Arkansas Books
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Fun enough, but missing something.Review Date: 2003-12-07
Shankman's getting better and better...Review Date: 1999-09-12
Sheer Delight!Review Date: 2004-05-20
It's my first introduction to Sarah Shankman and makes me want to read all her books. She reminds me a bit of Carl Haaisen in style although this is a comic mystery set in Arkansas rather than Florida. The author certainly takes a swipe at Southern pretensions, but it appears written by someone who is poking fun with fondness.
In addition, there's definitely a feminist edge which I liked because it was done with sytle and wit and I liked that the author didn't hit me over the head with it, but made it a integral part of the primary character. The heroine (Samantha Adams) has an inner strenghth which shows through as she deals with adversity with her sense of humor intact.
I understand this is part of a series of "Samantha Adams" books Shankman has written, and I look forward to them ... Sam is a great character, and easy to like and to understand.
Hot-footin' it to Hot Springs. . .Review Date: 2000-11-07
There is plenty for her to see and do, with or without Harry. A big fancy wedding to attend, a murder to solve, a man with shady connections to flirt with, and, no doubt, some Pepsi to drink. Some of it gets wrapped up this time. . .but there's a "cliff-hanger" ending and as it turns out, Sarah Shankman made her fans wait twice as long as usual for the next book in the series while she worked on and released "I Miss My Man But My Aim Is Getting Better," wherein the best part of the book was the title. Once you've finished "He Was Her Man" just skip "I Miss My Man" and go straight to "Digging Up Momma."
Well, uh, actually. . .Sam didn't exactly get dumpedReview Date: 1997-06-21
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Black folk's culture from a white woman's pen...Review Date: 2007-09-17
Overall, it has the all-too-common feel of a white woman's rendition of black folk's culture and a very PC and feminine one at that (somewhat similar to the much more popular "The Secret Life of Bees" by Sue Monk Kidd). It amounts to subcutaneous chick lit - pleasant at times, but ultimately forgettable.
An Excellent Book Club selectionReview Date: 2000-10-05
McLarey chose the novel's title from an old spiritual in which Jesus gave a woman living water and not water from the well. But like the woman receiving living water, McLarey's novel will send the reader away singing.
Lyrical and HauntingReview Date: 2001-03-09
A brilliant, beatutiful, exraordinarily spritual work.Review Date: 2002-01-22
McLarey's style and craftsmanship is very reminiscent of that of Barbara Kingslover. It's a pity her work is not nearly so well known or recognized.
Water from the Well ranks as one of the two or three best books I've read in the last decade. I highly recommend it.
Melodic and MemorableReview Date: 2002-07-22
"Red Sky at Night," is the story of a baseball game between the white men of Sugars Springs and the black men of Bethel. This story, set in 1905 serves as an introduction both to the characters and the tensions of the novel. "Red Sky at Dawn" is set a year later, and introduces the element of chaos in the form of a tornado that hits the town without warning. "Ransom Passing" explores the personal history of one ex-slave and then moves forward in time to his grandson's life. "Baby, Leaving," and "The Choosing of Little Jewel" demonstrate gender tensions among families of both races. Finally, "The Salvation of Cora Emery McRae" highlights religion's role in the South.
Although the language is unmistakably Arkansan, Myra McLarey's voice is more fluid than the traditional women writers of the south. Think Alice Hoffman rather than Eudora Welty or Flannery O'Connor. While the depth of the characters and the vividly-painted context make this book a worthwhile read, it is the lyrical prose which makes it unforgettable.


Former Madison County resident readerReview Date: 2004-03-09
When Money Grew On TreesReview Date: 2004-02-10
Mac deserves credit becauase credit is due!Review Date: 2004-07-12
When Money Grew on Trees: The True Tale of a Marjuana MoonshReview Date: 2003-11-17
Well...Review Date: 2004-01-29
My main problem with this book is the writing. I truly think that I can find a word spelled incorrectly on at least 85% of the pages. Was there an editor?

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A necessity for anyone driving beyond the InterstateReview Date: 2007-12-04
If you like traveling the backroads...Review Date: 2007-06-08
Great for Rural RoadsReview Date: 2007-05-12
State AtlasReview Date: 2006-06-25
These books are amazing. Not only do they have all the gravel roads but even the dirt roads! Buy the Atlas, you won't be sorry.
Arkansas Atlas & GazetteerReview Date: 2002-01-21

Comfy PleasureReview Date: 2007-10-23
Cathy Kellys' books aren't literary triumphs--they're sort of middled-aged chick-lit. However, they are entetainment triumphs. I don't think many writers can keep readers interested for over 700 pages like Ms. Kelly can.
A GREAT CONTEMPORARY WOMAN'S BOOKReview Date: 2007-07-04
Escape to the World of Happy EndingsReview Date: 2003-07-26
Hope is a young mother with two small children and a handsome husband she never feels worthy of. Hope lacks the courage of her convictions and meekly adjusts her life to whatever Matt decides, even when it comes to uprooting her family, quitting her job, and moving to a strange town where she knows no one so that Matt can "find himself" and become the author he has always dreamed of being.
Her single sister Sam is a career-driven executive at a major record company in London. She has an impressive resume, money in the bank, a designer wardrobe, but lots of fears as her fortieth birthday arrives.
Virginia is a widow with three grown sons. The unexpected death of her husband Bill leaves her alone and depressed. She struggles with finding the strength to face each day and becomes a virtual recluse until a chance meeting sets a new life in motion for her.
Nicole is young, beautiful, and talented. When a colleague of Sam's discovers Nicole at a karaoke bar, the possibilities of fame and fortune open up for her. But does she have the ability to leave her mother, grandmother, and little sister behind?
You will enjoy spending time with these four plucky women and the friends and lovers who enter their lives. Follow them as they each confront a personal crisis and find fulfillment in unexpected ways.
Move over Maeve Binchy!Review Date: 2004-10-19
Perfect for a rainy day, with a glass of chardonnay.
A Great Feel-Good BookReview Date: 2003-07-19
Hope Parker has a gorgeous husband, Matt, and two children whom she yearns to spend more time with. But when Matt unilaterally makes the decision to uproot his family and transplant them to Redlion in County Kerry, Hope balks at the idea. He argues that he needs the freedom and atmosphere to write the great novel that is bottled up inside him. Always compliant, Hope bites her lip, smiles and agrees. Writer's block isn't the only problem that faces the couple in Ireland.
Hope's sister Sam lives the life of the high-powered businesswoman in London, pushing herself through a daily grind that constantly assaults her physical and mental well-being. It takes a medical scare and a trip to Redlion to make her step back and see herself as those around her do. A surprising change comes into her attitude and, ultimately, her life. What had at first seemed a pesky new neighbor blossoms into an enchanting new male friend. Their verbal sparring lessens, but there are still rocky roads to travel.
Meanwhile, Nicole --- young, beautiful and talented --- has hopes of becoming the newest pop star. Darius, Sam's business colleague, discovers Nicole at a karaoke bar one night and falls hopelessly in love with her and her husky voice. Nicole, feeling her usual responsibility for her mum and little sis, wrestles with her conscience over her newfound love and freedom. She wants to share any success with all of them.
Widow Virginia Connell, a year out from losing her beloved husband Bill, picks up stakes and moves to Redlion, her goals manifold. She wants to cherish his memory, but without painful everyday reminders. And her three grown children and their families worry about her too much. Being a greater distance away, she hopes, will give her the breathing --- and grieving --- room she longs for. Then along comes Kevin, a Redlion widower, and he and Virginia strike up a friendship. The awkwardness of seeing a member of the opposite sex is quickly apparent to both of them after lengthy, happy marriages. Settling into a rhythm with each other proves challenging.
Mary Kate, founder of the Redlion Macramé Club --- a euphemistically named group organized as an excuse for the ladies to get together and indulge in cocktails and frank talk --- is the voice of reason, dishing out sage advice along with her wild martinis. She is the glue when their lives fall apart.
Cathy Kelly has a Maeve Binchy style about her. There is something so wholesome about WHAT SHE WANTS, yet primly erotic, that it's seductive. Don't try to put it down. Hope, Sam, Virginia, Nicole and the Redlion community will beckon from the pages, drawing you deep into their lives, their problems and their joys.
--- Reviewed by Kate Ayers

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A must for anyone interested in how the club has affected the reading habits of America as a whole.Review Date: 2008-08-10
If you read Oprah, read thisReview Date: 2006-04-03
Entertaining, yet analytical, readReview Date: 2006-08-08
Instead of being simple description of the book club, how it works, or a description of Oprah, the book is an analysis of media culture in the late twentieth, early twenty-first century, told through the clear-eyed view of Rooney. And it's not that her account is unbiased but that, as with much of the best non-fiction and critical analysis, she is aware of her biases and let's the audience know and evaluate them as well.
In short, the book is very thoughtful, well-written, researchful, and interessante.
Excellent discussion of TV media and lit criticismReview Date: 2005-05-07
Rooney's examination of the first OBC's (Part I) "flattening" of fiction into easily digestible afternoon TV tidbits highlights the challenging translation of high lit criticism into empathic, commercial, "low" literary presentation. OBC Part I's overemphasis on author biography and viewers' emotional responses deadened further investigation of plot and characterization. Oprah's later attempt, OBC Part II, counterbalanced flattening with the "high" criticism of guest scholars and online study helps. OBC II's belated accentuation on literary criticism has only magnified talk show programming's bipolar relationship between serious reflection and TV ratings. Oprah tempers a sincere invitation to delve into her favorite works against her cultivated media persona and corporate capital.
_Reading with Oprah_ treads on sacrosanct assumptions concerning TV's delivery of elite literary culture into the hands of middle America. This wonderful first work forces consideration of new literary spheres of influence far removed from the conventional wisdom of recent years.
Flawed but essential study of the Oprah Book ClubReview Date: 2006-01-02
Another drawback in the text is when Rooney creates a personal stratification of high to low literary quality. The exercise would have been very useful, if not for the lowest rung. In trying to save herself through the use of "it's-my-own-personal-opinion-and-many-will-likely-disagree-with-me", the author's credibility is compromised when she places comics and pornography there. The added statements that there are some good quality comics and `pornography' (I think she meant erotica?), don't remedy the inappropriateness of the choices. Comics (or graphic novels as they are more commonly called), today are not so much the cheap and pulpy mass-produced rags of yore and they've become a well-respected medium, especially in the library world.
In the section of `awful' and `unreadable' Oprah books, Rooney serves up the list of her most hated OBC selections, together with her most loved. While certainly entitled to her opinion, the point of the exercise is lost. Why bother throwing personal and subjective assessments in if they don't add anything to the study? It is unclear whether Rooney set out to write her personal adventures with the OBC, or an objective semi-academic treatise on the OBC phenomenon.
As a librarian, I wanted very badly to read this book and gain a better perspective on the book club that led to mile-long waiting lists and much buzz with my public. On many counts, despite the aforementioned criticisms, I got what I wanted. Rooney explores how television flattens discussion of books; how we can learn what the OBC taught us about taste; how the second configuration of the OBC that relies on classics addresses the criticism hurled at it from the first incarnation; how twitchy Oprah essentially made professional critics; Oprah's impact on authors, publishers and America's reading public; the whole `Franzen affair', and of course, who her readers are. The author clearly did her homework to answer all the questions any students of the Book Club would have.

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Really cute bookReview Date: 2007-08-23
A recipe for a perfect murder mysteryReview Date: 2005-12-09
If you like a good mystery that suprises you and has a great plot, READ ONNNNNNNNN!!!!!!!!!!!!
I love Joan HessReview Date: 2004-03-12
A really riotous book!Review Date: 1999-07-16
daughter Caron...an enjoyable book!
Joan Hess captured a new and devoted reader.Review Date: 1999-03-07
A consumate Dorothy Gilman fan (author of the Mrs. Pollifax series and other delightful books) I now search the H authors on each trip to the library--hoping to find a new Joan Hess book on the shelf.
Hess has not created a leading character as lady-like as Mrs. Marple, nor as totally charming as Emily Pollifax, but certainly her women are emotionally strong, mentally awesome, and career-wise down-to-earth, as women of the 90's must be.

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Middle of nowhere no moreReview Date: 2001-02-16
Dawny, the narrator, is aligned with the "Japs." He and his motley crew of associates plot to overthrow the Allies, local bullies who have long oppressed them. What starts as a game begins to grow more serious as the stakes get higher and the maneuvers riskier.
Suddenly a group of GIs arrives. They plan to use Stay More and its environs to carry out war exercises. The soldiers, who grew up all over the country, infiltrate the town, associating with and befriending the locals, and changing many of them, including Dawny. The soldiers' arrival makes the encroachment of the "outside world" more imminent in a town with just one radio.
I really enjoyed the pacing of the narrative and the appealing characters in this book. The ending left me very confused, though, and dampened my enthusiasm for the book.
I want to stay more in Stay MoreReview Date: 2007-01-12
A remarkable, ambitious novel by an imaginative writerReview Date: 1998-09-16
a remarkable, ambitious novel by an imaginative writerReview Date: 1998-09-23
Lyrical writing on how we witness war, love, and passionReview Date: 1999-01-23
Harington has used the "witness," as a commentator on the actions of others in his novels, to great effect elsewhere. In his "Some Other Place," a literate ghost narrates the actions of an inquiring pair of lovers -- even turning some of his observations into poetry. In what may be his strongest narrative, "The Choiring of the Trees," a story of a brutal miscarriage of justice is told in part through the sensibilities of a brilliant landscape artist.
This new novel becomes utterly captivating by fully carrying out Harington's "single ambition that motivates my work," which is "to make the reader part of the story." (Quoted in a newspaper story that I wrote about Harington. For the Web address, feel free to e-mail me.)
Here, the witness is neither a lively spirit nor an interpreting artist, but a young boy -- close in age and circumstance to Harington himself, but not quite. He becomes a voyeur, in the strictest sense of "one who sees." It's not strictly out of matters of sexuality, although Harington includes a sensitive coming-of-age plot for his 11-year-old protagonist.
Instead, young Donny is plunged into a whirlwind of changes that come with his small Arkansas town, Stay More (the venue for all of Harington's novels), being finally touched early in 1945 by the long arm of World War II.
All that is left in the single street of Stay More are the children, with the men at war and the women tending homes. They have re-created the war through two rival play-gangs, but never quite connect with what the real "Allies" and "Axis" are perpetrating abroad.
Donny comes closest, by following his admiration for war journalist Ernie Pyle into creating a gel-printed "newspaper" for tiny Stay More. The irony in his being so observant of events is that none really happen ... that is, until the hollow unexpectedly becomes the site for an Army training maneuver, and Donny is not allowed (at first) to write fully about it. Events soon overtake both the town children and the visiting soldiers, with tragedies that go beyond anyone's capacity to observe or to report.
The irony is redoubled by how Harington shows a sad universal fact of growing up: Donny's journey of learning about budding sexuality, mutability, and death is far more worth his reporting than what he tries to eke out in writing his free newspaper, but he doesn't grasp this until he's suffered many personal losses.
What in turn enfolds all of these events is a conscious involvement of the reader, in the words (and even actions) requested on the part of the young narrator. Harington is not subtle about this, and it is part of the novel's charm. One isn't simply reading about a young boy marveling at the girl he loves bathing in a brook ... one is pulled into being present at that moment of tremulous discovery.
In the same way, a literally deafening experience at the novel's climax is translated into the harsh music of words. Harington has done this before, most fully in his "Lightning Bug," but never with the sounds inside one's head, and he shows yet more mastery of the power of language.
Once you dip your toe into Swains Creek, the fickle stream that runs through Stay More, you'll want to come back. Harington's other books have spun its history (back to the 1840s), passions, stark choices about life and death, and slow decline. He's told these stories through chronicle, allegory, meditation, memoir, tall tales, analysis, and now "reporting." All of this examination of one stretch of earth has made it a locus for universal truths. It's also been the spark for compelling writing. Try it for yourself!

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Quite enjoyableReview Date: 2006-01-04
Jack and JillReview Date: 2005-12-07
2. A JackandJill-US.com must-have.
3. Inside the black upper class.
Excellent, objective read.Review Date: 2002-09-27
Excellent contribution!Review Date: 2000-02-18
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A great read!Review Date: 2006-07-11
For the Serious Civil War ReaderReview Date: 2005-11-15
When the book was published, the reviewer for the Arkansas statewide newspaper complained that it was "too detailed." For the serious Civil War reader, that phrase is music to our ears.
This massive book (nearly 900 pages) was thoroughly researched and meticulously footnoted. Although all of the Arkansas regiments which served in the Army of Tennessee are covered, the vehicle Willis used to carry the narrative is a day-to-day chronicle of the 9th Arkansas Infantry Regiment. As a counterpoint to the "big picture" of campaigns and battles, Willis provides numerous "soldier's eye" vignettes, using excerpts from letters, diaries, journals, and muster roll entries.
The result is a monument to the perseverance and dedication of the Arkansas volunteers.
Included are several appendices which list a complete regimental roster, casualty lists, officer lists, etc. I continually refer back to this book in the course of my own research.
I highly recommend this book.
A Great Bibliography, but Misses as a BookReview Date: 2003-03-09
His problem begins when he has to decide what information to include and what to exclude as he writes his book. Apparently he did not exclude anything and ends up with neither a first rate annotated bibliography nor an interesting read. It is too bad that the author did not publish an annotated bibliography on Arkansas Confederates and then also a separate history of the 9th Arkansas Infantry Regiment.
The story jumps around to the extent that it is quite annoying. At one moment we are on one part of the battlefield and suddenly we are with a completely different unit on the otherside of the battlefield. Too the writing is stilted and overdone. For example in describing one Confederate attack, the author writes that they "hit the enemy line with a determined, resolved, resolute, and firm fierceness, an unbridled, violent, barbarous, and savage fury."
If not for the first-rate research I would have to rate this book two stars or less, but it is valuable as a research tool.
Arkansas Confederates in the Western TheaterReview Date: 2001-10-22
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Personally, while I enjoyed it, I found it at least a little bit too slick and too glib. I felt like the con man element could have been developed out a little bit more (I liked it-- I felt frustrated when it didn't pan out). And unfortunatly the ending felt a little bit too easy.
I will probably read others in the series if I see them available as used books. Mystery fans who like their stories on the cynical/humorous side may find this book appealing.