Portugal Books

This is one of the best books of nonfiction I've read. Not only does it function as a primary-source document for study, but it is genuinely good reading. Subcomandante Insurgente Marcos is a powerful writer, and this book documents a selection of his poems, letters, communiqués and even fables for young children. Marcos, the most wanted man in Mexico, will go down as a major figure in Latin American Literature.

Since reading this book (actually, before I was even halfway finished) I had decided I needed to buy copies for family and friends as gifts and recommend it to pretty much everyone. Marcos is an amazing writer, and the story of the Zapatistas is extremely relevant and intriguing for anyone interested in modern society, politics, Latin America, social movements, civil wars, literature and poetry, what "integrity" means in such troubled times, and so much more. No matter your interest, you will not be dissapointed by this purchase.

Too often those of us who seek social justice for people who have been traditionally oppressed tend to just reminisce on the past.

However, this book proves that there is a great social movement that ordinary people CAN , RIGHT NOW make a diffrence about

The history of Mexico, like the history of Latin America, is a history of pain, struggle, and exploitation.

Marcos shows us a movement that seeks to right some of the wrong, and leads a movement of the oldest of the old, the oppressed of the oppressed: Indigenous campesinos (farmers) of Southern Mexico. Where pictures of Jesus Christ stand right there alongside of.....Che Guevara.

A people that have been traditionally been treated like dirt, for lack of a better word, now taking an inspirational and highly moving stand and demand an end to exploitation and a better way of life.

Through their charismatic and briliant leader, Marcos, he tells us the story of the people known as Zapatistas and their struggle for dignity.

The dignity of a people no longer willing to tolerate centuries of injustice.

What human being cannot be moved by such extroadinary courage?

Without a doubt, Subcomandante Marcos is one of the most important present day writers and activists in the Americas. "Our Word is Our Weapon" is a huge collection of his essays and short stories about the Zapatista rebellion in Chiapas.As such, I highly recommend it for peace and justice activists engaged in Latin American solidarity work, the anti-corporate globalization movement and indigenous struggles. Moreover, it is an interesting study of grassroots participatory democracy in action. Read it and be inspired!

Subcomandante Marcos is not just a man, he is a myth in his own lifetime. The cult of personality that surrounds him is completely deserved. His poetic voice is so sharp and poignant you can not help but feel sympathetic for his Zapatistan cause.

The highlight of the book is the last third which features primarily his writing. The stories and poetry he shares are accessible to almost anyone. He is the antithesis of stuffy. His anecdotes and points are so simple yet so perplexing you wonder how he does it.

I loved it - if you live in LA you HAVE to read it!

I was a bit hesitant to buy this book, since I'm not really a "plant person". However, I'm certainly not a "horse person", but I always enjoy Dick Francis. Knowledge or enjoyment of succulents is not necessary to enjoy Nathan Walpow's first mystery novel featuring commercial actor Joe Portugal.

The book doesn't really fit into either the hard-boiled or cozy category: Joe Portugal may be an amateur sleuth, but there's lots of action to keep things moving. Wait until you have some spare time, because you won't want to stop reading until you find out whodunit.

Nathan Walpow has a winner with his Joe Portugal series. Set in contemporary L.A., the book provides an enjoyable view a group of succulent enthusiasts and the world they inhabit. Solving one major problem with many amateur detective mysteries, Mr. Walpow succeeds in providing his hero with a believable lifestyle that allows him time to search for a murderer - he's a totally-lacking-in-ambition actor in commercials living in a house owned, but not inhabited, by his father. In fact, the father and his friends are vibrant minor characters I look forward to learning more about in future titles. Congratulations to Nathan on a promising mystery debut!

Not your garden-variety mystery. A succulent little book, with a down-to-earth detective, a thorny problem, good plot, and very good and believable characters. I've written a longer review for our website and am posting this one as a personal favor to Nathan; however, I am recommending this book, not as a personal favor to him but to mystery lovers everywhere, whether you like plants or not. Don't waste thyme. Buy this book now!

I do read the reader reviews on Amazon but never thought I would be writing one of my own. This book was so good I thought it needed some more help reaching book buyers, so here goes:

Joe Portugal is a 40 something actor in commercials in Los Angeles who belongs to a club devoted to cacti and succulents. He has the good fortune to be somewhat successful in his career, live in a paid-for house courtesy of his father, and have a best friend (who happens to be female). He has the bad fortune to be be house, plant and bird sitting for the club president when he discovers her dead in the shower with a broken euphorbia stuffed down her throat. Police detective Casillas seems to think Joe knows a bit too much about the victim and type of murder weapon (the euphorbia sap is quite poisonous) and follows Joe about as more murders are committed. It doesn't help Joe's case that the rest of the euphorbia shows up in his greenhouse while the detective is interviewing him the next day.

What I liked most about the book was that no one was phony- even in Los Angeles, people can be normal. Joe wasn't a caricature, neither was Gina (the female friend), nor the police. They weren't supermen- able to take a pounding and then pop up fresh as a daisy ready to run up Mt Everest. Joe's dad is a retired (due to prison time) enforcer who worries about Joe and asks a friend to "watch over" him as Joe continues to investigate the killings. The interactions between characters was lively, funny and true. The situations that develop aren't forced- the coincidences aren't too far out. Maybe it's because I've been suffering thru some really bad fiction recently, I don't know; but this book is a prime example of really good writing, fascinating real characters you get to care about (oh that phrase!) and a story that plain sucks you in until you *have* to know what happens next and who did it. And, for the record, I didn't guess who did it before it was revealed. My guess died second in the book

You will learn a great deal about cacti, euphorbias and poinsettias while reading the book. A wonderful botanical guide to the plants mentioned is included in the back of the book.

Is this a cozy? hmmm, maybe. No animals die in the book- unless you include some wasps.

I heartily recommend this book to anyone whoever tried to get a cactus to grow and hates wasps; and to anyone looking for a great read period!

I have read quite a bit about the conquest of the Aztec and the destruction of Tenochtitlan, to include Hernan Cortes' Conquest of Mexico.
This is the easiest and most compelling description I've read to date. Levy makes you feel as if you there as part of Conquest. His description of the smallpox plaque and how that helped Cortes is one of the best analysis of factors that I've read to date. If you want to understand the Conquest, this is the book you need to read.

Conquistador is a masterpiece of well researched historical knowledge balanced with a swift narrative. The book reads like a wikipedia article, trimming down decades of conflict into some 350 short pages. The book covers one of the greatest conflicts in history, and is truly on a greater scale than the most epic fiction such as Lord of the Rings. Read it. You will not be disappointed.

I enjoyed most of the book. By the end the battle scenes got somewhat repetitive. But I recommend it if you want to learn about this period.

A terrific book, full of action. Amazingly, this is not a complete biography of Hernan Cortes. The book concentrates on his conquest of the Aztec empire. While you may not support what the spanish did to those peoples they conquered, one must be impressed by Cortez's accomplishments. The story is an amzing adventure. If you saw this in a movie, you would think they fabricated this story to make it more exciting. There is no need to. A must read.

i couldn't put this book down. the incredible deceit and politics that went on and still continues today. you could really see the humanity in both Cortes and Montezuma. very well-researched. now i want to go to mexico city and dig deep in its streets and sewers to find all that lost gold!!!!

This is comparative history at its very best. Elliott superbly describes and chronicles the history of the British and Spanish exploration and colonization of the Americas, as well as the process whereby both the British American and Spanish American colonial societies brought about their independence from the imperial governments. It is a comprehensive, detailed, and yet highly readable overview of the political, economic, social, military, and religious forces at play in the Americas during the time period. Elliott goes beyond the telling of historical events and facts, to provide analysis and interpretation of why history unfolded as it did. The writing is excellent and clearly reflects a highly learned historian who has the ability to tell history in a an engaging manner. His juxtaposition and comparison of British and Spanish America in a single volume results in a very interesting and stimulating way to learn about the two empires. The book contains very attractive end papers, a number of excellent maps and numerous color plates. Very highly recommended.

Elliott delivers the masterpiece that those who study the Atlantic World have been waiting for. The idea of studying history from the perspective of the Atlantic has been growing in popularity and worth taking a further look at. Britain and Spain established mammoth empires and Elliot looks at their rise and fall. He also considers other powers including the French and Dutch but focuses mainly on the first two mentioned. The age of exploration is put in context and in true Atlantic fashion the slave trade and development in Latin America are very important. The revolutions of the Atlantic world are very clearly explained in this book and Elliott leaves you wondering where else this field can go. Elliott writes very well and this book is a must read for those who want to consider how the Atlantic world impacted Europe and the United States.

In Empires of the Atlantic World, Professor Elliot compares and contrasts Spanish colonial America with British colonial America. I am not aware of any other books that take this is their subject, and I think that it is worthy of attention. Elliot presents 2 very different experiences in terms of government, economy, and culture. For instance, the Spanish conquistadors came upon a very highly centralized political structure, which they were able to penetrate (and co-opt for their own rule) with relative ease. This enabled them to retain the tributary labor system of the Aztecs and Incas, which they labeled the encomienda system. The British in North America did not have the same experience, as the Indians there tended to be far more decentralized. This forced the British to pursue a far different strategy in their efforts at conquest. Also, the scarcity of gold and silver in North America forced the British to diversify the colonial economy, leading to a more developed economic scene.

Additionally, I found Elliot's side-by-side discussion (between the British and the Spanish) of various other colonial themes to be well-developed. In particular, he goes into considerable detail in contrasting Spain's Catholic-only policy in the Americas with the religious diversity that existed in the British colonies. At the same time, he also explores the very different attitudes that the British and the Spanish had toward the Indians, and how those differing attitudes shaped political and social orders in the 2 regions (look at the large "Mestizo" population that exists in many parts of Latin America today, in contrast to the relatively small population within the United States). For instance, the Spanish sought to bring the Indians into the Catholic Church (witness the significant presence of the Catholic Church in the colonies), and even (theoretically) included a measure of legal protection for Indians within the encomienda system. On the other hand, the British did not make christianizing the Indians a high priority, nor did they concern themselves wth any legal protections for the Indians (a notable exception to this was William Penn).

Elliot gives a great deal of space to discussing how the political and religious regimes that existed in Great Britain and Spain were transferred to these nation's respective American colonies. For example, the British colonists were nurtured, to some degree, by the growing "liberal" ideas that were coming out of Great Britain at the start of the 1700s, while Spanish colonists had no such ideas to turn to (at least none in Spanish). Moreover, British control over its colonies was relatively decentralized (many of the colonies were private or corporate, and all enjoyed a measure of self-government), though Spanish colonies were under the tight grip of the Spanish monarchy. Finally, Elliot demonstrates how both Great Britain and Spain began to "reform" their administrative policies vis-a-vis the colonies, and how those reforms triggered colonial resentment (though the 2 nations had different results in quashing this resentment).

This well written and well organized book is a careful synthesis of the enormous secondary literatures on colonial British America and colonial Spanish America. Elliott provides a pair of parallel narrative overviews of British and Spanish America from their foundings to the revolutions that severed ties to their home nations. The narratives provide the basis for some comparative analysis that recurs throughout the book.

Knowledgeable readers will probably be familiar with much of the narrative about British North America. Much of the information about Spanish North American will probably be new to many readers (like me). For example, the small British settlements of the 17th century were dwarfed by the scope of the Spanish colonial enterprise. When Boston and Philadelphia were modest seaports, Spanish America boasted several large cities. At the time of Harvard's foundation, Spanish America already possessed several universities.

Elliott divides this book into three sections; Occupation, Consolidation, and Emancipation. Occupation is devoted to the initial experience of exploration, colonization, and encounters with the native peoples of the Americas. The chapters in Consolidation describe the development of mature colonial economies and imperial government, the challenge of developing European style societies in radically different circumstances, and the sense of identities developed in these new societies. Emancipation describes the 18th century conflicts between the metropolitan centers and the colonies, particularly as London and Madrid attempted to develop closer control and upset traditional arrangements. All chapters are particularly good combinations of political, economic, and social history.

Elliott points out the common problems faced by both British and Spanish colonial efforts but also how the different features of the home nations and different circumstances in the Americas produced different outcomes. The Spanish, for example, were confronted with very large native populations that they attempted to incorporate into their empire. This fact, plus traditions inherited from the Reconquista, would contribute to the generation of the very racially differentiated society in much of Spanish America. The existence of enormous silver deposits in Mexico and Peru drove the Spanish Crown to exercise considerably closer control of its colonies than the British monarchy would exercise over its colonies.

In his comparative analysis, Elliott deals with the major differences in British and Spanish America, and implicitly how they led to such differing outcomes after the revolutions at the end of the 18th century. Elliott's answers are surprisingly traditional. He stresses the centralized bureaucratic nature of the Spanish empire, the more 'commercial' nature of British settlements, the religious pluralism of the British colonies, and the more liberal/representative political traditions that the British brought with them. Elliott is careful to point out that many of these ultimately beneficial features were essentially inadvertant. If the English crown had been stronger or if rich gold mines had been found in the Blue Ridge mountains, the path of British colonization might well have been closer to the Spanish model.

This was an eye-opener for me as I knew very little on Spain's American territories, besides brief descriptions of some of the conquistadors such as Cortes and Pizzarro. What Elliott has done in this book is to show the comparisons and contrasts between England's New World Colonies and Spain's. There are many fascinating facets underlaying the reasons for acquiring these territories, how both sides viewed their mission and goals, and how they governed them. This is without a doubt a remarkable book that revealed a lot for me.

The first colonization was begun by the Spanish in the early 16th Century. The English made their first successful attempt in the early 17th Century. Both South and North America posed different challenges for both governments, i.e. the size of the indigenous populations, the geography and climate, natural resources and so forth. For me, the real fascination was learning more about the Spanish colonies and the establishment of the viceroyalties of New Spain (based in Mexico City) and Peru (based in Lima) with additional ones developing over time. The interaction with the natives, the attempts at Christianization, trade, and many other aspects of Spain's colonization were quite enlightening.

Being more familiar with United States history, I felt more familiar with the material covered on England's planting of settlers in Jamestown and later in New England. However, the real education was in Elliott's efforts to show how each of these two powers (Spain and England) confronted the realities and challenges of establishing their presence in these very different regions. The differences were often quite stark. Some of the points of contrast that most differentiated the two powers included each nation's attitude towards the Indians (including the attempts or lack of evangelization) and the extent of imperial bureaucracy brought over from the mother countries.

Elliott also describes how world events had helped to shape and or guide the developments that occurred in both country's territories. The Reformation, the British Commonwealth under Cromwell, the Restoration, the Glorious Revolution, the French and Indian War, the French Revolution and so forth, all served as factors in shaping the events that transpired in North and South America. The role of various monarchs, religious, military and political leaders, as well as indigenous leaders, are also discussed.

Elliott does try to take an even-handed approach in acknowledging the strengths and weaknesses of both government's endeavors. Of course it goes without saying that the notion of empire, with the connotations of exploitation of natives and their cultures, is unpopular in most peoples minds nowadays. Yes, it was and remains a blot on the records of all nations that engaged in replacing the livelihoods and cultures (sometimes more like extermination) of indigenous peoples, or those who engaged in the slave trade, but we must keep in mind that we have to try to keep modern standards in check for historical purposes.

This is such a broad subject that I find it hard to even begin to touch on more specific details found in this book; I'm just trying to outline the broader contours of Elliott's book. Having some introduction to this time period will help you, but you need not be an expert on this particular topic. An illuminating read.

I own quite a few Southwestern cookbooks and my parents lived in Southwest for quite a few years. I find this cookbook to be the best resource for authentic Southwestern recipes. Highly recommended.

The first thing that attracted me to this book was the title -- Mexican-American Cooking. What we typically call 'Mexican Food' in this country really isn't at all like the foods that the typical restaruant will have as you progress away from the American influenced border towns. Mexican-American food is derived from the foods of interior Mexico, but these food have been heavily modified as they crossed border. And YES, Mexican-American food is the style of food that I happen to like.

Then when he was talking about favorite Mexican restaurants and he said 'These were places you needed to be - at least once a week.' And he started talking about going into withdrawal, he was talking my language. To feed my withdrawal symptoms I've gone seeking Mexican restaurants in London (much improved in recent years), Bremen Germany (the Guacamole was Pink), Taipai (not too bad if you just don't think of it as Mexican).

Anyway, he says that he has been collecting the recipies for 18 years. And he's done a supurb job. I've found a lot of things that I want to try.

One small complaint - in the appendix he lists some mail order sources for ingredients. Fine, but he doesn't give web sites where the products might be ordered. And, another source that I've found excellent for hard to find items is the Gourmet Foods section at Amazon. But a new hispanic grocery store just opened across town so I guess I really don't care.

I am not sure how I overlooked this book. The author deserves the top awards anyone can heap upon him. Well researched, and the history is extremely good. The recipes are extensive, wonderful, and covering every region. An outstanding book. Now I will have to look for other cookbooks from this author.

Jim Peyton has written a really terrific book. This is one that should be in everyone's collection.

Those of us who live in the Southwest simply have to have a periodic Tex-Mex fix, so we head for the nearest drive-in or our favorite Mexican restaurant. One of the best things we've done is buy a copy of La Cocina De La Frontera, a comprehensive collection of recipes for preparing Mexican-American dishes, and also a view of this particular ethnic cuisine from both a historical and culinary perspective.

Emphasizing the styles found in California, Arizona, New Mexico, and Texas, the 349 page volume offers everything from Bebidas (drinks) to Postres y Dulces (desserts and sweets). In between you'll find flautas, enchiladas, beans, quesadillas, burritos, chiles relenos, and a host of other delicacies that Mexican food aficionados find irresistible.

After 18 years of research, James Peyton has collected what is in my estimation one of the finest guides to this popular cuisine. Also included is an appendix of mail order sources for some of the ingredients, plus hints for adapting recipes to low-fat and low-cholesterol diets.

- Gail Cooke

LET'S OPEN A BOTTLE: MY JOURNEY THROUGH THE SPANISH WINE REVOLUTION takes readers to Spain along with the English teacher/author, who considers the Spanish wine revolution. Murdock is an expatriate living in Madrid the past fifteen years: his background lends to a blend of memoir and travelogue which brings readers into the heart of Spanish wine country politics and winemaking tradition. Travel tips include listings of regional wineries, specialties, and recommendations for destination-bound wine fans. A wonderful, detail-packed read for any interested in Spanish wines and wine region history.

Diane C. Donovan, Editor
California Bookwatch

Books on Spanish wine are difficult to find, good books on Spanish wine are rare and books such as Brian Murdock's are unique. Not only is it up-to-date and thorough but it blends a current knowledge of the Spanish wine industry with insights into Spain's history and culture. Robert Parker (aka God), the world's leading wine critic, has said of Spanish wine that,"Spain has done an outstanding job of maintaining respect for its traditions of the past and also looking forward to the future." This wine revolution is perfectly captured in Murdock's book.
However, this is not just a (well above) average reference book on Spanish wine regions and their wines. This book is far more. It is a personal journey, literally, among the highways and byways- most Spanish wineries are on byways- where the author talks to a wide cross-section of individuals involved in wine-making. This allows the reader to hear the voices of those actually making the wide variety of quality wines which Spain is now producing.
In this personal account the author's acute perceptions, deep knowledge, wit and sheer passiopn of and for Spanish wines burns through. At the end of this excellent read Murdock modestly states that he is no 'expert' but '...after a helluvah lot of work, I also should know what I am talking about.' Indeed he does.
As a wine merchant based in Spain and having visited many of the same places and tasted the same wines as the author I can bear witness to its accuracy and insight. This first-class book will appeal not only to all those who wish to explore Spanish wines but also ita charming people and rich culture.

This is a great read and should not be simply thought of as another boring guide to wine. The author weaves plenty of humor and history into this aptly named "Journey Through the Spanish Wine Revolution". The reader learns how and why the vast history of the Iberian Peninsula has shaped today's Spanish wine industry. The end result is not only do I seek out Spanish wines in restaurants and stores, but I also want to travel to Spain to check out the various regions and their unique cultures and geographies. I should also note that I have given this book as a gift to a few people who have loved it as well.

As someone who's trying to learn more about the "wine culture" after years of clueless intrigue, I finally found the perfect source. While it primarily discusses wines from a lesser known country/producer(Spain), this book provides a firm backbone that's easily translatable across wine regions around the world. Not sure what to expect when I started, I was quickly taken by the extreme detail discussing individual wines and vineyards, and how they vary from region to region. As much as I learned about various "reds" and "whites", I received an equally thorough education on the history of each region. Humor and a lighter tone throughout make this a fun, interesting, and very informative read.

When I see this book, I thought "OK, a modern guide for spanish wines, I'll get it". But it's much more than this! It's a really good landscape of the spanish wine culture, with many facts surrounding the wine and spanish people.

I think Mr. Murdock has done a really good job, and it will be useful for many pepole who loves wine and wants to know more about Spain, its wine and the people who lives there.

5 stars are for all the book if we excepts the part for andalusian wines. They are worth of a full book! :-)

A perfect gift or a perfect self-gift.

Many Americans know Washington Irving as the author of "the Legend of Sleepy Hollow" and "Rip Van Winkle". Few realize that he was also a world traveler, scholarly fluent in Arabic and Spanish and something of an Hispanophile, to the say least.
Irving's book is largely responsible for the widespread romantic image of Spain. It is a collection of observation, history, fairy tale, written in Irving's unique blend of romanticism and healthy skepticism. It is roughly framed by his journey to the Alhambra and his departure from it, an in between we are given a tour of the grounds and hear a few tales (including tales of Moorish ghosts on headless horses) which are roughly intertwined as in the Arabian Nights. Indeed, this little book is the 'Arabian Nights' of the west.
Before visit the Alhambra read this book. If you are not planning on going, read it and you'll probably change your mind.

I am a Moor and I relate to the stories well. The stories reminded me of the things to avoid for the things that will come. A Moorish Empire will rise again.
Irving starts with his personal journey then he has several stories of gallant and modest characters which makes you feel your in the garden or the palace. It brings back what love was and how it should be. I really like the story of the Father striving to keep his son from learning about love. I know no matter what you do you can never lock love away because of its power and its vast estate one would have to know it is impossible. This is a worth while reader for anyone who knows and wants the best from humanity for it is the Moors who created civilization and it is their station to restore it.

On 7/24/04 through Amazon Marketplace I purchased this used book.
It arrived within the week and was excellently packed and shipped by bea4books@yahoo.com. A lovely "Thanks for Buying!" note was included with the invoice. The book is in very good condition with wonderful pictures. A surprise was that it had belonged to the Austin Public Library - a favorite city of mine. I'll be ordering more through you! Thank you.

Washington Irving is credited with bringing the glorious history and unbelievable beauty of the Alhambra, in the city of Granada, (the last stronghold of the Moors in the South of Spain) to Western conciousness.

After spending a day at the Alhambra last Summer, and passing by the closed apartments that he occupied, I decided to listen to his book while driving one hour each way to work. (any short trips won't work because all of the 'tales' are lengthy)

My title says it all. If you are a student of dry history this book is not for you. Only about 20-30 minutes will satisfy your curiosity for the facts. If you enjoy legend and lore this book is it. The bulk of the book tells numerous stories of princes and princeses, kings and soldiers, common laborers such as mule drivers and water carriers, loves found and loves lost, and especially the perrenial human lust for long lost and buried treasure, etc., all told with a wonderous style and feel for southern Spain of the 13-th to 15-th centuries.

The factual account of how Columbus finally came to agreement with Isabella and Ferdinand to sign the contract for the three ships, almost by chance in 1492, while the two sovereigns were outside Granada laying the final siege of the Alhambra fortress, is mind blowing. History came 'that close' to having Columbus sail three French ships instead of the Nina, the Pinta and the Santa Maria.

If you want just the facts, look elsewhere. But if you are planning a trip to Granada and the Alhambra, definitely pick up this book, along with a second, more fact based, and give a read or listen. I wish I had done that before my trip. It would have given much more life and enjoyment to the place as I walked through the various rooms and towers and gardens that Irving so lovingly describes.

This wonderful book written by a well-loved American author details his travels in Spain, and more specifically in the Castle Alhambra. These tales are delightful, and seemlessly weave from fact to fiction to history to folklore. It is a true travel log, done oh so many years ago, and done with Irving's whimcical and enchanting style. The sketches give a good description of Spain and travel in the early 1800's. Older children and adolescents would probably enjoy these sketches.

Concha Alborg's review of "A Woman Unknown" is riddled with errors.
She leaves an erroneous impression when she writes "Lucia Graves is the daughter of Robert Graves, the English poet who lived in Majorca with his Spanish wife and children for several years." Lucia is the daughter of Robert Graves and his second wife, which "A Woman Unknown" clearly states on page 6. it's also clear from the text that Lucia's mother is English. There's a great deal of information about her in this autobiography,even her maiden name, Pritchard.
Alborg also writes "The reader is left wondering what led to her divorce from her Catalan husband ... "
Not so. The author explains at length that she and her husband, who married quite young, simply grew apart in their interests and activities.
"we know little more than her oldest daughter's name and not even that of her other two daughters" Alborg says. Again, not so. The third daughter's naming is discussed at some length (it's Natalia) in a quite comical scene in the labor room, when the attending nurses urge Lucia to name her daughter Purificacion, in honor of that day in the Roman Catholic calendar.
Emy Louie also errs in referring to Lucia "Roman Catholic upbringings". Her parents were firmly agnostic, a major source of conflict during her girlhood time in a convent school, and of shaping her thought.

I loved this book and, as a writer, I found it very inspiring! Graves writes beautifully of growing up on Majorca and her descriptions of the place and the people there, and other parts of Catalonia, are very evocative. The book caught my eye because I am studying Spanish and this book gave me a great feel for life in Spain, particularly under Franco but also, as described to her by people she knew, during the Spanish Civil War. It also offers interesting thoughts on language and identity, because she grew up speaking English at home, Majorcan/Catalan with neighbors (at least until Franco tried to crush the language), and Castilian Spanish at school. It's no wonder she became a translator.

By the way, if you're interested in Robert Graves (I didn't know anything about him - I guess I missed the whole PBS "I Claudius" series), you won't find out all that much about him here - this is Lucia's story. At least he passed on to his daughter his talent for writing.

FOUND IN TRANSLATION

It's hard to review a book when one feels that she could have written it herself and worse yet when in fact that book has been published already. In some ways it's reassuring to read the same thoughts, opinions, even the same literary references and mythological symbols. In other ways it is almost eerie to share with it a similar structure of titled chapters which can be read independently. It all started with the cover of Lucia Graves' A Woman Unknown. Voices from a Spanish Life (Washington D. C.: Counterpoint, 2000) where I saw the familiar picture of Mercedes Formica, a writer I interviewed some years ago, but more about her later.
Lucia Graves is the daughter of Robert Graves, the English poet who lived in Majorca with his Spanish wife and children for several years. Her book is labeled as her autobiography, but it's more like a history of Spain during the almost forty years of Franco's Dictatorship and the ensuing some twenty years of Democracy. Her role is more that of a well-versed witness, a woman who has lived among three different cultures: the English of her birth, the Spanish of her adopted country and the Catalan into which she married. Hers is a well documented account of everyday life, political repression, historical events and a study of the richness of languages.
The author moved to Majorca, where a version of Catalan is spoken, when she was three years old. Despite her father's prominence, she lived a rather modest life on the island before it became a popular tourist destination. A few years of her childhood were spent in Palma, the island's capital, where she studied in a repressive nun school like any other Spanish girl, until she was almost convinced to be baptized in the Catholic Church ( to keep her from "going to hell"), at which time her parents had her first tutored at home and then send to England to receive a "proper" education.
At Oxford, although she missed Spain terribly, she became familiar with the language of her birth, her own father's work and - interestingly enough- Spanish literature which she could then study uncensored. It was her appreciation of the complexity of languages and in particular her translation class, that gave her the tools to become the accomplished translator she is now. Her reflections on language are in themselves worth the reading of A Woman Unknown. Her dilemma should be familiar to anyone fluent in more than one language: "I began to see that being trilingual meant I had never been able to focus fully on any one of my languages, that each one covered only particular areas of experience, and as result I could not express myself fully in any of them" (115).
Lucia Graves' book is full of expressions in Catalan which she carefully explains and translates into English. In fact, if anything, her careful attention to detail is superfluous to the initiated reader of Spanish culture. Her knowledge of the subtleties of the Spanish and Catalan character is commendable as is the varied tidbits of information about popular customs. Her appraisal of the repressive years of Franco's regime is equally on target as is her appreciation - only now becoming official in Spain- of the liberal Republican government.
However, for all her political openness, Lucia Graves is very coy about much of her personal information. For instance, she mentions in passing the sudden death of her half-sister Jenny (149), but doesn't bother to explain it, or we know little more than her oldest daughter's name and not even that of her other two daughters. Her Spanish mother, despite the fact that her illness opens and closes the book, remains a mystery as well. The reader is left wondering what led to her divorce from her Catalan husband and even to whom is she married now since she alludes to a second marriage, while she analyzes in depth the effects of the new Spanish divorce law of 1981. It could be argued that this lack of detail is a good thing since the reader's curiosity is peaked due to her talent as a writer and her, indeed, fascinating life.
The title, "A Woman Unknown" refers to the legal terminology given a woman in divorce proceedings. In fact Lucia Graves gives special attention to the situation of Spanish women: from the liberties of the Second Republic before Franco to the repression of the years after the Civil War, up to the new freedom we are presently enjoying. Her representation of postwar courtship rituals is as poignant as that of Carmen Martín Gaite's, one of the best Spanish writers who have written on the same topic. Her sympathetic portrait of Margarida de Prades, in the chapter titled "The Queen Who Never Was," a fifteen century Catalan noblewoman, for example, makes for captivating reading.
Lucia Graves is equally sympathetic in her depiction of the Sephardic Jews who inhabited Majorca and Catalonia. Their exile, in many ways, parallels her own quest for a homeland. But she is overly simplistic when she states that Franco was anti-Semitic. Despite all his other abuses, Franco saved over thirty thousand Ukranian Jews as it is documented in Chaim Lipschitz's book, Franco, Spain, the Jews, and the Holacaust (KTVA Publishing House, 1984). In fact Franco's own mother was of Jewish descent; her maiden name, Bahamonde, being typically Jewish.
There is no mention in the text of Mercedes Formica, the writer who graces the book's cover. This is a surprising choice given her right wing ideology - she was a sympathizer of the Falangist leader, José Antonio Primo de Rivera. My guess is that it was chosen by the editor in an otherwise beautiful, careful edition. These minor issues aside, Lucia Graves' book is a well written, compelling history of contemporary Spain from the point of view of a not so foreign woman, even when her own story is still not completely told.
CONCHA ALBORG

Concha Alborg is a Spanish writer who lives in Philadelphia and teaches Spanish literature at Saint Joseph's University. She has recently published Beyond Jet-Lag (New Jersey: Ediciones Nuevo Espacio, 2000), her second work of fiction, about the immigrant experience. Beyond Jet-Lag is available on Amazon.com ...

It was a whim that brought me to Lucia Graves' memoir "A Woman Unknown: Voices from a Spanish Life." I had just finished reading Carlos Ruiz Zafón's "The Shadow of the Wind," and was thoroughly entranced by its soaring lyrical prose. I noticed that the book was translated into English from Spanish and wondered whether the high quality of the prose might owe a great deal to the translator. So, I started investigating Lucia Graves' writings and discovered this exquisite memoir.

I rarely read autobiographies, but once I stared this work, I couldn't put it down--within a few pages, I felt like a spell had been cast. Soon, I was deep into a serene meditation on life--uncommon and fascinating for its vibrant Spanish twist, and subtle feminist slant. Finding this book was like suddenly discovering a refreshing mountain spring after a long summer hike: I had no idea how thirsty I was for a lush literary work dealing with the inner lives of women.

Naturally, most of the work deals with the life of the author, Lucia Graves. She is the daughter of Robert Graves, the famous English poet, novelist, biographer, essayist, scholar, and translator. She was raised on the island of Majorca, a place with a distinct cultural subset from the mainland Catalonian culture of northeastern Spain. She spoke English at home, Majorcan to the village people, and Castilian Spanish in school. Her father taught her a deep abiding love for words and language. There were dictionaries in every room of her childhood home so that the precise word might be found and discussed at any time. Later, as an adult raising her own family in a sterile modern Barcelona suburb, translation became the author's tranquil refuge from the everyday vicissitudes of life.

The book has four distinct themes. First and most importantly, we learn about the interior life and thoughts of Lucia Graves. It is important to note that there is little in this book about the life of her famous father, or the lives of her mother, siblings, children, and husband. The focus of this memoir is personal and inward at all times. Second, we learn about the lives of women who have played important roles in the author's life. She tells us about their strengths--the characteristics that allowed them to make the most of whatever adversity that befell them. Like her own life, she takes the lives of these everyday women and celebrates them. Third, we learn about the author's passion for words and for the painstaking art of translation. Finally, through the stories of the many women that make up the bulk of this book, we learn about the history of modern Spain, from the Civil War to the present day. In particular, we learn about the dynamic culture and people of Majorca and Catalonia.

There is the story of Jimena, Graves' cleaning women when she was a child growing up on Majorca; the story of Blanca, the island's midwife; and Juanita, her cleaning woman a dozen years later when she was a mother raising a family in Barcelona. Graves tells us about Olga, her childhood ballet instructor--a woman who had once achieved prima ballerina status in a major Russian ballet company, but eventually had to settle for a life of ballet instruction in a small Majorcan village. There's the story of Sister Valentina, one of the Catholic nuns who was Graves' teacher and mentor. Graves also delights us with the stories of courageous women from history: Marie Powell, long-suffering wife of John Milton and heroine of a book by her father that she translates into Spanish; and Margarida de Prades, the little-known and nearly forgotten 16th-century Queen of Catalonia. Graves also manages magically to weave into her contemporary life's story, the tale of the Greek goddess Persephone, Queen of the Underworld.

Like bookends holding the work together at the beginning and end, Graves gives us the story of her aging mother as she undergoes a minor operation in Barcelona. Once again, Graves takes this event as an opportunity to celebrate the many lives of the everyday women who were a part of this congenial, gracious, and loving hospital experience.

The Spanish legal term for a divorced woman translates as a "woman unknown." In the early 1990s, Graves became the "Woman Unknown" of the book's title when she and her husband of 26 years agreed to end their marriage. The subtitle, "Voices from a Spanish Life," aptly describe the many stories the author relates about vital Spanish women--unknown women whose lives she honors and memorializes.

This is a remarkable and richly nuanced work of literary prose. I recommend it highly, particularly to women, feminists, and others who may enjoy connecting with the inner dialogue of an astonishing, articulate, and uncommon woman of uncelebrated wisdom.

I've not read another book as lovely as this one in a long time! The estimable daughter of Robert Graves creates in beautiful prose an estimable voice of her own, while wearing warm and honorable traces of her father's literary genius; there's a common clarity, and distinction in the language. There's remarkable writing on every page; the ever so gradual reaching deep into the heart of Franco almost by not mentioning him, the destruction of her Spain from within, the passion of her love for her Catalan self, among her many selves- it's a thoroughly important book in every way. The first and last sections work like bookends and are epsecially right; Graves' subtle reflections on her relationship with her mother. This is English prose of the first order. Of course, one has a natural penchant to want to find wonderful amber things in her writing, given one's regard for the work of her father; the interesting thing is that her own voice presents itself right off, so much so that one ends praising even more the virtue of the inheritance, rather than getting lost in the echos. Her reflections on the work of a translator are beautifully woven throughout the book, and reveal a meticulous care for the possibilities of language. The ways in which she chooses to speak of her father in this memoir are memorable; at the oddest, least unexpected moment the narrative will turn and there is Robert Graves, father. This really is an irrepleaceable work of art. I commend it to everyone to read, there is something for every reader in these slender pages, and that surely expresses the consummate perfection of its parts.

I cannot write a review as I bought the book for a gift for my 99 year old uncle for his birthday.

Zimler's book is a triumph of modern fiction: an absolutely gripping narrative of love and loss set against a backdrop of fantastic historic drama. Zimler rises to the incredible quality of his bestselling The Last Kabbalist of Lisbon. The characters are rich and fully realized, and their conflicts are vital and real. They grow throughout the book, so that by the end you feel a real intimacy with them. The period setting is elegantly realized; you feel as though you are living in these far-away times, going to the bird market, observing the early forms of racism, encountering the ravages of the Inquisition. This is a story of family too, and the close bonds of the central characters are extremely vivid. I loved this book. Read it at once.

As an avid reader who has been ritually disappointed by the so-called "literary" sensations of the past year, it is a true joy to find a book with a heart and soul, written by an author at the top of his game.This mesmerizing, beautifully written tale of the friendship between a freed African slave and a bereaved child will make you weep on every page, such is the realism of emotion Zimler packs into each page. He is distinctly not an author given to mawkish sentimentality. This is the unputdownable book of the year that thoroughly deserves a wider audience. It is, as the flap copy suggests, an out-and-out masterpiece.

Richard Zimler's second novel, Hunting Midnight, casts as its central character a descendant of the title character in his first novel, The Last Kabbalist of Lisbon. The new work is set in Porto, Portugal, in the early 19th century, 300 years after the first novel.
Because it contains a wide range of ingredients - a South African Bushman, a Scottish winegrower in Portugal, South Carolina slaves, child abuse, characters' artistic pursuits, Beethoven, reverence for nature - it is perhaps more universal in its appeal than the first book.
But it also has its Jewish (and Kulanu) components, such as the narrator's discovery that he is descended from Jews, and the occurrence of an anti-Jewish pogrom in Porto.
The author writes skillfully as the voice of the young Scottish-Portuguese half-Jew as well as that of a slave girl in the American South. He also imparts a seemingly deep knowledge of Bushman belief and culture, in addition to snatches of Portuguese and Hebrew, and departures into Jewish philosophy and Scottish song and literature. The story-telling style is tight, with straightforward prose that builds up tension and suspense effectively.
These disparate elements might seem a bit too much, but it all works well together, and Hunting Midnight is a great read of almost-epic proportions. While The Last Kabbalist was also a mesmerizing, suspenseful experience, it was more parochial. The first novel was a best-seller in Portugal and did well internationally. The second novel, being truly universal, may well do even better.

Zimler's book is a triumph of modern fiction: an absolutely gripping narrative of love and loss set against a backdrop of fantastic historic drama. Zimler rises to the incredible quality of his bestselling The Last Kabbalist of Lisbon. The characters are rich and fully realized, and their conflicts are vital and real. They grow throughout the book, so that by the end you feel a real intimacy with them. The period setting is elegantly realized; you feel as though you are living in these far-away times, going to the bird market, observing the early forms of racism, encountering the ravages of the Inquisition. This is a story of family too, and the close bonds of the central characters are extremely vivid. I loved this book. Read it at once.

We bought this book and the information was very useful. We especially found the information on transportation and lodging to be helpful. The book lists plenty of restaurants too. There was so much to see and do on our trip and this book really helped us plan out a wonderful vacation. There is a lot of information on some of the smaller towns in Andalusia and elsewhere. All were amazing. All in all it's a very helpful book and worth the purchase.

I used this guidebook while touring Spain and Portugal. It was full of good information on places to visit and places to stay. The directions were easy to follow and I found their reviews of the places I stayed to be accurate. A word of caution - the Lisbon bus depot has relocated since this book was published - check with the tourist office for up to date info.

Excellent information for all tourists. . For the older traveler willing to spend a few more dollars forget the lodging advice, use the food, transportion, money information,etc.For the young on a budget all the information is important.

Whenever you would want to travel on "a shoestring" consider this guide. It gives some great suggestions for things to see, places to stay and nice restaurants. All this information is presented in a structured and clear way. Let's go is not afraid to express their own opinion without being biased. It is also great read if you want get some background on Spain and Portugal.

The big question at hand of course is if it beats the Lonely Planet and other budget guides. I feel this is something of personal preference. The information in the guide is not that different from one of the other guides but the way they structure it is different. An advantage of the Let's go is that it seems to somewhat less popular than the Lonely Planet.
Therefore you run less of a risk that this "special place" that is mentioned somewhere in the guide is crowded with other travelers that bought the same guide.

...and I used this guide both times. Incredible amounts of information for the budget traveler. I especially appreciate how accurate everything is. The food recommends are great, too.

Basically, of the guides I have used before, this is the best for somebody on a budget. Also, this guide seems the best for anybody traveling alone.