Oklahoma Books

I have several guides for birds, butterflies, snakes, reptiles and amphibians. I just started learn about dragonflies this year and this is one of the best guides I have seen. In fact, it was highly recommended by an individual who has a Masters Degree in dragonfly study. I recommend it for individuals just starting out with dragonflies as the photos are great but it also provides enough information (range maps) to let you narrow down and identify the more difficult species.

This field guide is the one to own. It covers not only all the dragonflies of Texas and the Southcentral US, but all the damselflies as well. The photographs are superb and this make for easy identification of species in the field. However, because of these pluses, the result is a rather sizable guide that is just a bit too heavy to really qualify as a handy field guide. If you can deal with its size and weight, it more than makes up for this handicap in thes helpful information it provides. The only drawback and the reason I gave it 4 stars instead of 5, is because it is a tad less user friendly for the novice or non-professional (i.e. The species identification keys are a bit confusing). Nevertheless, it is destined to become the standard to measure all other guides.

As an admirer of dragonflies and damselflies I was quite delighted to find this book by John C. Abbott. It is a mix of the very technical and (at least in part because of the 64 plates of magnificent color photos) the very useful for the non-specialist. The range maps are invaluable as a way of adding clues for the identification of similar species. The line drawings of anatomical parts are important in separating closely related species and the glossary of terms, the check list, and the large bibliography round out a very useful or even indispensable volume for the dragonfly watcher. In short, this book is a serious guide to an area with the highest odonate diversity in the United States. "Dragonflies and Damselflies of Texas and the South-Central United States" simply is a must for anyone interested in the odonate fauna of the five states involved. Its production, along with at least three earlier regional and national books on the subject, is a testimonial to the growing popularity of these beautiful and fascinating insects.

This is not a book that you can skim; rather, it is one intended for the serious student of Odonata in Texas. Written by an acknowledged expert in the field, it covers everything you might want to know about the dragonflies found in Texas.

Be warned, though, that you cannot approach this book lightly. The author uses scientific terms liberally: you will have to spend time acquiring the vocabulary.

For the serious Texas "Odo-nut" this is an absolutely essential part of your library.

this is a great book, it is very interesting and seems to be fairly accurate to what might have happened in the life just after the land run.

This story is sooo close to fact one feels like they are part of the land run.

Hard to believe the same guy who wrote "Empire" wrote "Dreams to Dust" what a vast improvement on story telling. Dreams to Dust is a great historical fiction that centers around the founding of Guthrie Station, OK. The characters are diverse and well developed. This was a fun book to read.

DREAMS TO DUST
A tale of the Oklahoma Land Rush
By Sheldon Russell
University of Oklahoma Press: Norman
ISBN 0-8061-3721-5
Copyright 2006 by University of Oklahoma Press

BOOK REVIEW BY CAROLYN BRANCH LEONARD 2/10/2006

Standing at the foot of Mavis's grave, Jerome held his hat in his hands.
"You danced your dance," he whispered, "and left your memory burned in my soul. Now, I will dance mine, and leave my mark upon this land."

This quote from Dreams to Dust, by Sheldon Russell, represents the author's profound understanding of the birth of Oklahoma by land run in 1889, and his brilliant gift for capturing the dramatic events and violent conflict that shaped the legends of our epic West. Dreams to Dust is a rip-roaring tale of the history, land and people of a city born grown in one day - a day of chaos, unique adventure, risk and total confusion. The author knows his subject well, researched it thoroughly and told his story faithfully in a writing style unique to him ...and what an exciting story he has to tell. Dreams to Dust presents many facts revealed in fictional format, such as the station that becomes Guthrie - the first state capitol, abandoned as result of one frontier newspaperman's greed, with the capitol seal stolen away in the dark of night.

Not since James Michener's Centennial has history been told in such a spellbinding way. From the opening line when Creed McReynolds locks his legs against the inside of a rail car, I felt relentlessly carried along on his journey and unable to get off the train until turning the final pages in the wee small hours of morning.

McReynolds, half-breed son of a U.S. Cavalry doctor, becomes just one of an assortment of powerful, unforgettable characters; like the girl with sapphire eyes, or the French architect who designed beautiful buildings of stone, the dog they called Flea Bag, hard-scrabble entrepreneurs who became tycoons, and an orphan boy forced to grow up too soon.

The author speaks in language of the time, through the voices of homesteaders, sooners, cowboys, claim jumpers, soldiers, railroad bulls, mail-order wives, opportunists and common thieves, steadfast men, women and children who come to build their homes and seek their fortunes on former Indian lands. The three million acres of the `89ers are outside the authority of Indian government, and without civil law. Nothing is spared: danger, brutality, hunger, sudden death, the loss of youth and innocence, prejudice, natural disasters, promiscuous women, even the unselfish friendship and love that McReynolds unexpectedly finds in this barren land.

But what comes through strongest is the idea that each man and woman has an innate dream to possess land and prosper on it; a compulsion capable of redeeming a soul or destroying a life. We are subtly reminded that this land - which McReynolds fights so hard to claim - originally was given in peace treaties to his mother's people by the US government.

Even the closing graphs present a ripping good read with a hint of Hemingway:
"As he climbed from the meadow, the air smelled scrubbed and clean, and a soft breeze blew through the trees. At the dugout he stopped, laying his hand on the door, listening to the sounds of the mountain. It was here that he and Alida had been the happiest, had built traps and laughed about hoopers, had made love and planned their future."

.....But no matter what the future held, this much he knew: this land was where he belonged; this land was where he'd stay.

I loved this novel. Miller tells a poignant tale of a city and its drifting people; it's a wonderful mixture of philosophy, musings interwoven wth fascinating bits of little known San Diego history. Poetic, passionate, and transcendant, Drift is a truly unique, beautifully written book that includes art and photography--a rare, literary find.

I found this to be a lively and engaging read. The city of San Diego (sometimes viewed as America's blandest city) is as much a character in the novel as are the various people wandering through the city and through their lives - trying to make sense of the world. Various characters are always seraching for something - whether it is beauty or another fix or the capacity to forget. One of the strongest aspects of this novel is the way that it reaches out beyond the two central characters to tell of a multitude of stories - of the cities new immigrants, homeless people, suburbanites, academics. In that sense, the novel reflects that which is best about cities in general - the way different types of people are always rubbing up against each other.

I had the pleasure of seeing Jim Miller read from Drift accompanied by a jazz trumpet one night. Imagining a slow-tempo jazzy soundtrack, kind of moody and introspective, is almost impossible not to do while reading Drift. It is meditative and insightful, yet there is something on every page that makes you chuckle.

Drift is fascinating because of its expirimentation with perspective; we get to see a lot of what Joe Blake and Theresa Sanchez are thinking, stream-of-conscience-like (and without an overly self-conscious narrator that sometimes "invades" S-of-C-like books) but also other characters that subliminally inter-twine with each other throughout the narrative as well.

In a set of chapters, for example, two separate people -- an older man and an older woman -- experience the same city, some of the same places, on the same day, even crossing paths -- yet they have totally different experiences and feelings.

This book is great for procrastinating during mid-terms, reading for sobriety, remembering not to take yourself too seriously...etc.

Highly recommended.

"Drift" is Jim Miller's first novel. His previous publications include "Better to Reign in Hell: Inside the Raiders Fan Empire" (with Kelly Mayhew) and "Under the Perfect Sun: The San Diego Tourists Never See" (with Mike Davis and Kelly Mayhew).

[...]

The central narrative of "Drift" concerns a romance between teacher Joe Blake and his former student, Theresa Sanchez. Many other narrative strands are introduced, serving to locate Joe and Theresa within a web of social (class, ethnicity, etc.) relations, and to generate the illusion of urban simultaneity. The central narrative is quite effective; the sense of these character's seeking a better life through mutually shared extremes of experience is skillfully drawn by Miller, without lapsing into overt sentimentality or pathos: the desperate nature of their social realities is presented as a concrete fact, yet it never overdetermines their autonomy and presence as individuals.

There is also a fairly long section concerning Joe's "drift" through urban San Diego that climaxes with a sublime appreciation of urban ambience via its architecture that is very well done, and is quite evocative of the sorts of guided experiential epiphanies that Situationist theory might indicate.

Also very skillfully handled is the inclusion of a Left social history of San Diego (this in italicized passages strategically located throughout the text), which provides a specific context of historical agency in which to locate these various narrative strands, and also in a sense accomidates Jameson's critique of the uniquely ahistorical nature of contemporary society, of which San Diego, a city sleepwalking through time, is an almost absurdly postmodern example.

Reading the novel does suggest some questions regarding intended audience; it would be far too easy, in my appreciation, to regard "Drift" as of a species of local novel, one in which the setting is so suggestive as to overwhelm the more universal aspect of its core themes and concerns. That said, there are some intensely felt pleasures to be found here for local readers: a pround sense of place generative of a way to "read," understand and act within these sometimes seemingly oblique, ephemeral and sun-dazed urban spaces.

This is a great reference book if you are a Militaria collector.

This book would primarily appeal to collectors. It is extensive in its coverage of the history of insignias and it also is liberally illustrated. A definite must have for the collector.

I have been acquainted with the author for many years so when I heard this work was to be published I looked forward to acquiring it.
As I was scheduled to retire in January 1998, I went to the planners of my party and told them rather than perhaps giving me an inappropriate, useless or redundant gift (After all I have been collecting books for forty five years.) I would like a gift certificate from a book store. Well, I got enough to get this and a fine thing it is too.
Every place I looked where I knew somthing about the subject, especially the post Korea-pre Vietnam Cold War when I served, I had no quarrel with what Bill said. So you can depend on the nineteenth century material which is just as well researched.
This book is much improved by not just being a catalog of insignia but identifies the clothing upon which it was worn, thus facilitating its use for identification.
Every major research library should have this in its collection along with his other mighty work Chevrons.

As an avid collector of US Army cloth insignia from WWI to modern day,I had failed to do any research on branch insignia preferring the more colourful shoulder sleeve insignia.However as with all collecting one finds themselves the need for more information on all types of insignia worn on the uniform.This masterpiece of work fills this for all collectors of US Army insignia.This is a must have and an indispencible tool for the serious collector/historian.I personally rank William K Emerson's book along side that of Shelby L Stanton's order's of battle books for the amount of time, energy and finally the monumentous task of gathering and putting all this information together in one single volume. To this I must add the name of J Duncan Campbell listed in the preface.

Readers purpose for examining the material was a search for more information into Egyptian use of Fibonacci sequences, specifically whether they used 1st. or 2nd. order, since it is known that the Italian was not the first. Readers questions in this regard were answered although not directly.Author of book makes case why astronomy did not evolve from astrology. Although author is not math intensive, author has incredible insight into the human subconsciousness role and direction into math as used by these early peoples. Reader was able to re-work, from the Astronomy section of MathCad, the base 60 calculator used by the Babylonians, (one was also constructed for the Eygptians in their base but is not nearly as interesting) and reflects how clearly the author had submitted the interpretations for the reader to follow. This book is gem.

The Babylonians were good guys. They had a sophisticated, table-based system of arithmetic, they could solve quadratic equations, etc. For all this we respect them, but for Plimpton 322 we love them--surely only true connoisseurs of numbers would produce a table of Pythagorean triples. The Egyptians on the other hand disappoint us. Their arithmetic "is probably best described as a retarding force" and their astronomy "remained through all its history on an exceedingly crude level" (p. 80). To be fair, their simple-mindedness did lead them to one great creation, namely "the only intelligent calendar which ever existed in human history", to be contrasted with e.g. "the chaotic Greek calendars, depending not only on the moon but also on local politics for its intercalations" (p. 81). Neugebauer's favourite topic is Babylonian astronomy. "The very backbone of Babylonian mathematical astronomy" (p. 102) is period relations, like 235 lunar months = 19 solar years. From here they build up a quite sophisticated, purely arithmetical system "excellently adapted to practical computation and to predicting new moons, eclipses, etc." (p. 114). "At no point of this theory are the traces of a specific geometrical model visible" (p. 110), so the Babylonian theory is completely different from the Ptolemaic theory. "Nevertheless, Babylonian influence is visible in two different ways in Greek astronomy: first, in contributing the basic empirical material ... second, in a direct continuation of arithmetical methods which were used simultaneously with and independently of the geometrical methods" (p. 156); apparently even the Greeks didn't want to pull out their trig tables for every little thing. Throughout the book there are also notes on various aspects of historical scholarship, including delightfully subjective remarks like "The much publicized 'progress' in the study of the history of science is difficult to reconcile with the shocking neglect of a great wealth of source material ... What we really need is not bibliographies and summaries, but competent publications of Islamic, Greek, and Latin treatises" (p. 55).

An `old fashioned' text where the notes are as important as the body. The `Method' is the `As it really was' school. The author was a German mathematician who was drawn to Mesopotamian mathematics and astronomy early in the 20th century. Where used Greek or Latin is translated. The more modern European languages of French and especially German are extensively referred to in the notes but NOT in the body.

The book is much more `Eurocentric' than is `politically correct' these days. By example the `zero symbol' is attributed to Greece, thence to Egypt then to the Orient. Others disagree. This author presents data, lists and writings from the original sources ... he has received `lifetime awards' form mathematical societies but the popular press has called other authors on zero, "ball buster's"

This book is a very deep investigation of the topic of the title. While not a `page turner' for most if one relishes tidbits of fascinating information on numbers, antique maths, astronomical methods and spends the time to read the notes as well as the text when they finish this book they will have a good grip of the breadth of Mesopotamian knowledge of these subjects.

This book explains the level of learning and advance of knowledge that was aquired by the ancient cultures in Bablyon, Sumer, and Egypt.

It gives a good overview of the mathematics, and astronomy that was aquired in these cultures, and the progression of this to the more modern Greek and Roman cultures.

This inordinately ambitious, often overreaching & self-contradictory, but nonetheless thought-provoking book takes as it's central thesis the following: "The dominant themes of the Frontier Myth are those that center on the conception of American history as a heroic-scale Indian war, pitting race against race; and the central concern of the mythmakers is with the problem of reaching the 'end of the Frontier'. Both of these themes are brought together in the "Last Stand" legend, which is the central fable of the industrial or 'revised' Myth of the Frontier." Slotkin proceeds to trace the impact and the changing understanding of the Frontier Myth from King Phillip's War to 1890, when Frederick Jackson Turner declared the Frontier closed. He maintains that over this period of time the hero of the myth evolved from an agrarian/frontiersman/hunter to a soldier-aristocrat, because that was what industrial capitalism required.

Of course, this thesis begs several questions: Does Custer as culmination of the myth of the industrial captain make any sense? He was, after all, suckered and slaughtered by a pack of illiterate barbarians, are we to believe that the overlords of Capitalism wanted to be seen as incompetent fops? Also, why does Sitting Bull emerge as an American legend too? Shouldn't we expect him to be remembered as some kind of monster, rather than as a noble savage?

The reason that Slotkin can not, or does not, answer these questions, is because his book is a work of ideology as much as of history. He wanted to vilify Capitalism and 19th century robber barons and so, he finds primary sources to support his view. But does the fact that a few novels or newspapers treated the Last stand in the manner that he hoped they had actually prove anything? How do we know what kind of influence these contemporary writings had & did they really outweigh the opposing presentations in other periodicals and novels? And what explains the image that comes down to us in films like She Wore a Yellow Ribbon, where Custer is portrayed as a blindly obstinate fanatic, largely responsible for his own death? Had Capitalism lost the need for it's own myths? It hardly seems likely.

In the end, Slotkin's book should be read for the panoramic sweep it offers of Frontier history and for the provocative, albeit inaccurate, theories that it offers up. His arguments are well worth wrestling with & refuting.

GRADE: B-

Richard Slotkin was educated in the New York City public schools and has a Ph.D.in American Civilization from Brown University (1967).

The essence of Slotkin's theory is that myths, stories drawn from history, are preserved in their narrative and become part of the language, as a deeply encoded set of metaphors that contain all of the lessons we have learned from our history, and all of the essential elements of our world view.

Slotkin's intention is to trace the historical development of a single major American myth, "Custer's Last Stand", and offer a critical interpretation of its meaning. The reader will judge the significance of this single myth, not simply by noting its recurrence and persistence, but by the waxing and waning of its hold on the marketplace in relation to other genres expressive of other myths. The focus of his study is myth as a set of narrative formulas that acquire, through specific historical action, a significant ideological change. To explain,a world defined by myth produces discontent. Ideology, however offsets this by generating a new narrative, or myth, that will account for and give value to reality. This creates the basis for a new cultural consensus or world view.

A good illustration of Slotkin's thesis is his chapter on regeneration through violence in the history of the Indian War 1675-1820. He focuses on the common elements of the literary mythology of Indian dispossession and the violent wars of conquest. The colonists acquired title to lands through this conquest and engaged in expansion. This is the system of belief that veiled the processes of economic development as a model for the rationalization of class subordination at home and imperialism abroad. This course reflects the social reality that the myth ideology of the Frontier was developed to conceal the processes of economic development.

You may never read a history book or enjoy an American historical novel again without testing Slotkin's "myth theory" for yourself. I was fascinated by the inevitable truth of Slotkin's theory, placed my "critical view-finders" aside, and simply enjoyed my reading discoveries.

I recommend this book as an enlightened examination of American perceptions, beliefs, stereotypes, and political policies.

Richard Slotkin was educated in the New York City public schools and has a Ph.D.in American Civilization from Brown University (1967).

The essence of Slotkins' theory is that myths, stories drawn from history, are preserved in their narrative and become part of the language, as a deeply encoded set of metaphors that contain all of the lessons we have learned from our history, and all of the essential elements of our world view.

Slotkin's intention is to trace the historical development of a single major American myth, "Custer's Last Stand", and offer a critical interpretation of its meaning. The reader will judge the significance of this single myth, not simply by noting its recurrence and persistence, but by the waxing and waning of its hold on the marketplace in relation to other genres expressive of other myths. The focus of his study is myth as a set of narrative formulas that acquire, through specific historical action, a significant ideological change. To explain,a world defined by myth produces discontent. Ideology, however offsets this by generating a new narrative, or myth, that will account for and give value to reality. This creates the basis for a new cultural consensus or world view.

A good illustration of Slotkin's thesis is his chapter on regeneration through violence in the history of the Indian War 1675-1820. He focuses on the common elements of the literary mythology of Indian dispossession and the violent wars of conquest. The colonists acquired title to lands through this conquest and engaged in expansion. This is the system of belief that veiled the processes of economic development as a model for the rationalization of class subordination at home and imperialism abroad. This course reflects the social reality that the myth ideology of the Frontier was developed to conceal the processes of economic development.

You may never read a history book or enjoy an American historical novel again without testing Slotkin's "myth theory" for yourself. I was fascinated by the inevitable truth of Slotkin's theory, placed my "critical view-finders" aside, to simply enjoy my reading discoveries. I recommend this book as an enlightened examination of American perceptions, beliefs, stereotypes, and political policies.

The professional editorials above do a fairly good job in summarizing the gist of this monumental work. What I want to draw attention towards is the absolute yeoman work Slotkin did in researching this the middle act of his trilogy. For example, pouring through miles of newspapers he makes startling observations of how editors placed their stories about Indian uprisings and unrest in the factories from non Anglo-Saxon workers in psychological and proximal juxtaposition in the many newspapers of the day. A mythos was created that was passed on to the subsequent generations of Americans. This mythos (which, I feel, as cultural learned behavior partly fuels all modern racism)is evidently examined further in the third book of the series, "Gunfighter Nation." I will be reading this next work soon. The myth and role of the "culture hero" such as Custer is also very interesting and could well serve as a case study for the psychological and anthropological needs constructs that people have for heroes as examined by Ernest Becker's Pulitzer Prize winning book "The Denial of Death." The book is sometimes hard going but is well worth it. It might also be very profitable to read Slotkins's first book of this trilogy, "Regeneration Through Violence" which covers the colonial period.

General George H. Thomas was a Southern born Union officer who commanded the outstanding Army of the Cumberland and he was one of the great generals of the American Civil War. In military circles he will forever be known as "The Rock of Chickamauga". However today, for a number of reasons, he is relatively unknown to the American public.

Any author writing a biography of George Thomas is faced with a major hurdle in that most of Thomas' private papers were burned at his request when he died, and the fact that he died suddenly of a stoke soon after the Civil War which left no chance for a memoir. The author addressed these problems by relentlessly researching every collection of Thomas Papers available and reviewing as many private letters that he could. Other authors may have done this also, and used them to influence their writing, but Mr. Christopher Einolf has done more. He quotes from the Thomas letters giving the reader a glimpse of the real Thomas.

The author uses an understated writing style that I think would have been appreciated by Thomas himself. He lets the facts speak for themselves in many cases and lets his readers draw their own conclusions. However he is not shy about sharing any new understanding of Thomas that he has reached. His description of how Thomas' attitude about blacks changed, from one of a conventional Virginia land owner to a real Civil Rights advocate and that this change came not so much as an evolutionary process but more of a `frame-break' moment after the Battle of Nashville when he saw for himself how well his black troops fought, gives us a new major insight into the man. This view came as a revelation for me as I never agreed with some early Thomas biographers who assumed Thomas had some innate goodness in him that would not allow him to treat blacks unequally. With his aristocratic Virginia upbringing, it did not make any sense. To me Mr. Einolf's analysis rings true.

The author's battle descriptions and analyses are very good with the notable exception of the Battle of Chattanooga. He basically subscribes to the standard `miracle theory' or to luck, as he has the soldiers saying, for the great success at Missionary Ridge. He states that `military historians' say the artillery was badly placed, and that the Union soldiers could scurry up the ravines unseen by enemy soldiers. This may be true, but the author misses the point that the prime factor in winning the battle was the effort of General Joseph Hooker and the fact that Thomas delayed his attack as long as he could to allow Hooker time to flank the ridge from Lookout Mountain. Confederate veterans on high ground and in good defensive positions would ordinarily not have been worried about any Federal charge, but with the added knowledge that a Union Corps was marching across their line of retreat, they decided it was time to skedaddle. That aside, the author's description of Stones River, Chickamauga, Nashville and the other battles is very good and his conclusions are astute.

Mr. Einolf's chapters on Thomas' post war actions and decisions during the occupation and the early reconstruction periods are given the detail they deserve. The author shows how Thomas had a unique perspective on the situation due to his being a Southern gentleman, a Unionist and knowing first hand the qualities of the black men who fought for their freedom. These two chapters really differentiate this book from other Thomas biographies.

In his concluding chapter entitled "Thomas in Historical Memory" Mr. Einolf goes into the reasons for loss of Thomas' place in history. This makes for very interesting reading especially in what he has to say about the Southern Historical Society. While I personally think he is too mild with regard to Generals U. S. Grant and William T. Sherman in their treatment of General Thomas during the war and later in their memoirs which contributed to the loss of George Thomas in history, Mr. Einolf's opinion on this matter has merit.

Overall this biography is excellent and a very creditable addition to the literature on the American Civil War.

Anyone who is mildly interested in history should read this biography. Mr. Einolf has thoroughly researched George Thomas and while providing an extensive account of his life, he has managed to create a work that is entertaining. Civil War buffs should enjoy this work as it shares an interesting and valid view of loyalties to fellow man and country.

In reading about the Civil War, I was intrigued by the story of Union General George Henry Thomas. How fortunate that Christopher J. Einolf recently published George Thomas: Virginian for the Union. This book does much to introduce 21st Century readers to this once famous general who has pretty much dropped off the radar screen.

The background of George Thomas is very similar to Confederate General Robert E. Lee. Coming from a prominent Virginia family, Thomas went to West Point, served in the Mexican and Indian Wars, and then taught at West Point. But unlike Lee, when the Civil War began, Thomas placed his oath to the Constitution above his loyalty to his family and his state and sided with the Union. He never saw his homestead or his sisters again.

While both armies had more than a few eccentric characters in key leadership positions (think Grant, Sherman, Stonewall Jackson, McClellan, J.E.B. Stuart, etc.), Thomas proved to be one of the most steady, consistent but understated generals during the Civil War. His friend and West Point roommate, William Tecumseh Sherman said of Thomas that "He was never brilliant, but always cool, reliable, and steady--maybe a little slow." After the war, Sherman praised Thomas as "the second-best general of the war, after Grant, and argued that Thomas was a better general even than Robert E. Lee."
His greatest successes were at the Battle of Chickamauga and the Battle of Nashville. His actions at Chickamauga helped to save the Union army from total annihilation and earned him the nickname, The Rock of Chickamauga. He finished the Civil War as the sixth highest ranking general in the Union army behind Grant, Sherman, Halleck, Mead and Sheridan.

While I found George Thomas: Virginian for the Union to be engrossing, it's very long on military information and short on personal facts. The reasons for this are the same reasons that Thomas is not very well known today. First, he had all his personal papers burned upon his death and he rarely spoke to his colleagues about his personal life. He never published his memoirs, unlike many of the key players from the war. He also was the first general to die after the war at the young age of 53 (in 1870). Three friends wrote biographies of Thomas after his death and respected his wish for privacy. This book doesn't even contain a photograph of his wife, Frances. Frances was also a very private person, and they had no children. While I would have preferred more personal information, I can't hold it against Einolf is very little is available to researchers.
But despite this shortcoming, George Thomas is still an excellent book and one that I would strongly recommend to others.

Volume 13 of the "Campaigns and Commanders" series, George Thomas: Virginian for the Union is the in-depth biography of one of the Union's most prominent and successful generals, who was at one time considered for overall command of the Union Army. Remembered today as the "Rock of Chickamauga", George H. Thomas was a slaveholding Southerner who chose to fight for the North, and his experience with the heroism of black soldiers on the battlefield forever changed his view of African-Americans, transforming him into a defender of civil rights. While George Thomas: Virginian for the Union makes a solid case for Thomas' integrity and competence, neither are Thomas' flaws and ill decisions neglected. Notes, a bibliography, and an index enhance this evenhanded appraisal of a truly remarkable commander.

I have read several books about the Sioux Wars so i wasnt really sure i wanted to read another one, but Mr Robinson's book is fantastic.He writes taking in consideration that the reader doesnt know anything about the topic so he explains with good accuracy terms and places like no other author. The author is bold and right on the money when it comes to point a finger at somebody, like for example the stupidity of the Army officers.I found that the interviews and research the author made for this book are very good, especially from the indians perspective.The only thing i didnt like is the fact that Mr Robinson doesnt go into details when it comes to Crazy Horse.I would have loved to read more about Crazy Horse part in this Wars.Otherwise this is an excelente book!

This is by far the best book on the Army's conflict with Native Americans since "Bury My Heart at Wounded Knee". It treats the material as a campaign rather than a series of seperate battles, so that Little Big Horn is treated as part of a whole. The author also describes the personalities and deeds of several Indian characters, not just Sitting Bull and Crazy Horse. This is an eye-opening recounting of an important part of US history and a look at one of the greatest guerilla forces ever to wage war against the American Army.

Rather than concentrate on one battle or campaign, Robinson sets the stage for the reader to follow the movement of all the actors playing a role in the drama across the seasons of the war. I used this book as an orientation to the conflicts of 1876 prior to a trip to Wyoming, Montana and the Dakotas to visit battle sites while on vacation. My trip was greatly enriched by reading this volume first. You can find more concentrated studies of particular engagements and the biographies of the participants that will offer deeper insights into the war, but for one overall narrative that provides the reader with the flavor of the contemporary army and Indian experience, here's my choice.

The depiction of the Battle of the Little Big Horn, especially that based on eye-witness accounts is riveting. It shows how different this battle was for the Lakota from the type of fighting they were used to, and what a feat it was for Crazy Horse to have pulled them together to fight in the manner of the white men, even if it was for one time only. The feeling I came away with was that Custet had learned the style in which indians fought, just in time for Crazy Horse to learn to fight like the Cavalry. Both were brilliant military minds.

As the son of the Range, Bob Jansson, this book had special meaning to me. Although there have been other books written about this fire, this is the only one that I know of that gives the reader a view from the men and families involved. I commend the author for his work and highly recommend this book.

As a volunteer fire fighter/EMT here in southwest Montana, and a wildland firefighter during the summer months, when things heat up in our fire district, I purchased the book for some wintertime reading to start thinking about the upcoming wildland fire season. As I said in my title "A book with an ending you already know.." it is both an interesting and hard book to read, from the standpoint of knowing/wondering what was going through the minds of those smokejumpers as they were trying to outrun an upsloping fire racing towards them. You already know how the book ends, and there is a sadness in reading the book- as a firefighter, we go out enthusiastically to fight these fires, like soldiers going off to fight a war, but in our case, nobody is supposed to get hurt or killed. Every paging tone and deployment is the start of another great adventure, and we never think of what could happen when things go terribly bad. I now understand why that when I go out on out of district deployments(under someone elses control), my local fire chief has us check in as often as we can, to let him know we are safe and sound, and that we not putting ourselves in any unneccesary danger.
When I finished the book, I promised myself to start packing a bottle of "hurricane matches" in the pants pocket of my wildland pants, just like Wag Dodge did, which saved his life that fateful day in August 1949.

All in all, a great book for those trying to understand the human side of the Mann Gulch Fire of 1949.

Dayle Flynn
Firefighter/EMT
Columbus, MT Fire-Rescue Department

The Mann Gulch,MT. fire of 1949 was a seminal point in modern wildfires firefighting for the U.S. Forest Service. The deaths of 13 firefighters caused the Forest Service to implement training programs and develop safety equipment and protocols still being refined today.
Not since Norman MacLean's award winning book Young Men and Fire, published in 1992,has there been a real effort to revisit the fire and never has there been such an authoritative treatment of the personal dimensions of the tragedy as provided by the victim's families, close friends, and coworkers.
This is a heart stopping, minute-by-minute personal account of the men who fought, and died, in a wildfire that has forever remained in the nation's consciousness. The reader that has read both Young Men and Fire and this book will have as complete account of the tragedy as we are ever likely to get.

Mark Matthews has written about the Mann Gulch fire before, and avid readers of firefighting literature may readily recognize both his style and the events. But what makes A GREAT DAY TO FIGHT FIRE memorable is its different focus on the people who fought the fire, rather than just strategies and events. Chapters in A GREAT DAY TO FIGHT FIRE focuses on the victim's families and the personal impact of the fire upon firefighters, family members, survivors, and community members: as such it's an essential piece of information key to any collection strong in firefighting literature - and any general-interest library interested in true-life heroism.

I bought this book as a memento of Oklahoma's centennial celebration for my adult daughter. She wants to be a children's book illustrator herself and has an art degree, so she is very selective about books like this. This book meets all her and my criteria for a beautiful children's book. It has artistically beautiful illustrations and a very positive message. It appeals to adults and children and to all races. The characters in this book are African-American, but the story is universal, and the values expressed are timeless and universal. For me it was very nostalgic when it talked of pioneer times and farm living, especially the brush arbor church services. It also spoke with reverence of a beautiful land, which I think Oklahoma is. This book might be a little advanced for pre-schoolers to listen to, but first grade and up will enjoy the story whether they can read it themselves or need someone to read it to them. I think the activities mentioned in the story would make a very good starting point for many more stories and activities for young children. It makes me, a native Oklahoman, proud of our state and people, especially knowing the auther and illustrator are both Oklahomans, too. So if the only pictures of Oklahoma you have ever seen are the old dust bowl days or the Oklahoma City bombing, you will be surprised by the beauty of our state. But it is the people who settled this state and who remained to make it a great state who earned us the title of The Heartland.

BECAUSE OF ITS BEAUTIFUL POETRY, I THINK I HAVE HEARD OF A LAND IS EXCELLENT READING FOR YOUNG AND OLDER PEOPLE

Everyone should read this story.I HAVE HEARD OF A LAND is very informing and inspirational. I personally love the poetry along with the images.

I Have Heard of a Land presents a colorful lesson in American history, in such a way that readers of all ages can enjoy. With an eloquent tone and beautiful illustrations, I Have Heard of a Land is sure to be cherished for time to come. Ms.Thomas has done it again! She has created yet another timeless work of art.