New York Books

If you long for the days when photography, real photography, was black and white on film, then you will love this book. Of commercial necessity it has been years since I maintained my own darkroom and printed my own prints . . but how I miss the magic! This book brings it all back and in so doing opens some new creative channels in my mind as to how to get beautiful prints in the digital age. If you're a purist, you will love this book. If you are a pragmatist you will find ways to correlate traditional methods to digital processing and printing (even though the book does not address the topic of digital at all.) If you are serious about b/w get this book then work with your own shots and in your own workflow until you can emulate the look of this master.

In this third part of Adams' technical writings, you'll find a guide to go from what a camera recorded (it talks about a negative, but can be well applied to a digital raw file) to a fine print delivering "what you saw and felt" to the viewer.

Even if it applies to B&W, I find that much of the content can be applied to color work if you think a bit more about it - mostly now, in the digital age with separated luminance and chrominance controls.

You'll also read some good ol' kitchen recipes about developers and toning... These will be less and less useful, but can bring back the smell of the darkroom to your memory ;o)... And quite often, the principle that based the recipe can be applied to another media.

A reference, whether shooting film, digital or glass plates (and of invaluable interest for the two former).

Ansel Adams is the master of photography, black and white, but still photographic principles and concepts have been throughly tried and tested by him and he teaches you so much in his series starting with "The Camera" and ending up with this book which focuses more on the final piece. The 2nd book in the series is also so very crucial because it outlines and describes his "Zone System" in great detail. A must have for any avid photographer and a great shelf reference for any professional. Now go out and shoot.. waste some film for crying out loud and get some awesome shots :)

The book is excellent. Although these techniques are not widely applied today, with appropriate experience and thinking this knowledge can be applied and transferred to modern software like Adobe Photoshop. It can help relate modern and classic photography printing processes (traditional vs computerized).

One little remark would be for the publisher. The paper the book is printed is gloss with quite a high reflectance index. This results in making reading the book at certain angles quite impossible for your eyes.

In this book, Adams said Expression is more important than reality, idea more important than fact, the print more important than its subject. For it is only in the print that such magnificence can be unfailingly orchestrated. Those words made me think that what is good photograph. The book opens with a thoroughly enjoyable, albeit brief, history of photography before getting down to explain printing techniques.

The majority of the text concentrates it's efforts in educating the reader in the art of B&W photography. This book tells readers that what are good prints making techniques. After reading this book you will feel like that your printing skills are very improved. The reader will see many wonderful pictures as examples, that will surely create a better impression as to what type of pictures Adams takes.

The New York Yankees are the most popular and successful franchise in major league baseball history. They have boasted such legendary performers as Babe Ruth, Lou Gehrig, Joe DiMaggio, Mickey Mantle, Yogi Berra, Whitey Ford, and Reggie Jackson. Those great players and teams can all be found in The New York Yankee Encyclopedia, the most complete record of Yankee baseball ever published.

An in-depth volume that include statistics on every Yankee player and manager, more than 250 classic photos, chapters on different Yankee eras, rivalries, ball parks, and much more

The New York Yankees are the most popular and successful franchise in major league baseball history. They have boasted such legendary performers as Babe Ruth, Lou Gehrig, Joe DiMaggio, Mickey Mantle, Yogi Berra, Whitey Ford, and Reggie Jackson. Those great players and teams can all be found in The New York Yankee Encyclopedia, the most complete record of Yankee baseball ever published. From their humble beginnings in 1903 as the Highlanders through nine decades of unforgettable players, teams, and classic games, noted baseball author and historian Harvey Frommer has compiled everything about the history and lore of this fabled club in the one book no true Yankee fan can afford to be without.

I bask in the loveliness of being the fan of the baseball team of the millenium! The Yankees have won for three consecutive years and there is no stopping them! I have Yankee fever. I like a book that describes the history of this amazing team and its past accomplishments. I marvel at the fact that so many great players have been part of this team. I also enjoyed reading the stats of past players and the rookies. This is a book that every Yankees' fan should own. Go Yankees!

Here is the ultimate reference for baseball's most storied team.The "Bronx Bombers" have won 35 American League pennants and 24 World Series championships, and have boasted such legendary performers as Babe Ruth, Lou Gehrig, Joe DiMaggio, Mickey Mantle, Yogi Berra, Whitey Ford, and Reggie Jackson. 250 photos.

Many, many years ago I read this book to my former husband as a bedtime story. The book occasioned one of the few instances in which I laughed so hard I cried. Now I have a new husband and a new copy of the book. Who says you can't go back.

A.A.Milne wrote this fairytale after being in the army during WWI. the story is basically about how easy it is to get into war (and over very stupid reasons), and how no one REALLY wants to hurt every one, but they just want to look out for their own interests. The charecters are not your typical bad-vs-good and each one can be lovable in his or her own way, and there are also wonderful little stories inside the major plot line. one of the BEST books I have ever read.

This book is a wonderful story about a king, princess and an "evil" countess. The king, King Merriwig of Euralia, is in love with the Countess Belvane. Belvane has her sights set on becoming queen of Euralia. However, Princess Hyacinth is suspicious of how the countess acts. So the Princess enlists the help of Prince Udo from Araby. When Belvane finds out, she wishes for something humorous to happen to the prince on his journey - and it does! Now, Hyacinth must stop Belvane, help the prince all while keeping him from falling in love with the countess!

A. A. Milne has done it again with this story of pure fantasy. He did not write this book for children, as he states in his introduction, yet it is fun and exciting for all ages. If you need a great bedtime story, check this book out. Would you care for some light reading? "Once On A Time" is the book for you. I recommend this book with a happy heart and hope you will feel the same way too!

Okay, before you read too far into this review, keep in mind that I am only 13, and haven't read as many books as some of the other reviewers on this page, but I have read enough to know that I love this book. It's a fantasy lover's book. If you like E. Nesbit, C.S. Lewis, J.R.R. Tolkien, and other books by A. A. Milne, you will certainly enjoy this book as well. With a exciting plot, and humerous but loveable characters, this book is a must have.

Okay, before you read too far into this review, keep in mind that I am only 13, and haven't read as many books as some of the other reviewers on this page, but I have read enough to know that I love this book. It's a fantasy lover's book. If you like E. Nesbit, C.S. Lewis, J.R.R. Tolkien, and other books by A. A. Milne, you will certainly enjoy this book as well. With a exciting plot, and humerous but loveable characters, this book is a must have.

This just might be the most awesome book about my hometown of NYC. The artwork is fabulous and this book is put together so well. Its shown me things I never saw. I think being a tourist in your own town is great.

I'll disregard the book's one glaring omission--Saarinen's TWA Terminal at JFK is not included--and give it a five. Well written.

and come back and sit and look at this book.

Bet you missed a lot on each street.

Then go out again and do it all over.

A real treat.

The title might have been 1,000 of the BEST buildings in New York City. No city in America, and few the world over, contain the mind-boggling ensemble of outstanding urban architecture, both historic and modern, as does New York City. This city is a national and world treasure, and all of Manhattan SHOULD be a UNESCO World Heritage site, but, alas... There's simply no comparison possible. This book is a survey of 1,000 outstanding structures in the city, properly chosen in my opinion, each including a black & white photograph and short descriptive essay. With so much wonderful material from which to choose, the book is a real feast of architectural goodness! Because it isn't as exhaustive as White & Willensky, it is more thorough in coverage of the selected buildings. It's well put together. Good buildings. Nice photography. Well written short essays. Covers the five boroughs well.

America's peninsular cities; San Francisco, New York, Charleston and Boston also happen to contain the best architecture. Hmm...

Every once in a while I'll walk down a street of my busy city and spot a building that I'd never seen before, or, if I had seen it, never paid it much mind. But something about it--its age or its architecture--tells me that there's a story to be told about it. Judith Dupre, Bill Harris, and photographer Jorg Brockmann in their monumental book, "One Thousand New York Buildings", fill in the gaps left behind in the AIA books.

There are hundreds of buildings that, for whatever reason, have escaped landmark status and/or the attention of New Yorkers. Although "One Thousand New York Buildings" does discuss the familiar structures, like the Empire State Building, the Woolworth Building, and Grand Central Station, it also devotes equal time to those that have been ignored or overlooked. What are those tiny, Colonial style houses on Harrison and Greenwich Streets? How old is that building at 2 White Street? Who lived in those somber buildings at 130-132 MacDougal Street? "One Thousand New York Buildings" answers these and hundreds of other questions. In this sense, this book is much like "New York Streetscapes: Tales of Manhattan's Significant Buidlings and Landmarks" by Christopher Gray and Suzanne Braley, in as much as it pays equal tribute to the famous and not so famous structures.

One last note, this is a solidly put together book. The binding is sturdy, the paper thick and glossy, and the photos are clear and intriguing. It as well constructed as the buildings they pay homage to.

Over My Dead Body is the seventh in the Nero Wolfe series. A young lady claiming to be Wolfe's adopted daughter from Yugoslavia asks for his help with a charge of stealing diamonds but this quickly evolves into a situation where she is suspected of murder. The case frustrates Wolfe no end, it gets more complicated all the while, but of course he manages to uncover the solution by the end of the story.

This book is a prime example of a Nero Wolfe novel. Archie Goodwin is in top form as a wise cracking pain-in-the-neck. Inspector Cramer is present more than a lot of stories giving Goodwin plenty of opportunities for zingers besides the ones he routinely fires at Wolfe. Wolfe himself is definitely out of his comfort zone dealing with the situation of his adopted daughter and this also adds to the potential for laughs.

This is a very entertaining book and I would recommend it for readers unfamiliar with Nero Wolfe as a great place to start or for established fans.

In this Nero Wolfe mystery-one of the earlier episodes-we encounter Wolfe's adopted daughter, who is in a bit of a fix. Wolfe comes to the rescue and along the way, shares little glimpses into his past: his tumultuous youth in Europe; the origins of his suspicion of all women; how he came to adopt a child. In this book, probably more than any other in Rex Stout's series, do we see the effect that women-especially those from the former nation of Yugoslavia-have upon Wolfe's psyche. It's a good read-a good mystery with a great plot-like pretty much all of Stout's works.

This book hits on all cylinders. The plot is excellent, intricate but clear. The characters are well drawn. The atmosphere, New York on the eve of World War II, is almost palpable. The dialogue is perfect. I'm at a loss as to what else to say about the book except, "Read it."

A Britsh undercover agent is murdered at a Manhattan fencing school, skewered by an epee with a gizmo attached that turns it into a weapon sans blunt end. Yugoslav women who are instructors there are possible suspects, one of whom is Nero Wolfe's adopted daughter from his days as an ill advised Austrian agent in the Balkans, pre World War, before we started numbering them. This alone is a startling revelation about Wolfe. Wolfe slender? Youthful? Abroad, outside, involved with people? I was astonished.

As usual, the beer drinking, orchid collecting, erudite, corpulent food lover Nero Wolfe declines, under any circumstances, to leave his brownstone abode with a greenhouse rooftop for his rare flowers. Using Archie, his assistant, as legs, Wolfe solves the baffling case. I knew he would. He's solved all the other mysteries in the Nero Wolfe books I've read.

Mystery fans who have not read mysteries from the golden age (pre-1950) do not know what they are missing. There is no sex to lure the lascivious reader, very little violence, no profanity. What there is (and this book is an excellent example of the sub-genre) is intelligence.
That's a rare commodity in most modern mysteries.

This is, at once, one of the best books in the series and one which translated brilliantly to TV on the A&E series.

Rex Stout decides to deal us a little shock in this one: Nero Wolfe, woman-hater, has a daughter he's not seen since she was a baby. She comes from Yugoslavia to New York, unknown to her pops, and gets into a real tight spot involving murder by "coldymort."

When Archie learns this, he considers resigning on the basis of his boss's morals. You just have to read this one to find out.

Or, again, buy the A&E series - they did a great job here.

Having read just about all of the Nero Wolfe series, I have to say, this one contains all of the elements that make Rex Stout's detective novels wildly entertaining, without most of the elements that make some of them maddening

In this mystery, the utterly unswashbuckling Wolfe is revealed, in his younger, svelter days, to have been quite a romantic. Not only did he fight on the anti-Imperial side in Montenegro during the Great War, but he adopted and may even have actually sired a young girl.

To his shock, this young Yugoslav maiden--whom he had lost track of--reappears in his life, up to her neck in a particularly messy, intricate affair that may or may not include missing diamonds, a dead body or two, international intrigue, and a bellboy's uniform. For all of the peeks into Wolfe's previously unsuspected soul, he remains as crumudgeonly and as immovable as ever. Archie Goodwin, of course, remains the wisecracking, milk-drinking sidekick, flirting with anything in a skirt and even giving a Nazi agent a black eye just for the fun of it.

The joy of these books is their marriage of the American gumshoe attitude and the British cozy focus on character. Where they generally fall short is their plotting. This entry in the series is, without a doubt, the most successfully rounded out of the lot. Stout manages to keep the mystery truly mysterious, and yet never manages to confuse the reader so thoroughly that s/he can't find the exit. The plot actually ends on the last page--many of the Nero Wolfe mysteries fizzle out, wrapping up a chapter or two before the end, leaving nothing but rumination and grumbling for the final pages. Others seem never quite to wrap up all the loose ends. Here, the conclusion is both inevitable and unexpected--utterly satisfying.

Dzogchen psychology has arrived... this is the post-CBT-post-DBT-post-ACT psychology. "It is because it isn't." Welcome to the next non-paradigm!

Pavel Somov, Ph.D., Author of "Eating the Moment: 141 Mindful Practices to Overcome Overeating One Meal at a Time" (New Harbinger, Nov. 2008)

If you're wanting to understand either nondual wisdom or psychotherapy more clearly, read this wise and literate book. And when you're done, then read the second volume as well, Listening from the Heart of Silence. I wrote a longer review over there that applies to both volumes. They're good and, sad to say, there's nothing else out there that's like them. We need more. Until then, at least we have these.

This book is my first contact with non dualism in psychotherapy.
I read a lot of books on modern psychology in the past, but hadn't tapped into the edge of the field in a few years. Reading this made me aware that psychotherapy had finally found its maturity. I've expected this for 30 years, that our modern world would provide paths to truth/reality/God/I AM...And here it is. Expressed by modern minds, non dualism is easier to "understand". This book contains many tentatives at describing the undescrbable, or at least get as close as possible, a bit like hints. The authors are so articulate and honest ( exposing the weaknesses, pitfalls etc...of what method they use in their non dual therapies) that they succeed, and one can get a good taste of what they hint at, providing one reads slowly, with an open heart/mind. I find it fascinating and plan to study this field for awhile. It helps me clarify my mind, which is precious. It's pretty funny by times. These folks have humor, I like that too.

What a find - a book that explains what is essentially unexplainable! The Sacred Mirror is the "Bible" for any therapist who works from the nondual perspective. The Sacred Mirror expertly guides readers beyond what the words themselves point to. It is very rare to find anything on the subject of Nondual Wisdom and Psychotherapy, let alone a book that does the subject any justice.

I appreciated the essays by John J. Prendergast and Dorthy Hunt. Prendergast writes, "The critical question is whether the therapist's awareness is centered in the moment and creatively responsive to what is." And Hunt writes about, "...the healing that unfolds when that which is awake directly and intimately touches what is." I found the same power and clearity in these authors' words that is typically found in the most illumined teachers. Both of these writers are seasoned psychotherapists. They write from their direct experience.

This book serves as a wise mentor to my work as a psychotherapist. It encourages therapists to trust such "non-tangibles" as silence and presence. It helps evoke the living experience of oneself as THAT which IS awake while expertly exploring how this "understanding" connects with psychotherapy. It is no wonder that the Sacred Mirror is considered the current reference in its field.

- Jonathan Gustin M.A. LMFT, Psychotherapist; Founder of San Francisco Integral Transformative Practice; Founder of Green Sangha: Spiritually Engaged Environmental Activism; and teacher of Mind/Body Medicine at Kaiser Permanente.

Reality, Self, unconditioned mind, awakening, presence, silence, emptiness, being, nondual. If these are words you'd like to hear associated with psychotherapy, this book will be very welcome.

The Sacred Mirror is a collection of original writings by leading practitioners of nondual psychotherapy. Each author -- in his or her own fashion, and with varying degrees of emphasis -- addresses the nature of nondual disposition, what nondual therapy is, how it is practiced, and its role in psychotherapy. It is angled toward psychotherapists and the healing of psychological problems, but will appeal to anyone interested in nonduality, whether a professional healer or not. This book will be appreciated by one who senses or knows presence, whether one is held, or holds, in presence.

Since the function and work of the guru or spiritual teacher is essentially the same as that of the nondual therapist, both voices are heard from each author. Since these authors and therapists are intimate with nondual awareness, there is no underlying difference. What nondual therapists possess that most gurus do not, is formal training in psychology and a set of skills allowing them to practice conventional psychotherapy.

The first two chapters give overviews of nonduality and nondual therapy. John J. Prendergast, in the first chapter, asks whether the nondual approach makes for a new school of psychotherapy. He talks about how nonduality fits into practice. He addresses whether psychotherapy is evolving into a vehicle for transmission of truth, and whether awakening therapists are in the same lineage as Buddha or other great sages of all time. Prendergast speaks of the primary and secondary impacts of awakening. He discusses psychotherapy methods and skills in light of nondual awareness and how awakening impacts the psychotherapist.

Following the first two introductory chapters is an interview with Adyashanti. This, the third chapter, could also be considered an introductory chapter, as it gives further overview of nondual therapy and nonduality. Adyashanti is a significant character in this book since he is an outsider to the profession of psychotherapy yet works one on one with people who are awakening. His perspectives on nondual therapy would seem to be important. The interviewers ask over two dozen excellent questions, not including follow-up questions and comments.

Chapter Four is by Prendergast, who writes, "When we look into an ordinary mirror, we see how we appear. When we look into a sacred mirror, we see who we are." The role of "sacred mirror" has traditionally belonged to the guru or spiritual teacher. This chapter describes how the role is being played by the therapist and explores ways of including this function into transpersonal psychology.

Chapter Five is entitled, A Nondual Approach to EMDR: Psychotherapy as Satsang, by Sheila Krystal. EMDR stands for eye movement desensitization and reprocessing. For the reader who has some familiarity with EMDR, this chapter gives an excellent, sometimes sizzling, introduction. Having no knowledge at all of EMDR or the associated terminology, I had to search online for background information, which helped me more fully appreciate what Krystal has compiled.

Chapter Six is authored by John Welwood. Its theme is, "Being fully human means honoring both these truths -- immanence, or fully engaging with our humanness, and transcendence, or liberation -- equally. If we try to deny our vulnerability, we lose touch with our heart; if we fail to realize our indestructibility, we lose access to enlightened mind. To be fully human means standing willingly and consciously in both dimensions."

Chapter Seven is by Dorothy Hunt, and is entitled Being Intimate with What is: Healing the Pain of Separation. Here are a few major points:
-- "When what is awake directly touches its own experience of anything, there is deep intimacy with what is. ... In this intimacy we find ourselves undivided."
--"(This realization of our undivided being) is unfailingly healing because it experiences itself as a whole."
-- This intimacy is not conceptual, not another idea or identification to be harboured. It is not separate from this or what is. It is direct experience. Any conceptualization is movement away from the experience of this. "Healing happens when we are not separating ourselves from the authentic truth of the moment."

Chapter Eight is by Dan Berkow: A Psychology of No-thingness: Seeing Through the Projected Self. "Therapy therefore facilitates exploration, gives feedback, and promotes inquiry. The effects of self-imposed friction are addressed honestly and without either minimizing or exaggerating. The psychosomatic and relational repercussions of self-protection are clarified with self-examination. The dropping of the projection of a separated self is the choiceless awareness of moment-to-moment being."

Chapter Nine, by Richard C. Miller, is about nonduality and Yoga Nidra. "Yoga Nidra is an ancient tantric Yoga practice that reflects the perspective of Awareness both as the inherent ground of our essential beingness and the container, agent, agency of our healing into the understanding that this is so."

In Chapter Ten, Stephan Bodian speaks about deconstructing the self via inquiry. "The inquiry that I describe in this essay, which now arises naturally with my clients, draws upon The Work, the self-inquiry of Advaita Vedanta, and the phenomenological investigation of experiential psychotherapy."

Chapter Eleven is called Healing Trauma in the Eternal Now. Lynn Marie Lumiere sets forth that nondual awareness is unconditional love and as such accepts extreme ecstasy and extreme trauma equally. "It is only in this embrace of the manifest by the unmanifest that true transformation or healing takes place," she says.

Jungian Analysis and Nondual Wisdom, by Bryan Wittine, is the twelfth chapter. "This chapter is about the journey in Jungian analysis of a spiritual seeker named 'Jenna,' who longed to know God. It is also about a defensive process I call 'psychospiritual splitting,' which nearly derailed Jenna's quest. Finally, it is about our analytical relationship and a nondual understanding of spirituality; both of which were central to her journey."

Chapter Thirteen is written by Jennifer Welwood. The author describes how we develop a conditioned identity. She states, "We lose the true support of our deeper nature and seek refuge in the false support of our conditioned identities. This is how our samsaric confusion manifests at the level of psychodynamics."

Nonduality as a term, as a word, remains a stranger to vast stretches of the fields not only of psychology, psychiatry, and psychotherapy, but of religion, spirituality, physics, and philosophy. And to music, art, literature, ecology, architecture, athletics, nonduality is barely a phantom; it has barely breathed in those spaces. This book, The Sacred Mirror, introduces nondual wisdom or nonduality to the field of psychotherapy. This book provides an education in nondual wisdom, an enjoyable expression of nonduality, and an opening to a new direction in psychotherapy.

Jerry Katz
One: Essential Writings on Nonduality

this book will move you. i have viewed many photo books and exhibits and have found many to be interesting and technically proficient. this book easily jumps those hurdles, but more importantly, the images on these pages reach out of their simple wood pulp shelter to touch your heart.

white, black, or blue; gospel lover or country western, you owe it to yourself to spend time with this group of deeply felt images.

buy two copies.

We've Come This Far is an insider's inside look at a pillar of African American Christianity, Abyssinian Baptist Church. Bob Gore's skill as a photographer and his commitment to his faith are evident on each page of this lovingly crafted work. In some cultures in the world, taking a photograph of a person is looked at with trepidation because it is believed to be an attempt to capture the subject's soul. And that's exactly what Mr. Gore has done in this book and there is no need for fear. The pictures and accompanying essays capture real life/real time moments in the broad scope of the life and spirit of this historic church.

I've never been to New York, and I've never been to a black Baptist church. But the spirit of this institution- its leaders and worshippers- absolutely radiate off the pages of this book. It is unbelievably inspiring. It would make an excellent gift for any liberal Christian activist you know, for a pastor or clergy member working hard to integrate the church into the community, or for yourself. The text is also beautifully formatted, and the history and descriptions are very accessible. The primary focus is always on the black and white photos found on almost every page. Beautiful.

The rich and vibrant history of Abysinnian Church and the Harlem community is revealed in this work by Bob Gore. The photos are of such superior quality that you can feel the message conveyed in the picture without using the text. With the additon of text there is a wonderful account of the Harlem experience, chock full of information about the history and the individual personal expressions of those who were there when it happened. This photographic journal is vibrant and colorful in both word and image. There are real accounts of Abysinnian Baptist Church's history, including it's spiritual, political, social and economic relationships with the communities that it serves. I urge you to consider this book not just for reading but also as an important addition to your library.

I've been to Abyssinian only twice, but was almost overwhelmed each time with the power of commitment and community. Bob Gore's book captures with warmth and intimacy the spirit of this special place and its people. It is the only church I've been to where I felt that power of love which Christianity must have carried through the centuries.

I really love this book! The pictures are great and the recipes are what I was looking for! I highly recommend it!

Excellent book for anyone interested in desserts. I can't cook, but for some reason I can make excellent desserts. The berry fool is very easy to make and you can change it up a bit and put it in individual graham cracker pie plates. This book is loads of fun. Read the whole thing first though.

Most of the recipes in this book are suitable for bakers of any level.

What makes this book a standout, is the fact that even the simplest recipes look expensive and difficult, when complete. For example:

The Poached Pears With Raspberry Coulis, is simple. It looks like a million bucks when properly plated, though.

My boyfriend made the Lemon Curd Squares in the middle of the night. He isn't known for his cooking or baking skills (unless Noodle Roni counts). They came out perfect. From the way he carried on, you would think he solved cold fusion.

If your baking challenged, significant other, reads this book and is motivated to make just one recipe, then your money was well spent.

This book is a must have.

When you sensibly order this deal of a book, don't be surprised to find yourself promising to make EVERY SINGLE RECIPE as you flip through. The pictures are delectable, and the recipes easy to follow. They also include sidebars with both general information and that which is specific to the dessert at hand. I also enjoy their suggestions for alternate flavor additions. There are 6 sections of recipes: The Classics, Simple Desserts, Summer Fruit Desserts, Holiday Desserts, Special Occasions, and Chocolate Decadence. There are 7 recipes per section, and the book ends with basic dessert tips, glossary, and index.
Note that they use chocolate rather than cocoa in the chocolate-based desserts. I have a double boiler, but still generally prefer to use a metal bowl sitting atop a saucepan with gently boiling water. The bonus is that you can then use that as the main mixing bowl for zero chocolate loss.

I have not even tried a recipe yet but I've read it cover to cover. You can usually tell a good cook book by how well it's written. The authors explain in great detail each recipe which is very easy to follow. To top it off a picture accompanies every dessert so you know exactly what to expect. In the back of the book is a guide for baking novices, like myself, on the importance of preparation before baking and some other tidbits as well.

The same day I received my copy I watched a program that aired on the Food Network: Good Eats w/ Alton Brown. He made Crème Brulee, Pear Coulis', and a Soufflé. His method followed the book to a tee. As you can see I highly recommend this book.

In his book, The Wounded Body, Dennis Patrick Slattery weaves together wounds and meanings, intertwines psyche and soma, and plaits mimesis and memory into life stories. If, as he believes, our origins and our destinies are within the poetics of our bodies, then who would turn away from tracing origins through memory and destiny through desire? Who would not unravel some of the knots of their body's images? Dennis Slattery heeds Shakespeare's teaching that our wounds are mouths and teaches the reader to listen, as he does, with rapt devotion to their stories. His imaginative discussion recalls works by Homer, Sophocles, Shakespeare, Rousseau, Dostoevsky, Melville, Tolstoy, Flannery O'Connor and Toni Morrison. Slattery reminds the reader that wounds and fissures mark the places vulnerable to penetration by unknown deities. Our wounds are "where the hinge is located that marks the pivot of our history and destiny" (15). He poses the archetypal question: What is the wound asking of us? What story does it want to tell? The wound's meaning cannot be teased out logically. Only imagination will lead us to the story. Our wounds want to be recognized and dialogue with us. They want to matter, want to be incarnated. And as Hamlet teaches us, "perhaps the fullest form of embodiment is to be remembered in a story, for it is as close to immortality to which a mortal can aspire" (73). Read this book slowly, savouring its poetics, its reveries, its meanderings, and its gaps. The gaps invite the reader's memories to intertwine past with present and mingle with Slattery's reflections in a confluence of healing spider's webs for our wounds. Pay particular attention to the stories that resonate, for "the essence of mimesis is somatic, visceral, a shared physic element wherein we feel the action, the wounding, the marking of a body, in our own being" (13). Dennis Slattery, whose namesake is Dionysos -- the god of tragedy, reminds us that we must delve "deeply into the wound, the infection, the pollution that tragedy forces us to face; to escape from it is to invite its doubling intensity" (72). Then Dionysos leads us to Hermes, whose value "lies in being a mediator, an in-between figure who gives imagination depth and allows the ordinary things of the world to be remembered fully and experienced deeply" (143). By bowing deeply to both these gods, Slattery writes a vibrant and meaningful book about the wounded body. The most important part of writing a book is asking worthy questions. This author draws upon the most profound literature of twenty-five hundred years to refine his questions. If our wounds have stories to tell about our origins and destinies, who would dare to ignore their every imaginative appearance? Dennis Slattery never suggests that the wound's story will be redemptive. He cautions the reader that "the theory used to guide the study was itself wounded" (237). For in listening to our wound's stories, we hear about fragmentation, not integration. And I wonder, is fragmentation indeed redemptive?

In a society where technology is becoming the predominant timepiece, Slattery reminds us that the body is always there recording. In this remarkable exploration rooted in some of literature's greatest works, Slattery dares us to remember. He encourages us to peel off another layer, to turn off the machines and sit in ourselves with our woundedness. He believes that in exploring our wounds,we come to know ourselves. For Slattery,wounds are the way in and the way out. They mark the point of suffering while divulging the site of healing. A man of his word, he wears his perspective on his sleeve, introducing his book with a tale of his own woundedness. His book teaches that the body holds the memory and all possibilities are therein contained. This book is dressing for anyone who has been wounded. Applause, applause, applause . . .

In a day when we are awash in advice about how to fix our bodies, and advice about how to heal them and discover our long-supressed spiritual selves as well, this book by Dennis Patrick Slattery comes as a welcome antidote. Reading about these great stories, with Slattery's provocative and insightful commentaries, we can better meditate on our common humanity, especially our common bonds of suffering. For all the pain and grief they entail, our wounds, personal and collective, appear to be at one with the Muses, and they bring forth poetry. I recommend this book to psychologists as well as to others who are interested in great literature.

What a joy it was to turn away from a discussion with a psychologist who believes in psyche as quantifiable brain extrusion (how come these hermetically sealed folks are always the politically correct ones as well?) and get lost in this wondrous work by a marked man known to frequent the Pacifica Graduate Institute, one of my favorite hangouts and a delphic magnet for depth-oriented subversives.

The author has given us a finely researched prose-poem pulsing with creative insights and daring questions: a psychology of the gut for a malnourished time when so much psychology has become gutless as well as bloodless, dismembered and disembodied. A time that has recorded the inversion of Jung's dictum that the gods have become diseases, for when "the cry for myth" is strangled in the rationalist throat, diseases inevitably become our gods.

A few quotations from the book:

"The wound is a special place, a magical place, even a numinous site, an opening where the self and the world may meet on new terms, perhaps violently, so that we are marked out and off, a territory assigned to us that is new, and which forever shifts our tracing in the world."

"Identity involves suffering, a suffering into the self through soul."

"Where we have been marked is where the soft spot of our being is, where we are most finite; but it is also where the hinge is located that marks the pivot of our history and our destiny."

This book won't catch you if you're into trance-ending your wounds and weaknesses, flying over them into a stratospheric spirituality that gleams with powdered sugar and positive thinking: a Promethean leap that disregards the shadow over which it later stumbles into a deflating, angry bitterness akin to that of Captain Ahab, the idealist-gone wrong who raged, "There can be no hearts above the snowline."

But if you want to listen to the spaces opened up by hurts ("Invulnerable am I only in the heel," wrote Nietzsche), then this enfleshed poetic journey through literature, myth, and psyche itself will stir your blood and get your soul in motion.

Even in a world as worshipful of the body such as ours, the ancient split between matter and spirit, between body and soul is still so pervasive that it is an anomaly to think that the body is our way -- indeed the only way -- of existing in the world. Humans are not spirits condemned to the prison of the flesh, waiting for their liberation from matter and escape into the spiritual paradise. Rather they are incarnated spirits and ensouled bodies. They can achieve their wholeness only though their bodies -- and more precisely, their wounded bodies -- since the world in which they live is marked by diseases, pains, psychic sufferings and ultimately death. Through a series of insightful and profound analysis of literary, psychological, artistic and religious masterpieces -- from the ancient Greek tragedies to contemporary American novels -- Slattery offers us a way of imagining our wounded bodies, and through this imagination, reconnect them with the spirits. We owe Slattery an enormous debt for his powerful imagination. No one who reads this book will remain unchallenged and unchanged by his way of seeing the human body as an icon of the divine. I most strongly recommend his book to those seeking wholeness and spiritual transformation.

I picked up this book simply because I have enjoyed Benjamin Lloyd as an actor. I never expected that he would also be a wonderful writer. In addition, Lloyd provides an insight into the joys and struggles of an actor and will help anyone contemplating a career as an artist. It should also be a must read for the parents, spouse or friend of the "struggling artist". ( And, almost by definition, they all must have their struggles. )

Fortunately, no one need struggle as they read this book. It will capture you from the first through the last page! I loved it.

Duane Malm

Acting and teaching acting is revealed in an unusual form: fictional letters between a struggling New York City actor and his Quaker grade-school acting teacher. In adopting the letter format, the pitfalls of an actor's life and the realities of success are more easily captured. It's rare to see such a blending of fiction and fact, but The Actor's Way: A Journey Of Self-Discovery In Letters provides an excellent, realistic survey in a form students can more easily digest.

This riveting book using the letters of the 2 main characters wonderfully developes the interplay between acting, openness, fragility and trust. Using the theater metaphor, lloyd details feelings, emotional interplay, and community building as the constant themes of bringing the "spirit"and "life" into our temporal life. His chosen world of acting and directing demonstrate the ephemeral in our concrete denotative world,AND also brings out the eternal through the incorporation of the impact of art on the observer and the participant. Poetry, music, and drama become meaningless exercises without the emotional and spiritual transportation of performer and audience to a new "weltanschaung".
The specific techniques described are beyond my experience but resonate clearly with similar techniques of relating and isolating specific aspects of relationships in my medical career. I was always amazed by the change in surgeons personalities when they were wearing a mask and when they "out of costume". No question that the mask provided a screen for their persona. The arrogant but friendly and understanding selves disappeared behind the mask replaced by the distant focused martinet.
Most beautifully handled is the spiritual growth within a community that is open and loving and unavailable in a solo setting. "Alice" "walks the talk" and the handling of her "Spiritual Inventory" as she accepts her death while remaining involved in her community. Community, to me, is where someone lives that I am uncomfortable with. The fictional letters create the "uncomfortable" person as part of each character. The modulation of the uncomfortable actions become facets of each person, preserving the "whole" of the person as loving person with demons not seen by others. The curse of secrecy, hiding the "wounded" parts leading to community and personal diminishment. This love of secrecy is the basis of the innate mistrust of most people to Scorpios. The Scorpio demands loyalty but needs his chamber(cave) private, precluding open communication without advance contemplation and strategic analysis, Iago is a classic example of a Scorpio knowingly headed into destructive course aware that he will be destroyed as well.
The incorporation of the Quaker blend of high abstract intellect welded to a belief based on an emotional/spiritual experience (The Gathered Meeting) adds the necessary "vertical plot" necessary for living characters facing life each day.
Many thanks to B. Lloyd for writing such a clear loving book.

I can't stop reading this book! I'm not an actor or a theatre teacher, but I love going to the theatre and try to imagine all the work that goes into creating the characters that we see up on stage. There is so much art and craft to acting and this book helps you to understand it -- and understand the struggles and the growth in each actor, teacher, and director. It's written in a letters between people format which makes it real and lively. This is a book for everyone! Those who haven't read The Actor's Way have a huge treat in store for you!!

The charactor of Andy was genuine, and masterfully revealed in his correspondence with Alice. The relationship that was driven by their link to the theater was so much more than just theater discussion (which I have no experience in, but learned quite a bit)- it got to the core of why and how one chooses a direction in ones life. A book that should be on the reading list of every college student - not just those majoring in the arts! Ultimately The Actor's Way is about authenticty in ones pursuits in life. Want to know where Andy is now in his life. Next book due out???