New Mexico Books

I bought a copy of this book years ago, and loved it. When my last child was born I gave my book to the midwife as a 'thankyou' gift - and have always regretted not having a second copy for myself. So...I finally treated myself to another copy. The women's voices speak to me just as clearly after all these years. This is a very special book.

A wonderful book for quilters and lovers of history. Written in the first person, you are drawn into the simple lives of these women. A quick and rewarding read.

Reading about the lives of these women makes you appreciate the ease of modern life but the simjplicity of their days is enviable. Wonderful quilts too.

This book is facinating with it's history of American pioneer women. It contains real quotes from real people about the lives that they lived. If you have seen or been in the play you will be delighted to see that some of the show's monologues are word-for-word from this book! I't's a moving book and a moving play.

I have read many books about pioneering women who set up homes from scratch and quilted for practical and soul-fulfilling reasons. Usually though, those women are long gone and we are left with rather dry details of their lives. The joy of this book is that the women whose words are recorded in it are living, breathing members of that pioneer group, and, even though their experiences were in the 20th rather than the 19th century,the issues and incidents are the same and they tell a vibrant story.
The book records conversations amongst Texas quilting groups, to which the authors were invited and the ladies seem eager to tell stories of their early days in dug outs and cabins, their families scaping a life from the soil and their role in that. None of them ever sound hard done by or as if they wish their lives had been different. And they are all keen to express the creative and fulfilling role that quilting has had in their lives.
If you are not a quilter, you will still enjoy the strength, friendship and nobility that run through these conversations - they are a link with a passed era, which I felt honoured to share as I read.

What Night Forgets By Don Yorty Herodias

American writer-artist-poet, world traveler, and Manhattan community activist Don Yorty's first novel, the politically explosive, erotically charged What Night Forgets (Herodias)-set in Mexico against a compelling backdrop of international governmental intrigue, zanily complicated exotic travelers, stunning regional flamboyance, and apocalyptic redemption-is a literary masterpiece. There's a picture-postcard perfection that lies on the surface which he peels away to reveal what simmering violence lurks beneath to erupt into sudden, stark chaos; and then the luminous possibility of renewal. Imagine Night of the Iguana mated with Under the Volcano, and a brief side-trip to "Bring me the Head of Alfredo Garcia" country. Lavishly descriptive, Yorty gives us the unseen hand of the CIA wreaking its global destabilization; shimmering with lust, madness, bad politics, destructive marriages, an ambiance of dreamily realized eros, the timeless wonder of grasshoppers with lime, and the sheer redemption of harvesting alfalfa with a machete.

-Maralyn Lois Polak

What Night Forgets

By Don Yorty

Herodias

American writer-artist-poet, world traveler, and Manhattan community activist Don Yorty's first novel, the politically explosive, erotically charged What Night Forgets (Herodias)-set in Mexico against a compelling backdrop of international governmental intrigue, zanily complicated exotic travelers, stunning regional flamboyance, and apocalyptic redemption-is a literary masterpiece. There's a picture-postcard perfection that lies on the surface which he peels away to reveal what simmering violence lurks beneath to erupt into sudden, stark chaos; and then the luminous possibility of renewal. Imagine Night of the Iguana mated with Under the Volcano, and a brief side-trip to "Bring me the Head of Alfredo Garcia" country. Lavishly descriptive, Yorty gives us the unseen hand of the CIA wreaking its global destabilization; shimmering with lust, madness, bad politics, destructive marriages, an ambiance of dreamily realized eros, the timeless wonder of grasshoppers with lime, and the sheer redemption of harvesting alfalfa with a machete.

-Maralyn Lois Polak

I have just finished reading Yorty's first novel for the third time. I can't stop comparing him to my other favorite novelists: Conroy, Kingsolver, Uris and Steinbeck. He paints beautiful images with poetic prose that transport me to locations I've never been. Don Yorty's new book is on my list of the 10 best I've read in the last decade (and I read a lot!) I anxiously await his next novel. Buy this book!

Profound story woven together like a fine linen cloth. A page turner. If you never traveled, you will after reading this book. Vivid reading. Reads like Steinbeck. This Don Yorty novel needs planning. Block out the time and find yourself a quiet corner with a DO NOT DISTURB sign. Be prepared to be swept away. Be prepared for the Canadian you will love to hate.

Whereas some poets write prosaic poetry (in style and content),Don Yorty writes poetic prose. That doesn't make his prose less real, only more vivid. He is a talent a teacher gets once a career if she's lucky.

There is nothing I can say that would do any justice as to how great this book is. It was everything you could possibly hope for in an ethnographic text. You learn a lot about a culture very different from ours and it is truly just fascinating!

What do people make of places? Basso's opening sentence is a good example of what the Apache call `letting one's mind have room'. As we read through the chapters of the book Basso continues to add layers to the meaning of this opening question. It allows us to reflect on various uses of the word `make'. We make sense of places by interpreting them. We make places intelligible by foregrounding them. We make use of places; as sign posts or land-marks through the use of descriptive naming. We make places or constitute them as sites or repositories of learning; we invest them as placeholders for morality tales or homilies. We make places vital; we invest them with agency, we enchant them, animate them, in the spirit of golems; we take a piece of earth and through magic or metaphysics we bring it alive, giving it a mission and a life of its own.

Wisdom sits in places. The Apache are a good example of virtue ethics. This is a theory of ethics, usually based on Aristotle's Nicomachean Ethics, which argues against an ethical universalism and in favor of a particularism. It foregoes the quest for nomothetic foundations and looks instead to the development of certain skills or character traits. Aristotle created a catalogue of areas of behavior or traits with a continuum of possible dispositions. The virtuous behavior was the means between the two extremes of each continuum. Thus the virtue of bravery was somewhere in the range between cowardice and foolhardiness or irrational voluntarism in the face of impossible odds or a meaningless risk.
Aristotle's concept of phronesis finds an interesting parallel in the Apache moral imagination. Phronesis is a meta-virtue; it is the ability to choose the right action for each particular event; the ability to find the virtuous means between vicious poles. It is the essential skill for particularism which is the theory that the right action, the correct moral choice is particular to each unique event. It is opposed to the universalist proposition that there are sets of moral propositions or codes that we can apply in a covering law model. Universalism holds that when two of our moral codes clash we resolve the dilemma by applying a meta-rule, most commonly a deontological (Kantian) or utilitarian proposition.
The Apache's sense of wisdom is a good example of a pragmatic ethics informed by a set of virtues that are learned and continually developed throughout their life's journey. In the first chapter we note how each speaker brings the homily (the moral lesson associated with a place name) forward, making it their own, fleshing it out. One imagines that each speaker and hearer of place names is expected to silently immerse themselves in each homily; making it real by seeing it happen. The act of giving vision to the oral narrative is a process of developing layers upon layers of particular exemplars of the lesson. It is thus internalized and carried forward for the next use. As one gains wisdom one becomes more proficient at seeing when and where to apply these lessons.
This is similar to the thought of the American pragmatist and logician, C. S. Peirce, who proposed a fallibilism about knowledge, truth, and scientific results. He felt that we were always discovering more and that a full statement of any putative universal law was always deferred. Peirce's original pragmatism differed from what James and Dewey later made of it. For Peirce we expanded our sense of a truth through a process of discovering layers upon layers of particular applications and gradually gaining more of an understanding of the wider truth. But his sense of fallibilism posited rich moral concepts such as justice or duty as essentially contested concepts.

We have maps in our heads. There are other interesting parallels with the ancient Greeks besides virtue ethics. There is a significant body of study regarding Plato's thought on the spoken and written word. Plato argued that reality resides in absolute and eternal forms. Thus the impressions available to our senses are imitations that is but a shadow of these eternal truths; they confuse us and should not be trusted. Worse still are the imitations of imitations; thus his polemics against poetry, art, and the written word. It would be interesting to combine this with the study of texts in the 20th century to look at the Apache's preference for maps in the head. Barthes, Derrida and others all expanded our notion of what can serve as texts and it might be interesting to look at Apache use of places through some of those lenses.
In addition there are interesting parallels with the sophists. Although Plato and Socrates succeeded in creating our contemporary disdain for sophism, recent work in the study of Isocrates and others brings a new appreciation of certain tenets of sophism. The sophists exhibited some similarities to the Apache notions of epistemology. They both saw the elders and ancestors as the source of wisdom and warrants for knowledge to be used for current problems. They both argued that the knowledge of the past resided less in universal laws than in practices of the ancestors; actual responses to past dilemmas that are best accessed through interpretation rather than a rote use of the covering law model or a slavish rehearsal of rigid and dogmatic rituals.
They both thought that knowledge (as justified true belief) was discovered and ultimately ratified and warranted by the voice of the majority; the interpretation that found the most general favor. The sophists proposed that vigorous debate in an open forum of citizens is the most epistemologically sound form of inquiry. Their best speakers would take both sides on various propositions of what the ancestors would have done in the current crisis. The goal was to make the best possible argument for all options and let the citizenry decide.
Both the ancient Greeks and the Apache continued to observe religious rituals but it would also be interesting to compare characteristics of their religious cosmology, the role of the gods, and their associations with natural entities and nature in general.

This book was mediocre at best. Although Keith Basso did provide some insight into why the Apache people cherish their land, I felt that Basso kept on saying the exact same thing in every sentence. I had the point of the entire book by the time I was ten pages into it, and it kept on going, therefore making me lose my concentration on what I was reading.

Anthropologists, language students, and Native American culture afficionados will find this book, and any by Keith Basso, written links into a cultural past which struggles to exist today. As the Western Apache tribes become more modern, the information found in this and other Keith Basso writings, become necessities in the preservation of traditional Apache culture; with the exception of the knowledge of a few hundred very traditional Apaches still living in Arizona.

What do people make of places? This is the central question examined by Keith Basso in his ethno-linguistic study of the relationship between language and landscape among the Apaches of Cibecue, on the Fort Apache Reservation in central Arizona. Basso, a professor of Anthropology at the University of New Mexico, has spent over 30 years conducting field work among the Western Apaches. His publications concerning this group include articles on language, patterns of silence in social interaction, witchcraft beliefs, and ceremonial symbolism, among others. The idea for Wisdom Sits in Places stemmed from a study conducted between 1979 and 1984, in which Basso, with the help of a grant from the National Science Foundation and the guidance of the Apaches, conducted a study of Apache places and place-names; how the Apache refer to their land, the stories behind the place-names, and how these place-names are used in daily conversation by Apache men and women. The result is a stunningly informative account of the use of landscape and language in the social interactions of the Western Apaches.
Basso divides his book into four sections: Quoting the Ancestors, Stalking with Stories, Speaking with Names, and Wisdom Sits in Places. Each chapter's focus is to examine how landscape and language serve distinct purposes in Western Apache society. Basso incorporates the oral history of, and discussions with, local Apaches, as well as his formal training as an ethnographer-linguist, to explain the underlying themes of this book.
First, Basso introduces the reader to the idea of place-names and in the Western Apache construction of history. As conceived by the Apaches, the past is a "well-worn `path' or `trail' which was traveled first by the people's founding ancestors and which subsequent generations of Apaches have traveled ever since" (31). The ancestors gave names to places, based on events that occurred there. Regardless of the physical changes in the landscape that occurred over time, the story of what took place, as well as the place-name, was passed down through generations and serves as a connection between the people and their ancestors.
Second, Basso examines how the language and the land are "manipulated by Apaches to promote compliance with standards for acceptable social behavior and the moral values which support them" (41). The historical tales of place-names are without exception morality tales, intended to influence patterns of social action. Their purpose is to serve as warnings, criticisms, and enlightenment for those who are behaving improperly; not in accordance with the Apache way of life. The telling of a historical tale is "intended as a critical and remedial response" to an individual's having committed one or more social offenses. Apaches contend that if the message is taken to heart, a lasting bond will have been created between that individual and the site at which the events in the tale took place. In short, the land, accompanied with its historical tale, "makes the people live right" (61).
Third, through the act of "speaking with names", place-names can be condensed "into compact form their essential moral truths" (101). "Speaking with names" is considered appropriate only under certain circumstances, generally to enable those who engage in it "to acknowledge a regrettable circumstance without explicitly judging it, to exhibit solicitude without openly proclaiming it, and to offer advice without appearing to do so" (91). Evoking images of a particular place and narrative thus replaces a more direct form of advice or criticism, with "a minimum of linguistic means" (103).
Finally, with the guidance of his Apache friend, Dudley Patterson, Basso examines the path of wisdom in Western Apache society. Patterson explains there are two mental conditions, "steadiness of mind", and "resilience of mind", which lead to a third and most desirable condition, smoothness of mind. These three conditions are not innate; therefore, one must work on one's mind in order to gain wisdom. To work on one's mind, "one must observe different places, learn their Apache place-names, and reflect on traditional narratives that underscore the virtues of wisdom" (134). A resilient mind, according to Patterson, does not "give in to panic or fall prey to spasms of anxiety or succumb to spells of crippling worry" (132). A steady mind is "unhampered by feelings of arrogance or pride, anger or vindictiveness, jealously or lust" (133). Steadiness and resilience give way to a sense of "cleared space" or "area free of obstruction", conditions necessary for smoothness of mind. Only those who continue on the trail of wisdom their whole lives come closest to having a smooth mind, and are "able to foresee disaster, fend off misfortune, and avoid explosive conflicts with other persons" (131). Thus, wisdom is intertwined with the idea of survival through the consistent and thoughtful evocation of landscape and language.
Keith Basso and the Western Apaches of Cibecue have provided readers with an insightful and provocative account of the connection between language, land, and a people's cultural history. Wisdom Sits in Places opens the door for future research on place-names by shedding light on a previously overshadowed topic in anthropological studies. Basso's dissection of certain stories and social interactions can be overwhelming and a bit dry, but his purpose is made clear when his examinations are added together with the Apache narratives. What results is a clear picture of what language and landscape mean to the Western Apaches, the functional versatility of place-names, and the importance of being aware of one's sense of place.

Maybe it wasn't "No Life For A Lady" but many great ladies lived it. Some of them, like my own mother, even managed to hang on to the majority of their original principles while doing so, no easy feat in itself, considering the never-ending work that began before dawn and ended after dark each and every day; and the rough environment that swirled around them. Practicality ruled; convention took a back seat every day. In her biography, "Miss Agnes" sounds like a curious mix of two - the wild and exotic freedom allowed her by the remote area of her home, yet prudently sent away for a proper education, which served her well. Most children living at that time and in those remote areas were not so fortunate.

Her father was a brilliant engineer for the Santa Fe Railroad, working in the right profession, at the right place at the right time. The Railroads were engaged in a headlong, competitive quest to connect the east and the west, unstoppable. His talent was combined with ambition, and he met the challenge of taking the rails over the Raton Pass in what was felt at the time to be an impossible achievement due to the grade involved. He was also capable of keeping his family close to him while his work went on.

Her mother, on the other hand, was a lady who thought a man would always handle things for her. That too, was something that "became a lady", although it left her ill-equipped for tragedy; and when she lost him in the prime of his life, she was left without a rudder, but with a handsome inheritance, and it wasn't long before another man was only too happy to "take care of her" but without the same motives.

However, all's well that ends well, and the new husband served a purpose not fully appreciated until decades later - he bought the New Mexico ranch with the widow's money, established them in a broken down log cabin, and subsequently left them all for a better life somewhere else as the real work in creating a ranch out of a wilderness began to heat up! It was this twist of fate that established the Morley land and cattle holdings; and the legacy that has become legend in that part of New Mexico.

She has a way with words; a sharp wit and she "speaks the language" of the range and it's people. (a cow doesn't have 'knees' on it's hind legs, though - they're referred to as'hocks' so I do offer this bit of sniveling trivia critique.) Her adventures with other pioneers who became well known to history later on are important, varied and many; and she was fully as able to deal with an outlaw as with anyone else, and on their terms. It was indeed a well-known fact that the homesteaders and ranchers did this on a regular basis in order to preserve their own harmony in a sparse and vastly diverse community. They all needed each other in one way or another, most recognized it.

It's a book not only well written, but authentic, full of the fun and tragedy of the every day life of a remotely located ranch family, accentuated by the knowledge that hers were of the people that not only helped settle the vast Territory of New Mexico, they did it against all odds; headed early on by a single woman unqualified for the life, and who never quite overcame that handicap, instead, placing her reliance in her children. Her one strong area of practicality was in the quest to formally educate these same children. In the process, and in the best of both worlds, each brought education and good ideas back to their New Mexico roots, staying with their land because they were now the generation who sprang from it; and had come to love it.

More than a mere biography of her life, it's an important historical work from many different angles. She noticed everything; hers was not a life that slipped quietly by her - she understood the underlying human quality known as "character" and that it meant different things to different people due to different circumstances. One of the last lines reads, referencing her emotions about a painting Maynard Dixon, the artist inscribed to her:

"a girl and a man riding together across a twilight-lit desert towards a hazy purple mesa".

That sufficiently sums up, beyond the danger - the intangible beauty of the way it was - even if it wasn't "No Life For a Lady".

I live seven miles from Datil, NM whereof Ms. Morley writes. Not only does she write about her life but also about how the family, her mother, brother and sister, came move out here. She writes about the early cowboys and Native Americans. She writes about the Penitentes.

Agnes Morley was the daughter of a Civil War vet who went home to Iowa and got an engineering degree that led to his becoming a premier engineer for the Santa Fe R.R. He was there when the race took place to be first over Raton Pass and also through the Royal Gorge (where Bat Masterson organized a posse that unsuccessfully held off the Denver and Rio Grande RR as I recall with members of the Dodge City fraternity that included Doc Holliday, Ben Thompson and other notable gunfighers and even Eddie Foy, later a great comedian, who went along for the excitement)all typical of the early days of railroading in the West. Morley was also an associate of the New Mexico participants in the Colfax County War in New Mexico, a parallel to the Lincoln County War that made Billy the Kid famous. Equally famous was Clay Allison, a wild man of the West who was a principal character of the War, which was centered in the vicinity of Cimarron, New Mexico. Agnes's father died in Mexico while pushing the railroad from Benson, Arizona to Guamas, Mexico. He was either accidentally shot in taking a rifle from his buggie, or as his grandon thought, was murdered as part of a plot relating to railroad competition. After his death his strong wife took over the rearing of their children. She managed the Cimarron newspaper that irritated Clay Allison, and he burned it out one night. In the aftermath he learned that a widdy woman ran it, helped set it back up, stating that he didn't make war on women. She later settled on the large range that her husband had aquired north of the present small town of Datil. The adventures there of her family are classics of Western experience that are not exactly things of the past. Read about her and her brother (who went to college and is in the football hall of fame) as they walk down the top rail of their corral with a pet bear cub, a rooster, a goat and sundry other animals following along on the ground. Read how, when she was away to school her brother wrote of the mountain lion that raided the place, killed their bitch hound who defended her pup and generally wrought havoc. Her brother wrote her the information and told her, "You should have been here, there was a hellacious fuss." which she read to her horrified teachers and class, not realizing it was anything out of the ordinary. She knew outlaws and lawmen, such as Elfego Baca, who Disney immortalized in a movie. When he defended her neighbor in a self-defense killing, she recommended to Elfego that he forget the fancy arguments and just tell the truth. He said, "The truth! The truth! This is a murder case. We lie. They lie. Everybody lies." As I recall the killer was convicted on his first trial. He told Agnes, "Elfego took my cattle on the first trial and when he got me off on appeal, he took my ranch." Elfego lived until 1946 as a fixture in Albuquerque. His type are by no means gone. You can go to Datil and vicinity today and see the old west exactly as it was then, with the bark off. The last big cattle drive took place just to the east on the San Augustin Plains. Moderns drive rapidly by and console themselves that the violent old west is dead. If so, the body is keeping damn well. The sheriff of Catron County which encompasses the old Morley ranch requires all heads of households to own and keep handy a gun. Good idea, too. I used to roam that country with my five dogs, camping out in my specially designed pickup which everyone called "the teahouse of the August Moon," due to its resemblance to that edifice. Agnes also tells of such characters as Montague Stevens, an Englishman who lost one arm in a hunting accident, who was a famous bear hunter. I'm writing this substantially from memory but it's close enough. Go see for yourself. And if you only read one book about New Mexico this would do. Another dandy is "Land of Enchantment."

I work for a school that just purchased 600 acres of the ranch described in this book. The area IS as beautiful as she describes, is as rugged and the people are just as hard-working and caring.

I found the book to be a great story. She says she is just a story-teller, but what a good one! It makes the past come alive. My husband and I read parts of it out loud, while camping in the very ranch she describes.

WARNING! Once you start, it is hard to put down.

The title is misleading, as she truly must have been a great lady. This is a classic memoir by a woman who grew up in 19th-century New Mexico, and worked and rode side-by-side with the men, taking the full responsibilities and knocks of a hard life and keeping a great sense of humor through it all. The only concession to her gender is that she apparently rode sidesaddle, remarkably enough!

Joralemon and Sharon's work was lacking a female point of view on northern peruvian shamanism. This book delivers that point of view along with a very personal account of the experience.

Other reviewers have described the breadth and depth of Glass-Coffin's study of Northern Peruvian curanderas and have noted how effectively she weaves her personal story through the book. I would like to add my kudos as well. I appreciated the solid historical context and enjoyed reading about her experiences with some of the ancient healing traditions and their modern incarnations. Having traveled through the region myself, I have can concur with her observations about some of the differences between male and female practitioners. It provides much food for thought.

Glass-Coffin's book will provide a great deal of insight for anyone interested in healing traditions or South American history. Although Post-conquest influences have mutated the expression of native spirituality, they did not completely eradicate time honored practices.

We have all enjoyed the charming and entertaining look at sorcery and witchcraft as experienced by the fictional Harry Potter. No less interesting and fascinating is Bonnie Glass-Coffin's realistic look at sorcery and shamanism as they exist in South America today. "The Gift of Life" incorporates Glass-Coffin's extensive research as a talented anthropologist with her own personal healing experiences to produce a highly readable and well-documented book on female shamans (healers) in Northern Peru. She provides a history of sorcery and healing in South America, a contextual explanation and description of the healing practices of five different female shamans she met while in Peru, and an examination of gender and socioeconomic differences in the world of spiritual healing. Academic rigor does not preclude a "good read". Scholars and general readers alike will be pleased with this book. When I loaned the book to a friend who has traveled in Peru, she returned it quickly, noting "This is too good not to have a copy of my own!" I recommend it highly.

Prior to THE GIFT OF LIFE, little had been written about the role women play in healing and shamanism in Northern Peru. Part of the reason for this oversight had to do with the way European colonization brought the concept of "witchcraft" to Peru, and the fact that Peruvian women who practiced traditional healing arts were frequently beaten and tortured until they confessed to standard European-style "witchcraft" practices. Author Bonnie Glass-Coffin was trained as an anthropologist, so she knew that women have historically played a large part in shamanism from looking at the ancient sculptures of the Moche and Chimu, which both portray women involved in healing arts. With the intention to find and interview modern-day women shamans in Peru, Glass-Coffin set out to do exactly that.

Bonnie Glass-Coffin shares the stories from five female curanderas (shamans) she met with between April 1988 and September 1989. Her extraordinary book, THE GIFT OF LIFE, describes the daily life of these female curanderas and the story of how they became healers, and includes black and white photographs of their mesas (curing altars) and healing herbs (plants such as the San Pedro cactus). Glass-Coffin's background in anthropology and her accounts of her experiences living in Peru as she grew up give this book a unique feeling of personal relevance and social perspective.

I was impressed that THE GIFT OF LIFE does not shy away from describing the ways curanderas have used their spiritual powers on some occasions for sorcery. Glass-Coffin describes "dano" as intended harm by sorcery, and tells stories and includes pictures of how Peruvians have discovered and dealt with the harmful magic of others. She also describes some of the differences between male and female healers in Peru -- such as the way female curanderas tend to involve patients more directly in their healing. I was also impressed that Glass-Coffin described her own personal involvement being healed by curanderas, giving this book tremendous warmth. The first-hand accounts of what it feels like to suffer as the recipient of a dano help the reader better understand the way our thoughts and feelings affect one another.

I give this book my highest recommendation to anyone who is interested in ancient traditional ways of healing, wishes to know what is unique about women healers, and is intrigued by reading stories about how our thoughts and feelings affect others.

Prior to THE GIFT OF LIFE, little had been written about the role women play in healing and shamanism in Northern Peru. Part of the reason for this oversight had to do with the way European colonization brought the concept of "witchcraft" to Peru, and the fact that Peruvian women who practiced traditional healing arts were frequently beaten and tortured until they confessed to standard European-style "witchcraft" practices. Author Bonnie Glass-Coffin was trained as an anthropologist, so she knew that women have historically played a large part in shamanism from looking at the ancient sculptures of the Moche and Chimu, which both portray women involved in healing arts. With the intention to find and interview modern-day women shamans in Peru, Glass-Coffin set out to do exactly that.

Bonnie Glass-Coffin shares the stories from five female curanderas (shamans) she met with between April 1988 and September 1989. Her extraordinary book, THE GIFT OF LIFE, describes the daily life of these female curanderas and the story of how they became healers, and includes black and white photographs of their mesas (curing altars) and healing herbs (plants such as the San Pedro cactus). Glass-Coffin's background in anthropology and her accounts of her experiences living in Peru as she grew up give this book a unique feeling of personal relevance and social perspective.

I was impressed that THE GIFT OF LIFE does not shy away from describing the ways curanderas have used their spiritual powers on some occasions for sorcery. Glass-Coffin describes "dano" as intended harm by sorcery, and tells stories and includes pictures of how Peruvians have discovered and dealt with the harmful magic of others. She also describes some of the differences between male and female healers in Peru -- such as the way female curanderas tend to involve patients more directly in their healing. I was also impressed that Glass-Coffin described her own personal involvement being healed by curanderas, giving this book tremendous warmth. The first-hand accounts of what it feels like to suffer as the recipient of a dano help the reader better understand the way our thoughts and feelings affect one another.

I give this book my highest recommendation to anyone who is interested in ancient traditional ways of healing, wishes to know what is unique about women healers, and is intrigued by reading stories about how our thoughts and feelings affect others.

A very well written journey of what its like to coach and live in an Irish community. Many life lessons to be learned. Overall I would recommend to all to read., Not just basketball.

I passed this around to several friends. One had played high school basketball and the other didn't know a zone press from a printing press. Both loved the book. You get a real sense of the country and some of its people, as well as joining the author on a personal journey. Great read!

If you like sports from a spectator or participant viewpoint, chances are you will like this book. You will love the book if you have ever coached, are Irish, play or listen to Celtic music or simply have a great sense of humor. The book is well-written, a quick and delightful journey into an idividual's dream that is lived out in a real-life way. I visited Ireland for the first time shortly after reading the book. The accounts are accurate and added an additional dimension to my visit.

As an aspiring writer and former hoops coach, I was very interested in reading this book after getting re-acquainted with Coach Rus (we first met at Don Haskins' summer camp in 1989) at a local book signing. I couldn't put it down once I started reading it. There were many times when I would find myself laughing out loud at his witty observations about the basketball-challenged Irish culture or his players' quirks. Coach Rus' story transcends the sport of basketball, but will entertain the best hoops junkie. His journeys to the Irish pubs and eventual fiddling sessions made me want to book a tour of Ireland. And true to any hero's journey, Coach Rus gets rewarded for his perserverance.

He's not Ernie Hemingway, but if you have a great story to tell, it doesn't matter. And he has a terrific story to tell.

I really enjoyed this book, but there were a couple of things that were a little off. First of all, how can one woman have an almost suicide, an almost murder and a death all in one week!! I thought her daughter was just too good to be true. She was much nicer than any teenage girls I know. The constant discussion of wanting a cigarette got really tedious but thankfully eased towards the end. This book made me want to visit Taos. It sounds like a lovely place! I think Ms. Samuel is a terrific writer and I look forward to reading more from her.

An excellent novel. To me it was particularly interesting because it portrays quite well the rhythm of life in Northern New Mexico. At the same time, the characters are wonderfully developed: not cardboard silhouettes, but people. Strongly recommended!

Barbara Samuels makes her chacters so real that you feel like you know them. Hated to see this book end.

characters + setting + details + humor + humanity = five stars for me. I loved this book and am emailing all my friends. I hope future ones are just as good. As a side note, the covers don't reflect the gritty, humorous, real prose inside. If I was picking it up based on the cover I'd expect a quiet story about love and loss in a happy neighborhood. This, it is not.

Barbara Samuel has done it again - written a book that has a wonderful story without being a formula of her previous book. Luna McGraw, a former therapist, a recovering alcoholic, and in the midst of trying to quit smoking is working in the floral department of the local supermarket in Taos, New Mexico. Luna's life is finally becoming balanced again when she meets Thomas Coyote, the man she's had a crush on for years, and when her daughter, Joy, comes to live with her. The story is lyrical and luscious. Samuel brings New Mexico to the reader in a way that makes you want to go there and visit if not to live.

I think it's a mistake to classify Samuel's books as "romance." They are more than that. But if you like romance novels (not that there's anything wrong with that), then fine. And if you don't, please try this one. You'll be pleasantly surprised to find this wonderful artist who takes words and weaves them into a literary treat.

This book will blow your mind. Quinones is able to totally take you into worlds rarely heard about before. Who knew there was a thriving basketball hotbed in Oaxaca that has been transported to LA? The whole genre of narcocorridos (basically, traditional Mexican "country" [ranchero] music with a gangsta slant) started in LA, too.

The topics of lynchings in rural Mexico, the popularity of telenovelas at home and in Eastern Europe(?) and the religious cult at Neuva Jerusalen are all so fascinating and far beyond anything anyone has probably imagined Mexico to be.

He has an inate ability to dig up and find the most fascinating stories in the most out-of-the-way places yet also show how they often are a microcosmic reflection of how Mexican society operates in general.

The question is: When is Sam Quinones going to compile a Tales 2?

IN MANY OF THE STATEMENTS THAT I READ I SEEN THAT MANY SAID A LOT ABOUT THE WRITTER WELL WE ALL HAVE MANY OPINIONS I PERSONALLY HAVE MY OWN OPINION I THINK IS ONE MY GREAT BOOKS THAT I HAVE TO READ IN MY FREE TIME LIKE SCHOOL OR JUST ABOUT ANYWHERE BUT JUST WANTED TO ADD THAT I LOVE CHALINO AS THE PERSON HE WAS A WHILE BACK WITH HIS MUSIC I ADMIRE HIM AS A FATHER AND I AM IN LOVE WITH HIS SON 4-SHO!!!

Another reviewer pointed out that Quinones' accounts are "researched", and this is true; he's done what he needed to do to find his facts. But I would add that the overwhelming note, for me, is that the man has "been there". I heard about "True Tales" from a reviewer of Elijah Wald's "Narcocorrido", and would now agree with that reviewer that the Quinones piece on Chalino Sanchez tells us a lot more about his world than Wald's book, valuable but a bit touristy, a bit arch, and a bit academic. There is an immediacy in these chapters by Quinones, of grittiness, suffering, delusion, terror, helplessness, of all the qualities of the many Mexicans Quinones met and listened to. His description of the lynching is the most direct, realistic and frightening I've ever read; this can happen anywhere, anytime. These stories are unadorned realities of Mexico and the Border, and the entire world as well.
As Edward Abbey said, of the same country, "this is the real world, muchachos, and you are in it."

It is clear from the book there is more than one Mexico. It's not what you think. The border is a focus but hardly all. Gangs are a focus. The book raises a major question. Is Mexico changing and how?Quinones presents many portraits from gangbanger singer Chalino Sanchez to the dead women of Juarez. Each sketch adds a different and fascinating dimension to a complex perception of what Mexico is. No other book presents that plurality as well. The book is a page turner, a fast paced quick read. It is not, however, superficial but in-depth coverage. It is fascinating.

This book is fantastic. I don't often actually buy non-fiction because I usually don't plan to re-read it. This is a rare exception. Quinones is 1st & foremost a great storyteller. You'd hardly notice that it's all true if it weren't for the fact that these tales are simply too good to be fiction. Quinones has a knack for noticing the seemingly invisible. The best example being the tale of Chalino Sanchez (who graces the cover). How could someone who completely misses the U.S. radar of popular culture become a folk hero and single-handedly create a musical genre selling millions of copies of albums in the process & then having at least 1,500 songs written about him? Quinones manages to make it sound perfectly believable. If you're anything like me you'll be mesmerized by these essays.

Beautiful pictures and interesting, informative articles make this book a must for anyone who is allured by the beauty of turquoise. I read the book in one setting, and while it is a good place to start, I found myself wanting more information. If you collect turquoise or just wear it because you love it, do yourself a favor and get educated about vintage, pawn, and newer creations; natural stones vs. stablized stones, and even fake stones. You'll find this book helpful.

"The Allure of Turquoise" is made up of a collection of articles on turquoise, its history and the Native American mythology surrounding this stone. I was particularly fascinated by one article about ants and their relationship with turquoise. Nevertheless, although this is an informative and interesting book, if you are looking for a guide to collecting turquoise or turquoise jewellery, I'd begin withTurquoise Unearthed: An Illustrated Guide (Rocks, Minerals and Gemstones), which focusses more on purchasing turquoise and the different types of turquoise. "The Allure of Turquoise" is a relatively short book (only 107 pages in length), but contains color pictures throughout. Be aware, however, that this book does not contain an index, a major drawback, as far as I am concerned.

I found this book very thorough as far as the knowledge of the types of turquoise. But, I also found a lot of good info about traditional jewelry selling, info about fakes and treatments and historical knowledge. Gorgeous pictures.

This was a birthday gift for my husband. He loved it. He said it was the perfect present since he loves turquoise and making turquoise jewelry. It even arrived on time, gift wrapped. If you love turquoise, the color pictures are worth it. The content is very good too, my husbands states.

This is the same review I gave to "Turquoise Unearthed"...and for all intents and purposes, they could be classified as companion volumes...both doing an exceptional job in words and images!

"I have been a gem and mineral dealer for over ten years...and a rockhound for a lot longer than that...but this book taught me more in a single sitting than all my years in the buisiness and in the hobby.

I have dug, traded, bought and sold a whole bunch of "Turq"...natural, treated and "color-shot"...and this book instantly became one of my favorite references for the rest of my life.

If you are planning on investing in real American or Persian turquoise jewelry or stones...and it is an investment...then this book is a "Must Have!"

No sooner did I put this book down than I called up one of my suppliers and bought all of the Blue Gem and Turquoise Mountain stones they had left in stock...I am sure they are wondering what precipitated that call!"

My many thanks to Mr. Vigil for his labor of love, a compilation of articles from New Mexico Magazine...on everything from the Lowry "Turq" Museum...to the history and significance of the Cerrillos Mines...to the myth of "Old Pawn" jewelry...and much, much more!

This time Becka and Scott, and Ryan, too, are off to New Mexico to help a young Native American in a fight against demons, evil, and misunderstanding. This could be their toughest assignment ever and one of them may fall.

James Riordan does a much better job with this one (yes, he is the author and not Bill Myers). Very little in the way of facts to get wrong like in his earlier contributions to the series. There is the standard question of what is going on with the kids and their school that they never seem to attend anymore.

My real disappointment this time comes from the author's insistence on using the term Indian and not Native American. If we are to truly love our neighbor, should we refer to them by a derogatory word? I think not.

While this is Riordan's best effort in the series, it is also his last. Bob DeMoss will be taking over the series with the next book (The Wiccan).

There is no way to give proper tribute to these amazing books in 1,000 words or less. They are must read books for any teenager who wanted to know how to fight evil with good and know how great our God is. With a quoted word from scripture, demons flee in terror. The difference in power between he who lives in this world and He who lives in me is astronomical. Of Christian non fiction out there, this series is one of three I took the time to read, buy, and recommend. Bill Myers is a fanomonal writer. He's right up there with C.S. Lewis. My only question is: who is Z?

hi, this is an awesome book for anyone of all ages and religous backgrounds. i own the entire series and love them all. they're very inspirational and remind me of how powerful the Lord is when i have a problem. has anyone heard anything about another book(#11)?? if so let me know. thanks

This is an awesome series for any Christian teen, and anyone else who wants to read it! It really shows the power of God and how He gives Christians authority over demons, etc. This series can really build your faith! Except the last book made you think another one was coming... what about #11? I hope there is more to come! =)

What a book! Man, Bill Myers sure knows how to pack everything a Christian teenager needs to know in one book. This book is definitely the best of all the Forbidden Doors series. (I've read them all.) It has spiritual warfare, humor, heavy-duty prayer, plus tons of other stuff. Definitely 5 stars, all the way!