United Kingdom Books

This is an outstanding collection of letters and documents relating to one of the most important and influential person in English history. My only problem how the edition was published - the type font is way too small. I realize that the subject matter is wide ranging and some economies are necessary to keep the printing costs down - reducing the type front to squeeze in more text is one of them. Unfortunately, this makes casual reading very difficult.

This is a beautifully designed book. As to what's inside: It contains what too many of her biographers are either too dishonest, too ignorant, or, too afraid to include, i.e. her belief in God and her understanding that her country and her country's people had a unique place and a unique role in carrying out God's plan. Elizabeth I had a complete understanding. It's difficult to write off her accomplishments in learning at such a young age as being merely the result of having royal tutors helping her along. This is what many biographers try to do. There's never been an over-supply of young genius in royal families in any era. More attention, as well, should be paid to her reading. Reading great books has never been a guarantee of anything regarding somebody's understanding of themselves and the world, but it is, without exception, a key ingredient in the education (self-education or otherwise) of everybody who eventually DOES attain a real understanding of themselves and the world. Elizabeth's understanding may have even gone beyond herself and the world around her... These writings are not ideal as a window into her, but there is enough here to work up an impression above the words, and, coupled with a good biography such as the one by Paul Johnson the picture can become very complete.

Queen Elizabeth I of England has had hundreds of books written *about* her, but very few of them allow us to hear what she has to say in her own words. I found this an accessible, well-edited collection, not of *all* her words, but of a very good sample. It includes all of the speeches, prayers and poems she wrote that are available from reliable contemporary sources (as with all famous people, things have been attributed to her that she never wrote). It also includes -- and this is my favorite part -- a selection of her letters; sometimes the replies are also included, as with a series of angry letters she exchanged with King James of Scotland (all the while addressing him as "my right dear brother and cousin"). The documents range from formal speeches to Parliament to the occasional playful, teasing or personal note, such as the one she wrote to Lord Leicester in the Netherlands that begins, "Rob, I am afraid you will suppose by my wandering writings that a midsummer moon hath taken large possession of my brains..." Spelling and punctuation have been modernized, and unusual words have been footnoted, but the words are otherwise unaltered, and the texts are presented in full, sometimes in several versions where they differ significantly. I did find that a basic knowledge of the outline of the events of her life is immensely helpful in understanding who she is addressing and why, which is often mentioned only briefly in the notes. There is a certain amount of theorizing in the book's Preface about the "strategic gendering of Elizabeth's self-representation" -- but the texts really speak for themselves. This is a rare chance to see historical material that's often hard to locate, and an enjoyable chance to be "inside the head" of a fascinating historical person.

There are countless books on Tudor England and Elizabeth I in particular. So, it is refreshing to finally read some of the letters so many authors have used as source material in their books about the Virgin Queen. There's little doubt that she was well educated and highly intelligent. Now, readers ready and willing to dive into medieval letters, in the formal language of the time, will be rewarded by the ability to form their own opinion about whether this woman was politically savvy, or a political pawn.

You be the judge--no, really:)

Edmund Gosse's FATHER AND SON is legitimately considered one of the highpoints of Victorian autobiography. As has been noted by others, the book recounts the relationship between Edmund Gosse and his father, a member of the Christian sect generally known as Plymouth Brethren, but who was also a member of the Royal Society and one of the foremost marine biologists of his time. The narrative tends to break down into a number of definite segments: the author's birth until the death of his mother; life with his father until the time of the publishing of Darwin's THE ORIGIN OF SPECIES; the move of the Gosses to the coast of England; and young Gosse's schooling and gradual growth away from the religious teachings and expectations he had received from his parents.

A number of powerful impressions evolve over the course of the telling. First and foremost, one is left with an impression of how overwhelmingly Gosse's childhood was stripped of nearly all fun by his parents' puritanical and stern religion. Gosse's father is presented not as a cruel, vicious, and hypocritical. Instead, he is shown as a caring parent, a completely earnest practitioner of his religion, but fanatically concerned to eliminate all activities that do not lead to increased religious devotion and moral seriousness. Unfortunately, this resulted for Gosse in a childhood from which all possibility of play and fun and delight had been eliminated. Near the end of the book, I was left wondering if Gosse would have been inclined to leave Christianity if he had just had more fun as a kid.

The section of the book dealing with his father's reaction to Darwin's ORIGIN OF SPECIES was for me the most interesting part of the book. His father's scientific standing was such that Darwin actually contacted him before the publication of his theories, and asked his response. Gosse notes that his father instantly understood that the scientific evidence clearly supported Darwin's theory. His reading of Genesis, however, indicated to him that the world was created in six days, which precluded the scenario articulated by Darwin. He therefore concluded that god created the earth in six days, but in so doing implanted fossils and geologic strata into the earth. In this way, his father was able to explain both the apparent evidence for eons long development of the earth and homo sapiens and yet retain his belief in the belief that Genesis taught a six day literal creation.

There are any of a number of reasons to read this work. It is a classic autobiography, an important source for one response to the reception of Darwin, and a magnificent evocation of puritanical religious life during the Victorian age. Most of all, it is a disturbing account of the distortive effect that intolerant and narrow-minded religious upbringing can have on an individual.

Father and Son is the story of two men, Edmund Gosse (the writer) and his father, Philip Gosse. Philip was a biologist, a contemporary of Charles Darwin. The story covers a period of about twenty years, from 1849 to about 1870, during which Edmund grew from infancy to university student. Edmund Gosse became a well-known English man of letters. Among his works is a biography of his father.

Speaking of his parents' faith, he writes ...

They called themselves 'the Brethren', simply; a title enlarged by the world outside into 'Plymouth Brethren'.

Given that there is no mention of John Darby in the book, and that the book follows the 1848-49 schism that resulted in open and exclusive brethren, and that the assemblies described in the book seem essentially autonomous, I assume Gosse is referring to the 'open brethren' when he speaks of Plymouth Brethren.

Readers raised among any of the groups that have evolved from the Brethren groups that began in Dublin in the 1820's will find much familiar material.

The book is worth reading at least twice. I've just read it again after owning it for a year and am struck again at how well he describes life among the brethren and the incredible stress parents can put upon their children in the name of faith.

There are few works of autobiography that lay bare the author's soul as convincingly and seeringly as this. In an astonishing tour de force Edmund Gosse, by then a substantial Edwardian homme des lettres, remembers his childhood and adolescence in his father's house and his indoctrination into a Victorian, evangelical, creationist, scientific, wilfully unliterary way of life and his growth out of this via Shakespeare, Marlowe and some decidedly morbid poems. What is so astounding about this book is the kindness with which Gosse remembers his past which is always present and never tempered with dishonesty. There are moments when we cannot but find fault with Gosse senior (when he writes to his son in London invoking his mother's memory to try and force him back to the brethren) but with the Edmund Gosse painting so loving a picture of him we could never see him as, for example, the father of Samuel Butler's "The Way of All Flesh" (a great and loosely autobiographical novel which is often metioned alongside "Father and Son" as expressing the same painful differences between the evagelical Victorians and their children) - that is desicated, corrupted, and malicious. There is one killingly funny moment where Edmund Gosse reads from Marlowe's "Hero and Leander" to his stepmother and the idea of the straight laced little saint reading aloud about Leander "His bodie was as straight as Circes wand,/ Jove might have sipt out Nectar from his hand./ Even as delicious meat is to the tast,/ So was his necke in touching, and surpast/ The white of Pelops shoulder." to the god fearing wife of his god fearing father, minister to the brethren, and not expecting a strange reaction, is as bizarre as it is amusing. A most endearingly human work most warmly recommended.

"Father and Son" is widely reckoned as the most brilliant work of Edmund Gosse whose delicate use of English, no doubt, partly accounted for his literary success. To attach too much literary importance to the book may, however, obscure its main purpose, which is an attempt of the writer to vindicate his attitude towards his father. The attempt failed, to put it mildly.

Gosse lived in an age when people held very high standard of propriety; any departure from rules of behaviour would be seen as an offence. But conflicts between fathers and sons, or between their respective thoughts, are as common nowadays as they were in ancient times. Gosse revealed in his book the differences between his father and himself mainly in their beliefs as to how life should be lived. The book caused a sensation upon release not because of the revelation but because of the daring publication of the differences - Gosse did as people at that time were not bold enough to do. As such differences were common, though they might not be voiced, many people shared the writer's experience and the book became instantly popular.

Nevertheless, to explain the success of the book in so few words as those said above will not do justice to Gosse. It is, in Bernard Shaw's words, one of those immortal pages in English literature. These might be extravagant words. Even so, Gosse, indeed, earned himself a place in English literature by such a bold attempt as mentioned earlier. But the attempt need not have been made - two men of widely different ages look at each other from different angles; the gap between them is only natural; it need not be alluded to nor elucidated. Any attempt which need not have been made cannot succeed.

This book tells the reader all he or she needs to know, and even some things they might not want to know about the food in the Georgian Royal Navy. In this highly detailed book, Ms. Macdonald traces the supply of food from sources to purchasing to consumption from the lower to the Captain. Included are charts of calories, vitamin content, recipes, conversion charts, etc., etc. The book is very readable and of use to the casual reader as well as the scholar. This is a permanent edition to my bookshelf.

Author Janet Macdonald writes an informative and in depth book about feeding English sailors in the early 19th century. Macdonald covers everything that made up the sailors diet, from hard tack (ships biscuit) to salted beef. She writes in detail for example how the hard tack was made, who made it, and how it was delivered, stored and dispensed on the ships. She covers the different subjects throughly and supports her writings with facts from many sources such as the Naval historical archives and log books to name a few sources.

This book is an interesting read for those who want to know about such a integral part of the English sailor's life!

In "Feeding Nelson's Navy", author Janet MacDonald has put together some remarkable research to lay waste the myths of shipboard feeding in the British Navy during the Napoleonic Wars.

The British Navy, in the long struggle against Revolutionary and then Imperial France, kept tens of thousands of men at sea for months on end. Popular myth has them subsisting on rotten salted meat and weevily bread. MacDonald shows the sailor aboard the average British warship ate a sufficient and reasonably nutritious diet. Official rations were based on biscuit (pilot bread for today's readers), salt beef, salt pork, cheese, peas, oatmeal, and beer. These were the foods which kept best in a world without refrigeration or canning. Other foods were provided when available, and the British Navy lead the way in experimenting with dried vegetables, "portable" soups, and lemon juice to stave off nutritional diseases such as scurvy.

The British Navy's ability to supply its sailors with a good ration through years of war were thanks to the efforts of the Navy Board and its victualing system. MacDonald's description of its business techniques may be daunting for the reader, but the lesson is that the system was made to work, around the fleet and around the world, in a consistent manner. No other navy of the period enjoyed so much consistent success at sea.

Along with the details of the ration cycle and the mechanics of the supply system, MacDonald provides considerable insight into "messing" at sea, a vital and often unremarked portion of naval culture.

This book is very highly reccommended to students of the Nelsonian Navy and of the Napoleonic Wars. MacDonald has mined this particular academic niche to its reasonable limits.

Cervantes in "Don Quixote" lampoons the writers of chivalric romances for failing to address the mundane realities of life, chief among them being how their heroic knights errant managed to feed themselves. To a lesser degree, perhaps, the modern authors of nautical fiction likewise do not much address the question of how their seaborne heroes (and their crews) were fed, day in and day out. Undoubtedly this is partly because it is far more interesting to write about boarding an enemy frigate than boiling salt beef, but I suspect that it also has to do with the absence of readily available, reliable information about the subject. Now, Janet Macdonald has addressed this want of discussion with "Feeding Nelson's Navy: The True Story of Food at Sea in the Georgian Era". Coming from a background of writing about cookery, she has tackled the complex and surprisingly mysterious question of how in the world the Royal Navy fed itself during the classic Age of Fighting Sail. Although it might be thought that a matter of such obvious vital importance to maintaining a fighting fleet of tens of thousands of mariners would have been recorded officially in detail, in point of fact Macdonald has had to sift through obscure primary documents such as ships' logs, personal memoirs, and period letters to adequately explore how it was all done: from procuring the foodstuffs (and drink) in the first place, to storing them, getting them to the ships in port and at sea, storing the victuals aboard, preparing meals, and serving them to officer and crews. And even with such diligent research, she must resort to informed speculation to address some questions, such as just how a ship's cook kept separate the rations for the various messes and served them out in an efficient manner. The breadth of coverage is impressive: the Navy's Victualling Board administration, officially mandated rations and substitutes, typical recipes, shipboard organization, disease and vermin, the "hardware" of food preparation and consumption (stoves and dining implements), and surrounding social customs. For anyone interested in the real world of the Royal Navy behind the fiction Horatio Hornblowers and Jack Aubreys, "Feeding Nelson's Navy" is a revelation, dispelling old myths and offering new facts such as the caloric and vitamin content of the men's meals. Macdonald throughout her book illustrates the practicalities of the subject by citing numerous real-life incidents drawn from period documents.

This is a GREAT book, what a fabulous idea. I've always been obsessed with anything Sherlock Holmes, and this book is a perfect addition to my collection. I love looking at the actual physical places Doyle was writing about. It's Fascinating! I recommend this one HIGHLY. If you love Sherlock, you'll love this guide

Mr. Wheeler has done it again. This is a great guide for those who love Sherlock Holmes. It is a great addition to his LONDON SECRETS which we couldn't do without while traveling in London.

A must have for any Sherlock Holmes fan. What an accessory to Mr. Wheeler's London Secrets!

In addition to identifying an astonishing 200+ sites in London, the author has given us a wonderful tool by cross-referencing the sites by the closest modern underground station, and also by adventure. This has to be the definitive book on the subject. It is a must for Sherlock Holmes fans who are visiting London, and for Sherlockians generally, to keep as a reference guide.

Having been to London twice in 2001, I can say that I relied heavily on my Fodor's. It gives you clear concise, and most importantly, accurate information on almost any topic or question. For example, I did not believe them when they said you should reserve ahead for Buckingham Palace. Sadly, they were right, and I could not get tickets. They also told me that I would probably not be able to visit the Millenium Dome as it was closed and up for sale. London is arranged by neighborhoods, so the first part of the book dealing with sightseeing is arranged accordingly. There is a large foldout map in a back pocket, but also each section gives you small maps, which are arranged so that you can do a self-guided walking tour. I found these quite invaluable. I did look at the restaurant section for a general impression, but did not rely on the restaurant or hotel section, although one could. This forms the second half of the book. However, in the back there is also information about shopping, outdoor life, activities for kids, and at the very back an index of vital information, everything from how to use buy a London Travel Card, how to change money, or make an international call.

..........I carried this book with me around London each day and found it priceless! Comes complete with a maps, guide to all the sites major and minor (with descriptions of each, hours and days open, and even tube stops), as well as guides to lodgings, restaurants, nightspots and day trips outside of London, etc. At the same time the book is fairly compact so is easy to carry around with you. Using this book, it was very simple to plan an itinerary and to find my way around the streets of London! Very recommended!

I've taken Fodor's guides with me on many trips and have found them to always be a reliable and ready companion. Their suggested sightseeing tours and ample lists of museums, lodging, and restaruants have helped me find efficient outings into new cities and countries. It's often intimidating to travel to a foreign destination, but the competency of Fodor's guides with their well constructed presentation have often made me the most confident of travelers.

I just got back from spending spring break in London. This book, which stayed in my backpack, and the Lonely Planet's Condensed Guide, which stayed in my pocket, helped my mother and I have an incredible time. Rather than sticking to a rigid itinerary, we planned our day the night before, with a rough to-do list of places we wanted to see and things we had to do. Substantial background information is given for main attractions and contact information and the nearest tube stop are given for all attractions. The pull-out map provided, however, was pretty useless.

These are first hand accounts of men and women that lived through the first world war. It is all there--loyalty to your fellow soldiers, cowardice, indifferent heroism, terror, and the feeling of apartheid from home and family. The most striking rememberances I took from the book were the white feather incidents--where white feathers were given to soldiers out of uniform on leave in England by young women as a goad to get to the trenches.

This is the first book I've ever read in one day; 'I rest my case'.

My most lingering memory is the story of the soldier who was shot for 'losing his way' and not showing up for a battle. When offered brandy by the narrator before meeting his maker, he said he'd 'never drunk spirits and wasn't going to start now'. Not such a coward, after all.

Max Arthur's new book covering the Great War is quite unique in that its content is nearly all first-hand accounts from people who experienced the horror of the Great War. The author has utilized a number of tape recorded interviews conducted by the Imperial War Museum in 1972. Many of the tapes from the Imperial War Museum Sound Archive had been forgotten and left unheard for years.

Now Max Arthur has put together many of these unheard voices from the Great War to produce this spellbinding and captivating book. I must admit that I was reluctant to buy this book as I was worried that a book full of short accounts would be too disjointed and really not detailed enough to satisfy my interest. I can honestly say that I truly enjoyed reading this book.

Each chapter of the book was a year of the Great War and was commenced by an introduction by the author offering a brief run down on the major events of that year. Then we heard from the men and women who participated in these events, from both sides of no-man's land. The author has concentrated mainly on the Western Front and Gallipoli and has tried to run the oral segments in chronological order.

I was really taken by these segments and I found it hard to stop reading. The accounts from these soldiers and civilians alike were at times humorous, strikingly direct, horrifying and on many occasions quite sad. I was really taken in by these accounts and I don't think that any World War One library would be complete without this title sitting on the shelf. I can honestly say that I learnt quite a few things from this book and I would place it along side such works offered by Lyn MacDonald. Well done to the author and the Imperial War Museum for allowing these veterans, many now long dead, the last word on their experiences in the Great War. This is a great book, you won't be disappointed.

This book is full of fascinating wartime anecdotes given by the soldiers fighting it and the citizens involved in it. The staff of the UK's Imperial War Museum sifted through mountains of archives and picked out the very best to use in the book. Through the use of their own personal letters/interviews, the book follows the history of particular, mostly British, individuals during the war. It loosely follows the major battles of the Western Front and Gallipoli and even the Home Front.

Most of the letters vary in length between one paragraph and one page and are packed with the kind of realistic details that typical narrative histories of the World War I skip over. For example, in Gallipoli (p. 118) one soldier writes, "One of the biggest curses was flies. Millions and millions of flies. ... Immediately you bared any part of your body you were smothered." Short of actually being there, these kind of first person participant narratives deliver the essence of the war - harsh, demanding, brutal, comedic, and ocassionally surreal. The straightforward writing styles and unusual content make this book a true pleasure to read.

I have read over 40 books about the Great War, and this book is one of the best for personal narratives about the war. It's multi-person perspective delivers a well-balanced, insightful picture of the war at ground level (free of any hidden agenda). This book would perfectly complement a broad narrative history of World War I.

The Great Design: Particles, Fields, and Creation by Robert Kemp Adair is a great book of physics that explains concepts that are important such as Faraday's fields to nonphysicists and people who want to learn more. This book explained a lot and cleared up a fog of questions about physics. It describes, in short, the many concepts physicists use to try to find the universal unified field and the universal theory and equation. Major components of phsics like quantum mechanics and theories like the general and special theories of relativity are explained clearly and effectively.

What I liked most about the book is the information Adair chooses to write and the way it is put together with enhancements. This way, it adds to the experience because it helped the reader clearly understand the point Adair tries to make in each chapter. This book was great in the sense that it is easy to understand once you grasp a little meaning of the concept. But I personally felt that the chapters were too long so that it was kind of repetitive, and that this book would be better if Adair spent more space telling of other subjects in physics than emphasizing minute details on individual ones.

The Great Design was an overall good read and specially designed for people who thirst for the truth. All in all, I give it a good rating and I suggest people to read this book.

This book makes for a great introduction of particles & fields for the layman who is inclined to take on a book which surpasses the completely qualitative & popular (non-technical/historical) books that one can easily find at your local bookstore. I should clarify that this book might be seen as somewhat more than an easy introduction by the kind of reader who enjoys reading, for example, Paul Davies, John Gribbon, Steven Hawking, and Michio Kaku's popular expositions on science (physics & cosmology). From a popular science reader's perspective it could said that this book has a technical element to it in that the mathematics are present however I believe they are at an approachable level (i.e. there are no daunting calculus derivatives, integrals or other scary looking formulas). Here, let's have the author speak for himself from the preface:

"In this book I have tried to present those basic concepts of particles and fields and of space and time, as illustrated by modern physics, very much as a professional physicist understands them. I believe that these concepts are accessible to the nonprofessional - that which I can't explain to an interested layman, I must not understand properly myself. Which is not to say the ideas are so trivial that they can be understood by physicists or layman with the "attentive mind"...
The text is nonmathematical, though on occasion simple relations are expressed in algebraic forms that should be known to anyone with a high-school education. Some more complex relations that seem to be especially interesting are presented in the extensive set of footnotes. Though few of these require mathematical sophistication beyond that taught in the first few weeks of a high-school algebra course, mathematical simplicity does not translate into conceptual simplicity, and these presentations often require careful and time-consuming thought. Once written, a book has a life of it's own independent of the author's control; however I suggest that the mathematical footnotes be samples rather than consumed. There are those who can "read" mathematics like a novel, but for most of us so compact an information transfer cannot be assimilated easily and the time required to penetrate the arguments interrupts the narrative flow excessively."

Some of the nice features of "The Great Design" include plenty of intuitive examples, illustrated figures (with some decent Feynman Diagrams), important graphs and tables. I always enjoy when an author includes famous quotes at the chapter headings as Dr. Adair does. I think that you can see into the author's mind just a little more. As promised in the authors preface I quoted above, there are a generous amount of end of chapter notes referenced throughout the main text by number. Many of these offer slightly more rigorous (and technical) mathematical elucidation of the subject or just a deeper peek at the heart of the matter. So, if you are a layman like myself, I would warn you that this book might pose a challenge but a rewarding challenge nonetheless. Based on my experience with other books I have to say that a glossary would have been nice in this book but I did without.
Finally, I thought you might like a peek at the Table of Contents:

Preface.
Contents:
1. Concepts in Physics.
2. Invariance and Conservation Laws.
3. Covariance, Scalars, Vectors, and Tensors.
4. The Discrete in Nature - The Atoms of Demokritos.
5. The Continuum in Nature - Faraday's Fields.
6. The Nature of Space and Time - The Special Theory of Relativity.
7. The Equivalence Principle and the Theory General Theory of Relativity.
8. The Electromagnetic Field - The First Unified Field Theory.
9. The Problem of Change - The Second Law of Thermodynamics.
10. Quantum Mechanics - Determinism to Probability.
11. The Atom - A Quantum Laboratory.
12. Fundamental Particles and Forces - An Introduction.
13. Symmetries and Conservation Laws - CPT.
14. The Strong Interactions.
15. The Weak Interactions.
16. Cosmology - The World's Beginning and End.
17. Gauge Invariance - The Unification of Fields.
18. To the Ultimate Theory - Through a Glass Darkly.
Index.

I've really enjoyed this humble book and benefited from its comprehensive & comprehensible exposition of particle & field physics. It served my wants & needs very well. My hat is off to the author expanding my appreciation and understanding of the subject. A fantastically well-written book which is similar yet smaller (wonderfully succinct & concise) and has less mathematics is "In Search of the Ultimate Building Blocks" by Gerard 't Hooft. If you want a more popular book (no mathematics) you might want to look at "The God Particle" by Lederman & Teresi. As a final suggestion, I am compelled to insist that "The Force of Symmetry" by Vincent Icke would complement "The Great Design" very well! I've written a review of "The Force of Symmetry" as well.

Pick up a copy of "The Great Design" quickly before it goes out of print and enjoy your pursuit of knowledge (it's a wonderful adventure)!
Ciao!
IndiAndy
p.s. remember to read the other reviews as well as the book description & editorial reviews above my review.

This is the finest overview of physics for the layman or beginning physics student I have seen yet. This is not the usual history or biography based introduction but a good low-level mathematical expository on just about every current physics concept.

Perhaps the most lucid introduction to the quantum and touches of cosmology I have yet read. You can take it to many levels and go with the author and his sometimes clever, understated manner. Provides the MOST UNDERSTANDABLE explanation of the twin paradox of any of the (32) books I've read.

I'm so tired of all these yuppie cooking shows. I think that the "Two Fat Ladies" is such a refreshing breath of fresh air! Whenever I see it on the television, I stop what I'm doing and get ready to learn something and have a great laugh. I appreciate it even more now that Jennifer has passed on.- Kristina Jansz

Haggis is the legendary national dish of Scotland. It is, when well-made, surprisingly delicious. We served an excellent one to friends from Nova Scotia that we bought in Scotland, and our guests were delighted by its spicy richness.

Clarissa Disckon Wright, the witty co-host of the Two Fat Ladies cooking show, wrote this book with her wry humor but also with authority. It is an excellent work and fun to read. The illustrations are charming.

Be warned, however; making a haggis yourself is not for the faint-of-heart, nor is a detailed recipe included here--the initial stages of making haggis resemble a post-mortem more than a culinary exercise. Dickson Wright gently suggests you buy yours, as most people do. This is surprising, as she once described a recipe for beef tongue stuffed in sausage casing explaining, "just as simple really as applying a condom, though, of course, less fun."

Clarissa Dickson Wright fans will love her little book of history about one of Scotland's culinary products. Except for its whiskey, if one mentions "haggis" one immediate thinks of Scotland. The book is brief and to the point with suttle humour peppered throughout the piece. Ms. Wright shows her culinary knowledge and her well read background in this delicious piece of work.

Clarissa Dickson Wright, The Haggis: A Little History (Pelican Press, 1998)

Books like this make me wonder: what is the publishing industry thinking jacking up their prices every year, like clockwork, assuming we're going to buy this "cost of living increase" nonsense?

Clarissa Dickson Wright's The Haggis: A Little History is a small, lavishly-illustrated hardback priced such that, if the carpings of other publishers are to be believed, Pelican must have taken a major loss printing and selling it for the price they do. One would expect to see a book of this beauty selling for at least three times this price solely to break even. (Heed well, poetry fans. You're getting screwed on those fifteen-dollar trade paperbacks of less than an hundred pages. Not that you're surprised, but now you have hard evidence.)

As to the content of the book itself, it's a short essay by Dickson Wright (the surviving member of the wonderful Two Fat Ladies) on the origins, history, and popularity of the dish that has come to be associated with Scotland more than any other, though it's been said the Scots invented whiskey because they had to eat haggis. With her trademark wit and charm, Dickson Wright sheds new light on the much-maligned supersausage. Maybe even enough new light to get a few folks to try the stuff. Maybe. Folks, if you have tried scrapple and thought you were eating something akin to haggis, think again. (One word: oatmeal.)

A lovely little book. Granted, probably not for everyone, but giving a slew of these to children as birthday presents (you can remove the dust jacket; the actual book cover is just as beautiful and far more durable) may finally take the taint off the Scottish Hot Dog once and for all. ****

Today, most people know Mary Wollstonecraft for two things: her pioneering book, considered the first feminist work 'A Vindication of the Rights of Woman', and her famous daughter, Mary Shelley, author of `Frankenstein'. Diane Jacobs' biography shows that Wollstonecraft was much more than her works and progeny. Born into a life of unnecessary poverty (her father wasted the family money), Wollstonecraft, from an early age, fought against the injustices she saw around her. By the time she reached adulthood, she had rejected the typical role for women in the 18th century, especially where conventional marriage was concerned; she also believed there was more to life than teaching or being a governess (the acceptable occupations for women). After trials, more poverty, and unrequited love, Wollstonecraft comes into her own when she becomes a writer and then travels to France during the revolution: here she is exposed to the wider world, serves as an education advisor in one of the revolutionary governments, and meets the love of her life, American Gilbert Imlay, by whom she has a daughter, Fanny. Although the relationship doesn't last, self-realization propels her to a mature writing style and philosophy that was unfortunately cut short by her death after giving birth to her second daughter, Mary. Jacobs does an excellent job of chronicling Mary's life and work; however, I found the beginning of the book repetitious (but then again, so was her early life), and only when Mary goes to France did I find it to be interesting. What I found fascinating was the stereotypical `female' reaction Mary has to her deteriorating relationship with Imlay: plaintive letters and even suicide attempts to get attention and keep an unfaithful (and flaky) lover with her. Jacobs has a knack for describing the supporting characters in Mary's life wonderfully: Mary's two sniping sisters, their resentment and complete lack of understanding of Mary's choices (and some of it is deserved, as many of Mary's promises to help them never came to be); Imlay, obviously good-hearted, but shallow (and surprisingly naïve - his request of William Godwin to not talk badly about him, even though he takes Fanny's support money away after Mary's death is worthy of criticism); Joseph Johnson, whose long-suffering support of Mary makes him one of the most sympathetic characters in her story; and Henry Fuseli, the painter, for whom Mary had an obsessive passion (despite the fact he was bisexual and married). Perhaps where this book falls short is in the portrait of William Godwin: not really mentioned until the middle of the book, he seems tacked on at the end; his and Mary's relationship, at times, seems one of convenience, at least for her. The most poignant part of the book, at least for me, was at the end, when Fanny, overlooked by her stepfather (and ignored by her biological father) accomplishes what her mother attempted: at 22, she travels to Wales, checks into a hotel, and commits suicide, leaving a letter hoping that her family would "have the blessing of forgetting that such a creature ever existed..." (285). It would have been fascinating to learn what this first, and possibly smarter, daughter of Wollstonecraft could have accomplished had she been given the chance.

If you are familar with Mary Shelley(or her classic book "Frankenstein") This extremely researched and well-written biography introduces you to her mother,Mary Wollenstonecraft(Godwin) A lady who was truly before her time(the late 1700's). The daughter of an abusive father and indiffrent mother,her brilliant mind enabled her to write the classic treatise "Vindication Of The Rights Of Women" while only in her 20's. She also journeyed to France and witnessed The French Revolution in all it's g(l)ory,had several passionate love affairs,one which produced a child though the father had no intention of leaving his wife and marrying her, making her a single working mother long before it was either fashionable or accepted. She married William Godwin ,(the father of the future Mary Shelley) and tragically died from complications of her childbirth at 38. Although Ms. Wollenstonecraft's life was short,it was well-lived and makes for fascinating reading that the author(Diane Jacobs) vividly brings to life with both immediacy and wit. An empowering book for woman as well as an engrossing bio for both sexes..

I had the great pleasure of reading and using Diane Jacobs' "Her Own Woman: The Life of Mary Wollstonecraft" while researching and writing my recent biography, "Theodosia Burr Alston: Portrait of a Prodigy (Corinthian Books, 2002). Vice President Aaron Burr, for all his flaws, was the first prominent American man to enthusiastically embrace and publicly endorse Wollstonectaft's radical feminist views on the equal education of women. He used her principles to give his teenage daughter, Theodosia, a "man's education" which would equip her for the three roles in life he envisioned for her: queen, president, or empress. I found Ms. Jacobs' work extremely insightful and enormously useful in understanding this woman who many cite as one of the first mothers of feminism. -- Richard N. Côté

Diane Jacobs has taken the intriguing, and sometimes tragic story of Mary Wollstonecraft and turned out a riveting account of a true pioneer. Fresh and readable, the book makes use of previously unknown sources to provide a new perspective on someone who's life was even more dramatic than her important writings. Far and away the best book on Wollstonecraft. Truely enjoyable and highly recommended.

Alexandra Johnson, who teaches writing at Harvard and Wellesley, provides us with six excellent stories about the role of the diary in the creative lives of seven prominent female writers. The chapters are arranged progressively according to both the age of the writers at the time they began writing the most celebrated parts of their journals, and to the time period in which they lived. For each chapter, Johnson slightly modifies her style to best capture the spirit of the particular writer's life, as recorded in her diary. It is a very effective narrative device, executed with remarkable precision, a style that is very difficult to carry off without sounding artificial and capricious.

The role of memoir is often underestimated outside of literary fiction, but its importance is gaining ground. One need not be an English major at some liberal arts college like Amherst, Swarthmore, Smith, Vassar, Mount Holyoke, or Sarah Lawrence, to find the subject relevant and interesting. For example, we often rely on patient memoir as medical narrative in my graduate program in biomedical ethics at the University of Maryland. History, law, and even business are focusing more attention on personal narratives now than in years past. Still, it is in the diaries of writers where we find the most inspiring stories.

In Johnson's book, the frustrations and insecurities of hailed writers are laid bare for us both in their journal excerpts and in the author's impressive ancillary research, making these past figures seem ever more human than what we usually grasp from reading their fiction. The incipient chapter on Marjory Fleming, with its occassional comparisons of the central figure to other important juvenile femmes de plume (Anne Frank and the young Bronte sisters), fills the reader with both charming amusement at how such a young girl could write like such an adult, and with awe at her gifted literary ability, which was cut so short by an early death. The next two chapters, on Sonya Tolstoy and Alice James, show us the age-old struggle of the aspiring female writer against male-imposed (both societal and familial) restrictions to her creative expression. These are among the most emotionally frustrating chapters; they often reminded me of the classes I took as a Women's Studies minor in college.

My favorite chapter is about the relationship between the great Virginia Woolf and Katherine Mansfield, as recorded in their diaries. The way that Johnson writes about these two, one can feel the writers living and breathing, conversing and writing, fretting and maligning, praising and rejoicing in their shared and individual literary triumphs and (often self-perceived) failures. Of all the chapters, this one is a true must-read for the bookworm short on time.

The following chapter on the provocative (and promiscuous) Anais Nin reads almost like a confessional more than a biography. The most interesting points of this entry are where Nin confronts her own dishonesty within her diary's pages--the 'cardinal sin' of journal-keeping. Without saying so explicitly, Johnson shows the reader by example how important it is to keep one's diary devoid of any false stories or feelings. The last chapter on May Sarton is like smiling into the day's end--the golden years of one's life published in best-selling diaries. One is never too old to begin, I suppose.

The six chapters are capped by a prologue and epilogue, both in the form of diary entries (they may very well be) from Johnson's contemporary life. This book, unlike so many other nonfiction books of its kind out there, reads like a seamless biography that entertains, informs, and (most importantly) moves the reader to a better appreciation of the interior lives of some great (and some overlooked) female writers and diarists. It is a book for reflection on the power and value of keeping a diary (or 'journal,' for us men), and for motivation for all of us to start keeping one of our own.

What a fantastic find! This book is one of those treasures that you will never forget! A truly savoury read!

For the diarist, writer, avid reader or fan of Virginia Woolf, Anais Nin, Alice James, Katherine Mansfield, Marjory Fleming or May Sarton (or just for a lover of great writing!), this is a must-have book. I have kept a journal for nearly 20 years and have never thought much of it. In other words, it's part of me like my arm or leg is but in this book, journals are made into fascinating mirrors (or in some cases, pandora's boxes) of women writers. The author explains in great detail how each writer used her journal as a creative tool. The title "hidden writer" is somewhat misleading, as all the women in this book were published, but the "hidden" aspect perhaps refers to the private aspects of themselves they revealed only in their journals. Chapters on Katherine Mansfield and Virgina Woolf are exceptional.

Johnson's research is phenomenal, layered and her narrative skill at tying it all together is amazing. Somewhat mediumistic, she dons a slightly different voice in each chapter, to best bring the writer's diaries to life.

The book ends with a few journal entries from the author.

A fascinating, memorable read. Anyone with an interest in writing, psychology, and creativity should find this a wonderful read!

Recommended without fail!

This book examines several women writers through recent history, and how their practice of journal-keeping helped (or hindered in the case of Anais Nin) the finding of their unique voices and the moving of their private writing into the world in spite of the often huge barriers of their repressive time-periods and circumstances.

It starts in 1809 with Marjory Fleming, a six year-old Scottish prodigy whose diary became a huge success after her death at age nine from measles - and her older cousin and mentor who never published a word.

Then Sofia Tolstoy, in 1862, marries Leo Tolstoy who funnels her considerable energy and talent and intellect into scribing and organizing his own work.

In 1889, Alice James hides behind illness to avoid competing with her ambitious brothers Henry and William; she only manages to start a diary once she's a middle-aged invalid in England, far away from her famous American family. I found her story particularly haunting and appalling.

Next, Virginia Woolf and Katharine Mansfield chronicle in their journals their creative friendship and rivalry. Then there's Anais Nin in the twentieth century whose fame is secured by her bank-vault filled with less-than-truthful diaries; oddly enough, her fixation on her diaries keeps her from breaking through with a successful work of fiction.

Last comes May Sarton who goes where no one has gone before and writes with great candor about old age and solitude. The book is written in a scholarly, yet fluid, style that pulls you along. Very interesting.