Hawaii Books
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excellent documentReview Date: 2007-10-15

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Japan's Sherlock Holmes.Review Date: 2008-08-25
After an introduction/bio on Kido Okamoto, the author, you are given 14 cases or stories centered around Inspector Hanshichi which take place during the Late Tokugawa-Early Meiji Era. And you really feel like you've being transported back to that time as you read these stories. The cases are usually homicide with a hand full with paranormal themes in them.
Inspector Hanshichi remains me of Sherlock Holmes. Not surprisingly the Japanese author was a fan of Arthur Conan Doyle's creation. Nonetheless, fans of Sherlock Holmes or of crime novels will find this an interesting read. I now wonder if the rest of the Hanshichi stories will be translated into English (Okamoto wrote a total of 69 stories using the character).

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Charming ManReview Date: 2004-11-17

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ROLF! If you've spent time in Hawaii, read this!Review Date: 2007-11-23
Hear about the new brand of tires, 'Pakestone'?
They not only stop on a dime, they pick it up.
Difference between a Pake and a canoe?
Canoes sometimes tip.
'Haole' or white person joke:
Why did God invent Golf?
So Haoles can dress up like Filipinos.
What do you call a Filipino family without a dog?
A family that doesn't know where its next meal is coming from.

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LONGBOARD MAGAZINE Review, Jan/Feb..2000Review Date: 2000-01-11
Curry's poetry keeps it soothing tone, vibrant imagery and active language constant throughout this entire collection of unrhymed verse, moving between the heavenly landscapes of Hawaii and its relaxed, underwater world. The short translations of thirteenth century poet/philosopher Rumi and unique seascapes of Wayne Levin make Dancing The Waves And Other Poems a complete product.
Standout excerpts are; "Bodysurfing Makapu'u," comparing the "bone-jarring" power of a shorebreak pounder against the "Soft curl" of the same ride; "Small-Day Wave-Play," with its calm, "Crystalline" images; the respectful, introspective goodby, "Elegy (Sea Burial); "Na Kupuna O Ke Kai," an homage to senior longboarders and their favorite morning ritual; the celebration of volcanic life in "Lava Variations"; and "Still Point In Motion," ending the assembladge with a soulful breakdown of surfing.
Dancing The Waves And Other Poems is an original opus, possibly the only collection of surf-flavored poems in print, with phraseology demanding a second and third reaading.
Published by Anoai Press, Honolulu, Hawaii.

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Greatest Book Ever Written!Review Date: 1999-12-24

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Best Introduction to DaoismReview Date: 2001-05-23
Unlike many books on Daoism this book covers the whole history from ancient wisdom traditions, through medieval religious communities, to contemporary spiritual practices such as Qigong and Falun gong. Nowhere else are you going to get as comprehensive, and as readable an introduction.
It's not just dry history because the author makes connections to broader issues in Chinese culture and also to issues in comparative religions such as mysticism, modernity, identity and community. It's a great book and great value too.

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Very useful for academic purposes.Review Date: 2006-08-15
However, I would like to point out that the book is mainly for academic purposes, it is not suitable for beginners!

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A showcase compendium of recipes from the islands of HawaiiReview Date: 2008-03-05

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A Superb Analysis of a Critical Event in American HistoryReview Date: 2007-05-10
Twin themes inform this narrative. The first is one of "infamy," the immediate reaction to the attack in 1941--President Franklin D. Roosevelt used that terminology in announcing the attack to the American public--and it has been a critical component of the memory of the event ever since. This has been a dominant strain in the recollection, and both popular and scholarly accounts point to duplicity on the part of the Japanese to undertake a surprise attack, demolish the American Pacific fleet, and conquer the bulk of the Asian-Pacific region. Rosenberg does an outstanding job of tracing the charges and recriminations on both sides over who was responsible for the war, and who was rthe bad actor both in causing and in conducting it.
A second theme is one of "deceit," not so much on the part of the Japanese although it is sometimes invoked there as well but on the part of FDR and other key strategists in the U.S. government who sought to maneuver the U.S. into a war with Hitler's Germany. This "back door to war" argument arose soon after the Pearl Harbor attack and has shown remarkable staying power. It suggests that FDR wanted to enter the war in Europe on the side of Great Britain but American isolationists prevented his doing so. He goaded the Japanese into an attack, and considerable circumstantial evidence has been assembled to argue that he even knew in advance that the attack was coming but chose not to warn the Pacific Fleet so that U.S. entry into the war would be assured. Despite overwhelming contrary evidence, and a preponderance of historical analysis debunking this conspiracy theory, it continues to have adherents, even arising in the 1990s as a congressional mandate for the Naval Historical Center to investigate the issue one more time. Rosenberg does an excellent job of telling this story, noting the point/counterpoint of the arguments, and offering sober judgment on the current state of the controversy. This aspect of the book is one of the most satisfying in the work as a whole.
Rosenberg also traces the manner in which the attack has been depicted in a succession of important feature films that have influence popular ideas about Hearl Harbor. These include such works as the wartime documentary made about the attack, in which the striking imagery known to all who have watched even a handful of documentaries on the subject were not actually of the attack itself, but a recreation undertaken in Hollywood. It also includes powerful films such as the 1950s film "From Here to Eternity," the 1960s film "In Harm's Way," the 1970s "Tora, Tora, Tora," and the recent "Pearl Harbor." All have affects on public conceptions of the attack in ways much more significant than most historians like to admit.
Finally, "A Date Which Will Live" offers a complex portrait of an event and its recollection in modern America. Rosenberg writes about the manner in which the recollection of Pearl Harbor fit into the larger history wars of the 1990s. She argued that "the most heated debates generally pitted the country's associations of academic historians against groups of political and cultural conservatives..." (p. 132). As she concluded, "At heart was the question of who had the right (and the power) to claim privileged knowledge of the past. Pro-military lobbying groups, cultural conservatives, and congressional critics railed that historians were `revising' history to suit current agendas; many historians railed back that partisan groups were seeking to `revise' history into popular oversimplifications" (pp. 132-33). So much of this effort was oriented toward what Rosenberg called a "final judgment" of the event in American history. Of course, such an ultimate statement is impossible in any historical debate.
"A Date Which Will Live" is a most welcome addition to the literature of the memory of World War II. One could make the case, and Rosenberg does, that perception and memory of an historic event might be more important than what actually occurred. It is the perception and memory that provoke response in the endless dialogue between the past and the present. Enjoy this well-written and provocative book on an important subject in twentieth century history.
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