New York Books

Love 'em or hate 'em, the New York Yankees are an integral slice of Americana. The superstars seem to shine brighter there than in other markets. They transcend sports and become a part of American life. From Ruth and Gehrig's dominance of the Roaring 20s to Joltin' Joe Dimaggio's hitting clinics of the 30s, 40s, and 50s, to Mantle and Maris in the 60s, and finally the resurgance of recent days, the baseball world hangs in the balance of what the Yanks ultimate destiny is on a yearly basis.

With the exception of Ruth, it is entirely possible that no one figure captured the baseball world's imagination to the same degree as Mickey Mantle. From his humble beginnings to his majestic homeruns, "The Mick" had something for every baseball fan and he displayed it all while wearing the famed pinstripes in a total of 12 World Series.

Not every World Series was won and Mickey certainly illustrates that he was far from perfect, both on and off the field. It's a wonderful look back to the Golden Era of baseball and an inside perspective of an age of sports that will never be seen again.

Fully recommended!

I was a Big Mickey Mantle fan back when he first came up to the Yankees as a 19 year old.
He immediately had an impact on me. As a young boy he was my idol.

I just began reading the book, and am already impressed with all the won- derful memories of the great Mickey Mantle.

The book is great!, and I expect no less, as I continue to read on.

All My Octobers is a great book, full of great moments and great players in Major League Baseball's greatest classic, The World Series. Told in the first person by the late baseball legend and New York Yankees powerhouse centerfielder Mickey Mantle, these stories of the World Series are natural and authentic. It's up close and personal, right from the dugout at Yankee Stadium. From his first series in 1951, playing with The Yankee Clipper, Joe Dimaggio, right through to his last in 1964 against the St. Louis Cardinals, where Mantle hit three home runs to set a career World Series record at 18. Mantle still holds that record, along with runs scored (42), and runs batted in (40). Of course, he writes about the excitement on the field during the games, but he also gives us some personal tid-bits and his thoughts on the games and players. He tells us that some mistakenly thought he was giving Joe Dimaggio the cold shoulder, but in truth, he just didn't feel it was his place as a young player to be so forward with a legend like Joltin' Joe. He recalls conversations with Casey Stengal and Yogi Berra, the all-night drinking sessions with Whitey Ford and Billy Martin, and how he watched Roger Maris hit his record breaking 61st home run on television from a hospital bed, while sidelined with a hip infection. Each chapter is devoted to a different World Series, and every one is remembered fondly and precisely by Mantle. These were the glorious New York Yankees' dynasty years, back when The Bronx Bombers ruled Major League Baseball, and the world was a different place. All My Octobers is a very interesting and intimate look at the best of baseball during that magical time.

An interviewer asked Yogi Berra to do word association. The interviewer's first words were Mickey Mantle. Yogi's association was - What about him?

Mickey takes us through his World Series appearances - 1951 when he permanently injured his knee, 1952 when Jackie Robinson told the press that Mantle beat the Dodgers and that the Yankees didn't miss DiMaggio, 1953 with Mickey's tape measure homeruns, 1955 when the long suffering Brooklyn Dodgers won their only World Series, 1956 when the umpire gave Don Larsen that final strike, 1957 when Yankee reject Lew Burdette beat the Yanks, 1958 when Bob Turley returned the favor by beating the Braves, 1960 when Casey failed to use Ford 3 times against the Pirates, causing the most heartbreaking disappointment in Mantle's baseball career, 1961 when Maris outpaced Mantle and substitutes won the World Series, 1962 when McCovey lined out to Richardson, 1963 when they ran into Koufax-Podres-Drysdale-Koufax, and 1964 when Whitey had a sore arm and couldn't pitch to St Louis.

Mickey blamed himself for failing to do rehab on his legs. He endured constant pain, and it was a miracle that he had a baseball career at all. He rated himself as equal to Mays in fielding, faster than Mays on the bases, but without the longevity.

If you look at the incredible Yankee dynasty of the 1950s you see a team that wasn't great on paper. The Cleveland Indians were at times as good or better. The Brooklyn Dodgers had much better hitting. It wasn't like the awesome Yankee teams of 1998 and 1999. The Yankees of Mickey's day had no business winning so many pennants and world championships. What they had was Yogi Berra, Whitey Ford, Gil McDougald, and above all Mickey Mantle.

Did you ever see him swing a bat? He hit the ball harder than Babe Ruth. He had the best swing in history, combining the grace of Ken Griffey Jr. with the power of ...... of nobody but Mickey Mantle. McGwire is a deep popup artist like Babe Ruth was. Mantle would drive the ball through a brick wall. He was the most powerful hitter who ever lived, and had the Olympic class speed of Rickey Henderson.

I had to read this book slowly, one story at a sitting, to give myself time to fully absorb all of the layers of experience presented in each piece. These are small, complex, multi-faceted gems of writing. The stories drew me in, devasted me, transported me, enlivened me, spit me out. I highly recommend Katherine Arnoldi's work!

"All Things Are Labor" kept me up at night. It's a truly haunting book...the difficult stories are told with an exacting delicacy...like a ballerina who has learned to dance on burning coals. From a renegade mother tracking down deadbeat dads to a woman who allows herself to be abused in order to live in the suburbs, Manhattan to Arkansas...the strength of Arnoldi's disparate voices draw you inside their indelible worlds. She's a Joyce Carol Oates with street cred.; she knows firsthand what it is to be poor, what it is to be alone, what it is to be struggling, surviving, persisting. If you like Dorothy Allison or Sapphire, please read Arnoldi.

The narrator's voice, confident in its vulnerability, is the portal to the reader's intimacy with the related experiences. These are stories that stay with the reader for a long time.

This is a collection of beautifully written short stories. Moving, sometimes humorous--always deeply honest and unpretentious. She gives voice to many who are forgotten or invisible in our society, revealing their strength (and hers and ours); revealing the poignancy of life itself. Its a book to keep and enjoy more than once.

The last time I ever visited with Ross we were at Shea, in 2005. This was the first time I saw his book. It is an excellent trivia book (even a Yankee fan enjoyed this one!). You know he spent massive amount of time compiling the book!

I would like to give my dad and ross a round of applause. Great book dad! And ross will be in memory forever.

This book represents a lifetime of work by the authors. Ross and Ken live and breathe Mets trivia and these are questions you will not find anywhere else. A Mets fan should not be without this book.

I also want to use this space, to remember my friend Ross Adell, who passed away in June 2006. Ross loved trivia, Seinfeld, the Mets, and his friends- not necessarily in that order. Ross and I attended a number of games at Shea and Fenway over the past decade. I miss him, and I can't believe he's gone.

This is a great trivia book! Co-authors Adell and Samelson draw together hundreds of great trivia questions covering the 40+ year history of Mets history. There are chapters on individuals from Agee to (Mookie) Wilson, plus sections on managers, postseason teams, and miscellaneous chapters including Met trades, uniform numbers, team records, and announcers. I recommend this to Mets fan as well as baseball historians and casual fans.

This was a very touching book, hitting the most emotional parts of the heart. A must-read for all who enjoy reading about our history. A very inspiring story that says it all: God wasn't gone, He was with them on the planes.

I'm not sure how it happened, but somehow this book didn't find its way onto my reading list until recently. If, like me, you somehow missed this one, don't wait another day to read this book. AMERICA OUT OF THE ASHES by Jeff O'Leary is a book you don't want to miss.

The book begins by asking the question, "where was God on September 11, 2001" then it goes about the business of telling exactly where God was on the fateful day. Many of the miracles of that day are chronicled here. The subtitle tells us these are stories of heroism and courage, but it is far more than that.

Indeed, many individual acts of heroism are told here. These are acts performed by people never before heard of. They were everyday people who did not set out to be heroes, but they found themselves in circumstances which warranted drastic measures.

This book is, at times, very difficult to read. Not so because of any fault of the writers. The sentence structure is fine and the prose hold no difficulty. This is difficult to read because it is very hard to focus with tears welled up in your eyes. At times, this book will tug at your very soul.

Add this book to your shelf. Read it with your children, and often. Remind them that heroes are not sports figures or Hollywood actors, but that heroes are everyday people who had the courage and the discipline to make impossible decisions and ultimate sacrifices.

Monty Rainey
[...]

Originally I purchased this book, as my brother's firehouse is in the book "Company of Heroes" pgs 59-66. My brother's name is also mentioned in the book. John Santore, FDNY, he was one of the firefighters who died on Sept. 11, 2001.

After reading the book, I felt it was well written and very touching to he heart.

Thank you to the publisher for printing such inspirational stories.

Awesome book! Chock-full of great stories, prayers, and quotes. Has an excellent section of color photographs as well as a timeline of events. This is more than just a simple book on the tragic events of Sept. 11, 2001. It is a keepsake, a reminder to all Americans who own this book, of what happened and our hope for the future. America Out of the Ashes has already hit the New York Times Best-Seller list within one week of its release!

Wyatt has gotten below the slick surface of the politicized 9/11 to the human reality below. Well done!

9/11 is one of those days that we all remember, I was in my office about 35 miles from the World Trade Center. Our controllers husband was on the 106th floor of one of the buildings -- they found him about 11 days later. There were a lot of stories that I remember. But I never thought to write them down and then to compile them into a book.

David Wyatt did. He noted his thoughts, his observations of other people and discussions. He has combined these into an awesome tale. It is not a tale of the heroic. It is not a politically motivated diatribe dripping with hatred like Fahrenheit 9/11. Somewhat autobiographical, this book is also a reasoned yet emotional and reflective essay on the way our world changed on 9/11.

I have the feeling that this book is too emotional, too thoughtful to be the all time best seller on the incident. I also have the feeling that when many of the other books have faded away this one will remain.

The greatest compliment I can give a book is that the writing is honest, because only with honesty can truth be gleaned. David Wyatt's memoir based on the events in his life after 9-11 does an excellent--and honest--job of capturing the contradictory emotions felt by many. But what I found most interesting about his book was his notion that small collisions or accidents between people and their lives often have far-reaching implications. I am glad that I took time to read David Wyatt's memoir--a truly transforming book.

In a time when memoirs are lining the bookstore shelves like never before, Wyatt's _And The War Came_ emerges as one of those books that you'll read more than once, and then never forget. This is a writer who pays attention, a writer who knows the necessity for words as we navigate through the upheavals-and delights-of our lives. And so with the events of September 11th, Wyatt took to the page, chronicling "the days" that followed:

"The sound of this war feels as if it were reeling straight out of my mind and heart. ... To accept this, to come to savor it, is to agree that Hamlet was right when he said that the readiness is all. But there is no getting ready for what has happened and for what will go on happening to us, no way to manage the soul-bruising overload of feeling and fact or the sheer incommensurability of taking it all in while we continue to live our little lives."

But this "accidental memoir" should not for a second be regarded as merely a book about war; in fact, its understatedness refuses to smack its reader over the head with sentimentality or political agenda, as is so often the case. Wyatt, an accomplished university professor and restaurant owner, bravely gives us, by way of his diary, a candid entry into his "quotidian life," though he resists, quite remarkably, the tendency to be overly reflexive, often letting the words of those around him do the work. Written in the present tense, Wyatt's crisp and incisive prose imparts an energy that endures, just as the past, which he so effortlessly dips in and out of, endures. In reading, I was compelled by how this book, like any good book, is very much alive. In a sense, this memoir speaks to how we are all living in this "Great Good Time"-how we find our bearings, and sometimes our discomfort, in our relationships with others; how we age; how change changes us. But it speaks also to pleasure (food here, for example, carries a lip-licking sensuality) and love-not only romantic love or the love for family and friends, but love for a country, or for something as simple yet grand as "a particular turn in a road, where an entire mountain range swims into view."

This is truly a wondrous book, one that I would whole-heartedly recommend to anyone.

Green writes a good yarn ... he knows how to lay out a story, populate it with interesting characters and keep the twists and turns to a plausible level that maintains your interest.

Highly recommended -- as are his first and third novels.

An excellent writer who captures Brookyln and makes it a character in the story. I grew up in the area, have known similar street people, and Norman Green is right on the money. One quibble, a personal thing that always annoys the hell out of me from otherwise competent writers: revolvers DO NOT have safeties. Makes me wonder if Mr. Green took Tough Guy 101 before writing this story. Amatuerish mistake, usually committed by a rank beginner. That said, this book is fantastic.

Norman Green is a very good writer and reminds me of Richard Price. In The Angel of Montague Street Greens tells the story of Silvana Iurata, who returns to Brooklyn after many years to find out what happened to his missing brother. He is well aware of the danger of his return, as his mob-connected cousin, who has held a grudge against Silvana from when they were teenagers, is planning to find and kill him. Green is a real pro in developing very "real", three-dimensional characters and in capturing the language and nuances of those from the seedier side of Brooklyn in the 1970's. If you enjoy books that are driven more by character development that plot, this is definitely a book I think you'll enjoy. If plot development and action-oriented thrillers, however, are your thing, then maybe you would be better off with a different book. While the plot is interesting and holds your attention, it moves at a pretty slow pace. So be prepared if you decide to take on this book. Having read and enjoyed The Angel of Montague Street, Green's second book, I bought his two other books.

At the age of seventeen, Brooklyn born Silvano Iurata was forced to go on the run after completing a mission for his grandfather Dominic, a high ranking Mafia official. After he left his cousin Little Don believed he killed his father and had an affair with his sister who was sent to the convent in disgrace. Little Don vows to torture then kill Silvano when he next steps foot in New York City but that proves difficult to do because his cousin works for the government and has no permanent address.

Years later Silvano returns to Brooklyn to learn what happened to his kind-hearted, mentally impaired brother who disappeared without a trace. He finds out whom his brother worked for and hung around with. In the course of his inquiries he meets a woman that he falls for. However, Little Don knows that his cousin is in town and salivates to get his hands on the relative he hates with a passion.

This is a dark and grimy urban noir thriller that focuses on those who, like the protagonist, live on the outskirts of society. The year is 1972 and the power of the Mafia remains intact so that Silvano steps carefully around relatives in the "family" and works overtime not to touch off a mob war that could hurt the people he cares about. He is still recovering from his year in Vietnam and readers will credit him for trying to do the right thing and stepping away from the violent culture he was raised in. THE ANGEL OF MONTAGUE STREET is no angel but he is quite a man.

Harriet Klausner

I read this play a few weeks ago and I must say it's fantastic. Of course there are some parts that are disappointing, but Eugene O'Neill draws the characters in such a way that you cannot help but relate to them.

Anna is so strong, so independent, so conflicted, and so human! Even if some people don't like the ending, I think it makes sense the way it is.

Great read, short play, and I think I like it better than Long Day's Journey Into Night, although it's usually regarded as O'Neill's best work.

Amazing!!! The characters were wonderfully acted out and the relationship between father and daughter was such a gripping story.

With the 1921 production of "Anna Christie," O'Neill's skills as a dramatist finally reached maturity. Entirely revamped from an earlier play ("Chris Christophersen"), this four-act drama depicts a headstrong young woman, Anna, who renounces her life as a prostitute and tracks down the father who abandoned her as a child. Enamored of his new charge and unaware of her past, Christopherson (O'Neill changed the spelling for this version) tries to pamper and protect the daughter he had neglected during her formative years.

Yet Chistopherson has issues of his own: now a captain of a coastal coal barge, he, too, has lived a seafaring live of loose morals and social irresponsibility. Believing that the vigorous demands and easy temptations of a sailor's career have ruined his own life, he has abandoned the sea for good. Confronted with a daughter who initially enjoys life on the ocean, he swears to keep her both from its influence and from the men who make their living from it--with predictable results.

When Anna falls in love with Mat, a stoker for a steamer, she finds herself torn between her father's expectations and her lover's demands, and she discovers that both men, like the clients from her previous life, are buffoonish cads and patronizing bullies. The third act, which depicts the inevitable three-side confrontation between Anna and her two "protectors," is one of the most skillfully scripted clashes in American theater.

The final act, alas, succumbs to a conventional melodramatic mawkishness. Yet overall the play is saved by the faithful rendering of sailor's speech, the emotional depth of its characters, and the (for its time) forward-looking presentation of social ills.

"Anna Christie," the play by the great U.S. writer Eugene O'Neill, won the Pulitzer Prize for the 1921-22 theater season. All these decades later, the play still packs an emotional punch. "Anna Christie" focuses on three characters: Anna, who has had a traumatic life in the United States; her father Chris, a Swedish merchant seaman; and Mat Burke, an Irish stoker who takes an interest in Anna. The play takes place in New York City and on Chris's barge.

"Anna Christie" is a compelling study of gender roles and expectations, ethnic conflict in the U.S., family ties and disruptions, the call of the seafaring life, and fatalism versus the embrace of free will. Particularly interesting is O'Neill's representation of various types of vernacular speech. Overall, a classic American play that deserves an ongoing reading audience.

The artwork is unique. The only thing to bother me was the cards had to be torn out. I knew this when I purchased them, but didn't think it'd make that big of a difference to me. It does.

If you like Victorian ephemera, this is the book of postcards you should buy. A very high quality product like most of the offerings from Dover. The postcards are beautiful and interesting.

It's funny how much and yet how little advertising has changed. These postcards will make you smile, and then make you think...

These reproductions of very old postcards from the Landauer Collection are great fun and might have gone UNdiscovered by me were it not for several family members who have become fascinated in A.T.C.s: 2 1/2" X 3 1/2/" Artist Trading Cards. The images are perfect to "remodel" and use for concocting your own cards /OR/ collages.

PLUS, you don't have to sacrifice the actual card but can copy on lighter weight Kodak paper to cut into small images. The postcards can then be used as intended for correspondence with lucky individuals who perhaps share your taste in the unusual & colorful objects used in turn-of-the-century advertising. You may find some you can't resist for your own amusement - to decorate a window sill, for example - OR - ?

The books of 24 cards (each) make interesting gifts - and even better, you can "pair" with "The Antique Advertising Paper Dolls" (isbn: # 0486240452). The cover of that collection would be a wonderful decoration for your own ALBUM of A.T.C.s. You can see how serendipitous this hobby becomes >> from postcards to trading cards to paper dolls. Reviewer mcHAIKU is pleased that each of these has an appeal even for today's teens who try to appear sophisticated/COOL yet want for themselves a slice of someone else's nostalgia!

. . . for the street kids, and for everyone in search of hope. This is a gripping book about a few of the kids who came to Covenant House (a shelter for homeless children in New York City), as well as those who were encouraged to come, but didn't, and one girl who tried to come, but was prevented. Their stories will shock you, make you cry, and, ironically, inspire you. Their poetry will touch you, and as they find God, even in the darkness, you will wish you could love Him - need Him - as much as they do. With brutal economy, Sister Mary Rose McGeady has shared their message of heartbreak to hope in this little book that all those with a passion for neglected children will come to love. I highly reccomend.

As I said about other books by Sister Mary Rose Mcgeady,this one is just as good.I will always reccomend her books for anybody,and proably ages 11 and over.They are super good and lets you into the New York streets.God bless all the children who wonder if there is a God.There is!

In this book Sister Mary Rose shares some letter and insight she has learned from her calling to work with children at the Convant House. The plight of children in America abandoned and lost in a world so dark and terror filled that they have a hard time believing that even God is there for them. With Convant House there is a shinning light in this darkness that they can safely go too. This book shares some of their incredible stories, uncut and unedited. The good Sister even adds a section on her reflections on raising kids today that will be of help to all parents.

This is a good book for people experiencing milestones in their lives. The stories about the children may help one realize that there are others living in inner cities suffering worse than you. This is an excellent book to give to someone looking for God.

I recently purchased 'Aunt Arie: A Foxfire Portrait,' along with two Foxfire guides, to assist me in establishing an Appalachian setting (and characters)for a story I am working on. I've only skimmed the guides at this point, but I haven't put "Aunt Arie" down! I've still got a couple of chapters left to read, but so far the story of this woman's life, as told by her to the folks at Foxfire, has proven indispensable to my research.

The editors of the book have attempted, most successfully (they offer an explanation of ways and means at the beginning of the book)I think, to reproduce/preserve Aunt Arie's dialect and colloquialisms, as transcribed from the hundreds of hours of taped interviews. In this book, HOW she says things is just as important as WHAT she's saying...and what does she say? Where do I begin? Besides offering a virtual treasure-trove of information on the subjects of gardening, healing, economy, and food storage and preparation, she also delves into stories of her friends and neighbors, living and dead, speaks often of her life with her beloved husband, and before that her childhood, and all her talk of the people she's known, whether she loved them or could have done without them, is tinged with her faith, her basic love of and respect for humanity, and her simply ideology: you get what you give.

If any of the above appeals to you, get this book. You won't regret it. I'm back here b/c I'm about to get one for my grandmother. Just thought I'd leave a more complete review than the ones I'd seen.

terrific read - inspirational - one tough and lovable character who will be missed for many years to come

From the cover:, " The students, none of whom had ever been to Aunt Arie's before, were awed, drawn inexorably into the little circle of activity that surrounded this 5' 6" dynamo who laughed and pecked on each of them and tapped their shoulders and grasped their knees and tried to remember their names and loved them, instantly, and without reservation-strangers all". This book is wonder full, and heart full, and shines a little light into a way of being that is fast becoming a just catchy phrase on a hall mark card.

WHAT A GREAT "AMERICANA" STYLE BOOK, FANTASTIC ADDITION TO A FOXFIRE COLLECTION OR GREAT ON ITS OWN. AUNT ARIE HERSELF, HER OWN STYLE FROM COOKING TO HARVESTING, THOGUHTS, RELIGION AND HER FEELINGS ABOUT LIVING ALONE! SHE WAS AN HONORABLE WOMAN!