Canada Books

Walter Port and (Arnold) Eric Sevareid took an amazing trip that they started by skipping some of their high school finals so they could get the boat they could afford. Though the project appeared to have been Port's pet, it was Sevareid who came up with the way to fund it: writing about it for the Minneapolis Star. It was clear that once the project began both of them were truly enthralled by it and could not be put off. The tale is told simply, but with a clear affection for all of the people who helped them try to reach their goal, even though few of the people who helped were confident that these young men could make it or were even very encouraging.

The book is written from the journals that were kept along the trip. It is clear that this is a book of its times written by a man who was still quite young. While I would strongly encourage any teens to read this book to realize that they too can give themselves a goal that is worthwhile if only for being difficult, I would also encourage their parents to be ready to answer some questions about the wisdom and risks of such adventures and about some of the attitudes of the past. There is a casual acceptance of the bigotry against Native Americans that was common at the time and Sevareid was not yet the mature thoughtful man that we may remember from the CBS Evening News.

Still, the fact that a reasonably literate student was able to take, and appreciate, such a grand adventure while trying his best to bring it alive for us was a remarkable feat. Twain, at his best, gave us better feel for river adventure, but he had the advantage that he could embroider the story whenever necessary, while Sevareid was already writing and thinking as a journalist. This is a quick read that almost anyone, from a child in middle school to an adult whose days of imagined adventure are long past, can enjoy.

Enough youthful daring and preparation on a wonderful journey which showed the better nature of people for the exploits of two tough and bright young men. A wonderful journey, with some historical photo's that help illustrate the accomplishment. A wonderful quick read.

2250 miles in a canoe - a great adventure and a book worth reading. I can't add much that isn't already perfectly described in this book.

At the start of the trip during a brief stay in Fargo, North Dakota, a friend and doctor named Frederick Gronvold sets the boys on their journey in a proper frame of mind. "Don't let anyone, no matter who he is, convince you that your trip can't be completed. You have youth and strength, and courage too, I hope, and with a little common sense you can do it."

When the journey finally ends and the boys share their tale with the adults at York Factory, they are asked why? Bud responds simply, "Oh, for pleasure, I guess." A journey simply for the sake of the adventure. It is an idea lost on some of the adults listening to the boys. "Pleasure! What a jolly funny kind of pleasure!" Better yet, maybe the idea isn't lost. Colonel Reid continues, "Oh well, that's youth. Things look different when you're young, I suppose. My word, I almost believe I envy you."

Enjoy the beginning and the end; enjoy the pineapples and everything in between. Enjoy the journey simply for the journey; it's an adventure that is perfect for any reader of any age!

There's really only two things worth doing in Minnesota: One, canoeing the Boundary Waters/Quetico during Spring, Summer, and Fall; Two, THINKING about canoeing the Boundary Waters/Quetico during Winter. For the latter, this book is the gateway to paradise. Sevareid and Port have the true spirit of adventurers, the love-bug for the North Woods and her bevy of streams, rivers, and lakes, and Sevareid effectively tells his now-classic tale of how he and his friend drank deeply of all her treasures--complete with the axiomatic mistakes, mishaps, surfiet of discomfitures, and, alas, irresistible beauty that she provides to all who avail themselves of her wonders. Like St. Augustine, let us "Take up and read."

"Eric Sevareid made his name as a CBS news correspondent. But at a young age, Sevareid experienced an adventure most only dream of. Sevareid detailed the journey in his book "Canoeing with the Cree". Now to mark the 75th anniversary of Sevareid's journey, two Minnesota men plan to make the same trip." Tim Post

In 1930 two young men paddled their way from Minneapolis to Hudson Bay in Canada. A trip of 2200 miles. Everyone told them it could not be done. Eric Sevareid, then a 17 year old, fresh graduate of high school, and his best buddy, Walter Port, planned the entire trip. They garnered financial support, collected supplies and a canoe and paddles and off they went. Five months later after trials and tribulations, they made it to Hudson Bay. Their journey is documented by Eric Sevareid, who gathered the weekly diaries he sent to their local Minneapolis paper, and in 1935, he wrote this book.

I stepped back in time to the 1930's when life seemed to be more innocent and the world a safer place to be. Sevareid who went on to become one of the most revered journalists of our time, wrote in an unpretentious manner, and we can feel the excitement of their adventures. They traversed unknown land and water. No one, it seems, had ever accomplished this trek. Even the best canoeists in the country failed. How then, did these two young lads accomplish this journey? Intelligence and good luck, I'd say. They questioned everyone they met, took upon themselves to digest all of the information and made decisions based on their best judgement. And, most of the time they were correct. They had no radio, no maps( this was uncharted country), little preserved food except for hardtack, but they had their ingenuity and the assistance of all of the people they met.

The North Country was mostly woods. Camps, small towns and two larger towns had been established for hunting and trapping. Most of the humans they met were Indians who were kind and generous. As a matter of fact, most of the people they met were in awe of their journey and shared whatever food, equipment and conversation they were capable. The trip was amazing when we look at the obstacles they faced. Water, roaring cold water, sometimes rapids, sometimes falls, no maps, only the word of mouth of strangers, and cold brutal weather at times. Or hot humid weather with flies and gnats. They discovered all sorts of wild animals but were never in real danger. They had their tent, two paddles, food, water, ponchos and several blankets. This seems like a story of new adventurers discovering a new world, and in fact this is what they were. Two 17 year old lads set out on an adventure and one day after another they found one. Extraordinary when you think about it.

Since the time of Eric and Walter, several other duos have made the trip by canoe. However, they had maps, food that could be kept for months and the best of camping equipment. This is not to lessen these young men's courage, but to think 78 years ago, this was accomplished with such primitive arrangments and care.

This was an exciting read and one page after another flew by. The book was difficult to put down. Easy, simplistic writing. but some of the most important writing I have found. The boys parents and friends did not hear from them often and at times, I am sure the parents were worried. But the two lads persevered and the trip was taken.

Highly Recommended. prisrob 06-26-08

Not So Wild a Dream

The Eleanor Roosevelt Story

This book is a must read for everyone who wishes to understand why so many Canadians are disadvantaged, forgotten about, and labelled because teachers and medical professionals have deemed them as being lazy, having poor problem solving skills or products of bad parenting.
This book will provide new and MUCH needed accurate and uncanny insights for all those struggling with FASD.

This book has a spectacular impact. The examples of the lives of children living with FASD and their families struggling to cope are portrayed with accuracy and empathy that is rare and profound.

This book portrays the lives of children living with FASD and their families struggling to cope with accuracy and empathy that is rare and profound. The author's examples are so vivid and unassuming , they can change your life!

I am an adoptive mother of three school-aged children. I read an article by Bonnie Buxton re: her daughter, Collette. That article would change our lives. Our eldest, then 5, exhibited numerous secondary characteristics of fetal alcohol effects. I called Bonnie and she put us in touch with the fine people at St. Michael's Pediatric Clinic. Since then, we have been involved with a wonderful support group and are familiar with FASWORLD.
Bonnie's book is loaded with information for parents such as ourselves, not informed about our children's disabilities prior to adoption. It is a must read for all, especially your kids in their child-bearing years. I read it feverishly, as I reflected on the testimonials that appeared to reflect the complexities of our own lives. Buy copies and share them with your friends, doctor, children's schools, psychologist, etc. It is the one book that could literally save a child. Be informed. Pass it on!

Upon starting this book I found it was very difficult to put down.The story line even, though it was a biography, was very smooth and free of too much graphic detail. There was no feeling of "Ah, gee, poor me" while reading. Very professional.
This book should be mandatory reading material for all educators, legislators, CAS workers, medical practitioners and caregivers.
Would highly recommend as being up there with The Broken Cord.

I have read this book twice and I loved it. Mowat wrote as if the tug was a living thing. It was wonderful. I actually cried at the end when Franklin came into the harbor with barely any power left and covered entirely with ice, thus ending her life. The people who captained Franklin intriqued me as well. In the book they were the only ones that really cared for her.

Farley Mowat can make the stars sing with the sheer beauty of his writing. His writing is a little old-fashioned by today's standards, (all the better) but his craftsmanship is unsurpassed. You ARE there. You feel everything his characters felt, you see what they saw. The book ends happily and I know it, but I cry through the last chapter every time I read it because his writing takes me there. One hedge: the book does start slow, but if you keep plugging away, you will be richly rewarded.

This book is an unexpectedly riveting episode-by-episode story of the Foundation Franklin, a marine salvage tug that sailed out of the ports of Nova Scotia and Newfoundland in the 1930s and '40s. This working ship, built in Scotland in 1916 to craftsman's standards, eventually found itself unused in a Hamburg shipyard in depression-strapped 1930 where it was identified as a possible vessel for the Canadian maritime salvage fleet. From that day to its final heart-stopping drama, the trials of this unprepossessing high seas coal-fired tugboat are recounted in all their adrenalin-filled reality in Mowat's gripping and evocative prose. Managed by callous profit-seekers, officered by experience-hardened seamen and crewed by men desperate for employment, Foundation Franklin's story is, as well, a slice of social and commercial history. The mood is workaday danger, fortitude, struggle and courage, marred by a single passing dismissive remark about "union mechanics".

I first discovered "Grey Seas Under" about 15 years ago, appropriately enough as Able Seaman on an Ocean Salvage Tug. I was immediately enthralled. Out of the many books on the sea I have read, this one remains very dear to me (not that you have to be a mariner to enjoy it). Grey Seas Under is the true story of the ocean salvage tug, FOUNDATION FRANKLIN and the brave men who battled the North Atlantic to save hundreds of ships and thousands of lives. Farley Mowat, a master srory-teller, passionately desribes the exploits of FOUNDATION FRANKLIN with geat admiration and humor. Grey Seas Under is a true masterpiece saga of the sea. I've read this book probably 6 times in the last 10 years and I'm sure to re-read it for many years to come. I cannot recommend this book enough. I also highly recommend "The Serpents Coil" also by Farley Mowat, another first-rate tale of the sea.

The ocean-going salvage tug, `Foundation Franklin' was more than a match for the worst the North Atlantic could throw at her, including Force 10 hurricanes and Nazi U-Boats. Perfect Storm, eat your heart out! Here is the real book about the great-hearted men and their staunch little ships that survived blow after blow from the Atlantic and bobbed up for more.

If the author, Farley Mowat is sometimes guilty of over-the-top prose---well, he lived and worked on the Franklin, and he loved her sturdy lines, her jaunty roll, and every rivet that held her together while she rescued ships that were Goliaths to her chubby, little Baby Huey. No work could have been more dangerous; none required a higher degree of seamanship and courage than dropping a line on a berserk, lunging, steel-hulled freighter, and then towing her through the maw of a mid-December gale, or the shoals and `sunkers' of the Newfoundland coast---something the Franklin did so many times that her crew lost memory of all but their most freakish or man-killing expeditions.

"Grey Seas Under" will give you an interesting perspective on the true maritime heroes of World War II. Farley Mowat doesn't pull any punches when he describes the tension that existed between the expert seamen on the ocean-going salvage and rescue tugs, and their relatively `amateur' counterparts on Canadian and American naval warships. Some of the funniest scenes in the book involve convoys of merchant ships under the `protection' of corvettes and destroyers. Once a U-Boat had been sighted and the merchants steamed for cover, it was up to the Franklin to rescue the ones that ran into each other or shoaled themselves. Usually, the tug had to perform her duties without any cover from the warships.

"The days the salvors (tugboat seamen) spent tethered to fat and crippled merchantmen, crawling along on a straight course at a speed of two or three knots like mechanical targets in a shooting gallery, were the kind of days that would drain the courage from the most heroic man alive...The Germans knew, that for every rescue vessel sunk there would be a score of crippled merchantmen who would never make safe port."

This is a great book about men against the sea, even though the language gets very nautical at times. Read it and you will learn all about Lloyd's Open Form, and the tricks that wrecked merchant masters play to cheat tugs out of their salvage fees. You'll learn to tell the difference between `Monkey Island' and the poop deck---and the difference between `brass monkeys' and true seamen. You'll thrill to the dangers of sunkers, beam seas, and Arctic white-outs. You'll bite through your pipe-stem, just like the Franklin's captain did during those tows when his sturdy little tug steamed back into port with barely enough coal in her bunkers to "cook a pot of beans."

Someone ought to make a movie out of "Grey Seas Under." It's got everything---romance (between man and ship, at least); life-and-death adventures; heroism; humor; and the treacherous ice, wind, and sea of what the author respectfully refers to as `the Great Western Ocean.'

Marshall McLuhan's _The Gutenberg Galaxy: The Making of Typographic Man_ (University of Toronto Press, 1962) is 45 years ahead of its time because not very many persons have understood it very well. With bold strokes, McLuhan has delineated how Western culture is different from other cultures in the world today. For Western culture is still a residual form of print culture, whereas other cultures in the world today are to one degree or another residual forms of oral cultures.

Drawing on Walter J. Ong's account of visualist tendencies in Western philosophic thought in _Ramus, Method, and the Decay of Dialogue: From the Art of Discourse to the Art of Reason_ (Harvard University Press, 1958; 3rd ed. University of Chicago Press, 2004), McLuhan also calls attention to visualist tendencies in Western thought.

In the late 1950s, McLuhan, a Canadian convert to Roman Catholicism, read _Insight: A Study of Human Understanding_ by the Canadian Jesuit philosopher and theologian Bernard Lonergan. Lonergan calls attention to the tendency in Western philosophic thought to equate knowing with "taking a good look." Thus McLuhan was drawing not only on Ong's account of visualist tendencies in Western philosophic thought, but also on Lonergan's.

In the 1994 "Introduction to the Transaction Edition" of his book _Belief and Unbelief_, Michael Novak, who studied under Lonergan as a young seminarian in Rome, nicely paraphrases Lonergan's critique of visualist tendencies in his own words:

"Rorty thinks that in showing that the mind is not "the mirror of nature" he has disproved the correspondence theory of truth. What he has really shown is that activities of the human mind cannot be fully expressed by metaphors based upon the operations of the human eye. We do not know simply through "looking at" reality as though our minds were simply mirrors of reality. One needs to be very careful not to confuse the activities of the mind with the operations of any (or all) of the bodily senses. In describing how our minds work, one needs to beware of being bewitched by the metaphors that spring from the operations of our senses. Our minds are not like our eyes; or, rather, their activities are far richer, more complex, and more subtle than those of our eyes. It is true that we often say, on getting the point, "Oh, I see!" But putting things together and getting the point normally involve a lot more than "seeing," and all that we need to do to get to that point can scarcely be met simply by following the imperative, "Look!" Even when the point, once grasped, may seem to have been (as it were) right in front of us all along, the reasons why it did not dawn upon us immediately may be many, including the fact that our imaginations were ill-arranged, so that we were expecting and "looking for" the wrong thing. To get to the point at which the evidence finally hits us, we may have to undergo quite a lot of dialectical argument and self-correction." (p. xv)

In summary, Western philosophical thought from antiquity down to the invention of the Gutenberg printing press around 1450 carried a strong visualist orientation, as Ong has detailed. Then with the advent of the Gutenberg printing press visualist tendencies were much more strongly culturally conditioned than ever before. As is well known, print culture in the West with its strong orientation toward visualism saw not only the spread of the Protestant Reformation, but also the emergence of modern science, modern capitalism, modern democracy, the Industrial Revolution, and the Romantic Movement. Thus the strong orientation toward visualism in the West has helped set Western culture off from other cultures of the world.

However, today modern capitalism as developed in print culture with its strong orientation toward visualism is being globalized through economic globalization. Thus capitalism today is making inroads into parts of the world where print culture did not have the historical impact that it had in Western culture. To varying degrees, the other cultures are residual forms of oral culture, as McLuhan describes oral culture in this book.

Thus McLuhan's pioneering study of print culture can enable us to better understand the world situation as we live through the upheavals of economic globalization.

--Thomas J. Farrell, author of Walter Ong's Contributions to Cultural Studies: The Phenomenology of the Word and I-Thou Communication (Media Ecology)

Definitely more of an academically written book than McLuhan's more famous "Understanding Media." For new McLuhan readers, I recommend reading "Understanding Me" or "Understanding Media" first.

This book expands on the views of McLuhan's teacher Harold Innis, who distingusihed oral and written cultures. The book argues that oral cultures are synaesthetic and work with synthetic logic, while cultures of writing push the mind toward singulation of senses, logic and 'perspective'.

McLuhan 'glosses' through a wide range of scattered historical pieces of information to show how oral, written and print cultures have different patterns. He ably shows how printing also transformed art, architecture, society and industry.

The book is thoroughly historical, dense and rich in informative detail. It forms the foundation for McLuhan's clearer theoretical articulation of his ideas in 'Understanding Media', but is more accessible to the layman.

This book belongs to a pantheon of books that revolve around similar ideas like Harold Innis's 'Empire and Communications' & 'The Bias of Communication'; Walter J. Ong's 'Orality and Literacy' and William J. Ivins's 'Print and Visual Culture' and 'Art and Geometry'. But this is the most sweeping, convincing, dramatic statement of the common theory proposed by these various writers.

And for those who love theory with a dose of history, this makes for really delightful reading.

The Gutenberg Galaxy, McLuhan's second book, is one of his best, but the reader should be forewarned that it is also one of his most difficult to read and does not make a good introduction for the beginner. One of the reasons for this difficulty is that it is written in mosaic style, in which McLuhan -- like Walter Benjamin's Arcades Project -- creates a text that is largely composed of quotations from mostly obscure authors stitched together with his own commentaries in between. These quotations are from works written in classical academic style, and none of them are easy reading. They require concentration and the book itself takes time to read carefully.

The book is a cultural archaeology of the effects of the rise of print upon Western society in the period between 1450 - 1850. It is concerned with analyzing the new kinds of social and cultural structures which typography brought into being, such as nationalism, the concept of individuality, the idea of authorship and intellectual private property, new genres such as the literary essay and the novel. The rise of the printing press, McLuhan points out, was coincident with the rise of the mastery of depth perspective in Renaissance painting, and this is not an accident, for both the new Euclidean space conception and typography had in common an emphasis upon the organization of the world around the eye favored as a sense organ at the detriment and exlusion of all the other senses. During the manuscript culture of the Middle Ages, the senses were still synesthetically woven together like a tapestry, and no single one of them was favored to quite the degree of exclusion which the favoring of vision brought about in the Renaissance. Illuminated manuscripts, according to McLuhan, have a textural feel to them that still relies heavily on the sense of touch, and Medieval art, with its disproportionate sense of space in which one character -- such as Christ -- will be represented as larger than everyone else primarily due to the emphasis upon his spiritual importance rather than his inclusion as one individual among many occupying the same field of homogeneous space, is similarly haptic. Gothic lettering, he points out, is hard on the eye and difficult to read because it is tactile and still appeals to the sense of touch. Roman lettering, together with Arabic numerals, was favored by print, and this had the effect of streamlining the ability to read such that silent reading became common. Printers began to do new things like number the pages, create indices and Tables of Contents, and this had the effect of emphasizing authorship since it now became possible to track citations properly. Typography, McLuhan never tires of pointing out, favors the eye at the expense of all the other senses, and it tends to favor an abstract view of space as a container within which objects are placed in an arrangement that takes all spatial relations into account.

All of this began to change in the nineteenth century with the rise of electric technology and the favoring of discontinuities brought about by the telegraph and the newspaper. This kind of syncopated feeling for space, in which each object begins to occupy its own space no longer held in relation to other objects, began to erode and change the old typographic world of the Gutenberg Galaxy. Electric culture, which McLuhan does not discuss much in this book, favors tribalism, spatial discontinuity, erosion of individuality and the rise of corporatism, decentralization and so on.

This book should be read together with Understanding Media, for the latter volume picks up where The Gutenberg Galaxy leaves off, at the threshold of the Electric Society.

It is a masterpiece of scholarship by one of the greatest intellects America has ever produced, an intellect that easily puts the French po-mo philosophers in the shade. You will get more useful ideas out of any one of McLuhan's books than you would out of a whole crate of books by postmodern French philosophers.

--John David Ebert, author of Celluloid Heroes & Mechanical Dragons: Film as the Mythology of Electronic Society

This is the first McLuhan book I read, back in the late 1960s. It took me about a month to get through, because each short chapter contained so many new ideas and insights I had to think about them before going on. I didn't always understand them, but what I did comprehend was intoxicatingly exciting.

Many readers of McLuhan treat his probes as absolute statements of truth. Then, if they disagree with him, they reject his whole approach. One important fact to keep in mind while reading this or any of McLuhan's books is that he himself refers to the clever slogans which sum up many of his insights ("The medium is the message" being the best known, of course) as "probes", not facts. Their purpose is to explore an idea in order to stimulate thought. Even if you ultimately disagree with the concept set forth, if it makes you think about it, the probe has accomplished its principal purpose.

Just thought I would redo my previous review. The main reason I got this book was because I got interested in Tom Green after watching Freddy got fingered. I think that film is possibly one of the funniest movies ever made, although I know quite a lot of people disagree with me on that one.

In my previous review I kind of referenced Howard Stern's private parts. In a sense they are somewhat similar. Both books deal with the theme of a somewhat ordinary guy rising to fame in a funny and lighthearted style. Green's book is a bit more personal though, dealing with both his illness, marriage and fall from grace.

There are some insider tidbits about other celebrities, although it is mostly nice stuff. The celebrities being painted the worst are probably Martin Short and Courtney Love. There is a segment about Courtney heckling Green's father during his speech at the Barrymore-Green wedding. I guess no-one would really contest the validity of that happening.

I don't think the parts pertaining Drew Barrymore are at all negative nor ill intended. Green's namedropping seem to not really be trying to capitalize off certain people's fame.

I think even people, even the ones that detested Green's other works, will find the book interesting. Especially if they would like to get an inside look at the Hollywood-elite's society. And the fans get an inside look at how some of the classic moments like i.e the moose humping and the bum bum song got created.

I couldn't be more pleased with the book, there's so much more depth to this man then most people realize. If you're even a casual fan of Tom Green's, this book is well worth picking up.

If you like Tom Green, read this book. If you hate Tom Green, read this book. Tom is a genuine talent. Amazing. I was riveted by Tom's story. I read this in one day.

Wow, this is now my favorite book, (Although that isn't saying much, I rarely read) It is a funny, but also serious book about Tom Green's life. I read this book in 1 day (I got home from a friend's house a 12 AM and read until 5 AM, went to sleep, then woke up and finished it) I just couldn't stop reading it. This is a great book whether you are a fan of Tom Green or not.

I was never a huge Tom Green fan, as I was a few years too old to appreciate his MTV show. I was intrigued by his story, which as I'd heard was that he was a small town Canadian boy who struck it big with gross-out humor and MTV.
After reading his biography, I have definitely changed any and all assumptions about him and his work. The insane rollercoaster of the best and worst luck in the world he experienced within a few years would be unbelievable were it not true. The decade of persistence that preceeded those huge years is in itself impressive. The anecdotes about giving a speech, a night with a rather wild woman, having and making use of a cell phone before cell phones were everywhere, plus so much more all adds up to one of the most interesting and captivating books I've ever read. Another point to mention is that in a world of gossip and salacious tales, Green gives more information and personal feelings than I expected, but never, not even once, uses the book to criticize anyone else or to try to make himself look like a hero. He shows a lot of appreciation and humility, and reveals an immense depth of character. I had intended to read this book over a period of time and started reading it on a four hour flight. As the plane landed I was only 30 pages away from the end. I exited the plane only to sit in the boarding gate and reopen it because I couldn't wait to finish the final little bit. It was that good. I highly recommend this book to fans, non-fans, and everyone else.

This book will open your mind to the plight of the aging population in our prison system.

Prisoners of Age is visually and intellectually stimulating. I was fortunate enough to see the actual exhibition in San Fran. Having the book to peruse through at my leisure is a bonus and brings back the vividness of the photographs on display in Alcatraz while in addition providing some very interesting reading. I recommend it for personal or a gift purchase.

apart from the magnificent photographs and compelling text,this book is powerful because it forces a reader to think about the shameful issue of america's prisons. at a time when most citizens would rather look at the latest celebrity du jour on the cover of every magazine, a work of art that presents real people -- most often old, a no-no in this society -- in grim situations should be applauded. "prisoners of age" peers into the abyss with courage and the result is the antithesis of fantasyland.

This was without doubt the most thought provoking body of work I have ever had the pleasure of reading. The pictures are haunting in their eloquence. There images leave you with a sense of despair that at first overwhelms, but then touches you in pity for those poor wretches staring back from their miserable confines.

I found the book Prisoners of Age to be a very powerful and revealing collection of portraits and photo essays. The images were on par with the photography of Richard Avedon and Mary Ellen Mark. This book forces you to slow down and think about our aging prison population not just as a number but as real people with hopes and dreams. This book does not attempt to pass judgment about the incarceration of the aged but lets the viewer draw his or her own conclusions. The overall quality of the book is outstanding with first rate printing and cutting edge design and layout that showcases the photography.

This book, my all-time favorite novel, was Anthony Hyde's first novel and to appreciate it you have to remember that in 1984, when this novel was published, there was no Internet, no Google, very few electronic methods of getting information. Hyde's protagonist, Robert Thorne, a former journalist, is a Russian history expert who is drawn into a mystery that consumes him to the end. Thorne is a very likable gentleman, no quirks, utterly normal. When Thorne probes the mystery surrounding him, he uses time-honored methods of finding information, such as the Bettmann Archive, talking to people involved, etc. whereas today most journalists can simply Google someone.

As for the plot, if you've ever read Graham Greene's "The Third Man", you'll find some similiarities. Because Hyde uses the 1st person, we get every thought that Thorne is thinking, and so you get a sense of an updated Mickey Spillane "hard-boiled detective" novel, too.

Because Hyde was writing his first novel, he avoids many of the "hack" techniques other writers often employ, there are no cliches, no gratuitous sex scenes and no inane dialogue.

You can see where Hyde gets some inspiration, though; there's a little bit from "The Godfather", a scene where Thorne is in a restaurant in Leningrad, talking to a Russian KGB agent, that is straight out of "Casablanca".

But, these are quibbles - I love this book and it's replaced "Doctor Zhivago" as my fave novel of all time.

I've destroyed my copy from having read it over and over. This used to be in my father's bookshelf until I was bored as a young lady and absconded with it (SHHHHHHH. That was about ??(mutter mutter mutter) years ago.

I love Soviet history, particularly anything to do with the Russian Revolution and execution of the Tsar. This dances around it through the whole book. There's unrequited love and history and political intrigue. How can you go wrong there? Wonderful intelligent and captivating.

THere's my two cents.

This is a very readable book. The storyline is ever developing and doesn't necessarily lead you where you think it will. It also was refreshing to read a story in the first person, that did not spend enormous amounts of time building themselves up to be experts in this or that or telling you how with-it they were by wearing name brand clothes.

It is a mystery story that is believable in its development and execution. You can identify with the main character, because it could be your next door neighbour. And as an added bonus, there is a lot of information about the Soviet Union that is interesting to know. Good book!

I've read well over 1000 novels in my life, but after this one, I felt compelled to write a review. I'm not saying it's THE best story I've ever read, but it's the most engrossing book I've tackled this year hands down. The well-conceived plot is absolutely impossible to guess and the settings are unique when compared to the cliched L.A. or N.Y. settings of most of today's bestsellers. Get this one before it's out of print.

This is one of my favorites of the cold war fictions. I loved the location descriptions and choices; you start in North American and just keep going east. This is a smart, fun book that gives the reader a great story and a lot of interesting historical facts about Russia. This really is a book that has two - three very well developed and written plot twists that makes you stay on your toes. I have reread the book and it is something how well he places the road signs. This is a great book; unfortunately he was not able to keep up this form into his next.

Having read a lot of WWI books and books on sniping this one takes the cake. It's written in the autobiographical tradition of Teddy Roosevelt and will impress the old and young alike with its vivid imagery and colorful prose. Great read.

Mr. McBride has written a book that nearly perfectly talks about what can be expected from a modern infantry man. He talks about sniping, putting in a properly sighted machine gun, raids, and patrols. Honestly, this book is so good that most Army ROTC and Marine Infantry instruction may want to have their future officers and NCO candidates read this book.

I will give you a story that really stuck me as being ahead of its time. Now, this book was written in the mid-1930s. However, Mr. McBride knows the problems of lugging ammunition. A soldier with .303 British (about equal to modern NATO 7.62 ammo) could only carry about 200 to 300 rounds. So, Mr. McBride thinks the armies should carry ammunition of about .27 caliber. That is almost exactly 6.8 mm. This is exactly the same solution the US Army discovered after 5 years in Iraq.

I liked this book. Mr. McBride thinks both the British and Canadian Armies did much better with their training time than the US military. Indeed, he thinks the US Army and military is overly tied up with paperwork. And that observation was made in 1918.

This is a five star book by a soldier who knows his field craft. Pay attention to his anti-sniper traps. They are still useful today. Also, the book is great for telling about how the Germans would leave abandoned grenades after an attack. Some were rigged to go off if picked up.

As written before, this book is five star. Mr. McBride writes a book about the birth of the modern infantry man. Indeed, their is little difference between a Tommy of WWI with a Lewis gun and a Grunt in Vietnam carrying an M-60 machinegun. In 50 years little had changed.

The modern professional soldier can learn a lot from this book. Some university military history departments may want this book for an individual study of a hard infantry man.

A thoughroughly enjoyable, mesmerizing, collection of a soldier's WWI remembrances. Somehow manages to be more than the sum of its plainly told, shy, politically incorrect, wars is hell but you get used to it parts. It ends up assembling and describing bit by bit the remarkable character of the author.

Also notable to me for how it reaches across 70 years to contrast how we've changed as a people. For example, I don't think this book would be published as written today. The editor would have probably added more polish, removed some of the namecalling and stereotyping and would have thus diminished the book.

As a rifle shooter with a historical interest i bought this book. If your looking for an overly dramatic or gruesome account of life in the first world war trenches dont by this book. From what i can tell it is a written collection of memories by the author. These memories are written in a matter of fact, straight talking way which does not hide the authors zealous approach to his task of being a soldier.

Although at times slightly rambling i found this an interesting read and at times amuzing. A good reference if you are interested in rifle shooting or battle history.

It might not be written in perfect English, and it's not always politically correct, but it's definitely always enjoyable.

You get the whole WWI experience from the author's point of view, including enough "war stories" to satisfy any reader.

McBride includes technical details, anecdotes, and just good old story telling, in this tale of a machine gunner / rifleman in the Great War.

When I picked up my copy of Sexography, the store clerk said to me that she had read it and had met the author, and was "proud of her"... I thought that was a funny thing to say so I asked her what she meant -- did she know Carly? She said no, but "I just think she's so brave." I wasn't sure what to make of that, until I read the book for myself.

Time for some full disclosure: I've known Carly for several years and have always known her to take a more or less "open book" approach in her writing. So I wasn't surprised to find the same quality in Sexography. But I do think it's a brave book, for a couple of reasons.

For one thing, I think it takes courage to talk about sexual abuse and rape when one has had the experience (as Carly did) of being disbelieved by your parents. But the other place her courage really shines through is in her remarkable resilience. This book tells the story of a woman who comes through some pretty intense emotional stuff, and who isn't content to just stop feeling bad -- she pushes well beyond that to a place of real wholeness and health. It's inspiring, and a story well worth telling.

Before reading this book, I knew Carly well enough to know that she had some battle scars from her past; but I didn't know quite what a survivor she is. Actually, survivor is the wrong word -- she's a thriver.

Carly's book left a strong and lasting impression on me. I found it to be a journey that every woman should travel, as I felt myself grow in strength and resolve as she does, overcoming the odds to find her voice--and one with an amazingly discerning eye and superior sense of humor.

It's an inch, by inch description of how one young girl, then woman searched and earned her own sense of self, and self esteem. There are no short cuts or platitudes that can erase an abusive past--the secret to healing really lies in hard work and perseverance. Struggling to create your own anchor, (one's sense of self, and a grid of values of your own making) is a universal, coming-of-age-and-beyond struggle. What makes this book so intriguing is that the subject matter, a "Sexography" throws in sharp relief many of the issues women face, from wanting and needing a man who is not good for them, to how to fathom and take advantage of the great experience sex can be. But basically, this book is about LIFE, how to make peace with the one you've got, and embrace all the possibilities it has to offer in the midst of sacrifice, pain and disappointments...this should be required reading for every young woman.

With a title like SEXOGRAPHY and a cover image so enticing, if one is to judge this book by its cover, one might guess that this book is filled with lurid, shocking, and downright naughty stories about sex, sex, sex!

And while there are some very naughty stories indeed, notice line underneath the title of the book: One Woman's Journey from Ignorance to Bliss!

This is not just a book about sex; it's an honest account of Carly's sexual journey through her first three decades of life... the good, the bad, and the ugly... set in the context of how her sexuality affected her life in the larger picture. Instead of a one-sided analysis of her sex life, Carly delves deep into the various aspects of all the emotions, behaviors, life-changing decisions, and other ways that sex gets wrapped in our lives.

I hope that in another 30 years, Carly will consider a follow-up sex memoir book to tell all about her next 3 decades!

Carly Milne has penned an unflinching portrait of molestation by her father, an honest look at dealing with herpes and surviving sexual assault, homelessness and alcoholism all before turning 18, and the comedy that ensued from working as a sex toy tester.
In her first book, "Sexography: One woman's journey from ignorance to bliss," Milne has recorded both the hilarious and harrowing visions of her sexual self, with a frank tone and unpitying wit.
No excuses.
Milne dove into memories starting with the childhood comfort in her own naked form, and the long years spent trying to reclaim that feeling.
The scene of the first time Milne was raped, after taking a ride home with a stranger during her early teen years, is a disturbing portrait of the assault, made all the more horrifying by Milne's internal dialogue. It's hard to remain distant from the rape while reading the victim's thoughts. And that's just as it should be.
Although it may leave readers with a taste of the nauseated feeling of being violated, or at the very least squirming in their seats, the rawness of even the most painful memories is what makes the book work, from those heavy moments, to the lighter side.
Early explorations, including discovering the difference between boys and Ken dolls and practice make-out sessions with Milne acting as a stand-in for Rick Schroder, are written in a playful tone.
And a scene where Milne tries to Create A Mate, casting her then-husband's penis in "buddy batter" goop for a personalized dildo, is laugh-out-loud funny.

Sexography by Carly Milne was a book I read every spare moment I had. I get it now! The mind of an abused woman is something I and many others never understood. I always thought it was about me. What did I do? Only now do I understand what an abused woman in an otherwise healthy relationship is going through. Carly has made it possible for me to have open and wonderful conversations with former girlfriends about what happened when we were together.

Her courageous, open book, see it all, writing style is gripping! You know this is the truth, the whole truth. It's wonderful how she shares her inner dialogue, her thoughts, her struggles with coming to grips with "there's something wrong here". You are there with her as she heals step by step, level by level.

Read this book! You cannot get this insight anywhere else. I guarantee you will not be disappointed!

I was so happy to find this book listed in your selections. I had "worn out" my original copy of this book, and was looking for a replacement. It is perfect, and with this one now do not need any other cookbook.

My two grandmothers used this cookbook like a bible. They still have the original book, but now they're both tattered, falling apart, and some pages are even unreadable.

When one of my grannies turned 85, I bought the new cookbook for her. She was so excited. She had to hide it because all her children wanted to 'borrow' it to do their own cooking.

When my mother heard I was buying one for my granny, she wanted one too. I'm thinking of buying one for myself as well.

It's just that good!

I purchased this book for my wife because she has the original from the 70s. it is so worn out and has pages missing because it gets used so much. the recipes are the best period.

this is a really good cookbook, very basic. If you have no other cookbook, you could get along very well with just this one. A lot of historical perspective, and very basic cooking techniques.

My mother has a purity cookbook that we use for everything! I have never had pie crust so good! This has many of the same recipes in hers but now I can have my own and it was very inexpensive. I even got her one since her other one is falling apart and covered in stains. I recommend this cookbook to everyone!!