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Compelling visit to a vanished timeReview Date: 2007-09-24
brilliantly probes kid's mind & heart as he maps his worldReview Date: 1997-05-18
Beautifully written, wonderful rich characters, timelessReview Date: 2001-12-05


Viramontes looks to roots for setting of her gritty novelReview Date: 2007-04-15
Viramontes published the novel "Under the Feet of Jesus" (Plume Books) in 1995, about a makeshift family of migrant workers. It was met with great critical acclaim and now graces many high-school and college reading lists.
Now, fans of Viramontes' writing can delight in the publication of her new novel, "Their Dogs Came With Them" (Atria Books, $23 hardcover). It possesses Viramontes' trademark poetic grittiness, with well-drawn characters who almost leap from the page.
The novel is a heart-rending but hopeful portrait of lives that are rocked by the turmoil and violence of East Los Angeles during the 1960s.
Asked whether she saw some form of redemption arising from her mostly female protagonists' struggles with poverty, bigotry and governmental abuses, Viramontes responded with characteristic candor:
"If I didn't want to recognize the redemption of their everyday ordeals, why write about them in the first place? I marvel, truly marvel, at the everyday, ordinary ordeals of human life, and I want to give justice to an existence that very few people or readers acknowledge."
In many ways, this sentiment is emblematic of Viramontes' perception of writers and their role in society. She asserts that "serious writers have the responsibility to try and disrupt patterns of thought and behavior that damage the integrity of life. That's why most writers do their best work while living on the fringes of a society."
With respect to writers of color such as herself, Viramontes provocatively adds: "Because our communities are constantly bombarded with inhumane violence and racism, I think we writers write with greater urgency." She takes this role seriously: "The greatest compliment to a writer is if a reader is disturbed enough to begin questioning his/her own beliefs."
In choosing the setting and era for her new novel, Viramontes did not need to stray far from her roots. She was born in East Los Angeles into a large family that always extended to relatives and friends who had crossed the border from Mexico to California.
While attending Immaculate Heart College, she worked part time at the bookstore and library to help pay for her education. Viramontes eventually earned her master of fine arts degree from the University of California at Irvine.
She has gone on to win many awards, including the John Dos Passos Prize for Literature, a Sundance Institute Fellowship, and the Luis Leal Award for Distinction in Chicano/Latino Literature.
Today, Viramontes is a teacher and mentor to many young writers. She is a professor of creative writing at Cornell University.
Despite well-deserved acclaim, Viramontes does not pretend that writing is easy. "Their Dogs Came With Them" was more than a decade in the making because teaching and life's other demands often devoured her attention.
When Viramontes could make time to return to her novel, she sometimes suffered from writer's block. But she did not give up:
"I just kept my fingers close to the keyboard, walking distance close, just in case something would happen. I had to pay close attention. I reminded myself that a novel begins by one word following another."
Viramontes also observes: "Writing novels is certainly not for the fainthearted, and writing them on a university schedule can be brutally challenging."
We can be grateful for her perseverance. "Their Dogs Came With Them" establishes that Viramontes is simply one of our finest chroniclers of the ordinary but heroic ordeals of human life.
[This review first appeared in the El Paso Times.]
Response to Publishers Weekly ReviewReview Date: 2007-03-08
Not only was the review factually incorrect--for this is Viramontes' second novel (not her first, as the reviewer claims), but, far more gravely, utterly incapable of appreciating the artistic power of a truly original and monumental novel. American literary scholars have already heralded Viramontes' new work as the "Middlemarch of Los Angeles," justly comparing it in power and scope with the greatest works of nineteenth- and twentieth-century literature.
Viramontes stands out among the even most talented of contemporary writers, and her work (including her first novel, "Under the Feet of Jesus," and her many wonderful short stories, including the widely anthologized "The Moths") has already earned her an unforgettable place in the canons of American and world literature. Her work is regularly taught alongside that of Joyce, Steinbeck, and Cisneros, and she is legendary for her innovations in prose and poetic intensity. "Under the Feet of Jesus" has been cited as a "Portrait of the Artist as a Young Woman," and is now an indelible part of our literary heritage and one of the most groundbreaking novels in decades.
"Their Dogs Came With Them" is Viramontes' "Ulysses"--a contemporary, multi-lingual, prismatic epic that bears no resemblance to the flat, one-dimensional easy-read novels that Publishers Weekly review seems to favor. The Publishers Weekly review seems to have read the novel haphazardly or perhaps not at all, as it gives no sense of the Viramontes' careful construction and dynamic interweaving of multiple narratives and perspectives--the novel is not 'loosely constructed' (a complaint that was, incidentally, often leveled at Joyces' "Ulysses" when it first appeared), but rather innovative, unconventional, and poetic in the best sense of the word.
Viramontes' novel grows out of its characters and the brute materiality that affects them, and its style is as complex and materially present as the story of Los Angeles life that it tells. The alleged "difficulty" of the novel lies in its challenges to the traditional tropes and characters of American literature--in its original voice, unique form of storytelling, and in the brilliance of its form. Viramontes' rich language demands our attention and, like other great writers, challenges the conventional ways in which we have learned or become accustomed to read.
While Viramontes' first novel was a lyrical tour de force, this current work is of a darker and textually different tone. The depth of the novel lies in its ability to characterize and describe in ways that surprise and illuminate, to render without merely 'reporting.' Traditional tropes of American and Latino literature are displaced, meditated on, and reworked, while Viramontes' lucid and ever-metamorphosizing style evokes the unique subjectivity of each of her characters and the fractured temporality of their experience. Any serious reader seeking unconventional beauty and innovative form will appreciate the texture of "Their Dogs Came With Them," as well as its refusal to conform to conventional storytelling.
Yet Viramontes, like Joyce, never sacrifices content for form, or a powerful portrayal of characters for her ever-deepening linguistic artistry. In its texture and intricately imbricated layers of narrative, it is constructed with genius and care. The ethical and esthetic value of this novel lies in its refusal to sacrifice or to romanticize the baffling, 'frustrating' and incomprehensible violence of urban life in twentieth century. The novel's form demonstrates and reenacts the violence it describes, revealing and rehabilitating the difficulties and frustrations of trying to tell stories about the ignored and the oppressed.
To read and review this novel with no ear for artistry or innovation, and with utterly no appreciation for Viramontes' rich legacy in American literature, as Publishers Weekly has so unfortunately done, is not only to do a great disservice to Viramontes and potential readers, but also to miss what may be the first true masterpiece of twenty-first century literature.
The Novel We've Been Waiting ForReview Date: 2007-04-30

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An Amazing ManReview Date: 2007-05-02
However, after reading this book by Pastor Stephen Mansfield, the greatness of Mr. Washington simply came alive for me. He was a man of character, a man of faith, a dreamer and a doer; a man who moved mountains and moved hearts.
He had a plan - he had a dream - for taking his people from a horrible situation and helping them to move up and become successful in every way.
Unfortunately, as the author points out, he was fought every step along the way - often most by those he was trying to help and, in time, and long after he died in 1915, was disparaged by many as simply naïve, foolish, a misguided optimist, betrayer to his people.
Of course, none of this is true. Reading the story of Booker T. Washington in 2007 we can look back in hindsight and see that everything he taught - regarding the importance of character, thrift, knowledge, wisdom, forgiveness, love, persistence, delayed gratification, humility, etc. - is the way to build oneself, one's people and one's nation.
Only now is this man's wisdom and greatness beginning to once again be recognized and embraced. This book should be read by anyone and everyone looking to achieve greatness in their life. Read this book and you'll have the roadmap for doing so.
Booker T. Washington was a wonderful man; a hero. And the author, Pastor Mansfield, did a superb job in telling the story.
P.S. By the way, if you get an opportunity to read the booklet, "Character Building" by Booker T. Washington it will also be WELL worth your time. It's a reprinting of a number of his "Sunday Evening Talks" to his students and faculty members. The advice and wisdom that Mr. Washington shared is simply amazing.
Outstanding biography of an outstanding Black American.Review Date: 2000-03-03
TerrificReview Date: 2003-06-26
Washington wrote his own autobiography, _Up From Slavery_, which must certainly not be neglected. But Mansfield's biography is also a criticial read because he includes facts that the autobiographer was too modest to mention, and he highlights wonderful aspects of Washington's character that humility prevented him from including. This biography doesn't contain the wonderful self-analysis and insight of Booker himself - but it does contain all the benefits of a third person account.
One thing I really appreciated about this book was its terrific analysis of slavery and inter-race reconciliation. Expounding Booker's opinion, Mansfield blames both whites and blacks for the problems that cropped up after the Civil War. Whites needed to repent of their brutal treatment of slaves and actually begin considering blacks more than mere animals; and blacks needed to repent of their spirit of bitterness toward their white enslavers, and begin working hard and leaving no excuse for disrespect of blacks. Too many books on reconciliation have practically advocated bitterness, hatred, and laziness when what is really needed is Washington's outlook of forgiveness and hard work. This book offers relief from such pride.
To wrap up, this is a great biography. Good history, good style, and good content. Buy it.

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Great for PNW Families!Review Date: 2007-07-02
Exemplary writting for children's learning.Review Date: 2007-06-05
Great child's book about Washington State!Review Date: 2007-06-02


Great for planning aheadReview Date: 2008-07-27
Comprehensive and easy to useReview Date: 2007-10-19
This was a classic bookReview Date: 2006-02-20

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Important Work of Civil War ScholarshipReview Date: 2007-09-09
Hess reserves most of the technical details of entrenchment and breastwork design for an appendix, leaving his main narrative fast-moving and compelling. "Trench Warfare under Grant and Lee" is an important contribution to Civil War literature and should find a ready spot on the bookshelves of any serious student of the era. I look forward to his planned third volume, to examine field fortifications during the Petersburg campaign.
Inevitably, it must be asked how Hess views the Overland Campaign in balance. Was it a Union or a Confederate success? Although Hess does not absolve Grant of errors in too hastily ordering attacks or in failing to recognize the power of impromptu fieldworks, Hess concludes: "Grant's most significant achievement in the Overland campaign was not in capturing territory, or in positioning his army close to Richmond, or in reducing the fighting strength of the Army of Northern Virginia by 50 percent; rather it lay in robbing Lee of the opportunity to launch large-scale offensives against the Army of the Potomac. In laying claim to the strategic initiative, Grant won an important physical and emotional victory over Lee, and he did it with fewer losses than his predecessors had suffered in attempting the same goal ... Most important, he did not give up the strategic initiative and thereby brought the war to an end. The Overland campaign was as much a watershed in the strategic course of the Civil War as the Seven Days."
The War ChangesReview Date: 2008-01-02
Three years of the harsh reality of war changed all that, and by the time of the Overland Campaign, troops on both sides were digging in fast and furiously whenever they got the chance. Aside from the Vicksburg and Petersburg campaigns, nowhere was the entrenchment so obvious as in the Overland one. Most Civil War buffs know about the entrenchments at Spotsylvania and Cold Harbor. But many will probably be surprised (as was I) that entrenchments were also dug in The Wilderness and at the Bermuda Hundred.
Hess' account of the evolution of fortifications in this stage of the war is well-written and entirely accessible to the nonspecialist. He tends to protect Grant from the general's worst critics, arguing (much as does James McPherson) that the huge cost of federal lives in the Overland in fact did succeed in strategically defeating Lee.
The photographs are priceless. I've actually never seen most of them before. Moreover, the line drawings of fortifications and entrenchments are brilliant. All in all, highly recommended.
DIG, DAMNIT DIG!Review Date: 2007-10-10
The author continues working fortifications into the overall campaign giving the reader an excellent history of the Overland Campaign in the process. This presentation keeps the subject fresh while presenting the nuanced tactical differences in a logical sequential manner. This is very much a battle history but the emphasis is on how fortifications changed the campaign even as the campaign changed fortifications.
Earl Hess is one of our best authors. In this series and this book, he manages to give the reader a rich learning experience coupled with an enjoyable read. This is not a beginner's book but can be enjoyed by anyone with some knowledge of the Civil War.

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MagnificentReview Date: 2007-06-08
CAPITOL PERFECTIONReview Date: 2006-10-24
God Bless Henry Hope ReedReview Date: 2005-10-20
Reed is a wonderfully able partisan of the classical style, and dismisses so-called "modern" architecture as the "Anorexic" style for its lack of decoration. That may be overly harsh; great architects can indeed produce great buildings even in non-classical styles - the Kennedy Center in Washington is a fine example of non-classical yet non-Anorexic design. But Reed has one undeniably true point: we as a civilization have allowed ourselves to be cheated our of our millenia old Western art tradition by so-called "artists" that have translated their lunatic fringe political views (the International Style was nothing but applied Marxism, designed to reflect the "means of production" to quote standard leftist gibberish) into drab design originally meant for "worker housing" and now applied (ironically) to US government and corporate structures. This "artistic" rabble still to a large degree indulges its proclivities towards lunatic fringe politics, and continues to so savagely attack the classical style (because they in fact hate Western culture and all it stands for) that it has become unthinkable to build a classical structure in the US today. Some are ignorant enough to claim that the classical style makes them "want to throw up," but the best they can come up with is the travesty of soulless design that is present day Houston or any number of Asian cities like Seoul.
The closest we are allowed to claiming our Western heritage anymore is the so-called "Stripped Classical" applied to the new WW2 Memorial in Washington. I suppose we should thank our lucky stars that that we at least got "Stripped Classical" instead of some appalling metal and glass gimmick that - like most "modern" structures - would rapidly deteriorate into a shabby pile of rusty metal, stained concrete, and peeling paint. But like Reed points out, "A building without decoration is like the heavens without stars." Why is "stripped" all we are allowed to enjoy anymore? Because leftist "artists" that can't stand the West, can't stand America, and most of all can't stand the culture from which it sprang browbeat us into standing glumly in "modern" museums looking at unintelligible and ugly "art" (a melting toilet at the Whitney comes to mind) and won't allow us to erect magnificent Corinthian or Ionic columns anymore. Really, it is sad. This magnificent book, at least, shows us what we once had, and what might have been. Let's hope future generations of Western civilization have more courage than we do, and spend their days recovering their own cultural heritage. Perhaps they will once more build for the sake of beauty rather than that of Marxist anti-Western hatred.

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Excellent guide for book lovers!Review Date: 2000-10-28
An invaluable take-along tote for bibliophiles!Review Date: 2000-05-03
Essential guide for bibliophiles & antiquarian book dealers.Review Date: 2000-04-04
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PURRfect reading for CATaholicsReview Date: 2001-03-02
VanHulsteyn's cat Vanity provides both the inspiration and the voice. Vanity's trials and tribulations of touring a particular city are from the feline's unique perspective. Through Vanity's travels, we humans get a tour of our Nation's Capital's hot/top spots. One of my favorites is when Vanity coughs up a fur ball in the cab when the fare seems excessively high because the driver didn't understand English and took them needlessly out of their way. She also pokes fun at bureauCATS and fat cats and other political animals...
Vanity in Washington is light-hearted, and vanHulsteyn's humor makes this a fun and funny read...Its 112 pages make it an easy one- or two- sitting reading for the cat-lover in your life -- you or someone you know. Susan Bard Hall, Pet Times
The Puurrfect GiftReview Date: 2001-02-16
And cat owner or not, everyone will spot their favorite bureaucrat in the Washington characters van Hulsteyn deftly delivers, along with enough cat puns to keep them in puurrspective. Her eye for distinctive details, as well as the charming illustrations, enhanced my pleasure as I chuckled through her droll descriptions of Vanity facing the frustrations we all deal with daily, from weather-challenged traffic to rude parking attendants to power-hungry "friends." Few of today's manners, mores and tastes escape her sharp wit.
I had met Vanity in van Hulsteyn's first book about her, "Diary of a Santa Fe Cat," and was pleased to find I could continue my acquaintance with this witty kitty--and have a second round of gifts that please my friends so thoroughly!
Charming fun for cat fansReview Date: 2000-12-15
"Vanity in Washington" offers up a charming view of our nation's capitol through the eyes of an adventurous calico named Vanity (thus the title) recounting her attempts to navigate the metro, take in an Orioles home game, attend a formal state dinner, and become the Czar of Snooze as the new director of the FBI (Federal Bureau of Inertia). It's a timeless send up of bureaucracy and a great gift for those who accept that cats already run the world and we humans are just here to open cans. Recommended.
Collectible price: $33.54

Thanks for the great memories of growing up in BremertonReview Date: 1998-08-14
Washington Post: 1/30/96Review Date: 1996-01-31
A collective memoir of Bremerton, WA residents during WW IIReview Date: 1996-01-22
The following text is from the back jacket of the book:
World War II changed everything. For a kid growing up in Kitsap County (Washington) it meant living at the focal point of the war. It was to Puget Sound Navy Yard that the ghosts of Pearl Harbor returned for repair and renovation. It was a time of astonishing unity and common purpose. For Frank Wetzel and his contemporaries, these years were formative. Look back with them as they recall . . . . Victory Gardens and Barrage Balloons. A history of Bremerton and Kitsap County during World War II.
Frank Wetzel was born in Bremerton, Washington in 1926, the grandson of Kitsap County pioneers. He graduated from Bremerton High in 1944 and the University of Washington in 1950. He was an infantryman in Europe in World War II and an infantry officer in the Korean War.
He worked as a newsman and executive for the Associated Press in Salt Lake City, Denver, and Portland, OR. He was editor of the Journal-American in Bellevue, Washington from 1977-1986 and was the ombudsman of the Seattle Times from 1987 to 1990. This is his first book.
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