South Carolina Books
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An Important Piece of Railroad HistoryReview Date: 2001-01-01

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The Constitutional DividReview Date: 2001-02-26

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For all you Gamecock fansReview Date: 2008-01-19

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A "Gots-to-Have" for any Gamecock FanReview Date: 2004-10-26

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VALUABLE FOR SCHOLARS AND CIVIL WAR BUFFSReview Date: 2004-06-16
At one time she wrote, "Oh, how I hate to be like other women." She most certainly was not. She wrote in clear precise prose with an unflinching eye for the reasons behind battle and the horrors of war. Sarah would become the first woman to have a byline when she wrote for the Charleston News and Courier, covering such subjects as race relations, funerals, Spanish and French politics. These editorials by, of all people, a woman caused considerable comment in Charleston.
Her original diary was first published in 1913, almost immediately becoming a source for historians and students alike.
Now, with this volume from The University of Georgia Press we are fortunate to find not only the letters exchanged between Sarah and her husband, Francis Warrington Dawson but these missives are accompanied by articles Sarah wrote. Thus, we now have a complete picture of Sarah the woman as found in her original diary tracing the years of the War and then tin his volume encompassing her years following the war.
When the couple first met Dawson was a widower and owner of the Charleston News and Courier. Sarah was reluctant to marry, and the notes exchanged reveal much about each of them as their courtship continued. Of special interest are Sarah's views on the state of women at that time.
This well conceived and executed volume sheds much light on an important part of our country's history.
- Gail Cooke
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rich and engaging bookReview Date: 2000-04-16

The Crofts of South CarolinaReview Date: 2008-03-31
A must-have for anyone connected with the Crofts or related families, or anyone interested in the early settlers of SC. Very well written.

An evocative saga of Irish womenReview Date: 2000-07-10

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IntriguingReview Date: 2003-08-24
Steussy identifies four different narrative strands that give the portrait of David to us: The history from Genesis to Kings (in particular, the narrative in Samuel); the Chronicles, a parallel yet distinct history from the other; the Psalms, many attributed to David, others talking about David as God's chosen or special one, and the general sense of all the Psalms being 'of David'; and finally, snippets of David from prophetic literature. While the image of David continues to be replayed and embellished in current art and literature, Steussy confines this survey to the actual Biblical presentations of David.
Steussy devotes major attention to the first three strands of David; the largest strand being the first, the primary history set forth from Torah to Kings. She likens the first strand to being a mural realistically painted, the second strand from Chronicles as being more akin to a stained-glass window image of David, and the Psalms as being a collage portrait of David. The fourth strand is more difficult to pin down, and only one chapter is devoted to it, because the scattered references do not make up, in terms of volume, a significant addition; however, they do add, rather like spices, a flavouring to the other primary pieces. Through all the portraits, 'David stands perpetually at the point where divine power enters our world'.
Steussy also delineates the different ways of approaching the Biblical text: dogmatic, critical, and artistic. Being a professor in a liberal-academic setting, perhaps it is natural that Steussy would approach the topic primary from the scholarly-critical method. However, she does not discount the other approaches as invalid or without value, and draws in on occasion differing possibilities based on the variety of approaches available.
While this is a scholarly text, it is not part of that body of work that is 'by scholars, for scholars'. Steussy avoids jargon and discipline-specific terminology whenever possible, and when not possible, defines and explains the language she is using. Thus, this is a book accessible to any person interested in topics such as history and Biblical studies regardless of specific educational background.
Steussy does have an amazing care for attention to detail; for example, having chosen to use the text of the New Revised Standard Version of the Bible as the primary text for references, she then in turn analyses and criticises the translation and word choice wherever it seems to her problematic. This kind of attention also draws in references from outside sources and cross-references in the Biblical texts to further illuminate points along the way.
Steussy has an extensive bibliography which lists many valuable resources. There are endnotes (I have a preference as a reader for footnotes, but the placement decision is often a publisher one rather than an author one), and blessedly a topical index in addition to an index of Biblical references.
This is a fascinating study of David, which would serve well for individual study, classroom assignments and Bible study groups.

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A STUNNING LIFE OF CONTRASTSReview Date: 1998-08-01
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