New York Books

Just as I feel about their first book, do yourself a favor and treat yourself to this one too! Let's hope these true stories inspire others so be so kind. Enjoy.

Ginny's unique talents in locating sick and injured cats had rendered her numerous appearances in CNN, Animal Planet and major news. Her rescue stories were illustrated by two national best selling books: The Dog who Rescues Cats and the Blessing of the Animals. Ginny passed away on August 25th, 2005.



With the passing of Ginny, her unfinished mission of cat rescuing is continued by her caretaker Philip Gonzalez everyday. A non profit organization, The Ginny Fund, has been established to raise fund for cat rescuing in Long Beach New York.
For more information about Ginny, Pleas visit ginnyfanclub website.

Today's New York Daily News reported on the passing of Ginny, a/k/a the Mother Theresa of Cats, gone at the age of 17. She succumbed to old age yesterday afternoon on a blanket in Philip Gonzalez's care. As for Ginny's story, this is one of my favorite books. The stories are truly heartwarming and this book was a "gotta have it" purchase. Browsing the pet section in a local bookstore, I found this and it jogged my memory: Ginny's story was familiar to me due to a Reader's Digest article, but what happened next? This book captures all the tails...er, TALES, lol. I will definitely re-read this now. How could a dog love cats she doesn't live with? As a cat person, I've always been intrigued by this. How ironic that such incredible humanity could have come from one of god's furry creatures. Rest in peace, Ginny. Let us hope there are more of you in the world.

A continuation of a very sweet story. I have a few stray cats around my home and even though my inside cats aren't as willing to share as Ginny (LOL), I make sure to feed them and give them shelter. I highly recommend this book and also the one that came before it! (Not sure of the exact title).

I read this book in one afternoon and handed it off to my husband, who could not put it down. I relate to the author in one respect: after having animals all my life, I connected with one cat so profoundly that I have devoted my life and work to alleviating animal suffering and overcoming the devastating problem of pet overpopulation. It's bittersweet. I love animals with a depth that is so satisfying, and enjoy human and animal company more than I ever was able. But I am now so attuned to animal suffering (generally due to human neglect or abuse -- I'm not trying to fight the forces of nature) that it is difficult to focus on anything else. Just read this book. It feels so good!

This is a great book! I felt like I was in New York City. It is so nice to have good Christian fiction to read. My thanks to the authors!

This is by far the authors' best work to date - I couldn't put this one down. It was so easy to identify with Jane and root for her character along the way. I especially loved the character, Coates...(I usually try to put actor's faces to the characters I am reading and I could totally picture Patrick Dempsey in this role :))

It was much more emotional than I expected - more so than any other chick/lit book I've read...I was actually sad to see it end. Here's to more from Dayton & Vanderbilt!

Every book I've read by these authors gets better and better. I was pretty disappointed by Emily Ever After, as I felt that he protagonist was unlikeable and hypocritical. But I saw enough positives in the writing to check out their next book, Consider Lily, which I thoroughly enjoyed. I picked up The Book of Jane the following week, and I absolutely loved it. Jane was real, relatable, and likeable. The plot is a contemporary retelling of the book of Job, and is an encouraging read for anyone who knows what it's like to question your faith when life seems to fall apart. There were actually moments in the book that made my eyes well up: just little kernels of wisdom in there that spoke to my heart. I highly recommend this book, and look forward to the next novel by these authors.

Jane had it all. Great job, wonderful boyfriend, good apartment. Everything was going well for her. But then it all comes crashing down. Her boyfriend dumps her. She loses her job. Her apartment gets halfway destroyed. Rumors are spread about her. And she has this weird rash on her face that won't go away. It's enough to make anyway jump off the deep end. But thanks to her faith in God and a cute guy who seems to pop up at the right moments, Jane learns how to get through it all.

Christian chick lit just keeps getting better and better these days. It's great to read about stories about young women who are Christians with strong faith yet still like to shop for shoes and hunt for guys. Dayton and Vanderbilt's characters live like real people do without being all high and mighty or overly trying to witness to others. They show their faith by their actions, not trying to convert everyone they see. This book was tons of fun to read. Jane is a great character, very multi dimensional and easy to relate to. I felt for Jane especially during the scene where she tries to call her friend for help. Curse words would have uttered out of me at that point. I love the scenes in the hotel. I felt happy that something finally good was going for her. The storyline is a chick lit parable of the book of Job, but luckily Jane doesn't have it half as bad as he did (although the rash on her face would cause her to think she did). She handled things better than I would have in her situation. I would have been faced with the urge to throw something at the perpetrator of all the rumors about her. And her boyfriend: ARGGGHH! I have no complaints at all about this book. I couldn't stop reading it and now I want everyone else to. A funny hip read with a strong message about faith and belief in God. This is a book I could pass along to others even those who don't normally read Christian fiction. Highly recommended for a good time.

I enjoy "chick-lit" that is light, fun and entertaining. And if the aforementioned novel has an uplifting message to boot... well, that makes it perfect. The Book of Jane is a modern-day look into the Bible's book of Job, and the novel enthralled me, touched me, made me smile and at times laugh out loud all at the same time. Twenty-eight-year-old New Yorker Jane Williams has it all. She has a chic apartment in the Village, a fabulous PR job, a great boyfriend, wonderful friends and an awesome hobby as a leader of the Girl Scouts. She is also a devoted Christian. But it's easy to be a Christian when one's life is going well. Will Jane's faith falter if she were to suddenly lose it all? Well, she's about to find out. Jane goes through a tough road to self-discovery, and with an arrogant and coaxing jerk like Coates Glassman to test her, the road gets even bumpier.

I LOVED reading this! Anne Dayton and May Vanderbilt know how to fuse an inspirational, Christian message with a fun and sassy voice without being preachy or judgmental. Most people are under the impression that Christians are a strict, joyless bunch. A novel like this proves them wrong. Jane is a great character. She is sweet and grounded. Her flaws and cries for help humanize her. She is a character that all women could relate to. The secondary characters are wonderful as well. I loved Lee, Jane's next door neighbor and best friend. I thought Matt, the movie star, was a tad stereotyped, but that was the one of the very few flaws in this book. The novel starts out a little slow, but it soon becomes impossible to put down. Yes, The Book of Jane is a modern take of Job and how God tested him, and the results are wonderful. Dayton and Vanderbilt are authors whose work I'll look closely from now on. In the meantime, I highly recommend this gem.

I seldom reread a book; this book I have read twice and bought three copies to give away. I will read it again; the writing is so funny, so dazzling. The characters are so real, their stories so poignant. Jewish readers will especially love this book; we know these people though we have never met. I fell in love with Bummy Davis and when he died, I felt a loss. My gangster imagination loved reading about all the mob characters, though I am not a fan of violence or boxing for that matter. I read this book as my husband lay dying of cancer; it kept me uplifted during this difficult time. I loved that it was long and hated that it had to end. This is such a special book, and I haven't even mentioned the awesome research it must have taken to write it.

This book is a very satisfying trip down boxing's memory lane. Ron Ross resurrects here the color and drama of a very fascinating, tough NY prizefighter with a heart of gold--Bummy. Ross gives us in this welcomed work, devoted research, clearly a labor of love, and fine writing. Clearly, I see this book being optioned in Hollywood. Boxing translates to the screen in a big way and I see this book making a million bucks for some talented film maker.

The authur Ron Ross is at his best. I could not stop reading amd I recommended the book to all my sons.I lived in East New york during those days.Fascinating.
Harry Keller

Fantastic account of the life and career of Al 'Bummy' Davis, during the time of Mob rule in New York. Fascinating look into the ways and troubles of immigrant communities and their exploitation by gangsters.

Whether you are looking for a boxing or mafia book, this will do the job.

For anyone who loves a good story, written with wit, humor, and style, this book is for you. I couldn't put it down, and found something to chuckle about or a phrase to admire or an ironic comment I loved at least once on each page. I finished the book today (March 29, 2007)and did something I never did before (and I am 80 year's old). I noted from the book jacket that the author divides his time between Oceanside, LI and Boca Raton, Fl, and even though it is 4 years since the book was written and the author's name is a relatively common one, I called information for his Boca Raton number and took a chance that it was the right Ron Ross. I left a message that if this Ron Ross was an author, would he please call me, and I left my number. A few hours later I received a call from Mr. Ross and we had a delightful conversation for 10 minutes or so. For me to have taken the time to locate Mr. Ross and call him is an example that actions speak louder than words. Believe my action and go out and buy, read, enjoy, and love the book. It's cheap enough, and you'll thank me, and more so, will thank Ron Ross.

Ed Gold

If you're and American Girl lover, you can keep the fun going with the Mystery novels.

Personally, I thought the "Mystery" was a little cheesy, even for ages 9 and up. In any case however, it was great to have the characters back to read about in a new story however, that is longer and different from the other Samantha stories.

The one thing that was lacking from this book was the phenomenal pictures American Girl books are famous for. If you ever just found the pictures distracting however, this book will not disappoint.

I read this and so did my grand daughter. She liked it so well, that she took it to school and they use this book as a reading book, to test on and to earn points for awards.

This book was really cool. It kept me in suspence. I thought this book would be boring, but it taught me to not judge a book by its cover.

Samantha Parkington couldn't be more excited about the prospect of her family moving into a posh, upscale apartment-hotel. Temporarily, that is. Sure, she'll miss her home. But with all of the renovations currently taking place there, it has been impossible to get any peace and quiet. However, Samantha seems to be the only one excited about moving to Ravenscourt. Nellie and her younger sisters - Bridget and Jenny - appear to be petrified about the move. And instantly begin to think that this is simply Uncle Gard and Aunt Cornelia's way of slowly displacing them from their newly adopted families. But Samantha knows that such a though is preposterous. Uncle Gard and Aunt Cornelia love all of the girls - even if they are rowdy and noisy at times. Upon arriving at Ravenscourt, however, Samantha begins to feel nervous about her new surroundings as well. After all, Nellie knows the owner of the apartment-hotel, and is aware of a horrible curse that was placed upon him years earlier. A curse that appears to be affecting how things work at Ravenscourt. The girls become terrified as they witness Ravenscourt succumb to one problem after another - from Jenny and Bridget falling ill with chicken pox, to rats in the building, and to Aunt Cornelia leaving the girls on their own with no one but Gertrude to look after them. Samantha begins to think that perhaps Nellie was right. Perhaps the curse of Ravenscourt is true. But Samantha refuses to begin believing in any curse until she has had the opportunity to do a little investigating herself. After all, the great Sherlock Holmes wouldn't jump to conclusions about crime, and Samantha refuses to do so herself. Now, with the help of Nellie, she intends to get to the bottom of the curse of Ravenscourt. But the more she investigates, the more she realizes that perhaps detective work is better left to the police, or Sherlock Holmes himself, because it is a dangerous job; and both Samantha and Nellie are putting their lives on the line by getting involved in it.

Samantha has been one of my favorite American Girl characters since I was just a child, which is why I find it impossible to resist reading any of the new tales written about the precocious New Yorker. THE CURSE OF RAVENSCOURT is the perfect example. Samantha's inquisitive nature is as strong here as it was in the previous novels about her life. Her interest in her surroundings, and her kindness towards those less-privileged than herself are refreshing; while her love for her newly adopted sisters - Nellie, Bridget, and Jenny - is enjoyable to witness. The four girls have such a powerful relationship with one another, and it is wonderful to see no sign of sibling rivalry. However, readers will feel sympathetic towards Samantha as she witnesses how much stronger the bond between Nellie, Bridget, and Jenny is when she is not around. The disappearance of Aunt Cornelia and Uncle Gard in this particular novel give it a bit of a more grown-up feeling, as the girls appear to have more free reign to sneak around, and conduct detective work; yet the few times their guardians come into play is quite enjoyable. An exciting, can't-put-down novel for middle readers that will leave them searching for a mystery of their own to solve!

Erika Sorocco
Freelance Reviewer

Samantha looks up at the massive building. Outlined against the grey sky, the carved ravens stared down at her from the rooftop. "It can't be cursed," she told Nellie, trying to sound brave. But inside, she felt a shiver of fear.

"A Samantha Mystery: The Curse of Ravenscourt" is among Sarah Masters Buckey's list of "succeeding whodunits yet." Set in the year 1906, eleven-year-olds Samantha and Nellie, whom are the two main characters of the book outline, temporarily stay at the new apartment-hotel Ravenscourt, coordinated by Mr. Raven and his daughter Eloise. As both young girls learn not only of the somewhat quaint hotel staff, but also the omens of the hotel; blood on the elevator doors, eerie night sounds, and various moments of suspicion, they begin an adventure to capture the ruthless prankster behind the antics, which leads to discover his foremost intentions of the caper-making.

Speaking from my experience, this particular American Girl mystery book will thoroughly succeed in catching your interest in the midst of the plot; you will find it difficult to put down this thoughtfully written book! Mrs. Buckey did a fabulous job with the research of s?ance' performances/ghost shows and historic Victorian hotels, proving this with her concise summary of "Looking Back: A peek into the Past." Overall, I give this book an A+ and highly recommend it to any young, ambitious sleuths.

Was not expecting to enjoy this book so much! I loved it!

This is not a bad book, but this book was not for me. I enjoy hip hop, but it's not a huge part of my life, so while reading this book I found I could not really relate to the characters or the subject matter.

Reading about G Double G made me think "Suge Knight." His character was probably a mix of different males in the Hip Hop industry. The way the women were objectified in this book, it's no wonder you still have women who want to be involved in hip hop in any shape or form. The use of the N word also disturbed me a great deal. I would cringe every time I saw the word printed. Despite disliking seeing the word, I understood why Black Aretmis used the word in the book. I don't approve of the word and never will. I don't care how much hip hop has tried to make the word "okay to use."

The book is about two friends who have a big love for hip hop. Leila wants to be the first Latina female to make it big in an industry dominated buy males. Cassie also wants to be a big name in hip hop, and the two initially form a female duo called Sabrina Steelo and Fatal Beauty. Cassie stabs Leila in the back and signs with Explicit content. Not only does she sign with Explicit content, she takes all the money out of their account, leaving Leila with nothing. Cassie tries to figure out what she will do next after Leila's deception. Cassie ends up signing with Explicit Content as a solo act, but the longer she is with the label the more she finds out some deceptive shady, underhanded things about being in the industry. Cassie figures out that Explicit Content is not only a record label, but the label is used for some shady business dealings as well. Leila is in trouble and Cassie is trying to figure out how to help her old friend without messing up her own career.

This book will really wake you up to some aspects of the Hip Hop industry, and you will realize it's not quite as glamorous as people make it seem. This industry can rob you of your soul if you let it. Hip hop is not just about the music, and the glitz or glamour. It's about drugs, violence, and the women who become victims of Hip Hops web. There was one line in the book that really grabbed me. When you are done reading this book, you will feel for Cassie and Lelia, and other characters will make your blood boil.

This was an interesting book.

As a person who doesn't take or use hip hop beyond the slam of my car door, the occasional rest on BET when channel surfing, and the occasional hook to reign in the attentions of the adolescence I come in contact with, Black Artemis has gained my attention with Explicit Content.

Leila and Cassie are best friends with a dream of making it big in hip hop. Leila , the wild child Latina, is approached by the super producer of Explicit Content G Double D, to go solo. She jumps at the chance leaving her friend Cassie, more grounded Black girl, high and dry. Cassie, feeling betrayed, decides to still pursue her thang, albeit a bit differently. After a hip hop contest she confronts G Double D asking why he didn't want her. After hearing what he had to say she decided to do it on her own. However a few days later the same producer steps up and offers a deal too good to turn down and manages to pull her into the Explicit Content family. Once she's in she realizes music ain't the only thing she has to be down for.

Following the story of Cassie and Leila had this sista up at 3:00 a.m. finishing the book and writing this review. As I read I kept telling myself, "I am going to pass this onto the teens in my make shift book club in my Sunday school class. ( Well at least the older ones!)"

Along with some interesting insight into hip hop culture its just a damn good story that moves well, that is smart, and sucks you in. Written with real hip hop vernacular and accented with actual rhyme, Explicit Content is everything one would imagine a good hip hop novel to be.


Kotanya
APOOO BookClub

Cassandra and Leila have been blowing up the club scene with their rhymes as Sabrina Steelo and Fatal Beauty. When it looks like they will finally get that big break they have been waiting for they find themselves torn apart.
Whe G Double D only signs Leila( Fatal Beauty) to the Explicit Content label Cassandra feels burned by Leila but not for long. When G Double D decides he wants Cassandra as well.
Once inside Explicit Content, Cassandra finds things are not at all as they seem and that Leila is in trouble.
Black Artemis puts some serious flavah in your ear with this Hip-Hop debut.
The book focuses on the girl's friendship and their differences. One being Black and one being Latina and the importance of family. She takes you inside the hip hop industry and into a Rap label full of false promises, shady deals and broken dreams.
This is Hip-Hop fiction to the fullest. You won't want to miss a beat of this stunning debut.
reviewed by:
Dawnny

Wow! Where do I begin? Being several generations removed from
the hip-hop scene, I've never afforded myself the opportunity
to appreciate or even understand the genre. With mild trepidation
I began reading EXPLICIT CONTENT, the story of two young ladies
from the Bronx with mad aspiration to become major hip-hoppers.

Cassandra Rivers and Leila Aponte fought their way into a
friendship and parlayed that friendship into a hip-hop duo known
as Sabrina Steelo and Fatal Beauty. But, when G-Double-D, the CEO
of the gangsta rap label, Explicit Content, seduces Leila with
promises of solo stardom, she falls for it hook, verse, and sample
and leaves Cassie hanging. Cassie swallows the hurt from Leila's
betrayal and goes solo herself; after all she is the one with
the skills. In a short time, Cassie's determination captures the
attention of Double-D and he offers her a recording deal. Cassie
has to decide how much she is willing to risk for stardom; Double-D
has secrets, big secrets, and Leila is in danger. In spite of the
tension between them, Cassie is worried about Leila, but she doesn't
want to jeopradize her own career or get caught in the middle of
Explicit Content's drama.

Black Artemis, a hip-hop activist, writer and speaker has penned
more than a story about rappers. She has written a bonafide,
unpretentious classic about the lives of a generation caught in
a musical upheaval. This is an intense story about friendship,
loyalty, and the too high price to `make it'. The writing is
frank, hip and genuine; Ms. Artemis does not gloss over any aspect
of the music, the genre, or the people. About half-way through the
book, I started to understand the use of a jargon and the need for
an attitude exclusive to the craft. I walked away from EXPLICIT
CONTENT with a different awareness and yes, even an appreciation
for the sub-culture and for the economic aspect surrounding the
phenomenon of HIP-HOP. This is a mad introduction for a first
published book. (RAWSISTAZ Rating: 4.5)

Reviewed by aNN
of The RAWSISTAZ™Reviewers

Very well written and captivating non-fiction story about the intrigues around the Sigmund Freud Archives. The character descriptions are interesting, and we are also given some insights into the history and concepts of psychoanalysis. This is done without the text becoming too theoretical. In the Freud Archives is not difficult to read. After reading the postscript I wondered a little about Janet Malcolms use of sources. She is not exactly kind towards Masson, and maybe she betrays him by putting into text words not intended to.I don't know, there was some controversy after the first publication. Anyway, the book is great.

Wow!

This concise primer on Freud's legacy details the evidence behind his theories, profiles three characters who fight over their origins and significance, and questions the wisdom of restricting access to the Freud archives. A brilliant work that fascinates, illuminates, and documents - and deserves to be read by all psychology students. Hint: Freud's conclusion that his female patients were fantasizing about sexual abuse seems more arrogant and less plausible than ever. Further, the decision to keep key source documents locked away in the Freud archives until 2102 emphasizes the lack of transparency and secretive, almost sect-like style of Freud in creating his new "scientific" discipline.

A very entertaining, intellectual, and rather disturbing read for a breezy summer day!

A great read and one that explicates the silence of the patriarchy yet again.

Though under 150 pages in length, In the Freud Archives is so complex that, to serve the potential purchaser of this book, I want to confine my comments to the writer's craft, that is, to how Janet Malcolm constructed her tale, and to notions such as subtext (what the author does not or cannot say on the surface), and to how her book and its topic of the Sigmund Freud legacy might have changed since the book was first published in 1984.

There is clearly a central "character," a protagonist, in this book: Jeffrey Moussaieff Masson. The opening pages of In the Freud Archives recount Masson's personal charm and dazzling intellect as he begins to appear at psychoanalytic conferences (which lead to his meeting with the most important of the four or five other "characters," Kurt Eissler, the Secretary or head of the Freud Archives). Note that throughout the book, author Malcolm gives more pages to Masson than to anyone else, the final pages of the book are Masson's words, and he is the only person Malcolm shows in the intimacy of his home with his family. Masson seems to be the perfect "main character" because of his internal conflicts (which he makes visible, as Malcolm recounts them). Very quickly, we find out that Masson's words and actions are uncivil, bad-tempered, and generally destructive of friendships; though other people in the book are also similarly flawed, they seem not to have redeeming qualities.

As the narrative progresses, its as though Malcolm realizes that Masson's situation makes the most compelling narrative and she wanted to record moments which "save" him; in other words, it seems to me that there is little to redeem Eissler, Peter Swales, or Anna Freud, but Malcolm gives Masson some moments of truth. For example, at the end of the book, in Jeff Masson's home with Denise, there is a bit of dialogue which Malcolm records that shows Masson does let someone (an intimate friend) question him about his manners. And at two points in the book, Malcolm records Masson saying that the results of psychoanalysis (the conclusions drawn by the analyst about the patient) don't matter as much as how the patient feels about his or her life. Masson asks, "What do you do with something like Auschwitz?" Masson asks this in the context of psychoanalysts' debates on the patient's "reality" versus "fantasy."

A great deal of what In the Freud Archives is about has to do with the current value of psychoanalysis, i.e., its efficacy in assisting the patient to recover happiness in life. If Masson was disgusted with psychoanalysts and their work, and this disgust led him to disgust with Freud and his legacy (thus leading to his being fired from the Archives job), then I wish Malcolm had written more about that point of disgust (at which Masson began to turn away). (However, she meant her book to show the relationship of everyone involved as Freud and his legacy mutated in the 1970s.) Clearly, to me, a key turning point in the narrative occurs when Masson says, "The business of analysis is to . . . get to the [patient's] pain and the sorrow. But they [the analysts] were arguing that there is no such thing as reality--that there is no single Auschwitz. That is the worst thing that analysis has left the world: the notion that there is no reality, that there are only individual experiences of it" (56-57). Be that as it may, or for what it's worth, other people in the book don't have moments of truth like this; Masson doesn't look as "bad" in this book as he thought back in 1984. It's unfortunate that he did not see that. Of course, slowly, but surely, In the Freud Archives is becoming fiction; sooner or later all nonfiction does.

Simply put, this book is a must read if you, the reader, want to be a student of life and of the era in which we live. Along those lines, it seems that because of the value of "pop psychology" and "self-help" books, the legacy of Freud and his archives are no longer worth fighting over because people in general see little at stake in Freud's interpretations of life or of our interpretations of his private life. For one thing, sexuality and the meaning of it doesn't bother people the way it did in the first half of the twentieth century. Today, the average person doesn't spend much time "interpreting" past actions, phobias, fears. If anything, we come to our conclusions about life very quickly, and we move on. Also, we live in the era of Wayne Dyer, Deepak Chopra, Stephen Covey, and Landmark Education, Inc.,of San Francisco; people interested in moving forward in live spend less time "interpreting" the past and more in conscious actions which bring them fulfillment. However, a general idea people might agree on is that Freud and his work came into being (in Europe) because the rising middle-class people had a sense of their own misery in an era of rapid industrial development and technological change. Analysis, or psycho-therapy or therapeutic counseling, or "self-help"--whatever you call it--responds to the basic human desire to have positive change in life--and to be at peace.

Given that happiness should be easier to find, it is sad--indeed tragic--that the intelligent people Janet Malcolm writes about should find it not only impossible to get along, but also escalate and perpetrate bad feeling. Another unfortunate situation is the tendency of "experts" like Eissler and Swales and Masson to protect their viewpoint at any cost, to the point of declaring people "wrong," people who as writers and thinkers might have something valuable to say. Malcolm's book is a chronicle of intellectual history, a tale of that specific time in the 1970s and `80s when such fights could take place. The copyright on Malcolm's "Afterword" for the NYRB edition is 1997--now ten years ago.

This small well written book is really nothing but a bit of fluffy gossip. But gossip that will delight anyone who has found themselves caught up in the now-venerable controversy surrounding both Jeffrey Masson's book: "The Assault on Truth: Freud's Suppression of the Seduction Theory" and the furor among Freud followers that resulted from it's publication. Through personal interviews, Ms.Malcolm gives us the lowdown on the brilliant but (to say the least) quirky Mr. Masson as well as most of the other surviving characters (as of 1983) involved in Masson's brief yet productive romance with the keepers of Freud's well guarded letters and library.

Perhaps the surprise here...or lack of surprise, is that those such as Masson, who attempt to push the understanding of any intellectual field beyond it's comfortable boundries will, perhaps out of necessity, find themselves snooping around its often dangerous edges. And perhaps because of the hornet's nest they may stir up, are often a bit on the edgy side themselves.

Malcolm does a fine job of exposing us to Masson's truly obnoxious character, and yet raises a larger unasked question. Does eccentricity alone invalidate an individual's research and ideas, or when one dares to take on the giants, is that same eccentricity a necessity?

Whatever the answer, the almost 25 year tandem printing history of these two volumes speaks to the apparent importance of the contentions reguarding Freud that the voracious Masson dared to raise.

And perhaps simply through daring to raise them, Masson finds his victory.

Very beautiful unfoldable view of Manhattan from both the East and the West side. Specially good is the utilization of black and white which makes it much more elegant.

I bought this one. Love NY, love illustration, love books. The thing is: it's not really a book. You can't read it, because there are only illustrations. There are no pages, or a logical sequence. You can't even open it, unless you have 12 foot long pair of arms. You can't mount it on the wall, or you'll loose the other side. It feels really stupid to have this "book" on your hands. Because although you know you can't use it, you still got to have it.

I bought Manhattan Unfurled as a gift, and that is how I rate it.
Personally, I was disappointed. I was expecting a more detailed work done is a stronger, classic pen and ink style. The the casual cartoon style however is charming and really does not detract from the impact of the book.
Manhattan Unfurled is best appreciated when unfurled. Anyone who adores Manhattan will love this book, stretching out the pages and oohing and ahhing over the vista.

I bought this book so that my children could one day see the Manhattan skyline as I fell in love with it. It's fun to note the small details in the drawings--I think I notice something new each time I open it up.

Given the excellent presentation with the slipcase, etc., this book is an awesome gift for anyone who loves NYC. The artwork is solid, but not too formal, giving just the right feeling to the buildings. This book would also be a fun springboard for children to use to draw panoramic skylines of their own home towns.

This book is charming, the cover and slipcase make it look special, the reader feels the book has to be very good to be housed in such a well crafted good looking presentation. But once you have looked at the line drawing and followed it from one end to the other you feel a little foolish having spent your money on something so wispy. And yet the book is charming, so it takes all its value when offered as a gift so that its owner can enjoy it without the remorse of the money spent..

Ralph Ellison is still alive. This novel is a typical continuation of his themes. One black man entirely locked up Underneath or Below, in the Subway maze of corridors, tracks and blind rooms is the storyteller. He is also locked up in his lost memory that he is going to recapture little by little. And what will come out of it ? A brilliant black woman, Agatha will reveal her mystery. She is the granddaughter of a black minister in North Carolina, but she is the daughter of a white man and her mother was beaten to death by the grandfather of this white man. She will deliver her child in the hands of the brother of this white man. The minister will get a tooth for a tooth, a child for a child, and the brother of the white man, Agatha's uncle, will look after her and then what was to happen will happen, even if it is a blind alley and a dead end. The white man, Agatha's father, will go away and have another child from another woman, this time white. She will die and then the father will die and the child will be entrusted to his grandmother who will come back to the father's town to find his relatives, but she ignores his real name. Fate will bring the white boy and Agatha, brother and sister, together, and the other boy, the black boy Agatha is taking care of and who is our storyteller, will become the friend of the white boy. White and black are so entangled together that they cannot be separated. The whole story takes place in the Civil Rights Movements era and the Ku Klux Klan is all-powerful in this small town of Edene, the badly-named Edene. This will dictate the events and Agatha, her white brother and her black child will get swallowed up in the hatred that goes along with KKK and the emerging Civil Rights Movement. The end will be tragic. Both boys will manage to go to New York and get lost in the Big Apple, the white one successful and the black one rejected or rather dropping out. They will also manage to reestablish a connection, communication and memory, coming back to the black boy, who is now over forty, a door will reopen of a new relation between the two boys, Mikey and Tony. The stuff is heavy, pungent and strong. The novel is interesting and quite easy to read and follow. It shows how guilt, desire and hatred are all twisted out of shape and embedded in all loving postures. Yet something sounds and feels awkward if not out of pace. It is bleak enough to be true, and yet the divided personalities, loyalties and lives are rather well shown on the black side but remain kind of schematic on the white side. The wall standing between the two communities is well rooted in white fear and hatred, but it is insufficiently rooted in the same feelings on the black side. The author seems to be overprudent to describe the hatred, not the fear, the Blacks feel in front of white injustice or rather social and historical injustice. Relations with people from the other side was just as much rejected on the white side as on the black side. This latter rejection is not entirely felt and depicted : it is too much seen as a response to the stimulus of white hatred. It is not only that : the concept of difference, uncrossable difference existed and still exists on both sides, blocking the possibility for America to see that all it represents and it has invented is the result of a constant give-and-take process between the two communities, the result of a cooperation that nearly no one has the courage to show and assume, except maybe Ralph Ellison in the most recent half century. We do not reach the concept of democratic diversity that is emerging at that very period of time (1960s and 1970s) in Ralph Ellisons's writings and thinking. A great book that deals with memory that blocks history in its loss and that unblocks life in its recovery.

Dr Jacques COULARDEAU

I could not put this book down: it is stunning -
beautiful, disturbing, frightening: brilliant and should have won prizes. The language is rich and urgent, the characters and settings compelling, the messages about good and evil and humanity are ones that we all should heed. Read it.

Orange laughter will stay with you long after you've read the last page. Ms. Ross's journey into the main character's deranged mind is riveting. The journey down the tragic road of the segregated south turns out to be a surprising love story that I simply could not get out of my head for days...

This is a wonderful and moving book. I read an extract from it once, and made a point of getting it...and I'm glad I did! The characters are all so unique and intruiging and the writer brings you right into their world. My favourite character would probably be Mikey, the young, overweight friend to the main character Tony, due minly to his innocence and kindly ways.The story takes you round many different corners and back again without leaving anyone behind. And as with many great books, the secrets unravelled throughout will no doubt bring a smile to your face or tears to your eyes.
Thank you Leone Ross for this chapter in my life of books...

I just finished Orange Laughter. I can't explain why, but something abut the book edified my soul, haunted me, made me want to write, made what I know seem real ... If that makes sense...

I bought this book the first day it came out and enjoyed it tremendously. There's even the speech Homer Hickam made at the memorial to the Sago miners in the back of the book. I got to meet him at a book signing and he is a gracious man. There were a lot of people at the book signing who enjoyed Mr. Hickam's writing as much as me. He is without a doubt West Virginia's favorite author.

Most of the mining descriptions are accurate. The rescue I have some questions with, however, it is very intertaining.

I have sat and digested this book the best that I can. First off it is not by any stretch my favorite Hickam book I like all the Thurlow and Coalwood books better, with that being said though this book was still a very interesting read. I did not particualrly like either main character maybe thats my own fault just didn't like the personality of either Song or Cable. This book starts off with almost strictly a love story through roughly the first 10 chapters then it gets interesting. This is when Hickam saves this book, the suspense makes you want to finish the book in one sitting. I reccomend this book for anybody but Hickam fans should not open this book expecting another Coalwood book it is much different in both good ways and bad ways.

For those who enjoyed Homer Hickam's previous "tales" of life in Coalwood, West Virginia, you will not be disappointed in this latest work. The conflict between two recently-marrieds, in concert with the drama in the coal mines, makes for a fast-moving story that is dificult to put down. The author's best work, I think, has always been when he's writing about his beloved mountains and people of West Virginia. And though I enjoy Hickam's Josh Thurlow series, I thoroughly get involved with what he really knows best--life in a coal mine community! And one needs to know nothing of coal mining to enjoy the story because Hickam does a masterful job of explaining what goes on "down there." Order this book and enjoy the ride with Song and Cable and all the other colorful characters as they find out many things about themselves and each other in an exciting conclusion to a wonderful story. If this is a first-time read of Homer Hickam, I would certainly recommend going back to Rocket Boys, The Coalwood Way, and Sky of Stone. Those are all non-fiction, but they serve as a good background for Red Helmet, making it all the more enjoyable.

Homer Hickam, in "Red Helmet", transports us to the small mining communities of West Virginia. With characters that make us love them, laugh with them, wipe away a tear or two, and become a part of their lives, struggles, and mysteries, "Red Helmet" is a great read. Curl up on your sofa with a hot cup of tea and a blanket and be carried away to West Virginia!

A biography written by a child of someone famous often carries more than one burden, similar to the responsibility or encumbrance of the overshadowing parental fame. However, in filmmaker Jean Renoir's lovingly detailed remembrances of his Impressionist painter father, the reader gleans more than a timeline of an artist's rise to prominence. The author shares a richly detailed account of life in a culture that--in most areas of France save for Paris--was still foremostly agrarian. In this burgeoning Industrial world, Renoir tells of the rise of his father's art and the changing cultural behaviors, shifting societal patterns and troubling questions within that framework.

Beginning at Louis-Philippe's "July Monarchy" (1830-1848)-- generally seen as a period during which the haute bourgeoisie was dominant and the 1840's which saw financial crisises and bad harvests with an ensuing economic depression--we are reminded of the general and specific trends vis-à-vis how they affected the Renoir family's world. Curiously descriptive, this was a world of street oil lamps and chamber pots; anesthesia was not yet invented (nor any antiseptics); butchers slaughtered the animals on site in the back of the shop; great debates about the inferior railroad system and the overall safety of locomotives were waged (could a pregnant woman harm her unborn child by moving a such great speeds? Did the smoke and soot emitted hinder crops in nearby fields from growing). Adding to the vivid and graphic storytelling of French life are vignettes of the senior Renoir's dealings with fellow Impressionists and art dealers as well as his painting process behind some of his masterpieces. Family life, the defining touchstone of the artist as a man, is shared in humorous and matter-of-fact style ("My mother brought a great deal to my father: peace of mind, children whom he could paint; and a good excuse not to have to go out in the evening.") This book, which was first published in the mid-1950's, affords the reader a complete picture of the life of a great artist during a time of vicissitude and excitement in all facets of French society.

An affectionate remembrance of Renoir by his son, concentrating the years up to the turn of the century.

Renoir considered himself an artisan rather than an artist, disliked anything artificial, from margarine to ready-to-wear clothes, had among his friends artists, and musicians who are household names today. "It is when you have lost your teeth that you can buy the best beefsteak" he would say, and considering that he became more infirm with age, this truism affected him no less than the rest of us.

Impressionism is my favorite style of painting so I was really enchanted with this biography. Written by Renoir's middle son, Jean, Renoir, My Father not only gives us an intimate look at the life of Auguste Renoir, it gives us an intimate look at the Paris of Renoir's day as well.

As we get to know Renoir we get to know his contemporaries, too. Jean Renoir writes about Monet, Cezanne, Manet, Sisley and many other great artists. We learn many "little known" facts, such as Monet's penchant for lace and his "artful" way with the ladies.

Paris really comes alive in this book. Many of the places Renoir writes about still exist and can be visited today. This book makes any art lover's trip to Paris more meaningful whether he's a Renoir fan or not.

When reading this book, one must remember that this is not a "run of the mill" biography. This is a son writing about the father he adored. The portrait we are given is very intimate, detailed and loving. It's obvious that Jean Renoir adored his father, just as Auguste Renoir adored his family.

Ultimately, this book is a beautiful tribute from a loving son to a father who was one of history's consummate artists. If you have any interest at all in art, this is one book you simply must not pass up. The last page alone will break your heart.

Renoir was far more than one of the world's greatest artists. He was an adventurer, a family man, a man who held interesting views on just about every subject under the sun, and finally, in his later years, a martyr to life. Although this book was written by Renoir's middle son, Jean, it is as vibrant and alive as if Renoir, himself, had just written the words in his own hand. Through this book we learn how the Renoir family left its roots in Limoges and moved to Paris. We read of Renoir's early years as a painter of porcelain and how and why he became an artist, more specifically, an Impressionist. We learn of Renoir's marriage to Aline Charigot of Essoyes, the birth of his three sons and his move to the south of France. Some of the most interesting sections of the book deal with Renoir's feelings about the effect of light on a painting and why he needed to paint in a "natural" setting. Also, most interesting are the chapters on the birth of Impressionism and Renoir's relationships with the other artists of the time, such as Monet, Manet, Sisley and Cezanne, just to name a few. Lovingly and charmingly written, this book truly brings Renoir to life and makes him accessible to all. Absolutely a must for anyone with even a passing interest in art or artists!

We adopted "Renoir, My Father" as bedside reading while my wife was recovering from hip surgery, and (aside, perhaps, from "Goodnight, Moon,") I can't imagine better therapy. This is odd, in a way: Claude was an old man (and in pain) when Jean got to know him, and Jean was an old man when he finally brought his recollectios together. You might expect cranky, but nothing of the sort: it's a book full of sunny afterglow. Every parent would hope to be rememnbered so well.

The book might take a bit of getting used to: Jean has his own pace and his own way of telling his story. We did it in small doses and I'm not certain yet that I quite catch the rhythm. None of the rough edges have been smoothed off which, come to think of it, is just as Claude would have wanted: Jean speaks with his own voice. You have to listen well, but you know that the voice is nobody else's.

I suppose it helps to know a bit about the Impressionists to enjoy it all, but I can't say I know all that much, and I didn't feel impaired. Anyway, God bless Google: more than once, when Jean talked about a painting or a subject, I key-clicked my way to an image and completed (as it were) the picture.

Kudos also to NYRB (this time) for producing what it does not always produce: a finished physical specimen The paper feels like quality; the binding is sturdy, and there is a small but satisfying selection of pictures, both colored and black-and-white. There is even an index of sorts (I assume from the original translator) but it is patchy and incomplete. That last is a shortcoming, but forgivable in light of the book's other virtues. In the NYRB firmament, this is surely a star.