United Kingdom Books

This excellent volume combines 2 books by the highly readable Viscount Norwich. His history of the Normans in south Italy and Sicily in the 10th and 11th centuries fills a gap in our knowledge of these fascinating mercenaries who-would-be-kings and rings true even today with the impact of Europeans on the Arab world and vice-versa. Remember, the Normans (of Norman Conquest of England fame) were the descendants of Viking raiders who settled in France and their military prowess against the Byzantine Empire and conquests in Italy were just as important as their better known invasion and conquest of England and Ireland in the same centuries.

Norwich is a storyteller as much as he is a historian. He resembles Barbara Tuchman -- you might not base a doctoral thesis on his work, but he certaily provides a great read. In many ways, this work is superior to his Byzantium trilogy. This may be because he has bitten off a more managable slice of history. This allows Norwich to go deeper on the main personalities and events he is covering. You really come a way with a feeling for this remarkable adventure of the Normans in Southern Italy and the advanced and powerful state they were able to create. It also highlights thier impact on the crusades, Byzantium, and the broader struggle between the Pope and secular power. I really enjoyed this book -- so much so that I travelled to Sicily to visit some of the many amazing artifacts left behind by this underdocumented "other conquest" of the Normans.

Dull and daunting as this title might seem for the general reader, this is actually a facinating and important episode in European history. For the more cynical it could serve as a primer for any group seeking to achieve political power by taking advantage of the inherent problems of a weak and divided polity. Diplomatically, it proves a brilliant example of a weaker party playing off stronger powers to its considerable advantage. For the more hopeful, it provides one of the regrettably few examples of Christians (Roman and Orthodox) and Muslims not only coexisting, but mutually prospering and profiting, under a pragmatic but culturally informed leadership. Lord Norwich's writing style and sense of what is actually important creates a lively, entertaining and informative look at the period.

The prospect of reading a 750-page tome on the history of Sicily between 1016 and 1194 would probably seem inviting only to the most masochistic of history buffs. That Norwich's book (originally published as two works, "The Normans in the South" and "The Kingdom in the Sun") has enjoyed its well-deserved longevity and such an admiring audience is a testament both to the thoroughness of his investigation and to the enthusiasm of his prose.

By necessity, Norwich populates his history on a crowded and expansive stage. This is less a chronicle of Sicily than the story of Europe during the Middle Ages, with the Normans in Sicily playing a starring role. Popes from Urban II to Alexander III, kings from Henry II of England to Louis VII of France, emperors from Frederick Barbarossa to Manuel Comnenus--they all warily circled the arenas in southern Italy and Sicily, with the Normans of Sicily at the center of nearly every major confrontation of the twelfth and thirteenth centuries, from the investiture controversy to the Crusades.

But the real heroes of Norwich's masterpiece are the Sicilian rulers themselves, along with several of their often-insubordinate underlings. We are introduced to a sequence of memorable dukes and duchesses and kings and queens: Robert Guiscard and Sichelgaita, the fearsome husband-and-wife team who led the conquest of southern Italy and the campaign against Byzantium; Roger II, the first king of Sicily and a brilliant warrior, diplomat, and administrator; William the Bad, William the Good, and the final William III, who ruled over the island and its fragile government in its glory days; and Queen Constance, whose marriage to Henry VI, of the Hohenstaufen dynasty, brought Sicily into the Holy Roman Empire.

As the above dramatis personae suggests, "The Normans in Sicily" is largely a history of military campaigns, political intrigue, and diplomatic schemes. Norwich supplements his story, which was purportedly written with the tourist in mind, with doses of cultural history (particularly art and architecture) and with descriptions of the palaces, churches, monasteries, and other sites that have survived eight centuries of upheaval and restoration. He also examines the unusual melding of the three religious traditions (Roman Catholic, Eastern Orthodox, and Islamic) and how their occasional harmony and ultimate conflict affected the society and culture of Sicily in ways not coincidentally reminiscent of Spain during the same period.

Especially notable is his resuscitation of the reputation of William the Bad (or Wicked): "The epithet rings false. There was nothing evil about him. . . . [His] reluctance to face up to so many of his political responsibilities was due not only to his natural indolence but to a genuine conviction that there were others around him better qualified for the task. . . . Perhaps William the Sad might have been a more accurate description."

Of social and economic history, there is (not surprisingly) very little. The sources for such an investigation are limited, and these concerns were barely beginning to blossom among English-speaking historians in the 1960s--and Norwich admits he is not a scholar, though he writes far better than many of them. He was, however, conspicuously ahead of his time both in his assessment of the role of women in the expansion of the kingdom of Sicily and in his even-handed presentation of various religious customs.

"The Normans in Sicily" is, then, a traditional history, but one whose scope and whose value cannot be overestimated. And it doesn't hurt that it's exciting to read.

This is one of the best layman's books about any conquest. Norwich is unputownable history at its best. Witty, wise and taking rather a different view of the Norman Conquest of Sicily and South Italy than Norman Lewis, his is above all a kind of adventure story. It is also a look at a dynasty that makes the Colby family look pathetic. The humour that sparkles throughout the book helps make the whole experience more enlightening. A masterpiece of popular history at its best, it may be unfashionably concerned with the doings of the mighty, but who can resist the corrupt Popes, the machiavellian intrigues of the Byzantines, the gormless Germans and of course the Italians themselves, and the city-states and vassal-states endlessly changing sides, like an Italian football supporter when his own team isn't playing.

This is one of the best books ever written on the subject of Elizabethan Costuming. It mainly contains all of the details of Queen Elizabeth I wardrobe but it has unique points in the society that surrounded the dresses. This book helps to explain the Gloriana image that became so popular and it helps us to understand all the little details that went into the dress of the period. Detailing costumes using portraits and explaining how the fashion progressed makes this book a must for anyone interested in Renaissance Faires and the nobility. The only drawback is that very very few of the portraits and pictures are in color. I think a total of about 7 are in color the rest is in black and white. The only way to make this book more appealing and usable would be to put all of the portraits and pictures in color, but that would make the book even more expensive. After this must have book the 2nd on the shelf should be a J. Hunniset book (the lady who did all the costuming for Elizabeth R and The Six Wives of Henry the VIII produced by BBC). Next, any Janet Arnold book. Last, would be the Norris book: Tudor Costuming and Fashion (although most of this book is very outdated it is nice to look at). All of these are must haves and will make a well rounded library. Dispite the high price of the book it is worth posessing. Enjoy.

This book is amazing. Huge, and packed full of information. An essential refernce work if you are seriously considering doing anything with elizabethan fashion. The author has poured years of scholarship into this work and it shows. It's not really a coffee table picture book. Instead it is full of carefully culled facts for the serious student or anybody curious about 'real' English Tudor costume.

For the historical costumer focused on 16th century clothing, this is the "bible" hands down. Big, expensive, and filled with the usual detail that is the hallmark of Janet Arnold, this is one very worthwhile investment for the serious costumer. This book has one tiny drawback, in that it focuses entirely on women's fashion in the 16th century as viewed through the wardrobe accounts of Queen Elizabeth I and some of her contemporaries. Therefore, it has nothing to say on the topic of men's clothing, which is an unfortunately neglected aspect of 16th century research.

Much of Janet Arnold's most important contributions to the costuming community are addressed in this book, making it extremely valuable. She presents each section with satisfying detail, raising very few questions that remain unanswered. The photographs accompanying the text are also invaluable, as many of them are not available in other books or to the general public for viewing. If only there were more color images...

If you can afford the book, you won't regret buying it.

For years I heard how this was _the_ book to buy if you were into Elizabethan costuming and wanted authentic items that could be documented. The book is good for that, and I enjoyed the style that Ms.Arnold wrote it in.

But I have two major gripes with the book-both regarding the quality of graphics and images in it.

First off-in the whole book there are only about 5 pages in color. The rest of it-including hundreds of portraits, examples of extant clothing pieces and pieces of embroidery were all in black and white. I complain about that because, with so many of the portraits quoted as examples it would help if they could be seen clearly. (Many of them are too dark to have reproduced well, and a few are quite horrible.) And the photographs....

If they could reprint this book and possibly include more color plates it would be a much much more valuable resource. As it stands now, it is a good source, but not all that I could have hoped for. Instead I have begun a search for color reproductions of the portraits cited in the book. A long tedious job but one that I think over all will make it a much more solid resource for my needs.

I bought this as a gift for a friend who helped a great deal with my wedding, advising me of dress styles, hair styles, fashion from this era, dances, music, food, and everything in between, as well as arranging all the flowers for the wedding! She was a godsend! When I gave her the book, her jaw dropped and she was so excited to get it... she said she had been wanting it forever. As I consider her quite knowledgeable about the subject matter of this book, and as it came highly recommended by her, I would say that it's a great book to have if this is something you are interested in as a serious hobby or more.

This is among my top 5 audio books, out of the perhaps 50 that I've listened to over the years. The author's wry sense of humor combines with a gift for suspense to make for an excellent spy novel. But there is also a sensitivity to human emotion that is touching at points. Highly recommended.

I have been a book reader my entire life. This Author (who passed away a few years ago) shall be deeply missed. Written with intelligence and in a manner that the characters (and their souls) become alive on the paper in my hands.

It is very likely you have never heard of this author, nor his Quiller series.

Warning :) Know up front that if you order one of them, you shall (over time) order all of them.

Run do not walk and gather up many enjoyable evenings with all of the Quiller novels.

A deep thank you Elleston Trevor, aka Adam Hall for providing me with your words.

...this author did to the spy thriller--don't be put off by the number of pages, each is fast-paced and the writing style is both accessible as well as being completely original--with all the hoopla over Brosnan quitting the Bond series, Broccoli and co. could do no wrong using this character and series as a template--HIGHLY RECOMMENDED!

There is a lot more info on the Quiller series at www.quiller.net, a fan site.

In New Zealand, where I live, haere ra is a Maori term meaning more than goodbye. It expresses sorrow at the departure, regret at the necessity for parting, hope for a reuniting in the future.
Adam Hall, creator of Quiller, is no more. Quiller has performed his last service with his usual stoicism, his acknowledged courage, his down-at-heel humanity.
I've enjoyed meeting with Quiller on a regular basis; I regret that he shall tell me no new tales.
However, I have his old tales to refresh my mind as to what an extraordinary character he was.
Haere ra, Quiller.

This is an excellent "study guide" before going to the UK. I would definitely recommend it from cover to cover. The author is very thorough to the point of giving lists of American words vs. British words with their respective meanings.

I read through the entire book the first day I got it, and am sure I will reference it again and again before (and probably after) I relocate to London for six months. It's extremely informative, witty and well-written. Many topics are addressed that I hadn't even thought about. It covers do's and don't's for nearly every situation imagineable. The pronunciations and "glossary" sections the end of each chapter are most helpful.

Very funny, easy pick up and put down...and then pick up again. I read parts aloud to my ten year old and she laughed too. Good variety of topics and the website additions helpful. I liked best when she wrote about her American born husband and her children's reactions. The potty talk section really got me laughing.

I've now read this book front to back twice and I have found it to be so incredibly helpful as I prepare for my move to the UK in July. I would highly recommend this book to anyone moving from the US to the UK, or the UK to the US...or just anyone interested in British culture, as it is highly entertaining as well as informative.

Whilst scanning my local bookstore's shelves for a quick read I came across "Rules, Britannia" by Toni Summers Hargis. After finishing it (in one sitting) I know not to say "it was 'quite' good", for that would indicate something less than extreme pleasure on my part. "Rules, Britannia" is VERY good, informative and funny and while our language differences deserve credit for the book's inspiration the author has earned all of the rest.

Having grown up on the other side of the pond, Ms. Hargis has spent sixteen years in the States and has a perspective that is most welcome from an American point of view. For those of us who have spent a good amount of time in England, reading "Rules, Britannia" tells one more of the things one doesn't know but probably should. This is not merely a collective glossary of word translations (although at the end of each chapter there is one, relating to that particular chapter) but a look at what every American needs to know upon visiting the mother country. From transportation and food to shopping and partying, the author is a gentle teacher, or perhaps more of a cultural ambassador.

What Toni Hargis does so well is relate things from an English viewpoint. I was surprised to see that the Brits find it very rude if you refer to another person in your midst as "he" or "she", or that if you cannot attend a dinner party it is essential (almost to a comical fault) that you let your host know exactly the reasons WHY you won't be there. I laughed out loud after reading about the fact that Brits never park their car leaving it in gear when the author then goes on to say, "if you borrow someone's car, for heaven's sake don't leave it in gear when you return it, or the owner will kangaroo straight through the garden wall next time the engine's turned on." Who can resist such advice?!

Occasionally, you'll find some repetitions in the book....what you're reading you just read a few pages ago. A couple of additions would be good also... (unless I missed them) when stepping off the pavement make sure to look right before crossing the street (there are reminders on London streets) and if trying to book passage on BritRail on Christmas Day or Boxing Day, forget about it. I suppose this is a way of saying there is probably enough material for another book by author Hargis.....one I would stand hours in a queue to purchase!

I highly recommend "Rules, Brittania". It's practical, down-to-earth and immensely enjoyable.

I got this book because of my interest in stories about people surviving shipwrecks. The Padre, the subject of the book, survived THREE shipwrecks -- that alone makes the book worth reading. But the book is about a lot more than that.
Through it I learned about the beginnings of the world economy, monetary systems and even the development of Western political/ governing systems. All of that is provided as background to why things happened as they did during this remarkable saga. But even without that breadth of view, the story is astonishing and gripping. The primary source for the story is the diaries of the Padre and the author does such a great job, I really felt like I was reading a book BY the Padre.
I read the book a couple years ago and have read others because of the interests it ignited. But nothing has come close to being as interesting, as gripping or as broad in world view. Even after three or four years, it's still vivid and I actively recommend it to friends. To me, it is an unheralded masterpiece.

Fabulous book in its research and real life adventures. Amazing that some of these places where various events took place, I've actually been there, 450 years later. Awesome. P. Almeidinha

Set in Virginia, Florida, Ecuador and the Bahamas, there are no clear winners in this story, and Horner aptly entitles one of his chapters "Treasure is Trouble", something befitting the 17th-century Spaniards who met a tragic fate on the waters of Ecuador and the Bahamas, as well as the modern-day treasure hunters whose greed has brought them nothing but "trouble". The exception remains Dave Horner whose goal was clearly the quest for historical truth and the dissemination of valuable historical and archaeological data, something he achieved with eloquence. A captivating book and a lesson to be learned... again

Mr Horner does a good job of describing the attempts of a Spanish monk to get back to his homeland and the ememy attacks that he is forced to endure on his voyage. The descriptions that he gives of his modern day salvage adventures is also very interesting. A good read.

Immaculate research and superb translations from Spanish archive material turn this into both a scholarly research vehicle and a concise history of the Spanish colonies and the Treasure Fleets.
A good part of the narrative is in the words of a Spanish Padre sent out to Chile to minister to the colonists; this tells us first-hand of the vast mountains of silver that were being exported from South America, and of the nepotism, greed, dishonesty and cowardice that seems to be the product of any get-rich-quick scheme - and Spain had more than its fair share in the 16th & 17th Centuries. The rest of the story is supported by quotes from sailors and court officials, while Mr.Horner fleshes out the story with historical facts and some surmise - the many notes are detailed as appendix and are not intrusive, while there is other useful information contained in other appendices.

Our Padre seems unusually unlucky in being shipwrecked twice, and on the way home the fleet is ambushed in sight of Cadiz and he, along with two ships and 4 million pesos (38 cartloads!) are captured in a brilliantly described battle that Hornblower would be proud of.

However, he lives to tell the tale; his memoirs are so detailed that we have a better idea of the actual wealth contained in the treasure fleet than the manifests admit - also the position of the wrecks is so well decribed that Mr.Horner was able to locate the sites and recover valuable artifacts (and of course, silver).

As a bonus, we are treated to a superb description of the daringly successful 1657 British attack on the treasure fleet holed-up in Santa Cruz, in which the whole Spanish fleet was destroyed, with the loss of no ships and only 60 men on the British side. This effectively crippled Spanish hopes of sea-rule and bankrupted Seville.

The final chapter warns us of the perils of dealing with the red-tape and gung-ho journalism that inevitably accompanies any salvage, not to mention the thievery when there is treasure involved.

A very worthwhile read. ****

One of the best David Hockney books.
A must have if you are interested in his photo montage method aka joiner method.

i had read it before and i just had to have it, its an amazing book even if you dont know david hockneys work, the book will make you fall in love with him and his art

I have been a fan of David Hockney's for many many years and was delighted to find this book. He writes in an understated, easy way about his art and about modern art in general.

Two of the sections were particularly interesting: "Art versus the Art World" and "The Power of Art".

In the book, Hockney explained how places and his personal experiences have influenced his art over the years. He talks about how he is incorporating photography into his work and feels that it is an artist's responsibility to be open to new forms of expression. He says he is an "artist who is always working". I think he is always experimenting too, with different methods of expressing his artistic vision.

He said he asssumes that if he is interested in painting something, others will be interested as well. I loved this viewpoint....in other words, he creates for himself.

This was a lovely book---especially all of the GORGEOUS color reproductions which traced the Hockney's evolution and his journeys.

Fortunately for us, Chronicle Books continues to grace the art bookstores with superb and affordable monographs on art that make a difference. In this completely enchanting, richly illustrated book David Hockney conducts a conversation with us, the reader, sharing his unique and genteel ideas on how he sees and hence composes the paintings and drawings and photographic montages and sets of operas that have so enriched the art world since he first began his long career.

Hockney's writing style is quietly warm, honest, clever, whimsical and very informed. In this truly magnificent volume he is sharing not only his forays into experimental art (his influences from Picasso, Bacon, and the many MANY illustrious friends who fill his life), he also allows us to understand why he experiments with photography (his explosive yet intimate collages of Polaroid rooms of conversing friends are unique to Hockney), his manner of viewing huge spaces and then parceling them onto paper or canvas in a manner that allows us to see vistas not available to the isolated glance, his still lifes, his sketches and portraits of studio visitors - the volume of work is staggering.

Another fine discussion revolves around is spectacular sets for opera (Tristan und Isolde, Turandot, The Magic Flute, A Rake's Progress, Die Frau Ohne Schatten) - these coming from an artist who is almost completely without hearing making music visual!

For all lovers of Hockney's work as well as for those who want to understand why he so very popular, this is one of the best introductions available about the man and his work! Highly Recommended. Grady Harp, July 06

This is an interesting book because it explains the discovery of ways of seeing, and in the process of explaining alters the way the reader sees art.

The challenge of pop art or abstract art is that to the uninitiated it seems gimmicky, and one often goes 'you've got to be kidding?' But with this wonderful exploration of the different ways that art and photography are ways of capturing a point of view, not a reproduction of a point of view. And more importantly, how Mr. Hockney comes to these expressions of point of view you get a glimpse of not only an interpretation of art, but the process of art. I love words and the essays are as magnificent as his art in their clarity and honesty. The section on his photo montages are amazing.

The author has provided an insightful and concise portrait of Amis and his work. I can't imagine that Amis himself could have done better. Diedrick really knows his subject.

Okay, so it's not enough that I maintain, repair, resurrect, and manage this board, where I'm subjected to your abuse on a regular basis; it's not enough that I fulsomely praise you for your insights about the Larkin-Amis nexus of text-checking (and direct readers to the pages and pages on the Amis web where you have your uncensored say); no, I needed to interweave your pet theory about the additional metaphorical weight Nicola carries around with her. May the ghost of Orson fall from your bedroom ceiling tonight, just as you are hatching a theory about the metaphorical significance of CigAir 101--and become incarnate just before his redoubtable rear crashes into your face.

If you are doing research on Martin Amis, this is a book you will have to consider. Terrifically written.

James Diedrick is described in the Introduction to Amis's 'The War Against Cliché' as an 'assiduous' editor. Amis, with one eye constantly on his place in history, already has many good reasons to thank Prof Diedrick, and this update of the definitive guide to Amis's work is another one.

Critical appraisals of other writers are always a balancing act: between subjective opinion and bland objectivity; between an appreciation of the subject's skills and the desire to demonstrate one's own; between academic assiduousness and an accessible message. Understanding Martin Amis gets the balance right in all areas. Any fan (or adversary) of Amis will get a great deal from the book: apercus they hadn't spotted before, confirmation of their pet theories, (relevant) biographical background, and a shared sense of the fun to be had from Amis's fiction at its peerless best. When the Amis backlash has finished its tedious course (when wasn't there one?), this book will serve as a useful reminder of why he was, and will be, so lionised as a novelist.

A contemporary review of Ian MacDonald's superb 'Revolution In The Head: The Beatles Records and the Sixties' stated that the acid test of any work of criticism is whether it makes you want to revisit the work filled with greater insight and enjoyment. I can give no higher praise than to state that Understanding Martin Amis achieves this objective every bit as successfully as MacDonald's book.

Diedrick has written an extremely helpful guide to the work of Martin Amis that should satisfy both academics and casual readers who are looking to deepen their understanding of Amis' often highly allusive fiction. Diedrick's writing is crisp and insightful, and the many strands of Amis' thought are followed with a thoroughness that captures the complexity of his novels without oversimplifying them. So deftly written are Diedrick's discussions of each novel that just about any of the paragraphs could easily warrant a book-length treatment on its own. Students will have much to plunder.

As a longtime reader of Amis', I enjoyed the thoughtful discussions of complex novels like "Money", "London Fields" and "The Information". The attention to the structure of these novels is a great help in unraveling their mysteries, as are the passages outlining Amis' dialogue with nineteenth century luminaries like Dickens and the Romantics. The early books are not overlooked; "The Rachel Papers", one of my favorites, turned out to be a little trickier than I'd thought, while "Other People"-- undoubtedly the most maddeningly convoluted of all the novels-- was made less obscure. (Alas, even Diedrick cannot make me a believer in the insipid "Dead Babies".)

Of special interest is the running examination of Amis' view of masculinity. Amis is often carelessly dismissed by many critics as the father of "lad lit", a smirking mysoginist beyond reconstruction, and I was pleased to see that Diedrick cut through the "bad boy controversy" to illuminate Amis' multivalenced depiction of the modern male (particularly in the new fine new chapter on "Yellow Dog"). This is one of Amis' primary subjects, and almost all of his books deal with the problem of masculinity in some form or another. Diedrick shows that on this topic Amis is hardly as simple as he seems, and certainly less risible.

Importantly, Diedrick's studies also draw on Amis' other writing, such as his journalism and criticism, which is often the best starting point for deciphering the novels, as artistic and philosophic themes move freely between his fiction and non-fiction. The comprehensive use of secondary writing to explain the novels is unsurprising, as Diedrick edited Amis' volume of criticism, the excellent but rather unfortunately titled collection "The War Against Cliche".

If Amis is truly trying to "cover the world in fiction", as one of his book jackets proclaims, Diedrick has provided a learned, engaging and, indeed, indispensible road map.

This is probably Knut Hamsun's' masterpiece when it comes to love stories, and possibly one of Europe's most beautiful love stories. The book is about the son of the old miller, and the daughter of the local "nobleman", the owner of the "Castle". From they are very small and all the way up until the very end he loves her. The parts where they are in the cave and on the island are so beautiful and melancholic. But he being the miller's son, and her being part of the "upper-class", the love is an impossible one. Various circumstances increase the distance between them, and the impossibility of their love, but I won't reveal much. The story is just so beautiful and sad, that it should be required reading for all.

Then comes the fun part, the author; Knut Hamsun, probably Norway's greatest author of all time, was a die-hard "right-wing" anti-modern conservative. This is quite amusing, because all the liberal and anti-European readers just can't wrap their mind around the fact that a person that wrote such beautiful prose was so "abhorrent" in their twisted view. One of his 5 best books and one whose story you'll carry with you forever. Highly recommended!

(I read a different edition)

This is probably Knut Hamsun's' masterpiece when it comes to love stories, and possibly one of Europe's most beautiful love stories. The book is about the son of the old miller, and the daughter of the local "nobleman", the owner of the "Castle". From they are very small and all the way up until the very end he loves her. The parts where they are in the cave and on the island are so beautiful and melancholic. But he being the miller's son, and her being part of the "upper-class", the love is an impossible one. Various circumstances increase the distance between them, and the impossibility of their love, but I won't reveal much. The story is just so beautiful and sad, that it should be required reading for all.

Then comes the fun part, the author; Knut Hamsun, probably Norway's greatest author of all time, was a die-hard "right-wing" anti-modern conservative. This is quite amusing, because all the liberal and anti-European readers just can't wrap their mind around the fact that a person that wrote such beautiful prose was so "abhorrent" in their twisted view. One of his 5 best books and one whose story you'll carry with you forever. Highly recommended!

(I read a different edition)

"Victoria" is the tormented story of Johannes Moller, the miller's son, and Victoria, a Chamberlain's daughter living at an unnamed Castle. Although they have known each other since their childhood, their love is bound to fail, mainly for social reasons. Victoria's family want her to marry Lieutenant Otto because they need the son-in-law's money to restore their former glory, a marriage of convenience in other words.
Johannes is deeply in love with Victoria, musing about the fragrance emanating from her body, the shape of her shoulders and body. He is driven to despair by Victoria, her shifting mood, saying she loves him but very often refusing to meet him, avoiding him. Johannes has moments of hallucinatory nightmares, seeing strange figures, human heads rolling on the pavement in front of him, voices shouting at him. He is seized by icy fears and sees barking fish...
Johannes also feels that he doesn't fit in Victoria's world and the society of the castle remains distant to him. "My dear young lady, the place is yours, not mine" he tells her. When Johannes meets Lieutenant Otto, Victoria's fiance, a feeling of utter despair descends on him because the reason for Victoria's attachment to Otto is solely due to the fact that he is "well-bred".
A novel of unhappiness, missed opportunities and loneliness occasioned by greed, social pressure and indecisiveness.

When people ask me who my favorite writers are, I am increasingly beginning my response with the name of "Knut Hamsun". This book is one of the reasons why. It is truly one of the most moving stories I've ever encountered. "Romeo and Juliet" turned backwards and without the release of actual declarations of love. Victoria's final letter to Johannes would make the hardest hearted tyrant break into tears. It's really one of the great injustices of modern literary culture that stagnant, unrealistic, hackneyed, preachy prose like John Steinbeck and empty glitz like F. Scott Fitzgerald is celebrated in the USA while Hamsun is forgotten. There was a reason why he won the Nobel Prize. I strongly recommend this (and all his books)to anyone interested in excellent free flowing prose with a psychological bent.

"Victoria" is an archetypal love story for young people, one might say. Devoid of carnal connotations, the novel is an eerie, poetic portrayal of the complicated feelings of youth. The desire is never matched by the corresponding action; the lovers confused, unsure, uncertain, longing for explanation that is never offered. Torn apart by contradictory sentiments, they attract their loved ones only to push them apart when they come. "Victoria" is an astonighingly accurate account of budding sensuality and the torment of first love. So many of us have no clue how to tame the soul gone wild; whether to let oneself flow with the current, or swim backwards, against all odds - and more to the point - so many of us have no idea how to react to equally wild and incomprehensible behavior of the loved ones.

"Victoria" is only a minor work of Knut Hamsun, overshadowed by other novels and novellas, but after over a century, it's still fresh enough to charm the young, sensitive people. For me, the experience of rereading this novel after fourteen years feels like a postcard sent from my own self; to be read when I am old and wrinkled. Indeed, I feel like the eldest mushroom in the world, one who has forgotten the first love and how different the air smelled back then...

A historic tract that lives up to its reputation.

It's hard to think that one would read any regency romances without also reading this book.

This was required reading for a graduate course in the Humanities. Wollstonecraft is not easy to read however, she makes a compelling argument. Mary Wollstonecraft viewed the institution of marriage simply as legal prostitution. She believed this to be the case for several reasons. First, the marriage laws in Britain at the time gave men legal rights over their wives including their property. The law also gave men custody of their children in event of divorce, and a woman could not even obtain a divorce without their husband's consent. For women divorce meant having to leave everything of importance in their lives behind. Thus, Wollstonecraft observed that Britain's laws left women in the unenviable position of being treated as mere chattel by their husbands. Second, Wollstonecraft argued that women's downtrodden position in society was not the cause of religious or moral teachings. She was emphatic in her assessment that it was women's denial of the same educational opportunities that men received that made them seem weak and inferior to men. Finally, she believed marriage only chained women to a life of drudgery in the home.

Armed with this information, Wollstonecraft set out to propose in her book A Vindication of the Rights of Women the idea, that equal education for women was the only remedy for this grave injustice perpetrated against them, and education for women would actually strengthen the institution of marriage. She made several prescient arguments to support this idea. First, Wollstonecraft believed schoolchildren needed the contact and interaction with other schoolchildren to develop properly. So, she argued against Britain's system of elitist education, especially its private schools and boarding schools. She advocated for the creation of national public schools, funded by the state, and attended by children from the entire socio-economic strata. Second, she thought it was imperative that both boys and girls must be educated together. The reason Wollstonecraft believed in coeducation, was that when both boys and girls get to know one another from an early age they would in turn, build friendships, and learn to respect one another. Therefore, when women get married, they will be able to serve as companions to their husbands and not just as trophy wives or sexual objects. "Nay, marriage will never be held sacred till women, by being brought up with men, are prepared to be their companions rather than their mistresses." Third, Wollstonecraft asked the question, how society could expect mothers to rear healthy boys capable of functioning as confident and productive men in society if their mothers, who raised them, were uneducated. She was horrified to think of the damage already done to children by uneducated, weak-minded mothers. Wollstonecraft articulates in beautiful fashion her argument for the need to educate women in the following quote. "If marriage be the cement of society, mankind should all be educated after the same model, or the intercourse of the sexes will never deserve the name of fellowship, nor will women ever fulfill the peculiar duties of their sex." This argument only enhances women's roles as wives and mothers. Finally, Wollstonecraft argued that the implementation of her educational reforms would prove to be a key element leading to the improvement of the institution of marriage in particular, and for family life in general. "Contending for the rights of women, my main argument is built on this simple principle, that if she be not prepared by education to become the companion of man, she will stop the progress of knowledge and virtue."

Recommended reading for anyone interested in history, psychology, philosophy, and feminism.

It is interesting to teach this book and track how students respond to this book, and how differently male and female students respond to the issues Wollstonecraft raises and discusses. We contextualize the book, and then extract it from its time and place and try to place the issues in our own time and place. A lot of great questions can be raised as we contemplate how far we have and have not come, and what can or should be done about that. . .and who shall do it. It is also an arresting exercise to ask students to apply different literary theories as they discuss this text. The idea is to encourage them to step out of their own shoes and into someone else's as they consider these issues. And it gives great opportunity to ask students to try to separate themselves from their own assumptions and stereotypes about gender and gender behavior, and reassess the issues in Wollstonecraft's time and place, and in light of today's assumptions and stereotypes, which can be harder to quantify than some presume.

If you need to read this for a college or high school class, or as part of a women's studies project that you are doing for some other purpose, then I'd like to assure you that it won't be all that painful. You may even enjoy it and wish that you'd found this book sooner, all on your own. I was only assigned to read parts of it, but I finished the book by choice.

It's interesting and well writen. Some of the language and nearly all of the issues that are brought up are inflamatory. In class discussions I compared the book to "Fight Club," and was nearly laughed out of the room, but I am at least partly serious. It does have the edge of a social visionary who wanted to shake things up and blow old fashioned society out of the water. No soap bombs, though, but that's only a technicality.

If you have any choice in the matter I would suggest that you choose this book over stuffier works by less forward thinkers. I swear that reading it won't hurt that badly.

As I read this book, I find myself comparing the authors examples of the treatment of women by their fathers/husbands with the way women are today treated by the media.

Mary discusses how women are to be kept ignorant of all knowledge and only to be valued for their physical charms (almost every ad on TV/in print). The examples of her contemporaries that she quotes are frighteningly familiar.

Why is this so? Who determines that the education of females is not relevant to society. Sure they are allowed to go to school now, but they are still treated with amazing patronization and condescenscion? The amount of my (intelligent) female friends that insist they are dumb/ignorant/stupid/an idiot is disturbing. Maybe now females are allowed to learn, they should also be allowed self esteem.

I think I got sidetracked. This book is a complex and well written argument for the emancipation and education of women. It is as true today as much as it was 200 years ago. It is, however a slow read as the language is couched in the vocabulary of the late eighteenth century and many of the terms are unfamiliar.

I consider myself an expert on Disneyland; I'm a former Imagineer and a collector of Disneyland information. Michael Broggie is not exaggerating his father's importance to the realization of Walt's dream. This book goes slightly beyond the sanitized "official" version that the Disney company promulgates and includes some stories and details that haven't been widely known. It's a beautiful coffee table book, complete and accurate (except for one or two nits someone like me might pick). I love it particularly for all the never-before published photos--you get so tired of seeing the same old approved shots when you collect Disneylandiana.

In case Amazon doesn't provide links, I would also recommend "Walt Disney Imagineering" by David Mumford, et.al. and "Inside Story" by the late Randy Bright. Both are "official," but just as authoritative as Broggie's.

Having been a "Walk in Walt's Footsteps" tour guide at Disneyland AND an engineer on the Steam Trains, I can say with full confidence that this is THE best book written about Walt Disney and his vision of Disneyland, and his love of trains.

The photographs are outstanding, the writing is wonderful, interesting, and easy to read, and the the stories, history, and facts are amazing.

Buy this book for yourself, and get an extra copy to give to someone who likes Disney - they'll be very thankful!

I have always loved the trains at Disneyland more than any other attraction. I always had dozens of questons about the trains that I wished I could get answers to. When I found out about this book I ordered it immediately. (My first experince with "one-click" ordering by the way, and WOW how easy!!) The book arrived on a Friday and I sat down to read it as soon as I got home from work. I could not put it down! I read straight through until 4am the next morning and finished it. It answered all the questions I ever had about the trains at Disneyland. It is a wonderful glimpse into the life of Walt Disney, and the group of incredibly talented people who worked for him. If you love trains, this book is a must. If you love Disneyland, this book is a must. If you could care less about trains and Disneyland, but you love a good story, this book is a must. Thank you Michael Broggie, for sharing this wonderful story.

I normally only read technical books. I picked this book up just to look at the pictures. Then I started to read the short articles within the chapters. I found them so fasinating that I found myself reading the main articles. My son asked my wife "what is Dad doing reading?". Walt Disney said that it all started with a mouse, but after reading this book you will realize that it all started with a train.

As a backyard railroader for the last 30 years, I had always wanted to find out more about Walt Disney's backyard, the "Carolwood Pacific". Now in "Walt Disney's Railroad Story", you can read about all of his interest in railroading, first building a miniature railroad in his backyard, and finally developing theme parks, complete with railroads. Author Broggie knew Walt personally, and covers all of the details of the many Disney railroads. This is one book that I could hardly put down until I had read it completely. I feel that this is a book that should be on the shelf of every backyard railroader and most Disney fans.