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McKay's Complete Poems: A Historic EventReview Date: 2004-03-28

A clearer version of the "Editorial Reviews - Book Description"Review Date: 2008-03-21
COMPLETE WORKS OF ABRAHAM LINCOLN
Edited by John G. Nicolay and John Hay
With a general introduction by Richard Watson Gilder and special articles by other eminent persons
New and Enlarged Edition Volume I New York Francis D. Tandy Company.
Complete Works of Abraham Lincoln Gettysburg Edition This Edition De Luxe is limited to seven hundred, numbered and registered.
Department Of State, Washington
Dear sir- I have your letter, of the 11th of February... the portrait of the younger man of the group is of myself. The other is a Mr. Nicolay. The photograph... I think, in the year 1863. Yours very truly, Judd Stewart, Esquire, 71 Broadway, New York.
Preface edition of the Complete Works of Abraham Lincoln, hoping and trusting that it will be received as a welcome addition to American historical literature. John G. Nicolay, John Hay.
Something more than a decade has elapsed since the preceding words were written, and during that period the assiduity of a multitude of Lincoln collectors has brought to light a large amount of manuscript material which inevitably escaped even such conscientious workers as Nicolay and Hay. The collectors have been so diligent during this period it is hardly probable that any of Lincolns writings of importance can be any longer undiscovered. The aim has been to collect this material, add it to the work of the two great biographers, and so make a complete and definitive edition. The chronological arrangement of the original edition has been followed and all new additions to the text inserted in their respective places and marked with an asterisk. Explanatory and biographical notes have been added where deemed necessary to explain obscure allusions or to preserve the continuity of the narrative. These notes are mostly new

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Highly RecommendedReview Date: 2008-02-21
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Understanding Chicago's Design and DevelopmentReview Date: 2000-05-25

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An in-depth study of the films that had as their primary focus or theme sports and athletic competitionReview Date: 2006-06-02

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Great ReadReview Date: 2008-09-05

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Unique, Exciting and Practical Approach to Education!Review Date: 2000-12-15

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The Historical Origins of Eugenic CriminologyReview Date: 2001-02-10

Did Baseball Evolve from Cricket?Review Date: 2004-05-25
Kirsch describes baseball's movement from amateur to professional status after the Civil War, as well as providing an analysis of why the sport was so popular and how it eventually eclipsed cricket as a sport. In the process, he offers considerable insight into the nature of these two sports, who played them, the demographics of supporters, geographical strongholds such as Brooklyn (no wonder the Dodgers were one of the most beloved of professional baseball clubs and the most missed when they moved to Los Angeles), and the nature of clubs.
Kirsch concentrates on the well-organized amateur clubs, finding that they were more than groups of loosely-organized men who played the games. They were voluntary associations with organization and structure and dedicated to specific ideals. They held meetings beyond practices and games, and for many the club became the center of social life. They were dedicated to physical fitness and sold their sports to the greater society on that basis, but were also involved in other activities. Kirsch also documents that most of the members of the various clubs in the early era were at least in the middle classes with sufficient time and money to contribute to the sport. It was not until it was commercialized that baseball became the sport of the masses, and cricket never did so.
Baseball also cut across racial lines, there were black clubs, but these were also largely made up of members who were somewhat better off financially than average members of the race. The author also documents, and it is no surprise, that the cricket clubs had a much higher proportion of foreign born members, especially Englishmen, than did the baseball clubs. Indeed, Kirsch makes the argument that cricket's demise was tied to feelings of nationalism. Although he does not hold to the theory that cricket died out immediately after the Civil War, it was a decided backwater that did not have the enthusiasm surrounding it that baseball enjoyed. Cricket was popular among eastern elites until World War I when, Kirsch writes, "Country clubs adopted new British sports such as tennis and golf, which became more popular then cricket because of their greater appeal to participants and spectators" (p. 264).
One of the most interesting aspects of "The Creation of American Team Sports" the transition of baseball from an amateur, participatory sport to one that was professional and oriented toward spectators. The commercialization of baseball was caught up in the urbanization of America that took place in the Gilded Age. It was, perhaps, a logical outgrowth of the rising economic status of American workers, the increased amount of leisure time, and the rampant nationalism that celebrated the sport as the epitome of all that was virtuous in the nation. It was also a team sport, representative of the whole of the nation, with a decidedly individualistic aspect, in recognition of each person's uniqueness. Kirsch fully explains the many fits and starts of baseball's commercialization, highlighting difficulties with gambling, drunkenness, and other vices.
In all, Kirsch has produced a fine book that will be permanently useful to scholars, analyzing in one volume the personalities and core themes of the development of American baseball and its rivalry with cricket. An important addition to the scholarship of the American nineteenth century society, it will be a standard work for years.

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See "Why They Kill" by Richard Rhodes to understand AthensReview Date: 1999-11-15
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Most striking are "The Years Between," as Maxwell describes McKay's verse from the twenties to the mid-thirties. During this fifteen-year stretch, McKay's lyrics versify the historical intersections between the Harlem Renaissance, modernist period leftism, anticolonial transnationalist negritude, and bohemian queer (...) ardor. Critics have regularly portrayed McKay as the first black intellectual to recant his Communism-and his repudiation is supposed to have taken place during the early 1920s. One startling fact that Maxwell's impressive scholarship illustrates is McKay's lyrical dedication to the international proletariat and Soviet State throughout not only the twenties but even into the thirties. Readers should find it illuminating, moreover, that McKay's praises to Communism are tangled up with an emergent African liberation struggle poetry and the advent of a black same-(...) love lyricism.
What's more, this edition annotates McKay's fascinating, generally unknown poetry clusters: the verse chronicle of his hospitalization during the early twenties that he referred to as "The Clinic"; the thirties' paeans to the "Cities" he inhabited; and the Catholic-inspired poems of the forties he called "The Cycle." To say that Maxwell's one-hundred-and-ten pages of annotations is thorough does not begin to express how valuable this collection is to various reading communities, including readers of poetry by black diaspora authors, verse by writers of the Left, writings by progressive-minded Catholic authors, and poetry by (...)queer voices. The appearance of Claude McKay's Complete Poems is indeed a historic event.