United States Books

I am a patient that has had heart problems for awhile now. I just had surgery in 2006, so reading this book really helped me to understand where heart surgery all started. It brought it all home for me at the end. There is something about this surgeon that I now have a close connection to, and I didn't even realize it until the end! Those of you who have read "King of Hearts" would understand! This book has taught me a lot, but it also has a lot of great stories intertwined within. Totally worth the read!!

The medical history related in this book is one of the boldest and most amazing one. If it wasn't for these highly risk taking individuals, open heart surgery would not be possible today.

When a friend gave me this book to read, I thought I'd skim a few chapters and either get bored with the technical details or be bothered by them since I have had heart surgery for congenital heart defects myself.

I thumbed though the first chapter and I was hooked! The writing demonstrates the intensity found in intense pediatric cases very well and uses that and the determination of Dr. Lillehei to move the story along at a fast clip. I finished it in about 36 hours!

I had gotten to the point there I was trying to take care of myself well as an adult with congenital heart disease (treated defects), but I hadn't quite grasped the details of my own surgeries nor did I want to. After I read this book I ordered my surgical records immediately and was excited to read them! The book filled the descriptions of the surgeries with such excitement that it carried over into my own personal education about my health.

I like how they told the story of Dr. Lillehei as a person who did great things, but was also human being as much as his patients - with faults of his own - but also clearly, great gifts.

For more information about the long-term outcome of patients with congenital heart defects/disease and how we continue to lead the longest and healthiest lives possible for us, please visit the Adult Congenital Heart Association's website at www.achaheart.org

Once I picked up this book, I couldn't put it down. What a fascinating subject and such wonderful storyteller. From the mom of a "heart baby" it just amazes me how far we've come in such a short amount of time.

It's a good story, and Dr. Lillehei blazed an amazing trail, but this man appeared to be a sociopath who destroyed everything and everybody he touched - except, of course, his patients. I can't believe nobody addressed this yet, or maybe they were so fascinated by the story that they missed - or dismissed - it completely. This was more than a massive ego; this guy could have been a Dr. Swango had things been just a wee bit different.

I realize the book was about Dr. C. Walton Lillehei, but his brother Richard was also a transplant surgeon, as are his sons Craig and Kevin.

I liked this book. I give this book 5 stars. This book gave me the chance to read some of his thoughts that he had recorded in his personal journal(daybook). One quote that I really liked is " I know there is a God and that he hates injustice. I see the storm coming and I see His hand in it. If He has a place and part for me, I am ready". For me, it has renewed my sense that I as well as my country need to get up from the sleep or the spell we our under that has led us down the wrong path, and get active again in trying to get this country on the right path.

Robert Kennedy is one of my heroes. I believe his death did not take away the meaning of his life, which is excellently expressed in this book. I have about 20 books on RFK and this is my runaway favorite. If you own only it should be this; you will learn everything you need to know about how and why he lived his life.

This is an excellent selection of Robert F. Kennedy's words. It's amazing how applicable RFK's ideas are to our own times.

Anyone who is ever at a point in their life where they are doing any type of soul-searching would find the thoughts and words expressed here invaluable. After experiencing the worst tragedy, Robert Kennedy makes an incredible change....inside and then outside. Those of us who were not alive or old enough to remember do have books and videos to try and tell us his story. But his son goes beyond that and really gives us something more by sharing all the ideas that made up the man.

If you are looking for info about RFK, well, you'll get something here....BUT...even more, this book will help you grow and become a better human being...and maybe even become that "tiny ripple of hope" in your world.

For those who missed the time in which those now called "Reagan Democrats" and those opposed to the ongoing war in Vietnam were inspired by the same voice, especially who cannot even begin to imagine how that could be, this small book is a must-read that will enable you to experience what is possible through inspiring [rather than angry divisive cynical] leadership.

Some quotes from the book, which seems as if it could have been written this morning:

"An understanding of what America really stands for is going to count far more than missiles, aircraft carriers, and supersonic bombers."

"Insurgency aims not at the conquest of territory but at the allegiance of man. ... Counterinsurgency might best be described as social reform under pressure...any effort that becomes pre-occupied with gadgets and techniques and force is doomed to failure."

"Thus does false principle destroy the credibility of our wisdom and purpose that is the true foundation of influence as a world power."

"America was a great force in the world, with immense prestige, long before we became a great military power. That power has come to us and we cannot renounce it, but neither can we afford to forget that the real constructive force in the world comes not from bombs but from imaginative ideas, warm sympathies, and a generous spirit.
These are qualities that cannot be manufactured by specialists in public relations.
They are the natural qualities of a people pursuing decency and human dignity in its own undertakings without arrogance or hostility or delusions of superiority toward others, a people whose ideals for others are firmly rooted in the realities of the society we have build for itself."

"Whatever the costs to us, let us think of the young men we have sent there: not just the killed, but those who have to kill; not just the maimed, but those who must look upon the results of what they do."

[AND, to remind us not to sink into frustrated despair at our current mean-spirited divisive administration, RFK's words spoken in courage during the dark days of Apartheid in South Africa:]
"Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope, and crossing each other from a million different centers of energy and daring, those ripples build a current that can sweep down the mightiest walls of oppression and resistance."

"Few will have the greatness to bend history itself; but each of us can work to change a small portion of events, and in the total of those acts will be written the history of this generation."

Fabulous. Love all the pictures and the artists description of her process in creating her work.

Everyone else who has reviewed this book say is great. Maybe it is, but because I haven't received anything I guess the only thing that I could say is "don't buy anything here, you'll get nothing".

For anyone in art quilting or wanting to be, this book gives an in depth look into the thoughts and creations of Nancy Crow. The color in the book is excellent and there is an abundance of pictures. This is a "Must have" for anyone who loves color and fabric and original art.

Nancy Crow is the ultimate quilter's quilter. Her advice, thoughts and pictures of her work and projects are more than any quilter could hope for. This book will enhance any quilter's library.
It was one of the best b-day presents I've ever received.
Diane

Amazing book. great information, stories. Lots of pictures of striking quilts show-casing the progress of this wonderful artist. Also shows pictures of Nancy Crow's studio and timber frame barn - must be an amazing place to create. This book is a wonderful value and very inspiring to any artist regardless of preferred media.

I thought this was an excellent book. It was well written and a lot of great pictures in the book. One criticism that I heard was that a lot of the information was recent information with Curly Joe DeRita ... and it is true... there is a lot of information on this and all their speaking engagements in the sixties... but that is OK, that is what the author knew about and what the people the author interviewed knew about .... the Curly and Shemp information has all been said, not much more can come out of them. A lot of the people that knew them are all dead... hence the detailed description of the stooges in 50's thru mid 70's... The book is well worth reading.

It's about time a book was written on Larry Fine. Without a doubt the "glue" of the Three Stooges, and possibly my favorite stooge, he finally gets his story in print. I enjoyed the book and was surprised at facts that I didn't know about the Three Stooges, and I know a lot.

I highly recommend this book.

This book does an absolutely marvelous job at delving into the life of Larry Fine, finally going beyond old urban myths, stereotypes, and the general perception that he was just the Stooge in the middle, some guy who got lucky but who wasn't as accomplished or funny as his partners. His character truly comes to life in this book, starting in his childhood days in Philadelphia, going to his early days in vaudeville with his future wife Mabel and her sister Loretta, to his 25 years of making shorts at Columbia, to the unexpected revival and mass popularity the Stooges received in the late Fifties and through the Sixties (when unfortunately they had to seriously tone down their trademark violent antics to please the parents of the children they were being almost exclusively marketed to), and finally to Larry's final years in the Motion Picture Country Home and Hospital, after he'd had a stroke. Though some sections of the book do read like a standard bio of the Stooges, only with the emphasis on Larry, the majority of the book goes so much deeper. There are so many stories that have never been written about before or which most people don't know about, such as Larry's deep love of his wife Mabel, a woman whom he continued to adore and stick by even through her alcoholism in her later years, his love of his children Phyllis and Johnny, the story of how he met a little blind boy backstage after a show in the Sixties and got really choked up by the encounter, his relationship with his hairdresser and her husband in his final years, how he found out Shemp had passed away, his relationships with the other Stooges, and even the point of view that Ted Healy, the Stooges' founder and original straightman, might not have been murdered at all but died from other causes and only coincidentally happened to die shortly after receiving a brutal beating. There are also lots of great pictures and mementos, some of them very personal and touching, such as Larry's handwritten letters to young fans, get-well cards young fans sent to him, pictures of him with his children, and the hand-written calendar he made for his daughter Phyllis to let her know when he'd be coming home from the road. There are so many sweet things about this lattermost memento, really showing what a nice sweet guy Larry was, and what a devoted family man. It's really touching to read about how in real life the Stooges were quite the opposite of their screen characters.

The only shortcoming I can find with the book is that it does seem to be a bit skewered towards the Stooges in the DeRita era. That chapter is by far longer than either of the chapters on Larry's life as a Stooge when he was working with Curly and Shemp. It might have been their most financially successful and popular period, but how many fans today seriously consider that their best and most memorable work? To put it mildly, I'm not exactly a big fan of the watered-down non-violent child-friendly latter-day Stooges, though I am of course happy that Larry and Moe lived long enough to finally start making serious money and to get the respect they deserved. And while the cover photo is really beautiful, looking as though it were taken yesterday instead of decades ago, I'm not happy that DeRita is the third Stooge on it. I'd bet almost anything that the infamous Comedy III is behind that one. It should have been Curly or Shemp, and everyone else knows that! Still, in spite of how the book does lean a bit more heavily towards the Stooges' latter-day career instead of their classic glory days, and the illogical choice of the third Stooge on the cover, it's a great book, with a lot of great information about a truly underrated comedian and a truly great man.

I enjoyed reading 'One Fine Stooge', although upon completion of the book, I had mixed feelings about the content. On one hand, I learned a couple of things that I hadn't known before, and that's always a good thing. On the other hand, the book focused too heavily on the 'post Shemp' days, which for me, marked a drastic decline in the funniness of the act. Joe Besser and Joe DeRita were clearly inferior stooges and I felt my interest waning reading about them (the cover portrait featuring DeRita should have been a dead give-away). I would have liked for the author to focus more on the Curly and Shemp days. The book however is about Larry Fine, and I did enjoy reading about his life and career. The photos are a treat and greatly added to my enjoyment of this book.

I just finished reading One Fine Stooge and found it to be very interesting. It truly covers the Stooges' entire career with a focus on the Stooge in the middle, Larry Fine. His story is often melancholy, but he seems to have enjoyed his life and success. The book is poorly laid out with sidebars regularly interrupting the flow of the book and often retelling content found in the body of the work, but it covers a lot of ground and seems to be a good history. I found it worth my time and would recommend it to anyone with a particular interest in classic Hollywood comedy and history.

A very deep map indeed, the second of Heat-Moon's three literary tours-de-force is the story of a county in Kansas. In his first excursion, the best-selling BLUE HIGHWAYS, the author reported on a ten thousand mile sojourn along the old Federal Highways (blue on most maps). PRAIRYERTH grew out of three years of hiking, conversation and archival research in Chase County, Kansas and the result is a living history of both the particular locale and the European invasion of the west. From Knute Rockne's death in a commercial plane crash to Sam Wood's murder to Native medicine, dream walking to newspaper accounts of life on the prairie, and fossils to legends to The Land Institute where Wes Jackson explores the looming demise of the liquid fuel era, this volume casts a wide net. Heat-Moon is clear eyed enough to see the facts and then see beyond the facts to the life between the lines of old courthouse documents and pioneer diaries. He is open to less tangible subtlety as well, admitting susceptibility to hunch, daydream or the message from another's Ouija board. He tells a tale of hawks, buffalo, cowboys and beef, notes the profound damage wrought on the American prairie by McBurger mania and the possibility of recovery in a place of vast flatness and endless wind and sky. He lunches with the dead in old cemeteries and stakes out to observe life in a dying town where nothing happens. There are midnight moonlight hikes and journalistic experiments, pertinent quotes by the truckload and poignant still lifes of moments of love and loss. Such a deep map makes for a long read, but well worth the effort as pieces click into place in later chapters and a pastiche emerges, a hologram in which you can walk between the hills and dip a cupful from a clear flowing spring.

In Blue Highways the inimitable William Least Heat Moon drove across the backroads of America. In River Horse this courageous, spiritually-venerable man floated in a barge across this nation's waterways. In Prairy Erth, he does his exploration mostly on foot. Confining himself to a microcosmic canvas, Least Heat Moon spends over 600-pages describing how he spent months delving into a single county in the heart of Kansas. Packed with maps of Chase County, its hills, waterways, roads and farmsteads, the author tells a sometimes dry but often rich story of one remote but improbably charming spot on planet earth. He meets many of the county's 3,000 residents, hears and tells of the folklore, the history, the textured layers to life in such a location. By the book's end an unknowingly begun spiritual journey reaches its conclusion, which is the way with all of William Least Heat Moon's writings. If you have the time to put into Prairy Erth, it is a compelling book that challenges the nature of individual outlook.

New to William Least Heat Moon, I wasn`t quite sure what to expect with Prairyerth. Having heard about the critical acclaim of Blue Highways, I thought a lesser known work would be the place to start. And I am glad I chose Praityerth.

With Prairyearth, William Least Heat Moon has dug down to the heart of a specific place, in this case, the Flint Hill country of Chase County, Kansas. Not unlike Thoreau`s Walden, Prairyerth is an exhaustive chronicle of one man`s journey to the bottom--historically, geologically and geographically speaking--of one particular and rather insignificant place in the American landscape. Prairyerth, like Walden, is impossible to lump into one clean-cut literary category. Neither pure history, nor pure geology, nor `storytelling` per say, it is rather a brilliant concoction of all three. It is, as the author pens it, a `deep map` of one tiny piece of the New World. And deep it is. Least Heat Moon delves into every square inch, every prehistoric layer of his subject. The result is a stirring and fascinating ride through the discovery, settling, exploitation and ultimate destruction of the American prairie. Half Native American himself, Least Heat Moon walks through the tall grass of the American Sea with much the same spirit of his ancestors. Here was not emptiness as thought the first Europeans, but rather a vast ocean of endless natural wealth. Home to the once vast bison herds, the tall-grassed hills of Chase County were once giant mountains of the Kansas range that were slowly worn down into the Flint Hills of today. Least Heat Moon follows the tracks of the Osage and the Kansa, `people of the wind,` who traversed this area long before Zebulon Pike and John Fremont made their tentative forays across the prairie towards more secure landscapes. The author vividly captures the reverence that the Osage and Kansa held for the `prairie.` Tracking down the stories of the few remaining pure-blood Kansa, Least Heat Moon paints a metaphor for what looms in the future for us, lest we ignore the lessons of the past. Not only does the author richly expose the layer of Native Americana within Chase County, but he does justice to the natural elements of the place as well. Some of the most fascinating parts of Prairyerth are the sections on two of the county`s most enduring denizens, the Osage Orange tree/bush and the Wood Rat, aka Pack/Trade Rat. Least Heat Moon has an ultra sharp eye for interesting detail and oddity and knows how to bring such things to life.

The structure of the work is as ambitious as it is groundbreaking. Every other chapter covers another quadrant of the county. Least Heat Moon spends most of his time analyzing the present inhabitants of the county, trying to distill the essence of `Kansasness.` He chats with the weathered old farmers and ranchers who`ve survived every tornado and flash flood over the last half-century and who entertain no thoughts on living anywhere else. Every voice in the county gets its chance. Feminist cattle ranchers give him the lowdown on castrating bulls, local high schoolers divulge their dreams and the regulars of the Emma Chase Cafe unload gossip unaware of who`s writing it all down. Kansasness, according to the author, is a baffling mix of progressive politics and constrictive convention. A place of often violent contrasts. Kansas was the first state born out of the fires of abolition, first to stimulate integration (Board of Education vs Topeka), yet the `n word` is still commonplace all over the county. The forefather of the county, Samuel Wood, was one of the most eloquent voices among the abolitionists, yet he stopped short of pushing for full integration. Kansas was a place where all people had freedom of opportunity (especially to better oneself economically), as long as everybody kept to his/her own. One of the first states to allow women`s suffrage, it was also one of the first to embrace Prohibition. It also kept its archaic and puritan sex laws on the books until the recent Supreme Court ruling overturned such laws.

In between his quadrant explorations of the county, Least Heat Moon has interspersed chapters comprised of nothing but various epigrams and short passages regarding the state. Coming from sources as disparate as Horace Greeley and Black Elk to graffiti found at the KU library, these chapters are some of the most entertaining and enriching of the book.

William Least Heat Moon is one of the greatest prose stylists I have ever encountered in modern American letters. His writing is rich with metaphor and digression, begging second and third readings of certain passages. While sometimes he expands profusely, Faulkner-like, for paragraphs, clarity is rarely forsaken. It just means reading carefully and slowly. Prairyerth is definitely a book that needs digesting. I took me almost six months to finally devour it up and when I did, I had the distinct feeling of having consumed something grand and very nutritious, albeit a bit heavy. In fact, those without persistent natures would best choose something else to read. Prairyerth is meat and potatoes and requires a lot of chewing. And perhaps that is where the work falls a tad short of its possible ancestor. Whereas one can open Thoreau`s Walden anywhere and revel in the beauty and wisdom (albeit often cryptic) found therein, Prairyerth is nothing if not taken in its entirety. Its just too dense, with too much stuff packed into its innards. In fact, a little editing could have helped the book. Some chapters are a bit superfluous and leaving them out would have only helped the work as a whole. Moreover, Least Heat Moon`s astute observations serve his examination of the natural world far better than they support his delving into the human realm. Somehow a lot of the `characters` of Chase County never fully come to life in Prairyerth. Rather, they seem two-dimensional and oddly trapped on the page. Yet, taken as a whole and for what it is, a grand archaeological and sociological dig through the layers of New World settlement, Prairyerth succeeds grandly. Never has one tiny and often ignored section of the American quilt come to life so vividly and richly as does Chase County, Kansas in Prairyerth. A place so seemingly devoid of life, is, in actuality, overflowing with the past, present and future. All you have to do is look,look carefully. The author himself says it best: `A traveler(who cannot even remotely detect the thousand-mile-an-hour spinning of the planet he rides through space at sixty-seven thousand miles an hour, to say nothing of its solar and galactic movements and its precession) writes in his notebook, ~nothing is happening~. Man muses, God guffaws.` Next time you feel that nothing has ever happened or is happening now or will happen where you`re at, pick up Prairyerth and be amazed.

If only every county in the United States had as passionate and articulate a chronicler as William Least Heat-Moon.

I came to "PrairyErth" after having read and loved "Blue Highways." This tome--though longer and less expansive, geographically--possesses many of the qualities I admired in Heat-Moon's earlier work: the narrative tone (there's none of that stuffy, impersonal, third-person prose one finds in some travelogues; the author is himself part of the story), the occasional dips into philosophy and history; the candid interviews with "locals"; and the intense search for meaning in the most ordinary of places.

I have never been to Chase County, Kansas, but after spending a month or so accompanying Heat-Moon through the pages of his book, I feel as though I have. The book is subtitled "a deep map," and that is indeed what the author provides here. Square mile by square mile, the reader is introduced to the prairie, its topography and history, its residents and its wildlife. Heat-Moon correctly understands that the essence of a place is often best captured through anecdote and observation. There is nothing sweeping or grand about his narrative, and that's what makes "PrairyErth" such a delight. It's a detailed, intimate read; one almost has the feeling of looking over the author's shoulder (and back through history) as he ambles and rambles about the quadrangles of Chase County.

If there's one criticism I would offer, it's that Heat-Moon sometimes lapses into needless digressions about himself and the challenges he faced while writing the book. It struck me as a bit self-absorbed--as did the occasional Faulknerian stream-of-conscious, punctuationless prose. These stylistic excesses add little to what is otherwise a magnificent and fascinating travelogue.

If you want to experience Kansas, with its excruitatingly boring places that slowly creep up on you and leave you blissfully satisfied and in awe of beauty; if you're willing to read long passages of flat text just to discover the beauty of burning fields; I highly recommend PrairyErth.

I grew up in Kansas, about 2 hours from Chase county and was always facinated by the hills, the people, and just the auroa that came from Strong City and Cottonwood falls. After reading "PrairyErth" I am even more mesmorized by the locale.

I have been out of the state for 2 years now, and long to go back. Many friends have complained about the long drives through Kansas, the flat scenery, and boring people. PrairyErth brings to life these flat lands and opens up new worlds of community and life.

For me, reading Moon's book was much like experiencing life in Kansas. I did find some of the chapters long, dry, and dull.. but, that's how some Kansas life is. Moon always concludes these sections with a gorgeous snapshot of the land. He shows us what it is like to be in relationship with the land just as we are in relationship with one another.

He concludes the book with a beautiful journey down the Kaw Trail.
"How do you know when the Prairy is in you?"
"When you see a tree as an eyesore."

This book reflects the life experience of a woman of color who has shattered many glass ceilings and has paved the way for others to follow. Bordas now beckons us to join her in building the inclusive and multicultural society. Her view of leadership is the missing link. For too long, leadership has been dominated by a white, male orientation. Hooray! Now women and people of color can embrace their ways of leading and understand the power of their community-centered and socially responsible styles.

Juana Bordas provides a fresh perspective on leadership by weaving the traditions of Latino, African American and Native American's together in her book. Her progressive, forward thinking views offer tools for leading a new generation of young people with an appetite for integration and inclusion. This book provides guidance for the historic times we're living.

I have two children who are growing up in Denver, Colorado which is a multicultural city. We have been fortunate that our last 3 mayors have been White, Black and Latino. Our city council became a majority female in the nineties. Salsa, Soul and Spirit challenges us to not just invite women and people of color to the table- but to make sure we embrace diversity and utilize the gifts and assets they bring. The book provides the leadership tools we need to change the way we operate so that the values, experiences and history of all people are included in the way we operate everyday. Authentic diversity can't just be business as usual with different faces and races around the table! What a great example this helps to set for our children.

If only the wisdom in this book could be transferred to the minds of the leaders of our planet. Anyone who wishes to increase understanding and harmony should read this book and become inspired enough to start making some changes in the ways we relate to each other.

The story of a Latina finding her way and success in a non-diverse society coupled with insights into the "soul" of Latino, Black, and American Indian leaders. A must read for the leaders of tomorrow trying to bridge the gap between saying we are diverse and successfully reaching that goal.

One of my students wrote the following review:
If you are a baseball fan you should read this book. This book is about a kid with a power. He can go back in time. He goes to 1919 to make the White Sox win the World Series by not letting Shoeless Joe Jackson take money. What will happen next?
It was so fun to read it! I couldn't stop reading this book. It is a long book but it is fun when you read it. There are more books that this author wrote about baseball.
-Brian

The book I am reviewing is Shoeless Joe & Me written by Dan Gutman. I think this book deserves five stars because Dan Gutman doesn't stretch the book and he does not rush it. This book is about a boy named Joe Stoshack who can travel through time with baseball cards. The problem in this story is that when Joe had lost a game because of a bad call, he complains to the sponsor of his team, Flip Valetini. He says that it wasn't fair, and Flip tells him about the Black Sox sandal and Joe Jackson. Now he wants to fix it. But the rest... you will have to figure out. I would recommend this book to anyone from 3rd to 5th grade that loves fantasy books.

Shoeless Joe was a fun book to read. It was about baseball. He was a good player but did not have power. I liked this book because it was about baseball. He was a player on the White Sox. The story was in Chicago where Shoeless Joe was a famous baseball player.
The kid in the book went back in time. The boy wanted to meet Shoeless Joe, so he went to the store to buy the card. Then he packed his tooth brush and clothes. Then he went to his room. Then he hugged the card and went back to the past. This was the most exciting part of the book.

Shoeless Joe and Me is one of my favorite books! The book is about a kid who can Time-Travel by using Baseball Cards. He tries to go back in time to stop the Black Sox Scandal. The Black Sox Scandal was when 8 players on the White Sox were tricked by gamblers into losing the 1919 World Series against the Cincinnati Reds on purpose.

Even if you don't like Baseball, I'm sure you will love this book. I loved it SO much that I couldn't take my face away from the book. I recommend this book to ANYONE, as long as they love a good book. It is part of a series, which include:

Honus and Me
Jackie and Me
Babe and Me
Mickey and Me
Abner and Me
Satch and Me

Haven't you ever wanted to go back in time to prevent something that happened to you? Shoeless Joe Jackson was one of the best baseball players in 1919. His career was destroyed by a gambling scandal. Joe Stoshack was a young boy and he heard about the famous player from a guy named Flip who worked at the baseball card shop he always went to. Flip told Joe that Jackson was not allowed to make the Hall of Fame because of the scandal he was in. Flip gave him Joe Jackson baseball card and the little boy thought to himself what it would be like to go back in time to see what the scandal was all about and even maybe prevent it from happening. He thought if it works in movies then it should work now. The next day Joe Stoshack found himself going back to the 1919's and found Joe Jackson at the stadium. He talked to Joe and asked him to leave the game before it started. He told Joe if he didn't something bad would happen. He told Joe he came back from the future and he knew that if the great Joe Jackson did anything to lose this game, he would never get all the rewards he deserved. He wanted to prevent the "Black Sox Scandal" from happening so Shoeless Joe Jackson could get into the Hall of Fame.
I would rate this book a 5, on a scale of 5, with 5 being the best. Grades 4th and up would love it and its great family story.

This is one of the best books I have read -certainly the best in the category of social history. Jay Stevens has researched his material meticulously and has delivered the narrative in a most enthralling manner. I found it hard to lay the book down. Whether, like me, you lived through the psychedelic experience of the sixties or you have but a passive interest, you will be amazed to learn of the full impact that the psychedelic culture has had on Western society, religion and philosophy -right through to the chemical hedonism of today.
This is truly a superb read!

I bought this on the recommendation of Dr. Stanley Krippner in a lecture on ayahuasca. It is absolutely the best book I have read on the history of the psychedelic movement during the past 100 years or so. Timothy Leary is not dead - he's only outside looking in. :-)

This should be required reading in American History. Who knew Canada had legal LSD centers? And the characters- Nin, Huxley, Kesey, Leary and Capt.Al Hubbard (??). Will we ever see their like again? Really a very sad story, and a fascinating one. Nice to see the Chief Boo Hoo, old Art Kleps in there as well. Sen. Kennedy: "Is your title really Chief Boo Hoo?" Art Kleps: "I'm afraid so, sir."

This is the definitive account of the 1960s psychedelic drug scene. Stevens does a great job of conveying the highs and lows of LSD and its proponents. His ability to relate endless facts while retaining a fast-paced narrative structure is amazing. I found this one of the most "addicting" books out there about the significance of drugs in American culture. Stevens reviews all the major personalities: Albert Hoffman, Timothy Leary, Ken Kesey and the Merry Pranksters, the Grateful Dead, Alan Watts, Jack Kerouac, Aldous Huxley, and more. If you're interested in this electric decade, the power of psychedelics to warp the mind, or any of the poet-prophets who were compelled to experiment with and sing the praises of acid then this book is sure to delight.

This was a very good book. You get lots of interesting stuff about Aldous Huxley, the famous beat writers, Owsley, Timothy Leary, Ken Kesey and the evolution of the so called counterculture as a whole.

The problems that I have with Storming Heaven is not for what was in it but what was left out. For one Stevens was WAY too easy on Timothy Leary. The author seemed almost like a school girl with a crush when he recounts his visit to Learys home for an interview for the book. He comes off more as a fan than he does an objective writer at times when he deals with Leary. Why wasn't it mentioned that it has come out that Leary was a government informant and information he gave led to the death of two members of the Weather Underground? Its also a known fact that Leary was surrounded by CIA assets and there is a lot of evidence that he was a government agent himself, and at the least he was feeding them information.

There is also a fleeting mention that wasn't elaborated on about Ken Kesey that he had LSD experiments done on him at Stanford by the guy that ended up in charge of the CIAs Mkultra mind control program. This really makes me wonder about Kesey. Its more or less accepted history that the first LSD to get out on the street level was what Kesey stole from the medicine chest at his job as a night shift janitor at a mental hospital and distributed it among his elitist friends. Kesey went from writing what was probably the best novel written during the 1960's to, while becoming a counterculture hero, never writing another thing worth reading again. Did doing too much LSD scramble his brains and ruin his creativity or was his creativity nullified by Mkultra programming? Its hard to say for sure but I have to wonder if Kesey was not under some sort of mind control or was being used by the CIA in one way or another. There are a lot of unanswered questions in my mind about Kesey.

They also fleetingly mention the Brotherhood of Eternal Love who were major LSD distributors and were known to be full of CIA people and had a close association with a Jewish man named Ron Starks who was a CIA spook that also happened to the biggest LSD dealer in the world. Starks was not even given the first mention in this book!

I mean with all these ivy league, Mkultra and CIA connections to the elites of the so called counterculture I have to seriously wonder how much of the hippy movement of the late 60's was an organic rebellion against what was (and still is) a very repressive society both socially and politically and how much of it was intentional social engineering that came from the highest levels of the power structure. Many people believe that the anti-war movement was flooded with drugs, in particular LSD, by federal agents. Its well known that the government tried to subvert and destroy the anti-war movement with the cointelpro program so why wouldn't they also use drugs to try to destroy it? While it can't be denied that LSD has enhanced many an artist, writer and musicians work can you honestly say that sitting around frying on acid all the time is going to do anything but disable political activists who in many cases were in a life and death struggle? Besides that the fact remains that many people became permanently damaged as result of doing acid.

All that said I would definitely recomend reading or of you can get it cheap, buying Storming Heaven. I could hardly put it down once I started reading it. I realize that this book was more geared toward looking into what psychelic drugs can do with the mind and its exponents history and theories on the subject than any conspiratorial maneuverings by the US government involving LSD but it just didn't go deep enough into the rabbit hole for my tastes.

I bought this book one week before I passed CA State Exam. I'm loving it! It gives all the nuts & bolts to a rookie for a quick & sound start in the business. This book is a must-have on the shelf for every new agent, period!

New or 'aged' agents will get many valuable tips from this book. It is just packed with useful information that a successfull real estate agent (Dirk) has learned over the years. Don't make the same mistakes. Learn from his experience and be a top producer.

This book is a must read for anyone considering a career in Real Estate as well as a refresher for experienced agents trying to get their business back on track. Dirk Zeller manages to distill a vast amount of experience down into a basic plan for success. (No magic bullets are promised: It involves honest work, but this book will help you manage your time better and allow you to concentrate on revenue producing activities.) For me personally, my biggest problems as an agent have been time management and spending too much time on non-revenue producing activities. These two areas of the book are worth the price alone. Highly recommended!

This is a very comprehensive book for beginners and experienced realtors. It seems to be losely based on the teachings of Mike Ferry by an experienced agent who actually did what he writes. I highly recommend it with one reservation: much of it is very similar to the book The Champion Real Estate Agent written by the same author. If you buy one of the books you don't really need to buy both.

This book does have some usful tips. However, the author is obviously a career salesman. He appears to have grown his career from real estate sales to selling his own products ( seminars, web sites, and sales coaching). He equates financial success by selling, to being a quality agent. His focus seems to be on the typical salesperson's perspective ie. ABC (always be closing), not matching the client to the property they want, like and can aford.

In his wonderful and fascinating book Unspeakable ShaXXXspeares, Richard Burt, the leading scholar of Shakespeare and film studies, pioneers research into the manifold ways Shakespeare enters into American popular culture. Concentrating mostly on film but attending as well to television sit-coms, Burt offers penetrating insight into everything from mainstream adaptations of Shakespeare to "low" spin-offs in which Shakespeare's language almost entirely disappears. Burt explores both what film and mass media have done to Shakespeare and also what Shakespeare enables our culture to do trhough film and other electronic media. Readers intersted in this book will be happy to know that Burt has since edited a related collection entitled Shakespeare After Mass Media and has co-edited Shakespeare, the Movie II.

One doesn't usually expect to find oneself laughing when reading a book of criticism written by an academic, much less a book on Shakespeare. But Burt's book is frequently just that, funny to the point of making me laugh out loud. Burt has a refreshingly off-beat sense of humor, and the materials he has discovered--such as an adult movie version of Hamlet--aer themselves often hilarious as well, though not always intentionally so. But far from being just a laugh riot, the book is also a serious, critically sophisticated analysis of Shakespeare's fate incontemporary mass media, where much of hte lnagugae is cut or confined to well-known quotations. Burt's final chapter on films about teaching Shakespeare is quite moving, and Burt has the courage to raise difficult questions without pretending he is able to answer them. He is right to think that the questions are more important than the answers. Burt is to be congratulated for writing his book in a clear and engaging prose style without sacrificing the complexity of his thought.

One of the many strengths of Burt's truly excellent book is that it not only discusses Shakespeare adaptations but uses Shakespeare, or of ShaXXXspeares, to discuss post-war American popular culture. Burt's theory of the loser as critic has ramifications for all criticism, not just Shakespeare. This is a profound, original, and engaging book.

I happened to be doing research for my thesis on Shakespeare in the university library and, while looking for other books, I was intrigued by the three XXXs in the title of Burt's book on the shelf, so I pulled it off and looked through it. What a daring work of cultural criticism! When I saw the chapters on Shakespeare porn, I marvelled both at the courage of the man to write such a book and how at the publisher who took it on. Of course, I check it out and read it. I especially was drawn to the chapter on action films and Burt's point that while the films cannibalize others, no one in the films ever eats; the characters are anorexic. The book is full of similarly wonderful insights. I am a cinephile, and very much appreciated Burt's quite hip approach to ShaXXXspeare. Now, it's back to those other, rather staid books of Shakespeare criticism, I was orginally looking for.

Whatever you think about Shakespeare, it is impossible not to agree with the points Burt makes in this book. His analysis is right on the money and you will never be able to look at Shakespearean movies or literature in the same way. A fantastic book and a must read.