New York Books

This book is fantastic! I live in Australia but I'm going to be living and working (hopefully...) in New York in a couple of months.
The book includes sections on practically every aspect of life - from cheap food, medical care, and general merchandise, to hairdressing, public toilets, and internet service providers.
I would say this is one of the most useful books I have ever read, and I can definitely recommend it to anyone planning on making a move to New York City.
It is extremely easy to read and not at all like trawling through a guidebook. The sections are well organised and easily located in the table of contents. I particularly liked the book and music store 'reviews'.
It also felt as though it was written by a person that I would actually like in real life, and while this is not entirely relevant, it gave me even greater faith in the advice.
I feel a lot more confident about my trip now that I know where to go and what to expect as I attempt to set up house.
This has certainly relieved me (at least temporarily) from my increasingly frantic google searches.

Wile some of the info offered may be slightly out of date by the time a reader gets their hands on this book (addresses and phones can change, etc.) the wisdom and experience of the author comes through very well. Anyone who is headed for the Big Apple as an actor should read this book.

This book is good, but even better if you plan on living in Hell's Kitchen (midtown west). As the author refers to that area often. Overall, i liked it though. I'd say it helps speed up the process of getting comfortable living in the big city, not working, but LIVING.

Actor or not, this book is a huge help in finding the cheapest of everything in New York City. Listed by category, the author gives listings and phone numbers of the cheapest of it all. There are hints and tips on how to make it in New York on a budget, how to find a place to live, and even where public restrooms are available!

What a gold mine! This book isn't just for actors--it is a meticulously-researched, up-to-date and readable guide to living well in Manhattan without watching money flow through your fingers--it covers everything from haircuts and clothes to great deals at the opera. I'm recommending it to all newcomers, regardless of profession. If I had to find one small flaw, it's that I'm not quite confident about his recommendations for women, as--and he freely admits this--they rely on the judgment of his female friends, and the reader can't gauge whether these women share the author's ability to find the best, the least expensive and the most hard-to-find secrets of New York. Regardless, a minor detail in a worthwhile book.

I find that I agree with all of the positive reviews, but indeed what most haunts me about Mutis is his deeply introspective writing style. I read the book in Spanish (my native language, btw) and the language is enthralling and personal... If you took away the background, most of Macqroll's fears and feelings are rather universal, and as you read the book (especially that WONDERFUL! first chapter) the book becomes an introspective exercise, made bearable simply because Mutis takes you there with the gentleness of his writing, the magic of the geographical settings (and their descriptions) and the company of the most human and flawed characters (Ilona being my personal favorite).

Ah, this is a wonderful book for a sunny or rainy day. It is so perfect in all does. The stories are fascinating and amusing -- often poignant. You will never forget ANY of the characters, especially Maqroll. And Bashur. And the Mirror Breaker. And Jamil. If, since childhood, you have dreamed of tramp steamers and ports around the world, as I have, your ship truly has come in in this book. Well, I could go on just spitting out adoring adjectives, but, like all the other reviewers here, I enjoyed this book immensely. It won't be long till I pick it up and read it all over again. A book I'll always remember. A classic.

Alvaro Mutis wrote several superb short novels about the travels and trials of his creation, the wandering sailor Maqroll, gathered here in one volume in an excellent translation. Adventure, friendship, obsession, loyalty, bad judgment, and hilariously (sometimes tragically) desperate situations play out in obscure and exotic locations. "Maqroll" is an excellent companion for your own world travels.

It is densely written and discursive . . . relentlessly so, for 700 pages. Perhaps you will find this poetic, profound, or even titillating. Perhaps not. Perhaps, instead, you will think that Mutis is a brilliant, verbally gifted man in need of lithium and a good editor, or both. In all fairness, he gives plenty of warning up front. Page 17: "Our mistake is to think it's going somewhere, . . ." Page 19: "makes his sentences difficult to understand until we grow used to the rhythm of a language intended to conceal more than it communicates." Page 20: ". . . filled with long, rambling circumlocutions that made no sense." I think this award winning "emperor" is feeling a bit chilly, but laughing his chillies off.

Yes, I agree with the other reviewers who have asseverated that this is a great book. But they don't seem to want to spell out why exactly it is a great novel, or, rather, series of picaresque adventures. - Perhaps they're simply tired due to the 700 page literary trek. - But, come now, a great novel because of tramp steamers and the sea? While the sea is certainly the element in which Maqroll feels most at home, there are, literally, hundreds of novels about the sea and the love of it (In particular, there's one author who's made himself into a multi-millionaire by churning out these books like a sausage-machine).

No, what makes this book great is the underlying fatalism of the work sweepingly on display in Maqroll and the several other characters, and in the finely wrought passages on what this life offers us, picaresque vagabond or not. Many comparisons have been made to Don Quixote. - But not in the right way - Maqroll is Don Quixote's Twentieth Century doppelganger, or spectral double: Spectral, as is the case with many doppelgangers in fiction, in that he is the Knight's opposite. Where Don Quixote is chaste, Maqroll is licentious, where Don Quixote is naïve, Maqroll is instinctively wise to the ways of the fallen world etc. etc. --- In literary terms, Don Quixote is a Romantic. Maqroll is Tragic.

I wonder, reading the other reviews, if the other readers may have just possibly skimmed over the philosophical passages that glower at one on every other page or so. It is these passages, these lyrical, defiant, essentially dark reflections that make this much more than any mere sea novel or rollicking picaresque.

For Example, for starters:

"...it's not worry I feel but weariness as I watch the approach of one more episode in the old, tired story of the men who try to beat life, the smart ones who think they know it all and die with a look of surprise on their faces: at the final moment they always see the truth - they never really understood anything, never held anything in their hands. An old story, old and boring." P.24

And again:

"He thought that the real tragedy of aging lay in the fact that the eternal boy still lives inside us, unaware of the passage of time. A boy whose secrets had been revealed with notable clarity when Maqroll withdrew to Aracuriare Canyon, and who claimed the prerogative of not aging, since he carried that portion of broken dreams, stubborn hopes, and mad, illusory enterprises in which time not only does not count but is, in fact, inconceivable. One day the body sends a warning and, for a moment, we awake to the evidence of our own deterioration: someone has been living our life, consuming our strength. But we immediately return to the phantom of our spotless youth, and continue to do so until the final, inevitable awakening." P.261

And again, and again, and again...

Yes, there are mad illusory enterprises throughout the book- And jolly fun they are to read - But, like a requiem continually droning in the background, we are given, in Maqroll's reflections, that he is aware exactly how mad and illusory these enterprises are.

Fatalistic literature has never been popular, in America especially, which was founded on principles contrary to it, and where the recurrent mantra is, "You can be anything you want to be." This book shows, time and again, that you can't. It's no wonder Maqroll is enamoured of, among others, the Ancient Greeks.

Summing up, this is a great book because Mutis does the seemingly impossible here, giving us the pleasurable, lilting melodies of the sea yarn and adventure story, all the while beating the steady drumbeat of mortal doom.

I enjoyed this book. It is a good light hearted chick lit novel. Lindsey Miller was a great character. She started out without a direction in her career and love life. Her boss Liz was demanding and very direct. Liz did give Lindsey a great opportunity to start in a new career and excel. What a dream! Lindsey always had a great network of friends that helped her get a job and navigate her relationships with men. Carmen was a great friend but, I wonder what happened with her and the baseball cap guy. Lindsey's relationship with Victor in NY was similar to Carrie and Mr. Big(sex in the city). Victor was rich, elusive and fun. Danny in CA was the vast opposite(Adian from sex in the city). He was laid back, sincere and loving. The ending left you wondering and I liked the idea of not knowing. Maybe there will be a sequel!!!

I went to college in Los Angeles and worked in Manhattan. Ms. Langston's portrayals
of these cities are accurate, astute and thoroughly enjoyable.

In the first chapter alone, there's plenty of evidence to prove that Ms. Langston is an outstanding writer. The novel has a classically-structured conflict, as the heroine must choose between two eligible bachelors. There are many funny, yet truthful moments along the way. More importantly, the story never veers into trite or implausible territory.

This book is perfect reading for the beach, the plane, or anywhere else.

If you are like me and have read just about everything out but are still searching for a book that is original and fun - this is it! It is well written and uses a story line that you haven't read a million times.
Cynthia brings her characters to life and describes both LA and New York in vivid detail. You will not get bored reading this book. In fact, you won't want it to end. Luckily, she has left enough story and developed the characters in a way, readers will just beg for a sequel - or a series!
SO - BUY THIS BOOK TODAY!!! It's one of the best!
and if you don't want to read it - I'm sure it will be made into a movie - it is that good!

This may honestly be the funniest book I have ever read. I found myself laughing OUT LOUD on almost every single page -- which is not an easy feat to be accomplished! And not only is it funny, but it is incredibly insightful about human nature as well. Langston has concocted such a lifelike character in Lindsey Miller -- you find yourself nodding along on every page, saying to yourself, "Yep, I totally get her. That is so true. That's exactly how I would be thinking." Lindsey Miller reminds me a lot of Bridget Jones -- clumsy, unsure of herself, but underneath it all is really one tough smart cookie. This book is super-fast reading: you can blaze through this fun-to-read book in just a couple of days. I loved every page of it, and am hoping for a sequel!

I never thought I would ever find myself reading a chick-lit book. I even gave up on the movie Bridget Jones. But I was honored when Ms. Langston asked me to read her ARC. I figured I could stomach through it and give her a few words of encouragement on her first book. I didn't expect to really enjoy it, but I was pretty impressed by the whole thing, and is a wonderful first effort from Langston.

This is the story of Lindsey who lands a job as a trend identifier who jet sets between LA and New York. She finds a love interest in each city, struggles to make it in her job, and keep up her separate lives on both coasts. I think the story line is average and in itself not terribly exciting. But, what makes this story good is that Langston likes to pontificate questions and problems in life and love that plague Lindsey throughout the book. It's these ramblings that bring life to the story and where the humor really comes into play. These bits of prose really showcase the writer Langston is destined to become.

Obviously, this book is the first in what could become a series of Lindsey's continuing struggles in love and job on two coasts. Her first effort is well done, yet leaves room for her to grow. I look forward to seeing more from Langston in the coming years and to see how her writing matures. She's a good writer now, and will continue to improve.

This is a serious biography for all history buffs. The author has expertly woven world history, specifically British history, and the Golden Age of Piracy's pirates (Blackbeard, Bartholomew Roberts, Anne Bonny, etc.)into the background of William Kidd's life. William Kidd began his illustrious career as an honest trader and ended with the financing of his ship by unscrupulous English businessmen. He began his final journey to the Indian Ocean with one mishap after another and ended it by being arrested for piracy. Did he deliberately comit acts of piracy? Or was he a scapeboat for a business deal gone bad? This is an excellent well-researched and well-written book. I have read many nonfiction historical books, and this is one of the best. It has detailed footnotes and index. I recommend any book about pirates by David Cordingsly and Frank Sherry. My son also read a children's novel that is well-researched, has pirate photos, and nonfiction information. The author is K.J. McWilliams, and the book is The Diary of a Slave Girl, Ruby Jo.

This book makes you hostage from start to finish Was the captain out on the seas in quest for something other than treasure You Decide Great read

This book makes you hostage from start to finish Was the captain out on the seas in quest for something other than treasure You Decide Great read

Ritchie does an extremely able job of refocusing the story of Captain Kidd away from being a personal drama. Instead, he builds an image of the world where Kidd was one of many trying their luck at this (then) semi-legal trade. Piracy was the only place left for a sailor who loved the sea but not the navy.

As a reader, it was interesting to see Kidd transformed from the pirate figure of legend into a semi-competent adventurer who happened to be in the wrong place at the wrong time in British history. Ritchie also provides a fascinating look at the 17th-18th century justice systems.

Ritchie is less of a writer than a historian, unfortunately. There were a number of places at the beginning of the book where I felt lost as to where he was trying to go. However, as another reader notes, this improves later on in the book.

Recommended for readers with a particular interest in pirates.

A scholarly treatment of the William Kidd case and times. The author switches back and forth between presenting biographical information about Captain Kidd and an evolution of the declining use of privateers and pirates as tools of foreign policy. The writing is smooth and well thought out, providing an entertaining read.

I found the information on the attitudes toward pirates during the late 17th and early 18th centuries interesting and chock full of little know tidbits. The biography of William Kidd was eventful and conforms with what I have read in other sources. The author takes the story from early accounts to Kidd's first appearance in the Caribbean to the arrival in New York and on through the fateful trip that sealed his fate. Ritchie uses the general information on the attitude toward pirates to reinforce the conclusion that Kidd was doomed from the moment he surrendered in New York, and to provide some insight into why Kidd did surrender.

My one complaint revolves around the author's conclusion that Kidd was actually guilty of piracy and should have been convicted. It is not that the author reaches that conclusion, after all the evidence can point to that conclusion, however, I had the feeling from the first page that the author's intent was to prove Kidd guilty. Casting off the guise of impartial historian that early in the book has to raise the question - has the author's attitude spilled over into the data presented? That said, it is important to read multiple views to get a better understanding of the history, and I did find this book to be both entertaining and informative.

For an alternate view of the William Kidd story try The Pirate Hunter by Richard Zacks. P-)

I have yet to find anything as well designed or pleasing to the eye as a cognoscenti map. The intellect, nay, sheer genius that was put forth in order to create a more perfect travel guide does nothing but boggle the mind of this lay-man. From the informative blurbs to the visually pleasing color combinations to the reassuring texture of the page, this map has it all. I can only wait, with baited breath, for the Middletown guide to come out, in order to see what I've been missing in my own backyard. Cognoscenti, you had me at "hello."

I normally don't write reviews of things I buy on line but in this case I felt I needed to make an exception. The Cognoscenti New York map/guide I bought was instramental in making my trip to New York rich and exciting. I recommend it to anyone planning to go to new York.

I always found using a map in one hane and a guide book in the other to be too cumbersome! I've finally found a neat clear fusion of the two in the COgnoscenti guides. I toured London with their London guide and had the time of my life! SO when it came time to see New york Cognoscenti was the only "guide" I bought. Clearly marked icons let me read info on the guide's flip side without losing my place on the map, the way I always did every time I'd refer to a book-type guide while trying to read a map at the same time. I highly recommend these guides.

After causing several car accidents due to large fold-out maps covering my windhsield as I attempted to roar down interstates I was a tad skeptical when my friend Joey told me Cognoscenti Map Guides were the best guides he'd seen. I was used to large guide books which would weigh me down and take up space in my pack I could have used for skotch. But this guide has it all. Tons of info AND a slim and sleak design. Thank you COgnscenti!

Finally a map worthy of a trip to NYC!

By Self Effort one can enter into The Highest Superconscious State,stop the breath and attain Liberation:

Glittered with stories, this book invokes a deep understanding of our universe. Can be read multiple times in different light. Profound exposition of many ideas floating about in the Samkhya philosophy and Vedic literature.

Among the great scriptures of Indian spiritual thought, Yoga Vasistha is the the most beloved of mine. It is not a dry, wise and scholarly representation of Upanishadic thinking. It is a witty, surrealistic, out-of-mind story-telling to break the grip of one's logic-dominated mind. How to grasp with human mind what essentially is beyond it? Read it and either you will jump with joy or you will not understand anything beyond the stories. Are you ready? Or are you asleep with your eyes wide open?
Shantu Dand

The Vedic texts are so full of wisdom and profundity that they take a real time commitment to appreciate them. The full text of the Yoga Vasista is no different. That is why I appreciate this condensed version so much. The meaning and nuances are all there, yet it is written in an accessible style. Make no mistake, this condensed form will take time to read also (perhaps one verse per night before sleep), but it is so sublime and so easy to use.

This is the epitome and crux of Hindu philosphy. A must read for a person looking for ultimate truth and liberation. After knowing the truth presented in this book, there remains nothing to be read further. The author has done a super job of putting this great ancient work together.

The Copacabana flooded me with memories of one of my first dates with my then future husband. It was a big deal because we didn't go into New York very much, so it was a special occasion. Kristin Baggelaar's book evokes these special times in our lives. These are wonderful memories of a bygone era filled with elegance, romance, and high-living. It is an easy book to pick up, browse through, and look back on the different times in our lives.

Other books have been written about the famous Copacabana nightclub, but none have captured the feeling of that era the way Kristin Baggelaar has - every page is a joy.

Edna Ryan, former Copa Girl

The Copacabana personified the nightclub era of 1944 to 1953 in the country. Kristin Baggelaar's nostalgic book captures those days of mega stars and their acts in 126 pages of page-turning comments and photographs.
- Former Copa Girl Wendy Bartlett

book is great, it shows and tells of all the happenings at the wonderful
nightclub on 60th st. in manhattan for so many years. It brought back
wonderful memories. I wish it was still there.

The Copacabana captures the essence of entertainment, particularly the1950's, during which time my parents and relatives in the Midwest savored the music and comedy of these young emerging stars. Though they never attended the performances at the Club, they were well aware of the biggest names in show biz through radio and newly emerging television.

Performers like Jerry Lewis, Dean Martin, Jimmy Durante, Eddie Fischer, Frank Sinatra, Julius La Rosa, Red Buttons, Tony Benett, Sammy Davis Jr. Johnny Raye, Milton Berle, Mel Torme, Sid Caesar, Xavier Cugat, and Joe E. Lewis among many others entertained our families and captured our attention while we were gathered around the television at my grandmother's house. My parents and grandparents owned most of their albums.

Kristin Baggelaar makes all of these stars come to life in her book, which celebrates this famous Manhattan Night Club. Her interviews create an intimacy with the characters as if she knew them all personally. In a few words she cites their place in history and highlights their accomplishments and personality. Billy Eckstine was a "robust" baritone, "big hearted" Jimmy Durante was a "perennially crowd pleaser," and Tony Bennett "grew as a performer" at the Copacabana.

Her writing is lively, historic, fast moving and makes all of us who have read this book wish we were indeed a part of the glamour and sophistication of this era of American history.

Jean E. Baldikoski

More good fun from Chester Himes. On the plus side, he finally includes some entertaining sex. On the other hand, one of the main bad guys here (the "Colonel") is particularly flat and unbelievable. Also, as usual, the end is much less satisfying than the ride to get there.

Chester B. Himes wrote a series of "Hard Boiled" detective novels set in Harlem during the the 1950's and 60's. His two main protagonists were "Coffin Ed" Johnson and "Grave Digger" Jones, a couple of black police detectives operating in the seedy underworld of Harlem and New York City. Himes himself had served time for armed robbery in Ohio. While in prison he first read the works of Dashiell Hammet("The Maltese Falcon","The Thin Man",etc.)and decided that he could write similar fiction set in Harlem's vibrant African-American culture. He moved to France after his prison release and then began to write (in French!) his own brand of mysteries set in the New York City section that had become world famous for it's culture, nightlife and intellectual renaissance. The first of these mysteries was "A Rage in Harlem"(first published in French as "For Love of Imabelle" in 1959). Coffin Ed and Grave Digger were only minor characters in this first novel, but by the time of the 5th novel "Cotton Comes to Harlem" they were the stars of the series.

In "Cotton..." a ex con named Deke O'Hara scams $87,000 from a group of families who want to go to Africa to start a new life free from segregation and prejudice. Before O'Hara can abscond with the money a group of white gunmen steal it in the middle of the "Back to Africa" rally O'Hara is hosting and then escape. All this takes place in the first few pages, and the action only steps up the pace from that point on. Cotton Ed and Grave Digger are assigned to the case, and their brand of brutal, violent police work may not be always legal, but they have their own code of honor, which demands that they do all in their power to see to it that the families get their money back, as in most of the cases it amounts to their life savings. Through a maze of deceit and treachery filled with white supremacists, voluptuous women, scam artists, underworld informants, and real to life street people the two cops thread their way with both violence and guile. I won't spoil the ending, but suffice it to say that Himes delivers.

The book was made into a movie in 1970 which played up the humorous aspects of the book. While there is much mordant and cynical humor in Himes' writing, the book is much more than that, and deserves a place in the "Hard Boiled Detective" Hall of Fame. If you like this one I would recommend Himes' other works, especially "The Real Cool Killers".

A definite 5 stars.

The dialogue, the action, the characters, it's Harlem world and it's all here! What else do you want?

This novel has some of the same characters as Himes' Rage in Harlem. This is not a sequel and it is not imperitve that you read "Rage" first, but I think that you will like this book more if you have read about Coffin Ed and Gravedigger Jones in the early novel.

... The book doesn't concern Bible Flowers. It's about the efforts of two black detectives, "Grave Digger" Jones and "Coffin Ed" Johnson, to recover $87,000 in money stolen from a con-man/storefront preacher in 1960s Harlem. Along the way, Grave Digger and Coffin Ed encounter a few murders, a southern colonel, and a 50-pound bale of cotton.

Raymond Chandler wrote that detectives must walk the mean streets, but they must not themselves be mean. Well, Grave Digger and Coffin Ed walk the mean streets just fine, but the "not being mean" part gives them trouble; they doubt the feasibility of solving a case without, say, slapping around a few witnesses or firing a few shots into a crowd. Despite the detectives' unhesitating brutality, this novel compares well to the best of Raymond Chandler and Robert B. Parker. This is due not only to the spot-on dialogue and the stark, vivid character depictions, but also the detectives' uncompromising determination to bring justice to Harlem. The plot is better, i.e., less predictable, than any of Parker's, and Himes's depiction of 1960s Harlem is so bizarre, yet compelling, that it invites comparison to Carl Hiassen's Florida rather than Chandler's LA. Add to this Himes's unique, excruciatingly honest depiction of race relations in the 1960s, and you have one of the best detective novels I have read in years.

...

This was given to me by my mother when I was a teen. I still have this book today and I read it over and over. This book is really good.

I have a 1970 copy of this book, and I love it, absolutely love it. I highly recommend it to anyone who wants to get lost in a book for hours. You feel like you're walking beside Francie, and Sukie on the streets of Harlem. This book is a thumbs up.

From beginning to end, the book was enjoyable. Brutally honest and very mature, but an excellent read. Many times hit close to home, others were a learning experience (like the use of rags, the electric hair on juveniles, etc.) It was a quick read that I didn't want to finish!

Daddy Was A Number Runner provides a horrific historical and sociological picture of Harlem during the 1930's post-Renaissance era. The reader travels throughout the daily trials and tribulations of Francie Coffin, an adolescent girl living with her brothers, mother and father, who is a number runner.

Statistically we know of the crime, deviance, poverty, fatherless homes and emerging welfare system but what we do not read about is the human elements; the feelings involved. Through Francie's own words and her dreams we are able to feel and capture Francie's plight. While Francie appears to be somewhat naïve she is also able to navigate the streets and people within Harlem. Francie serves as an errand girl for her father, gets into scuffles with her friend and is a victim of molestation. On the positive side she is an obedient daughter and sister, attends school and she loves to read. For Francie, reading and attending movies at the theater is her salvation from the madness.

The book goes one step further to examine Black and Jewish relationships. These relationships are presented in the form of tenant/landlord, student/teacher, customer/business owner and domestic/employer and in each, the black characters appear to be the victims. While not harboring resentment towards Jews as a group, the characters demonstrate a dislike towards the individual because in each example the Black character is shown to be subservient towards the Jewish character for survival.

The characters portrayed are captivating and one of the books largest strengths is the ability of Meriwether to show some positive aspects of the inhabitants. Through all of this despair we find love, kindness and support of family and neighbors, male pride, the importance of education, and compassion. The word community resonates throughout this story and the women are the backbone of this community.

There is no happily ever after and everything is not neatly fixed at the conclusion for there is no conclusion. What we have is Francie's acceptance of her life and her community but also her ability to still dream of a different life. Meriwether has provided the reader with an assessment in the life of a small community but does not place blame on one entity. We, the reader, are able to empathize because Daddy Was A Number Runner offers a lesson in history that is relevant today. This is a story of family and the survival of it.

Reading Daddy Was A Number Runner for the second time as an adult was like visiting an old friend. I first read the novel when I was in junior high and the only thing I remembered from it was this freaky movie theater scene. That and the fact that it was good. Now that I am grown, I took a lot more away from it this time.

Francie is twelve and growing up in 1930's Harlem. She has two older brothers who have totally different aspirations in life. One wants to be a hoodlum and the other wants to quit school to become an undertaker. Her father, a number runner of course, is too proud to go onto public assistance and that causes a lot of turmoil between her parents. She has a best friend that likes to beat her up most of the time. Old white men try to feel her up whenever they get a chance. Francie really endures a lot for a person her age. If you are into period novels, this is a must read because it gives insight in a generation we know nothing about.

Brownlow's massive biography does a very good job of painting a comprehensive picture of the great Lean--arrogant, demanding, selfish, and absolutely brilliant first as an editor and then as a director. Lean had no patience for what did not forward the story, and his movies were the better for it. One gets the impression, however, that the same was true for individuals in his life who did not help him achieve his own goals.

A bit clunky at times in regards to readability, this is still a first rate book. The sections on Brief Encounter, the Dickens' films of the 40s, and Lawrence are excellent.

This extraordinary biography by Kevin Brownlow, reflects the life and inspiration of one of the great artist in movie screen history.
Page by page, we can take a look along the David Lean?s mind and the way he was inspired by the subjects and the way a big project became alive.
From the black and white to the beautiful color, from the photography created by Frederic (Freddie)Young to his partnership with Maurice Jarr? and the insistence from Lean to
compose the exact music for Doctor Zhivago.
Every important film, such Zhivago, The bridge on the river Kwai and Lawrence of Arabia, were written through many chapters and the conception of those films as unique, the casting and the making of those titles are unforgettable.
Also, we have David Lean as a human being, with his failures
as father and husband, but the intimacy of his life is only
upgrade by his conception of his films.
Every moment in his films was special.
He directed every dialogue and moment as unique and all those
were the equivalent of the best.
This great book written by Brownlow is one of the best biographies ever written.
The heart and soul are alive along the pages and there is no moment when the book becomes slow or uninterested.
The same proportion we have in David Lean movies.

I adore this book. I have been reading it as of late, and I love the book (and David Lean) even more. I have always detested biographies of filmmakers that are far too academic in their tone; that professorial tone where they analyze the films ad nauseum, and are constantly talking about symbolism and other completely useless things. This book spares us of that. It is meticulously researched, with great antedotes and quotes from the master himself. It talks about Lean's childhood, and you realise what Lean had to overcome to become one of the greatest filmmakers ever. It's a shame this massive book is out of print. Like a reviewer said earlier, we're constantly given fluff pieces of talentless whores like Spears, Lohan, etc., but here is a real artist whose films still inspire people today. Thank you, Kevin, for writing such a great book, and, of course, to David Lean himself...

What a pity it is when "biographies" of no-talent flashes-in-the-pan like Madonna, Ashley Simpson, Brittney Spears, ad naseum, are ubiquitous, but Kevin Brownlow's fascinating and throughly-researched biography of a true genius is out of print. What does this say about our culture's priorities? Not much. Oh well . . . fortunately a few copies of this marvelous book survive. If you're interested in great movies ("Lawrence of Arabia," "Doctor Zhivago," "Summertime," "Great Expectation," etc.), great stars (O'Toole, Sharif, Katherine Hepburn, William Holden, Robert Mitchum, and a host of other great stars -- AND great actors), or, perhaps, one of the greatest film directors of the twentieth (and probably any other) century, do whatever you have to do, but grab up a copy of "David Lean: A Biography" as quickly as you can before the remaining copies disappear altogether.

A simply marvellous biography of a cinema titan. It's the product of many conversations between Lean and the author, a great film historian and no mean director himself, having made the gorgeous Silent Era documentary "Hollywood" (is that ever coming out on DVD?!). For this reason the tone is very chatty, with so much quotage from Lean himself that it's nearly an autobiography; and Brownlow's knowlege of real-world production lets him know just what questions to ask. It rather reminded me of "Hitchcock/Truffaut", another filmmaker-to-filmmaker conversation. Mind you Truffaut didn't bother quite so much with Hitchcock's love affairs, but one can always skim. It looks intimidatingly massive but this is more because of the lavish illustrations than excessive wordiness. Great read, inspiring and full of useful tidbits.