Portugal Books
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Great book!Review Date: 2008-04-18
A Travelogue of SortsReview Date: 2005-09-28
It makes for thoughtful reading on what can go wrong if you live far away from the creature comforts of life with electricity, water & food on tap and take it for granted. The author lives in an outlying rural region without any connection to electricity and tap water is from a well. To confound things, the land is not very fertile, as summers can be very hot and rains are not frequent. Only certain types of vegetation can thrive.
I would label this book as "Survivor with Realism" theme. Not your normal "Survivor" series, but what is actually required of you given the constraints of nature. It is not your normal expatriate living abroad squabbling with builders, engaging with townfolk though there is some episodes on that, enjoying wine types of Peter Mayle's world.
A good read if you want to know how the rest of rural Spain lives.
Excellent "Report" on Life in Rural Spain as a TransplantReview Date: 2004-06-13
The basic premise of the book is that Shaun Briley (the son of Jon Briley, who scripted the "Gandhi" movie blockbuster) and his girlfriend are living uncomfortably with her mom in the UK, and so decide to go on vacation to Spain to escape the mom. Totally unplanned they end up buying a rural farm house in deep Spain, thinking this would be eternal bliss of sun and coctails. The book cronicles the pair's misadventures in adjusting to that rural life (no modern amenities we take for granted such as electricity, bathroom, etc.), while at the same time describing the ups and downs, and ultimate demise, of the couple's relationship.
Briley writes with a great sense of humor, and the pages fly by. As a transplant myself (but not to a rural setting), I took an immediate liking to the book, and found it hard to put down. I highly recommend as perfect beach reading for the coming summer!
I still laugh when I think of this book!Review Date: 2006-08-23


The authoritative biography.Review Date: 1999-04-01
Fascinating story of a remarkable womanReview Date: 2000-06-06
Isabel of SpainReview Date: 2005-08-17
Another great biography of Isabel is William Thomas Walsh's "The Last Crusader, Isabella of Spain" published in 1930. I recommend reading both biographies.
An apologia for XenophobiaReview Date: 2003-03-24

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Hansen Embraces the Big Subjects says poet Tony Lewis-JonesReview Date: 2003-07-04
A light breeze kisses a mountain lake;
a ripple of delight. So deep felt is
the caress that the lake undulates long
after the breeze has gone.
This is one of the early poems from Jan Oskar Hansen's Letters From Portugal, and it tells us much, in its four lines, about this poet. Firstly, there is a sensuousness about the language, an appreciation of nature through the senses that is not filtered through the reductive intellect. Secondly, this is an affirmation for the poet: the delight he feels is entirely natural and untaught. Then, beneath the surface of the appreciation of nature, we become aware that Hansen is touching on wider issues: the breeze is a 'caress', and the undulation of the lake is surely also that of a human body. The overall effect is very pleasing, and this is something that one finds throughout Letters From Portugal: the surface of the poem is only an entry into the bigger world of the poet's consciousness.
Bewrite have kindly given us, through the good auspices of their poetry editor, Heather Grace, a series of prose insights into Hansen's life and poetry at the opening of the book. This is certainly a poet who has lived life and travelled, both physically and mentally, and this breadth of experience continually reveals itself throughout Letters From Portugal. This is particularly noticeable in the section 'On People', from which 'The Blessed' is taken:
The Blessed
Handicapped beggars fight
for the best position
nearest the church's door;
the one with spiked
crutches wins.
We who have communicated with
God are in a mellow mood,
give more coins than we should,
which we notice with annoyance
when we pay for a coffee and
have to break into a note.
That's why we scowl at the
beggar in the town square,
ignore his outstretched, dirty
palm and silly grin.
We are going to church
next Sunday too,
to feel blessed while
beggars fight outside.
The poet presents this story in the simplest language, and makes no apology for the emotions expressed. It is we, the readers, who are left to reflect on what Hansen really thinks of this kind of Christianity. It is sobering to reflect that there were beggars in the New Testament, and still, 2000 years later, our society is as graspingly materialistic as it ever was. Hansen tells us this without needing to spell out his own feelings on the subject, and the message is all the more powerful for that.
It would be invidious to quote every poem in this book that gave me pleasure, and obviously, in the scope of a review, this is just not possible. Hansen is a writer who embraces the big subjects, although his canvases are miniaturist, and I recommend this book to those who have not come across his excellent work before. Let the poet have the last word though. In Two Lonely People Together, he writes of a love that is fleeting and unsure, and seeks solace in 'a book about love'. I am sure many will find solace in Letters From Portugal, and much fine poetry too:
Two Lonely People Together
It was late. We had been drinking
wine, and you asked me to stay.
The bed was unmade; a faint scent of
aftershave in the air. I wondered how
many men slept in your bed before you got
around to changing the sheets. If wine isn't an
aphrodisiac, it surely is an anesthesia
of the mind, and with the light off, the ghosts
of men past disappeared. When you gently
snored, the rhapsody of humanity lost,
I got up and sat in your living room,
reading a book about love.
Review
by Tony Lewis-Jones
Poet in Residence
Bristol Evening Post, UK
24.5.03
Jan Oskar Hansen makes "the landscape look trivial"Review Date: 2003-08-01
Within
this scope he bears witness to those forgotten men, women and children some would avoid seeing. Innocently drawing our attention
to a currently pervasive immunity towards suffering in our society, Mr. Hansen is never judgmental in tone, nor does he set
himself apart. His poems are like black and white snapshots of life, reminiscent of Andrew Wyeth's paintings.
"City
at Night" is a potent example of this brilliant picture painting. The scene, a simple view from an urban hotel room window,
does not divulge its emotional effect until the last.
"An empty beer can clatters
in the night, a window opens,
and
for a moment,
loneliness lingers."
With a talent for encapsulating human emotion as inspiring as it is original, Mr. Hansen's penetrating insight into loneliness and loss pervades much of his work. However, he can also cleverly dispatch a touch light as ambrosia, slightly winking at you with his words. This good natured humor is at its best in "If I Should". He entreats that when he dies, he'd like his last thoughts to be of he and a young Marilyn Monroe talking and walking in the woods together. With a gentle imaginative style of reflection, Jan Oskar Hansen is the true poet's poet and his writing is delightful reading even for the infrequent reader of poetry.
Review by Tony Lewis-Jones, Bristol Evening PostReview Date: 2003-06-25
Exciting...Review Date: 2006-07-21
The "Letters" are stories told with finely-tuned sensibility by Jan Oskar Hansen, a poet who has sailed the seven seas of his inner and outer worlds. Because of their range, loving acceptance of life and unflinching honesty, the stories will appeal even to those who don't usually read poetry, and sophisticated readers will discover new truths and newly experience old ones.
The poet takes Life on and goes from overview into its nooks and crannies. Our own lives are shown to be larger and more interesting than we'd realized. The gentle nobility and empathy that pervade the lines compel us to experience and enjoy our own humanity. Mr. Hansen is a powerful communicator.
From Letters from Portugal:
Winners and Losers
As the rich Iraquis are fleeing Baghdad,
the poor are left behind, and as always,
in every war fought, it is the not-haves
who die. The foot soldier too, in his fox
hole, where war propaganda is suddenly
rendered valueless, is usually from a city
slum or from a tiny homestead.
Far from the battlefield, the sons
of the powerful join the National Guard,
wear spended uniforms, talk tough.
###
To Be in Love
Once, but only once, was I in love.
Pink clouds bumped my head on
morning stars. Smiled to everyone
and was incredibly kind, which in
the end was my downfall, because
some women can't resist a man in
love, wanting to possess that inner
glow to warm their lonely hearts.
I was led astray, eating the icing on
the cake of love. She didn't see it
that way, and dumped me cruelly.
Sadly watched the cake get stale; its
icing melt. Let me fall in love
once more, and this time get it right.
###
There are many poems rich in fantasy in this collection and those in which fantasy and reality intermingle, so that we are compelled to recognize that any rigid separation is of our own making.
In his essay, "The Case for Popular Poetry," Joseph Sobran makes a plea for poetry that will "stick to the ribs," reach his heart and mind and stay with him. I hope he finds these poems.
Bonuses: the book has an excellent introduction and an interview with the poet. At the end is a brilliant touch -- a section titled "Emails from a poet to his editor."

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Witness of feelingReview Date: 2004-01-26
This book was originally published in England in 1938 under the title "Death's Other Kingdom" but was never published in the US until this edition, newly titled, was published under the editorship of Zalin Grant.
The book is very short on factual details and makes surprisingly few references to actual events beyond the walls of the farm house she shared with husband Gerald Brennan. Yet, she captures with sensitivity the uncertainty, anxiety and absolute terror that overtook Spain at that time. (Read this along with Orwell's classic "Homage to Catalonia", written around the same time and Ramon Sender Barayon's "A Death in Zamora.)
Woolsey's memoir is best for what it tells us about the basic division that tore Spain apart and how ordinary people in a small village suffered the consecuences.
For Spanish Civil War Buffs, by fermedReview Date: 2002-03-27
The Spanish Civil War, from abroad, still resonates with the romanticism and the dashing braveness of foreigners is Spain; strangers of all types played in this Spanish sandbox of blood and terror. The literature that emerged from the war was perforce partisan, Manichean, judgmental. This little book by Gamel Woolsey made its appearance in 1939 under the title of DEATH'S OTHER KINGDOM, and promptly vanished from sight in the shadow of Orwell's HOMAGE TO CATALONIA and the turbulence that preceded WWII. Now it has been published again under this new title, and rightly so, for it is a delicate and non-partisan narrative, such as only a poet would produce. Those who have very strong opinions about the war and its players will at first be disappointed by the book's apparent blandness (at least I was); but after a day or two, the true horrors that are only hinted in the book will dominate one's consciousness and perhaps illuminate more clearly the nature of the conflict.
There are a few objectionable efforts at translation, unaccetable in these days of easy information: the ancient Castillian song "Esta si es siega de vida" ("This, now, is the reaping of life..." is translated as "This, this is the sowing of life..." rather entirely changing the meaning and making the poem pointless. An additional linguistic failure is in the mention of the peculiar Spanish verb used to denote that someone is wearing new clothes for the first time: "estrenar" which appears in the book as "estreñar" (meaningless but perilously close to "estreñir," which means "to constipate").
Despite those minor faults, this is a haunting book that stays with you, and certainly an obligatory read for Spanish Civil War aficionados, of which there are surprisingly many in this country.
"Death's other kingdom"Review Date: 2001-06-14
Woolsey's remarkable book, "Death's Other Kingdom" (1938?), is far less known than her husband's writings, but for no good reason. Fortunately, it has now been edited, given a new title ("Malaga Burning"), and made available for the first time in the United States by Brenan's one-time neighbor Zalin Grant, who rightly acclaimed it one of the best memoirs of the Spanish Civil War. Grant has also happily removed the mysogynistic preface by Woolsey's brother-in-law that appeared in the British edition.
"Malaga Burning" is Woolsey's eyewitnees account of the first seven weeks of the war in Málaga and its outskirts. Among Civil War memoirs it is unique, for it is one of only a handful written by women and, in addition, it moves beyond the "great events" of the war and the experiences of foreigners, to focus, instead, on the agony of ordinary Spaniards of all classes and political persuasions. Sandra Mardenfeld criticised the book for this in the "New York Times Book Review", saying that Woolsey "provides little education about the war; rather her story captures the cruelties of humankind without offering much context." Ironically, the author would agree 100%.
Woolsey is decidedly apolitical. She portrays all groups -- anarchists, communists, fascists, even refugee Englishwomen sipping tea in Gibraltar -- as equally inclined to ferocity and (with the exception of the latter group!) brutal murder. One of the central parts of the book narrates her struggle to help a Málaga businessman escape death at the hands of the anarchists. Yet Woolsey is not inclined to sympathize with the fascists -- at night, she can see the smoke and flames rising from Málaga from her home several miles off, nationalist bombs bursting over civilians' heads, shattering their world to ruins. She is also critical of the many journalists who flocked to Spain to scoop up stories about "anarchist atrocities" and the "Red terror". In fact, she coined the term "pornography of violence", noting how effete Englishmen and anti-communists seemed to enjoy reading horror stories about raped nuns and wealthy families burned alive in their homes, stories often made up to satisfy this very lust for exploiting other people's nightmares.
Obviously, the book isn't a "pleasant" read, but it's an incredibly important one. Woolsey's vivid writing makes for emotionally engaging, profoundly stirring book that no one who is interested in Spanish or European history should miss. 5 stars.
UP CLOSE AND PERSONALReview Date: 2005-12-07

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2 stars because the previous 2 ones were real goodReview Date: 2007-02-17
i know it is very very hard to write, so my respect for that. but this novel is not like cactus killer. sorry, but a brilliant star fading
clone this guy!Review Date: 2003-05-21
So well written I almost cried!Review Date: 2003-05-27
Very Good ReadReview Date: 2003-04-21
"One Last Hit" is the third Joe Portugal book and revolves around Joe's exploits as he gets his old band, The Platypuses, back together and his search for their elusive lead guitarist. The problem is that somebody's trying to kill members of the band not long after they reunite.
Joe is a very likable character and the dialogue is fast and funny. Walpow also gets in plenty of musical references through his character, mentioning "unsung" (no pun intended) bands and albums that may just have the unfamiliar looking them up. A nice touch is that chapters are titled with Who/Pete Townshend song names. Fans of a good mystery and '70s rock will enjoy this fun book.
A quick note on the publisher, UglyTown: they are the reason I bought "One Last Hit" in the first place. They publish beautifully designed paperbacks and whether they choose the authors or the authors choose them, it's a good fit. I have everything they've ever put out (including a series for teens) and enjoyed them all.

History treated with passion and playful words.Review Date: 1999-05-24
"Os Lusiadas" is one of the greatest epic poemsReview Date: 1999-04-17
Simply the epitome of world literatureReview Date: 1999-10-27
The masterpiece of Portuguese literatureReview Date: 1999-04-11

insightful, clearly organizedReview Date: 1998-07-08
this book was interesting and very informativeReview Date: 2005-05-29
Not exactly Review Date: 2005-01-11
The book's one deficiency concerns the preceding era of Muslim rule of Andalusia. It portrays this time frame, from the 8th through the 13th centuries, as one of peace, prosperity and universality.
This, however, is a gross oversimplification, and misrepresentation. The earlier era was one of militancy and war. Spain was pillaged and burned during the 711 invasion by Tariq. Cordoba's factories alone produced 1,000 bows and 20,000 arrows a month, and 1,300 shields and 3,000 tents a year--used, according to Richard Fletcher, to ravage the area. The supposedly learned and cultured 10th century sultan 'Abd al-Rahman owned 3,750 slaves in his palace alone. Barcelona was sacked in 985, along with the monastery at San Cugat del Valles. Combra was plundered in 987. Leon and Zamora were pumelled in 988. Osma was destroyed in 989, and so on.
As we see, even Andalusia's supposedly ultra-harmonious 10th century was hardly that. In 977, Almanzor (meaning 'the victorious'), undertook a first campaign against Leon, which he ravaged. His 997 campaign against Santiago de Compostella was only "the most daring and notorious of a series of hammer-blows which the Andalusi armies under Almanzor's leadership delivered to the Christian principalities," writes Fletcher. The Jews escaped none of these escapades unscathed, either.
--Alyssa A. Lappen
Fascinating reading. Enlightening.Review Date: 1999-09-13


Excellent book on this complex personReview Date: 1997-06-15
Very intricate and detailed, A+Review Date: 1997-06-04
A very concise story of the man behind the king.Review Date: 1997-09-13
Wonderful Biography on Philip IIReview Date: 2003-06-12
An aspect I like about this book is that the author -- Geoffrey Parker (who at one point taught at Christ's College) -- tries to give as much of an objective account as he can, recognizing that the life of Philip II has been distorted by historians who have had a Protestant bias (and therefore portrayed Philip II as an inflexible tyrant) and who otherwise have not appreciated the cultural contributions of Spain because of what he describes as the "Black Legend" (wherein the Spanish are believed to be "tainted" with Jewish and Moorish blood).
Mr. Parker appears to exonerate Philip II of many simple-minded charges, and portrays him as a very competent and astute ruler with a strong intellectual curiosity who devoted his life to the Catholic Church. Philip II was somewhat of a connoisseur on art, who enjoyed the works of Bosch and Titian, but who happened to overlook the genius of El Greco. Another interesting detail in the book is Philip II's enthusiasm for hunting.
The book gives a good overview on Philip II's numerous wives and children (he was married 4 times and some of his children were stillborn). It also allows one to understand the period under which the Netherlands was ruled by the Spanish as well as of the "taming" of the New World, as well as the aftermath of the Armada disaster.
King Philip II preferred a very centralized government. He was an indefatigable ruler who did an incredible amount of paperwork.
Philip II is portrayed as an enlightened ruler who at times showed incredible mercy to his subjects. He even dressed like the common man and did not require subjects to bow down to him as did other monarchs. This was the quintessence of "Spanish nobility."

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Not bad but needs updating -- Jim EdwardsReview Date: 2007-08-01
Stock Photography from IbizaReview Date: 2004-03-25
SuperbReview Date: 2001-11-22
Just the FactsReview Date: 2001-07-24

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Lots of Info, Kinda ComplicatedReview Date: 2008-09-08
This Book is a GemReview Date: 2008-03-12
Complex Scientific Principals Easily Presented for the Non Science ReaderReview Date: 2008-03-28
The book is a perfect example of how to write a science book for nonscientists. I have a degree in environmental science, but climate science involves so many disciplines that it is hard for even a trained professional to keep up and digest the information from all the various fields. Henson has done a remarkable job of taking the science and laying it out in an easy to understand way and in a very logical sequence.
The book is broken into parts in a flow that works well. The first section is about the basics of climate change, the second is about the symptoms we are or will be seeing as a result of climate change, the third is about the actual science behind climate change and the fourth presents a nicely balanced set of solutions and some of the detractors from those solutions. There is also a very comprehensive further exploration section at the rear.
The book is up to date and is, by far, the best source of scientific information available to the general reader about global warming. Buy it now...it might change your mind!
Rough Guide to Climate Change is a Diamond in the RoughReview Date: 2008-06-20
Loaded with great information and highly readable, although it never talks down to the intended audience, which is aimed at everybody (may be too difficult for people under the age of 12). Lots of photographs and charts to help explain what climate change is, what causes it, and what the symptoms are.
The only weakness of the book, which is ironically one of its strengths, is that it is refreshingly free of a certain preachy tone that can creep into some books on the environment - however, because the book is studiously non-political, only half a page is dedicated to "lobbying for change" in the chapter titled "What You Can Do - Reducing Your Carbon Footprint and Lobbying For Action". Most of that chapter is dedicated towards small things everybody can do (adjust thermostat properly, drive hybrid cars, walk or bike, etc.). However, real change will probably only happen when entire countries set policies and laws into place that mandate fewer greenhouse gas emissions. (This is a scholarly bureaucrat writing this, after all.)
Having pointed out a minor weakness, I can wholeheartedly recommend this book to anybody wishing to learn more about climate change and global warming. The book doesn't actually let "big business" or current government leadership around the world completely off the hook - the book duly notes that conducting business as usual has gotten us into this mess, and that most businesses, and most governments have no real reason to change business as usual - after all, if they are still in business, or still in power, the status quo must be working well for them.
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