South Dakota Books

Growing up nurtured in the many faces and realities of nature - and the beauties & dangers therein - provided a school of knowledge for Archie Fire Lame Deer. Along side of this, were the brutalities and horrors of another type of school; this school sought to shame, beat, and abuse the native spirit out of him. This place was one of the many much written about Christian Indian Schools. Within both settings were men who set examples for Archie of humans who realized they had to do nothing else but provide him with acceptance and kindness: his grandfather and a priest at the Indian School. Archie was sent to this school by his Grandfather for the knowledge to be gained there. Grandfather was a Shaman;he knew that Archie would be one someday,too. I think the real reason he sent him to that school was to expose him - first hand - to the ugliest parts of human nature that he knew about. Archie going to Indian School was tantamount to hurricane Katrina being stopped by the frivolous levy systems in New Orleans. Despite all this violence, Archie was able to learn...the kindly Priest at the school was there, right on time, to provide support when Archie needed it most. After freeing himself from this place, his journey was soaked by alcohol. It accompanied Archie everywhere: with lots of women; in lots of fights; in just as many jail cells. It then took him to Hollywood where he became a stuntman. Under all of this was his calling as a healer and a Shaman: this is a terrifying calling. The physical and emotional demands are overwhelming. Here are the facts: only someone willing to throw away, time and again, friends, relatives, jobs, and opportunites is fit for such a job. It seems that such a person would be a narcissist; on the contrary, this kind of person walks with death and loss every day. They have no ego; they have no feelings. We have called them sociopaths. The difference between a sociopath and someone who grabs THE GIFT OF POWER is simple; the former dies or goes insane, while the latter somehow recognizes the destruction in him/herself - and in the wake they cast - as only another possession to be tossed aside. Then that empty hole is filled with the GIFT OF POWER. Archie's natural Father died. In this dying he passed the gift on to his son. Archie was born and raised in the Badlands; but other lands were just as bad. There is beauty in the Badlands...you just have to recognize it. This book should be on all required reading lists.

Stepping Off the Edge: Learning & Living Spiritual Practice
Archie Fire Lame Deer is the son of John Fire Lame Deer and succeeded him as head of his spiritual lineage upon his father's death. A "modern" medicine man with an incredible life story. He's funny, charming, impactful, tells the truth. If I were making a list of "must meet" holy men, he'd be on it.

This book was totally amazing. Written in Archie Lame Deer's own words. Archie really takes us deep into the Lakota culture and brings us into the world of American Indian life. The style in which Archie teaches instills in the reader the importance of laughter to the American Indian people as a way of dealing with the horror dealt by the government and settlers throughout history.

This is a first-person account of the life of a "medicine man," or Native-American shaman. The style is personal and engaging. This is a good introduction to the topic for the novice.

If you like me, before I read this book, are naive to what true American Indian culture is all about (or maybe you won't realize how naive you are until you read the book), then this biography of Archie Fire Lame Deer, a Lakota Indian is definitely an excellent crash course to bring you up to date! Much of American Indian culture, especially their religion and intense beliefs about people, animals and our earth make a lot of sense to me. So many suppressed or simply not understood parts of this culture are clearly explained and described in fascinating detail. Though I don't plan to change my personal Christian beliefs, I'm moved by the depth and intensity of this culture; Archie Fire's descriptions moved me to intense shame regarding the many horrible things that were, and are still being done in the name of Christianity to this culturally rich, intelligent, colorful and generally peaceful people (Archie Fire Lame Deer, somewhat similarly, also expresses his shame of so many false medicine men promoting Indian religion & culture). And we claim to be a free country guaranteeing freedom of religion? As has become apparent to me, so many things that we believe to be a part of our white North American cultures are actually rooted in American Indian tradition. I say thanks very much to Archie Fire for recording this valuable, enlightening information for we, the unindoctrinated. I wish him and the American Indian people the realization of all of the wonderful dreams described here (as I wish to share in them also).

Character is key. This is what Lori Armstrong seems to understand perfectly. Julie Collins, already such a strong character in Blood Ties returns even more full-fleshed. Julie is cranky, smokes and drinks a lot, engages in shallow sex, enjoys rock music and is one tough woman.
The convoluted plot starts out with a missing persons case. Looking for this Native American kid the dead bodies start to turn up quickly when the mob gets involved and rival casinos take on each other. Also love blooms for Julie in the person of the shady owner of a biker bar.
Although the book is a bit too long (almost 500 pages) there's enough action and surprises to keep you entertained.
I loved the characters, the action and writing. What could make this book even more perfect was maybe cut it down in size somewhat and trim a few plot elements.

I'm glad I read this novel. I read it several months ago, and I'm still glad, so that's a good review from me right there. I didn't read the first novel in this series, but that didn't hurt my enjoyment of Hallowed Ground. Great pace, great characters, satisfying ending, and the writing shone throughout. The main character, Julie, is an interesting blend of traits and a complex balance of hard and soft. I thought it would be difficult to keep her consistent for the entire novel, especially with all she was dealing with, but the author pulled it off.

No kidding, this book kept me sitting in a chair all day and into the night. I've been waiting for the sequel to Blood Ties and I wasn't disappointed. It was a great read! I can't wait for the next book.

I had been awaiting Ms. Armstrong's second book in the Julie series, and I wasn't disappointed!! "On Hallowed Ground" is filled with excitement and action with every turn of the page -- I had a difficult time putting it down. I loved it. How soon is book #3 coming out???

I read Blood Ties months ago and couldn't wait for HALLOWED GROUND to come out. Boy was it worth the wait! The relationship between Julie and Tony totally made the book for me, but the action and adventure kept me glued to the book when I should have been feeding my kids. The mystery had me guessing right until the very end, which is how it should be. This was a fantastically exciting read and I can't wait for the next book in the series!

This book is a wonderful for all who are inspired to serve their own churches, a biography of Bishop Harold Jones of South Dakota, the trials and trbulations of a man making a name for himself within the Episcopal church, still leaves a lasting impression on clergy that knew this wonderful man, a man who can wonderfully sing lakota hymns ( told to me by a priest i know, who knew him well) and preach the gospel with great reverence. Bishop Jones is still talk of the South Dakota Episcopal Diocese now and the future, a role model for all who takes compassion, people and God as a way of life.

I am an Episcopalian Christian and a native of the state of Montana. As such, I was unable to finish "Bury My Heart at Wounded Knee" (Dee Brown) because of what is sometimes called white guilt. I did finish Cochran's book,"Dakota Cross Bearer." In fact, I could hardly put it down.

Some may prefer "Bury My Heart" over Mary Cochran's book, because of Brown's righteous and radical anger, absent from Cochran's voice.

Like Brown's account, this story speaks sorrowfully of the shameful history of betrayal of Native Americans, even by the church. It touched me deeply because it recounts the the open-mindedness of many Lakotah people toward the god of the Europeans who were displacing, impoverishing, and trying to stamp out the cultures of tribes throughout the west. While many missionaries in this account had benevolent intentions, the fruit of their labors was a mixed blessing at best.

Mary and her husband, The Rt. Rev. David Cochran (former bishop in the Dakotas) were entrusted with the story of the Lakotah people and prejudice in the church from Bishop Harold Jones' point of view. His lack of rancor in living through many insults and challenges is a powerful witness to the best in the Christian faith tradition, and even more so, the best in his tribal traditions. The picture of life on the Lakotah reservations during the early 20th century was fascinating. For example, Lakota women took the lead consistently in raising the funds necessary to start new churches. They had almost no money and were phenomenally ingenious!

I will never stop grieving what happened to the native peoples of the west as my people invaded their homeland. Bishop Jones' spirit will help me live with it.

Dakota Cross-Bearer: The Life And World Of A Native American Bishop is the biography of Harold S. Jones, a Dakota Indian born in 1909, who joined the Episcopal Church and rose in its ranks to become the first Native American bishop of a Christian church. Offering key insights into twentieth-century missionary activity among Native American communities, revealing instances of dispute and discrimination amid the Episcopal Church, as well as the demands of clerical training and the relocation in service of the institution, Dakota Cross-Bearer offers a view like no other into the life of an unusual but no less dedicated man of the cloth and faith.

What a find this book is!!! Having spent time this summer working on the Pine Ridge Reservation among the Lakota, I was thrilled to read a book containing not only historical facts, but "real life" detail. The joy, humor, sorrow, endurance, and faithfulness of this man of God (and those whose lives entwined with his) truly touched me. This book may be sucessfully used for historical, theological, sociological, or devotional purposes. Make sure to read and reread Fr. Deloria's (Tipi Sapa) testimony concerning Jesus, several times. It is the most compelling witness I have ever heard. It is no wonder that the little one, who listened to this wise man speak, grew up to be a Bishop.

Mary E. Cochran presents the story of Harold S. Jones, who in 1921 became the first American Indian bishop of the Episcopal Church. While much of Jones's narrative is in the third person, whenever possible editor Cochran allowed Jones to present his story "in his own words." Raymond A. Bucko and Martin Brokenleg's introduction does a good job of contextualizing Jones's story. The volume sheds considerable light on missionary activities among American Indians in the 20th century and offers welcome documentation of the complex interactions between Christian missionaries and Native peoples of the Plains. Choice, vol 28, no. 7 (March 2001).

Some tiny mice are playing out in the field, late at night. They have a fire going and are dancing inside a buffalo skull. They are having too much fun to realize the danger they are in. Outside prowls a wildcat. Will the wildcat be successful in capturing the mice? Or, will they be able to escape? What lesson will this book teach your children? You've got to read this terrific book to find out the answer.

Author Zitkala-Ša (Red Bird), a Yankton Lakota Sioux woman, took this oral tribal history story and translated it into English in 1901. Brought vividly to life by Illustrator S. D. Nelson, a Lakota artist, I found this book to be totally awesome.

Zitkala-Ša was a very talented native author who brings this oral tale alive in a unique way. This story and others were listened to around the campfires of her youth as told by the tribe's storytellers. She sticks closely to the oral history despite the translation into the English language. This was one of many oral historical tales that she translated from Lakota to English without the help of an editor, interpreter, or ethnographer. Raised traditionally for the first 8 years of her life, Zitkala-Ša then attended boarding school and later graduated from high school and college.

I find it fascinating that this story was written and published by Zitkala-Ša, a prolific native American woman author and native civil rights activist, over 107 years ago; and that this oral tribal history story can still be relevant to children everywhere today. Amazing!

The very gifted S. D. Nelson makes this tale literally jump off the pages and give your child a real feel for the moral message of this story. The artwork is very colorful, appealing, detailed, and kid-friendly in a big way.

This is a must-have book for your child if you want them to know the wise and valuable stories that our First American children grew up with. This is a simple but fun tale that your child will want to read over and over.

This book is put out by the South Dakota State Historical Society Press and is the second book in the Society's Prairie Tale series. Dance In A Buffalo Skull just won the Mom's Choice Awards' Most Outstanding Children's Book of 2008. This is an honor well deserved. Bravo to the South Dakota State Historical Society Press for bringing back the fascinating writings of Zitkala-Ša, so that new generations of the world's children can learn from her and her tribe.
Reviewed by: Gayle Jacobson-Huset, Managing Editor

The first thing I noticed when I got the book was how beautiful the cover is. It just makes you want to open it and discover the story within. The introduction to the book gives parents a great understanding of the history behind the story. If you are the type of parent who wants to expose your child to different cultures, this book is an easy and fun way to introduce them to the Sioux Indian Oral Tradition.

The imagery in the story as well as the beautiful artwork make this story a delight to both the eyes and the imagination. The vocabulary of the story is a bit more challenging than is found in your typical children's book, but there is a glossary to help with those words, for the older children enjoying the story.

I don't personally have children, although I've always loved reading aloud to them. I lent my copy of this book to a good friend so she could 'test' it on a real child. Her son, 4yrs old, loved the story and asked for it to be read multiple times. She said he normally doesn't do that. So not only is this book a delight for an adult to read, it is a delight for a child to listen to.

Dance in a Buffalo Skull has been voted as the Most Outstanding Children's Book of 2008 by the Mom's Choice Awards.

The Mom's Choice Awards® honors excellence in family-friendly media, products and services. An esteemed panel of judges includes education, media and other experts as well as parents, children, librarians, performing artists, producers, medical and business professionals, authors, scientists and others. A sampling of the panel members includes: Dr. Twila C. Liggett, Ten-time Emmy-winner, professor and founder of Reading Rainbow; Julie Aigner-Clark, Creator of Baby Einstein and The Safe Side Project; Jodee Blanco, New York Times Best-Selling Author; LeAnn Thieman, Motivational speaker and coauthor of seven Chicken Soup For The Soul books; Tara Paterson, Certified Parent Coach, and founder of The Just For Mom Foundation(tm) and the Mom's Choice Awards®. Parents and educators look for the Mom's Choice Awards® seal in selecting quality materials and products for children and families. This book has been honored by this distinguished award.

Translated from the original Native American legend into English in 1901 by author Zitkala-Sa, and illustrated by award-winning Lakota artist S.D. Nelson, Dance in a Buffalo Skull is a picturebook tale of mice conducting a dance in old, dried-up buffalo skull, while a wildcat sneaks up on them. The art blends Lakota tradition and modern styles to match the tall tale and bring it to life. At the peak of the dance, the wildcat is spotted and the mice run away into the dark! An enjoyable story faithful to the original legend. Also highly recommended is the first picturebook in the Prairie Tale Series, "The Discontented Gopher".

This is a fine book about the life of Peter Catches. This is a must read for anyone studying Native medicine. You will not be disappointed.

I like this book, it is very enlightening. It tell about the struggles our people went through, and their hadships. Thanks for the wake-up call. Dianne

This book is great for those who wish to know the truth about the traditional Lahkota values and ceremonies. Ceremonies are explained with great care and love. The author conveys the wonderful sense of peace that he has found with following the rituals and the love he has for the Creator.

This is a MUST have book. I was fortunate enough to meet "Grandpa Pete" before his death and was so excited when I saw this book. Not many have been through more than him, and he expresses his beliefs wonderfully in this book. even if you are new to Lakota spirituality, he explains things in a way anyone can understand. He was a great man, and left a great legacy with this book.

This book is a must read for anyone interested in Lakota spirituality. The author tells many stories from his life, the stories are so real and touching I could not put the book down.Just the chapters describing the various Lakota ceremonies, inipi,sun dance ,hanbleceya etc are worth the price of the book. I finished the book feeling uplifted and warm.The author's love and caring for his people,the earth and allits creatures is very apparent.Buy the book.lcossutt@hotmail.com

Latza's "Back on the Farm" is a terrific piece of work! Whether you grew up on a farm or just admire the lifestyle, this is a book you won't want to miss. Beautiful, thought provoking photos, combined with creative and informative captions and a fantastic foreword by Terry Woster, this book has it all.

As a South Dakota native, and now residing elsewhere, this book is a great reminder of the land, the farms, and the people. If you are from the upper midwest this book will trigger fond memories, if you're not it will create them!

This book not only rivals most of the Day in the Life books but could be compared to anything that you see in National Geographic. Mr. Latza has an eye and a heart for his state. Bravo Greg, when is the next book coming out.

I would like to thank Greg for taking me back to the farm. I grew up about 10 miles from Greg's farm. Having lived on the farm as a young child and then selling the farm as the prices dropped in the '80's, was not uncommon. Living in Mitchell was still not close enough to the country. I worked at my uncles Dairy farm whenever I got time. It did not matter if he paid me or not. I just enjoyed viewing God's Country. I am now living in Houston, TX and miss the smell of fresh cut alfalfa in the morning or a calf's first wobbly step. This book took me back for a moment in time. I want to thank Greg once again for the beautiful book. The pictures do justice to our beautiful state and people. You can put a man in TEXAS but you can't take the South Dakotan out of him.....

... all these are present in this fine study. I am especially impressed with the criticisms that Igoe mounts about "fortress conservation," and it brings to mind the debates over exclusionary conservation versus "wise use" in the U.S., following John Muir, Gary Snyder, and others. The historical threads to late 19th-century U.S. preservation and the English enclosure movements are valuable, and they echo in works by Vandana Shiva and other critics of multinational corporatization.

Recently I was asked to sit for a short interview on camera related to immigration issues and policy in central Iowa. The camera, from a local TV station, was shut down by a hotel manager because of "private property." This enclosure of politics - its conduct on private turf instead of in public forums and spaces - is very parallel to the privatization of lands and the management of parks that Igoe describes in East Africa. These are only some of the consequences that capitalist privatization bring to us: the end to meaningful public debate, the dislocation of otherwise grounded and vested local communities, and so on.

I highly recommend this book for courses in environmental science, land and resource management, globalization, and, of course, any of a number of related specializations in sociocultural anthropology. It would be a good book for introductory courses as well.

From the first page of his introduction, Jim Igoe's assertiveness in presenting his work on why and how community-based conservation is failing in parts of Tanzania as well as in the United States hits readers hard, sparking their interest in these issues. Over the last decade the term conservation has reached a fluid state in which it presents the world with a new obstacle of maintaining a balance between humans and the environment, which will ideally promote reciprocal productivity in a sustainable measure. Igoe's account of the state of conservation surrounding National Parks in both the United States and Northern Tanzania is unique. Not only was he able to portray his experiences in a manner in which a western reader can relate to, but he was also able to maintain an outside perspective while becoming immersed in a new culture. In affect, Igoe was able to make correlations between two indigenous cultures who are experiencing similar struggles as they have been pushed off their land in the interest of national conservation. Additionally, he critically assesses the current approaches, which are being used to address the issue of conflict between indigenous people, political leaders and environmental conservationists.
I found two dominant strengths in this literature, the first of which is his use of diverse cultural examples. As an undergraduate student with a strong interest in this topic as well as some previous knowledge concerning the issues presented, I found Igoe's narrative style refreshing as well as engaging. Readers are able to get a direct insight into the Maasai culture and a clear historical account of the implications of colonialism and religion. Additionally, Igoe presents the progression of the development of national parks and what resulted in western fortress conservation in Tanzania. Together this information provides a solid background allowing readers who are both educated and new to these topics to gain a better understanding of how the current state of conservation arose. Secondly, his combination of information creates a piece of literature that addresses critical global issues, which can be applied to a wide variety of disciplines. Alone this speaks highly for the books adaptability in various classrooms as well as a reference for professionals in various fields. Furthermore, it supports the fact that in order for new forms of conservation to be successful it is necessary to bring together experts in various social, political, and scientific disciplines.

The social consequences that conservation brings to indigenous people has often been ignored by those trying to protect natural resources and wildlife. Jim Igoe explains and displays what happens and has happened to the people who live outside the famous national parks many of us know and cherish around the world. He presents case studies of how people who live outside the parks have suffered all over the globe. He describes this situation with passion and personal examples, as he lived with many of the people he describes. His work has given him a unique perspective, as he did not travel or live like the typical tourist who wants to view the native flora and fauna that has been protected.

The book's primary focus is East Africa, but Jim includes a substantial amount of material from other regions and cultures. His strength, in this text, is his ability to look at conservation through a global lens, but with a native's perspective. His knack for engaging people at all levels shows in this book. Jim's writing is easy to follow, crystal clear, and relates his first hand experiences and examples in a way that quickly give his work broad appeal. He brings to life the reality of indigenous people struggling to adapt to globalization and the pressure on natural resource base they have relied on for centuries.

This book has appeal at many levels. For high school and undergraduate students it offers an interesting examples of how important anthropology is to understanding the human issues of many global problems. His personal examples and ideas offer discussion points, which once read will not be forgotten. For graduate students Jim offers many ideas on how his own work with NGO's (Non government organizations) got started, progressed, and changed his life. The importance of understanding land tenure, community control, the role of NGO's and different types of parks, as well as the capacity of the local people are all shown to clearly impact both conservation and local people. For conservationists, researchers, and the general public this book offers a unique perspective and voice of the people who have been displaced, lost their livelihoods, and in a few cases successfully adapted to this change.

Globalization has affected us all, and in many cases has had negative consequences for indigenous people. Jim clearly shows that there are much larger forces at work than simply protecting interests of the wildlife and wild areas. Exploring policies of the National Park Service in the United States, as well as policies of other countries, he weaves together the similarities and clearly points out the different ways in which natural resources are managed. In addition to offering an important critique of failed policies, Jim Igoe offers alternative solutions necessary for both the environment and social justice, while providing lessons in history, land tenure and policy making from all over the globe. I recommend this book to all of my students traveling abroad to work with indigenous people.

Good authorship requires two things - a story to tell and good way of communicating it. Jim Igoe has both in buckets. Conservation and Globalisation is a clear and challenging story of how conservation practices can disrupt local lives and how apparently straightforward solutions to the problems resulting are riven with complexity and difficulty.

The book is based primarily on fieldwork in East Africa and Prof Igoe's enlivens his account of the problems of understanding the worlds he encountered there with a down to earth uncomplicated style that takes the reader right out to the towns and plains where the work was conducted. This is a must-read for any student contemplating ethnographic or anthropological fieldwork. But its scope is far more than merely East Africa. Prof Igoe's pen takes us to England before the Industrial Revolution and to the latest developments in National Parks in the US, Australia, Nepal, Brazil and Panama. He quite clearly shows how the problems of conservation and civil society are global in their origins and nature and have to be understood through a multitude of sites.

One of the book's greatest strengths is its analysis of civil society, local movements and non-governmental organisations. At a time when much hope and expectation is vested in democratisation and local empowerment this work is a sanguine wake-up call to the problems that these notions bring with them. It quite clearly demonstrates how these ideas are manipulated by local actors, often with very different agendas from global organisations, and transformed by the perpetuated dysfunction typical of the institutions implementing of global development and conservation ideals.

I would, therefore, recommend this book to students, conservationists and development workers in all situations. Its language and style are accessible to all. Its questions and challenges will inform expert practitioners, university teachers and PhD students. This is an excellent book.

Very nice reading all stories very thought provoking and all have a good message. Something I will enjoy reading to my grandchildren.

READ ABSOLUTELY EVERYTHING BY THIS MAN YOU CAN GET YOUR HANDS ON....HIS ESSAYS AND STORIES IN THIS COLLECTION ARE WELL WRITTEN AND EXCEPTIONALLY PROFOUND...THE ANSWERS TO A HARMONIOUS AND BALANCED LIFE LIE IN THESE PAGES....COME FIND THEM.

Joseph Marshall III's the Dance House: Stories from Rosebud relates knowledgeable insight from the Sicangu Lakota Sioux's point of view, using everyday incidents as well as historical events. A Lakota Sioux historian who was raised on the Rosebud reservation, the author's simple yet harmonious language creates a memorable collection of eight short stories and five essays that present a truthful representation of Native Americans. Using the underlying theme that heritage is important to one's identity. Marshall is adamant in erasing the white man's barbaric, ignorant image of the Indian.

In the title story, after the tribe's dance house was ordered burned by the United States Government which seized the Black Hills land where the house stood, Jacob Little Thunder and others, outwitting the white "boss farmer" and defying the Dawes Act, build a house of happiness where the people of Grass Valley could come together to remember "the old days and traditional way."

Gus Pretty Crow, through his unwavering honesty, brought the demise of the haughty sheriff in "1965 Continental." One rainy night a stranger appears at Gus' door requesting mechanical help. When Gus recommends that the man wait until the next morning and call the local wrecker "that runs, sometimes," the stranger propositions him: "Sell me your [1950] truck and I'll give you that 1965 Lincoln Continental." After Gus explains that an Indian owning a new luxury vehicle would create problems for him, the stranger promises that just a phone call to him would fix any problem that would occur. Reluctantly Gus agrees to the transaction and soon after the harassment by the local sheriff begins.

Jon Marichale educates his grandfather during a reminiscent outing about the petrifaction process of a stone turtle the grandfather had discovered years before.

The Dance House is necessary reading for anyone who is interested in the truth about Native American culture, or simply enjoys gifted storytelling.

Lakota Sioux historian and novelist Marshall proves himself a triple threat with these powerful essays and short stories. As the subtitle suggests, the nine pieces collected here all deal with life on the author's home reservation of Rosebud, SD, and it is a credit to Marshall's ability as a storyteller that the fictional stories are nearly indistinguishable from the factual essays. Subject to changes brought in by Euro-American culture that surrounds it, Marshall's Rosebud is nevertheless a timeless place where the Sioux insist on maintaining their identity. Readers will be grateful to Marshall for building a dance house of the mind, one that draws on autobiography, nature writing, legend and the day-to-day adventures and misadventures of his own family and neighbors.

"Hickok's Gold" is a fine second installment in the Kaye family vacation series. Like the first book, "Bowleg's Bounty," there are really two stories unfolding for the reader. Young readers will enjoy making connections between the story being told by Mr. Kaye each night around the campfire and the events that transpire during the family's vacation. Any family that has gone on camping vacations will enjoy this book. Mr. Kropp's accounts of the highs and lows of family camping ring true. The book should work as a read aloud at bedtime book, as well as a book for young readers to read on their own.

When Benjamin and Martin arrived in the Black Hills with their parents, Mr. Kaye was ready with campfire stories of Cowboys, Indians, and the Gold Fields that sparked danger and a host of legendary characters. A fascinating and engaging story of adventure that blurs the distinction between fantasy and reality, there are ancient riddles to be solved and a quest for wild Bill Hickok's lost gold mine to be made. Author Joseph Kropp is a superb storyteller and "Hickock's Gold" is a deftly crafted novel that will hold the reader's full attention from first page to last. Also very highly recommended is Kropp's previous novel, "Bowleg's Bounty".

I recently read Joseph Kropp's Hickok's Gold and was enthralled by the story. I can recommend it to anyone who enjoys a good yarn about the old west, or the new west. It's really two books in one, one story about intrigue in the old west, and the other about vacationing brothers who share an adventure unravelling an old west mystery. Dr. Kropp does a superb balancing act with the two tales, keeping the reader guessing and always wanting more. I never wanted to put the book down.
I read Dr. Kropp's Bowleg's Bounty, primarily a pirate story (very exciting), and he has elevated his game with his second effort. His writing has matured, and Hickok's Gold will be a satisfying read not only for those interested in stories of the old west, but for those who appreciate good storytelling in any genre. Buy it, enjoy it, and spread the word: There's a new writer in town, and he's a good 'un.

"Before long, they climbed into the van for the short trip to Deadwood. The boys couldn't believe their eyes when they arrived. There was a real Wild West town, just like their father had been describing in his campfire stories." ~ pg. 124

Joseph Kropp is an excellent storyteller, and as he weaves two stories together, a family on vacation experiences the excitement of the Wild West. Throughout the vacation in the Black Hills, the story of Wild Bill Hickock and his gold mine introduces children to real characters who live in a world of intrigue. The creative introduction in a dream leads to real-life adventure as Benjamin and Martin learn to ride horses, sleep out under the stars and meet bear cubs.

"Dawn and the faint beginnings of the new day found Destiny and Buck at the western edge of the Badlands - a mystical, wind-swept, collection of hills and valleys, ringed with the intense, soft colors of the earth. A morning mist hung like a feather bed over the barren landscape, welcoming Destiny home." ~ pg. 139

Destiny is a girl who is separated from her family during a battle and is a member of the Sioux nation. She is part of the story in the past told by the father and we also learn about Chief Sitting Bull and General Custer. Joseph Kropp excels at describing the landscape and creates an adventure infused with reality and imagination.

~The Rebecca Review

In searching for that illusive "something", I came upon this book. Its stories and lessons have made a profound impact on my life and how I view the world. As a Mohawk, I have deep respect and admiration for the way Henry has honored Bill Eagle Feather. The sharing of the amazing experiences and teachings is done in such a way that anyone can grasp the meaning and depth and power of the Lakota ways.

The faith of the Native peoples is captured here, and if you are looking for something to touch you and change your direction, this could be the book. Aho Mitake Oyasin.

"The author's memoirs of the Lakota ceremonies are brilliantly vivid and downright fascinating. I cringed as they were making flesh sacrifices and discovered that I was rubbing my chest after reading how the Sacred Tree would not allow him to break free during his first Sun Dance, even though he had only been lightly pierced. Eagle Feather's explanation for this sent chill bumps down my spine."
-RAMBLES pub. March 13, 2004
written by Alicia Karen Elkins

The Man Who Knew the Medicine: The Teachings of Bill Eagle Feather A wonderful truth. A story of discovery and of the path of the red road. Henry Niese weaves a wonderful panorama of his life, seen through the eyes of experience as taught to him by Bill Eagle Father. This is a MUST have book, to pull out again and again throughout life. Each time I pick it up, I learn something new. I love this man, and this book.

The Man Who Knew The Medicine: The Teachings Of Bill Eagle Feather by Henry Niese (who has participated in more than one hundred Native American ceremonies, including dancing in thirty-seven Sun Dances) showcases the Lakota shaman Bill Schweigman Eagle Feather who in the 1960s defied a U.S. government ban on Native American religious practice and performed the Sun Dance ritual with public piercings and continued on as a Sun Dance chief and instructor in the Lakota way of life until his death in 1980. Niese first met Bill Eagle Feather during a Seat Lodge ceremony preceding a Sun Dance on the Rosebud Sioux Reservation in 1975 and now carries on the work and legacy of Bill Eagle Feather by performing healings and giving seminars and workshops on medicinal plans and Native American healing practices. The Man Who Knew Medicine is a unique and enthusiastically recommended addition to Native American Studies collections, and an invaluable contribution to Alternative Medicine reading lists as well.

It's a testament to the writer's humility that this book is not a how to in the Ways of The Lakota. More honestly it is a loving and skilled tribute to Bill Eagle Feather. I cried through much of this book..everything so vivid and real. I only wish it had been twice as long.