New York Books

Some books teach you something new. Some books have you look at things in a different light. This book does both. Before reading this expansive historical work, I viewed the 1863 New York riots as a reaction to the draft. This book shows that it was that and a lot more. Schecter's book analyzes the social-political situation in the United States at the time of the riots and shows how much racial relations and fears, and those who preyed on both, played a role.

This book teaches on so many levels. It serves as a 1) an complete account of the civil disturbance in New York City in 1863, 2) an overview of race relations in the United States during the Civil War and Reconstruction, and 3) a history of New York city in this pivotal time frame. It even includes a travel guide for New York, which includes all the sites related to the narrative. Well written and superbly researched, this book is a great precursor to Eric Foner's works on Reconstruction.

This is the best historical work I have read in the last few years.

Schecter's book is a great read that clearly explains the New York City draft riots and the political and ethnic issues that simmered to the point where in July 1863 Irish immigrants protested and rebelled against what they saw as an unfair draft system that had been put in place allowing $300 commutation fees and a recent Emancipation Proclamation which caused them to fear the loss of their jobs to newly freed slaves coming from the south.
It's an excellent book about a rarely discussed topic in our nation's history.

This is a good book that seeks to help desanitize and demythologize American history. Racism is and always has been an American problem, and not relegated to one region, or for that matter, one race. I think a good book to read with this one is Tom DiLorenzo's brave THE REAL LINCOLN, now available in paperback. It does something to show Lincoln's virulent racism and should act as a supplement to THE DEVIL'S OWN WORK.

Thank heavens for independent scholars!

Barnet Schecter is rapidly becoming one of the best chroniclers of New York's history. His previous book, "The Battle for New York: The City at the Heart of the American Revolution", was an eye-opening revelation at how this city was the true "heart" of our separation from England, and how we (and Boston, as well) were that country's main target for conquest in 1776. Utilizing the same narrative style of writing, Barnet Schecter tackles the week-long convulsion in New York City four score and seven years later.

"The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America" fills a void in most histories of the Civil War: the fighting that took place OFF the battlefields of Pennsylvania, Virginia, Maryland, etc. These were the wars that were waged in newspapers, city halls, and, ultimately, the streets of major cities across America. Mr. Schecter is careful to explain that the New York City draft riots were not the only anti-war, anti-emancipation riots during the Civil War. But it was the largest. It was the worst. (While most New York historians claim that around 100 people were killed during the riots, Mr. Schecter rightfully, I believe, puts the number at 500, at the very least.)

The actual riots occupy only the middle one hundred or so pages of the book. Mr. Schecter devotes an appropriate amount of time to examining the roots of the riots: the racism, the class animosities, the mistrust between Nativists and immigrants, and so on. In the weeks and months immediately before the cataclysm, we see battle lines being drawn: Greeley vs. Marble, Democrats vs. Republicans, poor whites vs. poor blacks; in fact, it seems like it was almost everyone vs. the beseiged African-American population. When the five days of rioting are discussed, the sense of prevailing confusion and chaos--the near anarchy--are as expertly conveyed as the awful scenes of violence. The final third of the book is, in many ways, more tragic than the uprising. It is here where Mr. Schecter discusses the aftermath of the riots over the next two decades. Basically, the reconstruction of America fails. The North and the South do not fully unify. The working class does not get the respect it deserves. (Instead, it is treated with more brutality and unfairness.) Worst of all, African-Americans are not truly emancipated. The enmity and violence visited upon them, because they are never addressed, just worsens. And why were they never addressed? Mr. Barnet just comes out and says it: because most people never really wanted to. Therefore, it would takes decades before America would heal or truly reconstruct.

"The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America" is a sobering book, true, but it holds our fascination. The details about the quirky politicians, newspapermen, observers and participants breathe life into people who have been dead for almost 150 years. The maps and generous sprinkling of illustrations help us see the people and places more clearly. This is a monumental book for which Barnet Schecter deserves our appreciation.

Also recommended: Iver Bernstein's "The New York Civil War Draft Riots". Although not written in a narrative style, it contains valuable information about the causes of the riots. For a fictional treatment, Peter Quinn's novel, "Banished Children of Eve" is the best I have ever read.

Barnet Schecter's magisterial study of the five day insurrection that erupted in New York City, "The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America", is one of those historical accounts that illuminate more than just the times the work is set in. By providing a multilayered analysis to the issues that marked this breakdown of social order, and through a deft, perfect-pitch, use of basic sources, Mr. Schecter lets the contemporary voices of those living through these events and, at times, driving them, speak for themselves. The result is a tableau of compelling immediacy that is rarely seen in a historical study. Some of the expected characters are here: Lincoln, Seward and Lee, etc. but it is the less well-known characters of that era that permit the real force of the book to be felt. By knitting together and contrasting the recorded dialogue of the restive ferment of the slums of New York and Boston with the tense interchanges originating in the mahoganied board-rooms of these same cities Mr. Schecter recreates the social tensions of these turbulent times. With what seems to be an unerring sense of how the character of a subject will define for him the peculiar social reality that he may act in, we meet figures who by virtue of the author's skill and sympathy are never rendered as simple, one-dimensional heroes or villains. Landmark works in any field of study require that a sense of scope, sensitivity and balance be observed throughout the effort. But such traits alone cannot mark it as memorable. For this the electricity of personal exchanges in statehouses, boardrooms and back alleys must be captured in their raw force and then be woven in into a narrative that flows with seeming effortlessness, from it its own momentum. This is what Mr. Schecter has accomplished.

A sensitive and beautifully written novel of an elderly person's memoirs. Thoroughly enjoyable and highly recommended.

Irene, age 90, lies essentially bedridden in the parlor where she can still feel part of the farm. Her bedroom upstairs lies vacant now, along with the rooms of her dead parents and brother. Insistant on maintaining imput on the goings-on, she tries to keep the upper hand in everything. Lying quietly, she has embarked on documenting her life on the farm she was born on. Her mind is as sharp as the pencil she scribes her memories. Her notebooks serve as her testimony to the past and the very present.

Among her reminisces are her present day quips targeted at those that seem to be circling her, poised to take advantage of this old woman's lurking day of death. She fears losing the farm in her death, the land cut up into suburbs, the old machinery auctioned and the house left to those who will never understand the sacrifices and joy that have walked in and out the kitchen door. As she gazes out the window, she can see the graves of her parents, her uncle and the many faithful collie that guarded over the flock of sheep. It is a fearful thought that in the modern day, she would not be allowed to be buried alongside her family.

While she fights to maintain the bare bones of the farm in her later years, she recalls the years she spent keeping the farm going after her father's death at an early age. Passive in grief, her mother steps aside and lets this young woman manage the intricacies of a sheep farm, a large garden and the general upkeep of the land in the mid 1900's. Praised in national magazines for the quality of her sheep's wool she gains the respect in the community for her work.

It is this woman's memories that are golden as she recalls ninety years on the farm. Particularly insightful are Irene's recollection of seeing the first automobiles driving along the road at night. Unfamiliar with headlights, Irene and her mother stand nearly terrified as they ponder what those lights coming across the valley floor are. It is her impression, once the car has passed by the dirt road in front of their farmhouse, that things will never again be the same.

Living over 90 years is a sure bet that things will never be the same at one time or another. It is the wonderous theme of this lovely novel that allows Irene to move on but look fondly back.

This was a really good book to read - I definitely recommend it.

Irene, age 90, lies essentially bedridden in the parlor where she can still feel part of the farm. Her bedroom upstairs lies vacant now, along with the rooms of her dead parents and brother. Insistant on maintaining imput on the goings-on, she tries to keep the upper hand in everything. Lying quietly, she has embarked on documenting her life on the farm she was born on. Her mind is as sharp as the pencil she scribes her memories. Her notebooks serve as her testimony to the past and the very present.

Among her reminisces are her present day quips targeted at those that seem to be circling her, poised to take advantage of this old woman's lurking day of death. She fears losing the farm in her death, the land cut up into suburbs, the old machinery auctioned and the house left to those who will never understand the sacrifices and joy that have walked in and out the kitchen door. As she gazes out the window, she can see the graves of her parents, her uncle and the many faithful collie that guarded over the flock of sheep. It is a fearful thought that in the modern day, she would not be allowed to be buried alongside her family.

While she fights to maintain the bare bones of the farm in her later years, she recalls the years she spent keeping the farm going after her father's death at an early age. Passive in grief, her mother steps aside and lets this young woman manage the intricacies of a sheep farm, a large garden and the general upkeep of the land in the mid 1900's. Praised in national magazines for the quality of her sheep's wool she gains the respect in the community for her work.

It is this woman's memories that are golden as she recalls ninety years on the farm. Particularly insightful are Irene's recollection of seeing the first automobiles driving along the road at night. Unfamiliar with headlights, Irene and her mother stand nearly terrified as they ponder what those lights coming across the valley floor are. It is her impression, once the car has passed by the dirt road in front of their farmhouse, that things will never again be the same.

Living over 90 years is a sure bet that things will never be the same at one time or another. It is the wonderous theme of this lovely novel that allows Irene to move on but look fondly back.

I cannot express have wonderful I found this novel to be! I could not read it in public, because I was so filled with emotion at so many places throughout the story. The story of Irene's life itself was rather straightforward but the rich punctuations of reflections on nature, life on a farm, the essence of what a farm life means,and insight into the process of aging and dying ,raised the novel to great heights. For any reader who does not understand the attraction of life connected with nature, this book will provide refreshing insights. For those of us who were bitten by the bug to farm (certainly it was not in my NYC bred genes for generations!) it helps us to explain why we feel the way we do about the farm life, surrounded by animals. It actually awakens an awareness so that I found myself exclaiming why had I never thought that out loud but already knew in some deep place of the soul! For the farmer, it provides a possibility for keeping the working farm long after hehas moved on. For the person simply living a life, this book offers a perspective into the process of dying and into the exhilaration of the soul that dying a meaningful death can hold.

I was introduced to West through her book The Thinking Reed. I liked her obeservations of rich Europeans, as seen through the eyes of an American, in the era before the first world war. The Fountain Overflows takes place in Edwardian England and tells the story of an educated but impoverished family, told through the eyes of one of the young daughters. Whereas The Thinking Reed was a pleasurable, almost fluffy read for me, The Fountain Overflows raised issues that I feel it didn't answer. The father is a gambler and not emotionally dependable, and the effects on the children are alluded to at the end of the story, but then dropped. I would have liked West to stay more superficial, describing the fascinating details of family life, and leave the emotional analysis out of the story, since she didn't follow the emotional analysis through. This is a quibble, however. I thoroughly enjoyed reading The Fountain Overflows, and will be moving on to Black Lamb and Gray Falcon soon.

This was my first encounter with Dame Rebecca West's writing, but it won't be my last. Nearly every paragraph stood alone, as a description to savor or an emotion remarkably described. The characters linger long after the book is closed. I believe that someone has suggested that they are somewhat Dickensian, with which I would agree. The plot conveys to the reader a deep understanding of the frustrations encountered by women whose lives are held in thrall by men who are indifferent to their wellbeing.

The only thing that keeps this book from being 5-stars in my mind are occasional spots where you want it to move more quickly. Its subtlety and richness make it a book well worth revisiting.

A general comment about the Classics series of the New York Review of Books. I am particularly pleased to have discovered this series for two reasons. First, because of the beauty of the books themselves; the cover art is of a very high quality and the paper, printing and binding is as well. The books themselves are pleasurable to experience. Second, the series is introducing me to literature that I would otherwise have never read. I just finished "A High Wind in Jamaica," have begun "Indian Summer" by William Dean Howells (and my middle-school introduction to "The Rise of Silas Lapham" would have predicted that I would never have picked up a book by Howells again, which would have been my loss - I might even tackle Silas Lapham again), and have ordered a few more. I recommend that readers explore some of these treasures.

to be savored - a real treasure.
This book is hard to classify because it is both densely written, and yet, it is like cotten candy. If you like to be transported to another place and time, and enjoy writers who know how to use the English language, this is a book for you!

The header says it all. If pressed, I will have to admit that this is my absolute favorite novel of all time. There is something so haunting and so human and so memorable about this book, I can't stay away from it--I must have read it 20 times, and I never grow tired of it.

I had heard of author Rebecca West, mainly as the young woman who had a long term affair with a much older H.G. Wells and produced a child out of wedlock, back when things like this were considered shocking. I stumbled across a copy of this book and decided it might make an interesting read.
I never imagined that I had found a true classic, a book that uses the English language to a degree unsurpassed by any other author I have ever read. The story of is simple, that of a down on their luck family, living in London during the early 1900's. Their trials and tribulations are faithfully described, as are the multitude of characters they befriend. Actually to describe the plot, one might assume that not much really happens and to be honest, the plot is not the main attribute of this novel. But the language! I have often thought that I would some day like to write a novel but after reading this book, I would not even attempt it! This is how language should be used...clear and concise but also able to convey atmosphere and emotions. Page after page of luscious words, all combining together to create an unforgettable reading experience. If, like me, you wanted to read more, please note that the sequel, This Real Night is almost as good. A third book, Cousin Rosamund is much weaker since it was not completed at the time of the author's death.
Please do yourself a favor and read this book. I think this ranks with Pride and Prejudice and Wuthering Heights as books which define the best that the English language can offer.

THIS IS THE STORY OF THE NEW YORK JETS, HOW FAILURE AFTER FAILURE HAS FILLED THEIR HISTORY. THIS STORY DESCRIBES IN GREAT DETAIL THE FEW SUCESSFUL SEASONS AND THE MANY DISAPPOINTING AND TOTALLY PAIN FILLED ONES. THE AUTHOR DOES A GREAT JOB DESCRIBING AND INTERVIEWING THE PEOPLE WHO WERE DURING THESE DISASTEROUS TIMES. FROM WEEB AND JOE TO THE COMING OF THE TUNA, THIS BOOK HELD MY INTEREST AND I HIGHLY RECOMMEND THIS FOR ALL FOOTBALL FANS, I FEEL THE JETS PAIN.

This is a well-written history of the New York Jets. It covers the one great accomplishment (Super Bowl III) and the many failures and disappointments. As a fan you love the team and always get your hopes even though you know they will dash them in the end. This book covers those emotions well.

Well written, exciting and very difficult to relive all the abysmal moments in Jets history. END

Gerry gave a very honest account of the New York Jets.

You'll enjoy the stories of the early years. Recounting the selling of season tickets from the apartment of one of the original owners, Walt Michaels finding a "good practice field" while flying home from a game (it was located on the grounds of a NYC prison), the press' examination of Joe Namath's knee in the restroom of a local restaurant and many others.

Those who were at that dreadful Miami comeback at the Meadowlands in 1994 will relive that sick feeling in the pit of their stomachs.

Parcells has come and gone and we still don't have another appearance in the Super Bowl. This book might expain why.

But we return each season with high hopes of reaching the big game. Reading Mr. Eskenazi's book will remind all of us of the pain we go through to have some fun on a sunny Sunday afternoon in the Meadowlands (NJ).

Along came Bill Parcells and New York thought its troubles were over. Last year we were a half hour from the Superbowl and now we're in the cellar again. If you find yourself scratching your head and asking why. This book has the answers--the history of the Gang Green struggle and where we went wrong.

An incredible look into the heart and soul of America as it really was in the 30's & 40's. Written with perfect passion and honesty like never before or since. READ THIS BOOK!

There are very few novels that have knocked me out of my chair as consistently as this one. Thompson's writing may seem crude to the uninitiated, but one cannot resist being swept up by his delightful tapestry of slang which peppers some of the most captivating prose I've ever read. It's about life in America, in it's underwear, up way past its bedtime, broke, beaten up, bombed out of its skull, with a tenacious hope running through it all like a river. No heterosexual American male in his right mind will be able to put this book down, and none should miss the chance to read it.

Hi,
I love his work and am looking for any information on Earl Thompson, i.e., where he died and how, family, etc. Anyone out there with any info can contact me at dpollock@adelphia.com.
Thanks,
Donald Ray Pollock

He could have given us more books like Garden. Yes, the topics are a little off-kilter and the language a little rough, but the man could write! In my own opinion, Thompson belongs on the shelf next to Hemingway and Steinbeck as an American treasure.

When the smoke of obscenity trials cleared in the 1960s, publishers were free to print well known novels like Joyce's Ulysses, Miller's Tropic of Cancer and Lawrence's Lady Chatterley's Lover. The new freedom to write about sexually explicit topics subsequently led not only to a spate of sexploitaton novels such as Grace Metalious's Peyton Place and Harold Robbins's Carpetbaggers but also to a handful of honest, forthright novels that focused on men and women in their teens and twenties, including Thompson's Garden of Sand, Agnar Mykle's Lasso Round the Moon, and R. V. Cassill's Pretty Leslie. The sexual frankness of these novels so overshadowed their merit that they were doomed to a sniggering relegation to the back shelf. It is time to redeem them. I doubt any American writer, including Mark Twain and J. D. Salinger, has ever got inside the head of an adolescent young man more than Thompson in Garden of Sand and Tattoo. There is sex, yes, but also the ethos and the degradation of poverty and the wild hopes and expectant dreams of people without money, privilege, or an Ivy League education. Clearly, Thompson lovingly worked and reworked his writing, piling up detail upon detail, observation upon observation, all of which results in a novel much like a Breughel painting: having naturalistic characteristics but an elegaic tone. He reminds us of what growing up REALLY was like.

An easy book to read, with interesting information about each car. I was also curious to find out what happened to the cars. Dream cars were very popular in the 50's and 60's and this book covers GM's contributions well.

Cool Book, Beautiful pictures. Lots Of Cars I have not seen before, Some I have. Worth The Price.

Great book, well done. It answered some questions i had.
Great job. Transaction was great.
Larry Sherrill

Very nice book loads of pix and info. Bought as gift. Guys who are into old GMC iron will be ingrossed for hours!

This book is an important, stylish look at a halcyon time in U.S. automotive history, when dreams became real and art and style were as significant as horsepower and torque. If you're an afficianado of the big cruisers Detroit cranked out in the late fifties and early sixties, this book shows you the wildest styles possible from the designers and how they were translated into what you drove into your driveway. It's a well put together compilation, and the book itself is heavy and durable. Any car collector or petroliana devotee will love it!

Love chaplain Ray and his ability to walk amongst the most tragic crisis and still find a "silver lining" of hope. I am a christian and can really relate to his perspective but I have given this book as a gift (too many times to count) to people of other faiths or no faith at all. It is not preachy or divisive, it is instead filled with stories of God's provision and grace and Ray has a way of delivering God's hope in written form just by sharing his story in such an honest, heartfelt way. Most any American would want to know more of what it was really like at Ground Zero and this book will capture their heart. I also highly recommend it to anyone who serves people in tough situations (hospital ministry, crisis care, grief counseling, hospice care, etc.). If you have a compassionate heart and a desire to learn from someone who has been gifted to care for others in the most humble way, this is the book. It will inspire you to watch for the moments that God will put in your own path where you can bring a moment of hope or comfort to someone else. This book is a beautiful gift and a amazing story of hope. I pray all of God's richest blessings on Chaplain Ray and his family!

I recently attended Ruth Graham & Friends conference. Ray Giunta was a principal speaker and workshop leader so I had the privilege of hearing him speak twice. I cannot imagine the privilege of being ministered to by this man during a crisis.

I purchased God @ Ground Zero at the conference and cannot put it down. I don't want to finish it because it is superb. Although it brings back the horror of September 11, 2001, it also tells little known stories of those who minister to the firemen and rescue workers who saw so many horrors and didn't know how talk or release the tears.

Chaplain Ray Giunta personifies exactly what it means to be a mininster for Christ. Today, most people think that Jesus can only be found within the walls of a church, by reading God @ Ground Zero you will see that Christ is where pain is, He is where need is, He is any where people are. The ministry of Ray Giunta is the exactly what this world needs. Read this book and read it again! It's a word needing more expression.

There truly are few books that will touch virtually every emotion that a human can experience. Chaplain Ray is truly blessed by God with a heart and eyes that can see beyond the words of whoever he encounters. This book is a blessing beyond belief. Chaplain Ray communicates his experiences on Ground Zero so vividly and clearly that you almost feel like you are back in the days that followed 9/11 and are walking there w/him and the firemen and police officers and others who by doing their job became heros to us all. Ray Giunta is a mighty man of God and will become your hero as you read this awesome account of 68 days spent at Ground Zero. This book deserves to be read by everyone!

As a Red Cross Disaster Relief worker, I walked the same path during the same days that Giunta was at Ground Zero. It was heart wrenching to hear his stories and, yet, glorious to discover the words he used to provide comfort. Giunta tells the story of one man who suffered a terrible loss. I was stunned to read it because I actually held the same man in my arms as he told me the same story. God was at Ground Zero and every emotion Giunta writes of I felt or saw. Many lives changed forever because of the horrible choices made on September ll. I am so very pleased that Giunta just simply told his stories of his time there. I wish I could tell mine as well as he did. If you want to know what it was really like to be right there, then please read this book. It is obvious it was written from the heart, the soul, and with love and compassion for all who suffered in this tragedy.

Love to hate lawyers? Here's one you'll love and...well, be exasperated by. Lawyer Farbman makes all the wrong moves and trusts all the wrong people in this hip, funny, and ultimately inspiring novel. To author and lawyer Donald Friedman, nothing is sacred: he skewers the usual suspects and then some--Jews, shiksas, lawyers, mobsters, bankers, partners, wives, girlfriends, the lame and the halt--as he sends his protagonist on a fast-paced trajectory to hell. A modern day Job, Farbman teaches us the value of living simply if only by being an example of someone who can't.

This book kisses you and holds you, makes you cry and makes you laugh but mostly it offers hope. It is a journey through human emotion and ancient philosophies that tie us into a bow of dreams and wishes for a good life on this good earth. God bless the author, and may he continue to write these stories we love to live.

It is rare to encounter a book so powerful that it forces us to reevaluate the direction of our lives. For me, Donald Friedman's extraordinary first novel, The Hand Before The Eye, was a mind-bending, life-transforming experience.

Forget the fact that this is one of the funniest and saddest books you'll ever read...

Or the fact that the lawyer Farbman perfectly captures the desperation and emptiness of the workaholic life that is seemingly unavoidable at the turn of the millennium...

Or that this compelling tale ends by shattering the plate glass wall separating us from a truly fulfilling life of freedom, love, and deep connection with nature.

If you're like me, this book will at the very least launch you on a journey of spiritual exploration and career transformation. Perhaps along the way you will discover or rediscover all that is truly important in living. Bravo!

This is a gutsy and engrossing book. The author keeps surprising us with his range of interests and his resourcefulness as a storyteller. The last chapter is a gem.

Farbman is a smart lawyer with successful parents, a brotherly partner, a beautiful wife, two perfect children and a good friend. His saga begins at a meeting with a Rabbi that gives him to insight into the emptiness of his success, and a hint a what is needed to turn things around. Contrary to appearances, his marriage is failing, his law practice is venal, he has no relationship with his parents or his children and his friendships will collapse. He realizes his life lacks meaning but he can't make the turn until his wife get's so sick that he is really needed. It looks as if purpose will serve a cure, but Donald Friedman is too smart for a simple story. Just when we expect him to be rewarded for his responsive behavior to his wife and children, Farbman's life crumbles from bonuses to boils. Donald Friedman has written a very important book in the guise of a funny and high paced melodrama. The book is about "Teshuva". It takes a book this good to explain that Teshuva is the "turn", or more accurately the "return", anyone seeking a spiritual connection in their life must make. Ultimately, it isn't fun; it's deadly serious. The wonderful thing about this book is that Friedman makes us laugh while he teaches us the theological formula for a sucessful life.

So glad I bought this book and can think of several people it would make a great gift for. I plan to use it as the basis of a few tours of New York (though at this point in my life, I'll only be sipping water at the later stops). What a fun thing to do with out-of-town guests--and the book will make you an excellent tour guide, as it contains so many great stories. You can tell that the author, Jef Klein, is a former bartender and somebody who knows and loves New York. Her passion for these places is contagious--it makes you want to visit them...or maybe head to your neighborhood bar and become part of the lore. The photos by Cary Hazlegrove are also incredible, and one of the great things is that they're in black and white, which is so fitting for the book's sense of history.

Jef Klein sure knows how to put the reader in the story-or bar in this case - I thoroughly enjoyed "touring" the old glory days as well as the existing booths at some of the most interesting places NYC has to offer. I've made a list of which ones I plan to visit first- most notably the places with deep carpets, mood music, thick leather seats, soft lighting,and perhaps a celebrity or two (just for atmosphere). Thanks JK for a lovely evening! -RG

I've only been to New York one time and that was for a short stay on business so I didn't have a lot of time to experience the nightlife in the "city that never sleeps." But, when I do go back, I will be armed and ready with a great reference tool, "Best Bars of New York", by Turner Publishing Group. This is a gorgeous, hardcover book, loaded with great photography along with stories and histories about some of the top nightspots in the Big Apple. The locations in this book aren't the trendy, here today-gone tomorrow type places, but rather the long-established businesses that are often off the beaten track and known only to the locals...but not anymore thanks to Jef Klein's fascinating research.

Klein interviewed people at over 50 locations in preparation for his book, and the stories are truly mesmerizing. As a history buff who loves to visit local historical spots when I travel, Klein's book is the perfect offering, presenting clubs, taverns, and bars that have been around for decades, sometimes centuries! Klein doesn't give you just listings of establishments with notes on fare and prices...it's not a traveller's guide per se. Rather, Klein gives readers and inside and intimate look at the thirty bars that made the cut. You'll learn about the history of each one, and hear stories as if you were sitting barside, talking to the chatty barkeep.

Liquor has been dispensed at 279 Water St since 1794. The site on the waterfront is now the Bridge Café. The site has a history that is colorful to say the least. It was formerly the site of a bordello in the 1850's. When it was purchased in 1979 by the current owners, basement excavation turned up artifacts dating to not long after the revolutionary War period! Today, the café is romantic and elegant, perhaps haunted by a ghost or two, but much more quite than it was a couple of hundred years ago.

Chumley's is one of the more unique bars in the book...a former speakeasy, it has no name outside to identify itself, only the number "86" on the door...one of two doors with the same number, often leading to embarrassing mistakes. The bar had secret exits so its patrons could get out quickly during prohibition-era police raids. The bar was a popular spot among literary figures and the likes of Hemingway, Kerouac, Faulkner, Mailer, Steinbeck, and many others, all tipped a drink there.

The building that is now home to the Corner Bistro has been there since 1827. It's become a West Village establishment that has been frequented by the famous including James Baldwin, Bobby Timmons, Miles Davis. Al Pacino, and Robert De Niro.

In all, thirty bars are covered, from meeting places of the rich and powerful, to neighborhood hangouts, Jef Klein brings you all of their unique tales. Take this book with you on your next trip to New York and start your journey to all of these bars!

Reviewed by Tim Janson

Mr. Klein has done a remarkable job of bringing to life some of the most well known bars and restaurants of New York to life in this photographic collection. Revisit the glory days of historic New York with this title. Each bar or restaurant has its own individual chapter, detailing the history of the location through pictures and antidotes. This form allows a more intimate introduction for the reader, especially if you are not terribly familiar with the business.

This is a must have for anyone's personal collection, would make a beautiful gift for those that enjoy a leisurely stroll through history with entertaining captions along with a healthy dose of beautifully taken photographs. This is one title I highly recommend.

I had already heard these stories about the usual suspects ("21". King Cole Bar. Fraunces Tavern. The Algonquin Hotel.)... I was looking for other bars that aren't in every other book about famous NYC bars. Basically there are no bars here that are less than 20 years old. Which is sad, because these are amazing too, and have not been done to death. Where is Red Rock West Saloon in Chelsea, which is an amazing and gorgeous place to photograph (with fire-breathing barmaids)? Flute (W. 54th St location) which at one time was owned by Texas Guinan and was a speakeasy? The Ava Lounge, an art deco masterpiece on top of the Dream Hotel?

Basically, this is a pretty good book if you want to read about bars you already know about, but it doesn't take any chances with the "new" generation of what, I think, are the real "Best Bars of New York" around.

I'm making my way through the classics of 18th century lit via the "1001 Books to Read Before you Die" (I know, I know, I'm embarrassed.) Anyway- it's been a mixed back. I've enjoyed books like Tom Jones, suffered through books like Pamela & puzzled through but ultimately enjoyed books like Tristram Shandy.

The point of the preamble is that Jacques the Fatalist is the first of these 18th century books that I've really, really loved. I agree with all of the other reviewers- this is a true five star read. Not just because of its endurance over the centuries, but because, frankly, it's a fun read. Check it out- there is humor and bawdiness to keep you enthralled all the way through.

THis book is awesome mix of "Don Quixote," "The Life and Opinions of Tristram Shandy," and the "Colloquies of Erasmus." ... With a dash of Rabelais and Boccaccio for good measure.

In other words: playful bawdy post modern meta narrative where carnivalesque stories weave in and out of each other. Ive read a few things by Diderot and this is my fav so far.

I'm a big fan of The Manuscript Found in Saragossa - so its shocking to learn that it leans so heavily on Jacques. I found Jacques to be more entertaining than Sterne's work.

It may be your destiny to read and adore the pithy wit of Diderot. At a time when the novel was new as a genre as a contemporary of Sterne and Richardson, Diderot confronts the religion and philosophy of his day entrenched in the idea that man's fate was written on a scroll on high and that man only acted out a bit part devoid of real choice in his slavery to destiny. Pre-destination did not sit well with Diderot and Jacques is the novelist in this "dog's breakfast" he has served up railing aginst his own genre to assert his humanity and freedom on his picaresque journey to nowhere. "Does anyone know where they're going?" certainly sounds like Beckett who lived in France and may well have read Diderot. Jacques is forced to conclude that people think they are in charge of their destiny when their destiny is in charge of them. What choice does the fatalist really have except to resign to his fate? Because life is a series of endless misunderstandings, it isn't easy to be captain of one's own soul. The epigrams are deliciously well phrased: "Virtue is an excellent thing. Both good people and wicked people speak highly of it." Or this: "I think there are some very odd things written up there on high." The wicked fable of the Sheath and the Knife is certainly memorable. Jacques is genuinely hilarious in many places and despite Diderot's scathing complaints of the early novel, he wrote wrote an enduring classic beloved because of its pure wit, audacity, irony and uncanny phrasing. I urge you to read this great early novel destined to foretell the promise bound to follow for the genre.

Two centuries or so before "modern" writers began writing experimental novels, Denis Diderot, the force behind the Encyclopaedia effort, wrote this strange and indeed very "modern" novel in which the author leads a conversation with the reader, asking him where he (or she, of course) would want to go and what to do with the characters and the story. Here we see the author in the very process of creation, exposing his doubts, exploring his options, and playing with the story.

There is really no plot as such. Jacques, a man who seems to believe everything that happens is already written "up on high", but who nonetheless keeps making decisions for himself, is riding through France with his unnamed master, a man who is skeptic of Jacques's determinism but who remains rather passive throughout the book. Fate and the creator-author will put repeatedly to test Jacques's theory, through a series of more or less fortunate accidents and situations, as well as by way of numerous asides in the form of subplots or stories.

The novel is totally disjointed and these asides and subplots blurb all over the place, always interrupted themselves by other happenings. The most interesting of them is the story of Madame de Pommeroy and her bitter but ultimately ineffectual revenge on her ex-lover.

Diderot confesses to having taken much from Sterne's "Tristram Shandy" and Cervantes's "Don Quixote". This last novel's influence seems obvious at two levels: Cervantes also talks to the reader, especially in Part Two, and also reflects abundantly on the creative process. Moreover, the tone and environment of the book is very similar to the Quixote: two people engaged in an endless philosophical conversations while roaming around the countryside and facing several adventures which serve to illustrate one or antoher point of view.

Diderot's humour is bawdy and practical and the book is fun to read. The exact philosophical point is not clearcut, but it will leave the reader wondering about Destiny, Fate, and Free Will.

Yeah. Believe all the reviews below. This book really is amazing. It would feel like it was written yesterday, if it was more derivative -- but it's fresh! The language is incisive, no waste, and the pacing and structure are brilliantly fluid. It's smart and funny, too, and completely unpredictable, filled with weird offhand bursts of bewildering narrativity. And yet balanced, apparently sane. I truly enjoyed reading it. It's great.