China Books

I enjoy reading a lot of travel writings. I travel a lot myself and find many travel books are no more interesting than my own life and travels, so I am pleased when I find a book that is about somewhere I haven't been or different cultures, with a funny twist to it.

This book had me laughing. I recommend it.

I loved this book and have read it over and over. I laughed out loud on almost every page. One of the funniest stories was how the maids who initially worked there destoyed all of the vacumn cleaners by not changing the bags because they thought the dirt went through the cord into the wall!!! Talk about culture shock! I have given this book to numerous people who are not necessarily interested in traveling, Tibet or China and they have all loved it!

Much better than all those boring books on Tibet. This one made me laugh out loud! He doesn't really try to tell the sad story of Tibet, as it's about all the crazy antics that went on in this amazing hotel (a Holiday Inn - in Tibet??!!) but as you read it and laugh at the funny stuff, you can't help gain a better understanding of what life is like there. If you want to know more about Tibet or just want a good read that will make you laugh, get this one.

I enjoyed reading this book about a man that gets a job in Tibet at the Holiday Inn which is nothing like the holiday inns here. Had information about the country and some funny parts.

I picked this book up at a sale at my local book store. What a find! I've been to many of the places in the book and have to say that the author is spot on. I even had lunch at the hotel that he worked at during the time he was there.

Its a very funny read. If you've never been to Tibet, the book will still entertain you, and make you want to go! If you HAVE been to Tibet, then you'll enjoy it even more.

This is by far the best Chinese cook book, still. The recipes are extremely simple and delicious, real home cooking. You just add your knowledge of additional vegetables which have become available since 1963. Along with the recipes comes deep insight into "how to eat in Chinese", and you will understand a great deal more about Chinese meals and Chinese restaurant etiquette after absorbing what Mrs. Chao has to say. The author was the wife of Yuen Ren Chao, the legendary professor of linguistics and mathematics at Berkeley noted for such feats as translating Lewis Carroll's "Jabberwocky" into Chinese, who contributes wry footnotes to the cookbook; the linguistic banter at the Chao dinner table must have been fabulous.

I have used this book from the beginning of my Chinese cooking adventure and it's the only one I own. I have looked through others and nothing comes close to it's thoroughness in techniques and recipes. Not much else to say, makes Chinese cooking a breeze and fun.

I can't believe this classic cookbook is no longer in print. I've replaced mine at least once and it is now literally disintegrating. I might buy an older hardcover instead of another mass market paperback in the hopes of preserving it.

This is one of the best cookbooks I have ever come across. I was an overweight "starving student" with no cooking skills when someone gave this to me, and I taught myself to cook *and* lost weight with it in hand. The recipes are utterly non-intimidating. It was written in the 1940's, when Chinese food in the US meant chop suey, so the ingredients and equipment are generally simple, accessible, and economical. The results are healthier and taste better than some of the glop dished out in many a Chinese restaurant.

The dishes tend to be presented as a theme and variations--a basic stir fry (Dr. Chao introduced this term into English) is followed by the same recipe with slightly different ingredients. There is no food porn whatsoever--no styled photos, no line drawings, no nothing. Just words. The words are pretty amusing, though.

I can't praise this book enough. I've loved it to death a couple of times, and hope to continue.

For anyone who wants to learn how to cook Chinese food, this is one of the classics. Written in the late 40's by a Chinese woman doctor, this is the home-style cooking of Anhui province (near Shanghai) adapted for the American home cook. Anhui food is considered "oily but generous in portions", and the protein-based nature of the recipes may seem a bit excessive for those who've gotten used to the spartan usages of contemporary America. Also Ms. Chao's puckishly imperfect English and frequent coinages sometimes get in the way -- I puzzled over the term "leaking ladle" until I found out it meant "slotted spoon", which is what I had been using. Still, she coined the term "stir-fry"...what more do you want?

I hope this book comes back into print...I've almost worn out my current copy!

I had (and well used) this book for years and then lost it in during a series of moves I had to make a couple years ago. Can't wait to have it back on my shelf again.

I love Chinese food, and have read and sampled from dozens of Chinese cookbooks over the years, but this is still my favorite. How To Cook And Eat In Chinese is the real deal.

It is chock full of simple, no nonsense, homestyle Chinese cooking with the most basic of ingredients you can find anywhere. Almost all the recipes have variations noted, where different vegetables or ingredients can be substituted in the technique. Results have been invariably superb.

Forget the fancy, restaurant or holiday banquet style stuff other cookbooks seem addicted to. Simplify your Chinese cooking, and your life. Your pocketbook, taste buds and your stomach will thank you for it.

If you've ever seen Tibetan Buddhist art and wondered who or what is represented in these colorful paintings (known in Tibetan as thangka), what the various objects in the paintings symbolize, or how the paintings are used in the practice of Buddhism, Images of Enlightenment may answer your questions. Concisely written for a western audience of general readers by two English students of Tibetan Buddhism, this book also provides an introduction to basic Buddhist principles and practice, as well as a brief history of the Tibetan school and short biographies of some of its greatest teachers.

Images of Enlightenment is organized around 32 full-color plates, paintings by Andy Weber, a UK-based artist trained in Nepal by refugee Tibetan painters and now himself a widely traveled and respected teacher in Europe and North America. (See the artist's website for more examples of his work and his current teaching schedule.) Each chapter of the book begins with a theme, followed by explanations of the handful of paintings that best represent them. The first chapter on the life of the Buddha and the basics of Buddhist philosophy, for example, includes descriptions of paintings of the Buddha, stupas, and the Wheel of Life.

As an introductory text, the authors cannot hope to cover the nearly 200 deities of Tibetan Buddhism. They manage, though, to provide an informative, well-written, and properly illustrated volume covering some of the most popular images. If you'd like to learn more about the methods and materials used in painting thangka, you might like to see Jackson and Jackson's Tibetan Thangka Painting: Methods & Materials. The paintings used in this book, while well executed, are quite simple and not cluttered with many of the background items found in many thangka. There is, therefore, little in this book explaining many of the minor elements of Tibetan painting. For a more thorough treatment of symbolism and iconography, see Robert Beer's A Handbook of Tibetan Buddhist Symbols. If you'd like to see larger and more elaborately and finely detailed thangka, have a look at two collections in Romio Shrestha's Celestial Gallery and Goddesses of the Celestial Gallery.

The most definitive guide to Buddhism. The deity are all beautifully illustrated in rich color, complete with the historical background of the deity that gain enormous popularity in the east.

It had all the answers that you had always wanted to ask in the past. For illustration why some deities look so wraughtful, fierce and the significance of those implements or objects they hold.

I like the most is the explaination on the deity background concise, full illustrated, very well elaborated and accurate description.

An indispensible guide! Highly recommended.

Though I am an SGI Buddhist, Tibetan Buddhism intrigues me with their beautiful art. Mr. Landaw clearly describes each entity and Mr. Andy Weber beautifully illustrates in color each image. If you have ever wanted a deeper understanding into Tibetan images, I highly recommend this book

Written by experts who spent years living in India to study Tibetan Buddhism and its art, Images of Enlightenment: Tibetan Art in Practice is a straightforward, plain-terms guide to the rich history, legends, and spirituality expressed through Tibetan Buddhist sacred art. 32 full-color plates illustrate Images of Enlightenment, while the text describes the symbolic self-transformation and expressions of enlightenment depicted. Chapters survey different paths and aspects of Buddhism as expressed through art, including the Bodhisattva Path, and the Path of Bliss and Emptiness. Images of Enlightenment is especially recommended for students, scholars, and practitioners of Tibetan Buddhism.

This is an excellent book for all those interested in the practice of Deity Yoga. Written by Westerners with a very clear insight into the elements and art of the practice.

I live in Shanghai, and usually write guidebooks, not read them. When I do, it's usually to wince at all the things the writers who came here for a mere month or so of research got wrong. Even those without glaring errors tend to be off by angle, such as raving about the rather dull Yu Gardens and failing to notice the incredible living history museum, Shanghai's Old City (aka Chinatown), that it is situated in. They only offer the stupidly obvious destinations, like the Bund, Huaihai Lu, and Nanjing Lu, to the neglect of fascinating, cultural history spots like Sichuan Lu and the Jewish Ghetto.

I was handed the compact guide as a reference for a project I was working on, and it pleasantly surprised me. Amazingly, I found nothing to criticize, nothing to wince at. I was impressed to discover in it city trivia that even I consider obscure, like the history of the Broadway Mansions as the old Foreign Correspondents Club.

But nicest of all is its refusal to patronize. Many guidebooks take the attitude, "You're a stupid Western tourist,doesn't speak any Chinese, so here's what to do!" So, if you pick them up having read anything - anything! - about Shanghai previously, you're likely to feel put off. The Compact Guide refreshingly presents the facts without too much condescending background but also without playing insider baseball. It's very accessible.

Only two quibbles: the maps are confusing, have a number of typos, don't have characters along with the pinyin, and are so small, listing so few streets, to be useless unless you already know where you are/where you're going (and then, why do you need a map?). Also, Shanghai changes so quickly that, being written three years ago, it is rather woefully out of date. Use its listings with caution.

Published in conjunction with The Discovery Channel, it's information you can trust to be accurate. The history lessons and overview of the modern-day city itself -- it's people, economy, language, currency, culture, artisans and performing arts, markets, and hidden gemstones off the beaten path -- make this guide truly special. However, the glossy pages that are virtually indestructible, up-to-date maps, compact size and plenty of photos are what will make this guide your most valuable travel asset while in Shanghai!

I was plesantly surprised by this compact book. I didn't know that it was associated with the Discovery Channel. The book has outstanding print/paper quality. It has plenty of maps and lots of pictures. This helps me to find the place. I can also decide, from the pictures, if I would be interested in visiting such an attraction.
The best surprise is that this book is actually listed [$$$] less than the Fodor's compact book.

I bought this book and also Fodor's Pocket Shanghai. This book has better print/paper quality. Has more maps. For each attraction, there is a color photo so that you can decide if you would like to go there. The photo also helps to identify the attraction if you do decide to go there.
The Fodor's book has no photos, looks [inexpensive], but is actually [$] more.

I took this and Fodor's Citypack Shanghai (Citypack) guide for a week in Shanghai in 12/00. I found this guide far better than the Fodor guide. I found it to be an excellent general guide, if you want a compact, concise guide. The excursions were pretty good as well.

I found this book incredibly helpful as we are beginning our journey of adoptiong a child from China. It clearly walks you through the entire process, but also discusses those issues adopted children will face after the adoption, issues like attachment, grieving, developing a healthy identity. Perhaps what I appreciated most was the more researched based approach to this whole process. They conducted their own study and then drew conclusions based on the few other studies which exist on this topic. I appreciated hearing that the majority of children adopted from China appear to settle well statistically, as opposed to just testimonials (although they also included testimonials which were interesting and helpful). I have read many books which are wonderful emotional tesitmonials, but it was so helpful to have those balanced by a more objective, factual book like this. This was an excellent resource for me.

This book is very enlightening and discusses many issues involved in international adoption as well as outcomes for children adopted internationally. Would be helpful to mental health workers, pediatricians and prospective adoptive parents as well as those who already have adoptive children!

The Amazon book description gives a good overview of the topics covered, but it fails to convey the careful manner in which information is delivered in the book. The authors rely not only on their own research (the methodology and limits of which they describe), but also rely on other published studies. The authors note that the studies on adoption of Chinese children were done recently, and are few in number. The authors, however, refer to studies involving other adopted children (particularly Korean children) in an effort to predict some answers regarding older children. While the book relies heavily on research publications, it also uses adoptive parent comments to help illustrate points.

As important for me as the authors' conclusions, were the explainations of why those conclusions might not be correct. The authors readily note where the research is inconclusive, a sample is too small, where there are conflicting theories, or where a study might not be applicable to the adoption of Chinese children today. I also appreciate the authors citing their sources (typically right in the text). Thus, if you want to know more about an issue, you know exactly which study the authors relied upon. All of the cited publications, as well as a number of resources for adopting parents, are cited in the appendix.

Too much information on this subject is either missing, or is given in a chatty style that is not comprehensive. As a parent just starting the adoption process, I wish I had read this book a year ago.

I've read many books on this topic, but this one is the most thorough and fact based ones I have found to date. Very informative and a definite must have for any one thinking of adopting from China. I can't wait for their next publication!

This is a well-researched, easy-to-read academic work on the issues surrounding adopting children from China. The authors write both from first-hand knowledge as well as from results of a survey that they conducted via the Web over the past few years. It fills a gap in the literature on this topic.

The book covers topics such as how and whether to impart knowledge of Chinese culture to adoptees, the legal issues involved in intercountry adoption and statistics about how well adoptees do after they've been in the U.S. with their new families for several years.

It is a useful guidebook for those wishing to adopt a child from oversees, especially from China, and it is also useful for those studying adoption in general.

Syd Goldsmith delves into the cultural intricacies of the Taiwanese and Chinese. I found "Jade Phoenix" fast and interesting reading.

Syd Goldsmith's "Jade Phoenix" is an exemplar of the historical novel: a book that portrays its era with the same detail and sensitivity as the characters that live in it. Its era is that of 1960s-1970s Taiwan, and its characters are two Chinese and an American forced to make a living in a country where one remark can kill and one week creates a decade-long infatuation.

Goldsmith's characters learn fast what it takes to survive in Taiwan. Ko-sa Ong, once a poor orphan, grows up to be the island's largest car dealer but is shackled with fear he dishonored his ancestors. Nick Malter, a failed graduate student, moves from studying to reporting in an attempt to understand the inscrutable Chinese mind. Both men are united by doubts, but even more by Jade Phoenix - prostitute daughter of a disgraced general, gifted with unconcealable beauty.

Meeting randomly, the trio finds their lives entwined by a series of commitments that Goldsmith renders with ample detail and emotion. Nick and Ko-sa form a friendship in the suspension of scuba diving - where language and race is irrelevant - and Nick falls helplessly in love with Jade after a week in the temples and landmarks of Tainan. When financial problems entangle Ko-sa and Jade, Nick extends help without any expectations and shows them his culture with veteran understanding of their outsiders' dilemma.

The fact that these characters are deep in the fallout of China's Cultural Revolution only makes it more interesting. Goldsmith's Taiwan is far less optimistic than American history books show: not an outpost of freedom but as socially restricted as China, desperately believing their little island can conquer the mainland. When President Nixon breaks the stand-off with China, Ko-sa and Nick experience no joy at a Cold War victory but spite that he also broke decades of United States-Taiwan relations.

And by the time that event comes around, the reader will share their disdain for a political move that ruined the independence hopes of 12 million Taiwanese. They'll already share Nick's desire to get deeper into Chinese culture, balanced with Ko-sa's tension at being born into it. Goldsmith doesn't bludgeon a reader with these views but lets them develop, clearly familiar with his subject and subtly furthering the connection.

Connection is unquestionably the right word for the feeling "Jade Phoenix" provides, for there is so much information and emotion that a reader is driven to see what happiness Nick, Ko-sa or Jade will find in this life - or the next if Ko-sa's faith are correct. Elaborate and emotional, "Jade Phoenix" is as rare and valued as the peace they seek.

Diplomat and New Voices in Literature Award finalist Syd Goldsmith presents Jade Phoenix, a novel set in America and Taiwan during the turbulent 1970s. Taiwanese millionaire Ko-sa Ong and his best friend Nick Malter have a long history together, cemented by their mutual hatred of Chiang Kai-shek and the American Secretary of State who steadfastly denies to recognize Taiwan as a country. Yet their bond for each other becomes brittle in the presence of the beautiful woman Jade Phoenix. A passionate novel of culture in turmoil, loyalties put to the test, and love so strong it transcends the limits of life itself, Jade Phoenix entrances and compels the reader up to the final page.

This is one of those novels that you had better not pick up unless the kids are fed and you don't mind staying up all night! In other words, it's one of those rare novels that is so engrossing that you may find the rest of your life flying by--but you don't really care. Syd Goldsmith is one of those exceedingly talented writers who can utterly transport you into another time and place, and in the process, utterly bewitch you with memorable characters. On a more intellectual level, it's a wonderful introduction to a lot of the political and intellectual history connected with China and Taiwan, and without the tears. Highly recommended.

"Jade Phoenix" is compelling story of love, life and clashing cultures. Mr. Goldsmith breathes life, in all it's intricacy, into his characters and he has crafted them with great care and passion. The exotic locales exude an authenticity of sights, sounds and tastes. Mr. Goldsmith invites the reader into Jade Phoenix's world and we step through time and space and walk beside her. This story is about conflicting cultures and volatile politics but the central thread of the story is the woman, Jade. Her heart, her soul and her spirit are the driving forces of this book. If you like stories of ordinary people living through extraordinary circumstances, you will like "Jade Phoenix". The hallmark of any great book is, "does it make the reader care about the characters?" This book will make you care. I thought about this book long after I finished it.

I picked up this book at my local library for no particular reason. I'd never read a war memoir before, but I had taught English in China. This was an extremely well written book, and I would recommend it to anyone interested in China, WWII, the life of a spy, or a good story.

I came in with no expectations and was pleasantly surprised.

I cannot recommend enough Mr. Pinck's tale/memoir. Throughout my reading of this book I was constantly impressed with the clean, understated, wry writing style of Mr. Pinck.

Every bit as engrossing and sincere as WWII memoirs such as Eugene Sledge's "With the Old Breed" (but askew and differing in the experiences retold), Pinck's book offers an endearing and unpretentious yarn set amidst the massive and convoluted backdrop of the China-India-Burma theater. The characters are painfully and believably real, with the story having no patina of time or nostalgic filtration.

Anyone interested in the history of WWII, Asia, US Intelligence Services, or memoirs of colorful distinction will surely enjoy this very readable book by Dan Pinck.

At the risk of sounding crass, this story would make for an excellent film.

We have all seen the James Bond films with the infamous agent mindlessly trudging around behind enemy lines, wooing women and slaughtering hordes of stereotypical bad guys. Mr. Pinck's novel is an intellectually stimulating story his experiances in wartime China, spent in a mission deep behind enemy lines. Although lacking in some of the glitz and glamour of the Ian Flemming's classic spy novels, his tale is equally intrigueing. With interesting characters such as his witty and cocksure cabbie in Peking to his radio operator's double agent girlfriend, the author, in beautiful prose, weaves and intiguing war story. Despite its lack of "shoot'em up" action, the story wonderfully portrays not only China and the interesting characters Mr. Pinck meets, but the beauty and wonder of this ancient land. The drunkness, sickness and heart break faced in the book are all pulled togather in this wonderful book.

All in all this is a great read that will keep you spell bound to the end. This is truly one of the best cloak and dagger stories I have read in a long while.

We have all seen the James Bond films with the infamous agent mindlessly trudging around behind enemy lines, wooing women and slaughtering hordes of stereotypical bad guys. Mr. Pinck's novel is an intellectually stimulating story his experiances in wartime China, spent in a mission deep behind enemy lines. Although lacking in some of the glitz and glamour of the Ian Flemming's classic spy novels, his tale is equally intrigueing. With interesting characters such as his witty and cocksure cabbie in Peking to his radio operator's double agent girlfriend, the author, in beautiful prose, weaves and intiguing war story. Despite its lack of "shoot'em up" action, the story wonderfully portrays not only China and the interesting characters Mr. Pinck meets, but the beauty and wonder of this ancient land. The drunkness, sickness and heart break faced in the book are all pulled togather in this wonderful book.

All in all this is a great read that will keep you spell bound to the end. This is truly one of the best cloak and dagger stories I have read in a long while.

In WWII Dan Pinck journied to China to spy on the Japanese for Wild Bill Donovon's fedgling intelligence agency, then known as the OSS (now better known as the CIA). Mr. Pinck's account of his tour of duty spent in a Christian mission with an eccentric priest, a lovesick radioman and his savvy translator, is both humurous and literary. Through descriptive language and detailed sketches Pinck renders the harsh living conditions and genial, wine loving spirit of the Chinese people. While Pinck may read like Turgenev, one cannot ignore his own distinct style with which he captures the desolation and all too human trepidation of a young spy completely out on his own in a foreign land dealing with Japanese troops, unreliable agents, drunk Chinese generals, coy Chinese girls and by the book superior offiecers. Pinck has given us a true experience which displays the WWII generation's triumphant brand of American spirit, which at once possessed pragmatism, courage, humility and humor. A truly enjoyable read!

This is an exceptionally beautiful and interesting book. Even though I had no prior interest in chinese textiles I was quickly drawn in by the stunning photographs and the helpful essays. The book makes a great gift for anyone interested in Asian art or textiles in general!

This is a must read if you are interested in collecting Chinese Rank Badges.

A great reference book to identify the symbols, styles & the various techniques that was used. The color photos are just beautiful showing over 150 different types of Rank Badges.

I love this book! The two different parts of this book really works. In Part One, written by Beverley Jackson is an interesting look at Chinese culture and the journey to the mandarin squares. The fictional story of two boys and their different journeys brings the mandarin squares to life. The studying and sacrifices involved in order to wear the mandarin square are staggering. It heightens the appreciation of the squares themselves in Part Two.

In Part Two, David Hugus does an excellent job in dissecting and then explaining the elements making up the squares. Beyond the intellectual and technical issues, Hugus also discusses mandarin squares in the marketplace.

The two authors obviously have a great love and interest in the mandarin squares and the Chinese culture. I recommend this book highly.

This is the best and most complete book available on Mandarin Squares. A must read for the collector of these badges.

The text is extremely informative and the most comprehensive on the subject. It has well over 100 beautiful pictures of many examples of the nine civil and nine military rank badges.

I highly recommend this book to anyone interested in Chinese Textiles especially in the intricate embroidered Mandarin Squares and learn about their history.

This book is a must for anyone interested in Asian art and, in particular, the Chinese rank system and the textiles associated with it. I expect this book to become THE reference book on the subject. I highly recommend it to all those dealing in antique Chinese objects and museums specializing in Asian art. It is obvious to me that both authors have not only throughly researched their topics but also are impassioned by them.

I agree with the other reviewers that this book is completely engrossing. Rarely cam that be said of a reference type work like this! The author did an excellent job of making things understandable for someone like me who does not know any Chinese. He gives a very clear overview of the different dialects, including discussion of what exactly characterizes these dialects. It is also a great into to the other language families of China (Mongolian, Tungusic, Tai, etc.), information which is not easy to come by. I highly recommend this book to anyone interested Chinese, China, minority languages, and language classification in general.

I picked up the book out of curiosity and could not put it down. It gives an engrossing history of the Chinese people by way of a study of the languages of the area. It is not just a linguistic text however; it is about all aspects of life in China: politics, economics, poetry,history, everything. Language is just what ties it all together, much like the language ties the country together.

This book is completely engrossing. I knew next to nothing about the history of my native language and it's place among the "dialects" of Chinese. Nor was I really aware of the roles played by geography, politics, and cultural influences in shaping a language or even in a language's classification. The writing is concise and lucid; and much of it is accessible to laymen. I think for the information contained within and for the price, it deserves a 10. (FYI, the colors on one of the maps seem to be offset in my book. Maybe it's intentional?)

S. Robert Ramsey's THE LANGUAGES OF CHINA is a survey originally published by Princeton University Press in 1987. China is an immense country with a rich linguistic heritage, and it is a challenge to cover even the basics adequately in a mere 340 pages. Ramsey does an admirable job, and this student of historical linguistics was thrilled to see such attention paid to the diachrony of many languages mentioned within.

The "Chinese language", the set of mutually unintelligible dialects belonging to Han people and descended from a relatively recent common ancestor, is by far the most widely-spoken in China, and Ramsey dedicates the first half of the book to it. He begins with a presentation of the historical debate over Han linguistic unification, with the northern dialects winning out over southern dialects like those of Shanghai and Guangdong. Since Mandarin has, for better or worse, been taken as the standard, it is the phonology, morphology, and syntax of Mandarin that Ramsey describes as representative of the entire language. Ramsey clearly wrote for a non-specialist audience, as he tries to debunk older Western myths that Chinese is somehow a "primitive" language due to its lack of inflection. The grammar of Mandarin here is splendidly full for just a few pages, though the debate over the use of the particle "le" isn't mentioned.

Ramsey's coverage of Chinese isn't, however, purely synchronic, for he also devotes space to the earlier stages of the language. He begins with an explanation of the Qieyun rhyming dictionary, the document compiled by Lu Fayan that, in spite of its faults, is our only useful source for the pronunciation of Middle Chinese. Ramsey then gives a colourful presentation of the life and work of Berhard Karlgren, the Swedish scholar who, by applying the comparative method to modern Chinese dialects, worked towards a phonetic reality for the mere algebraic relationships of the Qieyun dictionary. But this is not mere blind adulation, Ramsey does acknowledge Karlgren's faults and lists the younger scholars who followed him and improved on his theories. Ramsey also briefly mentions Old Chinese, the reconstruction of which is quite uncertain, and talks about some of the important changes from Middle Chinese to modern Mandarin.

The second half of the book deals with the many non-Han languages of China. First is the "Altaic family" spoken in the north of China, the Turkic, Mongolic, and Tungusic languages that may or may not be a valid genetic grouping, but which have significant typological similarities. Here again Ramsey gives abundant space to diachronic issues, showing how various modern languages each differ from their common ancestor. Writing systems, too, are covered. The languages of the south come next, including the Tai, Tibeto-Burman, Miao-Yao, and Mon-Khmer families, as well as unclassified or isolated languages. The story of how these languages have fared under Han domination is a major theme of the book.

If you have little bit of Mandarin under your belt (and you don't need a lot) and are interested in the linguistic diversity of this part of the world, THE LANGUAGES OF CHINESE is worth seeking out. This is especially true for historical linguistics curious about China. I can only wonder why it hasn't been reissued.

The book is divided into two parts. Part I examines the Chinese language and the Chinese dialects while Part II surveys the other languages spoken and written in China.

The book offers fascinating historical, grammatical, and political, insights; for example about possible reasons why the north is more unified than the south (easily traversed northern plains vs. isolating southern valleys and mountains).

Westerners often say that Chinese is a language without grammar simply because it's uninflected. This is grossly wrong and Ramsey describes the rudiments of Chinese's positional grammar and how the grammatical rules change somewhat from dialect to dialect. He also gives many examples of morphemes and words and how different dialects put them together.

As for political insight, I am no fan of China's repressive government and its policies. But when it comes to the cultural and linguistic minorities, its policies are surprisingly tolerant and have been for centuries. When we think that as recently as the 1950s, the French government was still trying to suppress the Gaelic language of Bretagne (Breton) we must wonder if there isn't something we can learn from Chinese policies. After all China has for centuries been making room for its minorities, and when Mandarin (putonghua) was created and adopted as the national common speech, much was made that it was no one's native tongue.

I personally wasn't very interested in the other languages of China, but they get the same, though shorter, descriptive treatment of their history and grammar. On the other hand, one real failure of the book is that all the examples are romanized (pinyin) but almost always without the corresponding Chinese characters. This is a pity since with them the book would have certainly been more useful as a study aid. I suppose in 1987 it was much harder (and expensive) to typeset Chinese passages in English books.

All in all, a fascinating survey of the linguistic landscape of China.

Vincent Poirier, Tokyo

Haven't finished reading the book but I found it to be very ineresting and worth my time. It takes an in-depth look at the Manchu imperial family, something that is oftentimes glossed over or ignored in history classes.
When Evelyn Rawski wrote about the Forbidden City- literally and figuratively, it is forbidden to outsiders- a real wonderland populated with characters that might eerily remind one of Alice's adventures in wonderland.

This is a great book the let people to know that Manchu still exists, because most of people had been unknown about China was named Manchu, it really named Manchu. It shows the social life style of the Manchus, the power of kingdom, which is never going to forget about the wealthy lives in Manchu, what is forbidden city really means. Forbidden City is a heaven, it is the most beautiful place to live in. It is magnificent, no where could compare with Forbidden City. Kingdom life is the best!

China should changed the name back to "Manchu" Qing Dynatsy is great!!!

This book beautifully describes the social fabric of life during the Qing Dynasty. As the author claims, she was privy to previously undisclosed Imperial records and has unearthed new insights into Qing customs.
I was introduced to this book after reading Jonathan Spence's "Treason by the book". Mr Spence, perhaps the foremost sinologist writing in a Western vein, has himself praised this book for its fount of new information on the Qing period.
I couldn't agree more and can also add that it is highly readable.

I had been taught in my high school history that "Manchus conquered China on horseback but eventually they were assimilated by the Chinese, becoming more Chinese than the Chinese". After reading E.Rawski's book, I'm beginning to question what my history teachers taught me.

E.Rawski's concentrated research on the Manchu royal family shows that the Manchus, particularly the elite did not lose their cultural heritage but in fact strove to maintain it.

The book explains how the Manchu royal family differed from the Chinese dynasties in their various aspects of social life. As the book is divided in chapters, it's easy to follow and read.

In my humble opinion, this book is for those who wish to study the Manchu monarchy in more detail.

In this work Dr. Rawski argues convincingly for her side of the sinicization debate regarding the Manchu conquest dynasty, the Qing (1644-1911). For those of you who are new to the field of modern Chinese history you may be interested in reading the articles of Rawski and Ho Ping-ti (He Pingdi) found in the Journal of Asian Studies, published in the mid-90's. The debate that was started by those articles is still of great importance to modern Chinese history, and it seems that although Rawski and others have presented a very strong case no one as of yet has been victorious. Many scholars still hold the views of Ho Ping-ti (or some version there of). Although, I suspect that over time Rawski's views will triumph. The argument, simply stated, is the question - to what extent where the "conquest dynasties," especially the Qing (Manchu) Dynasty, sinicized? In the past, scholars (perhaps dominated by the sino-centric Chinese interpretation) have agreed that foreign powers who dominated the Chinese empire forsook their own cultures in favor of a Chinese identity. This included the adoption of the Confucian civil service tradition as well as the Chinese language and many other Chinese cultural traits and behavior patterns. In recent years however, scholars have given evidence to support a very different view of dynasties like the Qing. A certain level of sinicization is undeniable, and no one challenges the fact that the Manchu banner-elite adopted a very Chinese approach to governance and cultural issues, however they also held on tightly to their own culture and went to great efforts to distinguish themselves from the Han Chinese as a ruling elite. The Manchu language, which many scholars had previously considered irrelevant (when studying modern Chinese history) has here become increasingly important. Rawski goes to great lengths to demonstrate the ways in which the ruling elite of China did not adopt 'Chinese' cultural practices but instead tried to be all things to all people. For the Tibetans and the Mongols they adopted the identity of a ruling clergy of Tibetan Buddhism, for the Chinese they adopted the Confucian model of governance, and for the Manchus they held on to various animistic traditions of sacrifice and deity worship.
This book is well written, except for a few minor stylistically uncomfortable passages, and really proves her point. Unfortunately, it does drag on a bit at times. Rawski gives an extremely detailed account of life in the upper echelons of Qing society focusing on the imperial household. There is a large body of work here and it will take several readings to truly imbibe all this book has to offer.
If you are looking to deepen your knowledge of the field I recommend "Manchus & Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861-1928 " by Edward Rhoads. It is a bit shorter and focuses on the ethnic and political divides between the ruling elite and the Han Chinese.