Colorado Books

Comida Sabrosa: Home-Style Southwestern Cooking is a spiral bound compendium of outstanding recipes celebrating New Mexico's culinary heritage and traditions. From New Mexican Hot Chocolate; Nana's Green Chile Sauce; Southwestern Tamale Pie; and Beefed-Up Chile Casserole; to Taco Frijoles para los Ninos; Zesty Appetizer Meatballs; Dorito Casserole; and Arroz Dulce (Sweet Rice Pudding), Comida Sabrosa will prove a family favorite of easy to prepare, mouth-watering, appetite satisfying delights. A glossary is included, as are very useful instructions for microwave adaptations.

WIth no previous experience cooking Mexican food, I've become an expert flour tortilla maker - not to mention that my family devoures the cheese enchiladas. Thanks!

I've been fly fishing all my life and have traveled the world doing it. These are the best guides I've come across.

This guide will save you a lot of time--and you'll catch a lot more fish--with all the tips and key destinations. This book really added to our vacation!

Editors Simon Evans, Sarah Carter, and Bill Yeo successfully collaborate to assemble a compendium of truly informative and insightful essays in Cowboys, Ranchers and the Cattle Business: Cross-Border Perspectives On Ranching History. From Terry G. Jordan-Bychkov's "Does the Border Matter?: Cattle Ranching and the 49th Parallel" to Simon M. Evan's Tenderfoot to Rider: Learning 'Cowboying' on the Canadian Ranching Frontier during the 1800s", to Lorain Lounsberry's "Wild West Shows and the Canadian West", the contributors bring their unique perspectives and researches to bear in a series thoroughly accessible, "reader friendly", illuminating, highly recommended perspectives and histories of the ranching business on both sides of the longest, unguarded border in North America from the days of the independent wild frontier down to the present "agribusiness" and global economy environments.

Cowboys, Ranchers And The Cattle Business will appeal to any student of American ranching and Western history, covering the work of cowboys and ranchers from early to modern times and providing different, cross-border perspectives on ranching history. The focus contrasts Canadian and American ranching history and developments and provides some intriguing facts in the process of comparing the two countries for differences and similarities.

Ferrell offers a major contribution to sociology, criminology, and to youth studies. This brief book not only offers insight and analysis of graffiti artists, it explores the ways in which power is negotiated and challenged. In the graffiti artists' use of space and in their definitions of beauty and neighborhood, they uncover the way power and meanings are manufactured. Ferrell's work is a powerful, clear, and engaging book; one which shows stunning new ways of seeing and studying 'crime.'

Crimes of Style is a journey into the burgeoning underground Denver Graffiti scene. Jeff Ferrel's participant observations of local taggers and writers gives a fascinating insight into a sometimes beautiful and sometimes offensive subculture of vandalism....or is it? The question of vandalism or art remains an underlying question throughout Ferrel's book. And the reader must decide for himself where the line between art and crime stands. Jeff Ferrel's work is divine inspiration to the fledgling sociologists like myself.

I really enjoyed this book. I am an adult beginning/intermediate Spanish student and am always looking for opportunities to practice my limited skills. This books is filled with wonderful folk tales which are a joy to read, and the English translations provide me with immediate assistance.

This is a very entertaining collection of folk tales in bilingual Spanish/English format. The stories range from funny anecdotes of life, to tales that teach the wisdom of the people of the Southwest, to tales of witchcraft.

The translations are sometimes even better than the originals. No wonder because one of the translators, Rudolfo Anaya, is a best selling author and superb writer.

This book offers an opportunity for people who want to improve their Spanish. Read the original Spanish first and refer to the English translation when you get to the parts you don't understand.

The book is great campfire or bedtime reading for kids. Both you and your kids will come out wiser for it.

We just finished the river trip of our dreams. 18 days to Diamond Creek, my buddy Jim waited 12 years to get his permit. Day Hikes from the River was a must book to have on our trip! We stopped at "Shiver Grotto", Nautiloid Canyon, Nankoweep, Clear Creek, got water at Phantom (easy to find), Shinumo, Elves Chasm, Stone Creek, managed the Thunder River-Deer Creek loop, got aced out at Havasu and thanks to Day Hikes, and had a great time at Tuckup. What a resource. The maps are really clear, and the easy to follow directions made it all work out. Thanks for the great guide!

The second edition of Day Hikes From The River is great! The maps are the biggest change. Though still packed with the same info (and more), the clarity really helps. Thanks Tom for doing this. We used Day Hikes to hike up Vishnu Creek and Kanab Creek to Whispering Falls. Worked great! The resource tips were helpful and not too overbearing. This book is getting real close to a real river guide. The other "guides" give river miles and that's about it. This book ties it all together. I'd sure recommend it for anyone headed down Big Red. The only drawback is that this book is NOT waterproof! I learned the hard way....

Deadly Gold is a classic mystery that encompasses romance, nature, and greed. I flew through the pages, always yearning to know what Simmons would throw in next.

Hal Simmons knows how to keep a reader short on sleep. This tale of betrayal, murder and courage overcoming all is clearly based on serious research. I used to work in the mining industry, and my husband and I now explore old mine as a hobby, so I ought to know! The end was so great I cried with happiness.

Death of a Dustbunny was the first book I have read by Christine Jorgensen but it certainly won't be the last! Witty, whimsical and a bit of "woo-woo" (as Stella calls her psychic abilities) woven together to make a wonderful mystery.

While this is not the first book in the Stella the Stargazer series it certainly allows you to read it first and not feel like a stranger. Unlike other series it also doesn't reiterate everything from the pervious novels which I found refreshing.

At the start Stella, who writes a column at her local paper, is upset because her friend and student Elena has not shown up after leaving a particularly disturbing message for Stella. Once Stella begins to worry and have a few psychic interludes she realizes that Elena is not merely late but in trouble and she sets off to find her.

She calls the Holman house where Elena is a housekeeper and nanny to a disturbed little boy Steven, whose mother has died and will only reach out to Elena. Steven is also obsessed with the idea that a vampire has taken Elena and is equally terrified that one will get him as well. Then Stella calls the Dustbunnies, the service that Holman has hired Elena through to no avail.

The owner of the Dustbunnies begs Stella to look after Steven until Elena or a replacement can be found as Steven likes her. She accepts the position to look into Elena's disappearance. Little does she know that no one will help her. Holman and the Dustbunnies refuse to place a missing person's report, the police can't do anything because Elena supposedly left a note and Holman and his friends refuse to answer any questions.

Is this the end for Elena? Can Stella sniff out where she has gone? You can be sure that this book will have a satisfying ending. This was a very quick read but a good one. I guess it is true - good things do come in small packages!

Stella the Stargazer, who writes a weekly astrology column for the Denver Daily Orion, is worried when her friend Elena Ruiz is reported missing by her employer, the Dustbunnies housekeeping and nanny service. Elena was working as the nanny and housekeeper in the home of Grant Holman. Stella believes something nasty happened to Elena. She convinces the owner of Dustbunnies to allow her to replace the missing woman.

At the Holman home, she meets Steven Holman, a frightened child, who firmly believes that Elena has been abducted by vampires. Stella begins to investigate the disappearance of her friend and soon has several viable suspects if foul play has occurred. However, trying to obtain information is difficult amidst Elena's Mexican community and Stella does not yet realize how much danger she has placed herself in from someone who does not want any amateur sleuth to find out the truth.

DEATH OF A DUSTBUNNY is a fun to read cozy that includes bumps in the night elements. Stella and the support cast are an eccentric enough ensemble that readers will take pleasure in their exploits. Though Christine T. Jorgensen's story line is a bit weak (Stella needs to add logic to her repertoire), fans of American cozies with a pinch of woo-woo will relish the latest Stella the Stargazer story.

Harriet Klausner

I was really pleased with this book. It covers everything you can think of and is easy to use. I recommend it.

Wonderful photography and witty editorial. I highly recommend this book for both newcomers and long time residents. It's a great way to get to get to know or become reacquainted with the city of Denver

Sally Keith's first collection presents the reader with the rare--ever too rare--treat of finding in your own mind the vision of her honest poetic eye. It is an eye that searches through nature for knowledge--not the type of knowledge that one walks away from with the profit of fact, but rather, that humble knowledge of finding yourself always involved and complicated by the world she's gazing at. Each poem feels a step into a snow-covered field, and rather than glorify the act by noticing the footprint, she notices instead how the horizon retreats a step further away as she nears. Keith innately senses that the eye atuned to the natural is also nature's eye. And yet, as a lover to the beloved, the poet longs for the distance by which to behold and see truly that which she loves. (I can even sense the unexpected solution: how the world gazes back, lovingly, at her.)

She is a poet of humble audacity--any serious reader will count him or herself lucky for the conversation of reading.

St. Anselm's motto (I believe that I may understand) centers the sharp movements, the honest ontological concerns, of this knockout first book. Intense observation stained by a giving over of the subjective to landscape, to the pool of the moment, allow Sally Keith to operate a voice at once omnicient and stunningly interior. The forms here are open and accomplished. At times a tense dimeter-driven line is packed with sense data and the metaphysic (not the Post-postmodern) interruption:

"Mid-morning's wrens/ wrap my house (frantic/ fealty) in chords of flight// ephemeral--voiced./ Branched things (I/ stretched too far)"

She also exhibits, in more discursive poems, a hard-earned understanding of white space. In her composition, she indulges no arbitrary or purely visual placements, but uses space as a genuine extension of perception and mode--terribly rare among poets of any age group. To say how these forms engage the book's large ambitions, and how enjoyable that engagement is, would take a review too lengthy for digestion. In my mind, this book places the poet among a handful (if that) of genuine artists in the craft under the age of thirty-five. This is not a debut, but a revelation.