Michigan Books

Florence Nightingale greatly influenced modern nursing, to focus on the needs of the patient and establish nursing as a profession requiring assessment skills as well as caring presence. This brief, well-written & clearly understandable book is a must for the personal library of any nurse or nursing student. It is amazing to realize how advanced Nightingale's thinking was in her era; her lessons remain essential today and provide a basis for understanding why we do the things we do. A great read for anyone interested in nursing!

I received the book within a few days of the order and it was in perferct condition.

A book for true Nightingales! I enjoyed this book a great deal, some parts had me laughing out loud. It is an excellent gift book for nurses!

This makes a wonderful gift for a nursing student who is graduating, a nurse who is retiring or one who is being promoted. It is fascinating reading from a historical aspect will be relevant until the end of time.

Nursing is a vocation; not "just a job." Miss Nightingale knew this, and this book reflects this philosophy. Nursing-schools, many years ago, designed the curriculum--and educated the aspiring nurses--with this in mind. Sadly, many present-day nurses (and nursing-schools) have lost this ideal...and the state of affairs in nursing bears this out.

If you're seriously considering nursing--or are a nurse who is "burned out," read this book. It will enlighten and edify you.

I thoroughly enjoyed The Seasons of the EmmaLee by Mike Lindley. His creative approach to weaving the story together from the perspective of two different generations is creative and captivating. I would highly recommend this book. If you have traveled to Northern Michigan, it will bring back wonderful memories. If not, you will be very tempted to add this destination to your list of things to do.

This book really was captivating. The story comes to life quickly and keeps your attention until the last page. The actual writing of the author is very impressive; fliping back and forth from today to 50 years ago. I am awaiting the sequel!

I thoroughly enjoyed every page of The Seasons of the EmmaLee. The two stories, one past and one present, were weaved together brilliantly and kept me equally engaged. This book has it all - romance, murder, suspense, history and travel. I applaud Mr. Lindley on his first novel and hope that he follows this with a second.

The Seasons of the EmmaLee by Michael Lindley will keep the reader engrossed from the first page thru the last. The reader will find themselves captured in a well written novel of mystery, murder and suspense. Two stories told concurrently intrigues the reader with clues concerning those involved in the EmmaLee's past and present. Strong and weak charactors evolve as the pages turn. The reader may find themselves relating to those charactors as real people by books end.

This book is a good read and never formulated. There are never any loose ends. Readers who enjoy boating will also enjoy the read. Tip of the hat to author Michael Lindley and here is hoping that there are more books coming from this author soon.

I enjoyed reading Michael Lindley's first effort in the publishing arena. He spun together a story that was both fast-paced and captivating. At points where the next turn seems obvious, he quickly re-immerses the reader in another twist that keeps the pages rolling by.

Ultimately, he brought the story to a conclusion that left me fulfilled and looking forward to his next effort.

A great Spring Break read!

I am not a fan of Verse...I've always prefered Prose but I think this is the first time I actually fell in love with Verse!

Sarah Ruden's translation is absolutely incredible! I can't believe how powerful and exciting (not to mention poetic) it is!

It almost seems that it could have even been written in (high) English verse

After comparing multiple versions I have to say that it is perhaps the most faithful, epic and poetic translation I've come by written in Verse.

It ranks at the top together with Jackson Knight's and Stanley Lonbardo's translations.

Hats off to Sarah Ruden and all who read this magnificent version!

Ryan

I have been a student of the classics since I was young. Naturally, I had been exposed to the Aeneid early on in the fashion that most students are: with the revered Robert Fitzgerald translation. Through the years many translations, both good and bad, have been published: Humphries, Lombardo (probably one of the best), and Mandelbaum to name a few of the most popular.

My adoration of the Ruden translation started in the most modest way. I was browsing through volumes in a used book store and came across the Yale University Press publication of the Aeneid, a translation that I had not heard of, from a translator I knew nothing about. I hopped on the internet while in the store and did some research, and came up with almost unanimously positive reviews, so I purchased it after reading a few, impressive passages.

Currently, all the rage is over the Penguin translation by Robert Fagles. To my understanding, his is the translation most widely taught in schools next to Fitzgerald. I am a fan of Fagles. His storytelling is grand and vivid. However, anyone who is versed in Classical Latin and has read the Aeneid in its original language can tell you that Fagles takes far too many liberties, embellishing Vergil's epic very subjectively (and not sparingly). This is problem to those who want a faithful reading of Vergil. Fagle's is far from a faithful translation of Vergil's poetry. Latin is a very compact, concise, and flowing language, with many subtle nuances. It is not grandiose and cumbersome like Fagles.

But Sarah Ruden has done something uncanny here. It is a popular saying that "one cannot translate poetry," which is true. It is inevitable that when translating poetry, much of the vigor and hidden meanings are lost. But Ruden's is the closest to the original one can get in modern English idiom. She avoids the flowery embellishments that Fagles is guilty of, preserves the conciseness of Vergil's Latin, without sacrificing the elegance of her or Vergil's pens (Ruden is, after all, an accomplished poet from what I understand). And, even more laudable, is the fact the Ruden's is practically a line-by-line translation, using the exact same number of lines used by Vergil. She also has a talent for preserving Vergil's meter whenever possible. The Aeneid, to some theorists, was made to be orated and heard. And Ruden's is a translation that is a pleasure hear as well as read.

Having read and thoroughly enjoyed Ruden's Aeneid, I like to say that Ruden is to Fagles, as Chickering is to Heaney. Ruden's translation might not be as famous as Fagles', but it is more scholarly, more faithful, and elegant in a different, yet more authentic way (just as Chickering's Beowulf may never achieve the status of Heaney's, yet Chickering preserves the spirit of the original in a more convincing way.

Get Ruden's Aeneid! Whether you are a novice to Vergil's Aeneid, a casual reader (it is a relatively quick read), or a full-on Latinist/Classicist, you will not be dissatisfied with this text.

Since I first read Virgil some sixty years ago, a young Latin student in a New England prep school, I have returned again and again to renew the experience. Every time it has been meaningful. This time with this translation it makes even a more profound mark on me. The translation is brilliant, and Virgil scholars will long be indebted to Ms. Sarah Ruden for her insight and wisdom.

Roman society was enamoured of Greek culture -- many of the best 'Roman' things were Greek; the major gods were derivative of the Greek pantheon; philosophy, literature, science, political ideals, architecture -- all this was adopted from the Greeks. It makes sense that, at the point of their ascendancy in the world, they would long for an epic history similar to the Homeric legends; the Iliad and the Odyssey, written some 500 years after the actual events they depict, tell of the heroism of the Greeks in their battle against Troy (Ilium). The Aeneid, written by Vergil 700 years after Homer, at the commission of Augustus (himself in the process of consolidating his authority over Rome), turns the heroic victory of the much-admired Greeks on its head by postulating a survivor from Troy, Aeneas, who undergoes as journey akin to the Odyssey, even further afield.

Vergil constructs Aeneas, a very minor character in the Iliad, as the princely survivor and pilgrim from Troy, on a journey through the Mediterranean in search of a new home. According to Fitzgerald, who wrote a brief postscript to the poem, Vergil created a Homeric hero set in a Homeric age, purposefully following the Iliad and Odyssey as if they were formula, in the way that many a Hollywood director follows the formulaic pattern of past successful films. Vergil did not create the Trojan legend of Roman origins, but his poem solidified the notion in popular and scholarly sentiment.

Vergil sets the seeds for future animosity between Carthage and Rome in the Aeneid, too -- the curse of queen Dido on the descendants of Aeneas of never-ending strife played into then-recent recollections of war in the Roman mind. Books I through VI are much more studied than VII through XII, but the whole of the Aeneid is a spectacular tale.

Fitzgerald's modern and accessible translation makes the Aeneid really come to life for modern readers. It is a verse translation, not forced into word-by-word construction nor into false, flowery and stuffy structured verse that would seem formal and distant. This is a language familiar to modern readers, just as Vergil's Latin would have been readily accessible to the listeners and readers of his time.

Vergil died before he could complete the story. He wished it to be burned; fortunately, Augustus had other ideas. Still, there are incomplete lines and thoughts, and occasional conflicts in the storyline that one assumes might have been worked out in the end, had more editing time been available. Despite these, the Aeneid remains a masterpiece, and Fitzgerald's translation will be a standard bearer for some time to come.

What a shame that THIS edition of them all is printed in the worst edition. The paper is brittly, gauzy and somewhat iridescent, the ink is sallow on the paper, the book lacks an introduction, any critical notes (any indication that the last words of the text are in fact the last words, and not a typo or printer's error, seeing as how they end at the bottom of the page and are followed immediately by the plastic cover).

It is perhaps because of the Aeneid that the phrase "les traductions sont comme les femmes: quand elles sont belles, elles ne sont pas fideles; quand elles sont fideles, elles ne sont pas belles." I have spent much of the summer in meticulous scrutiny of four editions of the aeneid: the lind, mandelbaum, humphries, and billson. the process has led me to some resultant nasty and pretentious slants of minds against the first and third of the abovelisted translations, which are in many parts mistaken, lacking in detail, and overall, diluted and generalized. the billson is actually a very difficult text if one is without a firm grounding in the english poetry that flourished a few centuries ago; billson takes delightful ''liberties'' in his word choices, and takes a unique and exhilarating grammar form, that is typically ''classical''.

i do not recommend reading this one, nor reading it in close comparison to all the other available translations. pick up a copy of wheelock's latin instead.

This book is great. My father in laws dad was Emil Luebke and he saved his house but almost died in the fire. We are from Rogers City. The story that is told has been told down our family and is very much what was told. We really enjoyed this book and would encourage anyone to read it, specially if your interested in Michigan history.

This is an excellent book based on the Metz fire. My father-in-laws dad is Emil and the stories in this book have been told to him many times. He said this is a keepsake for his family and beyond. We have read many things on this fire, but this is the most interesting. My husband lived in the farm house Emil saved during the fire. This is truly a great gift to all readers of Michigan history.

Reviewed by Danielle Feliciano for Reader Views (2/06)

"Devil in the North Woods" is a fictionalized account of the 1908 wildfire that swept through northeastern Michigan, wiping out an entire town. The author uses public documents, as well as the experiences of one survivor of the fire, and merges them into a beautiful story of fear, loss, and redemption. Young Henry Hardies narrates the story, and by having a 10-year old boy lead us through the fire, the reader is treated to a refreshing voice of innocence that an adult narrator would not have been able to provide. The reader is introduced to Henry, his family, and the people of Metz, Michigan. In this community, the threat of wildfires is very real, and a fear that these people live with almost on a day-to-day basis. On October 15, 1908, their worst fears come true as a fire quickly spins out of control. The town scrambles to decide how big a threat the fire it, but by the time they realize it will hit their community, it is too late.

After a somewhat slow start, the story quickly picks up the pace, reading more like a suspense novel than a historical one. The book becomes impossible to put down once the fire hits town. You are given a nearly minute-by-minute account of what is happening in the town, and in the Hardy family, during the fire, as well as its aftermath. The detail is so realistic and believable that it is easy to imagine yourself in this situation right alongside the characters in the book.

Sadly, the town loses 43 people, 4 of whom are Hardy family members. The town of Metz is obliterated and there is not much left to salvage. But the people of Metz are stronger than the fire that tried to destroy them. They are determined to move past the destruction and rebuild their community, as well as their lives. This is more than the story of an out-of-control wildfire; it is the story of everyday heroes and the way they reclaim their lives after tragedy.

Devil in the North Woods is a work of historical fiction, based on modern reports and oral histories of a terrible 1908 wildfire in Michigan. Ten-year-old Henry Hardies survived the fire that claimed his mother and three younger sisters; in real life, Hardess told personal stories that his own children have handed down to this day. Devil in the North Woods vividly recreates the terrible blaze from start to finish, the toll it took, and the trials of human beings forced to recover from the devastating losses it inflicted. Though Devil in the North Woods tells the story of man vs. nature, its core is emotional and human-centered.

"Devil in the North Woods" by Walt Shiel is a real barn burner. I kept trying to put out the fire. Walt's style kept me immersed in the story and fully engaged until way too late each night. I enjoyed the read and the education.

At the end of this book, author Andy Hamilton reassures Konitz that it will become a classic of jazz literature. I guess Hamilton was speaking at least half tongue-in-cheek, but, for what it's worth, I also think he's probably right.

As it's been said elsewhere, the author's editorial prowess is phenomenal, and the proof is that the book is extremely easy to read, while, at the same time, it is packed with information and insight. Hamilton has also been able to engage Konitz in some interesting discussions, like his views on several musicians - Anthony Braxton, most memorably - or his assessment of his own playing, and on the actual physical and psychological aspects of the process of improvising music.

This is pretty close to my ideal book on a jazz musician, where the subject has the chance to tell his story while speaking freely to a knowledgeable counterpart.

Highly recommended.

I found this book to be one of the most clear, informative and honest books in jazz literature that I have ever read.
Lee comes across as a candid, humble man, a servant to his art.
Through the conversational and well researched style that the writer Andy Hamilton adopts, Lee Konitz offers many realistic, straightforward insights into his life and study: and the lives of those around him.
As a jazz musician myself, this book opens many doors of perception.
It cuts through the myth and hyperbole that often surround the lives of the truly great ones in this wonderful artform.
Highly recommended!

This is clearly one of the best books about jazz I ever red. I'd put it next to P.Pettinger's "How My Heart Sings", J Szwed's "Space Is The Place" or E.Jost's "Free Jazz".
Pretty differently, here author chooses an original, extensive interview format, augmented by short essays written with the complete approval -and corrections, is said- of Mr.Konitz himself. Many great insight and analisys of this great, epocal musician are offered for a good work of comprehension of the complexity of Lee Konitz music and his belonging to jazz tendencies such Cool Jazz and Tristano's and others, his relations to many major jazz figures.

In this book of lively conversations on the improviser's art, Lee Konitz talks about all aspects of his music, from his beginnings (as a student of the clarinet, during the late 1930s) to the early years of the new century, and he does so with great candour. There's lots about the Cool School of playing and Konitz's musical mentor, the blind pianist Lennie Tristano. Tristano's music ran on a parallel track to bebop, but because it wasn't such a hot, sweaty affair it's been dismissed as a pallid version of the real thing, cerebral and abstract, disconnected from feelings, a music to be analysed by beard-strokers rather than enjoyed by foot-tappers. Konitz dismisses these false distinctions and emphasises both the vitality and originality of Tristano's music - points supported by several musician-contributors to the book.

The criticisms and comments that Konitz offers are frank, thoughtful and well-argued. Several of the chapters cover specific decades in his career. Others include: Formative Influences; Working with Tristano; Early Collaborators; The Art of Improvisation; The Instrument; The Material. Embedded within each of the chapters is a series of brief interviews with musicians, most of whom have worked on the bandstand with Konitz or recorded with him, including John Zorn, Phil Woods, Mike Zwerin, George Russell, Clare Fischer, Sal Mosca, Alan Broadbent, Sonny Rollins, Rufus Reid, Ornette Coleman, Harold Danko, Wayne Shorter, Paul Bley, John Tchicai, Greg Osby, Martial Solal and Evan Parker. Although this is fundamentally a book of interviews, Andy Hamilton provides scene-setting introductions to each of the chapters, explanatory links between subsections, and brief comments that help the reader better to contextualise the interview material. His contributions are considerable, but they're done with such a light touch the attention remains firmly on Konitz throughout.

Although Konitz broke with the Tristano school, Tristano's foremost `disciple', tenor saxophonist Warne Marsh, remained in a strong creative partnership with him until the late 1970s. Marsh is undoubtedly the saxophonist whom Konitz admires most, and Konitz's aesthetic, sound and approach to improvisation owe perhaps more to Marsh than any other player. He contrasts Marsh's approach with that of several other major players, including Charlie Parker and John Coltrane, whose solos relied to some degree on pre-prepared material. Throughout the book, there's much useful discussion about the philosophy of music-making.

Konitz is a great talker, with lots of interesting things to say about his own music and the music of Marsh, Tristano, Ornette Coleman, Miles Davis, Gil Evans, Parker, Coltrane, Charles Mingus and a host of others, and the book is peppered with valuable comments about `the jazz life'.

Despite Lee Konitz's illustrious career, there had not been a book-length treatment of his music and life until Andy Hamilton's book appeared. There have been numerous published interviews with him, but none is as informative, thorough, or enlightening as this book. Considering that Mr. Konitz is much better known in other countries than in the U.S., it is no wonder that an Englishman decided to write a book on him. One of the things that I liked about the book is that the artist got involved in the process, for example, proofreading the text himself. This lends a high degree of authenticity to the book. In addition to the interviews with Mr. Konitz, there are a number of shorter interviews with other musicians, which are also intriguing. This is an exciting and enjoyable book and I highly recommend it.

I purchased this as a gift for my brother. The book has plenty of pictures and information, and I thought it was easy to follow and understand. My brother agrees, and said it is exactly what he wanted in a field guide.

Stan Tekiela provides compact, informative books in his Field Guide series. I have purchased 5 of them (Wildflowers, Trees, Birds, Frogs/Amphibians and Mammals of Michigan) and use them weekly. I just wish he would produce more. They are easy to carry in pockets, backpacks, etc. and contain most of the species. Great work!

I am an herbalist and needed a good reference guide to make sure that I was finding the correct species of trees for my studies. This book is easy to use, concise, and well photographed. I like how it includes photos of the leaves, bark, fruit, and flowers of the trees. I also like the discussions of where they grow as well as what kind of terrain they prefer.

I live in Michigan and already own the Birds of Michigan Guide by Stan Tekeila. So, when I saw the Trees Guide of Michigan by the same author, I decided to give it a try.

We moved to an area in Michigan with some nice old trees in our yard that I had no idea what they were. After I received the book, a few days ago, I went outside to check out some trees. I found out what they were immediately. I had a Bur Oak and another was Witch Hazel. I took a leaf from each and put it right in the book so I wouldn't forget.

The Trees of Michigan Field Guide is really handy to use. There is a photo on one page with additional little photos of the bark, cone and so on. Then the other page gives hints about the particular tree so that you can identify it. One interesting fact is how long each tree might live. The Bur Oak should live between 150 and 250 years! I am pretty sure it was here when the Indians lived in this area. It is pretty huge.

This is a fine little book and I would highly recommend it.

This is a user friendly guide for amateurs. Its pocket-sized format makes it easy to take along. The pictures and discriptions are well done and make identification easy. I recommend it for youth and adults.

That's the question. Can you read this book, and come away not wanting to act to protect these creatures? Many books are thought-provoking. This one made me feel that I need to ACT. DeBruyn's diary-style writings make it possible to appreciate the necessity of wisely sharing the habitat with the native residents, not depriving them of it. The author's data and observations also dispell many myths about black bear behavior. If we can accept the truth, can we then act as responsible stewards of our world?

This is an excellent read that I highly recommend to any animal lover or for the individual who has ever had doubts that any animal lacks human feelings and responses.

Not only is it a great scientific read about the biology and habits of bears, but also takes the whole experience to a higher level. Terry D. BeBruyn takes you out in the forests of Michigan and lets you experience life through three different generations of bears. It is a touching read where one will experience good and bad days and the whole concept of being adopted into a non-human family. It will make you laugh and cry as you experience life through a bear's eyes.

WALKING WITH BEARS IS A GREAT STORY OF ONE MANS LOVE FOR THE BLACK BEAR. TERRY DEBRUYN MAKES YOU FEEL AS THOUGH YOU ARE WITH HIM IN THE WOODS AS HE WALKS WITH THE BEARS. I REALLY ENJOYED THIS BOOK. I HOPE ONE DAY I CAN BEGIN A RELATIONSHIP WITH THE BEARS AROUND MY HOME AS THE AUTHOR DID. I RECOMMEND ANYONE WHO LOVES BEARS SHOULD READ THIS BOOK!

I have purchased 3 copies of this book for bear biologist firends. Debruyn gives a wonderful look into the private lives of black bears. I found myself comparing what he discovered with what I see working with black bears in west Texas. The book is written by someone who is dedicated to their research. There is a wealth of information on biology and ecology of black bears that is presented in a wonderful read. I read it cover to cover, then read it again.

Bonnie R. McKinney West Texas Black Bear Study

If you're at all interested in the natural world around us, and concerned about how much we take for granted in this day and age, this is a sobering and fascinating look at black bears. The author tracks the lives of a family of bears (mainly 3 generations worth) over the course of a year to discuss their behaviors and their seasonal variation. Almost as a by product of this you learn a lot about bears, and the actions and motivations of potentially dangerous wild animals as a whole. I feel a lot safer being outdoors having read some of the explanations for the motivations of aggressive behavior, especially towards humans. I would say more about the book itself but I think it is best left as a surprise. Suffice it to say if you've wondered about bears or the upbringing of offspring in animals, this is a superb book. It's my first book on bears so there may be some others out there which others would suggest first, but I don't see how one could go wrong with this one.

Marjorie Ryerson has orchestrated a symphony of color and meaning on every page of her book Water Music. Her fusion of prose, poetry, music from others with her own photography makes the book a full sensual, nearly audible, experience even though it is in fact a printed piece. For all those who know that water is truly one of the most sacred parts of our existence, this book celebrates that concept and reminds us of how varied and beautiful this life-giving gift is. With proceeds going to a United Nations fund to support clean water for families and to preserve natural water environments, your purchase of this book is not only a pleasure for your own senses, but a courageous effort to protect a resource that too many of us, at our peril, take for granted.

As someone who for many years made my living as a photographer, my first response to Marjorie Ryerson's photographs of water was artistic: the images are stunning; they work to convey the beauty, mystery, and power of water. Since then, watching as other people respond to Water Music on my coffee table, I see the power of the book to raise consciousness of an ever-changing and essential resource that where I live in Florida is fast disappearing. Even in the months since I bought my copy, I have seen news headlines about communities near my home where the water has been declared unfit to drink, as well as new research showing that the state will be running out of potable water some fifteen years sooner than previously predicted-now as early as 2006. In the short time that Water Music has been the centerpiece of my living room, water wars have started between northern and southern parts of the state. So I love this book. With its fantastic photographs and lyrical text, it sits there quietly shouting that water is very, very precious and that we'd all best wake up.

Cama-i (Aleut Greetings)

I am honored to be the 66th musician Marjorie Ryerson included in her incredible group of diverse and talented musicians in Water Music. Our discovery of each other was as magical and poetic as this project and has set the stage for what I believe will be a lifetime friendship. Marjorie's passion for the importance of this project, her love of Mother Earth, and appreciation for the music makers of this planet come together in a way that makes me so very proud to be an American Indian woman, a musician and an appreciative kayaker who LOVES the- Water! "Quyanaa" sister! (Aleut- Thank You) May Creator always bless your journey...

Mary Youngblood- Native American Flutist/singer/songwriter

....on water, music, the reveries of light and wind at play on the surfaces of our hearts and souls. This is a book to keep nearby. Should the room grow too small, the air too dry - push off, navigate whatever stretch most meets your needs and listen.
What life along the banks! What an intimate glimpse of some of our finest musicians and one of America's most unassuming and talented photojournalists! Go now!

The stunning photography that is the heart of this work reminds us of the inspiring Oneness of Earth, Water and Music. That Ms. Ryerson had the vision to recognize Music as the spiritual and artistic extension of this natural unity is a gift to the reader and viewer of this remarkable book. Sixty-six world-renowned musicians, including Kenny Loggins, Randy Newman, Garrick Ohlsson, Dave Brubeck and Taj Mahal, contribute text that draws a direct line between the Muse and the constancy, beauty and timelessness of Water. In his profound essay/poem, jazz pianist Marcus Roberts beautifully captures the framework of the book: "I respect the water. Because it's been here forever-feeding nature, quenching thirst, healing the land, nurturing the flowers. And it will be here long after we are gone, demanding and receiving respect. Singing the sweet song of eternal life..." Ms. Ryerson displays an uncommon organizational and aesthetic genius, not to mention a singular commitment to the cause of sustainable water sources, contributing the royalties for this project to the United Nations Foundation. But it is her photography that is the soul of this work. Witness the misty mirror image landscape on page 151, opposite the story by cellist Tilla Henkins. I rest my case.

We own a number of the Lone Pine state/province field guides. The features I like most are the range maps on the same page, the similar species comparisons, the behavior descriptions, the best sites in the state/province for observing the bird, and the occasional interesting tidbits of information pertaining to the bird's naming, history, quirks, folklore, etc.

The illustrations often don't help me as much as other field guides: they usually just show one plumage variation. I use the illustrations as a 2nd opinion with another field guide, or as confirmation when the behavior, etc., seems to fit.

I am very happy with this book overall. I have to agree with what others have said about the layout. It is easy to identify the birds that you are seeing without having any prior knowledge of birds. The only bad thing that I can say about this book is that it is printed in China. Would be 5 stars otherwise.

I love this book. I had one of North American birds that I was using, but it's nice to have a book that narrows it down to Michigan. It also gives a lot more information on each bird than the book I had. The descriptions and pictures are wonderful. I would have liked to see pictures of both male and female (not every bird is pictured that way), and would have liked to see pictures of immature birds, but overall this book is exactly what I was looking for.

I've used (and abused) a number of bird books over the years.... and tend to carry a veritable library with me on my forays. But I've been frustrated by most of the identification guides available today. I know they can't be perfect, if only because birds themselves vary so much, but surely they could be just a little better. This one is. I hope Lone Pine Press and Mr. Black expand beyond the Michigan edition. In the meantime, I though, I won't have to carry such a library into the woods. "Birds of Michigan" will suffice by itself.

I agree with the other two reviewers' comments. This book is very easy to use, proving much information in a concise yet digestible way. While it provides a lot of detail, it does not do so in a tedious way--this is a field guide that is actually READable! It is very user-friendly and has helped me clinch idenifications of even rare migrants due to the written descriptions which do not overwhelm the field guide. Large, accurate drawing of the birds are supplemented with written descriptions emphasizing the field marks. The maps are on the same page as the birds, which can help narrow down birds in the field more rapidly. This has been a helpful local supplement to my National Geographic & Peterson Field Guides. I also recommend Stan Tekiela Birds of Michigan book & CD set and Peterson's Birding by Ear: Eastern and Central North America (Peterson Field Guides(R)) (Audio CD)
by Richard K. Walton, Robert W. Lawson, Roger Tory Peterson.

As a nature lover, I appreciate seeing the wildlife around us depicted realistically, both in words and in pictures, for children to understand and appreciate, also. Fredi is a book that does just that. When this author's cat book comes out, I want to be one of the first ones to get a copy! Mr. Anthony Jairus

I'm a librarian, and we've used this book in our Story Hour here at the library. It teaches kids not only about frogs, but the environment around us! A great book for children of all ages!

I say 'little kids' book,' but it is really an educational book for older ones as well, including myself, a retired elementary school teacher. I knew next to nothing about tree frogs until I read Fredi to my grandchildren. It has clear facts, humor, and exceptionally well- metered poetry. A fine book!

I am a day school teacher. My "children" and I loved this book, and learned a lot about tree frogs from it. The coloring book at the back also helps to impress the "frog facts" on the young mind, and the humorous rhyme telling the story is well done.

I am an Amphibian Researcher Here is a book that helps children to understand the relationship of frogs (particularly tree frogs) to the delicate balance that must be maintained in our environment. Frogs are the "indicators" of the future welfare of planet earth, and FREDI is a book that brings this out in an easy-to- understand, poetic, humorous way.