Utah Books
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Backstory for the Great Brain Review Date: 2007-07-24
Well Written, Little DisappointedReview Date: 2004-06-27
Little House on the Prarie ... in Mormon CountryReview Date: 2004-10-12
John D. FitzgeraldReview Date: 2004-06-07
Papa Married a MormonReview Date: 2004-01-14

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don't drive on the trails without it..Review Date: 2008-06-03
Guide To Moab, UT Backroads & 4-Wheel Drive Trails Review Date: 2008-05-23
Trip PlanningReview Date: 2007-12-24
Excellent Resource for allReview Date: 2007-07-23
You will not go wrong purchasing this book if you like to spend any time in Moab. Again, Excellent Resource!
Must haveReview Date: 2007-11-29
Only think that could make this better is to be more up to date!

A Love Affair With A CanyonReview Date: 2005-07-27
Fantastic Read!Review Date: 2003-12-20
From the heart...Review Date: 2002-06-04
Looking to the PastReview Date: 2000-04-09
Shoulda Found a GhostwriterReview Date: 2000-07-22

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White water funReview Date: 2007-01-09
Wonderfully Engaging Adventure BookReview Date: 2008-05-18
Great River runner's companion bookReview Date: 2007-10-01
This is the second Brad Dimock book I've read (the other on Bert Loper) and I am impressed with not only his skill as a writer, but his careful research. His handling of the tragic end to Buzz Holmstrom's life was that of a journalist with a sense of humanity.
I've already loaned this book to friends.
heroes of the soulReview Date: 2005-08-19
Answers to an old story....Review Date: 2002-09-18

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What Pocket Books Use To Be Like.Review Date: 2004-01-13
One of the best! a romance, a mystery and a western all in oneReview Date: 2006-01-01
If he is going to set up house he is going to need some assets behind him, he likes Ball, the old man caught between the two ambitious ranchers, and he makes a deal to be a fighting partner for the spread. Between the two of them they think they can make it work.
This is about much more than settling the problems of three men out for power - Brennan has to make peace with them all, but at the same time he has to sort out the huge man, Park, who is the current suitor for Moira (the woman Matt has fallen in love with) but there is also something sinister in Parks past - and in his current dealings. There is also something going on with a crooked lawyer called Booker who seems to be instigating trouble in the background.
Brennan resolves all so that peace can reign in the valley - and its really well done. This is a resolution that I didn't expect but like all of L'amour's books, there are some complex relationships based on loyalty and respect rather than black and white.
A Great Book !Review Date: 2003-07-21
CLASSIC L'AMOUR TALESMITHING!Review Date: 2004-02-24
L'Amour wrote with a distinctive style and filled his stories with action and intrigue. No, his works are not the extremely violent works that typify modern westerns like UNFORGIVEN or OPEN RANGE. But then L'Amour wrote in a time when such graphic action would not have been readily accepted.
With all this in mind, I loved SILVER CANYON, a tale of vengeance, lies and, as with virtually all of L'Amour's stories, of the good guy winning in the end. The tiny western hamlet of Hattan's Point is a sleepy town until the day that Matt Brennan seems to bring with him a heated, all out war that involves practically everyone in town. Matt makes friends and enemies with equal ease. He also finds the love of his life and is in hot pursuit despite her being the daughter of one of the main combatants in the feud.
Who will win out? Read SILVER CANYON.
THE HORSEMAN
AN OLD SCHOOL WESTERN IN TRUE L'AMOUR FORMReview Date: 2004-01-26
Take SILVER CANYON for example. There is plenty of action here to be sure but it is painted much more subtly on L'Amour's canvass than, let's say, on those of Larry McMurtry or on Clint Eastwood's or Kevin Costner's movie screens. Frankly L'Amour or his readers would not have tolerated the graphic, raw, often harsh violence of today's western s offerings. It's still there he just expresses it in ways that are less bombastic. For example, instead of saying, "the bullet smashed into my elbow sending blood and bone flying everywhere..." L'Amour offers, "I felt a tug at at my sleeve..." even though it is apparent to the reader that the first version is still what happened.
L'Amour wrote with a clear sense of nostalgia and romance about the west. He was much for the kindred spirit of John Wayne and John Ford than of McMurtry, Eastwood or Costner.
I thoroughly enjoyed SILVER CANYON, a tale of revenge, deceit and, as is the case with all L'Amour tales, of ultimate white-hatted triumph and justice. Matt Brennan rides into the sleepy town of Hattan's Point and awakens the flames of a smoldering range war. He discovers friends, fiends and meets the girl of his dreams. Like all other L'Amour pieces reading SILVER CANYON in the correct mindset is absolutely essential. If you do you'll find another L'Amour western masterpiece.
Douglas McAllister

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Great atlas; great stateReview Date: 2007-10-04
no milage markersReview Date: 2008-03-21
I prefer this atlasReview Date: 2008-01-20
Utah Road and Recreation AltasReview Date: 2007-07-28
Utah Benchmark AtlasReview Date: 2007-05-09

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If stranded on an island, this is the book to have.Review Date: 2005-12-05
The Decameron contains many references to the church and its influence. The first story of Ser Cepparello pokes fun at the church, but the storyteller, Panfilo, precedes his tale with a pious preamble: "It is fitting that everything done by man should begin with the marvelous and holy name of Him...I intend to start with one of His marvelous deeds, so that when we have heard about it, out faith in Him will remain as firm as ever" (25). Panfilo goes on to tell the story of the worst sinner in Europe who becomes a saint merely by duping his confessor. At the end of the tale, Christians worship the false saint, and Panfilo concludes with another tribute to God. The effect is hilarious. The tale makes religion a farce, but the opening and closing take religion very seriously. This disguises the biting satire of the story. By framing stories with prayers, the contents within the frame seem less irreverent. The second story fits in the same framework, as Neifile tells a story to promote "His infallible truth so that with firmer conviction we may practice what we believe" (38). She goes on to tell the story of a Jew named Abraham, who converts to Christianity after he observes the wickedness of the clergy in Rome. Abraham finds Rome to be "a forge for the Devil's work" and is amazed that "in spite of all this...your religion grows and becomes brighter and more illustrious" (42). The incredible corruption of the church, coupled with its success, baffles Abraham enough that he has to conclude that God must favor the Christians if they are allowed to be so evil. Like Panfilo, Neifile concludes her tale by praising God.
The third story also focuses on religion, but this time the main characters are a Saracen and a Jew. The Jewish lender, Melchisedech, posits Saladin with the question of which of the three religions is the one true religion. Saladin is portrayed as wise. The story shows tolerance to the Saracens through the characterization.
The fourth story returns to the Christian world, as a monk and an abbott succumb to "the warm desires of the flesh" (48). The two holy men sleep with a girl and invite her back for sex time and again.
Boccaccio avoids attacking the doctrine of the church, but he exposes certain realities of human nature. Those employed by the church cannot escape themselves, despite their appearances. They are as fallible as the peasants. In "The Author's Conclusion," Boccaccio defends his stories against protest by saying, "A corrupt mind never understands a word in a healthy way" (804). The addendum to The Decameron acts as a line of defense for the author from overzealous Christians who he predicts will take offense at the stories and accuse him of "taking too much license in writing these tales" (802). He points out that "my stories run after no one asking to be read," and implies that the sensitive reader should avoid the book altogether. The conclusion has comical elements as well. He gets a final poke at friars, saying, "they all smell a little like goats" (806). Boccaccio manages to make his point while keeping the tone light.
Bawdy tales of loveReview Date: 2007-04-30
The "Decameron" is a collection of 100 novellas by Italian author Giovanni Boccaccio, probably begun in 1350 and finished in 1353. It is a medieval allegorical work best known for its bawdy tales of love, appearing in all its possibilities from the erotic to the tragic. Other topics such as wit and witticism, practical jokes and worldly initiation also form part of the mosaic. Beyond its entertainment and literary popularity, it remains an important historical document of life in the fourteenth century.
Decameron is structured in a frame narrative, or frame tale. Boccaccio begins with a description of the Black Death and leads into an introduction of a group of seven young women and three young men who flee from plague-ridden Florence to a villa in the (then) countryside of Fiesole for two weeks. To pass the time, each member of the party tells one story for each one of the nights spent at the villa. Although fourteen days pass, two days each week are set aside: one day for chores and one holy day during which no work is done. In this manner, 100 stories are told by the end of the ten days. Each of the ten characters is charged as King or Queen of the company for one of the ten days in turn. This charge extends to choosing the theme of the stories for that day, and all but two days have topics assigned: examples of the power of fortune; examples of the power of human will; love tales that end tragically; love tales that end happily; clever replies that save the speaker; tricks that women play on men; tricks that people play on each other in general; examples of virtue. Only Dioneo, who usually tells the tenth tale each day, has the right to tell a tale on any topic he wishes, due to his wit. Each day also includes a short introduction and conclusion to continue the frame of the tales by describing other daily activities besides story telling. These frame tale interludes frequently include transcriptions of Italian folk songs. The interactions among tales in a day, or across days, as Boccaccio spins variations and reversals of previous material, forms a whole and not just a collection of stories. The basic plots of the stories including mocking the lust and greed of the clergy; tensions in Italian society between the new wealthy commercial class and noble families; the perils and adventures of traveling merchants. The title is a portmanteau, or combination of two Greek words meaning "ten" and "day". Boccacio made similar Greek etymological plays of words in his other works. The subtitle is Prencipe Galeotto, which derives from the opening material in which Boccaccio dedicates the work to ladies of the day who did not have the diversions of men (hunting, fishing, riding, falconry) who were forced to conceal their amorous passions and stay idle and concealed in their rooms. Thus, the book is subtitled Prencipe Galeotto, that is Galehaut, the go-between of Lancelot and Guinevere, a nod to Dante's allusion to Galeotto in "Inferno V", who was blamed for the arousal of lust in the episode of Paolo and Francesca.
Throughout Decameron, the mercantile ethic prevails and predominates. The commercial and urban values of quick wit, sophistication, and intelligence are treasured, while the vices of stupidity and dullness are cured, or punished. While these traits and values will seem obvious to the modern reader, they were an emerging feature in Europe with the rise of urban centers and a monetized economic system beyond the traditional rural feudal and monastery systems, which placed greater value on piety and loyalty. Beyond the unity provided by the frame narrative, Decameron provides a unity in philosophical outlook. Throughout runs the common medieval theme of Lady Fortune, and how quickly one can rise and fall through the external influences of the "Wheel of Fortune". Boccaccio had been educated in the tradition of Dante's Divine Comedy, which used various levels of allegory to show the connections between the literal events of the story and the hidden Christian message. However, Decameron uses Dante's model not to educate the reader, but to satirize this method of learning. The Roman Catholic Church, priests, and religious belief become the satirical source of comedy throughout. This was part of a wider historical trend in the aftermath of the Black Death, which saw widespread discontent with the church. Many details of the Decameron are infused with a medieval sense of numerological and mystical significance. For example, it is widely believed that the seven young women are meant to represent the Four Cardinal Virtues (Prudence, Justice, Temperance, and Fortitude) and the Three Theological Virtues (Faith, Hope, and Charity). It is further supposed that the three men represent the classical Greek tripartite division of the soul (Reason, Spirit, and Lust, see Book IV of Republic). Boccaccio himself notes that the names he gives for these ten characters are in fact pseudonyms chosen as "appropriate to the qualities of each". The Italian names of the seven women, in the same (most likely significant) order as given in the text, are: Pampinea, Fiammetta, Filomena, Emilia, Lauretta, Neifile, and Elissa. The men, in order, are: Panfilo, Filostrato, and Dioneo.
Recommended reading for anyone interested in literature and medieval history.
Which Translation?Review Date: 2004-12-17
I purchased the McWilliams translation and found it to be enjoyable, although slightly wooden. There were also several howlers (e.g., addressing the women in the group as "Delectable Ladies.")
There's a 100+ page introduction, which I found to be overly academic and tedious. This is, as far as most readers are concerned, a fun book to read; the introduction should not detract from that experience.
This volume has extensive endnotes at the end of the book. Most of them are of little interest to the general reader and add nothing to one's enjoyment of the stories. Since they are short, and given modern editing technology, they could just as easily been included as footnotes at the bottom of the page on which they appear, which would have been more convenient. (Inexplicably, the notes to the Introduction are footnotes.)
The book is bawdy, but not obscene. McWilliams, justifiably I think, is of the opinion that certain passages are misogynistic and homophobic, which seemed to me to be correct. The latter is odd, because Florence during the Renaissance was notorious throughout Europe for its large homosexual population (most of its great artists reputedly were gay). Forewarned is forearmed.
I have not read the Bondanella and Musa translation, but McWilliams (who appears to be remarkably fair) speaks well of it in his Second Preface. Based upon the foregoing, I would choose it instead.
A suprisingly easy readReview Date: 2006-07-15
excellent translationReview Date: 2007-01-04
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Nailed Salt LakeReview Date: 2004-06-12
Decker pokes fun at ALL the major players (LDS church, media, federal government, anti-government types, environmentalists, conservatives etc.) in a very evenhanded manner. Everyone is both ridiculous and has a very real point when Decker writes about them.
Each character rang true to the people and politicians that inhabit "Zion". I am buying it for my Salt Lake relatives to read. They will get a big kick out of it.
Decker is AwesomeReview Date: 1999-09-22
I AGREE!Review Date: 1999-07-15
Absolutely GreatReview Date: 1999-07-12
Best of the BestReview Date: 1999-10-12

Used price: $11.90

Utah, here I comeReview Date: 2008-06-04
Utah Atlas and Gazetteer by DelormeReview Date: 2008-04-25
Great productReview Date: 2007-06-02
Utah GazatteerReview Date: 2007-07-05
I love these DeLorme mapsReview Date: 2007-04-23


AwesomeReview Date: 1999-07-15
FinallyReview Date: 1999-07-21
Utah Fishing GuideReview Date: 2000-03-20
greatReview Date: 1999-07-15
Great, indepth informationReview Date: 1999-11-04
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This romance is a great stand alone story! The characters are well-rounded and the turns of phrase are amazing!
It also introduces you to all of the people who arein the Grea Brain series as well.
Excellent book I will read to my children.