Publications Books

Very amusing, particularly to Brits. Purchased as a gag gift for a British ex-pat returning home to the UK for a trip.

I love this book! I'm a big Britcom fan and can now get a lot more laughs out of my favorite shows.

This little book, which crams an enormous amount of information, both practical and interesting, should be in every Amnerican's pocket before they leave for the UK. I learned more from it than from several larger books put together. It even explains cricket, that baffling sport! I thoroughly enjoyed reading every page, and while I wasn't going to travel to Wales or Scotland to practice those versions of Gaelic, it is contained within should you wish to. A most superior book, and entertainingly written besides. Enjoy!

This book is great. It's tiny, easily hidden, extremely funny, and you can make British people laugh with it. Really! Even Brits find it fun to read... "Oh, so THAT'S what they mean on those American programs on the telly. I was wondering."

I read this little book before setting out to Scotland for a year. What a great thing to do! I was more prepared than many of the people I was traveling with to deal with the idiosyncracies of Brit-speak. I especially love the foreign language section in the back... you don't really need it, since everyone speaks English, but it's fun to whip out something in Gaelic and see how many people understand (answer: not many).

I highly recommend this book, if only for its entertainment value. You won't regret it! I'm even able to watch the BBC now!

Lonely Planet's "British Phrasebook" is a great introduction to the British way of life and speaking for foreigners. Whether you are an American going to visit the British Isles, or a person studying English as a foreign language this can be a good guide and reading supplement. Traditionally to Lonely Planet phrasebooks, this one gives you a short and easy-read introduction to the origin and modern state of English. Then follow the sections dealing with British English and regional languages.

The section on British English is, again traditionally, an introduction to the language through British culture, institutions, traditions and way of life. Some chapters open with humorous sketches by S. Hughes that will make you laugh out loud. You will learn how to greet people, how to talk over the phone, how to find your way in the world of slang and cockney (not being a thorough textbook or dictionary of these), how to brace yourself with the features of British pronunciation (not being a course on phonetics), how to tell a British word or expression from an American (not being a British-American dictionary), how to address the Queen or peers (without making you bored with the detailed description of the aristocratic history). But most of the contents are not even the lists of typically British words and expressions. It is an interesting, sometimes funny, sometimes witty, often highly informative yet brief description of British culture (music, sports, food, drink, housing, etc.) and institutions (political, educational, etc.), as well as of ways of travelling, spending your free time and free money. If you need to know the names of high-street shops or intend to watch a report from some cricket match, think of driving a car or going on a train journey, want to read a paper and know what's meant and what's not - "British Phrasebook" is one way of helping you survive in Britain.

The regional section tells you about regional accents and dialects of English with some examples. It also deals with Scottish Gaelic and Welsh. Here (in the last two chapters) there is a true phrasebook letting you say a lot of useful things in the native tongues of Scotland and Wales. Practical transcription enables you to pronounce sometimes quirky letter-combinations of these Celtic languages.

Written in a simple language and entertaining manner, while being very informative "British Phrasebook" is nearly a must-have on your next trip to the Isles and will certainly be your good companion, which will easily fit in a pocket.

A comprehensive survey of the artist's work, it covers not just his paintings, but also his posters, advertising and magazine and book illustration and the murals. Very well illustrated and with a comprehensive text it chronicles the artist's development and his vast array of work.

One of the most interesting chapters is that which explains in detail the methods Parrish employed to achieve his remarkable results. This includes his use of photography and the painstaking glazing techniques he employed.

A very interesting and useful publication; it is not one that sits idly on my book shelf.

The version of this book that I own is from the second printing (1974). What a beautiful book! In some ways Parrish seems to be the dreamy counterpart to Norman Rockwell. An amazing attention to detail and lighting. To reiterate a point raised in other reviews, this book would benefit from more color plates, but that is a minor criticism. While I have not yet purchased any of the other books in print on Maxfield's work...this is a fine place to start. There is a generous sampling of landscapes, product advertisements and magazine covers. Recommended!

Note: I made some immature person angry by giving negative reviews of books written to "prove the Book of Mormon." Rather than answer my criticism, this person automatically gives my reviews negative votes. Oh, well.

Your "helpful" votes are appreciated, and please remember that a short review is not necessarily a bad review if it leads you to a great book.

I love "Daybreak" (see cover) with a nude figure standing above a girl sleeping in a columned pavilion. If you like this painting, then check out different reproductions (the colors vary widely and change the nature and mood of the painting. Really change it.

"Twilight" is another great painting. For me, it is evocative of a great mystery. You want to step into that farm yard and explore the house and barn. No people are shown, but it gives me the feeling that ghosts live there (without being scary--in a dreamy sense).

"Afterglow" is also intreguing, showing a New England church as the stars come out.

The book is full of both color and black-and-white illustrations. I would love to see "Landing of the Brazen Boatman" in color. A robed figure is walking down some stairs of a strange temple while a boatman awaits.

What a gift of imagination Maxfield Parrish left to the world!

Highly recommended.

This book has always been the "essential" Maxfield Parrish reference for me. It contains page after page of information about the artist's incredible personal and professional life. It also goes into great depth detailing the illustrator's perfected (and tedious) technique of creating illustrations. From crafting meticulous miniatures for layout to the final process of layering oil glazes onto the canvas. It's all there.

I would highly recommend this book to Illustrators, art teachers, and overall art enthusiasts who want to expand their knowledge about illustration and a true master of the past. This book has been cited in other publications such as "Step by Step Graphics" for the depth analysis of his technique.

My only small criticism is that I would've liked to seen more color prints within the book. A few too many black and white reproductions of the artwork. That aside, I feel this book is of tremendous value.

I, like you, want to own Daybreak--perhaps more so than any other painting. Sometimes an illustration entertains, perhaps greatly. Some evoke admiration, even gaping admiration. In the case of several Parrish paintings, admiration is merely the aftertaste of a much more powerful emotion: the craving to be in the space the artist has created, to have or to be the characters therein. A desire to truly exit this world and remain in the other. The list of works that affect me in that way starts off like this: It's A Wonderful Life, Oz, Narnia, Harry Potter's magical England, Parrish's Daybreak & Land of Make-Believe & Air Castles et al., Robert Heinlein's Glory Road, ERB's A Princess Of Mars... We read or watch or view them over and over again in an attempt to ease the longing.

This volume satisfied that craving long enough for me to catch my breath.

The book is well written. I have been enjoying reading it. However, I can't give it 5 stars because the author takes drugs and writes about it. How about a kid reads this book? So, the kid will think is cool or ok? I don't think the author has the right to inspire people to do what he chooses to do with his body. The body is a temple to take care of not to abuse it and exploited in actions, words, thoughts or writing.
He also mentions the dark side of his nature that it's too personal and too dark. Almost evil to the point, that I felt he should have left it out. Nobody needs to know about this of his past. Only God should judge, and he knows all our sides including the dark ones.
If you are spiritually sensitive, you will feel the darkness of his spirit in the past while reading his words. Words are powerful and words can manifest.
Some parts of the book with these are repulsive!
The rest is excellent! He has great thoughts and ways to present his visions of art. The author can also inspired other artists.
To the Author, I would suggest asw a friend reader for him to see "The Secret." Hopefully, he won't repeat writing events of his inner demons. Sorry, but nobody cares...besides this should be in a personal journal or talked with a theraphist.
The author uses his writtings to heal and confess himself. The bible says, to confess to God only. If you don't want criticism like this don't exploit your past weakneses by writting to the world!
This book should not be given to kids under 25 yrs old. When you are 25 yrs old. your thoughts patterns are mature to make the best judgement before then your brain is still developing and is highly impressionable. This is a fact and one can google it too.

I bought this for my fiance and he ABSOLUTELY LOVED IT. I really enjoyed it too. My fiance is a HUGE Alex Grey and TOOL fan and if you are too you will love it too!!!

Soul Expression Can Be Visionary Artistry
Imagine, for a moment, the Creative Forces. How do you envision the Spirit of Life, as it expresses itself within you? When I suggest this meditation in my classes, people usually enjoy it. When I suggest to pick up a colored crayon or two and help the Creative Spirit express itself on paper, this second instruction creates more anxiety than pleasure. I hear the protest, "But I can't draw what I envisioned!" I might reply, "Just allow yourself to enjoy the process and don't be worrying so much about how you think it should look. Let it be easy, let the vision guide the drawing, let it do what it wants with itself."
After we have made our drawings, people share a little of what was experienced during the meditation and we get to see how it came out on paper. The drawings are so different, yet group members usually recognize the mark of the Creative Spirit in them. Their sheets of paper contain precious revelations. People remark favorably, of course, about those that are more "artistic." Some may denigrate their own work when comparing it with those that win the group's "artistic" award. I try to draw their attention elsewhere. It's not about being "artistic," but about honoring one's experience as best one can.
Alex Grey, author of The Mission of Art (Shambhala), writes that the purpose of making art should not be trivialized into a career path toward fame and fortune. The essential purpose of making art, he reminds us, is to honor Spirit, to make it visible, to make it real in this world. If we create also for the purpose that it might further awaken Spirit in others, then making art becomes a spiritual mission as well. If sufficient talent, dedication and hard work are present in the mix, then it can also be a profession. He calls the professional artist to a higher mission, explaining how to invite Spirit into the work. If the artist commits to bringing Spirit into the work, he claims, Spirit will collaborate with the artist.
Creating is an essential part of the soul's activity and thus belongs to everyone as their natural birthright. So he aims his book also at the rest of us, just as he does his painting. He writes, "When people are profoundly moved by art, they recall from their depths their own intuition of spiritual truth." Like Edgar Cayce, he would have us all involved in some sort of creative activity and wants us to appreciate the spiritual importance of doing so.
Even if you do not recognize the name of Alex Grey, very likely you have seen a reproduction of one of his visionary paintings. Best known are his stunning, anatomically correct renditions of a person with transparent skin, revealing the inner body as well as the spiritual energies flowing through that body. In his painting of the kissing couple, for example, you can see the spirit of the man and woman intertwine. His paintings show beautifully the truth of Spirit's activity in this world.
The fact that his stuff is extraordinarily good--dazzlingly good--doesn't take away from the fact that he is sincere when he writes that each of us is an artist. He urges us to recognize that our soul yearns to find outward expression in creative acts. Echoing the understanding of Edgar Cayce, he writes, "Seeing with the eye of the heart, the mystic eye, is seeing with the soul." Responding to the creative itch, taking the time to express it, in poetry, in cooking, in painting, honors the source. Allowing the imagination to become involved in our activities invites the soul's involvement in what we do.
I explain to my students that our doodling exercise is something of a sacred ritual. I note that we attuned ourselves to a very special inner reality, and then expressed it outwardly as honestly as we could. In other words, we gave testimony to our own experience of Spirit. By sharing our drawings, our spiritual intuitions made visible, we treated ourselves to witnessing several reflections of Spirit, expanding and sharpening our sensitivity to its qualities.
But the exercise was not without struggle. It took something akin to what Grey calls "egocide." We had to let go of notions of what the drawing "should" look like, and allow the expression of something greater than our own willful abilities." It requires turning our focus away from the ego's perceived "artistic" outcome and focus instead upon the authenticity of having honored our experience. In the back of my mind is one of my favorite ideas from the Cayce material, that the one of highest service we can give to one another is to share our experience of the Creator. I am also aware of his teachings about art being an essential path of spiritual experience. The purpose of our exercise is not to see who can make commercial art, but to enhance our connection with Spirit. We can not all be commercial artists, but by honoring the muse and being willing to share, we can all serve as visionary artists. [...]

Warp your mind and you just might see God. Haven't tried LSD. Have tried "Salvia Divinorum" (still legal as I write this in most areas) I don't smoke and rarely drink, and I've never even tried pot, something most who know me don't believe since my parents were hippies.

But, after being stuck in a 70 hour week overtime job for 3 years, I had an art block that made me feel almost suicidal. The flood of ideas trying to focus through that tiny speck of time I had burned me out.

So, against everything I'd ever done in life, I got some Salvia Divinorum after a lot of net research on anything "Psychedelic". And after a few trys had a hallucination beyond comprehension. Literally seeing God and his infinite love and creativity and how bright that burns in all of us, even as tiny and insignifigant the universe is in the greater universe beyond.

Reading this book I felt kinship. Someone who'd used a psychoactive and seen his true purpose.

I reccomend to anyone who wants to do art (with or without earning a dime from it) but feels limited or blocked by stress interferring with creativity to do this. Try a hallucinogen ONCE (or a couple times) and check out visionary stuff like this.

In The Mission of Art, Alex Grey shows that his prodigious artistic gifts are moored in intellectual depth. Grey discusses art history, aesthetics, mysticism, religion, postmodernism, and processes of art reception with equal facility. This kind of writing is a rare treat. Only a small number of American artists have articulated their ideas in writing and fewer have done so with as much skill and alacrity. Grey's writing is reminiscent of G. Albert Aurier, the French Symbolist critic who shared Grey's mystical inclinations and his views about the spiritual and moral potential of art. Grey believes that mystically inspired art can in turn inspire its viewers to transcend today's oppressive consensual values of materialism, utilitarianism, and consumerism, and become aware of more authentic spiritual realities. There are a couple of factual inaccuracies, perhaps due to exaggeration or oversight, as where Grey states that mystical art was virtually absent in late nineteenth century Europe (p.37) and that Van Gogh labored in "complete obscurity" (p.90). Many prominent artists of the late nineteenth century French Symbolist movement were deeply inspired by neo-Platonic mysticism. Though Van Gogh never achieved material success, he was well known and respected by some major artists of his time. Aurier praised Van Gogh's art in a published review shortly before the latter's death. As the world seems to plummet ever deeper into eco-devastation and strife, to continue to hold out faith in general processes of human spiritual "evolution" which are aided by art, as Grey does, appears to demand ever more credulity. In my view, one can now realistically expect mystical art only to be a source of some personal inspiration and an exemplar of humanity's highest but tragically failed ideals. Its ideals of spiritual perfection might still be realizable, or approachable, by the minority of persons and minds which are receptive to it, but it has been virtually impotent as a means of producing a generalized social-spiritual transformation. Indeed, our society seems to appropriate such art as a means of a repressive desublimation of mystical idealism. Mystical art might tend to palliate and pacify idealistic urges, lulling some viewers into complacency by its pleasant presentations of images of spiritual self-actualization, images which, as wonderful as they may be, are only shadows of real conditions of actualization. Our society allows access to these images while doing its best to restrict access to the kinds of experiences which might truly facilitate such an actualization, such as the entheogenic experiences which largely inspired Grey, and competent shamanic guidance. Nevertheless, such mystical representations of what might be more realizable in a better world may for some others highlight the differences between what is and what ought to be, inspiring greater efforts to close the gap. Mystical imagery, as a means of Bildung or of the cultivation of consciousness, is capable of helping to "magnetize" the minds of receptive viewers, helping to keep some minds freed from Plato's cave and aimed toward the light.

Vivid Dialogue, September 1, 2005
By Barbara Glass

In her second novel, Fleming brings back Lieutenant Matthew Alexander, whose directness and lack of concern about embarrassing the wealthy and powerful make him a very appealing character. Alexander and his partner Jake are called to the scene of a homicide in the posh Gold Coast section of Washington, D.C., where the victim is a millionaire real estate developer. He died in the home of a young woman to whom Alexander had once been engaged, but she's only one of a collection of suspects with reasons to want the dead man out of their lives.

Fleming knows how to write a gripping story, but what makes it especially vivid is her dialogue. With their words, her characters show their personalities, beliefs, and values. When they speak, you can almost see the flash of anger in their eyes, hear the chuckle in their voices, or sense the sorrow in their body language. These voices, freighted with emotion and edgy as they wait for the discovery of various truths, draw you into the world of the book and make it hard for you to put it down. Furthermore, Alexander knows that the truth he's looking for lies deep in those personalities.

Suspense builds on every page. Add to this the tension between the lead detective and his bosses, the racial and family issues that won't go away, and the beautiful wife Alexander has at home, and the result is a satisfying complexity that pulls you into his world and keeps you there until the conclusion.


Murder in Black and Gold, June 10, 2006
By Chiquita Mullins Lee (Columbus, Ohio USA)

Murder on the Gold Coast brims with surprises and revelations. Barbara Fleming's intelligent writing sheds wisdom and insight into the human condition. With her uncanny eye for detail and a well-tuned ear for dialogue, even Washington, DC is a character full of energy and personality. Fleming's writing is by turns lyrically poetic and as staccato as a crime report. Matthew Alexander deserves a long career investigating the District's crimes. And Barbara Fleming is building a solid body of work from the capers of this cunning detective.

Murder on the Gold Coast is the newest installment of Fleming's Matthew Alexander Mystery Series. Someone has killed wealthy black real estate developer, Harold William Waterson, Sr., and, surprisingly, his Washington, DC social sphere encompasses a circle of people with motives. His elegant white wife is miserable. His son detests him. The black, beautiful Angela Bowman wants to end their affair. When Waterson winds up dead in the posh basement of Angela's parents, the three Bowman's maintain their innocence. While there is no hard evidence to implicate them, there is the matter of the murder weapon; that key piece of evidence - a 38-caliber revolver that emptied two slugs into Waterson's chest - is missing.

Matthew Alexander steps in to unravel this mystery, wrestling against the odds, frustration, and time. Matt's personal history with Angela enhances the intrigue; they might have married had her father found him worthy. In his current marriage to sultry Carla, his life balances romantic negotiation, administrative head-games, and brutally long hours. His witnesses balk, and his leads sometimes disintegrate, but his instincts seldom betray him. This sharp, handsome detective is cocky for a reason. He's good at his job.

Wow, I loved this book! For weeks I had been searching for a good mystery book and when I saw the reviews for this one I didn't waste any time ordering it. This story starts off with Harold Waterson, a wealthy businessman being murdered at the beginning of the story. The question is who shot him..why and why did he get murdered in the basement of people who claimed not to know him?

Barbara Fleming will have you guessing and assuming to the very last chapter. Once I got down to 100 pages left I stayed up all night trying to solve this murder case.

HIGHLY RECOMMENDED!

You won't be disappointed!

Barbara Fleming's Murder On The Gold Coast: A Matthew Alexander Mystery is a murder mystery which offers delightful dialog, well-developed characters, a finely designed plot, and intimate insight into the process of a police department's murder investigation.

While the homicide detective's viewpoint is the primary viewpoint, what I found fascinating was how Barbara Fleming gives us a "look-see" into the work and involvement of a forensic specialist, district attorney, and police chief, among others, as Detective Lieutenant Matthew Alexander investigates wealthy Harold Waterson's murder in Washington D.C..

If you love murder mysteries, you'll thoroughly enjoy the experience of reading Barbara Fleming's Murder On The Gold Coast: A Matthew Alexander Mystery.

I enjoyed it and I am sure you will too.

Detective Mathew Arnold investigates a murder in the home of his former girl friend, whose father persuaded his daughter to break off the relationship. The victim and several suspects are members of the upper crust of black society in Washington, D.C. Detective Arnold faces not only the stress of a personal relationship with a key suspect, but also intense political and social pressures in a high profile case that his superiors are anxious to close with a quick arrest. His character, perserverance and investigative instincts and skill prevent a gross injustice, and leave the reader with the challenge of figuring out who did it. As a dectective story, this is a thrilling piece of work with a convincing assortment of possible culprits that make the book difficult to put down. As a literary work, the author creates some fascinating characters and provides some interesting insights into the social milieux of the characters.
Fred J. Milligan, Westerville, Ohio

Murder on the Gold Coast brims with surprises and revelations. Barbara Fleming's intelligent writing sheds wisdom and insight into the human condition. With her uncanny eye for detail and a well-tuned ear for dialogue, even Washington, DC is a character full of energy and personality. Fleming's writing is by turns lyrically poetic and as staccato as a crime report. Matthew Alexander deserves a long career investigating the District's crimes. And Barbara Fleming is building a solid body of work from the capers of this cunning detective.

Murder on the Gold Coast is the newest installment of Fleming's Matthew Alexander Mystery Series. Someone has killed wealthy black real estate developer, Harold William Waterson, Sr., and, surprisingly, his Washington, DC social sphere encompasses a circle of people with motives. His elegant white wife is miserable. His son detests him. The black, beautiful Angela Bowman wants to end their affair. When Waterson winds up dead in the posh basement of Angela's parents, the three Bowman's maintain their innocence. While there is no hard evidence to implicate them, there is the matter of the murder weapon; that key piece of evidence - a 38-caliber revolver that emptied two slugs into Waterson's chest - is missing.

Matthew Alexander steps in to unravel this mystery, wrestling against the odds, frustration, and time. Matt's personal history with Angela enhances the intrigue; they might have married had her father found him worthy. In his current marriage to sultry Carla, his life balances romantic negotiation, administrative head-games, and brutally long hours. His witnesses balk, and his leads sometimes disintegrate, but his instincts seldom betray him. This sharp, handsome detective is cocky for a reason. He's good at his job.

Murder on the Gold Coast by Barbara Fleming
Reviewed by Chiquita Mullins Lee

This book kept me up for several nights straight. It is not a long book by any means and the average reader can go cover-to-cover in a few hours. However, one WILL find one or two things they missed upon every subsequent reading of the book.

This book is not written by a "Hard-Core" fisherman. Rather, it is the story of a "Hard-Core" fisherman. Mr. Cinquemani, a former NYC English teacher employs his grasp of the English language and writes in a way that is not only understandable, but entertaining to his readers. While the book is about fishing, it is not a "How-to" book and Mr. Cinquemani's choice to not focus on the technical aspect of fishing (i.e. equipment, knots, strategy), combined with his writing skills, does not leave one feeling empty upon the first completion of the book, or all subsequent completions for that matter.

Night Tides is about Billy "The Greek" Legakis, a legend in the striped bass fishing world. It is the story of this man's ongoing pursuit for the "Largest" striped bass. Stories of this man's introduction to this fish, his obsession with this fish, and his unparalleled pursuit of this fish grace the pages of this book. Several pictures are also included in the book, adding to the whole experience.

Having read the book several times, I am not only astonished by the sometimes unbelievable accomplishments of this particular fisherman, but grateful that the paths of these two gentlemen crossed when it did. While the stories of "The Greek" are truly amazing, without Mr. Cinquemani's abilities, these stories may very well have been untold. My utmost gratitude to Mr. Cinquemani and Mr. Legakis for choosing to share their stories with the rest of the world.

The book is a very easy read. BTG is a unique man with a true obsession with the straiped bass and the sea. A great book if you are not a fisherman and an even better one if you are. I let a buddy borrow it and he is not a fisherman. He is three quarters finished on the second day of his read. Go for it!

A quick read for anyone who enjoys catching a few "Strippahs" from their local haunts. Billy has certainly mastered the art of catching the big ones, but it also comes at a price - Fishing is 1st - everything else, I mean everything else comes after. Catching 2,500 fish with a rod during a slow season was mind boggling to me, I had to do the math twice and was sure there was an extra zero in the numbers, but low and behold this guy is a true master of the species.

It was an inspiration to read and even got me up in the middle of the nite to go for the cows under a full moon and a high tide - I got skunked and humbled.

A great gift with some terrific photos.

If you are a striped bass fisherman, this book will not let you down. I read it in 2 days. Eccentrics like Billy make life interesting. On a sad note, I can't imagine what it must have been like to fish back in the 60's and 70's before we wiped out the majority of these monster bass.

Michael Cinquemani's bio of striper fishing legend Billy "The Greek" Legakis is an engrossing story. Whether they are committed fisherman or not, readers are bound to recognize in BTG the rare combination of wits, will, and sheer tenacity that marks any person at the top of his or her field. Any die hard fishing fanatic will plow through Night Tides in a single sitting. Casual observers of the sport will love it too. Cinquemani's writing mixes humor and awe to create a realistic portrait of a unique character. The fishing community is lucky to have such a literate, and readable, storyteller!

Great book. I cannot emphasize enough how anyone interested in Zen practice should read this.

Amazon unfortunately not stopped stocking it. I'd recommend anyone interested to go to the publisher's web page and order it there for $13. Just do an internet search for "Wisdom Publication", once there search for the book it will pop right up.

gassho

New book, shipped in timely manner that was in the new catagory as advertized.

I found this to be a great guide and wish I had it early in my practice. A very simple to read - written with compassion. The author comes through in every word.

While living in Japan, I was truly fortunate to be able to sit Zazen at Antaiji and study with Uchiyama-roshi. He had a gift for explaining the practice of zazen, or seated meditation. He was able to completely demystify and explain in clear language how to sit and let go of thoughts. This book is an updated edition of Uchiyama-roshi's first book, Approach to Zen, and is really the only book you need to read about sitting zazen, the Buddha's practice.

Outstanding book. In reading books on Soto zen practice over the last 10 years, this the clearest, most straight forward and best book on zazen (seated zen buddhist meditation) from a highly respected master I've come across. If you only read 2 books on Zen, read Zen Mind, Beginner's Mind by Suzuki and this one.

What a journey! A thrill ride to other worlds- your world? Our guide, Susan, fillets her true-self for all to feast as she allows us to experience her emotion, vulnerability, and STRENGTH. This book opened my mind, engaged my imagination, and gave me hope... What a gem!

This book is like a guide through one's own personal reality into the subconscious and beyond into hidden worlds, like dreams, and many other altered states. Fascinating concepts on time and no time, reincarnation, karma, life choices, and even death and spirits. This book is above and beyond because it frees one to open their minds to encompass the scope of life beyond what we understand without adhering to any particular belief system. It is kind of like the more you open, the richer your life becomes. The whole book gives you an 'ah hah!' kind of feeling, a sense of constantly being enlightened. A good book to read over and over.

I am reading this book for the third time. It is SO packed with incredible insights and usable thought processes I was folding most every page so I could go back for reference. It was very well received at our womens' health fair in clinic. Kalior is my new favorite author, I have read all 4 of her books. Some fantasy, all life enriching.

This book is a most soulfully interwoven journey the dives deeply into the adventure of self-exploration. It reflects all of life's internal issues on multiple levels and is cram packed with plenty of real substance. A very courageous book to steps out of the norm and yet is delivered in the most delightful way. It's brilliant!


This writer Susan truly has an amazing gift!

Linda Post

This is an extremely amazing book. It takes you on a very deep journey of love and life. Very inspirational. Susan did a wonderful job on this. Thank you.

Over in the Ocean: In a Coral Reef

This is a great gift for baby shower, or first birthday - kids love this sing songy book with great illustrations. So good that I also ordered
'Over in the Jungle'.

This book is amazing in every way. From the gorgeous illustrations, the words to the sing along story and the cool facts at the end of the book. I LOVE this book!

This book is great with music. The text is perfect with the traditional children's song "Over in the Meadow". Singing or chanting the song increases children's attention span and love for this fun, colorful book.

My students loved this book and returned to read it again and again. This book fit perfectly into our student of oceans unit.

My five year old son loved Over the Ocean in a Coral Reef so much we kept checking it out of the library. I finally purchased the book and also purchased Over in the Jungle. Both books are beautifully written but especially beautifully illustrated. I especially like the information in the back of the books about the animals depicted in the story. We have read the stories over and over none of us ever tire of reading them, nor looking at the beautiful illustrations.

Having read just about all of the Nero Wolfe series, I have to say, this one contains all of the elements that make Rex Stout's detective novels wildly entertaining, without most of the elements that make some of them maddening

In this mystery, the utterly unswashbuckling Wolfe is revealed, in his younger, svelter days, to have been quite a romantic. Not only did he fight on the anti-Imperial side in Montenegro during the Great War, but he adopted and may even have actually sired a young girl.

To his shock, this young Yugoslav maiden--whom he had lost track of--reappears in his life, up to her neck in a particularly messy, intricate affair that may or may not include missing diamonds, a dead body or two, international intrigue, and a bellboy's uniform. For all of the peeks into Wolfe's previously unsuspected soul, he remains as crumudgeonly and as immovable as ever. Archie Goodwin, of course, remains the wisecracking, milk-drinking sidekick, flirting with anything in a skirt and even giving a Nazi agent a black eye just for the fun of it.

The joy of these books is their marriage of the American gumshoe attitude and the British cozy focus on character. Where they generally fall short is their plotting. This entry in the series is, without a doubt, the most successfully rounded out of the lot. Stout manages to keep the mystery truly mysterious, and yet never manages to confuse the reader so thoroughly that s/he can't find the exit. The plot actually ends on the last page--many of the Nero Wolfe mysteries fizzle out, wrapping up a chapter or two before the end, leaving nothing but rumination and grumbling for the final pages. Others seem never quite to wrap up all the loose ends. Here, the conclusion is both inevitable and unexpected--utterly satisfying.

Over My Dead Body is the seventh in the Nero Wolfe series. A young lady claiming to be Wolfe's adopted daughter from Yugoslavia asks for his help with a charge of stealing diamonds but this quickly evolves into a situation where she is suspected of murder. The case frustrates Wolfe no end, it gets more complicated all the while, but of course he manages to uncover the solution by the end of the story.

This book is a prime example of a Nero Wolfe novel. Archie Goodwin is in top form as a wise cracking pain-in-the-neck. Inspector Cramer is present more than a lot of stories giving Goodwin plenty of opportunities for zingers besides the ones he routinely fires at Wolfe. Wolfe himself is definitely out of his comfort zone dealing with the situation of his adopted daughter and this also adds to the potential for laughs.

This is a very entertaining book and I would recommend it for readers unfamiliar with Nero Wolfe as a great place to start or for established fans.

In this Nero Wolfe mystery-one of the earlier episodes-we encounter Wolfe's adopted daughter, who is in a bit of a fix. Wolfe comes to the rescue and along the way, shares little glimpses into his past: his tumultuous youth in Europe; the origins of his suspicion of all women; how he came to adopt a child. In this book, probably more than any other in Rex Stout's series, do we see the effect that women-especially those from the former nation of Yugoslavia-have upon Wolfe's psyche. It's a good read-a good mystery with a great plot-like pretty much all of Stout's works.

This book hits on all cylinders. The plot is excellent, intricate but clear. The characters are well drawn. The atmosphere, New York on the eve of World War II, is almost palpable. The dialogue is perfect. I'm at a loss as to what else to say about the book except, "Read it."

A Britsh undercover agent is murdered at a Manhattan fencing school, skewered by an epee with a gizmo attached that turns it into a weapon sans blunt end. Yugoslav women who are instructors there are possible suspects, one of whom is Nero Wolfe's adopted daughter from his days as an ill advised Austrian agent in the Balkans, pre World War, before we started numbering them. This alone is a startling revelation about Wolfe. Wolfe slender? Youthful? Abroad, outside, involved with people? I was astonished.

As usual, the beer drinking, orchid collecting, erudite, corpulent food lover Nero Wolfe declines, under any circumstances, to leave his brownstone abode with a greenhouse rooftop for his rare flowers. Using Archie, his assistant, as legs, Wolfe solves the baffling case. I knew he would. He's solved all the other mysteries in the Nero Wolfe books I've read.

Mystery fans who have not read mysteries from the golden age (pre-1950) do not know what they are missing. There is no sex to lure the lascivious reader, very little violence, no profanity. What there is (and this book is an excellent example of the sub-genre) is intelligence.
That's a rare commodity in most modern mysteries.

This is, at once, one of the best books in the series and one which translated brilliantly to TV on the A&E series.

Rex Stout decides to deal us a little shock in this one: Nero Wolfe, woman-hater, has a daughter he's not seen since she was a baby. She comes from Yugoslavia to New York, unknown to her pops, and gets into a real tight spot involving murder by "coldymort."

When Archie learns this, he considers resigning on the basis of his boss's morals. You just have to read this one to find out.

Or, again, buy the A&E series - they did a great job here.

Among the lighter and more overlooked sorrows of living in a post-terroristic era of conflict is all of the fun that could once be had, but no more, like - arguably - everything that takes place in this engrossing and extremely, extremely funny book, but one in particular: cleaning out one's refrigerator by mailing everything rotten (there's a way to do this with no postage, though you'll have to read this book to find out, and if you were to try it now, you'd have 10 SWAT teams on your doorstep in 36 hours or less) to everyone who might have ever annoyed you in some way.

Sigh...

Read this book, and I promise you'll never forget it.

-David Alston

This is the ultimate prankster handbook, an inspirational guide to mischief and mayhem. It is one of those books you can read bit by bit as there is a lot of material to absorb (not that you couldn't read it all at once, but it's like a rich cheesecake, you will want to savour each bite instead of gorging). The interviews are of varied allurement, some yielding more elation than others, but then you can't please everyone all of the time. Some of the stories told seem almost too wild to be real, until you see the accompanying photographs or news clippings and realize that some people have far better stories to tell than you or I ever will. And they aren't kidding, either.
Definitely makes my top 5 must-have "non-fiction or reference" books.

I lost my first copy of this in Nags Head in 1993. That's OK, it should be shared with as many people as possible because the pages are filled with shocking, playful, silly pranks from a host of prank 'generes.' A guy blows himself up at a high school reunion, another paints american flags on snails and on and on and. The books seems to capture a pre-PC time also: the 1980s.

What fun! This book is packed with great interviews with people who like to make trouble. All are amusing and all are inspiring. My personal favorites are the Henry Rollins and the Earth First! interviews. The Rollins interview makes me laugh just thinking about it, and the Earth First! interview is exciting to read. It makes me itch to go out and prank away. An excellent and informative read.

I love this book. I thought I was the only weirdo out there, but this book inspires me to be weirder. Great interviews with Dead Kennedy singer Jello Biafra, Abbie Hoffman and Henry Rollins. One of the few books I pick up weekly, even though I've read it from cover to cover many times. Still cracks me up.