wet his pants in an effort to grab all the credit for (chiefly) himself and his G-men, the eight conspirators resembled more an expanded clone of the Three Stooges, and their fourteen days on the loose were a farce. Glad to be free of Germany's wartime belt tightening, they started spending their cash on food, clothes, drink, women, and, in one case, a new car. A couple of them looked up family members, wives, and former girlfriends. There didn't seem to be any great urgency to get down to the business of "blowing things up". In the meantime, the leader of the Long Island four, George Dasch, was off spilling his guts to the Feds. Though SABOTEURS: THE NAZI RAID ON AMERICA is well written and documented, one wonders why author Michael Dobbs bothered. Perhaps a clue lies in Michael's assertion that:

"One of the lessons of the saboteur affair is that it is very difficult to fight a war and respect legal niceties at the same time."

In the seventy-six pages of the book dealing with the invaders' trial and punishment, Dobbs goes to commendable lengths to describe how the accused were denied the right of habeas corpus, an abridgement not seen since Abraham Lincoln suspended such during the Civil War. Oh, and by the way, the handling of the saboteurs' case by the U.S. government is apparently the legal basis for its trying of al-Qaeda terrorists before military tribunals post-9/11.

SABOTEURS seems less about the abortive "raid" on America than an essay on its legal system when severely stressed - or perceived to be stressed - by outside forces. Perhaps the lesson to be learned is reflected in the statement by Supreme Court Chief Justice William Rehnquist in a 1999 speech, and which is quoted towards the end of this volume:

"While we would not want to subscribe to the full sweep of the Latin maxim INTER ARMA SILENT LEGIS (In a time of war, the laws are silent), perhaps we can accept the proposition that, though the laws are not silent in wartime, they speak with a muted voice."

What a man! He is a real fighter and hero. At least people can see the truth about the Germans now, and can also admire such a hero whose hand of G-d made him a survivor.
This book is wonderful, it deserves to be the best book about the Holocaust. Very moving, well written, and a real story.

I read this first as a child and have recently re-read it. It is as intense as it was when I discovered it at 13. This one IMHO is THE holocaust memoir and I say this as a big fan of Anne Frank's Diary. I wish I could say never again, but Rwanda made it clear that this stage in history is not an aberration. Silence doesn't exist. Revisionism is easier than truth and unless truth is passed on there will be no alternative.

The Survivor of the Holocaust, by Jack Eisner, is not just a story of camp survival, although the book does deal with Mr. Eisner's time in various camps. More importantly, it is the story of one man's attempt to fight back, to make a difference, during a time when the life of a Jew was worth less than that of an animal. In that, Mr. Eisner succeeded. Although, as one review of this book stated, some of the events may, and I emphasis the word may, have been embellished with time, I find little fault with this based upon the fact that it was written well after the events occurred. Additionally, the subject matter is so horrific that it is only natural that, with time, some of his experiences might have taken on a different light. In my opinion, this in no way detracts from the quality or importance of the story. We owe it to Jack Eisner and all of the others like him to read his story. I recommend this book.

One of the leaders of the Jewish resistance in the Warsaw Ghetto said " We must fight them (the Germans) as a symbol for posterity to show that even in the face of certain death, with hardly any weapons, a handful of Jews had the guts to stand up to the mighty German Army."

I read this book this past year, my sophmore year in High School. This book told pieces of the hell Mr. Eisner had to go through and how he managed to survive. I was told by my teacher (and several other students in my class) that this was a "hard read" and it would take a little while to finish. I, however, was so entranced by Jack's words that I had to keep on going and finished it in over a course of a day. Not only did I get to read Jack Eisner's book, but I got to meet him in person when, not only did he come to the university (where I attended his first speech), but at my High School, where I again attended his speech and even got to shake this man's hand. To actually get to meet him was something all together and made the book even more wonderful. Soon everyone who lived during that time, who actually fought or survived the horrors of that world, will be gone, but through Jack's book, and other's like his, we will never forget. That is one thing that Jack said, we must never forget. I guarantee anyone can like this book ... it shows you a first hand prospective of how things actually went on in the Ghetto and the camps, although it just barely skims the surface of some of the things that happened.

At the end, the author wrote, "Everyone who had a chance to read the manuscript in progress expressed disbelief that all these experiences could have happened to one person and yet he survived." This is how I felt reading this book. His will to live and his resourcefulness were amazing. What guts he had, for example, to plot and to rescue his mother from the Nazi hospital! He came so close to being killed by the Nazis so many times and managed to escape so many times. It's hard to imagine that there really are people in the world with such courage. I didn't want to read another WWII book, but I picked this one up (my wife had bought it)while waiting for my next book to arrive, and once I started it I couldn't put it down. If you can stand to hear the horrible realities, read this book.

Beautifully written, WHERE SHE CAME FROM is also the product of very serious and exhaustive research. It is a magical and haunting book. It brings alive a period of Jewish women's history that is only now being written about in English. Travelling through pre-Holocaust Central Europe with Epstein is an amazing experience: the reader follows both the process of investigation of family history and the emotions this opens up for the writer.

I taught the book several times both in the US and Mexico in classes on Memory and Autobiography. My students loved the book. Many of them bought several copies to give to relatives and friends as gifts. My graduate students (in History and Literature) were impressed by the rigor of Epstein's research, and the skill with which she weaves historical information into her prose.

This is a fascinating chronicle of three generations of the author's female ancestors. It is probably the only book in English that tells the story of Jewish women in Prague in the the first half of the twentieth century. Helen Epstein has a special talent for recreating social history and bringing it alive.

This book was a beautiful personal tribute to the author's ancestors.

I was engrossed in this book from the first page...although it was a slow read for me, because I wanted to grasp the intensity of the generational saga, and grasp the historical facts, correctly. Epstein has more than proved herself in this dramatic memoir of family generations, identity, and history, weaving us through time, each piece of family fabric a part of the final tapestry. The reader is given remnants and squares of fabric in a familial tapestry, of sorts, through history and time, through the horrors of war, and how it affects all the generations, from past to present. From assimilating into society and racial and religous identity, to how one views themselves and what they identify with, Epstein manages to stitch a tapestry of her family, each stitch in time adding to the fabric of her own identity. Bravo for a wonderful read!

In WHERE SHE CAME FROM, Cambridge, Massachusetts-based award-winning author Helen Epstein has penned a meticulously-researched memoir to the four generations of Czech and former Czechoslovak women in her extensive family, from her mother's side of the brood.

While today she associates her public persona to the proud and extensive line of former Czechoslovak Epsteins (see Ms. Epstein's fabulous Amazon Short available off of this site, SWIMMING AGAINST STEREOTYPE: The Story of a Twentieth Century Jewish Athlete), the writer stakes her claim to a noble and illustrious family line which once proudly sported famous Viennese and Prague-based surnames such as Rabinek, Solar, Weigert, Sachsel, Furcht, and Frucht.

Like an experienced batsman for a World Series-winning major-league baseball team, Epstein managed to hang in that old batter's box, waiting for just the right pitch to slug out of the ballpark. In the book world, the analogue was when all the right moments fortuitously transpired to assist Ms. Epstein in securing many essential clues of research which she utilized handily in crafting this excellent book's narrative. Even she'll tell you, the process was far from easy.

Thanks to a dedicated coterie of like-minded collaborators based in points all around the globe as you'll soon read (the former Czechoslovakia, Czech Republic, Israel, South America, and the United States), Ms. Epstein succeeded in cobbling together one of the most comprehensive Czech geneological histories on the public record.

The work is not only emotionally remunerative for Ms. Epstein, to the extent that those missing links in her family chain were finally sewn together, but it's additionally a fine account of several strong women, renowned in their various fields of endeavour, who persevered during the best of times and the absolute horrorific worst of the 20th century.

Starting with Helen's great-grandmother Therese Sachsel, nee Frucht (Furcht), who lived during the reign of Franz-Josef in the last of the Habsburg-ian thrones, passing through her grandmother Pepi's life story during the turbulent First World War and the First Czechoslovak Republic, and finally overlapping the history of her own mother Frances Epstein, Helen pored over hundreds (if not thousands) of archival sources in constructing this cogent tale.

Collectively, these three noble upstanding women belonging to the author's colourful past outlived the worst of the 20th century's ravages, passing fads, and tragic downfalls.

We swoon with Therese Sachsel during the euphoria of Tomas Garrigue Masaryk's (TGM) storied first Czechoslovak Republic (1918-1938), when all seemed possible for the Central European remant of the former Austria-Hungarian powerhouses of Bohemia, Moravia, Silesia, and Slovakia. Our hopes and dreams are temporarily crushed alongside her grandmother Pepi Rabinek as we witness the invasion and subsequent occupation of Prague by Nazi hordes, who sweep unchallenged through the former Czechoslovakia's borders after the West's perfidy of Munich. We agonize alongside Pepi's daughter, Frances Solar/Rabinek/Epstein, the paragon of the family and Helen's stalwart mother, as she is dispatched to the Teresienstadt (in modern-day Terezin, Czech Republic) concentration camp, or in the colloquial Czech, the "koncentrak." We also rejoice when Frances is extricated from the hellhole of Auschwitz, and tranported the West in wartime Germany as part of a labour brigade, towards the oncoming Allies from the West, liberated in Bergen-Belsen by British forces at the end of WWII. Finally, we are shocked to discover the insensitivity, sheer apathy, and in many instances -- outright hostility -- that Praguers demonstrated towards the surviving returnees from the Nazi camps, to which Frances and her future husband, famous former Czechoslovak Olympian swimmer, Kurt Epstein, counted themselves.

Helen Epstein's lines draw us inexorably into this story, and once you start you'll have a difficult time finding excuses to stop.

What staggered me as I made my way through this read was Ms. Epstein's formidable discipline. The sheer single-mindedness with which she approached the colossal task of the near-vertical climb to reach the bottom of her family's history. I read with awe how solace was found towards the end.

WHERE SHE CAME FROM will stand as one of the foremost examples of the self-researched memoir. If you need any reason at all to read this book, then let it be thanks to the iron-willed determination which the answers gracing its pages were unearthed by Ms. Epstein.

A book like this needs to be savoured for its significance, appreciated for its illumination, and respected for its purity. There isn't a single letter which graces these pages that wasn't typed, written, or transcribed in the absence of a labour which can only be termed love.

I sit back and wish we all had the staying power of Ms. Epstein. The book is laudatory in the extreme.

As if Ms. Epstein's family history were not enough, there are other benefits to this book too. For those with a keen interest in the past two centuries of life in Prague and the experiences of Bohemia's and Moravia's Jews and its Czech peasantry, WHERE SHE CAME FROM is chock-a-block with painstaking factoids and historical tidbits that'll nudge you gently towards further reading. It will also supply its readers with a glimpse towards the increasingly-distant Czechoslovak past, which, with the passing of the years and the keener integration of this country with the rest of the EU, slips further and further away from the grip of Czech youth.

This book is more than just a reminder, it's a testament to a time which no longer exists. In that respect, it is now part of the permanent historical record.

WHERE SHE CAME FROM is written in a language at once accessible and magnetic. For all ages, for all backgrounds. I can't do anything less than award this superb work of history my highest rating of 5-stars.

I know you will too.

-- ADM in Prague

Although this book has a slow start with a lot of historical information, once you get to the Holocaust section, you will not be able to put this book down. I read it while in Vienna and after I visited Prague. I felt so connected to my surroundings and the author that I literally felt like I was in the book. Makes the enormity of the Holocaust personal and understandable. A MUST READ FOR EVERYONE!

I have read many books about Russia and the Soviet era. I am shocked by the details of life under Stalin. I always knew millions had died. However, I never realized how evil this period was. It is almost beyond belief how communism broke all standards of human decency. It is really beyond belief to read how the Russian people basically ate itself alive via their leadership.

I seem to be on a roll. I recently read about abuses in North Korea and China. Also here there are also shocking stories of abuse.

Figes had already established himself as perhaps the preeminent historian of modern Russia before this book came out but with its publication he has confirmed that claim many times over.
When reading about the years of Stalin's tyranny it is easy to become inundated by the scale of the suffering inflicted on so many people with such murderous persistence. There is a tendency to become removed from the enormous numbers and see it all in a rather academic light.
Figes succeeds brilliantly in preventing that by giving each victim a name, a family, and a story while still being able to convey a very vivid sense of the scale of the crimes committed in the name of The People.
Strange as it may seem, this is a book that speaks with warmth and humanity on every page - the humanity of the victims, those who fought and fell, as well those who continue to fight against their memories and suffering. And also the humanity of a writer able to convey their stories with such astounding sensitivity and compassion. Highly recommended.

Over the years I've read many books about Russian and Soviet history, from Roy Medvedev's "Let History Judge"to Montefiore's "Stalin: Court of the Red Tsar," with significant stops along the way for Solzhenitsyn's magisterial polemic "The Gulag Archipelago." Orlando Fige's "The Whisperers" is one of the best single-volume studies of life in Soviet times I have read. It is a fairly long book, but very engaging: I found myself reading 30 to 50 pages at a stretch. There is a cast of characters as long as in one of Tolstoy's great novels, but these are all real people, describing or recollecting their experiences in Stalin's Russia. It is a tribute to Mr. Figes that he arranges the narratives in such a way that this reader was never confused following the threads of so many lives over the course of such turbulent decades. In addition, Figes provides short accounts of the ideological, political and economic shifts in the Kremlin which directly influenced the lives of the people in the chapters which follow. For conciseness, clarity and readability, his narrative is outstanding when he writes about the NEP, Stalin's anti-Kulak campaign and collectivization of the countryside, the rapid rise of the Gulag and slave labor as a mainstay of the Soviet economy, and the malign influence on family relations of the1930s propaganda cult surrounding Pavel Morozov. Figes includes information in this book which I've simply not seen in histories before. He shows floor plans of communal apartments which makes clear how little privacy many urban dwellers in Moscow and Leningrad had at home, and how Stalin's regime nurtured malicious watchers as well as whisperers. The diary and letter extracts in "The Whisperers" can be deeply moving. There is a photo in the book of Nikolai Kondratiev's letter to his daughter Elena, written from a labor camp. It shows a drawing he'd done illustrating a fairy-tale in verse he'd written for Elena entitled "The Unusual Adventures of Shammi." The drawing is simple, the verse is charming. It makes one think of how many millions of times in different times and places parents have entertained their children by spinning stories. But the circumstances here are grotesque: Kondratiev was one of millions of innocents imprisoned under Stalin. And the outcome is tragic: in 1938 he was shot by a firing squad. This is just one example of the dozens of different accounts of lives of ordinary people warped or crushed by this monstrous regime. The sum of such narratives creates a very rich mosaic of a society and its time which even those of us who have visited Russia in the recent past have difficulties understanding.

In the long essay which follows the fictional story of War and Peace, Tolstoy first developed the concept that armies are not just regiments of men following the will of their commander, but individuals who have individual consciences. History isn't just the deeds of Napoleon and Alexander, but of each aristocrat, tradesman, artisan or peasant who fought in the Napoleonic wars, and of their families back home. Each of their lives is as worthy of examination as that of any Tsar or Generalissimo. Because of this, I think Tolstoy is properly the godfather of oral history. Orlando Figes has done a great job gathering and editing the accounts of ordinary and not-so-ordinary people living during the cruelest years of Stalinism. He also conveys the sense of freedom and comradeship experienced by many during the worst days of the second World War (which the Soviets hallowed as the "Great Patriotic War"), a mistaken sense of freedom which landed Solzhenitsyn in the Gulag. For all these reasons, I think old Tolstoy might be pleased in literary heaven could he only read these accounts of real lives and real consciences played out in the pages of "The Whisperers."

One small caveat: Kirill Simonov was a very successful writer in the Stalin literary establishment who came of age during World War II. Because of his public life of letters and his colorful personal life he occupies many pages in "The Whisperers." As was the case with many successful people in the Arts world under Stalin, Simonov was morally compromised. (I'm paraphrasing Lev Kopelev, but that writer has a pithy quote that "Every society has bad people who do bad things. But under communism, good people were encouraged to do bad things." This describes Simonov.) For better or worse, and because he wrote so much and was so active for all the decades from the Thirties until the Seventies, Simonov emerges as the main "character" in this book. This has its merits, but it also throws into harsh relief the fact that many of the less-lettered accounts in this oral history don't always seem as real, or as present, as Simonov. Because this is a history and not a work of fiction I'm not sure this imbalance could ever have been effectively redressed, but the imbalance is there.

A final word of praise: I've travelled to Russia several times since the overdue demise of the Soviet Union, and seen life change radically not only because of the introduction of Russian-style market capitalism, but because a generation has grown up without memory of life under communism. Figes points out that young people in Russia have no great interest in what to them has also become the story of an alien life lived by grandparents and great-grandparents during the 5-year plans. The people who do remember are old, dying out, with failing memories. "The Whisperers," and the archives on which it is based, is commendable because it helps to save so many of these survivors' accounts to historical memory.

It amazes me that with all the information that has been released from the Russian archives with regards to the Stalinist period that there are still influential people in the west who minimize or excuse the crimes of Stalin's regime. Oh, there are people around who deny the crimes of Hitler as well. The difference is that those who deny the crimes of Hitler are ostracized and in some countries even subject to criminal sanctions. But those who deny or minimize the crimes of Stalin and his henchmen are generally given a pass in Western societies. I have often wondered why that is, maybe the best answer is that that left-leaning elites consider the Stalinist terror a minor error made in the service of a "just" cause. It is ironic that many of Stalin's biggest supporters in the US were Russian emigres and their offspring and many of those were embedded in opinion-shaping professions here such as education, journalism and film-making. So maybe its no wonder that we still have apologists for communism in prominent positions.
The Whisperers is a fine history that should help put further to rest any idea that Stalin was any less of a monster than Hitler. It doesn't serve any purpose to argue about which man was responsible for more deaths. One is just as dead whether the bullet that kills you comes from the gun of an SS man or from the gun of an NKVD executioner. One is just as dead whether he was killed because of his ethnicity, religion, or because he was a "kulak". What you will learn in The Whisperers is how millions of people were cowed into accepting the necessity of the brutality of the Stalinist regime and in the end wound up looking only after their own interests. Though some decent people remained, friend turned on friend, neighbor on neighbor, and relatives on one another in a desperate bid to avoid that knock on the door in the middle of the night that meant exile or worse.
I won't rehash the story, others have done so. But if you have any interest in gaining a broader knowledge of the machinations of the Communist police state, the human tragedy it spawned, and how it impacted ordinary Soviet citizens then The Whisperers is highly recommended. Orlando Figes has painstakingly woven together a complex web of anecdotal evidence of communism's crimes through the stories of a number of survivors of Stalin's terror whose trust he earned enough for them to be forthcoming enough to tell the tragic stories you read here. Once you finish the book, you may feel as though you actually know some of the people whose stories are told. It may be heavy reading, and its a thick book, but the understanding you'll gain will make it more than worth the effort expended.

I learned about the book The Whisperers: Private Life in Stalin's Russia, by Orlando Figes due to Amazon.com which linked it with my memoir that was published recently. My first thought was that a person like me, who was born in Soviet Russia in the middle of the thirties, read a lot of about Stalin's time could hardly find much new in The Whisperers.

I left Soviet Russia at the end of 1988 and had witnessed many events, some of which were described in Orlando Figes' book. I was able to find and read a few books that were prohibited in the USSR. I didn't know the author of The Whisperers, never read his books before, and doubted that a foreign writer would be able to find many unknown details about this gloomy tragic time. Nevertheless, I decided to read it for the sake of curiosity.

I was hugely impressed; the book literally overwhelmed me. The author has done an incredible job interviewing thousands of people - victims of many years of terror. Those people were among the lucky few who managed to survive. I must say that the author recreated the forest while paying attention to each tree.

Telling about the fates of individual people and their families, the author shows what was going on in the Soviet Union behind the Iron Curtain. Living in the USSR over 50 years, I knew and had read a lot, but reading The Whisperers I felt indescribable pain and horror. Fates of hundreds of thousands, even millions of Soviet people were possible to describe with the same four words: falsely accused, arrested and shot. And what was even more horrible, all of this became habitual.

Recalling that not very remote time, I think about one more phenomenon: despite everything that was going on in the country, people wanted to live a normal life. In the daytime, they worked, entertained, attended theaters, movies and were busy with other activities. But at night they could learn that they, or their relatives, or their friends, or people they knew for a long time, all of a sudden, had become "enemies of the people," and were arrested, disappearing forever.

Orlando Figes in his The Whisperers showed very truthfully, through the tragic lives of many thousands of victims, one of the most awful political systems - totalitarian power. I would like everybody to read this book, both supporters and opponents of democracy. The opponents vividly will see that the totalitarian system is deadly for all, and the supporters one more time will be convinced that democracy is weak; it is needed to be defended.

In his book, the author of The Whisperers described in detail the years 1917 to 1956. Stalin died in 1953. It was the time when I began to understand events and the difference between slogans and reality; I began to realize that the Soviet power was killing in people everything human. The author showed great insight and deepness describing those times. But most importantly, he noticed that the fear of Great Terror penetrated deeply into Soviet people's souls and didn't disappear. He wrote that the KGB " had access to a huge range of draconian punishments ... and its power of surveillance...instilled fear in anyone...who could be seen as anti-Soviet." I still remember that paralyzing fear, but I also remember that despite that fear, people were
dying to have a human life; Soviet power wasn't able to kill in people everything and this could be seen as a victory of humanity. "Human spirit cannot be destroyed" as Mr. Tsitrin wrote in his review." I would be extremely glad to see this topic as Orlando Figes' next project about Soviet Russia.

I would like to emphasize the actuality of Orlando Figes' book, especially now, in Putin's time when, according to the author, "the restoration of authoritarian government encouraged many Russians to return to their reticent habits."

I strongly recommend everybody to read the book. Nothing should be forgotten because what is forgotten has a tendency to be repeated.

Sol Tetelbaum.

I have read many books about Russia and the Soviet era. I am shocked by the details of life under Stalin. I always knew millions had died. However, I never realized how evil this period was. It is almost beyond belief how communism broke all standards of human decency. It is really beyond belief to read how the Russian people basically ate itself alive via their leadership.

I seem to be on a roll. I recently read about abuses in North Korea and China. Also here there are also shocking stories of abuse.

Figes had already established himself as perhaps the preeminent historian of modern Russia before this book came out but with its publication he has confirmed that claim many times over.
When reading about the years of Stalin's tyranny it is easy to become inundated by the scale of the suffering inflicted on so many people with such murderous persistence. There is a tendency to become removed from the enormous numbers and see it all in a rather academic light.
Figes succeeds brilliantly in preventing that by giving each victim a name, a family, and a story while still being able to convey a very vivid sense of the scale of the crimes committed in the name of The People.
Strange as it may seem, this is a book that speaks with warmth and humanity on every page - the humanity of the victims, those who fought and fell, as well those who continue to fight against their memories and suffering. And also the humanity of a writer able to convey their stories with such astounding sensitivity and compassion. Highly recommended.

Over the years I've read many books about Russian and Soviet history, from Roy Medvedev's "Let History Judge"to Montefiore's "Stalin: Court of the Red Tsar," with significant stops along the way for Solzhenitsyn's magisterial polemic "The Gulag Archipelago." Orlando Fige's "The Whisperers" is one of the best single-volume studies of life in Soviet times I have read. It is a fairly long book, but very engaging: I found myself reading 30 to 50 pages at a stretch. There is a cast of characters as long as in one of Tolstoy's great novels, but these are all real people, describing or recollecting their experiences in Stalin's Russia. It is a tribute to Mr. Figes that he arranges the narratives in such a way that this reader was never confused following the threads of so many lives over the course of such turbulent decades. In addition, Figes provides short accounts of the ideological, political and economic shifts in the Kremlin which directly influenced the lives of the people in the chapters which follow. For conciseness, clarity and readability, his narrative is outstanding when he writes about the NEP, Stalin's anti-Kulak campaign and collectivization of the countryside, the rapid rise of the Gulag and slave labor as a mainstay of the Soviet economy, and the malign influence on family relations of the1930s propaganda cult surrounding Pavel Morozov. Figes includes information in this book which I've simply not seen in histories before. He shows floor plans of communal apartments which makes clear how little privacy many urban dwellers in Moscow and Leningrad had at home, and how Stalin's regime nurtured malicious watchers as well as whisperers. The diary and letter extracts in "The Whisperers" can be deeply moving. There is a photo in the book of Nikolai Kondratiev's letter to his daughter Elena, written from a labor camp. It shows a drawing he'd done illustrating a fairy-tale in verse he'd written for Elena entitled "The Unusual Adventures of Shammi." The drawing is simple, the verse is charming. It makes one think of how many millions of times in different times and places parents have entertained their children by spinning stories. But the circumstances here are grotesque: Kondratiev was one of millions of innocents imprisoned under Stalin. And the outcome is tragic: in 1938 he was shot by a firing squad. This is just one example of the dozens of different accounts of lives of ordinary people warped or crushed by this monstrous regime. The sum of such narratives creates a very rich mosaic of a society and its time which even those of us who have visited Russia in the recent past have difficulties understanding.

In the long essay which follows the fictional story of War and Peace, Tolstoy first developed the concept that armies are not just regiments of men following the will of their commander, but individuals who have individual consciences. History isn't just the deeds of Napoleon and Alexander, but of each aristocrat, tradesman, artisan or peasant who fought in the Napoleonic wars, and of their families back home. Each of their lives is as worthy of examination as that of any Tsar or Generalissimo. Because of this, I think Tolstoy is properly the godfather of oral history. Orlando Figes has done a great job gathering and editing the accounts of ordinary and not-so-ordinary people living during the cruelest years of Stalinism. He also conveys the sense of freedom and comradeship experienced by many during the worst days of the second World War (which the Soviets hallowed as the "Great Patriotic War"), a mistaken sense of freedom which landed Solzhenitsyn in the Gulag. For all these reasons, I think old Tolstoy might be pleased in literary heaven could he only read these accounts of real lives and real consciences played out in the pages of "The Whisperers."

One small caveat: Kirill Simonov was a very successful writer in the Stalin literary establishment who came of age during World War II. Because of his public life of letters and his colorful personal life he occupies many pages in "The Whisperers." As was the case with many successful people in the Arts world under Stalin, Simonov was morally compromised. (I'm paraphrasing Lev Kopelev, but that writer has a pithy quote that "Every society has bad people who do bad things. But under communism, good people were encouraged to do bad things." This describes Simonov.) For better or worse, and because he wrote so much and was so active for all the decades from the Thirties until the Seventies, Simonov emerges as the main "character" in this book. This has its merits, but it also throws into harsh relief the fact that many of the less-lettered accounts in this oral history don't always seem as real, or as present, as Simonov. Because this is a history and not a work of fiction I'm not sure this imbalance could ever have been effectively redressed, but the imbalance is there.

A final word of praise: I've travelled to Russia several times since the overdue demise of the Soviet Union, and seen life change radically not only because of the introduction of Russian-style market capitalism, but because a generation has grown up without memory of life under communism. Figes points out that young people in Russia have no great interest in what to them has also become the story of an alien life lived by grandparents and great-grandparents during the 5-year plans. The people who do remember are old, dying out, with failing memories. "The Whisperers," and the archives on which it is based, is commendable because it helps to save so many of these survivors' accounts to historical memory.

It amazes me that with all the information that has been released from the Russian archives with regards to the Stalinist period that there are still influential people in the west who minimize or excuse the crimes of Stalin's regime. Oh, there are people around who deny the crimes of Hitler as well. The difference is that those who deny the crimes of Hitler are ostracized and in some countries even subject to criminal sanctions. But those who deny or minimize the crimes of Stalin and his henchmen are generally given a pass in Western societies. I have often wondered why that is, maybe the best answer is that that left-leaning elites consider the Stalinist terror a minor error made in the service of a "just" cause. It is ironic that many of Stalin's biggest supporters in the US were Russian emigres and their offspring and many of those were embedded in opinion-shaping professions here such as education, journalism and film-making. So maybe its no wonder that we still have apologists for communism in prominent positions.
The Whisperers is a fine history that should help put further to rest any idea that Stalin was any less of a monster than Hitler. It doesn't serve any purpose to argue about which man was responsible for more deaths. One is just as dead whether the bullet that kills you comes from the gun of an SS man or from the gun of an NKVD executioner. One is just as dead whether he was killed because of his ethnicity, religion, or because he was a "kulak". What you will learn in The Whisperers is how millions of people were cowed into accepting the necessity of the brutality of the Stalinist regime and in the end wound up looking only after their own interests. Though some decent people remained, friend turned on friend, neighbor on neighbor, and relatives on one another in a desperate bid to avoid that knock on the door in the middle of the night that meant exile or worse.
I won't rehash the story, others have done so. But if you have any interest in gaining a broader knowledge of the machinations of the Communist police state, the human tragedy it spawned, and how it impacted ordinary Soviet citizens then The Whisperers is highly recommended. Orlando Figes has painstakingly woven together a complex web of anecdotal evidence of communism's crimes through the stories of a number of survivors of Stalin's terror whose trust he earned enough for them to be forthcoming enough to tell the tragic stories you read here. Once you finish the book, you may feel as though you actually know some of the people whose stories are told. It may be heavy reading, and its a thick book, but the understanding you'll gain will make it more than worth the effort expended.

I learned about the book The Whisperers: Private Life in Stalin's Russia, by Orlando Figes due to Amazon.com which linked it with my memoir that was published recently. My first thought was that a person like me, who was born in Soviet Russia in the middle of the thirties, read a lot of about Stalin's time could hardly find much new in The Whisperers.

I left Soviet Russia at the end of 1988 and had witnessed many events, some of which were described in Orlando Figes' book. I was able to find and read a few books that were prohibited in the USSR. I didn't know the author of The Whisperers, never read his books before, and doubted that a foreign writer would be able to find many unknown details about this gloomy tragic time. Nevertheless, I decided to read it for the sake of curiosity.

I was hugely impressed; the book literally overwhelmed me. The author has done an incredible job interviewing thousands of people - victims of many years of terror. Those people were among the lucky few who managed to survive. I must say that the author recreated the forest while paying attention to each tree.

Telling about the fates of individual people and their families, the author shows what was going on in the Soviet Union behind the Iron Curtain. Living in the USSR over 50 years, I knew and had read a lot, but reading The Whisperers I felt indescribable pain and horror. Fates of hundreds of thousands, even millions of Soviet people were possible to describe with the same four words: falsely accused, arrested and shot. And what was even more horrible, all of this became habitual.

Recalling that not very remote time, I think about one more phenomenon: despite everything that was going on in the country, people wanted to live a normal life. In the daytime, they worked, entertained, attended theaters, movies and were busy with other activities. But at night they could learn that they, or their relatives, or their friends, or people they knew for a long time, all of a sudden, had become "enemies of the people," and were arrested, disappearing forever.

Orlando Figes in his The Whisperers showed very truthfully, through the tragic lives of many thousands of victims, one of the most awful political systems - totalitarian power. I would like everybody to read this book, both supporters and opponents of democracy. The opponents vividly will see that the totalitarian system is deadly for all, and the supporters one more time will be convinced that democracy is weak; it is needed to be defended.

In his book, the author of The Whisperers described in detail the years 1917 to 1956. Stalin died in 1953. It was the time when I began to understand events and the difference between slogans and reality; I began to realize that the Soviet power was killing in people everything human. The author showed great insight and deepness describing those times. But most importantly, he noticed that the fear of Great Terror penetrated deeply into Soviet people's souls and didn't disappear. He wrote that the KGB " had access to a huge range of draconian punishments ... and its power of surveillance...instilled fear in anyone...who could be seen as anti-Soviet." I still remember that paralyzing fear, but I also remember that despite that fear, people were
dying to have a human life; Soviet power wasn't able to kill in people everything and this could be seen as a victory of humanity. "Human spirit cannot be destroyed" as Mr. Tsitrin wrote in his review." I would be extremely glad to see this topic as Orlando Figes' next project about Soviet Russia.

I would like to emphasize the actuality of Orlando Figes' book, especially now, in Putin's time when, according to the author, "the restoration of authoritarian government encouraged many Russians to return to their reticent habits."

I strongly recommend everybody to read the book. Nothing should be forgotten because what is forgotten has a tendency to be repeated.

Sol Tetelbaum.

Libby Koponen's novel Blow Out the Moon is based on her own experiences growing up. She includes photographs and drawings throughout the book.

At dinner one evening, Libby's father informs her and her siblings that they would be traveling by ship to live in England for six months. Her father would travel ahead and meet them when the ship docked.

Libby would be leaving her home, her school and her best friend Henry, but it was a short-term adventure. That's what she thought. The six months turned into eighteen months and Libby wasn't happy about the extension.

Everything in England was different. She wasn't happy until she left for boarding school. There she meets new and interesting people, learns how to do things the way the English do them and even learns to ride a horse. But she refuses to sing "God Save the Queen."

During Libby's adventure she leaves childhood and becomes a young lady. And just before she leaves England, she decides it wouldn't hurt to sing "God Save the Queen," just one time.

Koponen's book is interesting but it's not particularly exciting. It reminds me of a story one would write for a family member, not the world.

Armchair Interviews says: If you are interested in learning about the way other people live, you might be interested in this story. If you're looking for an exciting novel with a plot, you might not choose this book.

I love this book. It reminds me of being a kid again. I forgot what it was like until I read this book. I can't wait for Ms. Koponen to write another book. I'm going to gobble it up!!!!

"Libby's joyous times at Sibton Park make you laugh out loud."
--A 6th grader writing in Just Books.

"Koponen's tightly written prose is laced with humor." --Seattle Times

Yes, I'm the author -- but this is what OTHER people said. I get emails from kids all the time saying they loved the book; maybe you will too.

This is the story of Libby, a young American girl who lives in England for a year and a half. She is naturally independent and spunky, yet learns that being polite means caring about others' feelings. Overall, this book is wonderful; it's engaging in a way that too few books are. Schoolgirl Libby is a joy to watch as she travels to England and attends boarding school, encountering difficulties and misadventures along the way. Unfortunately, author Libby Koponen's writing is a tad overly simplified, and she fails to fully transform her voice into that of a true child. Koponen instead comes across as an adult trying to write like a child. Still, that's my sole complaint about this great book.

Libby Koponen's 1950s childhood was given an exciting spin when her family moved to England for a year and a half. Eight-year-old Libby, a headstrong child who loved to write, looked forward to the adventure though she knew she'd miss her friends in New York.

"Blow Out the Moon" is Libby's memoir, written for the 9-to-12 age group. She tells of the family's ocean voyage on the Liberte and their new life in a London flat. The gloomy London winter and her isolated, unhappy days at school tarnished the adventure. Fascinated by stories about boarding school, she persuaded her parents to send her away to school in the Kent countryside.

At Sibton Park Libby learned to ride horses and to behave with proper English manners. Today's more sophisticated children have grown up at Hogwarts with Harry Potter, as pointed out by Megan Tingley, editor in chief for young readers at Little, Brown. They may find 1950s England a bit tame; but as long as there are kids interested in looking over the horizon, charming books like this will be well-loved.

The book is illustrated with photos of Koponen and her family, and other related drawings and photos. They are somewhat poorly rendered in the book, but come to life on the author's web site, ifyoulovetoread dot com.

"Blow Out the Moon" was marketed in an unusual way: Koponen put the entire book on the internet and after collecting raves from kids, was accepted for publication by Little, Brown. The web site is a feast of photos, reviews, and extra chapters. Anyone interested in this aspect of the book business should check out the Boston Globe article under the REVIEWS section of Libby's web site.

I recommend the book as a nostalgic memoir of another time and place; there is much for children and adults to enjoy here.

This is another excellent book from Brewers' Publications. Non-brewers will find herein an engagingly written history of Belgian brewing both within and outside the monastary walls. You'll become acquaintaed with the brewers of Orval, Westveletren, Duvel, and others, their history, their personalities, and most importantly, their beers.
For those who are brewers, the book offers even more. Ingredients and specifications (gravity, IBU) are given for commercially available beers whenever possible (and the author has done a *lot* of homework to get his hands on this information). Additionally, full recipes are provided for various Belgian style and Belgian-inspired beers. Even better, the authors of these recipes explain *why* they formulated their recipes as they did, and the author supplements this advice with his own, with advice from professional brewers, and from BJCP judges. This enables the brewer to not just mimic the recipes he finds in the book (though believe me, they are definitely worth mimicing!), but to thoughtfully exercise his own creativity within the rich history and style of the Belgian tradition.
Beginning brewers will find a lot of technical information regarding krausening, PH adjustment, etc. that goes over their heads. But this shouldn't scare anyone off. The technical information is easy to skip over and there's enough in this book for readers of all levels.
This book represents the state of the art in knowledge regarding Belgian brewers and brewing. No matter how long you've been brewing, you will come away from this book entertained, sometimes surprised, and better informed.

Inspiring view into the brewing techniques of the Belgium beer. Outstanding historical look along with what is going on today. A must read if you are into the Belgians.

I highly recommend to this anyone who wants to learn more about Trappist and Trappist inspired ales. Very accessible and thorough.

If you've ever wondered how people brewed beer in centuries gone by this book's for you! There are few, if any, modern conveniences in use in the Abbey breweries around the world and yet the Monks continue to produce some of the best brews available anywhere. A great read for those dreaming of making good beer with minimal equipment! It's also a great read for those interested in life in a monastery as there is a lot of information given concerning the living conditions, activities, expectations, etc., of the Monks who inhabit those facilities. It's a sad thing, but the very folks who brew those liquid treats are themselves prohibited from consuming more than just a sampling of their work. On the other hand, that is good news for the rest of us. We can sample lots of their handiwork!!! If you like beer (you do, or you wouldn't be interested in this book!) and if you are even remotely interested in its production, then, by all means, buy this volume. You won't be sorry!

Very informative book on the belgian styles in question. The best in the series.

This book is a charming joy. The authors' successful search for a modest summer home in France will take the reader on their own dreamy journey, exploring what it would be like to live in a French country village and to succeed in making friends with the villagers. Great insights into what rural French folks are really like, and how to make them your friends. The book also underscores the importance of finding what is truly important to you in your life.

I bought this book while we were looking for our own house in the Dordogne (most wonderful spot on earth -- go, see it for yourself!), and found it both comforting and helpful (as well as funny, touching and insightful). We found our own house a short time later (in Aubeterre sur Dronne, a village in the Charente just across the border from the Dordogne), and are giving this book to friends and family to help explain the experience and the lure of southwestern France.

very entertaining book about buying a vacation home in France. I love sw france--the food, the villages, the people. This book is about an American couple from Wisconsin--looking for a house in SW France-- buying a house and then living there for the summers. They become friendly with the residents of the small village. They tell of how they were invited to dinner parties ---the food that was served-- the people the conversations etc......Its great! I really enjoyed it.

The title might lead the reader to think that this book is about how to buy real estate in France. It does provide some very helpful tips in that regard, but the book goes well beyond buying real estate. The authors provide insight into how cultures can interreact. The book is an absolute must for anyone interested in the nuances of the French as well as getting eyewitness tour of the Dordogne region. The book is educational, poignant at times, funny at times and always a joy to read.

Like Mayle's YEAR in PROVENCE and Mayes' UNDER the TUSCAN SUN, this title follows a couple through the pleasures and pitfalls of buying a vacation home in a lovely, exotic locale. Draine and Hinden, both professors at UW Madison, purchase a home in southwest France. Much more low-key than the Mayle and Mayes books mentioned, CASTLE in the BACKYARD has considerably fewer pages devoted to construction pitfalls and perils as well as a cast of much less colorful characters. All in all, CASTLE seems like a much more realistic story than other tales of buying a dream home in a dream location, which in my opinion, made this tale a bit less compelling a read.

I bought this book for my mother in law just before her trip to Italy and she loved it. She said she used it as a resource there and it was very interesting. I gave it 4 stars because it wasn't something I would buy for myself but my mother in law adored it to pieces! Great gift for any Italian or someone planning to visit Italy.

I'm glad this guide book exists. I have found it helpful and informative. I am currently living in Germany, and I find pilgrimages to be a far more meaningful way of exploring Western Europe than more traditional tours. With this in mind, I would like to respectfully suggest some revisions for future editions. First, I would really appreciate more and better maps. A simple blank map of each country with dots representing the pilgrimage locations would have been extremely helpful--- as would better directions and ideas of distances between major sites. More pictures would also be helpful. I plan on eventually visiting most of these sites, but the book on its own is not enough.

A very good book full of information. The only thing i didnt like is that they talk about certain images of The Blessed Virgin , but dont show her. Only the builing... I think more pictures of the statues at the shrine and less of the outside of them would be better. But i gave it five stars for the information. It great for that reason only.

I spent two semesters in Europe and this book was immensely helpful in deciding which pilgrimage sights to go to and then finding them! I love the little maps that are shown for the various shrines. At Franciscan University's campus in Austria, this book in particular is very popular, because it tells about the history of the place and how to find it. If you know a Catholic who is going to Europe and wants to visit shrines, then I highly recommend this book.

My brother and I both lived in Europe (in different places) and we both used this book extensively. The book unabled us to visit shrines that otherwise we would not have known existed. The book was easy to use and included the history of each shrine, directions on how to get there, where to stay and how to contact the shrine. There is also a picture of each shrine, with made it easy to choose which shrines we wanted to see. Our stay in Europe was greatly enriched by the use of this book.