Kentucky Books
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A fresh and informative examinationReview Date: 2001-04-08
Excellent look at an exciting electionReview Date: 2000-08-02
This book demonstrate the importance of the farm vote switching mightily to Truman as the campaign wore on, and how Dewey was impossibly arrogant and stopped active campaigning on mid-October, thinking he had the election sewn up! Most of all, this is a tribute to the plucky Harry Trumam, who never conceded, never doubted he would win, and throughout his famous whistle-stop tour, gave 'em hell. A stirring account of the agreat campaign.

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A good civilian perspective of War time KYReview Date: 2000-07-17
A very Good Civilian PerspectiveReview Date: 2000-07-18
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AN INVALUABLE RESOURCE.Review Date: 2003-02-27
Not All Treasure Is In The SeaReview Date: 2001-08-13

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Virginia, a Nation at WarReview Date: 2008-01-29
The scholarship for which Davis and Robertson are noted is joined by that of other established authorities, in particular John Coski [The Confederate Battle Flag] and Ervin Jordan [Black Confederates and Afro-Yankees in Civil War Virginia]. Coski's essay on the Virginia Navy is unique and information rich. Jordan's essay on black perspectives is essential to understanding period society.
This native Virginian, whose fifth grade class in Richmond still stood to sing Dixie before a portrait of General Lee in 1960, now appreciates the Commonwealth's pro-Union sentiments and leadership evident in Robertson's essay on secession.
The edited selection from the diary of Judith Brockenbrough McGuire compliments the work.
The idea for the series is brilliant. I look forward to the remaining volumes.
An interesting conceptReview Date: 2005-10-26

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Breath-taking!Review Date: 2004-10-11
Year of Full MoonsReview Date: 2001-07-23

No Lifeguard on DutyReview Date: 2008-11-29
crazyReview Date: 2008-11-08
Wow!Review Date: 2008-06-11
Kudos Janice! Thank you for sharing a part of you with us all!
A MUST read for everyone!
Merna Throne
Pocket of Pearls: A 30-day pocket workbook to start hearing a softer voice inside of you!
EXCELLENTReview Date: 2008-05-15
FantasticReview Date: 2008-03-25

Not Her Best Review Date: 2008-05-24
While I understand the need to set the scene, and for the most part am not an impatient reader, I did think going 100 pages before a body even turns up was asking a little much of the reader. Especially when it is fairly obvious who has to die for the book to move forward.
If you are a fan of James, and her lead detectice Adam Dagleish, you will probably enjoy this, as I did. But if you are spoiled by her earlier work and expect this one to measure up, you will be disappointed.
A Nice Addition to the Dalgliesh SeriesReview Date: 2008-04-24
In London, a city filled with world-class museums, a tiny museum like the Dupayne can easily slip through the crack and, in fact, this one has. Devoted exclusively to the "interwar years" of England, the lull between world wars with which she was blessed from 1919 to 1939, the Dupayne specializes in rare first editions and artwork of the period. But over time its main attraction has come to be a room everyone calls the "Murder Room," a space devoted exclusively to the sensational murders of those particular days. The room is filled with exhibits detailing the murders, including pictures of victims and murderers alike, and the few visitors who find their way to the Dupayne seem to spend most of their time there.
But these are tough times for the Dupayne and the three Dupayne siblings to whom it belongs. It is time for them to decide whether or not to keep the museum open, a decision requiring the unanimous consent of the two brothers and their sister, and one that is starting to seem more and more unlikely to be reached because Dr. Neville Dupayne hates the very thought of the museum's existence and cannot wait to see it closed forever.
When Neville Dupayne is found murdered in a manner similar to one of the more spectacular murders featured in the museum's "Murder Room," Dalgliesh and his team are assigned to investigate. They learn soon enough of the animosity between Neville and his brother and sister, who seem desperate to keep the museum open, but those are only two of several people they interview who might have wanted to see Neville Dupayne dead. By refusing to continue the Dupayne Museum, Neville Dupayne was in the process of throwing people out of jobs, and even out of living quarters, so it was obvious that this cold natured man had enough enemies to complicate any investigation into his death.
And things do get complicated when a second murder, which appears to be another copycat murder based on information found in the "Murder Room," is discovered at the museum. The Murder Room is likely keep most readers guessing right up to the point the murderer is revealed - and beyond, because of the romance with which James closes this chapter of Dalgliesh's story.
The audio version of The Murder Room is read by Charles Keating who is a master of British accents. His use of multiple accents and voice inflections makes the characters easy to distinguish from one another and was, I think, particularly effective in creating one of my favorite P.D. James characters of all-time, Tally, the lonely caretaker who lives in a small cottage behind the museum. Readers who have the time, and who enjoy audio books, would do themselves a favor to listen to this one rather than reading it. This was fun.
Too Long: Edit and Cut Out 150 to 200 Pages and It Would Be Much BetterReview Date: 2007-03-12
The opening 95 page introduction is a bit disturbing, and many readers will be tempted to stop reading and throw the novel away before page 100. She uses a Jane Austen approach to introduce the characters before any action. The difference with Austen is that Austen can do it in 50 pages, stop, and then begin an interesting story. James tends to write on and on. But, it is similar to Austen. Prepare yourself for a slow read until you are in the rythm of her prose. Some of her technical descriptions seems slightly out of date or wrong, but that is okay.
From there, the book improves and we have a murder somewhere about page 120 to 150 and then the police enter the picture. The next 100 pages or so the tempo increases and we have an excellent novel. Commander Dalgliesh and his team enter and conference around page 220, after a very brief appearance near the beginning of the book, and it is quite interesting to see the famous detective at work.
But then we have a second murder and 7 or 8 new characters after page 300. Each new character comes with a lengthy introduction until we have perhaps 20 primary characters, and then the whole novel seems to spin out of control. This gets worse beyond page 400, and by page 500 the reader is left shaking their head, even laughing at the book. The original crime is solved by a highly improbable event. Is this possible? Can such a famous author write this mess?
Adding insult to injurt, James writes on with her complex prose for another 40 pages after the murder is solved and the book is over.
This is a basically an excellent 300 page book captured in 550 pages of dense prose. It needs an extensive edit to remove dozens of filler pages and to take marginal characters that just clutter up the story. Then it will be a good novel. Most characters are interesting and the story is good, but there are too many characters. The structure and the number of characters is wrong. Also as a reader, I found the brief comment at the beginning of each section very annoying, since it reveals the plot direction of the section to come.
Overall, this is a literary train wreck, hence just 3 or 4 stars for this book.
Been There, Done ThatReview Date: 2007-05-01
The Mystery of the Author's DeclineReview Date: 2006-12-19
Much of The Murder Room reads as though James is just too tired to flesh out the plot, the interviews, and the characters. Too much is told in summary, rather than scene. Even the obligatory horror story embedded in the middle is given short shrift, and I still haven't figured out the relevance or the details of the betrayal in the anti-Nazi underground group.
But it's more than just the weary, phoned-in quality that bothers me. It's the drawing back from the painful consequences of murder. PD James has never been afraid of hurting (or killing off) sympathetic characters. Indeed, much of her appeal for me has always lain in her ability to show the humanity in all her characters, even the killers, while she nevertheless treats them with the ruthlessness the book demands.
The Murder Room is different. The murder does not cause not nearly so much collateral damage as one might expect. Nor does Dalgliesh suffer personal loss during the book.
The Baroness's characters may be happier now, but this reader is not.


A Must ReadReview Date: 2008-11-26
Great teacher and bookReview Date: 2008-09-26
Wanted to Like It More Than I DidReview Date: 2008-09-10
Education DNA Review Date: 2008-04-18
Teaching in "The Good-Old Days"Review Date: 2008-05-30
Stuart's book is powerful. He explains the limited circumstances of his Kentucky pupils in a way that makes you think about the lack of opportunities many Americans face. Stuart will also force you to take off your rose-colored glasses about how wonderful things used to be. He recounts stories of students beating up teachers, indifferent administrators, and students literally walking barefoot in the snow to get to school. The good-old days weren't so great.
One of the best aspects of the Thread That Runs So True is that Stuart has tremendous faith in humanity - and in education's ability to improve each of us and our society. He recounts many instances in which students from the most-impoverished families dramatically improved their lives by going to school. Even a cynic will find it difficult not to feel a little inspired by reading this book.
In my opinion, the book is not perfect. Stuart's argument that education funding is the panacea to cure society's ills is dated; we now know that money for education is very important, but that money alone does not always promote student achievement. Also, I don't want to give anything away, but I thought that the ending of the book was very unsatisfying.
While The Thread That Runs So True has a few drawbacks, it is an inspiring story that will teach you a lot about education early in the 20th Century U.S.

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Wow! Enlightening & Entertaining at the Same TimeReview Date: 2008-06-27
More Horse, Less AuthorReview Date: 2004-06-03
Somewhere along the line, an Editor should have warned the author against using a second person narrative style. It just gets annoying after a while. And his dubbing of his wife as "The Dominant Female" is kind of cute at first, but after 300 pages it really grates on the nerves.
Cutesy writing has no place in a book for adults.
Derby Fans...What clever insight into horse racing!Review Date: 2005-04-01
Horse of a different color--LAMEReview Date: 2004-01-02
Color a try. This book focuses on the money and the dumb-luck of the
breeder (and author) of Monarchos, Derby winner from a few years back.
The author uses self-depricating humor and name-dropping en masse to
turn an undoubtedly exciting story into a painful, annoying tale. In a
few paragraphs of unwisdom, author Jim Squires mentioned
Seabiscuit, only compounding my fury at what this book is not.
Instead of interesting characters (although I imagine they were there,
Mr. Squires just didn't let us know them), we got names and
generalities. Instead of heart-pounding tales of horse races, we got
ho-hum descriptions of only two races.
I will admit that there were a few worthwhile pages. I was unaware of
the foreign interest in horse racing nor the internal politics of racing and
breeding, but I would have rather read that in a short magazine article.
Maybe this book is selling to all the hopeful newspaper editors turned
lucky breeder. If that's not you, I'd stay away.
Decent, but not great.Review Date: 2004-02-03
Horse of a Different Color is an autobiographical account of Jim Squires getting into the horse breeding business and, three years after he started, breeding 2001 Kentucky Derby winner Monarchos. Whether that was a stroke of luck or breeding genius remains to be seen, but following Monarchos through the eyes of his breeder is engaging enough to make a decent book.
Where it falls short is in Squires' writing style. First, note the word "autobiographical" in that first paragraph. Squires insisting on using the third person would have been an amusing trick for a chapter or two, but he persists throughout the novel. It gets old after a few pages. Also, there's something vaguely disquieting about his attitude towards women here; it almost seems too deferential to be real (and thus, a cover for something else). This could certainly be a literary device; the book's subtitle does mention that there are an excess of dominant females within these pages. Still, some of the descriptions in here made me read twice.
When he focuses on the horse, though, everything works just fine. Even the annoyance of the insistent third person narrative fades into the background. Monarchos was one hell of a horse, and Squires' book captures that well enough. Not as well as Hillenbrand captured Seabiscuit or Farley captured Man o' War, but enough for the Derby-and-Breeders' Cup horse fan to relive some good memories.
Recommended, though it won't make the top twenty-five list this year. ***
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Pretty GoodReview Date: 2007-02-05
okay but...Review Date: 2005-12-21
Cruddy!Review Date: 2005-08-03
One of My favorites!Review Date: 2007-08-30
Enough With Image!Review Date: 2005-07-08
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