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This Book Will Stay With You For A Long TimeReview Date: 2007-02-20
Black Widow Spider With A Heinous Twist!Review Date: 2001-05-25
"All She Did Was Knock Them Off, One By One"Review Date: 2004-06-16
Very good overview of the Tinning case.Review Date: 2002-10-26
It was thought that Barbara and Joseph, the oldest Tinning children who died a short time after Jennifer, died of Reyes Syndrome. People thought it was odd, though, that Marybeth never shed a tear. As the children were born and buried one after another, their deaths were mostly chalked up to SIDS or something similar. It got to be kind of local joke: "Look at the birth announcements; the Tinnings had another baby. I wonder how long this one will last?" Many suspected Marybeth of having killed the babies, but some thought it was just a genetic deformity in the family. That was, until the Tinning's two-year-old adopted son, Michael, died for no apparent reason. That's when the authorities started to move in.
This book covers Marybeth Tinning's life, marriage, the births and deaths of her children, and her trial and subsequent imprisonment. It's clear that she suffers from Munchausen's Syndrome by Proxy, the pathological need to injure those close to her and bask in the sympathy she gets. It's a fascinating story, though I admit the characters didn't seem all that real to me -- more like ink on paper than actual human beings. I recommend this book anyway, for all true-crime fans and those curious about infanticide.
Absolutely tragic story, very well researched book -make up your own mind as to Marybeth's guiltReview Date: 2006-01-15
Unbelievably, it wasn't until the 9th died that the public in her county, social services, police, coroner etc managed to collectively work together to bring a case against her. Previously all of these agencies knew she had children that had died, but none knew the number or all of the information -except her close friends and family.
This book has been meticulously researched, it really is very thorough and well written. As a mother I found it at times unbearable -so many questions remain unanswered. The book contains a photo of each of the children, who were all beautiful.
Gripping reading, but also it is really important to learn something from this -when a child is in distress, no matter how small your suspicion or how afraid you are of offending people -do what you can to protect the child. This is officially the mother's job, but when she is suffering from Munchausen by Proxy she is unable to carry out her role.
That's a 'nice' way of putting it. Read the book and make up your own mind.

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A great bookReview Date: 2008-08-08
A Great Teammate: A Great Book!!!Review Date: 2007-09-21
Great gift for Mantle fanReview Date: 2007-05-14
THE MICKReview Date: 2007-08-17
Mickey Mantle was, for us, the consummate baseball player. He hit the ball hard and ran the bases fast. His arm was strong and his glove golden.
But that's only part of why he was our hero. Randall Swearingen's book, A Great Teammate, covers the rest. Mickey was one of the greatest team players the game has ever known. He found a way to win. One day he'd hit a home run. The next he'd bunt and steal--or literally outrun a fly ball. It added up. Between 1951 and 1964, Mickey's Yankees made twelve trips to the World Series. Twelve!
When his teammates batted, Mickey cheered. When they slumped, he took them to dinner. When Roger wilted in the Babe's mighty shadow, Mickey took him under his wing and into his home--even as The Mick took his own shot at THE RECORD.
Mickey played hurt nearly every game of his major league career because, as a rookie, he deferred to a teammate named Joe DiMaggio. Mickey never complained or made excuses. He just came to the park early, took his treatments, hid the pain, and played hard. As good as he was, he could have been even better with two legs rather than one.
When asked why he didn't take himself out of the lineup to rest the legs, Mickey replied that some child might come to the ball park to watch him play, and he didn't want to let that child down. Mickey didn't know it, but I was that child. My family drove from North Carolina to New York City in 1961. It was the only chance I ever had, as a kid, to watch a major league game. Mickey didn't disappoint: he hit a line drive into the right field bleachers for a home run. From then on, Mickey was my hero. And, like so many southerners in those days, I became, of all things, a Yankee.
Then came the 70s, 80s, and 90s. Sportswriters forgot who Mickey Mantle was and why he had been our hero. They publicized his alcoholism. His business failures. His divorce. If only he had fallen in his prime, they implied, like Gehrig with ALS or Ruth with cancer. But somehow he dodged the Hodgkin's curse. And even though alcoholism is every bit as much a disease as ALS, or cancer, or Hodgkin's, America stopped loving Mickey the way he had loved us. We forgot. And, I must admit, as I almost forgot.
Then I read A Great Teammate, and the memories came pouring back. Mickey winning games for his team. Mickey bringing out the best in his teammates. Mickey loving and respecting the game. Playing hard. Playing hurt. Always humble. Ever helpful. Never making excuses. And, in bottom of the 9th, whipping his toughest foe, alcoholism, and helping others do the same.
No doubt, Old Timers told these stories time and again at ball games, fantasy camps, reunions, and funerals. But, no one ever bothered to write them down for us, the fans. Until now. Mickey, Randall: thank you.
Mantle family feels dad would love this book. Review Date: 2007-05-02

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A great guide to a great neighborhood.Review Date: 2004-06-30
And this was also the reason for the area becoming attractive to free-thinkers and artists, which is the focus of the valuable book, "Greenwich Village: A Guide to America's Legendary Left Bank" by Judith Stonehill. Complete with maps, illustrations and a walking tour of the four sections which make up Greenwich Village, the guide reveals the extraordinary number of famous artists, writers, performers, etc who made the place their homes. Artist Edward Hopper, poet Walt Whitman, playwright Eugene O'Neill, and novelist Willa Cather, are just a few of the famous names who lived and created work here. But more important, as the subtitle to this guide suggests, they created something uniquely American.
"Greenwich Village: A Guide to America's Legendary Left Bank" is a great book for people who will visit the village, and is great for New Yorkers, themselves, to learn about this neighborhood that they thought they knew so well.
Rocco Dormarunno, author of The Five Points
Excellent book about my favorite part of New YorkReview Date: 2003-01-02
What an amazing journeyReview Date: 2002-12-02
Beautifully done.Review Date: 2002-12-03
A Greenwich Village ClassicReview Date: 2003-02-16

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Thought-provoking; especially for performers of musicReview Date: 2008-01-28
Outstanding & InspirationalReview Date: 2007-10-11
Great BookReview Date: 2007-08-17
Inspires and Motivates!Review Date: 2003-07-10
A must read for everyone in the music ministryReview Date: 2002-04-23


Great!Review Date: 2007-04-22
A must read!Review Date: 2005-06-24
Five StarsReview Date: 2007-08-07
HeartbreakingReview Date: 2005-09-29
A Wonderful Work of Historical FictionReview Date: 2005-05-29

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Heatherfield An Unusual ReadReview Date: 2008-06-16
RomanticTime Travel-At It's Best !!!Review Date: 2008-06-14
Jake is a tortured man, scarred both physically, and emotionally. Tory is pulled into the past, just after WWII has ended. She feels pain for what Jake has endured, but wants to get back to her own time, 1999. I tried to hold back my emotions on this one, but I could not--IT WAS THAT GOOD!
The latter part of this book was like watching a really good action adventure movie--riveting! The ending, well, let's just say it totally floored me. Excellent!
This is a MUST READ for lovers of romantic time travel. You will remember these characters and this poignant story long after you've read this book. It is truly a keeper.
M Jean Pike does it againReview Date: 2008-06-15
Jean Pike does an admirable job creating believable characters with a credible plot. I found myself unable to put this book down and finished it quickly. This is an engrossing tale of love, romance, and drama. And yes, I am a male reading a romance novel. This book is not a sappy romance novel, it is a nice breath of fresh air and anyone will enjoy it. I eagerly await her next book.
UnforgettableReview Date: 2008-02-27
Paranormal at its best!Review Date: 2008-08-09

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Hey!Review Date: 2007-03-27
No Surprise here...Review Date: 2007-03-16
Brilliant Exploration of Outsider IdentityReview Date: 2007-12-21
Interesting read with a stretch of a premise.Review Date: 2007-07-01
First off, Beeber utilizes Lou Reed and especially the Velvet Underground as forebearers of punk. While certainly influential, the Velvets were more of an avante garde pop band than punks. They were as much a result of the overall New York art scene and streets, as well as John Cale's british ideology and muscianship as Reed being jewish.
Next Beeber cites Jonathan Richman and the Modern Lovers. The Modern Lovers, despite the Sex Pistols covering Road Runner, were sort of pre-new wave folk band, they never really released an album when they were together and Richman was from Boston. How this qualifies them as a proto punk band representing the New York Jewish voice is too much for me to comprehend.
Beeber does make a good case that Tommy Ramone was the architect of Ramones. However, he only lasted a couple of albums, Dee Dee was the main songwriter and Johnny's buzzsaw guitar and militaristic leadership (he seemed like a real tool)were as essential as anything. Further, Joey might have been obviously jewish to the New York punk scene, but to most he was just the senstive outcast. Tommy's influence is obvious, but it seemed to me he was as influenced by being an immigrant and growing up in the wrong neighborhood as solely by virtue of being jewish.
While New York obviously was a huge influence on the punk scene, the industrial and menancing Detroit rockers like the MC5, Iggy and Alice Cooper had just as much influence as the New York bands. This is especially true prior to all the great New York bands getting started. Also, the true New York punk influence, The NY Dolls, who really blended the street, with artistic ambitions and the phoniness of Manhatten dont have the jewish connection and therefor dont really lend to the author's theory.
The somewhat later day punkers like Richard Hell, Lenny Kaye and Chris Stein make a good points of converstation, but all seem as influenced by academics as ethnithcity. Hell in fact wouldnt be interviewed and dismissed the premise completely. It also somewhat dismisses how much influence this groups partners in punk, Debbie Harry, Tom Verlaine and Patti Smith, had.
Some of the more interesting jewish punks, including the ladies, Genya Raven and Helen Wheels, and less well known acts like the Dictators (hilarious name) and Suicide just werent well known enough outside of the city to be all that influential.
I dont want to take anything away from the city or culture that reinvented music, but punk was about all that were alienated, suspected and unwanted. It was about anger, pointing out hypocrisy, doing it yourself and the desire to succeed. Didnt Bowie once say all the Brit punks "wanted to be stars."
So, Beeber's point is again lost when punk became so much the property of the anglo british (other than Malcom McClaren managing the Pistols)who apparantly lacking jewish guilt and the somewhat limiting factor of being the property of New Yawk, increased its exposure tremendously. (Hey lets face it Johnny Rotten cussing and spitting in a British accent is gonna play in Cleveland, whereas Joey Ramones obvious jewishness... well... its a joke, one I think Lenny Bruce might have gotten). Fact is, punk was never gonna play to the mainstream, the populus cant all be disnefranchised.
Overall and interesting read, with a thought provoking premise that is well explored, but ultimatly a bit overwritten to prove its point. Still worthwhile if you have any interest in those magical formative musical days in the Big Apple and some of its reaching influences.
Reviewed by Susan Helene GottfriedReview Date: 2007-01-24
Steven Lee Beeber's The Heebie Jeebies at CBGB's: A Secret History of Jewish Punk challenges that notion by showing us that punk began in New York -- and was heavily influenced and shaped by a variety of Jews from a variety of backgrounds. Beginning with the cutting-edge comedy of Lenny Bruce and the musical innovations that were Lou Reed and the Velvet Underground, Beeber shows us how the music evolved. It is clear that without the involvement of Jews, there would have been no punk movement.
Chapter by chapter, Beeber traces the bands and the people, focusing on the Jewish players who coalesced around the Jewish-owned punk mecca, CBGB. This is dense reading, best taken slowly so that all of the facts and details -- not to mention the personalities -- can sink in.
One theme that Beeber refers to often is the link between the Holocaust and punk. His claims make perfect sense: the emotions invested in the children of survivors provided the fuel for punk's trademark anger. Yes, there is anger that so many people were eradicated, but one of the more surprising revelations is that some of the anger comes from and is fueled by the fact that the Jews allowed themselves to be victims. At the same time, though, there is an awareness that the word allowed is inaccurate. That anyone, faced with such a circumstance, would have done exactly the same thing. Ultimately, this isn't an emotion of victimization, but of helplessness and futility -- two strong emotions that run through the undercurrent of punk, both in its lyrics and its attitudes.
Beeber takes us across the ocean for a visit with the start of British punk -- the Sex Pistols -- but focuses on the Jews involved in creating that scene. From Sex Pistols creator Malcolm MacLaren to the ill-fated Nancy Spungeon, lover of Pistols frontman Sid Vicious, it is obvious that here, too, punk music and the Jewish tradition are linked so closely that removal of the Jew removes the music.
Many would argue that punk died out with the Sex Pistols, to be replaced by music from cities like LA and San Francisco, peopled with musicians and fans who shocked New York ex-pats with virulent anti-Semitic themes, attitudes, and lyrics.
Beeber returns to New York to show us what punk evolved into: John Zorn's dissonant art and even, perhaps unbelievably, the Beastie Boys, perhaps the most punk of all the bands in the book.
Even more than the Ramones, those poster boys for American punk?
You be the judge. For any music fan, this is essential reading. It's not just that this is a clear evolution of the music scene over the span of forty-some years, from the late 1960s to the present. This book traces the shifts in our culture during this time period, and the shifts in attitude that allowed punk to be as vibrant as it was.
Beeber's prose is smooth and charming, always focused on the topic at hand and never getting sidetracked like so many Jewish storytellers of old. He's also a master craftsman, showing his writer's roots in the construction of each chapter, bringing back points made in opening paragraphs, tying it all together with a neat black leather jacket and peppy beat.
For the music lover, the historian interested in Jewish history, or for anyone intrigued by how someone as tall, skinny, and scary as Joey Ramone could become a pop icon, The Heebie-Jeebies at CBGB's: A Secret History of Jewish Punk is one of those books you won't want to miss. Certainly, my copy now occupies a space between Deena Weinstein's seminal Heavy Metal and Joe Berlinger's Metallica: This Monster Lives.
To bring up one last point Beeber makes: Jews are people of the book. Heebie Jeebies is just one in a long line that proves this.

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How on Earth ???? Review Date: 2008-09-05
How does Treasure continue to repeatedly amaze me? His latest novel, "Keyshia & Clyde", is magnificent. Five thumbs up without a doubt.
Keyshia and Clyde are two, young lovers who have repetitively suffered during their childhood. Keyshia, now living with a cruel relative in New York, doesn't feel worthy. Shortly after a brutal attack, she speedily goes from timid to ferocious. In order to support her drug habit, she begins to sell her body.
Clyde's mother is in a vegetative state and his father is doing time. Clyde is a stick up kid with a heart. His theory is to get paid, by all means necessary, without harming his victims.
The love affair between Clyde and Keyshia is one of the most passionate in Urban Literature. Two wayward teenagers, lost souls even, who fall deeply in love. Both are quite protective of one another. Both loving each other unconditionally. They have a love that most adults are incapable of obtaining in a lifetime.
Keyshia's character was the most interesting. She literally went from "ashy to classy". What a transformation for a young woman who was continuously told she was too dark, too skinny, ugly and insignificant. I hate to think of Keyshia's existence if Clyde hadn't entered her life.
I had the pleasure of attending Treasure's book signing in Harlem. The audience literally hung onto his every word. What a life he's led, both destructive and constructive. In addition, the man is as easygoing as they come. What an inspiration.
Soulmates....Review Date: 2008-09-04
I really enjoyed reading this book cause not only does Treasure know how to tell a story but he leaves you with a lasting impression on his books. If you pay attention there is a lesson to be learned, he gives you something to really think about.
FIYA!!!!!!!!!!!!!Review Date: 2008-09-03
Treasure has done it again! I read this book in 8 hours! Could not put it down. Keisha and Clyde come from backgrounds of hurt and pain. They end up becoming a product of thier environment until loves changes the game. Treasure is a master urban lit writer and my opinion is that he's the best in the game currently. This books is so worth the money...please go out and support this awesome author. I also had the pleasure of meeting him when he first released "Harlem Girl Lost" and he is very humble and it was a pleasure meeting him! Kudos to you Treasure!
I LOVED IT!!!!!!!!!!!!!!!!Review Date: 2008-09-03
A MUST READ....Review Date: 2008-08-31

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A must for every grandmotherReview Date: 2008-04-28
Grandma's bookReview Date: 2008-02-08
Gift purchaseReview Date: 2007-02-06
N. Sharp
New GrandmaReview Date: 2007-02-19
Great Grandmothers Go-to BookReview Date: 2006-11-28

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Lost - in New York CityReview Date: 2005-05-08
I definately recommend this book and its message. I actually read this book while taking Scott Stein's course in Drexel University. He is a great teacher and a very creative writer. Also, if you enjoy this book, or would prefer to read essays and short stories, I recommend the compilation "When Falls the Coliseum". Its a compilation of modern short works (many of which are by Scott Stein) on the problems society faces. It is also available here on amazon and is worth the time and money!
A POWERFUL FIRST NOVELReview Date: 2004-08-26
A work of artReview Date: 2000-12-16
Unlike most writers, Scott Stein takes the time to develop his characters. He does not use stereotypes and other cliches. Instead Mr. Stein uses unique details and his command of the written word to bring a sense of realism to Jeremy Keller and the other characters in "Lost."
Mr Stein respects his audience. Instead of force-fed, over-the-top comedy, he use his subtle sense of humor to tell us this story. It is very easy for a young writer to fall into the trap of going overboard. Writers who do this lose their identity and become machines producing drivel for the masses. Scott Stein is truly an artist. He takes the time to create a work of art and not just a novel.
If you do not read this book, you are missing out on an experience that will not only entertain you but will teach you how a good writer writes. Mr. Stein should be proud of his art and his ability.
A book for our times.Review Date: 2000-11-10
Be ambivalent. Be very, very ambivalent.Review Date: 2000-11-21
At the same time, this economy of words (as well as to-the-point, unembellished narrative) makes the experience of travelling with the protagonist, Jeremy Keller, through his strange and ridiculous adventure, surprisingly deep and rewarding.
One of the other reviews here said you'll never put the book down. I have to disagree, since I did actually put it down when I finished it. However, I picked it up again later to go back and reread a few favorite parts.
Read it and be prepared to laugh out loud. Unless you don't like that kind of thing.
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