Minnesota Books
Related Subjects:
More Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250

Used price: $2.68

Immoral - audio versionReview Date: 2006-10-31

An outstanding genealogy and historical reference!Review Date: 2000-10-16

Learn more about yourself from Eric among the NorwegiansReview Date: 2008-11-26
Dregni and his wife spent a year in Trondheim, Norway, on a Fulbright fellowship. Knowing no Norwegian at all, he approached their experience as a blank canvas free of ethnic sentimentaily and preconception. And he has much to report, from encounters with taciturn neighbors to surviving the dark winter months and his requisite quest to locate his family's roots.
But he's also describing life in the Upper Midwest communities in which we grew up. Here's the key that unlocks our sometimes-mystifying hyper-humility and self-deprecating sense of humor. If you've never heard of Janteloven, the semi-satirical "laws" that keep Norwegians humble, this is the place to start.
That Eric is a terrific writer is a wonderful gift on this voyage of discovery. His stories are sharply observed, engaging and funny ... so much so that you don't even need Norwegian roots to enjoy it!

An excellent ethnographyReview Date: 2001-02-01

Used price: $9.99

The Good Life and ArchitectureReview Date: 2001-03-10
Always an original thinker about architecture, and well-known for his bold opinions as editor of what was the field's most important professional magazine, the now defunct Progressive Architecture, Fisher is very clear on the discipline's one big idea: "...all good architecture puts forward a proposition, whether the designer is aware of it or not, about the good life, about how we should live and what we should live for." As he would be the first to admit, many architects lose sight of this proposition, and from the general public's perspective, if architecture is supposed to be about making life better, most architects have a funny way of showing it.
Fisher is clear on what has to be done. Architecture, in its education, internships, and practice has to reconnect to what he calls a comprehensible "public fiction" of what design can do for buildings, places, and cities. He recognizes architects Le Corbusier and Frank Lloyd Wright, as well as ur-designers Charles and Ray Eames, and architectural historian Vincent Scully, as cogent, forceful advocates of strong "fictions" of how design could make life better, whether by integrating technology, by connecting to the earth and place, or by unprecedented seeing patterns and connections, can shape a world where people can live, work, and play in environments that are both functional and meaningful. Fisher calls the organizing principles of these designers' work "fictions" because declarations that "the house is a machine to live in," for example, is by no means an absolute truth, but it is a vision that yielded decades of extraordinary environments. To me, the term "narrative" or "vision," as tired as those words are, might better make the point, since "fiction" can hold the stigma of deliberate deception.
In the Scheme of Things outlines the philosophical and historical basis for past "fictions," as well as ones to come, leaning heavily on the Pragmatist work of John Dewey, and as with the recent "Pragmatist Imagination" conference at the Museum of Modern Art, he implies that this kind of enlightened utilitarianism remains the firmest ground for a discipline that has lost its way. To Fisher, if it is to find its way back, architecture will have to take communicating with the general public much more seriously, make clear that design is about solving problems, not an application of taste from a historical or avant-garde catalogue, and have to reconnect education and practice.
He is too cavalier in his dismissal of formalism-no matter how many times you say architecture is research and problem-solving, it is also about the way things look, and image and form are essential to its "problems." But his point is vital - architects need to be involved in the full life cycle of the built environment, at the beginning stage (not pushed aside while the developers and planners cut the deal), and even after construction into post-occupancy studies. In addition, he calls for an education that recognizes a macro sense of "design" that transcends the specific work of building design, and which would enable an architect to attack a problem from the most conceptual - much as Rem Koolhaas is now doing for Prada and other companies, re-conceptualizing (or at least appearing to), their entire approach. He may be right, it is certainly exciting for educators or practitioners to retool themselves as this kind of consultant. On the other hand, he may be playing into the egregious business school myth that all management and consulting skills (in this case design skills) can be applied to all businesses - which sometimes works for a company selling off its assets, but very rarely results in a better product or anything associated with an advanced notion of the good life.
In short, Fisher looks at the ecology of architecture, and without belaboring the metaphor, finds in it an unhealthy set of monocultures, not even in productive juxtaposition with one another. For some, his answers may not have enough "friction" (or enough pictures - there are none in this volume, a daring but risky choice for a book on this topic). Indeed, if there is any criticism to be made of Fisher and his editors (Engine Books, Inc., and the publisher, University of Minnesota Press), it is that he is such a clear writer, and so smoothly edited, that the reader can't always get a grip on just how challenging are his points of view, and how radical they really are for the academy and the profession.
In addition, the book may ultimately be too abstract to fully connect to the students, architects, and public that it needs to. Fisher strives to be admirably independent architecture's celebrity culture, which he sees as a bad hangover from the Ecole des Beaux-Arts tradition, yet at the same time it is "stars" who are the greatest advocates, today, of sustaining a "public fiction" for architecture - with Andres Duany and his New Urbanism movement calling for stability and order and safe streets in one corner and Rem Koolhaas and his acolytes calling for "metropolitan" excitement, change, and opportunity in the other. Perhaps Fisher believes that neither one has a fiction that is good enough to report on at length, or that they are so over-reported as personalities that it is time to focus on the real content of the debate (he does cite Duany briefly). Fine, he is intellectually right, but in the battle for the hearts and minds of architecture, the star system will be with us well into the new century - dealing with it is, yet again, a design problem, and Fisher may well find a way.

Used price: $6.69

A Tribute to the Norwegian ExperienceReview Date: 2001-02-14

Used price: $1.11

A thought-provoking "insider view"Review Date: 2003-09-23

Used price: $0.01
Collectible price: $10.00

WHAT A GREAT BOOK!!!!!!......Review Date: 2002-04-02

Used price: $11.76

'We do not inherit the land from our ancestors, we rent it from our children.'Review Date: 2007-04-11

Used price: $43.00

Be Prepared...You Never KnowReview Date: 2008-11-07
But thanks to this book I was prepared. I knew enough that I was able to give the answers to the blots that give the impression of being headstrong and reliable. (As my wife can tell you about my adventures with chili powder, the truth is a little different!) Anyway, since I had the knowledge down, I was actually able to convince them that because of my personality type, I NEVER used the bathroom at work. The only problem with that, of course, is that you have to live up to it. That made for some painful moments, but thankfully no "inkblots" (or maybe "stinkblots", ha ha) in my shorts. And it was only a couple of weeks before I sussed out the Whopper Jr.
So this book has all the information you need, and you just might need it. Highly recommended.
Related Subjects:
More Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250
Folks who are experiencing "Harry withdrawal" (Michael Connelly - Harry Bosch series) will not be disappointed with this book in what I hope will be a continuing series.
Jerri